Bizingas PR Dec 7th (Smaller)

BIZINGAS
Press Contact: Stephen Buono
267-241-5316
stephen@stephenbuonopromotions.com
B I Z I NGA S
Brian Drye - Trombone, Piano, Synth, Compositions
Kirk Knuffke - Cornet
Jonathan Goldberger - Guitar, Baritone Guitar
Ches Smith - Drums, Glockenspiel
e Guitar
NCM40130
SPINE
Bizingas
www.briandrye.com
FRONT
The debut album by trombonist Brian Drye
exposes a fierce imagination, blurring the line
between composition and improvisation. Trust,
freedom and reckless abandon affirm the
strength and energy of this combustible and
virulent combination of seasoned improvisors.
Release Date: December 7th, 2010
www.ncmeast.com
Slog Drew Field 45
Brian Drye's "Bizingas" is your modern trombone record, with an eye towards rock and the heart of free jazz and twelve tone
composition. Traveling from odd meter thrashers to pensive minimalist vamps, stopping at a ballad (a la Duke Ellington) along the
way, Bizingas strikes equanimity between the simple and complex, the energetic and reserved.
Huddled together in the dingy basement of a botanica in NYC's Lower East Side, drummer Ches Smith, trombonist Brian Drye,
cornetist Kirk Knuffke and guitarist Jonathan Golberger met regularly for a series of improvised sessions. Brian Drye
assembled Bizingas in 2008.
A resident of Brooklyn, NY, Brian Drye hails from Rhode Island where he was exposed to jazz by his father Howard, a
professional jazz saxophonist. Brian has shared the stage with luminaries such as Clark Terry and toured with the Tommy
Dorsey Orchestra. Upon his arrival to NYC in 1997 via the University of Miami, he has worked with artists such as John
Hollenbeck, Andrew DʼAngelo, Josh Roseman, Briggan Krauss and Mark Helias. Although Bizingas marks Mr. Drye's first
outing as a leader he is no newcomer to producing and recording ensembles. His impressive discography includes the
improvising chamber group The Four Bags and the electric quartet Slog among others.
1R
2G
3B
4V
5 Pe
6S
7G
As evident throughout the album, Mr. Drye has interests reaching far beyond the hallowed walls of jazz including Frank London's 8 A
Klezmer Brass, Slavic Soul Party, Banda Sinaloense De Los Muertos and Nation Beat. Additionally he has performed with 9 M
Arcade Fire, Stew and the Negro Problem, Firewater, The Four Tops, Joan Baez and The Swans. 10 R
The album opens with Tagger, a slightly dilapidated gospel rocker which pays homage to whomever had decided to "Tag" the
door of Ibeam Music (a performance and rehearsal space in Brooklyn,
whichdrawn
Brian out
operates).
Drummer Ches
ThisNY
concept
by these instruments
with Smith
catapults the song into high gear and Bizingas captures the raw energy that can only come from a first take. Ches Smith came
this execution is not on the books yet. This said
up in a scene of punks and metal musicians in Sacramento, CA who were listening to and experimenting with jazz and free
no mention
themost
grace
and passion
that fills
improvisation. Some of his early work consists of tours with Mr. Bungle with
and Nels
Cline of
and
recently
with Mary
Halvorson
Drew
Field
45,
from
compositions
of
blazing
and Tim Berne. There is daring interplay between Knuffke and Drye while the drums and guitar remain persistent throughout the
energy
to ear-twisting
prod. New York’s
odd meter vamps. All four musicians introduce themselves briefly and offer
a preview
to what liesbrain
ahead.
SLOG brings us instrumental, quartet music boasting
a curiosity that does not rest and a vocabulary
Bria
Kha
Bob
Gre
+ sp
Bru
Reco
Ju
Mas
The angular unison melody in Money Market contrasts with a series of unwavering block chords from Jonathan Goldberger's
baritone guitar, showcasing his dark, impetuous sound. An experienced recording engineer, Jonathan's palette is vast and he is
responsible for the careful mixes on this album. "Mixing with Jonathan" says Drye, "afforded me the opportunity to take my time,
which for self-produced jazz musicians is a luxury. Jonathan Goldberger grew up playing rock and funk on the outskirts of the
everglades and the Colorado Rockies and has performed with luminaries such as avant rock guitarist, James "Blood" Ulmer,
drummer Jim Black and trumpeter Ron Miles.
Iluminum is a fast swinging journey that pays homage to his bandmate and friend Kirk Knuffke. Brian and Kirk have logged
quite a few hours as a duo and Mr. Drye is a member of the Kirk Knuffke Quartet with Mark Helias and Jeff Davis. Says Drye,
"I connected immediately to Kirk's short, conversational pieces that require very little instruction and clearly indicate a direction,
energy and mood." Kirk Knuffke hails from Colorado and has planted his roots firmly in NYC with veteran improvisors such as
Kenny Wolleson, Butch Morris and most recently as a member of the Matt Wilson Quartet. You will preview what it might be
like to hear them as a duo while the guitar and drums suddenly pull the rug out from under them.
The only song that was not originally intended for this album is TMT which features Mr. Drye on piano. Conceived for a trio with
Jeff Davis, Oscar Noriega and Brian Drye on organ and trombone, the baritone guitar and piano officially take over for the
absence of bass. "I had the temptation to play piano, my first instrument, on this recording" says Drye "which I took into serious
consideration when I realized the studio owned a nine-foot Baldwin grand." The studio in reference is 58 North Six in Brooklyn,
NY under the direction of fellow trombonist Josh Roseman. Brian Drye has most recently been performing on keyboards and
piano with electro-pop duo Opsvik & Jennings and Curtis Hasselbringʼs Curhachestra with Brandon Seabrook.
Other highlights include Pastoral (a pointillistic improvising vehicle) , Sifting (a ballad dedicated to Duke Ellington) and Farmer (a
short, through-composed tone poem with no improvisation). Guilty picks up the pace with a riff stolen from a nearby passenger
sitting next to Mr. Drye on the F train in Brooklyn. He claims that "the headphone volume was just loud enough to transcribe the
song. I purposely altered the pitches to re-create the sound of it actually coming through the headphones."
Untitled Moog Anthem rounds out the final five minutes adding a vintage analog synth to the ensemble. Mr. Drye exploits the
haunting dark tones of this instrument and its primitive ability to sequence notes. The entire track is recorded in real time over a
pulsating ostinato with minimal improvisation. This final track exhibits a passionate restrain and closes the album with grace.
The debut recording from Bizingas is being released on NCM East Records, a label synonymous with new, creative music since
1997. With Bizingas, Brian Drye brings us a quartet boasting a curiosity that does not rest and a vocabulary that refuses to be
diluted.
Brian Drye - Trombone, Piano, Synth, Compositions
Kirk Knuffke - Cornet
Jonathan Goldberger - Guitar, Baritone Guitar
Ches Smith - Drums, Glockenspiel
Label Contact: Eric Hastings
NCM East Records
eric@ncmeast.com
PO Box 150-561
Brooklyn NY 11215
Press Contact:
Stephen Buono
267-241-5316
stephen@stephenbuonopromotions.com
Brian Dryeʼs
Bizingas