LUSH LIFE: CELEBRATING BILLY STRAYHORN
Transcription
LUSH LIFE: CELEBRATING BILLY STRAYHORN
Friday and Saturday Evening, June 10–11, 2016 at 8:00 Wynton Marsalis, Managing and Artistic Director Greg Scholl, Executive Director LUSH LIFE: CELEBRATING BILLY STRAYHORN Jazz at Lincoln Center Orchestra WYNTON MARSALIS, Music Director, Trumpet DAN NIMMER, Music Director, Piano RYAN KISOR, Trumpet KENNY RAMPTON, Trumpet MARCUS PRINTUP, Trumpet VINCENT GARDNER, Trombone CHRIS CRENSHAW, Trombone SAM CHESS, Trombone SHERMAN IRBY, Alto Saxophone SHAREL CASSITY, Alto Saxophone VICTOR GOINES, Tenor Saxophone WALTER BLANDING, Tenor Saxophone PAUL NEDZELA, Baritone Saxophone CARLOS HENRIQUEZ, Bass ALI JACKSON, Drums with JOHNNY O’NEAL, Piano, Vocals There will be one 15-minute intermission during this performance. Jazz at Lincoln Center thanks its season sponsors: Amtrak, Bloomberg Philanthropies, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, The Shops at Columbus Circle at Time Warner Center, SiriusXM, and United Airlines. Jazz at Lincoln Center’s Rose Theater Frederick P. Rose Hall jazz.org Please turn off your cell phones and other electronic devices. Jazz at Lincoln Center Program Lush Life: Celebrating Billy Strayhorn June 10 & 11, 2016 BILLY STRAYHORN Charpoy transcribed by David Berger BILLY STRAYHORN Day Dream transcribed by David Berger BILLY STRAYHORN The Intimacy of the Blues transcribed by Christopher Byars DUKE ELLINGTON & BILLY STRAYHORN Isfahan (from Far East Suite) transcribed by David Berger BILLY STRAYHORN Johnny Come Lately transcribed by David Berger DUKE ELLINGTON & BILLY STRAYHORN Lady Mac (from Such Sweet Thunder) transcribed by Allan Campbell & David Berger BILLY STRAYHORN Lotus Blossom arranged by Andy Farber BILLY STRAYHORN Lush Life BILLY STRAYHORN Raincheck transcribed by David Berger DUKE ELLINGTON & BILLY STRAYHORN Ready, Go! (from Toot Suite) transcribed by David Berger BILLY STRAYHORN Smada BILLY STRAYHORN Something to Live For BILLY STRAYHORN Take the “A” Train transcribed by David Berger BILLY STRAYHORN Tapioca transcribed by Chris Crenshaw BILLY STRAYHORN U.M.M.G. (Upper Manhattan Medical Group) transcribed by David Berger Jazz at Lincoln Center Notes on the Program By Greg Thomas Billy Strayhorn, Duke Ellington‘s writing and arranging companion from 1939 to May 31, 1967, is finally getting what Roy Eldridge called “screen credits.” It’s about time. Strayhorn would have turned 100 in 2015. Affectionately called “Strays” and “Sweet Pea,” Strayhorn may have been in the shadows while Duke took onstage bows, but Ellington felt and knew that Strayhorn was far more than the average collaborator. “Billy Strayhorn was my right arm, my left arm, all the eyes in the back of my head, my brainwaves in his head, and his in mine,” Ellington wrote in Music is my Mistress. The masterly rapport and musical marriage between the two birthed a corpus elevating the Ellington Orchestra—already in a class alone when Strayhorn joined them—to an aesthetic grandeur the magnitude of which may take another century to be grasped. Strayhorn’s signature sound and rich harmonic voicing come through with clarity on such classics as “Lotus Blossom,” “Lush Life,” “Chelsea Bridge,” and the composition forever to be associated with the band and jazz in general: “Take the “A” Train.” In fact, those four Strayhorn compositions, in that exact order, were the first mentioned in separate conversations by Johnny O’Neal—a splendid pianist and song stylist— and Dan Nimmer, the Jazz at Lincoln Center Orchestra’s pianist and tonight’s co-music director. (Wynton Marsalis also serves as co-music director.) Nimmer and O’Neal both spoke of Strayhorn’s music and piano playing in dulcet tones, but Nimmer first spoke of O’Neal: “A master of this music, Johnny O’Neal is a true gem to the New York scene and the whole music community. He’s a great choice to deliver the message of Strayhorn. He’s such a master of songs and playing and connecting with the audience through his voice and piano playing. He has a real intimate approach to the music.” O’Neal, whose credits you can read in bio form in the succeeding pages, is doubly honored: “I’m so flabbergasted for them asking me to do this, and I will bring my best efforts to represent and enhance Strayhorn’s music.” Nimmer and O’Neal point to the influence of Strayhorn’s early training in European concert music, which came after Strayhorn’s grandmother lit his musical candle via church music and singing. Strayhorn came into his musical own in Pittsburgh, studying with the same piano teacher as Mary Lou Williams and Errol Garner, and composing in longer forms for the musical stage. O’Neal, a long-acknowledged Art Tatum-esque keyboard virtuoso, hears a Chopin and Schubert influence in “the way he articulated those notes with precision and definition.” O’Neal so fits tonight’s show, Nimmer says, because of that quality of intimacy: “Strayhorn had a real intimate way with melody. His style was always romantic. He wrote beautiful music all the time and never left a section untouched. He cared about every part of the melody that he wrote with the lyrics. His genius was that he could make something complex sound simple, but when you actually look at the music, and figure out what he’s doing, it’s very advanced—especially for that time.” O’Neal agrees. “In his era, he was so harmonically advanced, so ahead of his time. He had a beautiful, magnetic touch. He was a full orchestral pianist. He wasn’t a technical wizard; he played with finesse and class. You have to really study him to play him because he played with so many textures and embellishments. Duke had such a great respect and love for him musically. Strayhorn was an extension of Duke, and Duke inspired him to become the most creative writer. When you hear guys talking about modern playing, Duke and Strayhorn were playing that way back in the forties.” Jazz at Lincoln Center Center. The event raised more than $3 million for the Higher Ground Relief Fund to benefit the musicians, music industryrelated enterprises, and other individuals and entities from the areas in Greater New Orleans who were affected by Hurricane Katrina. Marsalis helped lead the effort to construct Jazz at Lincoln Center’s home— Frederick P. Rose Hall—the first education, performance, and broadcast facility devoted to jazz, which opened in October 2004. Wynton Marsalis Wynton Marsalis (Music Director, Trumpet) is the managing and artistic director of Jazz at Lincoln Center and a world-renowned trumpeter and composer. Born in New Orleans, Louisiana in 1961, Marsalis began his classical training on trumpet at age 12, entered The Juilliard School at age 17, and then joined Art Blakey and the Jazz Messengers. He made his recording debut as a leader in 1982, and has since recorded more than 60 jazz and classical recordings, which have won him nine Grammy Awards. In 1983 he became the first and only artist to win both classical and jazz Grammys in the same year and repeated this feat in 1984. Marsalis is also an internationally respected teacher and spokesman for music education, and has received honorary doctorates from dozens of U.S. universities and colleges. He has written six books; his most recent are Squeak, Rumble, Whomp! Whomp! Whomp!, illustrated by Paul Rogers and published by Candlewick Press in 2012, and Moving to Higher Ground: How Jazz Can Change Your Life with Geoffrey C. Ward, published by Random House in 2008. In 1997 Marsalis became the first jazz artist to be awarded the prestigious Pulitzer Prize in music for his oratorio Blood on the Fields, which was commissioned by Jazz at Lincoln Center. In 2001 he was appointed Messenger of Peace by Mr. Kofi Annan, Secretary-General of the United Nations, and he has also been designated cultural ambassador to the United States of America by the U.S. State Department through their CultureConnect program. Marsalis was instrumental in the Higher Ground Hurricane Relief concert, produced by Jazz at Lincoln JOE MARTINEZ JOE MARTINEZ Meet the Artists Dan Nimmer Dan Nimmer (Music Director, Piano) was born in 1982 in Milwaukee, Wisconsin. With prodigious technique and an innate sense of swing, his playing often recalls that of his own heroes Oscar Peterson, Wynton Kelly, Erroll Garner, and Art Tatum. Nimmer studied classical piano and eventually became interested in jazz. He began playing gigs with renowned saxophonist and mentor Berkley Fudge. Nimmer studied music at Northern Illinois University and became one of Chicago’s busiest piano players. A year after moving to New York City, he became a member of the Jazz at Lincoln Center Orchestra and the Wynton Marsalis Quintet. Nimmer has worked with Norah Jones, Willie Nelson, Dianne Reeves, George Benson, Frank Wess, Clark Terry, Tom Jones, Benny Golson, Lewis Nash, Peter Washington, Ed Thigpen, Wess “Warmdaddy” Anderson, Fareed Haque, and many more. He has appeared on The Tonight Show with Jay Leno, The Late Show with David Letterman, The View, The Kennedy Center Honors, Live from Abbey Road, and PBS’ Live From Lincoln Center, among other broadcasts. He has released four of his own albums on the Venus label (Japan). FRANK STEWART Jazz at Lincoln Center Johnny O’Neal Johnny O’Neal’s (Piano, Vocals) appearance in the 2004 blockbuster Ray elevated his career to new levels. In the film, Ray Charles goes to a nightclub to see legendary pianist Art Tatum, a role performed by O’Neal to great acclaim. Despite the common misconception that he was actually playing along to a Tatum record, the scene was an authentic live performance by O’Neal. After the movie’s success, the Ray Charles Band asked O’Neal to take the piano chair for its major tour in 2005. Following his debut record with Ray Brown, Coming Out (1983), O’Neal enjoyed further stints with Ray Brown, Milt Jackson, and Art Blakey and the Jazz Messengers. He has also performed with Dizzy Gillespie, Joe Pass, Nancy Wilson, Anita O’Day, Lionel Hampton, Kenny Burrell, Sonny Stitt, Benny Golson, Eddie “Lockjaw” Davis, Clark Terry, and others. Festival performances in Europe, Australia, Japan, and South Africa have earned O’Neal an international following. O’Neal is known for his ability to interpret a wide range of material with ease and sensitivity. This versatility was showcased in On the Montreal Scene, his debut recording for Justin Time, which soulfully interweaved gospel, blues, and mainstream jazz. Largely self-taught, O’Neal’s playing evokes the influences of his idols Oscar Peterson and Art Tatum, and he has reshaped these elements into his own swinging and melodic approach. In live performances, he is apt to catch his audience off-guard with soulfully rendered yet unpretentious vocalizations. Though O’Neal admittedly loves to shout the blues, he considers himself a pianist first. Three notable events in O’Neal’s career continue to inspire him: opening for Oscar Peterson at Carnegie Hall as a solo pianist early on in his career; his 1998 induction into the Alabama Jazz Hall of Fame; and playing the role of Art Tatum in Ray. O’Neal describes himself as a “tune guy.” He knows 1,500 songs, and his father was a pianist and singer who emphasized that learning lyrics creates dynamics and a better interpretation of melody. O’Neal honors the jazz ethos of instant composition, always maintaining spontaneity and responding to cues from the audience. In his lyrical compositions and innovative interpretations of jazz classics, he preserves the style of the great jazz masters. Walter Blanding Walter Blanding (Tenor Saxophone) was born into a musical family on August 14, 1971, in Cleveland, Ohio. He began playing the saxophone at age six and by age 16 he was performing regularly with his parents at the Village Gate. Blanding attended Fiorello H. LaGuardia High School of Music & Art and Performing Arts and continued his studies at the New School for Social Research where he earned a B.F.A. in 2005. His 1991 debut release, Tough Young Tenors, was acclaimed as one of the best jazz albums of the year, and his artistry began to impress listeners and critics alike. He has been a member of the Jazz at Lincoln Center Orchestra since 1998 and has performed, toured and/or recorded with his own groups and with such renowned artists as the Cab Calloway Orchestra, Roy Hargrove, Hilton Ruiz, Count Basie Orchestra, Illinois Jacquet Big Band, Wycliffe Gordon, Marcus Roberts, Wynton Marsalis Quintet, Isaac Hayes, and many others. Blanding lived in Israel for four years and had a major impact on the music scene while touring the country with his own ensemble and with U.S. artists such as Louis Hayes, Eric Reed, Vanessa Rubin, and others invited to perform there. He taught music in several Israeli schools and eventually opened his own private school in Tel Aviv. During this period, Newsweek International called him a “Jazz Ambassador to Israel.” Jazz at Lincoln Center Sharel Cassity With six consecutive appearances on DownBeat’s Rising Star Alto Saxophone list, Sharel (pronounced shuh-Relle) Cassity (Alto Saxophone) has been touring the world with her quintet and her latest project, Elektra. Having released three albums as a leader, Cassity maintains an impressive sideman roster of Cyrus Chestnut, the Dizzy Gillespie Afro-Cuban Experience, and Jimmy Heath’s Big Band. She has also had the honor of sharing the stage with legendary artists Aretha Franklin, Natalie Cole, Wynton Marsalis, Christian McBride, Roy Hargrove, and James Moody, to name just a few. With a passion for her art and an unwavering will to evolve, Cassity continues to write and perform music that pushes boundaries and surprises her listeners. Originally from Yukon, Oklahoma, Cassity was inducted into the Oklahoma Jazz Hall of Fame in 2011 and graduated from the Juilliard Jazz program under full scholarship with a master’s degree in 2007. Sam Chess Sam Chess (Trombone) is jazz trombonist currently studying at The Juilliard School. Although Chess is only 20 years old, he has played at some of the world’s premiere jazz festivals, including Monterey, Montreaux, Montreal, and Marciac. Chess went to high school in Tucson, Arizona and is a recent alumnus of Jazz at Lincoln Center’s national Essentially Ellington High School Jazz Band Competition & Festival. Chris Crenshaw Chris Crenshaw (Trombone) was born in Thomson, Georgia on December 20, 1982. Since birth, he has been driven by and surrounded by music. When he started playing piano at age three, his teachers and fellow students noticed his aptitude for the instrument. This love for piano led to his first gig with Echoes of Joy, his father Casper’s group. He picked up the trombone at age 11 and hasn’t put it down since. He graduated from Thomson High School in 2001 and received his bachelor’s degree with honors in jazz performance from Valdosta State University in 2005. He was awarded Most Outstanding Student in the VSU music department and College of Arts. In 2007 Crenshaw received his master’s degree in jazz studies from The Juilliard School where his teachers included Dr. Douglas Farwell and Wycliffe Gordon. He has worked with Gerard Wilson, Jiggs Whigham, Carl Allen, Marc Cary, Wessell Anderson, Cassandra Wilson, Eric Reed, and many more. In 2006 Crenshaw joined the Jazz at Lincoln Center Orchestra and in 2012 he composed “God’s Trombones,” a spiritually focused work that was premiered by the orchestra at Jazz at Lincoln Center. Vincent Gardner Vincent Gardner (Trombone) was born in Chicago in 1972 and was raised in Hampton, Virginia. After singing and playing piano, violin, saxophone, and French horn at an early age, he decided on the trombone at age 12. He attended Florida A&M University and the University of North Florida. He soon caught the ear of Mercer Ellington, who hired Gardner for his first professional job. After graduating from college, he moved to Brooklyn, New York, completed a world tour with Lauryn Hill in 2000, then joined the Jazz at Lincoln Center Orchestra. Gardner has served as instructor at The Juilliard School, as visiting instructor at Florida State University and Michigan State University, and as adjunct instructor at The New School. He has contributed many arrangements to the Jazz at Lincoln Center Orchestra and other ensembles. In 2009 he was commissioned by Jazz at Lincoln Center to write “The Jesse B. Semple Suite,” a 60-minute suite inspired by the short stories of Langston Hughes. Gardner is featured on a number of notable recordings and has recorded five CDs as a leader for Steeplechase Records. He has performed with the Duke Ellington Orchestra, Bobby McFerrin, Harry Connick, Jr., the Saturday Jazz at Lincoln Center Night Live Band, Chaka Khan, A Tribe Called Quest, and many others. Victor Goines Victor Goines (Tenor Saxophone) is a native of New Orleans, Louisiana. He has been a member of the Jazz at Lincoln Center Orchestra and the Wynton Marsalis Septet since 1993, touring throughout the world and recording more than 20 albums. As a leader, Goines has recorded seven albums including his most recent release Twilight (2012) on Rosemary Joseph Records. A gifted composer, Goines has more than 50 original works to his credit, including 2014’s Crescent City, premiered by the Jazz at Lincoln Center Orchestra. He has recorded and/or performed with noted jazz and popular artists including Ahmad Jamal, Ruth Brown, Dee Dee Bridgewater, Ray Charles, Bob Dylan, Dizzy Gillespie, Lenny Kravitz, Branford Marsalis, Ellis Marsalis, Dianne Reeves, Willie Nelson, Marcus Roberts, Diana Ross, Stevie Wonder, and a host of others. Currently, he is the director of jazz studies and professor of music at Northwestern University. He received a bachelor of music degree from Loyola University in New Orleans in 1984, and a master of music degree from Virginia Commonwealth University in Richmond in 1990. Carlos Henriquez Carlos Henriquez (Bass) was born in 1979 in the Bronx, New York. He studied music at a young age, played guitar through junior high school and took up the bass while enrolled in The Juilliard School’s Music Advancement Program. He entered Fiorello H. LaGuardia High School of Music & Art and Performing Arts and was involved with the LaGuardia Concert Jazz Ensemble which went on to win first place in Jazz at Lincoln Center’s Essentially Ellington High School Jazz Band Competition and Festival in 1996. In 1998, swiftly after high school, Henriquez joined the Wynton Marsalis Septet and the Jazz at Lincoln Center Orchestra, touring the world and recording on more than 25 albums. Henriquez has performed with artists, including Chucho Valdés, Paco De Lucia, Tito Puente, the Marsalis Family, Willie Nelson, Bob Dylan, Stevie Wonder, Lenny Kravitz, Marc Anthony, and many others. He has been a member of the music faculty at Northwestern University School of Music since 2008, and was music director of the Jazz at Lincoln Center Orchestra’s cultural exchange with the Cuban Institute of Music with Chucho Valdés in 2010. His debut album as a bandleader, The Bronx Pyramid, comes out September 18 on Jazz at Lincoln Center’s Blue Engine Records. Sherman Irby Sherman Irby (Alto Saxophone) was born and raised in Tuscaloosa, Alabama. He found his musical calling at age 12 and in high school he played and recorded with gospel immortal James Cleveland. He graduated from Clark Atlanta University with a B.A. in music education. In 1991 he joined Johnny O’Neal’s Atlanta-based quintet. In 1994 he moved to New York City and recorded his first two albums, Full Circle (1996) and Big Mama’s Biscuits (1998), on Blue Note. Irby toured the U.S. and the Caribbean with the Boys Choir of Harlem in 1995, and was a member of the Jazz at Lincoln Center Orchestra from 1995 to 1997. During that tenure he also recorded and toured with Marcus Roberts and was part of Betty Carter’s Jazz Ahead Program and Roy Hargrove’s ensemble. After a four-year stint with Roy Hargrove, Irby focused on his own group in addition to being a member of Elvin Jones’ ensemble in 2004 and then Papo Vazquez’ Pirates Troubadours after Jones’ passing. From 2003–11 Irby was the regional director for JazzMasters Workshop, mentoring young children, and he has served as artist-in-residence for Jazz Camp West and an instructor for Monterey Jazz Festival Band Camp. He is a former board member for the CubaNOLA Collective. He formed Black Warrior Records and released Black Warrior, Faith, Jazz at Lincoln Center Organ Starter, Live at the Otto Club, and Andy Farber’s This Could Be the Start of Something Big. Since rejoining, Irby has arranged much of the Jazz at Lincoln Center Orchestra’s music, and he has been commissioned to compose new works, including Twilight Sounds and his Dante-inspired ballet, Inferno. Ali Jackson Ali Jackson (Drums ) developed his talent on drums at an early age. In 1993 he graduated from Cass Tech High School and in 1998 was the recipient of Michigan’s prestigious Artserv Emerging Artist award. As a child, he was selected as the soloist for the “Beacons Of Jazz” concert which honored legend Max Roach at New School University. After earning an undergraduate degree in music composition at the New School University for Contemporary Music, he studied under Elvin Jones and Max Roach. Jackson has been part of Young Audiences, a program that educates New York City youth on jazz. He has performed and recorded with artists including Wynton Marsalis, Dee Dee Bridgewater, Aretha Franklin, George Benson, Harry Connick, Jr., KRS-1, Marcus Roberts, Joshua Redman, Vinx, Seito Kinen Orchestra conductor Seiji Ozawa, Diana Krall, and New York City Ballet. His production skills can be heard on George Benson’s GRP release Irreplaceable. Jackson is also featured on the Wynton Marsalis Quartet recordings The Magic Hour (Blue Note, 2004) and From the Plantation to the Penitentiary (Blue Note, 2007). Jackson collaborated with jazz greats Cyrus Chestnut, Reginald Veal, and James Carter on Gold Sounds (Brown Brothers, 2005), which transformed songs by indie alternative rock band Pavement into unique virtuosic interpretations with the attitude of the church and juke joint. He has been a member of the Jazz at Lincoln Center Orchestra since 2005. Jackson currently performs with the Wynton Marsalis Quintet, Horns in the Hood, and leads the Ali Jackson Quartet. He also hosted “Jammin’ with Jackson,” a series for young musicians at Jazz at Lincoln Center’s Dizzy Club Coca-Cola. He is also the voice of “Duck Ellington,” a character in the Penguin book series Baby Loves Jazz that was released in 2006. Ryan Kisor Ryan Kisor (Trumpet ) was born on April 12, 1973. in Sioux City, Iowa, and began playing trumpet at age four. In 1990 he won first prize at the Thelonious Monk Institute’s first annual Louis Armstrong Trumpet Competition. Kisor enrolled in Manhattan School of Music in 1991 where he studied with trumpeter Lew Soloff. He has performed and/or recorded with the Mingus Big Band, the Gil Evans Orchestra, Horace Silver, Gerry Mulligan, Charlie Haden’s Liberation Music Orchestra, the Carnegie Hall Jazz Band, the Philip Morris Jazz All-Stars, and others. In addition to being an active sideman, Kisor has recorded several albums as a leader, including Battle Cry (1997), The Usual Suspects (1998), and Point of Arrival (2000). He has been a member of the Jazz at Lincoln Center Orchestra since 1994. Paul Nedzela Paul Nedzela (Baritone Saxophone) was born in New York City in 1984 and has quickly become one of the top baritone saxophone players around. After graduating with honors and a degree in mathematics from McGill University in 2006, Nedzela received the Samuel L. Jackson scholarship and continued his musical studies at The Juilliard School. He has studied with baritone saxophone legends Joe Temperley, Gary Smulyan, and Roger Rosenberg, and has played with renowned artists and ensembles, including Wess Anderson, Paquito D’Rivera, Benny Golson, Roy Haynes, Christian McBride, and The Temptations. Nedzela also performed in Twyla Tharp’s Broadway show, Come Fly Away, as well as at major festivals, such as The Monterey Jazz Festival and The Banff Music Festival. Jazz at Lincoln Center Marcus Printup Marcus Printup (Trumpet) was born and raised in Conyers, Georgia. His first musical experiences were hearing the fiery gospel music his parents sang in church. While attending the University of North Florida on a music scholarship, he won the International Trumpet Guild Jazz Trumpet competition. In 1991 Printup’s life changed when he met his mentor, the great pianist Marcus Roberts. Roberts introduced him to Wynton Marsalis, which led to Printup’s induction into the Jazz at Lincoln Center Orchestra in 1993. Printup has recorded with Betty Carter, Dianne Reeves, Eric Reed, Madeline Peyroux, Ted Nash, Cyrus Chestnut, Wycliffe Gordon, and Roberts, among others. He has recorded several records as a leader: Song for the Beautiful Woman, Unveiled, Hub Songs, Nocturnal Traces, The New Boogaloo, Peace in the Abstract, Bird of Paradise, London Lullaby, Ballads All Night, and A Time for Love. He made his screen debut in the 1999 movie Playing by Heart and recorded on the film’s soundtrack. August 22 has been declared “Marcus Printup Day” in his hometown of Conyers, Georgia. Kenny Rampton Kenny Rampton (Trumpet ) joined the Jazz at Lincoln Center Orchestra in 2010. He also leads his own sextet in addition to performing with the Mingus Big Band, the Mingus Orchestra, the Mingus Dynasty, George Gruntz’ Concert Jazz Band, and the Manhattan Jazz Orchestra (under the direction of Dave Matthews). In 2010 Rampton performed with the Scottish National Jazz Orchestra at the Edinburgh International Festival, and was the featured soloist on the Miles Davis/Gil Evans classic version of Porgy and Bess. He toured the world with the Ray Charles Orchestra in 1990 and with the legendary jazz drummer Panama Francis, the Savoy Sultans, and the Jimmy McGriff Quartet, with whom he played for ten years. As a sideman, Rampton has performed with Mingus Epitaph (under the direction of Gunther Schuller), Bebo Valdez’ Latin Jazz All-Stars, Maria Schneider, the Afro-Latin Jazz Orchestra, Charles Earland, Dr. John, Lionel Hampton, Jon Hendricks, Illinois Jacquet, Geoff Keezer, Christian McBride, and a host of others. Most recently, he was hired as the trumpet voice on Sesame Street. Some of his Broadway credits include Finian’s Rainbow, The Wiz, Chicago: The Musical, In The Heights, Hair, Young Frankenstein, and The Producers. Jazz at Lincoln Center Jazz at Lincoln Center is dedicated to inspiring and growing audiences for jazz. With the world-renowned Jazz at Lincoln Center Orchestra and a comprehensive array of guest artists, Jazz at Lincoln Center advances a unique vision for the continued development of the art of jazz by producing a year-round schedule of performance, education, and broadcast events for audiences of all ages. These productions include concerts, national and international tours, residencies, weekly national radio programs, television broadcasts, recordings, publications, an annual high school jazz band competition and festival, a band director academy, jazz appreciation curricula for students, music publishing, children’s concerts and classes, lectures, adult education courses, student and educator workshops, a record label, and interactive websites. Under the leadership of Managing and Artistic Director Wynton Marsalis, Chairman Robert J. 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Lieber Madeleine Long Chester Lott Amanda and Peter Low Vincent Mai Jacko Maree Molly McGowan The MCJ Amelior Foundation Sonnet and Ian McKinnon Renee Petrofes and Gerald McNamara Nancy and Peter Meinig Karen Karlsrud and Raymond C. Mikulich Robert and Bethany Millard Scott and Jennifer Miller Cheryl and Philip Milstein Joan Weinberg Frosty Montgomery Sharon Morris Jeremy Moss Amelia and Adebayo Ogunlesi Nnamdi Okike George Olsen Gabrielle and Michael Palitz Pamela and Edward Pantzer Paul Weiss Rifkind Wharton & Garrison David Pedowitz Mr. and Mrs. Joel Picket Thomas Platt Ellen B. Randall Carol and Don Randel Jill and Alan Rappaport Cheryl and Louis Raspino Bonnie and Richard Reiss Jennifer and Tim Rice Avis and Bruce Richards Ropes & Gray LLP Heather Bandur and Dr. Michael Rosen Esther and Steve Rotella Daryl and Steven Roth Susan Cluff and Neil Rudolph Barbara Saltzman Pam and Scott Schafler Ian Carleton Schaefer Jane Hartley and Ralph Schlosstein Frances and C. Glen Schor Donald Schupak Irene and Bernard Schwartz Katherine Seligman Michael H. Seligman Monica Seligman Lee Rhodes and Peter Seligman Helen Sogoloff and Alexander Shaknovich John Shapiro Glenn Close and David Shaw Katherine and Stephen Sherrill Susan Moldow and William M. Shinker Lauren and Randall Eron Shy Karen Simons Laura J. Sloate/Hermione Foundation Helena and Steve Sokoloff Joan and Michael Steinberg Barbara Carroll and Mark Stroock Pamela and Allen B. Swerdlick Dhuanne and Doug Tansil Warburg Pincus Cindy and Kenneth West Carol Winograd Benjamin Winter Judy and Alfred Taubman Diane and Geoffrey Ward Janice Savin Williams Judy Zankel and Christopher Barbara Walters The Weininger Williams Jeanette Wagner Foundation Diane and Arthur Abbey Robin and John Abott Anne and Michael Aboff Kenneth Allen Alexandra Alpaugh Peg Alston Donna Ward and Greg Amato Jolynn Schmidt and Scott Anderson Anonymous (3) Semhal Tadesse Araya Hector Baldonado Lillian Barbash Jennifer and David Barnard Charitable Fund Renee and Robert Belfer Brook and Roger Berlind Mary Bernard Theresa and Gerry Bernaz Arlene and Mark Bernstein Anurag Bhargava Mary Billard The Black Alumni of Pratt Madeline and Alan Blinder Les Bluestone Meg and Owen Boger Roy Bostock Alexis Brown Scott Bullock Aline Campos Camargo Jonathan Capehart Lakesha Cash Jacqueline Cervantes Jill and Irwin Cohen Marian and James Cohen Dorcas Colas David Cole Patrice Coleman Dr. Patricia Cook Patrick Cook The Aaron Copland Fund for Music, Inc Carolyn and Neil Coplan Linda Cote Norma and Larry Corio Alice and Daniel Cunningham Marilyn and Anthony De Nicola Jane and William Donaldson John DiCarlo Frank Dix Chris and Jim Drost Jacqueline Moline and Antoine Drye Robert and Mercedes Eichholz Foundation Marsha and James Ellowitz Jeffrey B. Fager PATRONS Randy Klein Joseph Fazio Pat and John Charlotte Feng Ford Klingenstein Ken and Caryl Field Fund Dr. Theresa Knight of the Princeton Area Community Foundation Chikako and Tomo Kodama Christine and John Jini Koh Fitzgibbons Isobel Konecky Susan and Arthur Sally and Wynn Fleischer, Jr. Kramarsky Dr. Steven Frankel Erin A. Pond and Peter H. Diane Kranz Deborah and Peter Friedland Krulewitch Susan and Fred Friedman Wendy and Jerry Fredrica and Stephen Labowitz Friedman Diane Forrest and Nick Judith M. Gallent LaHowchic Alice and Nathan Hiroko Lange Gantcher Seth Lapidow Jay Geneske Bonnie Lautenberg Gladstein Family Elizabeth and Gavin Foundation Leckie Claudia Glasser Laurie Zucker Lederman Charlene and Keith and David Lederman Goggin Karen Collias and Linda Silberman and Geoffrey Levitt Victor Goldberg Ira Levy Arlene Goldman James and Beth Lewis Jane and Budd S. Cher Lewis and Goldman Daughters Charitable Nancy and Gary Trust Goodenough Barbara and Harry Gould Mary and John Libby Ava Seave and Bruce C. Rita Fishman and Leonard Lichter Greenwald Sharon Horn and Jeffrey Terry and Michael Groll Lichtman Lori E. Gross Lynn Staley and Marty Brad Grossman Linsky Christofer Guarino Diane and William Lloyd Randy Hall H. Christopher Luce Charles Hamowy Lynn Davidson and Jon Leonard Harlan Lukomnik Sanjeanetta Harris John Lummis Laurie Hawkes Ninah and Michael Lynne Anne Farley and Peter Sean Madden Hein Susan and Roger Hertog Mark Mandel J. Robert Mann, Jr. Alan D. Holtz Katina and Kenneth Audrey Sokoloff and Manne Timothy Hosking Justin Manus Shari Hyman Susan and Morris Mark Donna Raftery and Mark Family Foundation Vincent Inconiglios Etienne Martel Joy Ingham Mr. and Mrs. George Adam Inselbuch Martin Mitchell Jacobson Kerri Mason Evan Janovic Andrea Montalbano and Joan Lee and Robert Matloff Diron Jebejian Joanne and Norman Kenneth Kahaner Matthews Marnee and Eric Kaltman Lady Va and Sir Deryck Clarence Kam Maughan Jeanne and Robert Kane Richard and Lisa Kendall Merridith and Robert McCarthy Elaine and Mark Kessel Risa Schifter and Edward Robert Meltzer Dina Merrill and Ted A. Kirtman Hartley Cheryl and Michael Minikes Adriana and Robert Mnuchin Michelle and John Morris Adele Morrissette Kimberly and David Morse Ornella and Robert Morrow Gaya Vinay and Vinay Nair Nobuko Narita Nancy and Michael Neuman Josiane and Thierry Noufele Nora Ann Wallace and Jack Nusbaum Nancy Kuhn and Bernie Nussbaum Rusty O’Kelley Rebecca and Daniel Okrent Robert Opatrny Susan and Stanley Oppenheim Saundra Parks Margot Bridger and Joseph G. Paul Michael Peffer Daniel Pelletier Albert Penick Fund Paula and Dominic Petito Caroline Wamsler and DeWayne Phillips Wayne Phillips Daniel Pincus Anne Martha and John Pitegoff Andrew and Mark Pitts Jamie and Mark Pollack Dr. Robert Press Jonelle Procope Karen and Timothy Proctor Keith Richards Megan and William Ried Barbara J. Riley David Robbins Alicia and William Robertson IV Laura and James Ross Fred Rubinstein Elizabeth Sackler Monica Kirkland and Marcelo Sanchez Hayley Gorenberg and Dr. George H. Sands Phyllis Bertin and Anthony Saytanides Mark Scharfman Amy Katz and Irving Scher Marcia and Irwin Schloss Shari and Jay Schuster Annette Mitchell Scott Deborah and Phillip Scott Emma Scully Kathy and Joel Segall Sumana Setty Javier Seymore Sandra Shahinian Guarav Sharma Robert B. Shepler Ruth and Jerome Siegel Susan Singer Carra Sleight Phyllis and Richard Slocum Lorie A. Slutsky Jill and Robert Smith Leonard I. Solondz Andre and Anne Rosen Spears Jan and Jimmie E. Spears Denise Spillane Louise A. Springer Barbara and Mitchell Stein Joanna and Joseph Stein Leonore and Walter Stern Bonnie and Thomas Strauss Joseph Sullivan David Swope Gloria and Phillip Talkow Jay Tanenbaum Tides Foundation The Wilma S. and Laurence A. Tisch Foundation Michael Tuch Foundation, Inc. Joan and Barry Tucker Ann and Thomas Unterberg Jacqueline Uter Cheryl Vollweiler Margaret Vranesh Ellen and Barry Wagenberg Dr. Raymond Wedderburn Josephine and Richard Weil Joan and Howard Weinstein Naida S. Wharton Foundation As of May 19, 2016 Katherine C. Wickham Anita and Byron Wien Amelia Wierzbicki Michael E. Wiles Shelley and Robert Willcox Charlie and May Wilson Audrey Strauss and John Wing Richard M. Winn III Benjamin Winter The Craig E. Wishman Foundation Michael Wojcik Wolfensohn Family Foundation Tara Kelleher and Roy J. Zuckerberg Jazz at Lincoln Center Jazz and Broadway Gala Donors Gala Underwriter Helen and Bob Appel Jody and John Arnhold Diana and Joseph DiMenna Gala Co-Chairmen Lisa and Dick Cashin Betsy Cohn Fiona and Stanley Druckenmiller Wynton Marsalis Jenny and Michael Price Burwell and Chip Schorr Gala Vice Chairmen Amy and David Abrams Shahara AhmadLlewellyn Jessica and Natan Bibliowicz Emily and Len Blavatnik / Blavatnik Family Foundation BNY Mellon Richard Gilder and Lois Chiles Gail and Al Engelberg Larry Gagosian Peter T. Grauer Marlene Hess and James D. Zirin Tania and Brian Higgins / Brian J. Higgins Charitable Trust Merrill Lynch Wealth Management Ronald D. McCray Karen and Charles Phillips / Infor Susan and Jack Rudin Rebecca and Art Samberg Barry F. Schwartz / The Perelman Family Foundation Inc. Souede & Hodge Associates Ann Tenenbaum and Thomas H. Lee Anonymous Gala Benefactors The Jeffrey Altman Foundation Donna J. Astion and Michael D. Fricklas Sarah Arison Daniel C. Benton Robin and Peter Berger Patricia Blanchet Bloomberg Philanthropies Jacqueline L. Bradley and Clarence Otis, Jr. Kevin and Elaine Cannon Gordon Davis / Venable LLP Empirical Research Partners LLC Mica Ertegun Gagnon Securities Buzzy Geduld Goldman Sachs Sonia and Paul T. Jones Tom Keyes and Keith Fox Rose-Lee and Keith Reinhard Diana and Jonathan F.P. Rose Lisa Roumell and Mark Rosenthal Fiona and Eric Rudin May and Samuel Rudin Family Foundation, Inc. Lisa and David T. Schiff Kimberly Ayers Shariff and Viqar Shariff Shearman & Stearling LLP Sirius XM Therese and Marshall Sonenshine Dianne and David Stern Laura Teixeria and Lywal Salles Daria and Eric Wallach George Wein Overture Michele and Timothy Barakett Judy and Ron Baron Brook and Shawn Byers Betty and Philippe Camus Beth Carney and Josh Struzziery Anla and Mark Cheng/ Kingdon Foundation Maria and Frank Chiodi Monique and Frank Cordasco Neil Crespi Cravath, Swaine & Moore LLP Mihaela and Harry Crosby Mary Beth and Stephen S. Daniel The Durst Organization Susan and William Foley Alice and Nathan Gantcher Valerie and Garry Grant Amy and John Griffin Foundation Caroline and Ed Hyman Anne and Phil Isom Elaine and Ken Langone Nancy Lazar and George Zachar Kate Lear and Jon LaPook Billie Lim and Stephen N. Ifshin Granum A/I / Patrick McGranaghan and Rhea Lee Elisabeth and John A. Levin Carolyn and Edward Lewis Greg Marcus / Marcus Corporation Foundation Caroline and Paul McCaffery / Keefe, Bruyette & Woods, Inc. Michelle McCrea / Viacom Janice and Steve Miller Morgan Stanley The Moore Charitable Foundation Alice K. Netter Nancy E. and Michael J. Neuman Aisha and Gbenga Oyebode Paul, Weiss, Rifkind, Wharton & Garrison LLP Paige and Martin Pepa Yesim and Dusty Philip Betsy and Robert Pitts Karen Pritzker / Seedlings Foundation Melissa and David Raso Jennifer and Tim Rice Mrs. Frederick P. Rose Meryl Rosofsky and Stuart H. Coleman Seedlings Foundation Hillary Beard Schafer and Mark G. Shafir Melanie A. Shorin and Greg S. Feldman Peter Atkins / Skadden, Arps, Slate, Meagher & Flom LLP Riva Arielle Ritvo Slifka Emily and Scott Stackman Twin Beeches Foundation Angela Vallot and James Basker Celeste and Jeff Wecker Martin Weinstein / Wilkie Farr & Gallagher LLP Anita and Byron Wien / Wien Family Fund Susan and Benjamin Winter World Stage William D. and Deborah Zabel Judy Zankel and Norman S. Benzaquen Libretto Renee and Robert Belfer Reginald and Aaliyah Browne Hannah F. Buchan Noreen and Kenneth Buckfire Valentino D. Carlotti As of May 19, 2016 Brenda M. Earl Ennead Architects LLP Judy and Tony Evnin Susan and Arthur Fleischer Slavka B. Glaser Barbara and Alan Glatt Susan and Roger Hertog Kathy and Jerome Kauff / Kauff McGuire & Margolis LLP Hans and Antoinette Kertess Pat and John Klingenstein Maria and Kerry Kourepenos Lear Family Foundation Ninah and Michael Lynne Susan and Morris Mark Louise Mirrer Nobuko C. Narita Laura Newcomb and Timothy Curro Nancy Kuhn and Bernard Nussbaum E. Denise Perry Laura and James Ross Pam and Scott Schafler Darren Schlanger Laura J. Sloate / Hermione Foundation Helena and Steve Sokoloff Joan and Michael Steinberg The Ruth and Jerome A. Siegel Foundation Nicki and Harold Tanner Ann and Thomas Unterberg Faye Wattleton Carol Winograd Chorus Christina and Robert Baker / Mr. and Mrs. Robert Baker Family Foundation Arlene and Harvey Blau BMI Isobel Konecky Lewis Lehrman / The Lehrman Insitute The Arthur Loeb Foundation Dina Merrill and Ted Hartley Susan and David Rockefeller James Roe / Orchestra of St. Luke’s Susan Rubinstein Ronald K. Simons Denise Spillane U.S. Trust UPCOMING EVENTS Jazz at Lincoln Center’s Frederick P. Rose Hall June 2016 September 2016 THE APPEL ROOM ROSE THEATER Swing! A Summer Cocktail Party June 27 at 6:30pm Jazz at Lincoln Center hosts the third annual Swing! A Summer Cocktail Party. Swing! honors the next generation of jazz artists and is specifically geared toward our culturally diverse young professional audience. This year’s honorees are Etienne Charles, Aaron Diehl, and Charenee Wade. Join us for an evening of cocktails, live jazz, and more. Proceeds will support Jazz at Lincoln Center’s education programs. Handful of Keys: A Century of Jazz Piano September 22–24 at 8pm This season-opening concert features the Jazz at Lincoln Center Orchestra with Wynton Marsalis and today’s top pianists. Performing definitive compositions by geniuses like Jelly Roll Morton, Bill Evans, Thelonious Monk, Dave Brubeck, and Marcus Roberts, tonight’s special guests will showcase an evolution of jazz piano that now spans over 100 years. Guest musicians range in age from 13-year-old prodigy Joey Alexander (recently featured on 60 Minutes) to 89-year-old American treasure Dick Hyman, met in the middle by pianist/composer Helen Sung, Aaron Diehl, and Isaiah J. Thompson. Free pre-concert discussion nightly at 7pm. July 2016 ERTEGUN ATRIUM WeBop Family Jazz Party Jazz is Feeling “Ever feel like tapping your foot, shaking your hips, clapping your hands, or bopping your head because the music makes you want to do more than just dance on the inside? That’s what jazz is. Jazz is feeling.” Join WeBop’s Ms. Riza Printup for a WeBop Family Jazz Party featuring Jazz at Lincoln Center Orchestra trumpeter Marcus Printup, WeBop pianist Mika Nishimura, drummer Alvin Atkinson, and bassist Yasushi Nakamura. Recommended for children eight months to eight years of age; all children must be accompanied by an adult. THE APPEL ROOM Dee Dee Bridgewater: Songs We Love September 23–24 at 7pm & 9:30pm Superstar vocalist Dee Dee Bridgewater takes you through 100 years of jazz song. On Friday (9/23), she will sing the early blues and jazz of the 1920s through the 1950s, joined by music director/trumpeter Riley Mulherkar and vocalists Vuyo Sotashe and Brianna Thomas. On Saturday (9/24), she will start with the socially conscious music of the 1950s and end with the songs of today, featuring music director/drummer Ulysses Owens, Jr. and vocalists Theo Bleckmann and Alicia Olatuja. Free pre-concert discussions nightly at 6pm and 8:30pm. Except where noted, all venues are located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor. Tickets starting at $10. To purchase tickets: Visit jazz.org or call CenterCharge: 212-721-6500. The Jazz at Lincoln Center Box Office is located on Broadway at 60th Street, Ground Floor. Hours: Monday-Saturday, 10am-6pm; Sunday, 12pm-6pm. For groups of 15 or more: 212-258-9875 or jazz.org/groups. For more information about our education programs, visit academy.jazz.org. For Swing University and WeBop enrollment: 212-258-9922. Find us on Facebook (jazzatlincolncenter), Twitter (@jazzdotorg), YouTube (jazzatlincolncenter), and Instagram (jazzdotorg). UPCOMING EVENTS Jazz at Lincoln Center’s Frederick P. Rose Hall June 2016 Dion Parson & 21st Century Band with Ron Blake, Melvin Jones, Victor Provost, Reuben Rogers, Carlton Holmes, and Alioune Faye June 10–12 7:30pm & 9:30pm Monday Nights with WBGO: Ali Jackson Trio with Emmet Cohen and Yasushi Nakamura June 13 7:30pm & 9:30pm Ali Jackson Trio with Emmet Cohen and Yasushi Nakamura June 14–15 7:30pm & 9:30pm Tom Harrell Quintet: 70th Birthday Celebration with Wayne Escoffery, Danny Grissett, Ugonna Okegwo, and Johnathan Blake June 16–19 7:30pm & 9:30pm Lucas Pino’s No Net Nonet Golden Rule, Turing Test: “Empathy in the Digital Age” with Mat Jodrell, Alex LoRe, Nick Finzer, Andrew Gutauskas, Rafal Sarnecki, Glenn Zaleski, Desmond White, Jimmy MacBride, Vuyo Sotashe, Nancy Harms, and Jeremy Siskind June 20 7:30pm & 9:30pm The Steve Davis Quintet Featuring Larry Willis with Mike DiRubbo, Gerald Cannon, and Joe Farnsworth June 21 7:30pm & 9:30pm Jazztopad Festival Presents: Marcin Wasilewski Trio Presented in partnership with the Polish Cultural Institute New York June 22 7:30pm Jazztopad Festival Presents: Lutoslawski Quartet with Uri Caine and Piotr Damasiewicz Quintet Presented in partnership with the Polish Cultural Institute New York June 22 9:30pm Jazztopad Festival Presents: Piotr Damasiewicz Quintet Presented in partnership with the Polish Cultural Institute New York June 23 7:30pm Jazztopad Festival Presents: Lutoslawski Quartet with Uri Caine and Marcin Wasilewski Trio Presented in partnership with the Polish Cultural Institute New York June 23 9:30pm In deference to the artists, patrons of Dizzy’s Club Coca-Cola are encouraged to keep conversations to a whisper during the performance. Artists and schedule subject to change. Dizzy’s Club Coca-Cola is located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor New York. Reservations: 212-258-9595 or jazz.org/dizzys; Group Reservations: 212-258-9595 or jazz.org/dizzys-reservations Nightly Artist sets at 7:30pm & 9:30pm. Late Night Session sets Tuesday through Saturday; doors open at 11:15pm Cover Charge: $20–45. Special rates for students with valid student ID. Full dinner available at each artist set. Rose Theater and The Appel Room concert attendees, present your ticket stub to get 50% off the late-night cover charge at Dizzy’s Club Coca-Cola Fridays and Saturdays. Jazz at Lincoln Center merchandise is now available at the concession stands during performances in Rose Theater and The Appel Room. Items also available in Dizzy’s Club Coca-Cola during evening operating hours. Dizzy’s Club Coca-Cola gift cards now available. Find us on Facebook (DizzysClubCocaCola), Twitter (@jazzdotorg), YouTube (jazzatlincolncenter), and Instagram (jazzdotorg).