Rajmata`s Cookbook
Transcription
Rajmata`s Cookbook
24 CULTURE CAULDRON ROYAL KITCHENS Rajmata’s Cookbook It’s fusion at its best. Gayatri Devi blended the flavours of royal kitchens across the country with personal anecdotes in ‘Royal Cuisine’. But these are far from being self-indulgent accounts of a privileged life, says Vikram Doctor COOKBOOK that starts with the frank admission, “Although I am not a gourmet or particularly fond of food…” does not augur well. And it’s probably safe to say that few people are likely to buy the two cookbooks compiled and inspired by Maharani Gayatri Devi of Jaipur for regular home cooking. But that was hardly their purpose: Gourmet’s Gateway (1999), her first, was an extension of her biography, A Princess Remembers (1995), and was a way to remember the people she had known, at whose tables she had eaten. And Royal Cuisine of Indiadocumented the traditional recipes, practices and style of the Special Kitchen of Jaipur’s City Palace, as recorded by Shri Jaswant Singh Rathore, the nayab or chief of the kitchen from around the time of Gayatri Devi’s marriage into the Jaipur family, and very ably edited into book form by Dharmendar Kanwar, who also edited Gourmet’s Gateway. I have to say that I approached both books with scepticism. I have very little patience for the aura, the airs and graces that people still insist on attaching to Indian royalty. It’s absurd to have people claiming privileges or being ascribed to them (since, to be fair, the worst practices tend to come from those attached to the erstwhile royals rather than the royals themselves), or attaching titles like ‘Dewan’ to their name simply because some local chieftain ancestor sold out with great alacrity to the British. And in terms of food it works itself out in dishes whose richness is in inverse proportion to their interest, and which seem designed solely for those tired events known as restaurant food festivals, A Food & Flavour GARAM MASALA VIKRAM DOCTOR which is the only place their feature these days. Their influence and value to Indian cooking in general tends to be low. And yet I have to say, these books (and Digvijaya Singh’s Cooking Delights of the Maharajahs), and the food references in Gayatri Devi’s memoir, did show me why the world of royal food is of some interest. The palace kitchens could preserve older styles of recipes and use ingredients that are just not practicable in most kitchens today. Even the most lavish restaurant food festival, I think, might balk at using kasturior the musk extracted from the gland of the male musk deer, which was used to perfume dishes like the Pulao Rajsi that’s given in Royal Cuisine. I can though imagine some resourceful home cooks I know making the bhang patties that go into the same book’s Kaifi Pulao. Whether practicable or not, these are usages that should be recorded, as are the many recipes for game. The shikarthat supplies so many of the recipes is, quite correctly, banned (though apparently that doesn’t stop some politicians featuring it on their private menus), but it’s not impossible that farmed venison and boar could become available some day, especially if its potential as a valueadded rural product is recognised as it has been in the West. And the patronage of courts did result in new dishes being invented — palace chefs would do their best to find ways to excite the jaded palates of their masters, resulting in dishes like the ultra soft galouti kebab of Lucknow, reportedly invented for a toothless nobleman. Many rulers took a keen interest in their court’s food, be- Hopes ride high on Love Aaj Kal Leena Mulchandani MUMBAI WITH the impasse between multiplex owners and films producers over the issue of revenue sharing being resolved, Bollywood has seen a spate of big-budget films like New York, Kambakkht Ishq and Luck. The latest is Eros International’s Love Aaj Kal, which was released on Friday. Occupancy for the film was as high as 90% on the day of the release with advance booking for the weekend at 25%. Theatre owners expect to end the weekend with occupancy rates of 75-80%. Love Aaj Kal, made on a budget of around Rs 50 crore, has been released in 1,800 screens across the world. The producers of the film inked marketing tie-ups with ICC T20 World Cup, Shoppers Stop and Bajaj Allianz. Multiplexes have allotted a reasonably large number of shows for the film — the most for a film released in 2009. Theatre owners were also able to have more shows for the film as its running time is just over two hours. “Occupancy rates have still been in excess of 90% for Friday,” says Devang Sampat, senior V-P, Cinemax. Love Aaj Kal has been getting mixed reviews so far and theatre owners are optimistic about the weekend collections. Registration Number MAHENG/2007/24438 Volume No.3- Issue No. 31 Published for the proprietors, Bennett, Coleman & Co. Ltd. by R. Venkata Kesavan at The Times of India Building, Dr. D. N. Road, Mumbai 400001 and printed by him at The Times of India Suburban Press, Akruli Road, Western Express Highway, Kandivli (E), Mumbai - 400 101. Tel. No. (022) 6635-3535, 2273-3535 Response Ph: (022) 6635-3636, 2273-3636 Email etbom@timesgroup.com Fax (022) 2273-1144 Editor : Mr. Bodhisatva Ganguli. (Responsible for selection of news under PRB Act.) Reproduction in whole or in part without the written permission of the publisher is prohibited Air Charge: Goa, Nagpur & via Re. 1.00, Chennai & via Rs. 3.00, Ahmedabad, Bangalore, Hyderabad, Mangalore & via Rs. 4.00, Delhi, Kolkata & via Rs. 5.00 NOT FOR SALE OUTSIDE INDIA Subscription rates: US $ 500 (annual), US $ 250 (half yearly) US $ 125 (Quarterly). clandestinely in restaurants like Firpo’s in Calcutta. A major kingdom like Jaipur was a magnet for people across India, and in Gourmet’s Gateway Gayatri Devi records recipes from the Kashmiris, Parsis, Muslim and South Indian families who lived there, like that of Sir VT Krishnamachari, the prime minister of Jaipur or Ahmed Currimbhoy, the education minister. And because the Maharajah was at pains to be on good terms with the Nationalist movement, they also met many Congress leaders, like Sarojini Naidu whose notable daughter Padmaja contributed several recipes. Later on, Gayatri Devi’s involvement with the Swatantra Party brought her into contact with people through Rajaji — the party leader — most surprisingly, MS Subbulakshmi, whose husband T Sadashivam edited the Swatantra Party’s newspaper. Subbulakshmi’s recipe for then-kuzhal, a delicious murukku-like savoury made of urad dhal, is the only one I’ve ever seen from the great singer! Gayatri Devi’s involvement with the Swatantra Party would eventually lead to the scandal of her imprisonment by Indira Gandhi during the Emergency. She records how the Tihar Jail authorities did their best to make things easy for her in terms of food and living conditions, and friends from around the world flooded her with gifts. Christmas, 1975 found her alone in jail eating caviar sent by a British friend — possibly the only time its been eaten in Tihar! She also received a Christmas cake from the famous British food store Fortnum & Mason, which she gave to the European prisoners, mostly hippies in on drugs charges. The day she was finally released she received a large parcel of cheese, prompting her son Joey to joke, “I hope they do not find out you are out of jail as we won’t get any more goodies.” Anecdotes like that add to the charm of her memoir, and make what could have been a self-indulgent account of a privileged life into something affecting and accessible. For all her status and reputation as one of the world’s most beautiful women, Gayatri Devi was a trooper, able to stand up for herself ar by Dharmendar Kanw when she had to. For all her professed Picture courtesy: Royal Cuisine Of India lack of knowledge in cooking, when would experience and learn how to make it really she had to deal with the chaos of trying to economise on authentically. She took one of them to Alfredo’s, a famous kitchen operations in Jaipur during World War II, she restaurant in Rome, “because she wanted him to under- got down to it. Which was hardly easy given the extravstand what Alfredo’s lasagne tasted like”. Gayatri Devi, agance and laxity with which they had been run in the too, was expected to taste everything, with her mother past, with the best foods being ordered from abroad and convincing her to eat frog’s legs by telling her they were everyone helping themselves to them, sometimes even to serve them back to the Maharajah as special luxuries baby chickens! Food also served a useful role in court life as a way to ordered for his benefit. The showdown came over crème brulée. Her husband make diplomatic gestures and set up meetings. Gayatri Devi’s mother had defied her parents to marry the Raja of had invited one of his ministers and his wife for a simple Cooch Behar, and her mother cut off all contact with her. dinner for just the four of them. The chef, clearly formiBut a few years later when she wanted to re-establish con- dable and used to getting his way, ordered two pounds of tact she did it “by sending a Maratha cook to Cooch Behar cream for the crème brulée. He hadn’t realised that the to provide the special Baroda dishes that she was sure her new Maharani had been to a Swiss finishing school daughter must be missing.” Food was also how Gayatri where they had learned about such things: “I pointed Devi first met her future husband. When her family was out that so much cream would spoil the dish, but he vacationing down South, in Ooty, the young Maharajah replied grandly that for the Maharaja no amount of of Jaipur, then 13 years old, was also there and thorough- cream was too much. When I insisted, he reluctantly ly tired of the English food that his guardians made him gave in, and from then on all our nine cooks — four for eat. Knowing of Gayatri Devi’s mother’s reputation as a English food, five for Indian — paid attention to my orhostess, he invited himself over for lunch on the plea that ders.” If Mrs Gandhi had known about the crème brulée, he was desperate for an Indian meal! Years later their perhaps she might have realised she had no chance of courtship, again not approved of by Gayatri Devi’s moth- intimidating Gayatri Devi. er because he already had two wives, had to be conducted vikram.doctor@timesgroup.com cause they realised that culinary excellence was one way to stand out among the many kingdoms of India. But the one area I find Gayatri Devi’s books most interesting is the way it shows the cross fusion that took place in royal kitchens. Daughters-in-law are always a way for new foods to enter Indian kitchens, and the palaces did their matchmaking across the breadth of India. Gayatri Devi herself was an extreme example of this: her father was from Cooch Behar in eastern India; her mother was a Maratha princess from Baroda in the West, while her father’s first wife had been a princess from Tanjore in the South. By marrying into the north-west Indian kingdom of Jaipur, Gayatri Devi brought all these influences with her, and Royal Cuisinerecords Cooch Behari styles of cooking cauliflower, and fish with radish, as well as a Marathi sounding amti dhal (the most luxurious amti recipe I’ve ever seen, replete with cashews, ghee and coconut!) This cross-fusion extended abroad. All major palace kitchens had foreign cooks for the ‘English’ meals they had to be ready to serve, and Gayatri Devi’s grandmother in Baroda was known for her keen interest in all kinds of food. But her mother, once part of the famously cosmopolitan Cooch Behar family went further, and on their frequent trips abroad she took along their Indian cooks so that instead of just making food, they * THE ECONOMIC TIMES ON SATURDAY MUMBAI 1 AUGUST 2009 ET MULTIPLEX TRACKER JULY 24 -29 2009 LUCK NEW YORK Net Collection: 293.25 Audience: 318849 Occupancy (%): 31.30 Week: 1 Net Collection: 34.66 Audience: 32510 Occupancy (%): 23.03 Week: 5 HARRY POTTER... Net Collection: 121.09 Audience: 121939 Occupancy (%): 23.82 Week: 3 KAMBAKKHT ISHQ Net Collection: 28.38 Audience: 31464 Occupancy (%): 19.89 Week: 4 NIGHT AT THE MUSEUM ICE AGE 3-DAWN... Net Collection: 74.07 Audience: 68430 Occupancy (%): 17.24 Week: 1 Net Collection: 26.45 Audience: 24944 Occupancy (%): 31.87 Week: 4 THE HANGOVER Net Collection: 40.05 Audience: 33018 Occupancy (%): 43.14 Week: 5 Source : Inox, PVR, & Cinemax TRANSFORMERS... 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