Sri Muthyalu - On Screen Font in Telugu
Transcription
Sri Muthyalu - On Screen Font in Telugu
On-Screen Font in Telugu 1 1 1 1 Sri Muthyalu - On Screen Font in Telugu 1 2 To explore the methods and processes involved in designing an onscreen font 2 Aim: To explore the methods and processes involved in designing an onscreen font 2 Evolution of Telugu Characters 3 Evolution of Telugu Characters Brahmi Lipi Northern Script Southern Script Dravidian Languages Central Group Gondi Konda Kui Manda Parji Gadaba Kolami Pengo Naiki Kuvi Southern Group Northern Group Brahui Malto Kudukh Tulu Kannada Kodagu Toda Kota Malayalam Tamil Telugu 3 Evolution of Telugu Characters Brahmi Lipi Northern Script Southern Script Dravidian Languages Central Group Gondi Konda Kui Manda Parji Gadaba Kolami Pengo Naiki Kuvi Southern Group Northern Group Brahui Malto Kudukh Tulu Kannada Kodagu Toda Kota Malayalam Tamil Telugu 4 Evolution of Telugu Characters Brahmi Lipi Northern Script Southern Script Dravidian Languages Central Group Gondi Konda Kui Manda Parji Gadaba Kolami Pengo Naiki Kuvi Southern Group Northern Group Brahui Malto Kudukh Tulu Kannada Kodagu Toda Kota Malayalam Tamil Telugu 5 Evolution of Telugu Characters Brahmi Lipi Northern Script Southern Script Dravidian Languages Central Group Gondi Konda Kui Manda Parji Gadaba Kolami Pengo Naiki Kuvi Southern Group Northern Group Brahui Malto Kudukh Tulu Kannada Kodagu Toda Kota Malayalam Tamil Telugu 6 Evolution of Telugu Characters Brahmi Lipi Northern Script Southern Script Dravidian Languages Central Group Gondi Konda Kui Manda Parji Gadaba Kolami Pengo Naiki Kuvi Southern Group Northern Group Brahui Malto Kudukh Tulu Kannada Kodagu Toda Kota Malayalam Tamil Telugu 7 Evolution of Telugu Characters Ashoka Brahmi Inscription (3rd century BC) 8 Evolution of Telugu Characters Inscription from the time of poet Erranna (14th century) 9 Christian writings in Telugu (1747) One of the first instances of Christian Missionary writings in Telugu. It was published by Rev. Benjamin Schultze in Halle/ 10 Magdeburg (modern Germany). Evolution of Telugu Characters Text from William Philip Brown’s: Grammar of the Kent Language 11 Onamaalu The Telugu charecters are called ‘Onamaalu’ Hallulu/ Vowels: అఆఇఈఉఊఋౠ ఎ ఏ ఐ ఒ ఓ ఔ అం అః 12 Onamaalu Acchulu/ Consonants కఖగఘఙ చఛజఝఞ టఠడఢణ తథదధన పఫబభమ యరలవళ శషసహCఱ 13 Features of Telugu Letter forms The script is round in shape The vertical widths are quite different (vowel to vowel, consonant to consonant, conjunct to conjunct) . This leads to affect the horizontal continuity. ™êÇ≤Ï`«ºÇ◊ΩΩ (‘Saahityamu’) 14 Features of Telugu Letter forms Identifying the characters at smaller point sizes (‘Va’) (‘Pa’) (‘Na’) (‘Sa’) 15 Features of Telugu Letter forms Vertical as well as horizontal distribution of vowel and consonant signs. (‘Maxism’) 16 Features of Telugu Letter forms Single vowel matra is represented in different ways depending on the consonant. 17 Features of Telugu Letter forms Single vowel matra is represented in different ways depending on the consonant. (‘Rashtram’) (‘Stri’) (‘Sri’) (‘Prapancham’) 18 Features of Telugu Letter forms Matras won’t sit in one particular place for every character but differ from one character to another. (‘Ki’) (‘Ti’) (‘Khi’) 19 Features of Telugu Letter forms Matras won’t sit in one particular place for every character but differ from one character to another. (‘Ki’) (‘Ti’) (‘Khi’) 20 Character Details 21 Character Details 22 Character Details 23 Character Details 24 Character Details 25 Character Details 26 Character Details Top matra Base Character Side Matra Lower Matra 27 Screen Technologies 28 Screen Technologies CRT ( Cathode Ray Tube) 28 Screen Technologies CRT ( Cathode Ray Tube) LCD ( Liquid Crystal Display) 28 Screen Technologies Sub Pixel Rendering 29 Anti-aliasing/ Gray Scaling Anti-aliasing is a method of drawing text or pictures which smooth edges, and avoids jagged edges (jaggies) Overlaying a glyph A Glyph rasterized A Glyph rasterized on a pixel grid NOT anti-aliased Anti-aliased 30 Design Considerations 31 Design Considerations Rectangular Grid O 31 Design Considerations Rectangular Grid Big Open Counters O Handgloves 31 Design Considerations Rectangular Grid Big Open Counters Mono-thickness O Handgloves 31 Design Considerations Rectangular Grid Big Open Counters Mono-thickness Spacing O Handgloves 31 Grid Analysis Anupama Horizontal stroke: x Max. stroke thickness: 2.6x Top matra: 8x Bottam Matra: 12.4x Side Matra: 23x Total Height: 36.5x No. of Glyphs: 227 ã¨ÃÇ¡Â PO’Q◊º~ 32 Grid Analysis Brahma: Horizontal stroke: x Vertical stroke: 2.1x Top matra: 3.75x Bottom Matra: 7.15x Side Matra: 10.1x Total Height: 16.8x No. of Glyphs: 256 ã¨ÃÇ¡Â PO’Q◊º~ 33 Grid Analysis Gautami: Horizontal stroke: x Max. stroke width: 1.25x Top matra: 4.65x Bottom Matra: 5x Side Matra: 11.9x Total Height: 16.65x No. of Glyphs: 613 స"#$% ఆ"#గ%ం 34 Ground Work Traced Univers typeface to comprehend how letters are optically balanced. 35 Initial Explorations 36 Initial Explorations 37 Initial Explorations 38 Initial Explorations 38 Initial Explorations 39 Initial Explorations 40 Final Grid Base character : 428 UPM units Top matra : 268 UPM units Bottom matra : 304 UPM units 7.5x Top Matra 10.5x Base Character 8.5x Bottom Matra 41 Form Transformation Form Transformation (1) Form Transformation (1) (2) Form Transformation (1) (3) (2) Form Transformation (1) (2) (3) (4) Appropriate Form Proposed Existing 44 45 45 Final set of Characters 45 Final set of Characters Hallulu/ Vowels: 45 Final set of Characters Hallulu/ Vowels: 45 Final set of Characters Acchulu/ Consonants: 46 Final set of Characters Acchulu/ Consonants: 46 Features Proposed Existing Pothana Sri Muthyalu Eenadu 47 Gautami Features Proposed Existing Pothana Sri Muthyalu Eenadu 48 Gautami Features Proposed Existing Pothana Sri Muthyalu Eenadu 49 Gautami Hinting 50 On Screen Simulation Sri Muthyalu Gautami 51 User Testing 52 User Testing 52 Conclusion 53 Conclusion The typeface must be contemporary and fit for the modern typographic environment. An attempt has been made to come up with a comprehensive font design. The font needs to better hinted, in order to make it look better on the computer monitor. 53 Thank You! 54 Thank You! Guide: Prof.G.V.Sreekumar Udaya Kumar Girish Dalvi Bijuneyyan Nirmal Biswas Prof. Ravi Pooviah Dr. Ajanta Sen & 2 all da ppl wrkng 4 Indian Type Design... :-) 54 Thank You! References: Guide: Prof.G.V.Sreekumar Books: [1] Biswas Nirmal, (2006) Design of Oriya font for onscreen reading, IDC, IIT Bombay. Udaya Kumar [2] BijuneYYan, (2008) Malayalam Font for onscreen reading, IDC, IIT Bombay. [3] Vikas Saligram, Design of Telugu font for laser printer, IDC, IIT Bombay. Girish Dalvi [4] Dr. D.N.Shastry (1998) ‘Telugu Sahitya Charitra’ Pragathi Publishers, L.B.Nagar, Bijuneyyan Hyderabad. Andhra Pradesh. Nirmal Biswas Publishers, Tenali. [5] Dr. Velaga Venkatappiah (2008) ‘Telugu vaari Mega Pedda bala Siksha’ Annapurna [6] Dr. P.V.Parabrahma Shastry , Dr.N.S.Ramachandra Murthy (2009) ‘Telugu Script- Origin and Evolution’ Andhra Pradesh Oriental Manuscripts Library & Research Institute, Prof. Ravi Pooviah Hyderabad. Andhra Pradesh. Dr. Ajanta Sen Internet References: [Accessed February 2009} http://www.teluguworld.org/Telugu/telugu_history.html http://en.wikipedia.org/wiki/Telugu_language http://telugustreet.blogspot.com/search/label/Telugu%20Language & 2 all da ppl wrkng 4 Indian Type Design... :-) http://asi.nic.in/asi_epigraphical_sans_andhra.asp http://www.engr.mun.ca/~adluri/telugu/language/script/script1d.html http://www.unicode.org/charts/ http://www.grc.com/ctwhat.html 54 Thank You! References: Guide: Prof.G.V.Sreekumar Books: [1] Biswas Nirmal, (2006) Design of Oriya font for onscreen reading, IDC, IIT Bombay. Udaya Kumar [2] BijuneYYan, (2008) Malayalam Font for onscreen reading, IDC, IIT Bombay. [3] Vikas Saligram, Design of Telugu font for laser printer, IDC, IIT Bombay. Girish Dalvi [4] Dr. D.N.Shastry (1998) ‘Telugu Sahitya Charitra’ Pragathi Publishers, L.B.Nagar, Bijuneyyan Hyderabad. Andhra Pradesh. Nirmal Biswas Publishers, Tenali. [5] Dr. Velaga Venkatappiah (2008) ‘Telugu vaari Mega Pedda bala Siksha’ Annapurna [6] Dr. P.V.Parabrahma Shastry , Dr.N.S.Ramachandra Murthy (2009) ‘Telugu Script- Origin and Evolution’ Andhra Pradesh Oriental Manuscripts Library & Research Institute, Prof. Ravi Pooviah Hyderabad. Andhra Pradesh. Dr. Ajanta Sen Internet References: [Accessed February 2009} http://www.teluguworld.org/Telugu/telugu_history.html http://en.wikipedia.org/wiki/Telugu_language http://telugustreet.blogspot.com/search/label/Telugu%20Language & 2 all da ppl wrkng 4 Indian Type Design... :-) http://asi.nic.in/asi_epigraphical_sans_andhra.asp http://www.engr.mun.ca/~adluri/telugu/language/script/script1d.html http://www.unicode.org/charts/ http://www.grc.com/ctwhat.html 54