SCREENING - Ojai Film Society

Transcription

SCREENING - Ojai Film Society
Fall 2012 Sept. 8 - Dec. 2
SCREENING
S
C
H
E
D
U
L
E
F i r s t Po s i t i o n
The Intouchables
Beasts of the Southern Wild
Bernie
T h e We l l D i g g e r ’ s D a u g h t e r
A Message from the President
Board of Directors
President
Jim McEachen
Vice President
Christy Sebastian
Treasurer
Stephen Miller
Secretary
Gillian McManus
Directors
John Adair
Corinne Bourdeau
Bret Bradigan
Hon. Fred Bysshe
Connie Campbell
Jim Christiansen
Nicole Haggard
Anthony T. Hirsch
Bill Paterson
Dear Movie Lovers,
As we begin our final season of films for 2012, I am thrilled to report that
filmgoers in Ojai now have a state-of-the-art Digital Cinema Projector. This
is a goal we as a board have been working toward for the past two years—
and it is a credit to the theater’s owner, Khaled Al Awar, and his generous
commitment to this community. As a business, film exhibition is a pretty
marginal business model, particularly in a community as small as ours. As
Jim McEachen
many of you know, the projection we now have is absolutely flawless; no
President
more scratches, missing frames, blisters and jumping frames. Every Digital
Cinema Print (DCP) is 100% free of these imperfections that are common with 35mm prints.
In addition to the much improved picture quality, the sound quality has taken an enormous
step forward with far better channel separation, clearer dialogue and much fuller sound over
all. Going forward, our commitment to you is to screen as many of our films on DCP as is
possible. Some films will continue to only be available on 35mm film and some of our
documentaries will only be available on Blu-ray. In the future, we will note in our program
which format we are screening for each of our selections.
As with all technological improvements, particularly ones as dramatic as those represented by
this new system, costs are incurred. In addition to the very significant expense of the actual
projector, which has required the management of the Ojai Playhouse to raise their rental rates
across the board, there are also other new fees added by distributors. These fees range
between $100 and $300 per title we screen. As a result, we have been forced to raise our
Subscriber rate for the coming 2013 Season that begins in January. Our new Subscriber rate
will be $160 per year and will help offset some of these very significant increases.
Finally, as some of you may have noticed, we are beginning to offer a Saturday screening of
our films, the day before our traditional Sunday screening. We feel this will give more Ojai
residents and guests an opportunity to see some of our more popular films. Initially, only a
few films every season will have two screenings. Look for details in our program for screening
times and dates.
As always, we want to thank all of our subscribers, underwriters and patrons for your
attendance and support. None of this would be possible without all of you!
See you at the movies on Sunday. And some Saturdays now too!
Jim McEachen, President
Ojai Film Society Underwriters
The Ojai Film Society thanks the following individuals and businesses for underwriting our films:
Joan Roberts
Terry Twichell
Joan White
Program Committee
Connie Campbell
Jim Christiansen
Bill Paterson
Office Manager
Elise DePuydt
Advertising Sales
Andi Bloom
Jim McEachen & Doreen Palermo
John & Lisa Adair
George Berg & Gail Topping
Gillian McManus & Christopher Newell
Bryant Street Health & Fitness
Stuart Meiklejohn & Mary Ann O’Connor
Fred & Judy Bysshe
Ojai Academy for the Arts
Donnyboybook.com
Ojai Community Bank
Ferguson Case Orr Paterson,
Ojai Valley Directory,
Attorneys at Law
Ren & Victoria Adam
The Granada Theatre, Santa Barbara
David & Agnes Olson
Valerie & Alan Greenberg
John & Stephanie Orr
Roderick & Joyce Greene
Osteria
Monte Grappa & La Fonte
Tony & Barbara Hirsch
Howard.Smith@MorganStanley.com
Bill Paterson
Carolyn Huntsinger
Laura & Bill Peck
Film Society Ticket Prices
$10.00 general admission
$ 7.00 seniors (65 & over) / students (with ID)
F R E E admission for 2012 OFS Subscribers
2 Ojai Film Society
Erick & Gail Peterson
Ron & Linda Phillips
Joan Roberts,
Coldwell Banker Property Shoppe
Christy Sebastian & John Kuney
Paula Spellman & Ken Crosby
Rick Thompson, Tennis Pro
Topa Topa Taxi
Terry & Cricket Twichell
Thomas & Esther Wachtell
Justin & Katherine Zackham
Generous Friends (2)
The mission of the Ojai Film Society is to present
quality independent, classic and foreign films to
the Ojai Valley community and to assist aspiring
filmmakers.
4:30 p.m. at the Ojai Playhouse • 145 E. Ojai Ave. • OFS office: 805-646-8946 • www.ojaifilmsociety.org
Sept. 8 & 9 - Bernie
USA 2012 (1 hr., 44 min.) Rated PG-13 DCP
Who
would have
thought that
a film based
on a reallife murder in Carthage, Texas would be one of
the year’s best comedies? Bernie owes this
honor to a top-notch script and pitch-perfect
performances by Jack Black, Shirley MacLaine
and Matthew McConaughey. These
Hollywood luminaries are all given a run for
their money, however, by the interviews of the
actual citizens of Carthage. Their steady
stream of wry observations on life in small
town Texas are but one of the many comic
delights of the film.
Bernie (Jack Black) is the assistant director
of a funeral home. He is both a marketing
master and the town’s most admired publicspirited citizen. In his most selfless act, he
befriends Marjorie Nugent (Shirley MacLaine),
a misanthropic widow who is the most hated
woman in town. Finally even the saintly
Bernie can no longer endure life as Marjorie’s
24/7 lackey. He snaps and Marjorie is off to
meet the grim reaper.
Bernie’s elaborate cover up works until he
finds himself in the gun sights of Danny Buck
(McConaughey), the local prosecutor and
consummate media hound. What happens
next is not what you would expect from the
law-abiding folks of Carthage. In the tradition
of Fargo, this is black comedy at its best.
“A true-life Texas tale so perfectly told it
seems more like eavesdropping than movie
going.”—Betsy Sharkey, Los Angeles Times
Joan Roberts
Broker Associate Realtor,® GRI, ABR
(DRE Lic # 00953244)
805-223-1811
Coldwell Banker Property Shoppe
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For the sale or acquisition of your property
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With my services mention this ad
for a $200 credit at close of escrow
Sept. 16 - Sound of Noise
Sweden 2011 (1 hr., 42 min.) Rated R DCP
From Ola
Simonsson
and Johannes
Stjarne
Nilsson, the writer/directors, comes “a truly original
comedy that is so confident of what it’s doing that I
can’t think of a single movie to compare it to,”
writes Chris Hewitt of the St. Paul Pioneer Press.
You’re the scion of talented classical
musicians. Your parents are well known. Your
brother is a celebrated composer and conductor.
Your parents had such high hopes for you they
named you Amadeus. No pressure.
The bad news: You’re tone deaf. So you
become a police officer. You head the antiterrorist
squad. One day a group of musical anarchists
launch an “assault” on your city, staging musical
happenings in odd venues: an operating room, a
bank, and the like. Naturally, you’re assigned to
investigate, bringing you right back to what you
hate the most: music. The “terrorists” comprise
six percussionists. As you pursue them, you
become attracted to their leader, a comely blonde
expelled from the music conservatory.
That’s the premise of Sound of Noise,
expanded from the 2001 short, Music for One
City and Six Drummers. “What follows is a
character study mixed with outlandish crime
procedural. Everyone’s quite serious about the
joke, without a moment of Adam Sandler-style
‘look at how cute we are’ that would only dilute
the film’s appeal. Sound of Noise is a dry treat—
a solid, self-aware cult pleasure.”—David
DeWitt, New York Times
Sept. 23 - First Position
USA 2011 (1 hr., 30 min.) Not Rated DCP
Director Bess Kargman will be in Ojai for a
Q & A after the film. See ad on page 7.
If you
think a
documentary on a youth ballet competition could
never be as exciting as a nail-biting athletic
contest, the young contestants in First
Position will change your mind.
Who are these talented dancers? Aran is a
pensive 11-year-old who gives new definition
to the word “dedicated”. Miko is bottled
sunshine. Joan is from Colombia and hopes a
win will help him reach his cherished goal of
joining the Royal School of Ballet. Rebecca is a
blond and willowy young woman who is
afraid she will come up short. Michaela, who
was adopted by an American couple after her
parents were murdered in Sierra Leone,
refuses to concede anything to injuries that
would sideline a lesser soul.
Along with the pleasure of being in the
company of these aspiring young dancers
comes insight into the world of ballet
competition. The relentless practice leaves
little time for anything else in their lives and
the strain on their bodies takes a toll. However
graceful they look on stage, ballet is an
arduous athletic performance. First Position is
a compelling film about what it takes to
succeed at the very highest level.
“Bess Kargman’s debut documentary is a
marvelous way to spend 94 minutes, provided
you’re willing to spend them with your heart
in your mouth.”—Joe Morgenstern, Wall
Street Journal
Ojai Festivals Women’s Committee
presents
Celebrating the Art of Living
November 17 & 18, 2012
Plus, shop at the Holiday Marketplace for an array of holiday gifts!
805.646.2094
NOTE: All dialog in films from non-English-speaking countries will be presented in its original language accompanied by English subtitles.
www.ojaifestival.org
Fall 2012
3
SAKURA OJAI
Teppan Yaki & Sushi
11:30 a.m. - 2:30 p.m. (M - F)
5:00 p.m. - 9:00 p.m. (7 days)
11400 N.Ventura Ave.
805-649-5555
Com Connect
NORTEL
TOSHIBA
PANASONIC
Phone Systems & Cabling
Commercial & Residential
License No. 780852
email: sales@comconnect.us
www.comconnect.us
Member Ojai Valley Chamber of Commerce
GEORGE T. PUTH
16068 Maricopa Hwy
Ojai, CA 93023
Tel: 805.640.0638
Fax: 805.646.3057
Cell: 805.698.5808
Sept. 30 - Farewell, My Queen
France 2012 (1 hr., 40 min.) Rated R DCP
Farew ell, My
Queen takes us to
Versailles just at
the start of the
French Revolution.
The 18th century aristocracy is facing an end to
their power and wealth. Sidonie (Lea Seydoux)
lives in the servants’ quarters at the grand palace
and sleeps in a small room where she is plagued
by mosquitos and must constantly watch for rats.
Her most prized possession is a clock.
Sidonie loves her job of selecting books and
reading aloud to Queen Marie Antoinette
(Diane Kruger) who has earned the ire of the
people with her unpredictable antics. The
stunningly beautiful queen cherishes
Sidonie’s youthful energy and devotion.
It is the curious and loving eyes of Sidonie
that center the story and provide us with an
overview of the early days of the French
Revolution. Lea Seydoux is an alluring and
intriguing actress who gives a tour de force
performance as the lower-class beauty who
has no idea what the Queen has in store for
her. Diane Kruger is also impressive as the
self-centered hedonist Marie Antoinette, who
dominates those around her.
“Watch Sidonie’s eyes as she gazes at the
Queen, takes in the cowardice of the fleeing
blue-bloods and then demonstrates her own
special brand of courage under pressure.
Then reflect upon the following: Henri
Matisse said that to look at something as
though you had never seen it before requires
great courage.”—Frederic and Mary Ann
Brussat, SpriritualityandPractice.com
Oct. 6 & 7 - The Intouchables
France 2012 (1 hr., 52 min.)
Rated R DCP
An irreverent,
uplifting comedy
about friendship,
trust and human
possibility, The Intouchables has broken box
office records in its native France and across
Europe. Based on a true story of friendship
between a handicapped millionaire, Philippe
(Francois Cluzet), and his street-smart ex-con
caretaker, Driss (Omar Sy), The Intouchables
depicts an unlikely camaraderie rooted in
honesty and humor between two individuals
who would seem to have nothing in common.
Written and directed by Eric Toledano and
Olivier Nakache, this character-driven drama
opens the door to some interesting ideas
about the informal, spontaneous and playful
dimensions of caregiving. Among the
adventures this creative caregiver shares
with Philippe are speeding down the
highway, smoking marijuana, talking to his
daughter about losing her bad attitude and
listening to Earth, Wind, and Fire. On his
part, Philippe introduces his new friend to
modern art and the opera. While Driss can’t
stop laughing during the latter, he paints an
abstract piece that Philippe sells on the art
market. In one of his most tender and kind
acts Driss encourages Philippe to reach out
for the companionship of a woman.
“The performances by Francois Cluzet and
Omar Sy are both top-drawer. His stunning
physical presence, buoyant laughter and
sexy dance moves help make Omar Sy one of
2012s breakout actors.”—Frederic and Mary
Ann Brusset, SpritualityandPractice.com
Oct. 14 - Pink Ribbons, Inc.
Canada 2012 (1 hr., 37 min.)
Not Rated Blu-ray
What cause
is more noble
and popular
than ridding the world of the hideous disease
of breast cancer? It is not surprising that
corporations align themselves publicly with
breast cancer research—in great numbers.
But who cares that the corporate motives
are mixed, based largely on the bottom line?
In the words of Aristotle, “all that we do is
done with an eye to something else.” To
quibble about motives in this context seems
rather petty, doesn’t it? The important thing is
the good deed, right?
But what if all this corporate philanthropy
is misdirected? What if the fundraising
actually diverts vital resources away from
research areas where it is most needed, such
4 Ojai Film Society
as environmental causes? What if, in some
cases, corporations divert attention from their
own contribution to the very disease itself,
breast cancer? What if, in short, for all their
public posturing, the corporations are part of
the problem, not the solution?
Such questions, among others, lie at the
heart of filmmaker Lea Pool’s provocative
documentary, based on the book by Samantha
King. “A righteously outraged study of how
health-related fundraising is circumscribed by
the profit motive, Pink Ribbons, Inc. makes
illuminating connections between the
ubiquitous symbol of breast cancer awareness
and the network of corporate entities that
sustains—and carefully engineers the
priorities of—the cross-marketing of the
cause.”—Bill Weber, Slant Magazine
4:30 p.m. at the Ojai Playhouse • 145 E. Ojai Ave. • OFS office: 805-646-8946 • www.ojaifilmsociety.org
Oct. 21 - The Matchmaker
Good Fixins Served with a Smile
Mon-Sat, Open 7am
Closed Wednesday
Sunday, 7am-2:30pm
Israel 2011 (1 hr., 52 min.) Not Rated DCP
The Matchmaker
is a film about love
and loneliness. The
year is 1968 and
Yankle, a Romanian
Holocaust survivor, operates a matchmaking business in a seedy part of Haifa.
Arik is a teenager who Yankle hires to spy on
clients to insure they are who they say they
are. Another part-time employee is Clara, a
fellow survivor, who teaches men who are
seeking a match the social niceties of dating.
One of Yankle’s clients is Mier, a mild
mannered and socially awkward librarian.
Yankle, who believes his clients should get
“what they need and not what they want,”
thinks a perfect match for Meir is Sylvia, an
elegant dwarf who operates a nearby theater
devoted to showing vintage romance films.
But Mier has his heart set on Clara and when
she is not receptive he sets in motion a series
of events that will change all of their lives.
No short review can fully capture this rich
and powerful character study. As two lonely
souls trapped by a past they cannot shake,
Adir Miller and Maya Dagan’s portrayals of
Yankle and Clara justifiably earned them best
actor and actress awards from the Israeli Film
Academy. Make a date to see The Matchmaker.
“A compelling dramatic mosaic...about the
vagaries and perplexities of the human heart.”
—Kenneth Turan, Los Angeles Times
Ojai Film Festival
Thursday, October 25 – Sunday, October 28, 2012
Nov. 4 - Safety Not Guaranteed
USA 2012 (1 hr., 26 min.) Rated R DCP
In the Arcade
328 E. Ojai Ave.,Ojai
805-646-0207
All Ojai Visitors like the
Ojai Retreat
Ojai’s ONLY Hilltop Getaway
Premier Site for:
• COMMUNITY EVENTS
• OJAI CELEBRITY SERIES
• NON-PROFIT FUND RAISERS
Non-Profit Org., 501,c,3
An ad in the
Seattle classifieds
seeks someone to
travel back in
time, with the admonition, “safety not
guaranteed.” A local paper dispatches a team
to investigate. One of them is an intern,
Darius (Aubry Plaza ), an emotionally
catatonic young woman. The ad’s author
Kenneth (Mark Duplass) is another misfit who
is either a mental case or a scientific genius.
While Darius’s goal is to burnish her
reportorial credentials, as she learns more
about Kenneth she discovers they have
something profound in common. Soon the
story takes a back seat to her interest in
Kenneth and the first gleam of romance
appears. From their conversations we learn
why they are each so desperate to go back in
time. What we only gradually learn is why and
whether there really is an actual time machine.
Playing a shy and shambling outsider, Mark
Duplass has captured the spirit of the outsider
who yearns to connect. As Darius, Plaza gives
the kind of charismatic performance that
insures we will be seeing more of her on the
screen. They, the rest of the cast, the
screenwriter and the director can take pride in
bringing us one of the most original and
engaging comedy/romances of the year.
“Sometimes a movie comes out of nowhere
and wins you over. Safety Not Guaranteed is
that kind of unexpected gift.”—Peter Travers,
Rolling Stone
www.ojairetreat.org
805.646.2536 • 160 Besant Road, Ojai
• Tap
House
20 Beers on Tap – Gourmet Food
• Wine
Tasting Room
• Local Wines
• Rare & Vintage
Wines & Spirits
www.ojaibevco.com
655 E. Ojai Avenue • (805) 646 -1700
Nov. 11 - The Well Digger’s Daughter
France 2012 (1 hr., 47 min.) Not Rated DCP
Twenty-five
years after rising
to international
acclaim in two of Marcel Pagnol’s films, Jean de
Florette and Manon of the Spring, Daniel Auteuil
returns to the world of Pagnol for his directorial
debut with this celebrated remake of the 1940s
classic, The Well Digger’s Daughter. Auteuil
also stars as the hardworking well-digger
Pascale Amoretti, a widower living with his six
daughters. The film takes you back in time to
the start of World War I, where Auteuil infuses
this tale of love and class conflict with luscious,
lingering shots of the Provence countryside.
The film boasts top-drawer performances by
the lead characters including Auteuil’s
memorable depiction of Amoretti, whose love
and anger towards his daughter Patricia are at
war in his besieged soul; Astrid Berges-Frisbey’s
enchanting performance as the lovely and
sweet Patricia, who falls in love with the wrong
man; and Jan-Pierre Darroussin’s (Le Havre)
moving role as the rich store owner who steps
outside his pride and prejudice.
The final scenes contain several surprising
twists and turns as the characters draw out the
best in each other. In the process, the film
demonstrates the rewards of love, forgiveness and
the transformations that come from the heart.
“The Well Digger’s Daughter marks a
return to old-school French moviemaking, the
kind of classically well made endeavor that
unrolls before us like a beloved tapestry.”—
Kenneth Turan, Los Angeles Times
We Celebrate Life
INDEPENDENT • ASSISTED LIVING
701 N. MONTGOMERY ST.
OJAI, CA 93023
PHONE:
FAX:
805.646.1446
805.646.3720
RCFE Lic. #565800551
NOTE: All dialog in films from non-English-speaking countries will be presented in its original language accompanied by English subtitles.
Fall 2012
5
Nov. 18 - Starbuck
Gourmet Coffee
Select Tea
Special Gifts
323 E. Matilija St. #105, Ojai
805-646-3138
Canada 2012 (1 hr., 43 min.) Rated R DCP
Back in his 20s,
David (Patrick
Huard) donated
sperm for money.
Under the code
name “Starbuck”,
he gave—and gave—and gave. A couple of
decades later, he’s a likeable slacker, with
a job in the family butcher shop, a
pregnant girlfriend and a large debt owed
to thuggish creditors.
Out of the blue, matters get more
complicated. David learns that the sperm
bank’s records show that he fathered 533
children. They’ve come of age. And 142 of
them have joined in a class action suit to
learn their father’s identity. His attorney
friend Paul assures David that he will fight
the lawsuit and protect his privacy. But then
David himself grows curious.
Who are these people he helped bring into
the world? What are their lives like? So while
the suit proceeds, resourceful David quietly
begins his own random investigation to
answer such questions. Not surprisingly, his
offspring comprise a cross-section of
humanity. And, as he learns more about them
David’s sense of connection—even
responsibility—grows. Still keeping his identity
secret, he becomes a covert guardian angel.
Directed by Ken Scott, from a script cowritten with Martin Petit, Starbuck is, quite
simply, an irresistible blend of comedy and
drama. “Starbuck is smart throughout,
uproariously funny at times and
unexpectedly tender at others. You might just
call it a big daddy of a comedy.”—Bruce
DeMara, Toronto Star
Nov. 25 - Headhunters
Norway 2012 (1 hr., 40 min.) Rated R DCP
“Oh, what a
tangled web we
weave when first
we practice to
deceive.” Sir Walter Scott said it. Roger Brown, the
antihero protagonist of Headhunters, certainly
would agree.
Roger makes a good living at his day job, as
a corporate headhunter. Better yet, personal
information gleaned from job applicants
enables him to practice his other trade, art
theft. Synergistically, his two jobs enable him
to finance his lovely wife Diana, mistress Lotte
and his overall luxurious lifestyle. A clever
fellow, Roger. Too clever by half.
Enter Clas Greve, a retired corporate CEO
who looks like a perfect match for Roger’s
client—and who, serendipitously, possesses a
precious Rubens painting. Roger, of course,
decides to steal it. Bad idea. Learning that
Clas is having an affair with Diana, Roger
deep-sixes Clas’s job prospects. Worse idea.
Going forward, Roger will learn more about
Clas than he ever wanted to know—including
the fact that Clas, a former commando and
mercenary, is a clever fellow himself. Not to
mention a headhunter of a very different sort
from Roger.
Based on Norwegian crime writer Jo
Nesbø’s novel and directed by Morten
Tyldum, Headhunters is a “transgenre thriller
that glides effortlessly from crisp social
commentary through off-kilter comedy to
paranoid terror, it’s on my short list of the
most enjoyable movies in recent memory.”—
Joe Morgenstern, Wall Street Journal
Dec. 1 & 2 - Beasts of the Southern Wild
USA 2012 (1 hr., 33 min.)
Rated PG-13 DCP
Beasts of
the Southern
Wild is a
masterpiece
with a stunning performance by a wise and
visionary 6-year-old; a movie whose telling
transports us to a world wrapped in poetry,
magic and wonder. Director/writer Behn
Zeitlin and co-writer Lucy Alibar have crafted
a small miracle—a delicate mix of
hardscrabble fact and childish fantasy. This
hypnotic fable tells the journey of a girl
named Hushpuppy, played with exceptional
force by Quvenzhane Wallis. Hushpuppy not
only carries the story, she narrates it.
Hushpuppy and her father Wink (Dwight
Henry) live in a soggy landscape outside of
New Orleans called the Bathtub. Their patch
6 Ojai Film Society
of land is scattered with dogs, pigs and
chickens and the two live in separate
makeshift dwellings. When a major storm
threatens their existence, instead of fleeing
they fight it. Hushpuppy is a true mystic with
a remarkable awareness of the world around
her and an ability to embrace it with
fearlessness. She sees the way things are:
“The whole universe depends on everything
fitting together just right.” She connects with
what created her and when things get
broken, she takes up the challenge of
repairing the world. And after all that, “I see
that I’m a little piece of a big universe, and
that makes things right.”
“Do not miss this performance, or this quietly
astonishing, life-affirming masterpiece.”
—Lisa Kennedy, Denver Post
4:30 p.m. at the Ojai Playhouse • 145 E. Ojai Ave. • OFS office: 805-646-8946 • www.ojaifilmsociety.org
Judith Oberlander
Educational Consultant
JUDITH OBERLANDER
Pathways to Successful College Admission
PO Box 1693
Ojai, CA 93024
805-844-4018
oberlanderjudy@hotmail.com
The Ojai Film Society wishes to thank the following people for writing and editing this season’s Screening Schedule:
Doug Adrianson, Connie Campbell, Jim Christiansen, Elise DePuydt, Jim McEachen and Bill Paterson.
NOTE: All dialog in films from non-English-speaking countries will be presented in its original language accompanied by English subtitles.
Fall 2012
7
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Screening Schedule design and
layout by e.D Brooks Design
NOTE: All dialog in films
from non-English-speaking
countries will be presented
in its original language
accompanied by English
subtitles.
Ojai Playhouse
4:30 p.m.
Dec. 1 & 2
Beasts of the Southern Wild
Nov. 25
Headhunters
Nov. 18
Starbuck
Nov. 11
The Well Digger’s Daughter
Nov. 4
Safety Not Guaranteed
Oct. 28
Ojai Film Festival –
No OFS screening
Oct. 21
The Matchmaker
Oct. 14
Pink Ribbons, Inc.
Oct. 6 & 7
The Intouchables
Sept. 30
Farewell, My Queen
Sept. 23
First Position
Sept. 16
Sound of Noise
Sept. 8 & 9
Bernie
SCREENING SCHEDULE
Fall 2012