Family Science Night
Transcription
Family Science Night
Chronicle Serving Northern Vermilion and Southern Iroquois Counties since 1872 Wednesday, March 16, 2016 Weekly Smile Volume 144, No. 11 Hoopeston Area High School student Mercy Linder smiles after discussing her work for the Chronicle Arts Spotlight on page 8 John Greer presents School Family Science Night (Above) Alex Houmes (left), Save the Lorraine Foundation Vice President, and Troy Freeman (right), Free Sky Studios Lead Artist, look over the art designs of the Lorraine Theatre. Dr. Wendy Brown (above) and Travis Photo by Jordan Crook Brown (bottom left), McKenzie Kohler (bottom middle) and Jayden Brown (bottom right) representing Danville Area Community College’s biology department, present reptiles to John Greer students and parents during last week’s Family By Jordan Crook ture of the Lorraine Theatre. Sky Studios, visited the Science Night. More photos are on pages Chronicle Reporter Even decades after they Lorraine Theatre last week 12 and 24. The artistic designs feawere first painted, the to examine the artwork and Photos by Jordan Crook tured on the interior walls designs still adorn the walls prepare for the extensive Save the Lorraine Foundation looks to preserve iconic theater artwork John Greer teacher earns Expect More! award, page 10. All $1.25 were always a striking fea- ns P io osit tact x.com n o C rani t s @in detail s b jo for of the aging theater, but not for much longer. Unfortunately, due to mold and rot caused by years of moisture collection in the building, the walls the designs are featured cannot be preserved. The designs themselves, however, will not be going away forever. Troy Freeman has been tasked with precisely capturing these designs before the walls are removed so that he may repaint them once the interior of the theater is ready. Freeman, lead artist and business manager for Free process of digitally recording all of the designs in the theater. Freeman said phase one of his project will involve recording all of the interior artwork so that he can then accurately repaint them on the walls after the interior of the theater has been restored. He said this will involve making technical schematic drawings of every panel and collecting information on the size of each piece of artwork and working to match the color of each as best as he can. THEATER, Page 9 www.thehoopestonchronicle.com eThe Chronicle Wednesday, March 16, 2016 • 9 Theater, From Page 1 Freeman said matching the color may be difficult as the designs have faded since they were originally painted, but he plans on researching them further to seek out a color palette that will match the period they are from. Freeman’s personal interest in the history of the Lorraine is what drove him to take on the project. He said he takes a personal interest in most of his projects in order to make certain he is passionate in his work. “It makes it more interesting,” he said. Freeman compared some of what he does when it comes to learning more about the history of a project to detective work. “You get into a project like this and it’s almost like detective work,” he said. “You’re retracing steps of history. It is fascinating to get into a project like this.” Freeman describes delving into the history of the building he is working with, investigating the type of paint used and trying to find the person who painted a piece of art or even a relative of the artist to try to glean more an idea of what inspired the original artist. “I’m just drawn to this kind of thing,” he said. Freeman said he looks forward to speaking with people around the Hoopeston area to learn their personal histories with the Lorraine. He said it is clear that the owners of the Lorraine early in its life span put a lot of effort into the artistic decor of the theater. “They spared no expense,” he said. “They made this thing into a show piece.” Freeman expressed his excitement at taking on a project inside such a landmark piece of artistic history. “There is nothing like this,” he said. “This gives me chills.” Once the first phase of the process is completed, the walls will be removed. Alex Houmes, Save the Lorraine Foundation Vice President, said the auditorium will be essentially gutted once Freeman is finished documenting the interior artwork. “Over the years, it’s been ruined by the leaks and the moisture, the mold and the mildew that’s attacked the building,” he said. Houmes said there is really now way of preserving the actual walls due to these factors, so the foundation felt preserving the design of the artwork itself and replicating it inside the theater in the future was the best option. “There’s really no way of saving them as they are right now,” he said. “So we thought the best way to move forward was to was just to get rid of them and make sure we have all the documentation we need to put them back to as to close to original as possible.” While the artwork was undeniably eye-catching in its day, Houmes said many people were never aware of the ornately detailed designs that line the theater’s walls. “It’s actually pretty surprising how many people don’t realize the detail of the designs in this building simply because of how dim and dingy they had gotten over the years,” he said. To counter this, Houmes said the foundation plans on making the designs more vibrant and noticeable once Non-Fiction: Indivisible: The Story of Our Flag The Water is Wide: a Memoir by Pat Conroy When Breath Becomes Air by Paul Kalanithi The Big Short: Inside the Doomsday Machine by Michael Lewis 13 Hours: the Inside Account of What Really Happened in Benghazi by Mitchell Zuckoff New, From Page 5 by Joyce Carol Oates (Large Print) NYPD Red 4 by James Patterson (Large Print) Cold Shot by Dani Pettrey (Inspirational) The Texas Rancher’s Return by Allie Pleiter (Inspirational/Paperback) Brotherhood in Death by J. D. Robb (Regular and Large Print) Irish Dreams by Nora Roberts (Paperback) Blackout in the Capital by Rob Shumaker Blue by Danielle Steel (Large Print) My Name is Lucy Barton by Elizabeth Strout A Disguise to Die For by Diane Vallere (Paperback) You’re the One That I Want by Susan May Warren (Inspirational) The Hero’s Sweetheart by Cheryl Wyatt they are repainted on the walls. “These designs are unique to the Lorraine and are part of what makes the Lorraine the Lorraine,” he said. “We find it very important to get this right.” Houmes said the foundation wants to ensure they retain the “wow” factor for incoming audience members at the Lorraine. “We find it really important that that ‘wow’ factor stays when we are done with this building,” he said. “We didn’t want to go, for lack of a better term, cheap on the building, cover things with curtains and paint things, that would not make it the Lorraine.” Freeman agreed with Houmes’ assessment, pointing out that you can’t recreate the nostalgia that emanates from the Lorraine anywhere else. He said that nostalgia, coupled with the extensive restoration efforts the foundation is dedicating to recovering the building, is what will draw people in when the theater does reopen. Houmes said the foundation had announced plans to reopen the theater this year. Whenever they reopen it, he said the interior of the auditorium will remain unfinished. Houmes said reopening the main theater, even in an unfinished state, will allow the foundation to generate revenue from it rather than just letting it sit empty and unused. Houmes estimates it will likely be another year or two before they will be able to get the designs back on the wall. As with most things, he said, the process will depend largely on money. Houmes said Freeman has offered to help the foundation find new sources of grant money and other donations to further their efforts. “I think Troy’s going to be a huge asset for us,” he said. The Save the Lorraine Foundation is also raising money with the weekly movies it showcases at the Little Lorraine. Houmes said the Save the Lorraine Foundation is operating the Little Lorraine in Hoopeston in order to help raise money to pay for the extensive renovations that are underway a the main theater. He specifically pointed to the mechanical lift the foundation purchased for use inside the main theater. He said purchasing the lift was more cost-efficient than continually renting on for the myriad of projects they will be using it for in the theater. “We bought the lift and we’re using the money we’re making off the shows at the Little Lorraine to pay for the lift,” he said. “It’s going to allow us to do all the things we need to do in this building.” Anyone interested in learning more about the Save the Lorraine Foundation or donating to the cause can visit www. savethelorraine.com. 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