WHITE DRESS, BROKEN GLASS

WHITE DRESS, BROKEN GLASS
STARTING ART ALL OVER AGAIN IN THE AGE OF REVOLUTION
ANNE HIGONNET
THETHE\\
AUTHOR
Jacques‐Louis David, Portrait of Charlotte du Val d’Ognes, c.1800
David, Mme. Verninac, 1800; ???
???
exhibition Salon of the year 9, or 1801
Constance Charpentier (1767‐1849)?, Young Woman Drawing, 1801;
Constance Charpentier, Melancholy, 1801
SUBJECT
Marie Denise (Nisa) Villers, Young Woman Drawing, c. 1801.
The hairstyle: Costume parisien pl #348 hairstyles and bonnets
The dress, year 9; Costume parisien, year 7, #105
Laneuville, Theresa Cabarrus, later Mme. Tallien, Salon of 1796.
minimal dress, minimal ornament
Dress, 1795‐1804; Indian embroidered cotton , cut and assembled in France.
minimal dress construction
neckline and high waist made by gathering fabric on drawstrings
Marie Denise (Nisa) Villers, Young Woman Drawing, c. 1801.
Real and ideal fit of clothing
The shawl: Costume parisien, 1806
Hubert Robert (1733‐1808), design, George Jacob‐Desmalters (1739‐1814) chair for Queen Marie‐Antoinette’s dairy, 1787
David, Brutus, 1789
The Chair, as seen in Debucourt, Les Visites, 1800.
Charles Percier (1764‐1838), and Pierre François Léonard Fontaine (1762‐1853) furniture in Joséphine’s Malmaison home, designed 1800‐1810
the drawing tools, plate from the Encyclopédie
the window scene
Costume parisien, year 10, pl # 397 “Mise d’un jeune homme.”
Building quai de Conti, seen from the street ICONOGRAPHY
1739 Plan Turgot of Paris, detail showing the Louvre, the Seine river, and the Quai Malaquais
1739 Plan Turgot of Paris, detail showing the Louvre, the Seine river, and the Quai Malaquais
SUBJECT
Jean‐Baptiste‐François Desoria, Constance Pipelet, 1797.
Adèle de Romance, Self‐Portrait,c. 1798
Henriette Lorimier, Self‐Portrait, c.1801
Marie‐Francoise‐Constance Mayer la Martinière (1774‐1821), Self‐Portrait with Her Father, c.1801
,
Nisa Villers, Charlotte du Val d’Ognes, c.1801 Pauline Desmarquest‐La Chapelle Auzou (1775‐1835) Self‐Portrait, c.1795‐1804
Boilly, Isabey’s Studio, 1800
Perspective, from 1772 and 1766 Iconologie books
Perspective, from 1772 and 1766 Iconologie books
The dress, year 9; Costume parisien, year 7, #105
Costume Parisien, an 10, # 378 “Bonnet du Matin”.
Perspective; Villers, Young Woman Drawing, c. 1801, fashion plate. SUBJECT