the hard bop-influenced l4-1, the modern ballad
Transcription
the hard bop-influenced l4-1, the modern ballad
the hardbop-influencedl4-1, the modernballad alaPat Metheny For the Stranger,and the Latin-influenced No Chance. So there is something for everyone on this album, and due to cleverprogramming,the listenerwill get a refreshingswitch of style on almost every tune. The compositionsthemselvesare brilliant. One would neverguessthat the composeris not yet thirty yearsold and has been studying this music for less than ten years. The tunes take full advantageof Takamen's ensemblecast-sax,piano, bassand drums-andhe manages to get the best out of his players on each tune, showing that Takamenis also becominga strongband leader. The blowing on this album is very tasteful,and though all of these fine musicians have incredible chops,as is evident on Takamen'ssolo on l4-l and saxophonistRo Hasegawa'ssolo on No Chance,they never let their chops dictate their ideas. Instead,the solos are allowed to develop at their own pace and always seem to go somewhereunexpectedon each tune. This album would make a great addition to any jazz fan's library. The playing is strong,the compositions engaging,and the group dynamic is never less than brilliant. Takamenhas given us a greatfirst album and left us with the anticipation of his successesto come. Reviewedby Matthew Warnock TRIO BY STARLIGHT ROYCE CAMPBELL TRIO Philology RecordsW357.2 www.roycecampbellmusic.com oyce Campbellis a very fine swing guitar player. On this CD he employs a compositional technique that several other jazz players have used.Standardchord progressionsare used with titles that echo the originals.The differencein this project is that the melody lines are improvisedrather than composed. Veteranpianist Hod O'Brien has played with, among others, Chet Baker, Gerry Mulligan and Art Farmer.BassistTom Baldwin fills his position well in this trio setting void of a drummer.His walking lines provide a good supportthroughoutthe CD. Selectionsinclude,"UnforgettableApril," "The Girl From Rio," "Who's Got Rhythm," and "Almost Midnight." I have enjoyed Campbell's playing for a few yearsnow, and O'Brien, a legendarypiano player, Just Jazz Guitar . Mav 2007 truly has earnedhis position in jazz history.While not demonstratingthe high level of musicality that I have heard from theseplayersin the past,it is still an interestingwork. Reviewedby VinceLewis DIANE HUBKA GOES TO THE MOVIES Producedby Diane Hubka nce againDianeHubkahas come out and fashioned an exceptionallygood vocal album that featuresher beautifuljazz singing with lots of little surprises.Shecan capturethe audience'sattention with her wonderful style and the inviting, charming tonesof her voice. She has always somethingnew for us, and alwayspicks engagingbeautiful tunes. On this outing, the first sincesheleft New York for Los Angeles, we have a wonderful quintet in the mix including Christian Jacob,pianist, who arranged many of the pieces.Carl Saundersis on trumpet and flugelhorn,and the flugelhorn doesfit very nicely with Diane's tone. Larry Koonse is on guitar-remarkable, fast, clean,and sharpand so original. Chris Colangelo on bass, and Joe LaBarbera,drums really move the group along.Joe played with Bill Evans,who was one of Diane'sfavoritemusicians. The pieces are all from movie scores. "A11 God's Children Got Rhythm" is the opener,and it is lively. It comesfrom "A Day at the Races,""The Look of Love" from "Casino Royale" is by Burt Bacharach, "Lovers in New York," the theme from "Breakfast at Tiffany's" has a beautiful approach with exciting vocals, and in trading fours her voice is one of the instrumentson one of the chorusesin the tune. An upbeatpiece, "He's a Tramp" from "Lady and the Tramp" written by Sonny Burke and PeggyLee really swings away. My favorite pieces on the CD are "You Only Live Twice" from the JamesBond movie, nicely keeping the flavor of the adventurousfilm, and "Manha de Carnival," aLt;JrzBonfa piece from "Black Orpheus." On this piece Diane singsbeautifully in Portugueseas well as plays somevery sweetfinger-styleguitar.Yes, this is a vocal CD but Diane is well known to all of the guitar players around the New York area and there is somereally great guitar on here,to say nothing of the wonderful backing up of the singing by Christian Jacob on piano and the arrangementsthat he set out for the group as well. This CD is anotherwonderful showcase of Diane Hubka's talent as a singer,instrumentalistand Page 135