MSI magic at Rock In Japan 2013 DTS on stage with
Transcription
MSI magic at Rock In Japan 2013 DTS on stage with
D.T.S. on stage with Steve Vai MSI magic at Rock In Japan 2013 FR EE SEPTEMBER 2013 AV LT I M E S . C O M F B . C O M /AV LT I M E S @ AV LT I M E S AVL TIMES LIVE Contacts Contents September 2013 / Issue 27 Editor Clarence Anthony avltimes@gmail.com Click PRODUCTS AVL Editorial Team Click APPS FOR MOBILES Click PROMOTIONAL VIDEOS Click EQUIPMENT RENTAL & TECHNICAL PRODUCTION COMPANIES - Asia Pacific Territories Click EQUIPMENT RENTAL & TECHNICAL PRODUCTION COMPANIES - Middle East & Central Asia May Cedilla WIRED - Industry Insights by Alan Oliveiro Jeremy Tan Click Alan Oliveiro EXHIBITION - PALMM Philippines 2013 Lê Bích Ngọc Click Joel Wong NEWS Razaq Zakaria For advertising enquiries contact: clarence.editorial@gmail.com WWW.AVLTIMES.COM WWW.FACEBOOK.COM/AVLTIMES Disclaimer: All rights reserved. No part of this magazine or content may be reproduced or used without the written permission of the publisher: C.A. Editorial Consultants (Business Registration No: 53180508E) which is registered in Singapore. All information contained in this magazine is for information only, and is, as far as we are aware, correct at the time of going to press. The views, ideas, comments, and opinions expressed in this publication are solely of the writers, interviewees, press agencies, and manufacturers and do not represent the views of the editor or the publisher. Whilst every care is taken to ensure the accuracy and honesty in both editorial and advertising content at press time, the publisher will not be liable for any inaccuracies or losses incurred. Readers are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this magazine. If you submit material to us, you automatically grant C.A. Editorial Consultants a license to publish your submission in whole or in part in all editions of the magazine, including licensed editions worldwide and in any physical or digital format throughout the world. The Future of Mobile and Tablet Publishing AVL TIMES LIVE is the magazine for Rental and Event Production technology that you can save and read on Apple, Android and Windows Phone, MAC and PC. AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY TAP THE AD TO VIEW THE PRODUCT ON THE WEB 4 NEWS DSS Sound System choose D.A.S. Aero 50 systems for the Big Sound Festival Indonesia: With a headliner like “Blur” and other great performances by “The Temper Trap”, “Tegan & Sara” and “Van She”, the BIG SOUND FESTIVAL was a huge live music event held on 15th May, 2013, at Lapangan D Senayan, Jakarta. As a leading sound rental company in the country, DSS Sound System Indonesia was contracted to provide all the sound equipment requirements for the concert. DSS has many years of experience with similar large outdoor concerts and knew how to design a high-power sound rig needed for the festival. Supervision of the set-up was under the leadership of Donny Hardono, the owner of DSS Sound System, who is also an accomplished live sound engineer and a long-time user of D.A.S. Audio systems. DSS owns a fleet of D.A.S. Audio Aero line array systems including the D.A.S. Aero 50 large format line arrays which he chose for FOH which utilizes 16 per-side hangs together with low-frequency support from 12 units of ground stacked D.A.S. LX-218 CRA Subwoofer cabinets. Lab.gruppen FP 10000Q power amplifiers drive the Aero 50's. Front-fill were handled from 4 x D.A.S Aero 12A active line array speakers. Side-fill coverage used 3 x Aero 12A speakers per hang, with bass-fill from another 3 units per side of D.A.S. LX218A Subwoofers. Speaker management was through D.A.S. AudioCore control software (XTA), 2 x D.A.S. DSP-4080 and 1 x D.A.S. DSP-2060 Processors. AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY 5 NEWS D.A.S. Audio Aero 50 Line Array Speakers FOH Mixing for all the bands were done using separate (individual consoles. Blur's Mix Engineer Matt Butcher used a Digidesign Venue Profile, as did The Temper Trap's Mix Engineer Collin Digidesign Venue Profile. Tegan & Sara's Mix Engineer Scott Baldwin had a new Yamaha CL5 while Van She's Mix Agi (from DSS) used a Yamaha CL1. The Stage Monitors consisted of 16 x D.A.S. Road 15A and 8 x D.A.S. Road 12A speakers. The drummer's Sub/Drum Fill was covered using 2 x D.A.S. Avant 118A speakers. Monitor Mixing were also done on separate consoles. A Yamaha PM5D-RH each for Blur and The Temper Trap, and a DiGiCo SD8 for Tegan & Sara while Van She's sends were across the FOH. AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY 6 DSS also provided the Backline support. The main gear being a set of Yamaha YD9000 Drums, DW Collector Series, Marshall BluesBreaker Amps, Ampeg Heritage Classic Amps, Vox AC30 CC2 and CC2X Amps, Fender Hot Rod Deville Amps, and M-Audio Keyboards (Oxygen, Axiom Pro, Axiom, Keystation). The key member of the DSS Team are Andie Ocktavianus (DSS System Tech), Aries (DSS Monitor Tech), Ahmad Rapii (DSS FOH Tech), and Reinard Ryan (FOH / Monitor Tech Yamaha Indonesia for the CL Series and PM5D-RH). DSS Sound System: www.dsssound.blogsp ot.com AVLTIMES.COM NEWS TAP THE AD TO VIEW THE PRODUCT ON THE WEB TAP THE AD TO VIEW THE PRODUCT ON THE WEB 8 NEWS Martin Audio’s MLA works its magic over main stages at Rock In Japan 2013 The system was provided by MSI Japan. At ‘Sound of Forest’ and ‘Park Stage’ 9 x MLA modules and 1 x MLD Downfill were flown at each wing, along with double stacked MLX centre subwoofers, in six rows. In both locations, Martin Audio’s Display2 software environment, interacting with MLA's onboard DSP, delivered highly accurate optimisations. Here MSI Japan used the Left/Right settings of the subs in the ‘End Fire Array’ cardioid variant, using sensitive delay values to reduce leakage back onto the stage while boosting front projection efficiency and directivity. One sound engineer technician stated, “It is huge advantage for an engineer to be able to deliver such a distinguished sound meeting production’s request from a complete single system.” Without any physical positional movement Display2 managed to adjust the sound coverage for each zone as required. For example, immediately stepping into the Standing zone the entire dynamic of the sound would change. All agreed that MLA provides a totally new sound experience. As the main performance showcase, ‘Grass Stage’ chose MLA for the second consecutive year, flying 17 x MLA modules and 1 x MLD for main hang on each side, with the same number of elements used for outfills. Providing LF extension were six rows of MLX double stacked at each side of the stage with further double 6 x MLX sub arrays flown next to the main array. MLA Downfill with cutaway grille Japan: Martin Audio’s MLA (Multi-cellular Loudspeaker Array) provided coverage for three principal stages at the famous Rock In Japan 2013 in August. One of the country’s largest, and most pre-eminent events, with over 177,000 people attending the three-day festival. AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY NEWS 9 This is the third year since MLA was adopted for Rock in Japan. Noise pollution is still an issue for neighborhood residents, but by tapering off the sound at the perimeter, MLA has worked to mitigate this. “To have the same sound delivered to the entire audience - giving them an identical experience - is a dream not only for the sound engineer but also production,” said Shuzo Fujii, president of MSI and chief engineer for the festival. “Try this new Multi-Cellular world, it will rock your mind!” Martin Audio: www.martin-audio.com TAP THE AD TO VIEW THE PRODUCT ON THE WEB 10 NEWS SGM strengthens its base in Asia Hanslee Lim together with Peter Johansen, CEO of SGM Asia-Pacific: With effect from August 1st 2013, SGM has placed Hanslee Lim under contract as Senior Area Sales Manager for the Asian region. Hanslee is no new face at SGM. He initially arrived in June 2012 to distribute SGM products through former local subsidiary, SGM Asia. However, the SGM management has now taken the strategic decision to manage the region from HQ in Denmark. When asked about the changes, Hanslee states: “I am very pleased to be working closer with the team at SGM. Led by Peter Johansen, and supported by an experienced team of professionals, I am confident that SGM will become one of the leading lighting manufacturers in the world. The interest in SGM’s products has been increasing rapidly, and by receiving support directly from the factory it will enable me in return to support SGM’s customers in Asia more efficiently.” CEO of SGM, Peter Johansen comments, “We welcome Hanslee as part of our dedicated sales force. Together we are ready to take on new challenges in the Asian region, and we have many opportunities to assess.” The level of activities in SGM has been overwhelming with the roll-out of the new LED product portfolio since SGM became a Danish company in early 2012. The latest addition is the revolutionary IP65 moving head, the G-Spot and the series of ultra- hi-res LED screens – all manufactured in Denmark. The reference list of tours is comprehensive, including some of the greatest artists and bands of today. With a new factory in Denmark, the vision of manufacturing high quality LED products without compromise at any level is being fulfilled. Meanwhile the focus remains on paramount requirements, such as flexibility, quality and service. Contact Hanslee Lim at: HLI@sgmlight.com M: +65 9225 7428 Skype: hanslee1 AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY TAP THE AD TO VIEW THE PRODUCT ON THE WEB 12 NEWS D.T.S. NICK 600 Wash and XR3000 Beams share the stage with Steve Vai Indonesia: Iconic heavy rock guitarist Steve Vai performed Live in Jakarta, on 22 July, to the delight of thousands of his fans. The live concert, promoted by Java Musikindo, was held at the Tennis Indoor Senayan, Jakarta, in the wake of Vai’s Story of Light World Tour. After a few early years as lead guitarist in the court of the genius of contemporary music – Frank Zappa – and 15 million albums sold in an outstanding solo career that also saw him winning three Grammy Awards, Steve Vai is alive and well, touring the world over with his 4-piece band, and willing to showcase his signature tortured-string playing technique. AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY NEWS 13 The gig at the Tennis Indoor Senayan, Jakarta, offered the best song list that his fans (and fellow guitarists) could imagine, starting with Racing the World and progressively climaxing through Gravity Storm and The Ultra Zone, to the final For the Love of God. D.T.S. XR3000 BEAM The stage was lit by a lighting rig armed with D.T.S. moving heads, utilising both discharge and LED technologies. Lighting was supplied and set-up by Melodia Sound & Lighting System. The rig used an array of XR3000 BEAMs hung from a D.T.S. NICK 600 WASH truss crossing the stage over the musicians, and various NICK 600 WASH to provide colour wash effects on the side of the stage. DTS Lighting: www.dts-lighting.com AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY 14 NEWS Super Junior wows Jakarta with support from Mata Elang Productions Indonesia: Korean Boy Band Super Junior returned to Jakarta on its SUPER SHOW 5 Super Junior World Tour with a spectacular show for their fans in Indonesia in the Mata Elang International Stadium (MEIS). Jakarta-based Mata Elang Productions was chosen as the technical partner and duly assigned their complete rental inventory of Clair Brothers speakers for the show. The lighting design incorporated over 150 moving head fixtures, all of which were provided by Mata Elang and included VariLite 3000 Spots and Vari-Lite 300 Beam moving heads. Control was done on MA Lighting grandMA2 lighting consoles. With almost 20 meters of height to play in the MEIS indoor stadium, it was not surprising that the concert bombarded the visual MA Lighting grandMA2 full-size lighting console AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY NEWS 15 LJ Hoon Kim programming with the grandMA2 full-size senses with scene after scene that were dominated by a combination of LED walls, lighting and laser effects. Tour lighting consultant Ki Hoon was assisted by Mata Elang's Bernard Chew as lighting advisor and Deddy M. as the lighting operator. Lighting Equipment for Super Junior 16 Followspot 4000W 42 Vari-Lite 3000 Spot 50 Vari-Lite 300 Beam 26 Skillbeam 1500 Spot 34 MP Dragon LED 13 Atomic 3000 08 Antari HZ 400 Hazer 01 grandMA2 ultra-light 02 grandMA2 full-size 02 MA NPU 296 Dimmers Mata Elang Productions: www.mataelang.com AVLTIMES.COM TAP THE AD TO VIEW THE PRODUCT ON THE WEB 16 NEWS PR Lighting glow brightly in Bangladesh Bangladesh: Glow Lights & Effects only set up in business in 2011, but by the following year they were starting to service many events out of Dhaka — frequently using the PR5000 Spot and Beam lights from Chinese manufacturer PR Lighting. Founder, Mukimul Anwar Mukim, and Managing Partner M H Khokon, along with experienced team members Shamim Ahmed (Technical Adviser) and Chief Communication Officer, Khundker Hafizur Rahim, first saw the fixtures at the 2011 PALM Expo in Beijing and the team was immediately impressed by the state-of-theart technology and highly developed optical path. By the following year he was ready to purchase 18 of each fixture for use in the company’s inventory. These soon appeared on a number of high profile events including the Grameen Phone Tri-nation Mega Festival in the Bangladesh Army Stadium. Grameen Phone is one ofthe largest mobile phone operators in Bangladesh, with over 40 million subscribers and this show was organised especially for its ‘star subscribers’ in the stadium, back in December last year. Over 20,000 people turned up to see Bangladeshi psychedelic rock star James perform, followed by Pakistani Sufi specialist, Shafkat Amanat Ali Khan and ending up with Indian superstar singer, Sonu Nigam. Glow Lights & Effects used all 18 pieces of the PR5000 Spot and Beam, along with other intelligent lights. The stage was designed and manufactured by sister company, Mukim’s Creation. Another major event in which the company participated was the 15th Meril Prothom Alo Award. The event was held indoors at the Bangabandhu International Conference Center’s Hall of Fame, where around 1,500 VIPs attended, including top Bangladeshi celebrities and media personalities. AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY 17 NEWS Grameen Phone Tri-nation Mega Festival Grameen Phone Tri-nation Mega Festival This time Glow Lights & Effects deployed 16 each of the PR 5000 Spot and Beam, along with other lights, while Mukim’s Creation was again responsible for building the stage. The PR 5000 Spot is one of the most advanced moving heads in the PR range. The wide beam angle, combined with the integrated wireless system and very fast strobe are the highlights of a fully featured product. With a highly efficient optic system, the PR 5000 Beam delivers a solid powerful beam, delivering high light output, very fast strobe, a wireless receiver and much more. Other events among many handled by Glow Lights & Effects using these fixtures include Sera Nachiye 2012 Grand Finale, Bangladesh Games 2013 and the Rock O Phony concert. PR Lighting: www.pr-lighting.com WWW.AVLTIMES.COM TAP THE AD TO VIEW THE PRODUCT ON THE WEB 18 NEWS DPA microphones at the Fortune Global Forum China: CEOs from some of the world’s largest multinational companies gathered in Chengdu at this year’s Fortune Global Forum, which was also attended by China’s Vice Premier Zhang Gaoli and other Chinese dignitaries. The three day event culminated in a Gala Dinner during which featured musical performances by 30 guzheng players, opera singers, choral and pop singers, and a performance by Lang Lang, China’s premier classical pianist. Prior to the event, Fortune’s Audio Designer Ron Lorman contacted Ken Kimura at DPA’s APAC office in Hong Kong and requested his help in sourcing microphones for the Gala Dinner. With help from Ken Kimura and Pike Xin, Product Manager at DPA’s Chinese distributor Digital Media Technology, Lorman was able to access exactly what he needed. At the Gala Dinner he had 100 inputs to deal with and all of the primary inputs were miked with DPA. Lorman’s main goals were miking multiple diverse artists, with rapid set changes, including guzheng players, percussion ensemble, lead vocals, choir, flutes, harps and a string quintet. He also had to ensure an elegant sound from Lang Lang’s Steinway piano. For Lang Lang’s piano, Lorman used DPA’s d:vote 4099P Stereo Microphone System. This dedicated system includes a pair of sensitivity selected d:vote 4099 supercardioid mics on goosenecks with magnetic mounts, which is designed to capture true acoustic piano sound in a live setting. With this system, Lorman was able to easily achieve a clean and transparent stereo sound. AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY 19 NEWS DPA d:vote 4099 Instrument Microphones and d:facto Vocal Microphones were also used to mic a traditional Chinese ensemble with flute, harps, ziao and zhnogruan as well as orchestral musicians playing violins, violas, cello and bass, that played to guests during dinner. d:vote 4099 Instrument Microphones were also used on the extensive percussion ensemble. The vocalists all used wireless versions of the d:facto Vocal Microphone, in conjunction with a Shure R wireless system. UK opera singer, Laura Wright, was an inspiration for this choice as she preferred to work with a handheld microphone rather than use a headset mic. According to Lorman, the two Chinese opera singers were comfortable to use d:facto Vocal Microphones, and these were provided for all three performers. DPA Microphones: www.dpamicrophones.com TAP THE AD TO VIEW THE PRODUCT ON THE WEB NEWS 20 LASIKA Productions provides CODA Airline systems for major charity event Indonesia: A "Sing Your Heart" Charity Event was held on 14th May, 2013 in the Grand City Convention Hall, Surabaya. The concert is a joint performance featuring blind children from The Foundation of Education for Blind Children (YPAB) with international artists Pan Mei Chen (a.k.a. Eagle) and Joanna Moon. Organised by Focus Media Entertainment, the event is to help with the construction of a new dormitory for blind chidden living in YPAB. Appointed as the rental partner for this event, LASIKA Productions Indonesia decided to go with 12 x CODA AIRLINE LA8 2-way full-range line array speakers and 4 x CODA PW418V Subs as the concert’s FOH system. The speakers were powered by 2 x Camco Vortex 6 and 2 x Vortex 200V amplifiers. Fixtures for the lightshow utilized 20 x Moving Spot 1200W, 12 x Xbeam 2s, 8 x Xbeam 2, 10 x iLED 3000, 10 x 8-cell Blinders, 10 x Century Color MSA2500DE, and 24 x PAR LEDs. Lasika specializes in providing creative multimedia shows and for this event, the video system utilized of a 4m x 12m LED Bluetech Indoor Screen and a 4m x 6m LED Bluetech Indoor Screen. Video control and content delivery was from a Dataton WATCHOUT system and a HD-SDI (Live Streaming) Feed. CODA LA8 LASIKA Productions Indonesia: www.lasika.com AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY NEWS 21 Siam Kubota celebrates 35 years with RCF active systems at anniversary event Thailand: Siam Kubota Corporation celebrated its 35th Anniversary in this year with a grand concert. Having established itself in 1978, Siam Kubota Corporation Co., Ltd. is a joint venture between The Siam Cement Pcl. and Kubota Corporation Japan. The concert called upon the technical rental services of SMILE Light & Sound System, as the production partner for the event. The choice of the main PA system was to fly the left-right hangs each with 6 units of RCF TTL 55-A active line array systems. LF support is from 12 units of TTS 56-A subwoofers. Side-fill was provided by twin stacks of 2 units of RCF HDL 20-A line array systems. Completing the set-up are a number of RCF ART 310-A active speakers for front- fill coverage and as monitors. Loudspeaker management and control was via a RD-Net network. The FOH mixer was a Yamaha CL5 console. RCF: www.rcf.it SMILE Light & Sound System at +(66) 086 3741-499 AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY 22 EXHIBITION PALMM PHILIPPINES 2013 Philippines: The PALMM (Pro-Audio, Light, Music & Movie) 2013 expo was held at the SMX Convention Center in Manila, from August 15-17, 2013. This expo has been going on in the Philippines every year for the past 15 years. Under the banner of System Integration Philippines, this convention had different modules and seminars for the industry’s sound engineers, technicians, system integrators, lighting designers/engineers, to name a few. Jerico Salonga, Clarence Anthony and Alex Schloesser AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY Roberto Mataloni of FBT 23 EXHIBITION FBT made a loud impression at the Line Array shootout D.T.S. made its Philippines debut during the show Franco Zaghini from D.T.S. Jens Poehlker from MA Lighting and Massimo Bolandrina from Clay Paky with RMB’s Benjamin Rufino Jamie Boey from High End Systems and Hanslee Lim from SGM Prolyte’s Menze Van der Sluis AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY TAP THE AD TO VIEW THE PRODUCT ON THE WEB WIRED 25 Blast From The Past ABOUT THE WRITER Alan Oliveiro has been active in the Singapore club scene for almost 30 years working as a DJ, emcee, radio DJ, studio engineer, live sound engineer, sound and lighting installer for clubs and pubs, a technical writer, and a whole lot more. Alan currently runs a consultancy company which serves both the IT and audio industry. I have many memories of my past as a mobile DJ. That is how we started out back in the day. This story here is fresh in my memory from 1986. There are a few names mentioned here. They belong to real persons. All of us were part of the same mobile disco outfit. It was Charlie’s contact. No matter what, he always came through with the contacts. One day after school, when I reached back home, I got a call from Charlie. Charlie: “Alan, this coming Saturday, got a function at American Club” Me: “Great Charlie. Now, How much are they paying for this? Charlie: “$600. Can you call Kaleem to arrange?” Kaleem was our driver. While running his family’s spice business, he was also our driver because he had a truck. He loved coming to functions because he loved to meet new people, especially ladies at functions like these. Kaleem was a good looking guy and he was very popular among the ladies! So on that Saturday, Charlie, Simon, Edward and myself loaded up the lorry with our equipment. Two Peavey SP-2s, check. One Peavey CS-800 amplifier, check. One TEAC equalizer, check. Two Sony PS-11 turntables and one Tamon DJ mixer, check. Four boxes of records, check. Two helicopters, one strobe light, one UV light and one T-stand, check. One bag of wires and one toolkit, check. One Sony tapedeck and one Sony mini-component hi-fi set, check. I tell you, if we had Sony had endorsed us back then, we would have been rich from endorsement fees! In any case, all of us climbed into the back of the truck and I sat in front with Kaleem, with the two turntables on my lap. I was very wary of those Sony turntables and their gimble-suspension tone-arms. AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY 26 WIRED The last thing we needed was a dodgy turntable at a function. Besides, the Sony turntables were six years old and I wanted them to last. Looking back now, I needn’t have bothered. One of those turntables are still around till today and still functioning perfectly. Back then, they made things that lasted! Once we reached the American Club, we dismounted from the lorry. Our host was waiting for us at the loading bay. Back then, we had no radio pagers, mobile phones or whatever. We just gave our word that we would be there at a particular time and we would be there. Charlie and myself walked with the hostess where she showed us the hall where the function was to take place. After scoping out where we would set up the console, we walked back to the truck. We did not have a trolley back then so between us, we hand-carried all the stuff into the function hall. That is when we split up to do our duties. Simon was in charge of the lights. He was our electrician and he was a genius. Simon once made a small 10-watt power amplifier from a kit he bought in Sim Lim Tower, running from a 9-volt battery! I was in charge of the sound system and hooking it up. The rest of the guys just put all the speakers in place and I set up the sound system by hooking everything up. Simon hooked up all the lights to a special lighting board that he had made himself. At that time, Sim Lim Tower, a popular electronics shopping mall, was our hangout. We spent lots of time in that place, buying all sorts of spare parts that we might need. After all had been hooked up, I took out a record to test the sound. My mind is a bit cloudy as to what record I used but I am pretty sure that it was DeBarge’s Queen Of My Heart. It was a fantastic song, recorded so clearly that you could hear every nuance in the song. I still use this song sometimes to check equalization and sound. AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY 27 WIRED In any case, once all was set up, we went to change into our party clothes. All of us could DJ and we all took turns to DJ on most functions. When the guests were having dinner, I just put a pre-recorded tape into the cassette player and played some slow songs. Guests were eating and we were invited by the hostess to eat. Buffets were the same then as they were now and that orange juice…always the same, served in a punch bowl but delved out in plastic cups! From the DJ console, I looked what was happening around me. Simon checking his lights, Charlie and Kaleem chatting with two pretty girls, Edward choosing his songs for the night from the four record boxes and as for me, making sure that the small fan I brought (to cool down the amplifier) was strategically pointed at the amplifier and not getting in anyone’s way. At about 9pm, the hostess said that we could start the music. We usually started with a slow BPM record and it was always Shout by Tears For Fears. Simon was doing the DJ’ing and I was on the Rexy-Onkyo microphone (cheap and good) getting people to dance. Finally, some couples came up to dance. Charlie was controlling the lights and Edward was feeding Simon with records to play. That evening went without a hitch. All of us took our turns to mix, all of us got on the microphone, livening up the party and stirring up people. That is what it was like back then folks. A DJ was not just a DJ. He had to emcee as well! Sometimes, people would come up behind the DJ console to request songs and we would oblige if we had the songs. And then finally, at about 11pm, we had a slow-dance segment. Now everyone loves slow-dances. We get to dance, as we put it then, “close-close” with girls! Simon cut all the lights, leaving just the mirror ball and its accompanying pin-spot trained on it. I remember one rather pretty girl came up to the console to ask for a song. We did not have what she requested for. I asked her what her name was. She told me her name was Sarah. I said I would play the song Sara by Starship for her, would that be ok? She nodded with a smile. I told her that on one condition…I get to dance with her! She shyly said yes! So, I put the song on for her and danced my slow song with her, as did Charlie, who was dancing with another girl. Yes, party the crowd we did! The party ended at about 1230am. Many had left by then and there were a few back in the hall. So the lights came on and we cut the music. The hostess came up to us, thanked us and gave us our payment. We thanked her and that kind hostess even recommended us to some other clients as well! We stripped our equipment down, loaded the truck and went back home. I was tired but happy but so were the rest. There were so many functions in my life in this industry but that one was one I remembered well. You can reach Alan at: alan@akelasystems.com or on Facebook at: www.facebook.com/groups/singaporedj/ AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY PRODUCTS 28 beyerdynamic DT 770 Pro A studio legend now in a 32 Ohm version The studio legend goes mobile The output of mobile devices is usually too weak to handle standard studio impedances of 80 to 250 ohms. The result is a strained sound that isn’t loud enough because high impedances are too much for the mini-amplifiers. The new 32-ohm version of the DT 770 Pro is the solution for all artists who don’t want to go without their favorite equipment for checking and mixing audio while on-the-go. This is because the new model offers exactly the same sound quality as its studio-optimized counterparts and maintain large volume reserves even when working with weaker output levels. Combining a balanced sound with long-term wearing comfort, thanks to the smooth softskin ear cushions, the new DT 770 Pros now allow you to take your favorite studio sound with you. As most audio professionals know, DT 770 Pro headphones are virtually indestructible. Even if you are unfortunate enough to experience a breakage, nearly every part can be replaced individually, thanks to intelligent design and implementation. The new DT 770 Pro maintains this clever design ethos by offering a shorter connection cable (1.6 m) to keep things convenient when using it with portable devices. Main features 32-ohm system especially for mobile use: higher output power at lower input levels. Closed, diffuse-field equalized studio headphones. Softskin (artificial leather) ear cushions for easy cleaning and better suppression of ambient noise. Single-sided 1.6 m connection cable. Innovative bass reflex system. Sturdy, comfortably padded headband design with adjustable spring steel construction. Sturdy, easy-to-maintain design with parts that can easily be replaced. For more information click www.beyerdynamic.com/press/DT770Pro32ohm AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY 29 PRODUCTS DTS FOS 100 DYNAMIC Powerful multiple LED bars for indoor and outdoor applications The FOS 100 DYNAMIC LED bars are designed for colouring large indoor and outdoor surfaces (Rated IP65) with a uniform projection, and also to create eye-catching dynamic effects. In fact, each LED can be controlled independently. Applications for the FOS 100 DYNAMIC cover a wide range thanks to its powerful flux which makes this bar ideal for lighting and colouring building facades, public and commercial places with an even projection. LED technology The design which is available with different light beam emissions features extruded aluminum dissipating body fitted with steel screws and temperated glass, full colour LEDs as its lighting source, and optional electronic power supply. 15 Full Colour LEDs 3W P5 II type. 860 Lux at 3m 16 million colours Linear colour temperature 2800°K ÷ 6500°K 16 selectable types of white. No infrared emission; no ultraviolet emission. LEDs average lifespan: 100,000 hours. For more information click www.dts-lighting.com/FOS_100_DYNAMIC22 AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY 30 PRODUCTS FBT DJ 15A & J 15A More technology, improved performance and quality value for money The J series from FBT is a competitive, value for money range of speakers based on new high efficiency class-D amplifiers designed “from the ground up” in FBT’s R&D laboratories. From the J series, the DJ 15A is designed with today’s modern DJ in mind. The DJ 15A has invaluable features allowing quality audio playback using revolutionary DSP technology including presets enabling the DJ to change the sound of their music to suit the environment they play within. These DSP presets will allow the audience to enjoy improved sound quality and SPL, especially in bass reproduction at high volume. The DJ 15A also has another useful feature for DJs, which is a 2-channel input mixer allowing the DJ to plug a music source and mic direct into the speaker giving separate control over volume for both devices. DJ 15A 2-way biamp system with 350W RMS (LF) and 100W RMS (HF) Class D amplifiers with switch mode power supplies, 380mm (15”) LF driver, on-board DSP with 4 x pre-sets, dynamic EQ and protection for high SPL usage, twochannel input mixer for separate control to a mic and/or audio source directly connected to the speaker, ability to daisychain additional speakers together if required. J 15A 2-way biamp system with 300W RMS (LF) and 100W RMS (HF) Class D amplifiers with switch mode power supplies, 380mm (15”) LF driver, on-board DSP with 4 x pre-sets, dynamic EQ and protection for high SPL usage. For more information click www.fbt.it/ENG/PAE/PRODOTTI/SPEAKERS/J/ AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY 31 PRODUCTS GLP impression X4 XL Providing incredible light output from 55 high power RGBW LEDs The incredible light output of 55 high power RGBW LEDs (each 15 watts) coupled with the high efficiency 7-50 degrees zoom lens make the impression X4 XL unique and unmatched in the lighting market. The optics give a well defined beam, complete with hard edge in the lower zoon range whilst remaining absolutely homogenous and soft edged at wider angles. The impression X4 XL features individually controllable LEDs allowing a range of different patterns to be created and displayed on the front lenses, including arrows, numbers, letters and much more, either from stock patterns or through user created patterns. Another highlight is the stylish case with baseless design. RGBW colour mixing, variable CTO and a finely tuned dimming curve are standard in the GLP impression X4 XL. Optical System: Motorized zoom system with 7° to 50° Main features Light Source: 55 Osram RGBW high power LEDs, 50,000 hours lifetime. beam angle for maximum light output. Movement: 8 or 16 bit resolution, Position feedback, 660° Pan / 260° Tilt, Hi-precision 3 phase stepper motor control. Shutter/Dimmer: Continuous dimmer 0-100% Variable speed strobe of 1-25 Hz, Random strobe / Pulse effects. For more information click www.glp.de AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY PRODUCTS 32 NEXO NUAR NEXO Universal Amp Rack The NEXO Universal Amp Rack (NUAR) provides NEXO users with a scalable, ‘plug & play’, amplified audio distribution solution of unrivalled power and flexibility. Systems of any size can be configured easily using channel by channel preset selection of any NEXO cabinet, and digital output patching. The rack comprises a pair of NEXO NXAMP4X4 amplifiers, twin DMU digital input metering devices, a pair of DPU digital output patching devices and a choice of 110V, 220V or dual-voltage mains distribution boxes providing power to all the components in the rack. Each NUAR Rack comprises: 1 x ASD14U + removable wheelboard 2 x NXAMP4x4 Power Amplifier (110V, 220V or 110V/220V) 2 x DMU Digital Meter Unit 2 x DPU Digital Patching Unit 1 x Power Box (110V, 220V or 110V/220V) 2 x 4U NEXO perforated panels 3 x 2U NEXO perforated panels 2 x DB25 cords 2 x DB9 cords 4 x SPEAKONS 4*2.5mm² power cords 8 x XLR/XLR cords 4 x 250V/10A power cords 6 x RJ45 cords Digital Audio Networking Cards 2 x EtherSound™ cards (Optional) 2 x DANTE™ cards (Optional) Optional Rigging Bumper includes 1 x NUAR_BUMP 2 x 10 x 60mm heavy duty ball lock with + retaining cables 1 x 5/8” shackle System configuration is simple, using either ESMonitor the new NEXO NeMo iPad® app. NEXO cabinet presets are selected on a channel by channel basis, with selected cabinet names displayed by the DPU for easy output patching. Digital input metering is provided by the DMU, clearly indicating the presence and status of input signals, including an entirely new library of presets for every single cabinet in the NEXO range delivers linear phase across any system, making it possible to mix and match NEXO cabinets. Increased efficiency and versatility is inherent in NUAR’s mechanical design. The 14U chassis is suspended within a robust rack case, featuring two sliding doors and an integrated rigging system. This enables up to 3 racks to be flown using an optional bumper and the easy attaching / detaching of a wheelboard. Each NUAR is fully configured and tested at NEXO. For more information click www.nexo-sa.com/en/systems/nuar/ AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY 33 PRODUCTS STUDER VISTA 1 The first all-in-one Vista Console The Studer Vista 1 is a transportable digital mixing console for broadcast, live and production use. For the first time with a Vista, all you need is contained within the console, the control surface, I/O system, DSP and power supplies are all in one box making it the ideal when space is restricted, such as in OB and ENG vans, small studios, or applications where it needs to be moved with ease. The patented Vistonics user interface with 40 on-screen rotary knobs gives it the look and feel of its larger sisters. Anyone who is already used to the intuitive Vista surface will immediately be familiar with the Vista 1. Anyone new to Vista will be amazed at how simple it is to learn. Vista 1 standard configuration 32 or 22 motorized faders. Studer FaderGlow™ supplements the Vistonics user interface by illuminating faders in different colours. 96 DSP channels, including 5.1 surround channels. True broadcast monitoring, talkback, red light control and eight general-purpose control inputs/outputs (GPIO). Input level and gain reduction LED bargraph meter in every fader strip. 6 Hi-resolution VFD master level meters. For more information click www.studer.ch AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY 34 APPS FOR APPLE AND ANDROID DEVICES SELECT THE ICON TO INSTALL THE APP FROM THE WEB AVL TIMES MOBILE FREE Magazines/Videos/Photos NeMo NXAMP Remote Control FREE By NEXO iPhone / iPad MA Remote Impression X4 FREE FREE By MA Lighting By B&K Braun grandMA Remote Projector & Screen Calculator FREE By Julian Blais-Savoie FREE By MA Lighting Soundcraft ViSi Remote FREE By Soundcraft AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY PROMOTIONAL VIDEOS 35 SELECT THE IMAGE TO WATCH THE VIDEO ON THE WEB TAP SCREEN TO WATCH THE VIDEO TAP SCREEN TO WATCH THE VIDEO TAP SCREEN TO WATCH THE VIDEO D.T.S. Lighting JACK Barco Live Dots MA Lighting grandMA2 Tutorials TAP SCREEN TO WATCH THE VIDEO TAP SCREEN TO WATCH THE VIDEO TAP SCREEN TO WATCH THE VIDEO beyerdynamic TOURING GEAR FBT VERTUS FBT Corporate Video TAP SCREEN TO WATCH THE VIDEO TAP SCREEN TO WATCH THE VIDEO TAP SCREEN TO WATCH THE VIDEO D.A.S. Audio Action Series GLP impression X4 Soundcraft Si Expression TAP SCREEN TO WATCH THE VIDEO TAP SCREEN TO WATCH THE VIDEO TAP SCREEN TO WATCH THE VIDEO … coming coming soon soon … … coming soon NEXO STM Series Analog Way LiveCore TAP SCREEN TO WATCH THE VIDEO TAP SCREEN TO WATCH THE VIDEO TAP SCREEN TO WATCH THE VIDEO … coming coming soon soon … … coming coming soon soon … … … coming coming soon soon AVL TIMES IS READ BY PEOPLE WHO ARE LIKELY TO BUY ASIA PACIFIC RENTAL & PRODUCTION COMPANIES D1 Bangladesh MCC Ltd - Multimedia Content & Communications Ltd Multimedia . Lighting Dhaka: (88) 02 8129193, info@mcc.com.bd www.mcc.com.bd Sayedmasud.com Event Management . 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