an insiderʼs guide to 2010 edition
Transcription
an insiderʼs guide to 2010 edition
an insiderʼs guide to UNIQUE POINT OF VIEW COOL NAME DIVERSE SELECTION OF SERVICES 2010 edition << contents 1 contact t.e.f. >> <---CONTENTS ! ! ! ! ACCORDING TO MY MUM imPoRtaNt QueStioNs table of contents click on a title to jump straight to the section What’s all this about, then? our company, mum, The Entertainment Factory, who we are, what we do, y‘know. What are you doing with that: introduction - p. 3 the method in the madness - p. 5 t.e.f. service guide + summarized portfolio - p. 6 digital video + photography - p. 7 video editing, post-production + photo manipulation - p. 9 desktop publishing + graphic design - p. 12 creative writing, concept refinement + copy-writing - p. 14 camera equipment?! shootin’ stuff, mum, broadcast-quality. post-production suite?! editin’, tweakin’, puttin’ stuff together. professional design software?! um...designing stuff, mum - look, some of it moves on screen! bunch of Apple Macs?! creatin’, drawin’ ‘n’ writin’ stuff, mostly, mum. This sounds very expensive... It doesn’t have to be! We specialize in creating products with high production value at low cost. We collaborate with a range of talented creative individuals and companies who are always willing to join with us on new projects, either becoming co-producers/partners in the project or offering us reduced rates, as we do for them on their projects – it’s all about sharing the love, mum, just like you always say. Plus, we have most of our own equipment, so we can cut down on rentals and . illustration + animation - p. 16 production consultancy - p. 18 jingles, foley + scoring - p. 20 made by the entertainment factory - p. 22 - selected products contact the entertainment factory - p. 31 Who do you make this stuff for? Everybody, mum - in our diverse and amazing country, there’s a story on every corner, and the stories we tell are universal, ones that anybody could identify with, because they draw upon our collective humanity, our commonalities (or perhaps better stated - our common insanities or inanities, since we love comedy above all other genres!). In whatever we do – movies, TV shows, advertainment, corporate or industrial videos – this is the core principle that we strive towards. How do you do that? We make it a priority to see the story in everything, mum, the heart, the people. Then we wrap every important detail inside that story, & we make sure that, however it’s told - in words, in pictures, in ideas - it jumps inside your head and it stays there. please note - p. 32 I hope you’re remembering to eat right while you’re doing all of this. That’s not a question, mum. How else could we have the energy to do all of this? Er...yes, mum, three squares a day, mum. Yes, spinach too. << contents 2 contact t.e.f. >> introduction iN BuLLet PoiNts The Entertainment Factory... was founded & is directed by filmmakers/writers/creatives Robert Delport & Anusha Naicker both incredibly brilliant, talented, versatile & modest individuals (see next page) is a digital production company with a focus on strong content, innovative concepts and creative ideas we put the utmost care & effort into every project we undertake is based in Cape Town, South Africa Africa, Earth (blue planet 3 away from Sol), Solar System (± 4.37 light years from Alpha Centauri), Milky Way Galaxy, Multiverse (Univ. ID: TEF) holds the highest respect for the craft, the work, the sensitivity and the integrity that is prerequisite to storytelling in all forms – and believes that a continuing commitment to education, self-empowerment and skills diversification allows it to maintain the high skill level to meet those prerequisites. is always cognizant of the power of entertainment, its role in enriching our diverse social landscape and the responsibility of the artist to educate, illuminate and spark debate In that vein, we have produced material for many clients at reduced rates when the project or message of the piece is of merit. Examples include non-profit organizations (e.g. Reach For A Dream–stills shoot, The Animal Anti-Cruelty League–storyboard & illustration work); the government (e.g. covering the 16 Days of Activism campaign for The Department of Justice & Constitutional Development); & pro bono work for many talented individuals (e.g. several musicians, actors, comedians, writers, filmmakers and photographers) who are unable to afford the essential tools (e.g. show reels, script work-shopping, marketing materials, technical help, equipment loans, elements of post-production) needed in the extremely competitive entertainment industry. << contents 3 contact t.e.f. >> tHe ComPaNy DiReCtoRs introduction About Rob: About Nush: Robert began his 23-year old career in 1987 as a precocious 13-year old starring in the Christmas panto Robin Hood and the Babes In The Wood. R lport obert De Anusha is a New Yorktrained filmmaker who cut her teeth on non-crystal sync Arri-S 16mm cameras and Steinbeck editing tables at the tender age of 16. Having literally grown up avidly studying both the old school and new school of the art and craft of making moving pictures gives her a unique approach to every project, applying the classic traditions of storytelling, cinematography and visual design in conjunction with modern technologies and techniques. More stage productions than he can remember followed, before he decided, at the wise old age of 18, to write and direct his first professional stage show (Alice in Boogie Wonderland at the Artscape) – further entrenching the budding megalomaniac’s passion for the arts. Rob began writing and editing for a number of local production companies, and was one of the first in South Africa to begin using Final Cut Pro (vers. 1.0) in the ‘90’s while directing and editing inserts for the RWC TV channel in 1995. He began to produce and edit music videos for a number of local artists, was involved in a number of independent movie and TV projects (many with Hakeem Kae-Kazim and Eubulus Timothy) at around the same time. The Sum Of His Parts, her stop-motion animated short film, was recently featured in the 2010 Out Of The Box: Moving Things Festival. As if there isn’t enough for her to do, she is currently writing her first novel, The Mayzson (working title). It was not long before he was producing his own feature-length movie: A Bloody Stage, a mockumentary shot with no budget and starring 40 of South Africa’s top actors and even a Springbok rugby star. Robert also wrote, directed, was a 1-man crew, and edited the movie. She’s also a dab hand at applying her slightly manic imagination to her WACOM digital tablet and stylus and is a general know-it-all and smart-mouth. Not long after, Robert met his creative- and life-partner, Anusha, and the two teamed up to form their own production company – and The Entertainment Factory in its present incarnation was born. contents a Naic ker Her colourful ride through Zen and the Art of Filmmaking led her to a myriad of jobs that typify the maverick nature of the young, up-and-coming SA filmmaker: From gaffing and gripping on commercials sets (not the most enjoyable endeavour for a short, slight female with the upper-arm strength of a fruit-fly) to storyboarding (most notably, the 2003 ICC Cricket World Cup Opening Ceremony, most humorously, the 2006 Cialis 72-hr effective ED pill commercials) to writing, directing, cinematography, editing, digital design and animation, her skills are very diverse. DOP credits include a plethora of student and indie movies, several music videos, short films, multimedia projects and dozens of corporate and research videos. He went on to appear in over 100 productions, directed more than 20, and has had 15 of his scripts staged. Being a movie geek of the highest order (and sporting a savant-like memory for all facts celluloid), it was only a matter of time before the film industry lit up on his radar. << Anush While working as a camera op on a behind-the-scenes doccie on Sithengi 2003, Nush met Rob (also working a cam on the doccie) and found the flip side of her coin – also, he had a Final Cut Pro-based edit suite to match her Sony PD-150! 4 contact t.e.f. >> the method in the madness The watchwords of The Entertainment Factory: VERSATILITY. CREATIVITY. PROFICIENCY. CONTEXT. VERSATILITY: PROFICIENCY: We pride ourselves on our ability to To maintain these high standards, the deliver a product that meets the highest standards, directors & freelancers that make up the heart of the regardless of the creative field it falls under. The company are individuals who hone their various crafts Entertainment Factory revels in the special request, & will through continual practice, self-improvement, skills go that extra mile to meet every aspect of the brief. development, casual & formal training. CREATIVITY: We believe that innovation, art & entertainment should go hand in hand with any type of CONTEXT: project, be it a flamboyant theatre production or staid story has a backdrop, & it is the duty of the creative to stay annual report – there is beauty to be found in every true to it. The ethos of a company or project, the collective of human effort, & we consider it our job to both environment it operates within, the people that form its enhance that beauty & use it as a thematic guideline that base, the goals it strives towards, the message it seeks to underscores whatever the project output happens to be. communicate....contextual applicability is always at the Every project has a context, just as every forefront of the ideation process. << contents 5 contact t.e.f. >> t.e.f. service guide & summarized portfolio The Entertainment Factory Service Guide << contents & SumMaRiZed PoRtFoLio 6 contact t.e.f. >> t.e.f. service guide & summarized portfolio - digital video & photography The Entertainment Factory's primary service is that of Digital Video Production. With decades of combined experience, Robert and Anusha have worked on productions of all scales - corporate videos, promotional videos, training videos, covering live events, music videos, short films, commercials, TV shows and feature films. The company works with 2 3CCD broadcast-quality DV cameras for most productions, however they have vast experience using most formats. Not only are Robert and Anusha both experienced directors and camera operators, they have also worked professionally in various other fields of the production process. The Entertainment Factory also employ a number of top freelancers when needed. These include some extremely talented photographers and videographers. Digital Video & Photography << contents 7 contact t.e.f. >> t.e.f. service guide & summarized portfolio - digital video & photography Info: Digital Video The Entertainment Factory shoots primarily on PAL Mini-DV formats with 3-CCD chip industry-standard, broadcast-quality ENG cameras and 48K CD-quality audio. End products are outputted to “hard copy” media: Mini-DV DVD CD VHS Storage Media (Hard Drives, Flash Drives, Portable Devices, etc.) Or are delivered via e-mail, ftp upload or storage media in a variety of “soft-copy” formats, including: encompass: These services Flash videos (.flv) QuickTime (.avi, .mov) Feature Films, Short Films, Music Videos & other Fiction MPEG-2, MPEG-4 Documentaries, Corporate Videos, Educational/Training & Tutorial Videos, Research Videos, Archival Video, Public Service Announcements, Promotional Videos & Highlight Reels, Interviews, Event Videos & other Non-Fiction DV (.dv) Web-Videos, Video Blog Entries, Web Photo Galleries & other New Media Elements Visual Art Elements such as video/photography that might be used in a theatre production or as part of a 2D/3D art exhibition piece Event Coverage Photography, Promotional Photography, Portrait Photography, Catalogue Photography, Record-keeping/ Research Photography, Architectural Photography & other instances where a still image is the desired end product << contents 8 These soft-copy formats can then be used for online distribution, mobile device distribution/new media projects/further postproduction/archiving. Info: Photography The Entertainment Factory’s freelance photographers are skilled and talented artists who are passionate about their craft. They shoot in a variety of formats (digital, film, slides) on highend photographic equipment that varies according to desired end-format/application. contact t.e.f. >> t.e.f. service guide & summarized portfolio - video editing, post-production & photo manipulation Video Editing Post-Production & Photo Manipulation << contents The Entertainment Factory has a threestation Apple Mac-based edit suite inhouse, running professional-standard postproduction software. In addition to our extensive editing-based capabilities (basic grading/image processing, audio-level adjustment, titling, etc.), The Entertainment Factory uses a host of professional-level post-production applications that deal with: 9 • Advanced Image Manipulation • Basic Grading & Colour/lighting Effects • Basic Titles (Colling Credits, Bylines, Subtitles, Etc.) & Vignetting (Masking, Split-screening, Etc.) • Motion Graphics & Special Effect Titles Sequences, Animated Subtitling, Etc.) • DVD Mastering • DVD Packaging & Label Design contact t.e.f. >> (Credit t.e.f. service guide & summarized portfolio - video editing, post-production & photo manipulation These services encompass: While post-production may seem purely technical in nature, it is in fact a multi-faceted endeavour that requires far more of the editor than a competent knowledge of the software. Post-production workflows at The Entertainment Factory are run and executed by editors who possess: • a profound sense of narrative structure - story is all-important; • the ability to gauge cinematography and performance with a discerning eye; • the ability to identify and stay true to the heart-line – the emotional subtext that underpins every project and gives it its value; • the savvy to use the psychological and emotional connotations of composition, rhythm, colour, lighting and sound to effectively communicate the desired message/emotion to the audience; • The skill and experience necessary to obtain good pacing, a properly executed mise en scène and thematic continuity. It is our belief that these skills are as necessary to a well-edited timeline as an in-depth knowledge of the tools that achieve these ends. << contents 10 ALL OF THE DIGITAL VIDEO & PHOTOGRAPHY PRODUCTION TYPES LISTED IN THE PREVIOUS SECTION (see p. 8) Corporate Proposal Media, Art Portfolios, Real Estate Profiles, Highlight/Show Reels, and other Hi-Res Presentation/ Promotional Media* Karaoke Videos, Visual CueBased Training Videos, Workout/Physical Activity Videos, and other ViewerInteractive Media Blue/Green Screen Projects, Miniature/Matte Effects Projects, Stop-Motion Media, Time Lapse and other Footage That Requires Compositing, Keying &/or Retouching* (see next page) TV Show Promos, Inserts, Infomercials, Public Service Announcements, Educational Material and other Informational Media* *These functions necessitate the use of Graphic Design, DTP, Illustration &/ or Animation services/s contact t.e.f. >> t.e.f. service guide & summarized portfolio - video editing, post-production & photo manipulation e. a. b. c. d. an example of retouching, keying & compositing These stills were excerpted from the post- a. An illustration of a cityscape b. A still from the stop-motion footage: an armature-man named S.A.M. photographed in front of a blue screen. c. Unnecessary elements (blue background, superfluous prop, rigging) are removed. d. A set of animated pupils and eyebrows are created to give S.A.M. a little more character. e. S.A.M.ʼs face is composited onto his body, which is composited into the cityscape illustration, et voila, the script comes to life: production workflow of the stop-motion animated short: The Sum Of His Parts Created by Anusha Naicker, Mark Reid-Rowland & Louise Topping EXT. CITYSCAPE - DAY: S.A.M., walking down a city street, is clearly perturbed by something he sees offscreen. Post-Produced by Nush @ The Entertainment Factory Copyright applies. << contents 11 contact t.e.f. >> t.e.f. service guide & summarized portfolio - desktop publishing & graphic design It’s all in the branding, baby. Your marketing materials - logos, newsletters, catalogues, brochures, media labels, etc. - should communicate the right message. Tell it to us - we’ll show it to you. Desktop Publishing & Graphic Design << contents 12 contact t.e.f. >> t.e.f. service guide & summarized portfolio - desktop publishing & graphic design The Entertainment Factory These services encompass: Branding, Promotional & Functional Graphic Design: Logos, Insignia, Emblems, Watermarks, Web Elements, Presentations (using branding materials, photos & relevant information to produce PowerPoint/Keynote Presentations – or combine with Motion Graphics to create Video Presentations - see PostProduction), E-mail signatures, etc. Branding, Promotional & Functional DTP: Letterheads, CustomMade Forms & Templates, Business Cards, Brochures, Catalogues, Flyers, Posters, Newsletters, Magazines, Booklets, Menus, etc. << contents 13 c.c. • Experienced, trained designers & graphic artists • Industry-standard DTP & graphic design software • Organic ideation processes + automated workflow processes = professional results. contact t.e.f. >> t.e.f. service guide & summarized portfolio - creative writing, concept refinement & copy-writing Creative Writing, Concept Refinement & Copy-Writing From screenplays to slogans - we've got creativity on tap! Need an idea developed from start to finish? Our spindoctors do house calls. Experienced, published/produced writers Formatting in line with international standards Script-doctoring, editing & analysis e’s spear Shake beth ON Mac OLUTI V E R RICAN AN AF R by zim ae-Ka nplay scree Hakeem K & t r o p Del obert SUNDAYS AND THE ZOE EFFECT (first draft) A screenplay by Anusha Naicke r Proofreading & copy-writing port t Del Rober DIGITAL S E m R U T oo.co PIC REEL films@yah ital g i d a s << contents 14 contact t.e.f. m 082 630 826 8 t 021 439 941 1 TrulyNushi@gmai l.com >> t.e.f. service guide & summarized portfolio - creative writing, concept refinement & copy-writing R EADING FROM THE COMPUTER SCREEN, SHE ENUNCIATES CAREFULLY: “THE JOY OF THE WRITTEN WORD IS ONE THAT IS IMPOSSIBLE TO DESCRIBE VERBALLY - MAINLY, WE BELIEVE, BECAUSE IT IS AN IMPOSSIBLE PHENOMENON TO DESCRIBE ADEQUATELY WHILE NOT SIMULTANEOUSLY EXPERIENCING IT.” “WHO SAID THAT?” ASKS HE. “I DID,” SAYS SHE. “RIGHT, BUT WHO DID FIRST?” “I DID,” SAYS SHE, AGAIN. “AW. WOULD’VE BEEN GOOD IF SOMEBODY WROTE IT.” “I DID,” SAYS SHE, GROWING IRRITATED, “JUST NOW.” “TRY FIND SOMETHING BY TWAIN, PEOPLE LIKE TWAIN.” SHE GLARES AT HIS BACK, THEN LOOKS BACK AT THE SCREEN. A FEW ONOMATOPOEIC-C-C-CLICKS LATER: “‘MAN IS THE ONLY ANIMAL THAT BLUSHES, OR HAS NEED TO.’ - MARK TWAIN” HE TURNS, WREATHED IN TENDRILS OF SMOKE AND THE SUSPICION OF DOG HAIR, AND SAYS, “NOT REALLY RIGHT FOR AN INSIDER’S GUIDE TO T.E.F., THOUGH, IS IT?” SHE GRUMBLES, “I’D SAY ABOUT HALF-RIGHT.” THE SEARCH FIELD ON-SCREEN METHODICALLY FILLS WITH THE WORDS: ‘AMBROSE BIERCE’. << contents 15 contact t.e.f. >> t.e.f. service guide & summarized portfolio - illustration & animation Illustration & Animation << contents 16 contact t.e.f. >> t.e.f. service guide & summarized portfolio - illustration & animation ILLUSTRATION: A picture really does paint a thousand words – whether it’s a specific communication tool like a storyboard or poster, part of a larger ideation process, like concept art or a textbook diagram, a narrative medium like a comic, caricature or storybook illustration, or a decorative illustration that speaks to your soul. The Entertainment Factory practices many forms of traditional and contemporary illustrative styles and techniques in a diverse array of media. ANIMATION: The word, ‘animation’ literally means bring to life. It is a medium wherein each and every element represents a definable act of creation. The effort involved in creating any kind of animation is painstaking and time-consuming, but it is well worth it when you end up with a dream made real, your imagination manifested and playing before your eyes. The Entertainment Factory currently offers basic 2D and 3D computer animation, animatic sequences (moving storyboards), stop-motion animation (traditional, paper, mixed media, claymation), as well as (and in conjunction with) animated text and object sequences (i.e. motion graphics - see post-production) These stills were excerpted from the post-production workflow of the stop-motion animated short: The Sum Of His Parts Created by Anusha Naicker, Mark Reid-Rowland & Louise Topping Post-Produced by Nush @ The Entertainment Factory. Copyright applies. << contents 17 contact t.e.f. >> t.e.f. service guide & summarized portfolio - production consultancy & workshopping Not sure about where to start? Need help along the way? Need to bounce some ideas & get an objective opinion? Do technical details & production schedules make your palms sweat? We’ll hold your hand (after we hand you a tissue) through every step! Production Consultancy & Workshopping << contents 18 contact t.e.f. >> t.e.f. service guide & summarized portfolio - production consultancy & workshopping These services encompass: Concept-, process- & script-workshopping, ideation & brainstorming sessions Research for film, television, theatre, multimedia presentations & print Experienced production facilitators & production designers Technical guidance tailored to your: Live events (conferences, workshops, ceremonies, seminars) Theatre, film & video productions of all kinds << contents 19 contact t.e.f. >> t.e.f. service guide & summarized portfolio - jingles, foley & scoring What’s a picture without the beauty & texture of audio? We’ll use sound effects, music & ambient sound to get your message across - with a bang! << contents 20 Jingles, Foley & Scoring contact t.e.f. >> t.e.f. service guide & summarized portfolio - jingles, foley & scoring Large database of sound effects On-location sound/foley recording Professional sound-authoring software Jingles, songs & scores created from scratch, or royalty-free tracks sourced from reputable providers When outsourcing is required, The Entertainment Factory contracts talented & professional sound engineers & musicians << contents 21 contact t.e.f. >> made by the entertainment factory - selected products made by t.e.f. Selected products << contents 22 contact t.e.f. >> made by the entertainment factory - selected products MULTIPLE PROJECTS FOR: Ethical Leadership Project A few samples of DTP work: LEFT: from issues of the ELP’s quarterly newsletter Every Leader’s Paper, including cover art. RIGHT: from a training manual for volunteers working in community development BELOW: The Entertainment Factory covered all of the ELP’s conferences & workshops For the last several years, we have been service providers to the Ethical Leadership Project, an NPO based in the Western Cape Premier's Office as a Western Cape initiative of the National Moral Regeneration Movement and operating from the Cape Peninsula University and Technikon's Bellville campus. We worked very closely with the project management, administration and research staff while providing the Project with several services, including: Producing research and archival DVDs and hires audiovisual presentations; Event coverage (shoot–DVD) of their highprofile conferences and workshops; Designing, illustrating, copy-editing, writing and print-proofing quarterly newsletters, desktop publications, posters, DVD covers, DVD labels and online publications; and ABOVE: The Entertainment Factory hand-made special bamboo DVD holders, each containing a DVD of the ELP’s highlight reel as corporate gifts for guests of the ELP’s last end-of-year party. << contents 23 Providing many special-request services, such as manufacturing special packaging and branding materials and creating specialized box-sets. contact t.e.f. >> made by the entertainment factory - selected products DV PRODUCTION, CONCEPT REFINEMENT, GRAPHIC DESIGN, POST-PRODUCTION AND CO-PRODUCTION/CO-CREATION WITH: Intombi Pictures / Mayhem Management THE HOME ENJENEER A Pilot Television Show (currently in development) Based on the expertise of & starring: Jennifer Lovemore-Reed, Mayhem Management Producer: Siobhan Hodgson, Intombi Pictures RE-EDIT, MOTION << contents 24 contact t.e.f. >> made by the entertainment factory - selected products GRAPHICS, CONCEPT REFINEMENT, COPY-WRITING, POST-PRODUCTION, RETREATMENT & RETIMING FOR: Umthombo Wesizwe: Spring of the Nation A Cape Town-based NGO that focuses on diversity awareness and cultural diversity intelligence skills training workshops aimed at preteen children Using existing video footage & photographs of their pilot project, The Entertainment Factory created a Hi-Res Digital Video & Motion Graphics Presentation to communicate Umthombo Wesizwe’s core values, intentions, methodology, goals & pilot project to potential funders, participants & facilitators. This 11-minute promo tells Umthombo Wesizwe’s story succinctly, comprehensively & creatively, &, given the music, custom-created graphics & the well-edited sequences, is entertaining to watch. These stills were excerpted from the post-production workflow of a promotional video created for the NGO Umthombo Wesizwe: Spring Of The Nation. Copyright applies. << contents 25 contact t.e.f. >> made by the entertainment factory - selected products DTP, GRAPHIC DESIGN, COPY EDITING, INTERNET SOURCING & LIASON FOR: COSATU / PROVINCIAL DEVELOPMENT COUNCIL / PROUDLY SOUTH AFRICAN Proudly South African Expo & Conference 2008 Traders Guide & misc. networking & advertising materials (posters, letterheads, etc.) Proudly South African Expo & Conference 2009 Traders Guide << contents 26 contact t.e.f. >> made by the entertainment factory - selected products DV PRODUCTION, PICTURE & SOUND EDIT, POST-PRODUCTION FOR: & SOUND EDIT, TITLING & POSTPRODUCTION FOR: PICTURE Christopher Vurden Justin Kirschner (dir.) “Diversion” A short film, shot on 16mm & 35mm film in Cape Town. << contents & Beverly Rinkwest (artist) “Friday Night (again)” A music video, shot on MiniDV in Cape Town. 27 contact t.e.f. >> made by the entertainment factory - selected products DV PRODUCTION, PICTURE & SOUND EDIT, POSTPRODUCTION FOR: & SOUND EDIT, POSTPRODUCTION FOR: PICTURE Galore (artist) “Lelilanga Liyashisa” Anton Smuts A music video, shot on Mini-DV in Cape Town. (dir.) & Cofield Mundi (artist) “River” A music video, shot on Mini-DV in Cape Town. DV PRODUCTION, PICTURE & SOUND EDIT, POSTPRODUCTION FOR: Freya Wissing (artist) “Till The Music Stops” A music video, shot on Mini-DV in Cape Town. << contents 28 contact t.e.f. >> made by the entertainment factory - selected products ILLUSTRATION WORK, POSTER & FLYER DESIGNS FOR: Ceasefire Productions For the one-man theatre caper: Stealing Venus MULTIMEDIA INSERT, EDIT & DVD AUTHORING & LIVE RECORDING FOR: Djamaqua Productions For the cult theatre hits: - Joe Barber 3: A Family Affair (Insert & Live Recording) - Joe Barber & Boeta Gamat too! (Edit & DVD Authoring) << contents 29 contact t.e.f. >> made by the entertainment factory - selected products FULL SERVICE (CREATIVE, PRE-PROD, PROD, POST-PROD.): A Bloody Stage A feature-length film, A Bloody Stage is a comedy mockumentary featuring an all-star South African cast. Robert Delport wrote, directed, co-produced (with lead actor Anton Smuts), edited & post-produced this film. Anusha & Robert are currently re-editing this film & giving it a new motion graphic treatment. << contents 30 contact t.e.f. >> contact the entertainment factory The Factory Floor: +27 (0)21 439 9411 14 Sloane Sq. Main Rd, Green Point, Cape Town Fax To Email: +27 (0)86 652 1760 <--Contact The Entertainment Factory Company Director Anusha Naicker: +27 (0)82 630 8268 . Company Director Robert Delport: +27 (0)72 380 9880 010 2 a c r i c E.F. . T n o p scoo e :) h ! t g s ’ n t i a d h a r re So t o f s k n Tha TheEntertainmentFactory@gmail.com (click to email) P.O. Box 797 Green Point, Cape Town, 8051 Western Cape Province, South Africa << contents The Entertainment Factory c.c. C K 9 6 / 0 2 4 11 / 2 3 31 contact t.e.f. >> Please Note: PLEASE NOTE: All intellectual property, incl. artwork and conceptual material, contained within this document remains the property of the creators (i.e. The Entertainment Factory c.c.), collaborators and/or the commissioning parties, unless stated otherwise. << contents 32 contact t.e.f. >>