On Metal
Transcription
On Metal
KNOW YOUR RIGHTS! Starting in October, WMPG will be airing a new 20-week series of 2-minute modules called “Know Your Rights!” produced by Rob Rosenthal and Kerry Seed in collaboration with the Maine Civil Liberties Union. Each show addresses a different civil liberty and will air on WMPG 11 times per week, in either the first two minutes or the last two minutes of a show, so that each episode appears between two shows in the schedule. The schedule is as follows: Day Time Mon 10:30a Mon 4:58p Between South by Southwest and Echoes in the Wind Monday Afternoon: Revolution and The Evenin' Sun Tue 11:57a Wed 8:28a Reasonable Music and The Blue Country Wed 7:30p Free Speech Radio News and Sound Ecology Thu 1:30p Financially Speaking and Cruz del Sur Fri 11:57a Sat Sat 7:58a 1:58a Sun 11:30a Sun 3:28p A La Votre and Democracy Now! (extra minute for station business before DN!) On Metal by Alex Steed, host of “Monday Afternoon: REVOLUTION!” Mondays, 3 pm - 5 pm term “heavy metal” as a metaphor for addictive definition drugs. This was not, however, the only place Heavy metal: n. form of rock music characterized around the same time the term is tossed around. by highly The music of Jimi Hendrix was “like heavy metal amplified/distorted guitars, and often dark falling from the sky,” said one rock critic in 1967. thematic elements. Steppenwolf also popularized the term by using (incomplete and shoddy) history of Heavy Metal (necessary for understanding the second half of the following article) it in their 1968 song “Born to be Wild”: aggressive, driving rhythms, “I live smoke and lightning Heavy metal thunder Racing with the wind And the feelin’ that I'm under” Rewind. 1965. The first United States troops are sent to South Vietnam. Malcolm X is assassinat- Where, exactly, the term came from and who, ed. The Watts riots occur. Lyndon B. Johnson exactly, applied it to music the first time is so signs into United States law the Voting Rights Act frequently debated there is no concrete theory as Saltwater Farm and Vietnamese Melodies of 1965. The Kinks introduce to the public what is to when and where heavy metal first became Voice of Cambodian Americans and Positive Vibrations now considered the prototypical heavy metal conceptually defined. The influence of the song, “You Really Got Me.” They and the Who following bands, however, is hardly debatable. Gons-S-Buduna and Democracy Now! (extra minute for station business before DN!) Ex-Yu Voice and Africa International introduce and continue to rock power chords. Latinos and Eastern Sands Radio Fast-forward. (under the) influences (or heavy metal), re: definition and sub genre 1967. Jimmy Hoffa begins his Stay informed, stay vigilant. Listen to “Know Your Rights!” starting October 4th on WMPG. 8-year sentence for attempted bribery of jury. Muhammad Ali Judas Priest, formed in refuses military service. SPECIAL ELECTION PROGRAMMING 1969 and Iron Maiden, Thurgood Marshall is formed in 1975, are nominated as the first African considered American justice of the United bands. The former are States Supreme Court. considered “the god- The Beatles toy with WMPG’s plans for special programming around the election are still evolving as this guide goes to press, so this is only a teaser, but you can expect to hear a fair number of special programs and/or special editions of our regular programs leading up to, during, and right after election day, Tuesday, November 2nd. Our plans at this point include a two hour special with Karen D’Andrea, host of Sound Ecology, and Pat LaMarche, Green Party vice-presidential candidate, on Monday, November 1st, from 5 to 7pm. Blunt, our award-winning youth radio project show, has already been covering the election and will continue to do so regularly up to their final pre-election show on that same Monday, November 1st, from 7:30 to 8:30pm. using fathers” of speed metal aggressive & pop metal. Bands distortion as an art-form Steve Cain in Sgt. Pepper's Lonely Hearts Club Band. golden age genre are with the of the Black Sabbath, Quiet Riot, and Ronnie James Dio as President of the United States of America. The (that’s right, folks, the very “Dio” famous for aforementioned Beatles perform publicly for popularizing the “devil horn” hand sign). the last time on the roof of Apple Records. Yasser Arafat is apointed Palestinian Liberation I and II are released. As there are various sub genres of any music (what, you ask, John Zorn, Duke Ellington and Herbie Hancock aren’t merely jazz musicians?), the sub-genres of heavy metal are seemingly and 2pm on Tuesday, November 2nd. We’re also in the starting up stages of working up plans for live election-night coverage, and a day-after call-in on Wednesday, time yet to be determined. associated 1969. Richard Nixon succeeds Lyndon Johnson Organization Leader. Led Zeppelin’s self-titled Our popular talk show Home Dad, with Chip Edgar, will expand to an hour of election talk between 1 widely influential heavy metal Add power chords to aggressive distortion and endless and some can be noted below: you get Led Zeppelin. Add Led Zeppelin to Stay tuned to WMPG for more details as these plans firm up — it will all be announced on air well mainstream music and to the public, heavy metal, ahead of time. And don’t forget to vote! the entity, the art-form, the lifestyle, is born. But what can it all mean? (unclear) origins (of the term) Circus metal, carnival/metal cocktail, representative bands: Secret Cheifs 3, Mr. Bungle Math metal, avant-jazz influenced metal, representative bands: Dillinger Escape Plan Viking metal, obvious “With their diseases and orgasm drugs and their sexless parasite life forms — Heavy Metal People of Uranus wrapped in cool blue mist of vaporized bank notes — And the Insect People of Minraud Thrash Metal, hardcore punk/metal mixture, representative bands: Metallica, Slayer Stoner metal, “Woah, dude, that’s so heavy” with metal music” It was in William Burroughs’ 1964 novel Nova Express the author used in the above quote the continued on page 8 Fall 2004 Program Guide WMPG’s Mission Page 2 WMPG Board of Directors Adopted February 10, 1993 WMPG’s purpose is to provide a high quality, community-oriented broadcast service Staff Representatives Management Representatives Michael Cutting (Chair) Jim Rand Chip Edgar (Vice Chair) Dave Bunker to the people of Southern Maine by: Jim Ward (Treasurer) Tom Flynn • providing a full-time schedule of music and culture, news and information; Noel Bonam Student Senate Representative • promoting awareness and discussion of local issues and activities; Dave Wade Zeke Kimball • promoting awareness and discussion of global issues and culture; Victoria Chicon University Representatives Listener Representatives Bob Caswell • presenting artistic, cultural, and political perspectives which are Vanessa Gates-Ellston (Secretary) Helen Gorgas-Goulding Jeff Wilbur Chris O’Connor underrepresented in mainstream media; • promoting acceptance, understanding, and cooperation between people and cultures; • fostering new and experimental uses of radio as a medium for creative expression; • approaching radio as a dynamic medium for community dialogue, introspection, and expression. Kathleen Costello Amy Bradstreet The Board meets the second Wednesday of each month at 7:00 pm in Payson Smith Hall, Room 1 on the USM Portland campus. Staff and listeners are invited to attend these meetings. Board duties include: ensuring that programming is consistent with the station’s Mission Further, WMPG strives to be a training ground for students interested in broadcasting by: • maintaining an authentic, full-functioning radio station; • providing ongoing training and workshops in all aspects of radio; • providing opportunities for hands-on experience in radio; • maintaining local, national, and international broadcast industry contacts to assist Statement, review and approval of the management plan, review of management job performance, organization of events and fund-raising campaigns via committee work, and community-building within and outside the station. Problems? Gripes? Good ideas? Your Board wants to hear from you! Attend a meeting or call and leave a message for any one of us at 780-4943. students in furthering their involvement in broadcasting; • providing opportunities for students to take management and decision-making roles. WMPG Management Also, WMPG seeks to give citizens and community groups access to radio to share their Station Manager Jim Rand, 780-4424 interests, concerns, and talents by: stationmanager@wmpg.org • providing low-cost broadcast training regardless of race, religion, sex, Program Director sexual orientation, lifestyle, age, or physical ability; Dave Bunker, 780-4598 programdirector@wmpg.org • providing opportunities for women and minorities and others who are underDevelopment Director represented in mainstream media to participate in management and decision-making; • Tom Flynn, 780-4151 development@wmpg.org encouraging the participation of community members with diverse backgrounds Office Manager and perspectives; Kelsey Perchinski, 780-4943 • officemanager@wmpg.org encouraging two-way communication between the station and citizens by de- Music Director emphasizing the distinction between broadcaster and listener and encouraging active Ron Raymond, Jr., 780-4976 listener participation in all facets of radio via letters, tapes, phone calls, community musicdepartment@wmpg.org events, studio visits, and performances. The Steam-Powered Walrus Review by Bob Cochran ABOUT THE COVER The artwork gracing the cover of the Fall Program Guide is the result of a unique collaboration between two long-time WMPG volunteers. Michael Cutting, host of “This Better Be Good” (Mondays, 6:30 am – 8:30 am) had the idea to celebrate different world cultures with WMPG’s Begathon artwork, beginning with that of the Maya. He took his ideas to Lincoln Peirce, host of “South by Southwest” (Mondays, 8:30 am – 10:30 am), who happens to be an accomplished artist (you might know his syndicated daily comic strip “Big Nate,” which appears locally in the Portland Press Herald). Lincoln created the drawing, Michael added the color, and WMPG is excited to offer t-shirts, sweatshirts, and mugs featuring the design as pledge premiums during our Fall Begathon October 18 – 24th. Elements of this unique design will also be featured on the new WMPG bumper sticker. Fall 2004 Program Guide Page 3 The Program Director ’s Soap Box Looking to the Future at WMPG By Dave Bunker, WMPG Program Director By Tom Flynn, WMPG Development Director My family and I lived in the Bangor area for Where will WMPG be in five years? That’s a several years in the ‘90s. It was a nice place to live. We enjoyed scenic countryside, a low crime rate, good neighbors, and inexpensive housing. Even the black flies were welcome, in a way, since black flies need clean running water to breed. They served as an indicator that our environment was still relatively pristine. It was a continue in the same vein. I’m not running for reelection, so I won’t go on about it, but I do think it is fair to say that on the whole WMPG is still doing a good job of representing the diversity of Portland back to the community of Portland. As of this writing we feature shows in seven different question that’s been on my mind a lot lately. And it isn’t a purely philosophical or rhetorical question. WMPG’s staff is continuing to grow. In fact, by the time you read this we will have a new full-time Office Manager (Kelsey Perchinski) and our volunteer Music Director (Ron Raymond, Jr.) will have transitioned to the status of half-time The final stages in the process will be the reconvening of the Five Year Plan committee between November 16, 2004 and January 11, 2005 to discuss the suggestions and comments received from WMPG’s constituencies and implement any additions to the Plan. And on January 12, 2005, the committee will present the languages besides English every week, or more paid employee. And our music library continues precisely, since some of these hosts chose to Five Year Plan to the WMPG Board of Directors to expand at the rate of more than one-hundred work mostly in English, shows hosted by for final approval. CDs per week. The inevitabile result of our There were a few things I missed, though, and volunteers with seven different native tongues continued growth is that our home for the past While there isn’t room to publish in these pages one of those was seeing anything other than besides English: Spanish, French, Somali, sixteen years on Bedford Street is practically the entire Preliminary Five Year Plan in these white faces among the people I met day to day. Russian, Vietnamese, Khmer, and Serbian. (For bursting at the seams. Quite frankly, we need a Everywhere else I’ve ever lived — New Mexico, the record, the Russian show and one of the two new space and we need it soon. The University Southern Florida Somali shows are currently on hiatus, but we are of Southern Maine seems to be in agreement panhandle — there have been at least two ethnic expecting both to return to our schedule.) and we are in the very early stages of deter- The first order of business for the committee was Besides the shows presented by hosts of mining where WMPG’s next home will be. to formulate a vision statement: ulation. Before moving to Maine, I expected to international origin, we also features shows But beyond the question of where we will be meet folk of African, Asian, and/or Hispanic which represent a wide range of the musical physically in five years, the philosophical side of ancestry on pretty much a daily basis. That cultures of the United States, from hip-hop to the question has also been front and center on wasn’t happening in Maine. In the 2000 census, blues to Native American. We also features WMPG’s collective mind lately. 97% fine place to be raising small children and enjoying a quiet semi-rural lifestyle. California, Seattle, the groups with significant numbers in the local pop- pages, I’d like to share the following outline of it to give you an idea of the document as it is at this stage. “WMPG strives to sustain creative, diverse programming, education outreach, and broadcasting excellence to the communities within and around the University of Southern Maine in identified shows grounded in various religious faiths. It Since February of 2004 a subcommittee of the themselves as white, compared to 75% would not be going too far to say that I have one WMPG Board of Directors has been meeting to nationally. Basically, the only time we saw of the few best jobs in the state for involving me formulate what will eventually become the next non-white faces in Bangor was when we went with a diverse circle of acquaintance, and I feel Five Year Plan for Greater Portland’s community importance to WMPG as we continue to grow out to dinner at the Indian place downtown. personally the richer for it. More importantly, I radio station. In addition to myself, the Five Year over the next five years. The final plan will no When a sushi restaurant opened half-way feel proud of what that says about how well the Plan Committee consists of representatives from doubt identify more, but those identified in the through our time there, it counted as a major station is achieving the cultural diversity part of each of WMPG’s constituencies: Dave Wade Preliminary Five Year Plan (in order of priority) expansion of our cultural horizons. its mission. (volunteer staff representative), Helen Gorgas are: [ 1 ] Space (WMPG’s physical plant and Goulding (USM staff representative), Zeke room for growth), [ 2 ] Organizational Structure Kimball (USM Student Senate representative), (defining and Vanessa Gates-Elston (listener represen- volunteers, paid staff, and board and university of Mainers responding an inclusive, non-discriminatory way.” Next, the Preliminary Five Year Plan committee identified five issues the we feel are of utmost Then we moved to Southern Maine. Same scenic But what about that phrase in the mission state- country-side, low crime rate, good neighbors, ment about “diverse perceptions?” Community inexpensive…well, you can’t have everything. radio in general has a reputation for being tative). It’s been an interesting process as we governance while preserving WMPG’s unique Fewer black flies, more ticks. Excellent beaches. left-leaning, if not outright radical, and WMPG attempt to see into the future and identify the culture), [ 3 ] University Relations (nurturing and And, at first, little change in the low level of does air a number of programs which include issues and challenges that lie ahead for WMPG. utilizing our relationship with the University of cultural diversity. We bought a house in semi- political content which is unabashedly left of rural York County, and it was still all white faces center. But it is not accurate to say that everyone at the supermarket, at the post office, in the other at WMPG would describe himself or herself as cars on the road. That’s Maine, I thought. politically liberal. I am pleased to be able to Lily-white Maine. report that in addition to volunteers representing But then I got the Program Director position here at WMPG, and my perceptions changed. It was considerable racial, ethnic, and religious diversity, WMPG also counts among its staff volunteers with a wide range of political views. The initial stage of the process have been completed and the committee has presented a Preliminary Five Year Plan to the WMPG Board of Directors. The next step in the process is to make the Preliminary Five Year Plan available to WMPG’s volunteers, the USM community, and WMPG’s listeners and to solicit suggestions and the roles and relationships of Southern Maine in a mutually beneficial way), [ 4 ] Technology (assessing and addressing the changes taking place in broadcast technology and assessing the state of WMPG’s broadcast equipment), and [ 5 ] Programming and Listenership (renewing WMPG’s commitment to representative programming). comments. If you would like a copy of the Again, the issues enumerated above are just a A good demonstration of this would be a recent Preliminary Plan to review, simply email start. We have already received valuable input hearing on the station, faces of many shades, exchange of e-mails which took place on an development@wmpg.org or call me at 780-4151. from other members of the WMPG Board and and of course many white faces too, but white internal e-mail group for WMPG staff and We have also posted an announcement volunteer staff and I’m excited to see the faces from among which came voices speaking volunteers. One of our volunteers traveled to soliciting listener feedback on the WMPG Five Year Plan take shape as we hear from those in the accents of many cultures. New website: http://www.wmpg.org and we are airing connected to the station. announcements a delight, in the first weeks of my new job, to meet the faces behind the voices I had been The concept of cultural diversity appears not once, but several times in WMPG’s mission statement. Our mission statement speaks of “promoting awareness and discussion of global issues and culture; of presenting artistic, cultural, and political perspectives which are underrepresented in mainstream media; of promoting acceptance, understanding, and cooperation between people and cultures; providing opportunities for women and minorities and others who are underrepresented in mainstream media to participate in management and decision-making; and encouraging the participation of community members York for the Republican National Convention and sent back a few dispatches to this e-mail group which were unequivocal, to put it mildly, about the volunteer’s anti-Republican political views. Another volunteer took exception and posted his objections. A short exchange followed, as a handful of other volunteers weighed in, one in an earnest vein on the subject of free speech, another with a touch of humor to on As a representative community radio station it’s November 10, 2004 the WMPG Board of on-air. Additionally, important that we respond to the needs and Directors meeting will include an open forum to concerns of the communities to which we field comments and suggestions regarding the broadcast. The Five Year Plan is an excellent Preliminary Five Year Plan. The meeting will be opportunity for you to voice your thoughts about held at 7:00 pm in Payson Smith Hall, Room 1, your radio station. I know I speak for the entire on the USM Portland campus. All comments and Five Year Plan Committee, when I say we look suggestions regarding the plan must be forward to hearing from you regarding the future received by November 15, 2004. of WMPG. mission. We strive here for a diversity so truly to promote diversity is doing. It takes diversity to diverse that it precludes consistent appeal for foster diversity. If you have comments about any one listener. The political diversity of our staff WMPG, on the issue of diversity or any other helps us achieve this goal. subject, you can reach me at 780-4598, or by help keep the debate light, and so on. The postings, I am happy to report, stayed civil. It was not that big a deal really, but it demonstrated that there was the necessary range of opinion within the WMPG volunteer community to bring about such an exchange. It was also, e-mail at programdirector@wmpg.org. Use the incidentally, a good example of how a comm- I have said that WMPG is doing a good job at unity made up of people with diverse views can, being diverse, but that doesn’t mean that It became quickly clear to me in those first if they so chose, discuss their differences of contribute to the diversity of our staff by becom- anyone here thinks we’re perfect. We’re always weeks of my employment that the station had opinion without descending into a flame-war. ing involved as a volunteer yourself. It will be a seeking to improve. We’re always striving to pleasure to hear your voice, whatever the shade Sometimes, when explaining our programming serve our community, our many communities, of your face, national origin, creed, political to people, I say that if anyone liked everything better. And we need feedback. A single pair of views they heard on WMPG, we’d be failing in our eyes cannot effectively judge how well an effort Let’s talk. with diverse backgrounds and perspectives.” been doing a good job of advancing its cultural diversity goals. Since then I have done my best, as a member of the management team, to same number or address if you want to or other demographic particulars. Fall 2004 Program Guide Page 4 eventually sell the business, but he decided he wanted to stay in it to do the work he enjoyed. So Underwriter Profile JAY YORK AFFORDABLE PHOTOGRAPHY BY TOM FLYNN he scaled back and created a business he could run from a studio connected to (but separate from) his home. Now about the other passion in Jay’s life: music. There is no doubt music plays a large role in Jay’s day to day routine. Upon moving into new spaces over the years, priority number one, he says, has always been to find a spot for the stereo where the reception of WMPG is good. It’s on all day as he Walking into Jay York’s photography studio, I was struck by a few things: first, the stereo was on and it was tuned to WMPG; second, there were a dozen or more photo ID season passes from Mount Abram (dating from the ‘72-’73 season to last year) displayed on the side of a metal cabinet for all to works and, on average, five or six visiting artists ask him what CD he’s playing. They are consistently amazed at the quality and variety of music played by the little community radio station in Portland. And it’s the consistent quality and variety of music on WMPG that has kept Jay on the underwriters roster for almost twenty years (probably the longest continuous business supporter of the station). While he certainly appreciates the nonprofit and noncommercial aspects of the station and WMPG’s value to the community (“it’s like a neighborhood association”), it is the music that impresses him most. Asked why he underwrites, Jay didn’t hesitate to reply, “it’s the best entertainment on the radio dial.” Jay has also always been impressed with the station’s responsiveness to its audience. Back in 1984 he remembers meeting with a group of friends every Friday for a fish fry. One of those in the group was WMPG volunteer DJ Steve Hirshon (still on the air with “Hukkin a Chainek,” Thursdays, 6:30 am – 8:30 am). The conversation turned to radio drama on one of those Fridays and Jay told Steve about a compelling series he had heard years before called “The Fourth Tower of Inverness.” Jay offered to underwrite the series if WMPG could find it. The station did and he’s been underwriting ever since. Of the programming currently featured on WMPG, Jay is drawn to “Soul Mates,” (Saturdays, 7 pm – 8:30 pm), Democracy Now! (weekdays, Noon – 1 pm), and the Folkways strip of shows Monday through Friday from 8:30 am – 10:30 am (“The Blue Country,” “In Your Ear,” “South By Southwest,” “Saltwater Farm,” and “Us Folk”), but he appreciates the diversity and surprises he hears throughout the day. “I tell people that it’s like the weather. If you don’t care for a particular bit of music being played, just wait thirty minutes . . . [WMPG’s programming is] not stagnant, it adapts. It isn’t governed by ratings or advertising and it’s very worthy of support because there’s people out there who love the shows I don’t.” More often than not, though, he loves what he hears and that’s why he “invests in WMPG.” JAY YORK AFFORDABLE PHOTOGRAPHY 58 WILMOT ST. PORTLAND 774-9600 see. It became apparent after speaking with Jay for an hour that skiing and the music heard on WMPG are both very important to him, and they are both connected to his daily life, as they have been for years. You see, it’s not easy to make a living as a photographer specializing in fine art reproduction, but WMPG: WHAT YOU WANT, WHAT YOU NEED By Uncle Kevin owning his own business has allowed Jay York to branch out. In business for about 16 years now, Jay says he has learned to find a balance that allows him to keep doing the things he loves and pay the bills. He is, he says, “a resourceful Mainer, with a couple other irons on the stove.” In other words, the photography studio is open three days per week, he owns a few rental properties and a parking lot, he moonlights as a ski instructor, and he dabbles in the refurbishing of outdoor clothing (which he then sells at the studio). It’s always somewhat amazing that most of the people I meet here in Portland listen to WMPG. When the regular formalities of a conversation come up, and they ask me “where do you work, what do you do?” I tell them I do work study at WMPG, as well as a show, and that’s where the conversation usually begins. Most everyone I’ve come across has heard of WMPG, has one or two shows they listen to, and has nothing but good things to say about the station. All these irons have allowed Jay to keep doing the things he loves, and photography is certainly on that list. In fact, his first experience with photography was back at Kennebunk High School in Arnie Amoroso’s English class. Mr. Amoroso assigned photography as a means for students to interpret stories and poems. Whereas many photographers enter into the field after being seduced by the technical aspect of processing their own film, Jay feels a great sense of gratitude to Amoroso for emphasizing the expressive side of photography over the technical. Kennebunk High School also gave the young Jay York another invaluable opportunity. It was there that a teacher by the name of Pam Wood decided to launch a magazine focusing on documentary arts called Salt. Yes, that Salt, which would eventually morph into the Salt Institute for Documentary That probably doesn’t come as a surprise to the thousands of loyal listeners WMPG has collected over the years, but if you’re just picking up a program guide for the first time, or if the only time you’ve heard our station is when you’re scanning the dial for something to listen to, you might want to read further, this is my experience at WMPG. This is the start of my third year at the University of Southern Maine; I transferred up to school here from Denver, CO. Most people ask me right away “What made you decide to come up to Maine?” All of that isn’t important right now, so I’ll save it for maybe another article. I began working at WMPG at the start of last year. At first, I really couldn’t figure out what the station was all about. It was a nice Studies. The model for this first incarnation of Salt magazine was a similar publication in Raven Gap, and friendly environment, but after the first day I quickly saw that it didn’t fit into any type of music Georgia, Foxfire. After a stint in Georgia to help Kennebunk High School launch the magazine, young genre one would associate with radio stations. Jay was hooked on photography. He went on to spend a summer at the Maine Photography Mondays at WMPG start at about 3:30 AM for me; I come in to do my show Monday Morning Mayhem Workshops in 1975 and he graduated with a fine art degree form Maine College of Art. as Gabe FM is finishing up his show, Hip-Hop Division. We both do Hip-Hop shows, so that might lead Jay’s professional career began working for a film processing firm in Portland where he picked up you to believe that Mondays at the station are primarily rap music. Well if you thought that you’d be extra cash handling the business his boss didn’t want: fine art reproduction. Jay explains, “he said he wrong. After my show is “This Better Be Good”, a great show with great music, hosted by Michael didn’t want to do the work for artists because artists have no budget, but they’re picky.” Jay soon Cutting. The best description of “This Better Be Good” that I can offer you is good music from across found himself making more on his off-hours taking photos for artists than he did with his day job. Was the globe, and that doesn’t even come close to telling what the show is all about. his boss right in his description of artists, I asked. “Well, I found that artists are no more demanding than other people, but they have no budget.” It was work he enjoyed, though, and there was very little competition in the field, so he stuck with it, adding the occasional iron to the stove to help make Lincoln comes up next with his show, “South by Southwest” during which he plays country, honkytonk and western music. After that, I go home and take a nap, but take a look at the program guide in the center of this paper to see the eclectic blend of programs that follow. ends meet. In my opinion, what makes WMPG a successful radio station is the people working there genuinely Jay York Affordable Photography now has a client list of about 2,000 artists whose work is photographed by Jay and, occasionally, by a few folks he subcontracts. Most of the artists are from the New England area, but a few come from much farther away, including France. care about the music they play, the shows they do, and the station itself. I can’t think of any other station that stretches across such a wide range of musical genres, others might offer a little variety but not as much as we do. So what ever kind of music you’re into, I can almost guarantee that WMPG has Jay enjoys his work with artists, though at one time several years ago, he thought about building up a show for you. And if we don’t, come down to the station and ask Dave about doing a show yourself. his business to include a full-service photo finishing lab. The reasoning behind the expansion was to That’s it for me, I’m out, and go Broncos! Fall 2004 Program Guide Page 5 WMPG UNDERWRITERS HOW I GOT TO WHERE I AM NOW PLEASE SUPPORT BUSINESSES THAT SUPPORT WMPG By Alex Steed, host, “Monday Afternoon: REVOLUTION!” Mondays, 3pm – 5pm Ad Loc. Design Ireland Crystal & Crafts 165 Ocean Ave. Portland 780-9601 558 Congress, Portland 773-5832 People often (never) ask me how I got where I am the three short classes necessary to become a Innovative website design. www.adloc.com Jewelry, clothing, and gifts from the Emerald Isle. today at WMPG. I’ve loved the station as long as DJ, learned the ropes, and when my friend Nic Amaryllis Jay York Affordable Photo I have known of its existence. I first became inter- had to leave his afternoon rock slot so that he 41 Exchange, Portland 772-4439 61 Pleasant St., Portland 774-9600 ested in the afternoon rock block, the Evenin’ could move to Boston, I took over his position. Clothing for creative women. Photography for everyone. Sun Blues, and the freeform late-nights. I got into I have applied to my show my own interest in Angioplasty Media Maine Beer and Beverage the station by listening to Anne Sielaff’s metal radical politics, airing speeches by radicals like www.angioplastymedia.com Portland Public Market 228-2024 show, “Music to be Murdered By,” Matt Little’s Malcolm X, Noam Chomsky and Mumia Abu Huge selection of beer and wine from “Get Hot or Go Home,” and Nic Carter’s Jamal. I play politically charged music whether it Maine and away. “Electronic Naptime.” In fact, I used to set my be folk, country, punk or mainstream. I also, for alarm to record Anne’s show so that I could listen fun’s sake, play bands unrelated to politics to it at work in the morning, I taped Matt’s show (some of my favorites: Queen, Ice Cube and so that I could send it to my former girlfriend who Guns N Roses). I get many requests for songs lived in Massachusetts and loved swing music, both political and not political and I find hosting and I ended up replacing Nic’s position as the a show a unique was to stay in touch with a Monday afternoon rock DJ upon his departure like-minded community. stories, interviews, music, ruckus, and chaos. Barbara’s Kitchen 388 Cottage Rd., So. Portland 767-6313 Mims Dining for all occasions, jazz every 205 Commercial St., Portland.347-7478. Wednesday, and catering. Great meals with an emphasis on local Catama Film and Video 2 Portland Fish Pier, Portland 874-4974 produce. Great meals 3 times daily, 7 days a week. Film and video production and more Maine Capital Companies Foundation Coffee By Design Natasha’s 620 Congress, Portland 772-5533 82 Exchange St., Portland 541-3663 67 India St., Portland 879-2233 Delicious dining for lunch and dinner from the station. I began working at WMPG in the same manner passions that circulate around the office, whether most new work-study students start; I sat with an they are social, political or musical. Every time I old-school plastic labeling device in front of an am in the office I have interesting conversations archaic filing computer program and I cataloged with extremely knowledgeable people who care new compact disks. Almost immediately bored passionately about the things they believe. This with this, I became involved with other station afternoon I had a conversation with a DJ about interests. Becoming aware of the general his opposing philosophical and political beliefs. Karate classes for people of all ages and financial demands of a non-profit station, He proceeded to teach me about Internet social abilities in an environment of respect. I Student networking programs. Not a day passes I don’t Communications Board at USM and worked to learn something about music I did not know acquire more money for the development of the before. I am surrounded by technology- and station. I have promoted the station in many software-literate people who offer me information disciplines and I have continued to do the in everything I have a desire to learn about. work-study: year 1-style grunt work I came into Everyone I am in contact with at this station cares the station doing. passionately about offering as much of their Micro-roasted coffee at three Portland locations seven days a week. Creative Lending Solutions Northern Chi Martial Arts Center 25 Pearl St., Portland 772-0745 classes at Greater Portland YWCA Specializing in mortgage lending for people 87 Spring Street, Portland 879-2423 with unique needs, bad credit or no credit. www.northernchi.com Crystal Spring Water 1-888-778-8856 Home and office delivery of natural spring Oakhurst Dairy water and coffee. The natural goodness of Maine. Enterprise Records Penobscot School 613 Congress, Portland 773-7672 28 Gay St., Rockland 207 594-1084 Vinylphiles rejoice! Long live the LP! Language learning in Rockport. Face Magazine Phoenix Studio Music guide for Southern Maine and 630 Forest Ave., Portland 774-4154 Seacoast New Hampshire. A complete stained glass resource: supplies, ferdinand repair, custom work, classes. 243 Congress, Portland 761-2151 Portland Green Grocer Unique home furnishings, cards, gifts, and art. 211 Commercial St., Portland 761-9232 Free Press 780-4084 The newspaper of the University of Southern Maine. Full Circle Synergy School of T’ai Chi Chuan 500 Forest, Portland 780-9581 For balance, self-healing, relaxation, and self-defense. Gateway Mastering & DVD High quality audio and DVD mastering. Locally owned market featuring fresh baked goods, wine, cheese, fresh produce and more. SPACE 538 Congress St., Portland 774-4154 Alternative arts venue, featuring visual art and live music. The St Lawrence Arts & Community Center 76 Congress St., Portland 775-5568 Live music and theatre on Munjoy Hill. Available for private events. Great Lost Bear 540 Forest Ave. Portland 772-0300 Lots of beers, good food, great atmosphere. Stitchez 574 Congress St., Portland 780-8340 Men’s clothing store featuring rockabilly, Gritty McDuff’s retro and just plain cool threads 396 Fore, Portland 772-2739 and accessories. Lower Main St., Freeport 865-4321 Portland’s first brewpub. TIAA-CREF 630 Forest Ave Portland 774-4154 HR Distributors Investment for retirement planning. www.hrdistributors.com 773-2552 Full service electronic parts distributor. Featured products include networking and computer supplies. ideaofnorth www.ideaofnorth.com 332-3511 graphic design. The things I love most about WMPG are the Udder Place Coffee Company 428 Brighton Ave., Portland 780-MOOO Good coffee, good people. Mooooo. Video Port 151 Middle, Portland 773-1999 Popular and eclectic video & DVD rentals. became involved with the My favorite position at the station is as DJ. I took selves to their communities as possible. I am incredibly fortunate to have WMPG in my life. Fall 2004 Program Guide Page 6 Fall 2004 Program Guide Page 7 Fall 2004 Program Guide Page 8 [Metal fans] work menial jobs. Although I have misconception about metal music is that all the Anne. “I have been receiving letters from the one (1) tat’ and two (2) piercings, I have a lyrics are screaming about evil things. Most of inmates for the past 7 years. I have a huge photo college degree and a good job.” the music is about stepping up and being heard, album filled with all the letters, and drawings they A fan of old country (“anything before 1985”), and standing up for yourself. A lot of it is about send. Some I even framed, and they are hanging industrial, folk, 80s and female songwriters, Cain family abuse and other struggles [one goes on my walls at home.” Speed metal, more obvious than viking metal, also feels it is a misconception that the genre is through in] life. I find it a great stress reliever to representative bands: Motorhead, Iron Maiden all he listens to. After all, he came to metal “in a crank up something really loud and just scream Party metal, “I just want to rock and roll all night” round about way.” along [laughs].” metal, representative bands: (in the 70’s) KISS While working at a college station in 1990, Cain A strong-minded woman, Sielaff explains, “It on the other metal shows on WMPG [...] I get (at present), Andrew WK wanted to do an all metal show featuring hair bands. makes me sad to see women used all the time to constant feed back from them, saying how much Metalcore, harcdore and thashmetal, represen- “The station manager said they had too many metal sell stuff.” When asked to explain what it’s like to it means to them having my show to tune into tative bands: Hatebreed, Killswitch Engage DJ’s so they made me an alternative DJ.” be a female metal fan, she admits that “it can be every week.” Grindcore, vocal styles similar to death metal After a semester of playing alternative songs, a struggle sometimes. But I feel that the women Cain was allowed to that really love true metal aren’t the ‘air-heads’ of conclusion mixed with the grinding of riffs grinding into one switch to playing metal the 80’s metal scene. Anne wanted to be sure another, representative songs. Encouraged by Those girls are out there I added that, “WMPG bands: Carcass, Napalm his manager to look at listening to [commercial is the best station out Death, bands heavier than the alternative radio station there! They continue to ones he was used to, name]. I feel the major- be the best place to he was introduced to ity of real metal bands, get alternative music. don’t use women in a I love the diversity of it negative way.” and the commitment to On Metal, continued from page 1 metal, representative bands: Queens of the Stone Age, Black Sabbath, Monster Magnet) Agoraphobic Nosebleed This list is intimidating bands like Priest, Iron and long and it’s only the Maiden tip of the metal iceberg. Sabbath. and Black (meet) steve and anne Cain began playing “The average public Motley Crue and Def also see metal as being Leppard. His exposure too loud, undecipher- to able directed his attention to and not bands real Anne Sielaff music,” says Stephen like Poison, harder bands that metal he still considers his favorites: Cain, host of WMPG’s Thursday night metal show, Hit Parade (Fridays, Sepultura, Fear Factory and Pantera. His 12:00 am – 3:00 am) and the WMPG Hard Rock Why such a following at Windham Correctional Facility? “They like the music. You cant hear heavy shit like my show on any other station, only the music.” touching (the community) Like many DJs Steve encourages those who have not yet done at so to listen to Warrior WMPG, both Anne and Soul. They are one of his Steve each touch and all-time favorite bands continue to touch the Steve Cain and one of the most community with their u n d e r- a p p r e c i a t e d devotion bands from the early 90’s. to their horizons have expanded further over the years. respective preferred genre. Steve tells a few brief 2004. Leap year. Expo-sure of Janet Jackson’s Director. This is a fair assessment on Cain’s part. “In the beginning I never would play thrash, stories, one in which a man called his show, pro- breast ruins for American viewers the otherwise The genre has been poked fun at steadily in hardcore or black metal but now I can find artists ceeding to tell his life story. The man eventually moral, beer-sponsored, pro-aggression Super popular culture. Rob Reiner’s Spinal Tap, a from each genre that I enjoy.” encouraged Cain to play King Diamond by Bowl. Socialist Jose Luis Rodriguez Zapatero explaining it would make the man’s life meaning- defeats incumbent government led by Jose ful again. Maria Aznar in Spanish parliamentary elections mockumentary about a late-70’s, early-80’s metal Anne Sielaff, host of Music to be Murdered By, a band devotes all of its energies to poking fun at Saturday evening metal show (11 pm – 1 am), the density of metal musicians and fans. Despite started getting into Metal at the age of eight. “It “There was one guy years ago,” he goes on to it’s eventual focus on the circumstance of the all got started when my brother, Jon, got me boys’ heroism, Bill & Ted’s Excellent Adventure explain,” that was partying while listening to my listening to bands like Kiss and The Ramones, goes so far as to cast the painfully thick and show. He told me that he felt bad that I couldn't when I was about 8 years old. I thank him for monosyllabic Keanu Reeves as a typical metal getting my love of music started.” of 2004. Ray Charles dies. Steve Cain and Anne Sielaff begin, collectively, their 20th year as a WMPG deliverers of metal. be there so he would bring the party to me. This is Steve and Anne. They are two of the Twenty (20) minutes later, the bell rang and it was WMPG DJs responsible for providing the station band “Wylde Stallions”). The tagline of the film In college, Anne became involved with the a guy all decked out in party beads. He then with a healthy dose of metal. They know the pokes fun of the presumed illiteracy of said metal college radio station. Working an internship at a handed me a bottle of wine, said ‘here’s your difference between sub genres and they rock out enthusiasts: “History is about to be rewritten by commercial station in New Haven, Connecticut, party,’ and then left in his cab." to Sabbath and Ministry. Beyond this, they’re a two guys who can’t spell.” she was quickly discouraged when she “realized musician (being one half of the protagonists' Cain, a metal DJ at WMPG for 12 years, explains couple of the most amiable folks I’ve run into in that commercial radio is not about the music, but “I have a large following of dedicated listeners about how well you can sell the station.” from the Windham Correctional Facility,” explains “I also pride myself as being a fan but not fitting in the typical ‘mold.’ To society, metal people are Sielaff has been hosting her show at WMPG for uneducated, tattooed and pierced all over; that over eight years. Like Cain, she feels as though metal is misunderstood. “I think the biggest [ ron harrity | graphic design ] ideaofnorth [ 207.332.3511 | ideaofnorth.com ] my time at WMPG. Steve and Anne are, in my experience, solid people. Fall 2004 Program Guide Page 9 The 9th Annual WMPG Record Sale was a big success. More than three hundred vinylphiles and music fans descended upon USM’s Sullivan gym to score bargains galore! As you can see, fun was had by folks of all ages and WMPG wasn’t the only beneficiary. Where else could someone find “The Impossible Dream: the story of the 1967 Red Sox,” Elvis Costello’s “Imperial Bedroom,” or the Rolling Stones’ “Sticky Fingers” (zipper intact) LPs for two bucks each? 9TH ANNUAL WMPG RECORD SALE WMPG RECORD SALE Fall 2004 Program Guide Page 10 WMPG WINS TWO AWARDS FROM MAINE ASSOCIATION OF BROADCASTERS RADIOACTIVISTS The Volunteers Who Make WMPG Possible Producers at WMPG have won two first-place program was a half-hour special radio docu- prizes in the Maine Association of Broadcasters mentary for Labor Day 2003 featuring the voices of 2004 News and Creative Awards. Mainers who had worked for the S.D. Warren paper First prize in the Features category went to Stephanie Philbrick, Rob Rosenthal, and Kate Philbrick for Aucoscisco Radio: Ten Stories About Portland Harbor. This was a series of ten mill in Westbrook, Maine. WMPG personnel received their award plaques at the MAB’s annual convention, September 18th, in Portland. Congratulations to these WMPG producers! Rick Alderette, Adam Allington, Ellen Anderson, Kilian, Zeke Kimball, Dan Knight, Theo Konig, Matt Anderson, Michele Arcand, Charlie Ashlin, Paul Krakauske, Dan Kramer, Joanne Lafferty, Alan Ashton, Michael Atleson, Michael Audie, Emily Lafond, Andrew Land, Kathryn Lasky, Smokie Ayanle, Dave Babb, Patrick Babcock, Adrian Leveille, Larry Lindgren, Matt Little, Christie Balieri, Giorgi Baino, Bazi Bakar, Aoife Jessica Lockhart, Seanne London, Mikel Lopes, Baker, Pam Baker, Baltos, David Sydney Mackey, Jamie Mandrake, Rachel Barnett, Marc Margolis-Pineo, Merrill Marsh, Kevin McBride, Bartholomew, Joshua Beane, Seth Benner, Rock Jeff McCreight, Blainor McGough, Angus Bergeron, Dan Bernard, Braden Biddings, Becky Mclaurin, Ryan McMaken, Jeanette Merrill, Bigelow, Noel Bonam, Rebecca Boothby, Elisabeth Michaud, Justin Michelson, Bob Miller, Jessica Borelli, Buddy Bourgeois, Kevin Boyd, Abdullahi John Bradford, Amy Bradstreet, Adrian Bravo, Mooney, Nick Morin, Barry Mothes, Matthew Al Brewer, Martha Briana, Mary Bruen, Osip Mowatt, Natassia Mullally, Ed Murphy, Deirdre Bukharin, William Burke, Larry Burkett, Chris Nice, Jackie Nice, Justine Norden, Ryan Nutting, Barber-Callaghan, Alex Adinah Mohamed, Erin Moloney, John programs, each ten to twelve minutes long, “Remembering Mother Warren” was produced Busby, Stephanie Buzzell, Steve Cain, Mindy Marty O'Brien, Chris O'Connor, Brian O’Keefe, which explored Portland Harbor in sound. by Big Talk members Jessica Lockhart, Michael Cairn, Scott Carlin, Valerie Cartonio, Dan Paul O'Neil, Manuel Orantes, Pete ‘DJPJ’ Episodes included a visit to Ram Island Ledge Hillard, and Claire Holman. Narrator: Thomas Cassely, Bob Caswell, Parris Cayer-Leary, Dany Paraskevas, Kathryn Parenteau, Kai Parrott- Lighthouse and the journey of a lobster from trap Lestage, President PACE Local 1069. Project Challenger, Hannah Champagne, Jesse Chanin, Wolfe, Joel Patterson, Lincoln Peirce, Stephane to plate. It was accompanied by a photo exhibit Historians: Eileen Eagan and Michael Hillard. David Cheezum, Anthony Chicco, Victoria Pejic, at SALT gallery. The pieces are archived at Additional Drinan. Chicon, Marc Chillemi, Julie Civiello, Katie Clark, Stephanie Philbrick, Win Phillips, Jim Pinfold, http://www.wmpg.org “Remembering Mother Warren” was a project Bob Cochran, Elaine Colella, Rick Colella, Diane Andrei Planson, Jessica Porter, Eric Poulin, sponsored by the Southern Maine Labor Council, Cormier, Kathleen Costello, Tony Cowles, Lorenzo Raffa, Juan Rangel, Ron Raymond, AFL-CIO, Michael Cutting, Michael Danahy, Derek Danie, Rosita Roberge, Joe Robinson, Brian Rollins, Karen D'Andrea, Chris Darling, Eric de Chevalier, Keith Roscillo, Kurt Roscillo, Chelsea Rosenthal, Sean Demers, John Dennison, Sisay Desta, Rob Rosenthal, Andy Royer, Kim Sailor, Myron Laura DeVaudreuil, Paul Diou, Stephanie Doyle, Samuels, Jacques Santucci, Dan Schulman, Nick Dragoni, Moe Dubreuil, Savoy Duch, Barry Spenser Scott, Kerry Seed, Pirun Sen, Steve Dumper, Sunni Dunn, Steve Dunphy, Chip Edgar, Sesto, Adam Sewall, Isaac Shainblum, Paige Florence Edwards, Sasa Erakovic, Carolyn Ezzy, Shepherd, Jeff Shelton, Nick Sherman, Dylan Brian Farrell, Gabe Faulkner-Macklin, Adam Sherry, Anne Sielaff, Ruby Simkoff, Andy Smith, Ferguson, Daniel Fields, Cindy Flanders, Caitlin Bill Smith, Dawn Smith, Skot Spear, Dana Flynn, Kevin Fogg, Steve Frantz, Joe Frechette, Staples, Alex Steed, Michelle Stephen, Garry Al Frey, Vanessa Gates-Elston, Joel Gold, Liz Stevens, Reid Stevensen, Jensen Stiles, John Gold, Helen Gorgas Goulding, Ramon Graham, Tanebe, Keith Taylor, Lily Townsend, Michael First prize in the the Public Affairs category went to Michael Hillard, Claire Holman, and Jessica Lockhart for “Remembering Mother Warren.” This narration with funding by Paul from the Maine Humanities Council. WMPG RELEASES BLUEGRASS SPECTACULAR CD David Pence, Milka Perez-White, WMPG is pleased to announce the release of an of local bluegrass legends Jerks of Grass. Call Bau Graves, Alex Green, Johanna Greenberg, Townsend, Kristina Truesdale, Barb Truex, Wes extremely limited edition compact disc of 874-3000 during Begathon to reserve your copy Jesse Groom, Chrissy Grover, Stewart Guernsey, Tucker, Frank Turek, Chazz Vacchiano, Emily Van while they’re still available. Ben Guiliani, Masood Hagiali, Jim Hall, Hayley Strien, Thaian Vu, Bob Wade, Dave Wade, Hastings, Wendy Hazard, Jeff Heller, David Suzanne Walcott, Emily Wall, Jim Ward, Gail Herter, Michael Hillard, Keith Hintz, Steve Wartell, Jake Wartell, Eric Whitten, Kari Whitten, Hirshon, Pete Hodgin, Sarah Holbrook, Claire Celeste Wideman, Jeff Wilbur, Erik Wikstrom, Jan Holman, Rob Hoyt, Sarah Hudson, Josh Hulit, Wilkinson, Ken Johns, Julian Kaelin, Artur Kaptelenin, Karen Madeleine Winterfalcon, Bob Wirtz, Gail Worster, Karlsson, Mitchell Keil, Melissa Kierman, Trey Kevin Wyer, Michelle Zajac, Dan Zarin highlights from the 2nd Annual WMPG Bluegrass Spectacular, featuring the music of the Grassholes (3 tracks), Muddy Marsh Ramblers (6 tracks), and Jerks of Grass (6 tracks). Also featured is the inimitable “Blizzard” Bob Wade (host of “The Blue Country,” Wednesdays, 8:30 am –10:30 am), who served as the evening’s Master of Ceremonies. The CD was recorded live at the St. Lawrence Arts & Community Center on Portland’s Munjoy Hill on June 7, 2004 and it will be available as a pledge premium during WMPG’s 2004 Fall Begathon, October 18 – 24. This CD represents the first recorded output of the Grassholes and the first multi-track recording The recording was made possible thanks to the generosity of the Grassholes, Muddy Marsh Ramblers, and Jerks of Grass, who kindly donated their performances and the rights to record them. Additionally, WMPG would like to thank: Marc and Gina at Tsunami Sound for donating their services to record the show and produce, edit, and master the recording; thanks to Ron Harrity of ideaofnorth.com for donating the design and layout of the packaging; and thanks to Deirdre Nice and everyone at the St. Lawrence for use of their space and help with the show. China Williams, Jay Williams, Fall 2004 Program Guide Page 11 BILLBOARD MAGAZINE’S DANCE MUSIC SUMMIT 2004 soundtrack before or after the movie was producers’ and engineers’ wing of the Recording complete. His answer: “I did it during the making Academy of New York and BPM magazine of the movie.” sponsored a very special party to celebrate the new category for Best Dance/Electronic Music The Birth Of The Twelve-Inch Single Album. It’s been a long wait for this category to by Tom Moulton be offered. The host club for the party was New a record label they weren’t exactly sure what to Another founding dance music producer I had a York’s famous Crowbar and more than 4,000 do with him next. They were constantly after him chance to meet is Tom Moulton. He not only people attended to see performances by David to put aside his creativity and talents in order to produced several top ten dance hits over the Morales, produce ‘that one big hit.’ He felt he was not past several decades, he is the person The Crowbar is the Dance Club of All Clubs. allowed to explore his ideas and creativity, responsible for the production of the first twelve- I thought that I had died and gone to Dance Billboard Dance Music Summit in New York City. instead his forced objective became, ‘How can I inch single…. by accident. heaven. It was amazing! Billboard Magazine holds this event every year to make money for the record company?’ The Tom explained how he went to the record brainstorm new ideas, review past successes More Parties…. completely opposite direction he wanted to take. pressing company that he dealt with and he and map out where the Dance Music scene is Also, he claimed, he was not being fully needed a recording done on 7-inch vinyl going in the future. Billboard brought together a compensated financially or appreciated for his (45 rpm). The company was out of 7-inch vinyl phenomenal group of people, from original hard work and dedication. Former Tommy Boy blanks and the only size vinyl they had in stock dance music pioneers and legends to current Record Company artist Amber, who has had was 12-inch. Knowing that he had to get this chart topping producers, artist, and remixers. numerous dance hits agreed and explained her record to the record company executives One of the biggest concerns discussed is the experience, “Let me start out by saying that I am immediately, Tom instructed them to just press it fact that there are so few actual performing very thankful to Tommy Boy for putting me on the on 12-inch instead. After processing, Tom artists in dance music. This shortage of talent map and making my name recognizable. But noticed that only about one inch of the record creates a hardship for record companies due to when it got to the time that the record label was was cut and used. Feeling that this was not On the third day, Trutone studios (one of the last the fact that they don’t have an entity to bank on. selling 200,000 copies of mine, and I was only presentable to give to the record company suppliers of vinyl) threw their own rooftop party. No tours, no follow-up single, and ultimately no getting 2% of the sales, I began my own label.” executives, he asked if they could spread out the They have recently relocated to the former fan base. The current dance music singles are Amber continued, “Everyone involved and the groves to cover the major portion of the surface. Record Plant Studios in Midtown Manhattan. just that. One hit song created in someone’s record company receive all of the profits.” Now It worked, but the company told Tom that when One of the biggest thrills was to stand in the basement and they’re gone. Just about anyone Amber is on her own. She says now that she they extended the groves, it made the sound same room that John Lennon had recorded in. can cut a dance track, with no artist singing, all doesn’t have a record label to answer to and to coming off the record very LOUD! Tom said Sadly, it was on his way home from this famous computer generated using just samples of compensate, she is willing to take the cut in “Great!” And that was the beginning of the studio that he was killed. Trutone studios is vocals of older records. For this reason, these quantities sold, which will happen because she twelve-inch single. owned and operated by the husband and wife single tracks are not part of an entire album and doesn’t have a record label’s almost unlimited are easily burned from the Internet or can appear cash flow to promote and advertise. On the in a dance music compilation. Very little income positive side, though, if she only sells 20,000 is generated. copies now she will benefit more on a financial In 1997, at the 40th annual Grammy Awards, the of their craft and a Trutone studio is one of the top basis, due to the fact that she will not have a National Academy of Recording Arts & Science choices for mastering perfection. whole line of people to pay. “I’ve got bills to pay” (NARAS) debuted its two-Dance/Electronic she concluded. music categories: Best Dance recording and Is The Dance Music Genre In Trouble? By MikeL Lopes (co-host of “ClubHouse of Dance,” Tuesdays, 11:30 pm – 1:30 am) Recently I had the privilege of attending The A lot of the panel discussions surrounded this dilemma and what to do about it. During “The Pioneers Of Dance/Electronic Music” panel discussion (featuring Georgio Moroder, producer Pepper Mashay and Joi Caldwell are just a few with Donna Summer and numerous others; Tom other artists who have left their record labels to Moulton, producer and originatoror of the twelve go out on their own. And they all certainly feel inch single; and Frankie Knuckles, producer who that they have much more control over their coined the title “House Music”) the topic was career both financially and creatively, without explored and Georgio Moroder expressed his being bound by the politics of a record label. feeling that “the Artist” is a very important part of A Conversation With Legendary the success of a dance song. He explained that Georgio Moroder he felt that the success of a song comes when working with an artist who is professional, talented, and dedicated to the project, much like his work with Donna Summer. Another highlight of the conference was an opportunity to speak with Georgio Moroder. This is where dance music all started. Georgio put all rumors to rest about the recording of Donna Paul Van Dyke, and Sasha. On the second evening, after the panel discussions, it was time for a cruise around Manhattan on the Hudson for a special party sponsored by Brad LeBeau from Pro Motions. At the helm was legendary Frankie Knuckles mixing his mix and taking us on a musical ride of his own under a full moon and breathtaking views of Manhattan. team of Carl and Adrianna Rowatti and they have The Recording Academy Celebrates New a vast roster of talent, such as Missy Elliot, Patti Category: Best Dance Music Album Labelle, and Lionel Ritchie. They are the masters Thank You Billboard Magazine remixer of the year, non-classical. Now, after A special thank you to Billboard Magazine for its much hard work from key players in the years of dedication and commitment to the Dance/Electronic has Dance/Electronic genre. They are the giants in announced that a new category for best this arena and this yearly summit brings together Dance/Electronic album, will debut next year at a list of who’s who in the world of Dance/ the 47th annual Grammy Awards. It is hoped that Electronic. Thanks to all who attended the this exposure will legitimize a genre of music that conference for your passion, commitment, and is often misunderstood by the mainstream. The services. See you all next year! community, NARAS WMPG MOVES FORWARD WITH HD RADIO During “The Billboard Master Class” panel, Summer’s initiation dance single “Love to Love President of Next Plateau Entertainment, Eddie You Baby”. How did Georgio get her to moan for WMPG’s Board of Directors recently voted was whether today”s radio listeners will move to O’Loughlin explained how he and his company 17 minutes? He claims that it was easy, “When unanimously for WMPG to accept a $59,052 this new technology. With the CPB helping to fund are “searching for that next successful artist and Donna came into the studio to record, she came grant offer from the Corporation for Public this conversion in the Public Radio market it does it has been very difficult for the major record to the studio with her husband, and I felt that she Broadcasting. This grant will cover 70% of the increase the odds and recently Clear Channel labels to find. “We are searching high and low would not be able to cut loose to give it her all. cost of converting our current analog signal to announced that they will be converting more than for the next Madonna or Britney. We leave no So I asked everyone but Donna to leave the both a digital IBOC (In Band, On Channel) signal 1000 of their stations to digital. If IBOC succeeds, stone unturned.” Another panel member, Craig studio, Georgio and an analog signal. The additional funds as we think it will, you soon may be listening to Kallman, Co-Chairman/COO of Atlantic Records WMPG programming in CD quality audio. including her husband.” continued; “Then after the studio was clear of needed for this project have already been raised. added, “Sure we are in the record business to people, I shut off all of the lights and Donna The plan is to install a Harris Z4HDC FM/IBOC make money, and in order for us to do that we began…and she continued for nearly 20 transmitter along with analog and digital exciters, need to find a personality that we can bank on.” minutes, one take, perfect.” And that was the plus audio processing equipment. This will The record companies representatives explained beginning of Georgio Mororder and Donna replace our current transmitter and as a bonus, that they receive hundreds of submissions a Summer’s relationship. They went on to record leave us with a back-up transmitter. With a digital week from potential new artists and they claim to several other hits, such as “McArthur Park,” “Bad signal in place, we may also be able to expand listen to every submission in hopes to find the Girls,” “Dim all The Lights,” “Last Dance”... and our programming options. There have been a next dance star. But success for a record the list goes on and on. “I Feel Love” was an number of experiments with the splitting of company would have to include an entire album experimental recording and Georgio told the digital transmissions. NPR, Kenwood and Harris release, not just one single. crowd; “I have heard ‘I Feel Love’ remade and are On the other side of this issue are the artists that remixed over so many times, but I feel that the transmissions through the Tomorrow Radio have been successful in the past. In attendance original is still the best.” All Agreed. Georgio then Project. WMPG is well positioned to expand our were Amber, David Morales, and Joi Caldwell — reiterated, “The elements of the artist are so just a few of the artists who have decided to important in achieving such a successful sever their ties to record companies. David product.” Georgio also produced the soundtrack Morales explained that when he made it big with to “Midnight Express.” I asked him if he wrote the currently experimenting with multiple Estimated Installation Timeline August 2004 September 2004 October 2004 Sign Ibiquity License Sign CPB Grant Contract Receipt of CPB Contract Funds October 2004 Order Equipment Oct/Nov 2004 Receive Equipment December 2004 Installation of Equipment programming and in the future creating two December 2004 Testing HD Transmission distinct stations or digital streams should be Jan/Feb 2005 Begin Broadcasting February 2005 possible (for example, a future WMPG might have all public affairs on WMPG One and all music on WMPG Two. The real question for us FCC notification of intention to broadcast HD