EL CONQUISTADOR RESORT ART COLLECTION
Transcription
EL CONQUISTADOR RESORT ART COLLECTION
E l C o n q u i s t a d o r R e s o r t A r t C o l l ec t i o n 10 2 13 4 1 3 6 11 12 5 8 9 17 15 14 NORTH POOL LOBBY LEVEL TO LAS CASITAS VILLAGE NORTH POOL ART WALK Use the map to explore the collection’s major works of art at your own pace and convenience. Most artists are represented by several works of art at the resort. SOUTH POOL 16 7 1,2 ARTIST UNKNOWN 4 CARLOS CANCIO (SAN JUAN, 1961) Life in the tropics takes center stage in these two works. Presented as mosaics, the works underscore the infinite variations of color, texture, and density in Puerto Rico’s visual world, and they invite the viewer to look at the landscape, its flora and fauna, attentively and with delight. Following a long local tradition beginning with Puerto Rican artist Francisco Oller, this work suggests the centrality of the horse and its rider in Caribbean life. This artist has surrounded this symbol of Latino masculinity, however, with the beauties of the landscape, and has placed the bridle in the hand of a woman, thereby redefining a woman’s role in society. 3 5 CARLOS CANCIO (SAN JUAN, 1961) This young couple’s life on the beach is the subject of this large-format work, which emphasizes the pleasures of the tropical coast: the breeze, the sun, and outdoor life. This piece portrays the essence of a carefree life of pleasure. CARLOS CANCIO (SAN JUAN, 1961) One of the ocean’s great attractions is the weightlessness one experiences there. There is no greater sense of freedom than being suspended in a medium that makes us feel that gravity has been lightened. To this freedom, the tropical ocean adds the exoticism of a colorful, exuberant fauna that invites us to explore new things. 6 CARLOS CANCIO (SAN JUAN, 1961) 12 CARLOS CANCIO (SAN JUAN, 1961) Life on the coast is life in an in-between space where unexpected things can happen: playing, disguise, even nudity are signs of that extravagance at seaside. In this piece, the sky itself, with its colors, as well as the sea and sand, accompany the figures, painting them with their colors. In a composition clearly influenced by Surrealism, figures from the circus frolic on the beach. The sand has become a checkerboard pavement, as though it were simultaneously inside and outside. The line of the coast shares that hybrid nature: water and land, hard and soft, dry and wet. 7 13 LINDSAY DAEN (DUNEDIN, NEW ZEALAND, 1923– PUERTO RICO, 2001) A body dancing freely is synonymous with happiness, peace, and harmony with its surroundings. CARLOS CANCIO (SAN JUAN, 1961) In a fantasy scenario that pays homage to Picasso’s blue period and René Magritte’s perspectival trompe--l’oeils, Carlos Cancio fashions a dreamy architecture where the sea and the waves become art and architecture bringing nature close to home. 14 LINDSAY DAEN Walking landward, a young man is returning from the ocean with a seabird on his shoulder. His calm attitude and easy stride communicate the peace of that other environment and the joy of returning to land. 15 8 ÁNGEL BOTELLO (GALICIA , 1913–1986) Under the imposing figure of a star, three figures lay out the fruits of their harvest. The closed eyes and raised heads indicate that this is a ritual of thanksgiving for the earth’s generosity. 9 ARNALDO ROCHE (SAN JUAN, 1955) The abundance of the tropics is measured, usually, by its extravagance, its bright colors, and the density of its flora. In this work, a wall of foliage prevents us from seeing beyond, though it promises infinite verdure. 10 ÁNGEL BOTELLO (GALICIA, 1913–1986) The couple is a symbol of harmony and social unity, of productivity and the future. This piece, which shows the bodies of a man and woman, makes us think of the relationship between man and woman as the origin of the world, and the ocean that surrounds the El Conquistador Resort. 16 ÁNGEL BOTELLO (GALICIA, 1913–1986) The modest body of a young woman adorns this terrace. She looks out toward the ocean. This scene of longing and yet of peace inspires in the viewer a desire to enter the landscape that she is observing. ROBERT MOYA (NEW YORK, 1935–BOSTON, 2008) Abstraction is a genre that lends itself to portrayal of the landscape in its density and beauty. Here, the bright colors of tropical vegetation attest to the richness of the Caribbean’s visual space. 11 ÁNGEL BOTELLO (GALICIA , 1913–1986) In the tradition of Spanish artist Esteban Murillo’s children selling fruit, the little girl portrayed in this piece, sitting on the ground, is waiting with her goods for passers-by to approach. 17 ÁNGEL BOTELLO (GALICIA, 1913–1986) The contrast between the bronze of this sculpture and the fluid space of the seashore creates a privileged space where visitors are invited to “lose their bodies” in order to gain harmony with nature. FINAL PMS 7427 Museo de Arte Contemporáneo de Puerto Rico