Agan, C - The Mythopoeic Society

Transcription

AN INDEX TO
MYT HLORE
SUPPLEMENT :
Issues 101/102
through 117/118
(2008-2011)
C OMPILED BY J ANET B RENNAN C ROFT
The Mythopoeic Society is a non-profit educational organization devoted to the study, discussion, and enjoyment of the works of
C.S. Lewis, J.R.R. Tolkien, Charles Williams, and other writers of myth and fantasy literature. The Society holds annual conferences,
sponsors local discussion groups, and publishes three magazines: Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and
Mythopoeic Literature, a quarterly journal; Mythprint: The Monthly Bulletin of the Mythopoeic Society, featuring news, activities, and
reviews; and The Mythic Circle, an annual publication of fiction and poetry. For further information, visit the Mythopoeic Society
website at www.mythsoc.org.
The Mythopoeic Press, a division of the Mythopoeic Society, is dedicated to the publication of works by and about the Inkling s—
C.S. Lewis, J.R.R. Tolkien, and Charles Williams preeminently—and others related directly and indirectly to the Inklings’ ‚mythmaking‛ vision.
C
2012. This work is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. To
view a copy of this license, visit http://creativecommons.org/ licenses/by-nc-sa/3.0/us/ or send a letter to Creative Commons, 171
Second Street, Suite 300, San Francisco, California, 94105, USA.
Article Inde x by Author



Sorted by author, then alphabetically by title for authors of multiple articles.
Includes abstracts.
Main entries in bold face.
A
Agan, Cami. ‚Song as Mythic
Conduit in The Fellowship of
the Ring.‛ 26.3/4 (#101/102)
(2008): 41-63.
This article on song in Middle-earth
explores the complex layering of
history and legend that convey
Tolkien’s themes across a wide array
of genres within the legendarium,
reinforcing the sense of depth of
time Tolkien hoped to achieve even
within The Hobbit.
Anderson, Douglas A. ‚A Footnote
to Tales Before Narnia [Letter]‛
Mythlore 29.1/2 (#111/112)
(2010): 161-162.
Suggests an addition to the list of
recommended reading in the
author’s Tales Before Narnia: M.P.
Shiel. C.S. Lewis was known to have
owned several books by this author.
Auger, Emily E. “The Lord of the
Rings’ Interlace: The
Adaptation to Film.‛ Mythlore
30.1/2 (#115/116) (2011): 143-162.
An investigation of how Tolkien’s
interlacing narrative technique is
translated in the recent film trilogy,
and in particular, Jackson’s method
of interlacing Isildur’s story,
Gollum’s torture in Mordor, and
Elrond’s expanded council with
foreshadowings and re-echoings of
dialogue and visual cues.
B
Basso, Ann McCauley. ‚Fair Lady
Goldberry, Daughter of the
River.‛ 27.1/2 (#103/104) (2008):
137-146.
Examines Goldberry as an
intermediary figure between noble
or ethereal female characters like
Galadriel and Éowyn and everyday
women like Rosie Cotton, and shows
how her relationship with Tom
provides Sam with a paradigm for
the ideal marriage. Considers
Goldberry an Eve-like figure.
Berman, Lauren. ‚Dragons and
Serpents in J.K. Rowling’s
Harry Potter Series: Are They
Evil?‛ 27.1/2 (#103/104) (2008):
45-65.
Investigates the role and symbolism
of dragons and serpents in J.K.
Rowling’s Harry Potter series, with
side excursions into Lewis and
Tolkien for their takes on the topic.
Concludes that dragons are morally
neutral in her world, while serpents
generally represent or are allied with
evil.
Berman, Ruth. ‚Watchful Dragons
and Sinewy Gnomes: C.S.
Lewis’s Use of Modern Fairy
Tales.‛ Mythlore 30.3/4
(#117/118): 117-127.
A companion to her study of
Tolkien’s use of the Andrew Lang
fairy tale collections (in #99/100) with
a piece on how Lewis used them as
well, but also tended to look
favorably on and use more modern
fantasy sources than Tolkien.
Berube, Pierre H. ‚The Origins of
Dwarves [Letter]‛ Mythlore
29.1/2 (#111/112) (2010): 163-164.
Following on Helios de Rosario
Martinez’s article in Mythlore
109/110, suggests several avenues of
exploration for the popular folkloric
concept of dwarves as miners.
Berube, Pierre H. ‚Tolkien’s Sigurd
& Gudrún: Summary, Sources,
& Analogs.‛ 28.1/2 (#107/108)
(2009): 45-76.
A thorough and analytical guide to
The Legend of Sigurd and Gudrún,
listing Tolkien’s sources for each
incident in his poem and finding
analogs in the rest of his work.
Consists mainly of charts, which are
an excellent guide through this
tangle of Northern legend and an
unfamiliar and highly allusive poetic
style, and will provide a firm
starting place for later scholarship on
this long-unseen work. Includes a
family tree of named characters in
the poem.
Bilbro, Jeffrey. ‚Phantastical
Regress: The Return of Desire
and Deed in Phantastes and The
Pilgrim’s Regress.‛ Mythlore
28.3/4 (#109/110) (2010): 21-37.
Bilbro examines the close link
between George MacDonald’s
Phantastes and C.S. Lewis’s first
post-conversion fiction The Pilgrim’s
Regress, born out of the ‚baptism‛ of
Lewis’s imagination by MacDonald’s
seminal work. Both feature pairings
of seekers initially led by desire with
knight-like figures, and take the
characters through journeys with
many important parallels, including
learning lessons showing that desire
and deed must work in harmony to
bring about successful spiritual
quests.
Blomqvist, Rut. ‚The Road of Our
Senses: Search for Personal
Meaning and the Limitations of
Myth in Neil Gaiman’s
American Gods.‛ Mythlore
30.3/4 (#117/118): 5-26.
Examines the intertextuality of
culture and myth and the ways in
which new myth is formed through
an exploration of binaries
throughout the novel and the added
scenes in the 10th Anniversary
edition.
Brackmann, Rebecca. ‚’Dwarves are
Not Heroes’: Antisemitism and
the Dwarves in J.R.R. Tolkien’s
Writings.‛ Mythlore 28.3/4
(#109/110) (2010): 85-106.
This challenging paper on
antisemitism in the depiction of
Tolkien’s dwarves brings some
much-needed definition to the
ongoing discussion of Tolkien and
race. Quotes China Miéville’s
Mythlore Index supplement issues 101/102 through 115/116  3
An Index to Mythlore Supplement
observation that ‚racism is true” in
Tolkien’s works, ‚in that people
really are defined by their race,‛ but
demonstrates how Tolkien’s
conception of the racial
characteristics of Dwarves changed
over his lifetime. Yet we come back
in the end to the inescapable fact,
with all its implications, that the
Dwarves continue to have a set of
recognizable racial characteristics.
Brisbois, Michael J. ‚The Blade
Against the Burden: The
Iconography of the Sword in
The Lord of the Rings.‛ 27.1/2
(#103/104) (2008): 93-103.
Invites us to consider the deeper
social implications of carrying and
using a sword in the medieval world
of Middle-earth—how bearing a
sword not only indicates leadership
and service, but provides an
opportunity for social mobility, in
addition to its more obvious military
meanings. Considers as examples
Merry and Pippin swearing oaths to,
respectively, Théoden and Denethor;
Éowyn’s heroic deeds; and especially
Aragorn’s use of the Narsil/Andúril
as a symbol of legitimacy and service
to his people.
Bruce, Alexander M. ‚The Fall of
Gondor and the Fall of Troy:
Tolkien and Book II of The
Aeneid.‛ Mythlore 30.3/4
(#117/118): 103-115.
Takes us back to classical warfare
and the Fall of Troy with his
examination of what Tolkien did
with the Aeneid when he used it as a
source for ‚The Fall of Gondolin.‛
The parallels between the stories of
Tuor and Aeneas are striking, but
more interesting is how Tolkien put
his own thematic and symbolic
stamp on the material.
Bullard, Sadie H. ‚Narrative
Dualism in C.S. Lewis’s That
Hideous Strength.‛ Mythlore
29.3/4 (#113/114) (2011): 11-24.
Introduces the concept of ‚narrative
dualism‛ as a means for
understanding both Lewis’s
technique and his authorial purpose
in creating opposing but parallel
experiences, motifs, and motivations
4
for Jane and Mark Studdock in That
Hideous Strength.
C
Carroll, Shiloh. ‚The Heart of the
Labyrinth: Reading Jim
Henson’s Labyrinth as a
Modern Dream Vision.‛ 28.1/2
(#107/108) (2009): 103-112.
Demonstrates how Jim Henson’s film
Labyrinth can trace its ancestry to the
dream vision genre exemplified by
such medieval works as ‚Pearl‛ and
The Divine Comedy, showing how the
dream vision parallels and guides
main character Sarah’s growth
towards emotional maturity. Also
addresses the way Sarah deals with
the prospect of sexual maturity,
rejecting a too-early adulthood.
Carter, Steven Brett. ‚Faramir and
the Heroic Ideal of the
Twentieth Century: Or, How
Aragorn Died at the Somme.‛
Mythlore 30.3/4 (#117/118): 89102.
An essay on Faramir, that
mysterious character who walked
out of the woods into The Lord of the
Rings, and how his modern tactics,
leadership style, and heroism grew
out of Tolkien’s war experiences.
Christopher, Joe R. ‚The Christian
Parody in Sara Paretsky’s Ghost
Country.‛ 26.3/4 (#101/102)
(2008): 165-184.
Paretsky is best known for her V.I.
Warshawski detective novels; in this
non-series book, Chicago is haunted
by what may be an avatar of the
Babylonian goddess Ishtar. Includes
a listing of references to other
fictional detective stories in the
Warshawski series.
Christopher, Joe R. ‚The Dantean
Structure of The Great Divorce.‛
Mythlore 29.3/4 (#113/114)
(2011): 77-99.
Examines the underlying structure
of Lewis’s The Great Divorce, and its
mirroring of the Purgatorio.
 Mythlore Index supplement volumes 26.3/4 through 30.1/2
Christopher, Joe R. ‚From Despoina
to Δ.‛ Mythlore 30.3/4
(#117/118): 27-54.
Identifies Janie Moore as the
sometimes goddess, sometimes
human Δ or Despoina in C.S. Lewis’s
early poems, letters, and diaries. The
changing nature of her depiction
shows the young Lewis developing a
surer handling of his chosen mythic
references as he matures and
reinforces the thesis that they were
lovers.
Christopher, Joe R. ‚’The Meteorite’
and the Importance of Context.‛
Mythlore 28.3/4 (#109/110)
(2010): 55-64.
Contrasts two readings of C.S.
Lewis’s poem ‚The Meteorite‛: first
reading and explicating it out of
context in the Formalistic manner,
and then demonstrating the added
layer of meaning gained by
considering its use as the envoi to
Miracles, and the implications this
has for Formalistic critical
approaches to literature.
Christopher, Joe R. ‚The Non-Dead
in John Dickson Carr’s The
Burning Court.‛ 27.1/2 (#103/104)
(2008): 127-136.
John Dickson Carr’s The Burning
Court is an atypical novel for this
author, who in nearly all other cases
provides a purely mundane
explanation for seemingly
supernatural events in his detective
fiction. In this novel, the mystery
centers around undead characters
who create more of their kind
through witchcraft or killing and
reincarnation.
Christopher, Joe R. ‚The Thematic
Organization of Spirits in
Bondage.‛ 27.3/4 (#105106)(2009): 5-41.
A detailed examination of each poem
in Spirits in Bondage, using the young
poet’s ‚Matter = Nature = Satan‛
equation (as expressed in his letters
to his friend Arthur Greeves) to
explore the underlying themes of
Lewis’s not just pre-conversion, but
pre-theism ‚cycle of lyrics.‛ The
contrast between beauty and evil,
irreconcilable in this stage of Lewis’s
theological development, is shown to
be a major concern in this work,
heavily influenced by his World War
I experiences. An appendix details
the matter of the poems rejected and
replaced before publication.
Croft, Janet Brennan. ‚A
Bibliography of Glen
GoodKnight’s Articles,
Reviews, and Major Editorials
in Mythlore.‛ Mythlore 29.3/4
(#113/114) (2011): 5-10.
Describes Mythopoeic Society
founder GoodKnight’s influence on
Inklings scholarship. Lists his
scholarly articles, book and media
reviews, and selected editorials in
Mythlore, Tolkien Journal, and the
published Mythopoeic Conference
proceedings.
Croft, Janet Brennan. ‚The
Education of a Witch: Tiffany
Aching, Hermione Granger, and
Gendered Magic in Discworld
and Potterworld.‛ 27.3/4
(#105/106)(2009): 129-142.
Explores the depiction of gender in
education, and how gender issues in
education relate to power and
agency, in two current young adult
fantasy series featuring feisty
heroines determined to learn all that
they can: Hermione Granger in J.K.
Rowling’s Harry Potter series, and
Tiffany Aching, main character of
three Discworld novels by Terry
Pratchett. Includes a brief appendix
on cross-dressing in children’s
literature.
Croft, Janet Brennan. “Naming the
Evil One: Onomastic Strategies
in Tolkien and Rowling.‛ 28.1/2
(#107/108) (2009): 149-163.
Investigates name magic associated
with evil characters in Tolkien and
Rowling, such as acts of naming and
self-naming, avoidance terms, and
the use of true names. Describes the
naming plots associated with
Melkor/Morgoth, Sauron, Saruman,
and Voldemort.
Croft, Janet Brennan. ‚Nice, Good,
or Right: Faces of the Wise
Woman in Terry Pratchett’s
‘Witches’ Novels.‛ 26.3/4
(#101/102) (2008): 151-164.
Examines the moral system that
guides the use of magic by the
witches of Discworld. Considers the
definitions of Nice, Good, and Right
under this system, and demonstrates
how mature witches strive do what
is Right.
Croft, Janet Brennan. ‚Psyche in
New York: The Devil Wears
Prada Updates the Myth.‛
Mythlore 30.3/4 (#117/118): 5569.
Looks at a recent specimen of
popular culture, the movie The Devil
Wears Prada, and finds in it an echo
of the story of Aphrodite and Psyche,
speaking to the needs of young
women for a female mentor-figure.
Croft, Janet Brennan. ‚The Thread
on Which Doom Hangs: Free
Will, Disobedience, and
Eucatastrophe in Tolkien’s
Middle-earth.‛ Mythlore 29.1/2
(#111/112) (2010): 131-150.
Scholar Guest of Honor speech,
Mythcon 41. Reviews theological
concepts underlying the ideas of war
in heaven and free will and,
touching briefly on Stanley
Milgram’s experiments in obedience
along the way, examines various
examples of disobedience in
Tolkien’s legendarium, their
consequences, and their ultimate
subservience to the eucatastrophic
fate of Arda.
Croft, Janet Brennan. ‚Túrin and
Aragorn: Embracing and
Evading Fate.‛ Mythlore 29.3/4
(#113/114) (2011): 155-170.
Considers the characters of Aragorn
and Túrin and how, at the level of
motif, their name changes
throughout the legendarium reflect
their own very different
relationships with their wyrd and the
fate of the universe.
Croft, Janet Brennan and Edith
Crowe. ‚Pauline Baynes in
Mythlore.‛ 27.1/2 (#103/104)
(2008): 7-8
A listing of artist Pauline Baynes’s
appearances in Mythlore as illustrator
or author, or as the subject of articles
or reviews.
Crowe, Edith. See Croft, Janet
Brennan, ‚Pauline Baynes‛
D
de Rosario Martínez, Helios. ‚Fairy
and Elves in Tolkien and
Traditional Literature.‛
Mythlore 28.3/4 (#109/110)
(2010): 65-84.
Explores the linguistic heritage of the
terms elf and fairy, and shows how
Tolkien eventually adapted them for
his own purposes. Discusses the
indistinguishable nature of early
folkloric references to elves and
dwarves, and how Tolkien picked
out the characteristics he wished to
use for his elves to suit the purposes
of his stories.
Drout, Michael D.C. ‚‘Beowulf: The
Monsters and the Critics’
Seventy-five Years Later.‛
Mythlore 30.1/2 (#115/116)
(2011): 5-22.
Scholar Guest of Honor speech,
Mythcon 42. A discussion of the
continuing influence of Tolkien’s
famed Beowulf essay on its seventyfifth anniversary. Shows how the
essay both opened up and limited
later Beowulf scholarship, and draws
some interesting parallels with the
current state of Tolkien scholarship.
Along the way, questions the
wisdom of believing everything an
author says about his own work, and
asserts the value of familiarity with
critical history.
Downey, Sarah. ‚Cordial Dislike:
Reinventing the Celestial
Ladies of Pearl and Purgatorio
in Tolkien’s Galadriel.‛
Mythlore 29.3/4 (#113/114)
(2011): 101-117.
Considers the Celestial Lady
characters from Pearl and Purgatorio
as influences on Tolkien’s Galadriel,
in character, appearance, situation,
and allegorical significance.
E
Emerson, David. ‚Innocence as a
Super-power: Little Girls on the
Hero’s Journey.‛ 28.1/2
(#107/108) (2009): 131-147.
A study of the power of innocence,
particularly of innocent girl
characters, and how innocence
functions in their stories. Dorothy of
Oz, Lucy of Narnia, and Chihiro
from Miyazaki’s Spirited Away are
compared to discover just how their
innocence works as their greatest
strength.
F
Fisher, Jason. ‚Dwarves, Spiders,
and Murky Woods: J.R.R.
Tolkien’s Wonderful Web of
Words.‛ Mythlore 29.1/2
(#111/112) (2010): 5-15.
An engaging linguistic study of the
Mirkwood episode in Tolkien’s The
Hobbit, which the author uses as a
typical example of the depth and
interwoven complexity of the
author’s linguistic invention.
Touches on the linguistic features of
a number of real and invented words
and concepts relating to spiders,
poison, and dwarves.
Foster, Mike. ‚‘That Most Unselfish
Man’: George Sayer, 1914-2005:
Pupil, Biographer, and Friend
of Inklings.‛ 26.3/4 (#101/102)
(2008): 5-26.
An appreciation of Inkling George
Sayer, author of Jack: C.S. Lewis and
His Times, widely regarded as one of
the best biographies of Lewis to date.
The author includes personal
reminiscences of his friendship with
Sayer, as well as of Sayer’s
friendships with Tolkien and Lewis.
G
Gorman, Anita G. and Leslie
Robertson Mateer. ‚Amanda
McKittrick Ros and the
Inklings.‛ 28.1/2 (#107/108)
(2009): 77-85.
6
On the connection between Amanda
McKittrick Ros, frequently hailed as
one of the worst writers to ever set
pen to paper, and the Inklings, who
would compete to see who could
read aloud from her oeuvre the
longest with a straight face.
Considers Ros’s lasting appeal and
the peculiarity of her genius.
Grybauskas, Peter. ‚Dialogic War:
From The Battle of Maldon to
the War of the Ring.‛ Mythlore
29.3/4 (#113/114) (2011): 37-56.
Examines Tolkien’s ability to hold
two conflicting ways of thinking in
creative tension, representing them
through equally sympathetic
characters each fairly having their
own say, as he does in ‚The
Homecoming of Beorhtnoth
Beorhthelm’s Son.‛ Grybauskas finds
a parallel to this in the way The Battle
of Maldon balances its praise of
Northern courage with its censure of
the Earl of Maldon’s ofermod.
H
Hade, Daniel. See Oziewicz, Marek.
Hallam, Andrew. ‚Thresholds to
Middle-earth: Allegories of
Reading, Allegories for
Knowledge and
Transformation.‛ Mythlore
30.1/2 (#115/116) (2011): 23-42
Alexei Kondratiev Student
Presentation Award, Mythcon 42.
Begins by strongly questioning
Tolkien’s own assertions about
allegory, and draws on a wide range
of theory and scholarship to show
the subtle operation of a deep
pattern of allegory in The Hobbit and
The Lord of the Rings centered around
imagery of readers and reading,
thresholds and journeys.
Hammond, Wayne G. and Christina
Scull. ‚In Memoriam: Pauline
Baynes.‛ 27.1/2 (#103/104) (2008):
5-6.
A brief appreciation of artist Pauline
Baynes’s life and work, particularly
her illustrations for the works of
Tolkien and Lewis, with
reminiscences of the authors’
friendship with her.
Harris, Jason Marc. ‚Perilous
Shores: The Unfathomable
Supernaturalism of Water in
19th -Century Scottish Folklore.‛
28.1/2 (#107/108) (2009): 5-25.
Discusses the origin and significance
of water superstitions and the varied
array of water creatures in 19thcentury Scottish folklore; compares
these folkloric elements to similar
stories from Norway to Benin to
ancient Greece.
Hawkins, Emma. ‚Tolkien and
Dogs, Just Dogs: In Metaphor
and Simile.‛ 27.3/4
(#105/106)(2009): 143-157.
Examines dogs in Tolkien’s fiction;
not just the actual dogs that appear
in a wide range of his works, but
also the use of dog-imagery in
simile, metaphor, and character
description, particularly the complex
pattern of references and allusions
Tolkien uses in the depictions of
Sam, Gollum, and Wormtongue.
Hawkins, Emma B. ‚Tolkien’s
Linguistic Application of the
Seventh Deadly Sin: Lust.‛
26.3/4 (#101/102) (2008): 29-40.
A look at how Tolkien developed the
concept of the sin of lust in Middleearth, giving it his own unique but
linguistically-based interpretation as
an intensifier of other sins, rather
than using it in its more common,
purely sexual, modern
interpretation.
Higgins, Sørina. ‚Is a ‘Christian’
Mystery Story Possible?
Charles Williams’s War in
Heaven as a Generic Case
Study.‛ Mythlore 30.1/2
(#115/116) (2011): 77-90.
Examines War in Heaven’s radical
upsetting of the detective novel
norms promised in its first few
paragraphs and shows how Williams
uses and subverts these conventions
and leads us to contemplate, instead
of a mystery and its solution, an
insoluble Mystery with a capital M.
Himes, Jonathan B. ‚A Matter of
Time: C.S. Lewis’s Dark Tower
Manuscript and Composition
Process.‛ Mythlore 29.3/4
(#113/114) (2011): 25-35.
Explores Lewis’s writing process in
the unfinished The Dark Tower,
leading us through his examination
of the manuscript and explaining his
conclusions about the order of
composition and Lewis’s writing
methods.
Discusses Tolkien’s Silmarillion and
how it was constructed from the
materials later published in the
twelve-volume History of Middleearth, in particular the version of ‚Of
Fëanor and the Unchaining of
Melkor‛ in the published Silmarillion
compared with the source material
given in Morgoth’s Ring. The author
finds intriguing patterns in what
Christopher Tolkien used and did
not use from the original material.
Hood, Gwenyth. ‚Heroic Orual and
the Tasks of Psyche.‛ 27.3/4
(#105-106)(2009): 43-82.
An in-depth exploration of Lewis’s
Till We Have Faces, his retelling of the
myth of Psyche and Cupid from the
viewpoint of one of Psyche’s sisters,
Orual. Taking as her key the god’s
admonition to Orual after she forces
her sister to disobey him, ‚You also
shall be Psyche,‛ Hood examines
Orual’s transformations of herself
and her society and the nature and
meaning of the tasks she
symbolically shares with her sister.
An appendix details similarities and
differences between the classical
Latin sources and Lewis’s version.
Kelly, A. Keith and Michael
Livingston. ‚‘A Far Green
Country’: Tolkien, Paradise, and
the End of All Things in
Medieval Literature.‛ 27.3/4
(#105/106)(2009): 83-102.
Attempts to explain exactly what
Frodo goes to when he sails from the
Grey Havens. By looking at paradise,
purgatory, and earthly Edens in
medieval literature and theology, we
gain a better understanding of the
spiritual purpose of Tolkien’s ‚far
green country‛ beyond the bent
paths of the world. References
‚Pearl,‛ ‚Sir Orfeo,‛ mystery play
cycles, and Sir John Mandeville’s
Travels, among other sources.
J
Johnson, Brent D. ‚Éowyn’s Grief.‛
27.3/4 (#105/106)(2009): 117-127.
Adds to the scholarly dialogue on
Tolkien’s depiction of war-related
mental trauma by examining Éowyn
not as an example of post-traumatic
stress disorder, but as a character
suffering from, and beginning to
recover from, traumatic grief.
Emphasizes the role of Faramir as
counselor and healer. Johnson’s
experience as a military chaplain
gives added strength to his
observations.
K
Kane, Doug C. ‚Reconstructing
Arda: Of Fëanor and the
Unchaining of Melkor.‛ 27.1/2
(#103/104) (2008): 9-19.
King, Don W. ‚Into the Lion’s Den:
Joy Davidman and MetroGoldwyn-Mayer.‛ Mythlore
30.1/2 (#115/116) (2011): 91-106.
Looks at Davidman’s involvement
with Hollywood—her short and
unlamented stint in the MetroGoldwyn-Mayer Junior Writer
Program in 1939, and her movie
reviews for the Communist Party of
the USA newspaper, New Masses, in
1941-43. Davidman’s incisive wit,
impatience with any hint of
phoniness, and passion for social,
racial, and gender justice come
through clearly in her writing.
Kinniburgh, Annie. ‚The Noldor
and the Tuatha Dé Danaan:
J.R.R. Tolkien’s Irish
Influences.‛ 28.1/2 (#107/108)
(2009): 27-44.
Shows what use Tolkien made of
some elements of Celtic folklore by
tracing similarities between Tolkien’s
Noldor and the Irish Tuatha Dé
Danaan, demonstrating that his
Elves owe at least as much to this
heritage as to the Norse álfar.
Kisor, Yvette. ‚Totemic Reflexes in
Tolkien’s Middle-earth.‛
Mythlore 28.3/4 (#109/110)
(2010): 129-140.
A close look at Tolkien’s
incorporation of traces of shamanism
and totemism in his depiction of
Gandalf and other characters; yet
another indication of how Tolkien
created historical depth in his tales
by reproducing the way traces of
early mythic and religious themes
survive in later tales and folklore.
Koubenec, Noah. ‚The Precious and
the Pearl: The Influence of
Pearl on the Nature of the One
Ring.‛ Mythlore 29.3/4
(#113/114) (2011): 119-131.
Examines some roots of Tolkien’s
One Ring in Pearl’s themes and
motifs, characters, and allegorical
functions.
L
Livingston, Michael. ‚The Myths of
the Author: Tolkien and the
Medieval Origins of the Word
Hobbit.‛ Mythlore 30.3/4
(#117/118): 129-146.
Leads us on a linguistic journey into
the origins of the words hobbit and
Baggins and their surprising relations
to one another.
Livingston, Michael. See also Kelly,
A. Keith.
Long, Josh B. ‚Two Views of Faërie
in Smith of Wootton Major:
Nokes and his Cake, Smith and
his Star.‛ 26.3/4 (#101/102)
(2008): 89-100.
An analysis of Smith of Wootton
Major, showing how the cake and the
star symbolize two diametrically
opposed sets of attitudes towards
Faërie.
M
McBride, Sam. ‚The Company They
Didn’t Keep: Collaborative
Women in the Letters of C.S.
Lewis.‛ Mythlore 29.1/2
(#111/112) (2010): 69-86.
Building on the work Diana Pavlac
Glyer has done to establish a
framework and a set of terms for
understanding the collaborative
nature of the Inklings, McBride takes
us outside of their exclusively
masculine circle to look at the
women who influenced C.S. Lewis’s
writing. His study introduces us to
women who served Lewis as, in
Glyer’s terms, Resonators,
Opponents, Conductors, and so on,
from anonymous fans to well-known
names like Pitter and Sayers.
McGregor, Jamie. ‚Two Rings to
Rule Them All: A Comparative
Study of Tolkien and Wagner.‛
Mythlore 29.3/4 (#113/114)
(2011): 133-153.
A close comparison of Wagner’s
Ring Cycle and the history of the
One Ring in Tolkien’s legendarium
which goes far beyond the usual
shallow or dismissive comparison
between the two. Here we see
Tolkien, as he frequently did,
absorbing the influence of an earlier
author and responding in the form
of a correction based on his sense
that Wagner had, as Shippey put it,
‚got something very important not
quite right‛ (Road 344).
MacLeod, Jeffrey J. and Anna Smol.
‚A Single Leaf: Tolkien’s
Visual Art and Fantasy.‛ 27.1/2
(#103/104) (2008): 105-126.
A look into Tolkien’s thoughts on
creativity, not just through ‚On
Fairy-Stories‛ and ‚Leaf by Niggle,‛
as one might expect, but also
through Tolkien’s visual art. The
authors discuss and demonstrate
how MacLeod’s own art was
influenced by Tolkien’s philosophy
of sub-creation. Illustrated with six
photos, sketches, and completed
paintings by MacLeod.
Mateer, Leslie Robinson. See
Gorman, Anita G.
8
Melton, Brian. ‚The Great War and
Narnia: C.S. Lewis as Soldier
and Creator.‛ Mythlore 30.1/2
(#115/116) (2011): 123-142.
Looks at the influence of World War
I in Lewis’s autobiography and on
war in Narnia, correcting what the
author sees as a mistaken search for
deep-seated war trauma in Lewis’s
life by some recent critics. Reinforces
the fact that Lewis and Tolkien were
not psychological twins, had
differing personalities going into the
war, and came out of it with different
approaches to dealing with the war
in their fiction. The Chronicles being
children’s books, Lewis operated
under certain self-imposed
restrictions in writing them, and yet
managed to convey some realistic
lessons about war learned through
his own harrowing experiences.
Milburn, Michael. ‚Art According
to Romantic Theology: Charles
Williams’s Analysis of Dante
Reapplied to J.R.R. Tolkien’s
‘Leaf by Niggle.’‛ Mythlore
29.3/4 (#113/114) (2011): 57-75.
Provides a grounding in Charles
Williams’s ‚romantic theology,‛
which was heavily indebted to his
reading of Dante, and the
application of romantic theology to
art, which Milburn demonstrates by
examining Tolkien’s ‚Leaf by
Niggle‛ through this lens. Winner of
the Alexei Kondratiev Award at
Mythcon 41.
Miller, Jennifer L. ‚No Sex in
Narnia? How Hans Christian
Andersen’s ‚Snow Queen‛
Problematizes C.S. Lewis’s The
Chronicles of Narnia.‛ 28.1/2
(#107/108) (2009): 113-130.
The author speculates that echoes of
Hans Christian Andersen’s ‚Snow
Queen‛ inevitably (for readers
familiar with the tale) bring a tinge
of sexuality to encounters with the
White Witch of Narnia. In this way
Lewis’s deliberately sexless tales
become, for some characters, an
exploration of dealing with the pull
towards maturity. Touches on
responses to Narnia by Pullman and
Gaiman.
Miller, T.S. ‚Myth-Remaking in the
Shadow of Vergil: The
Captive(-ated) Voice of Ursula
K. Le Guin’s Lavinia.‛ Mythlore
29.1/2 (#111/112) (2010): 29-50.
A reading of Ursula K. Le Guin’s
not-exactly-historical novel Lavinia,
which combines Le Guin’s typical
thematic interest in the feminine
voice and experience with
postmodern and existential concerns
about authorship, textuality, and the
collaboration between author and
reader (and author and character)—
resulting, as always with Le Guin, in
something rich, deep, and difficult to
classify. Explores how Le Guin
adapted the original sources to
create a novel from the female
character’s point of view.
Miller, T.S. ‚The Pearl Maiden’s
Psyche: The Middle English
Pearl and the AllegoricalVisionary Impulse in Till We
Have Faces.‛ Mythlore 30.1/2
(#115/116) (2011): 43-76.
Lewis’s firm assertion that Till We
Have Faces is not the least bit
allegorical is challenged through its
parallels in plot and theme with the
highly allegorical Middle English
Pearl. The deep allegorical structures
in both revolve around seeing truly
and falsely, and blindness both
intentional and ignorant.
Mitchell, Christopher W. ‚Selected
Sayer Holdings at the Wade
Center.‛ 26.3/4 (#101/102) (2008):
27.
A bibliography of selected items by
George Sayer held at the Wade
Center library at Wheaton College,
Illinois; not exhaustive.
Mitchell, Jesse. ‚Master of Doom
by Doom Mastered: Heroism,
Fate, and Death in The Children
of Húrin.‛ Mythlore 29.1/2
(#111/112) (2010): 87-114.
This extensive study of Túrin
Turambar uses two frameworks to
examine his character and story: that
of the Byronic Hero (with a side
glance at the Gothic Villain in order
to differentiate the two), and that of
the Absurd Hero, exemplified by
Camus’s Sisyphus.
N
Nelson, Marie. ‚‘The Homecoming
of Beorhtnoth Beorhthelm’s
Son’: J.R.R. Tolkien’s Sequel to
‘The Battle of Maldon.’‛ 26.3/4
(#101/102) (2008): 65-87.
Considers the application of speech
act theory to Tolkien’s ‚The
Homecoming of Beorhtnoth
Beorhthelm’s Son‛ and its source,
‚The Battle of Maldon,‛ and how
different speech acts propel the
action of each story.
Nelson, Marie. ‚J.R.R. Tolkien’s
‘Leaf by Niggle’: An Allegory in
Transformation.‛ Mythlore
28.3/4 (#109/110) (2010): 5-19.
Nelson demonstrates that Tolkien’s
allegorical short story, ‚Leaf by
Niggle,‛ owes a great debt to the
medieval play Everyman as its
primary spiritual ancestor, and
discusses the changes Tolkien makes
to its message in the light of concepts
he developed in ‚On Fairy-Stories,‛
along the way touching on the
differences between works meant for
performance and silent reading.
Nelson, Marie. ‚Time and J.R.R.
Tolkien’s ‘Riddles in the
Dark.’‚ 27.1/2 (#103/104) (2008):
67-82.
A close reading of the two riddle
games in Tolkien’s Hobbit—the first
between Bilbo and Gollum, and the
second a three-sided game where
both Smaug and the reader try to
decode Bilbo’s riddling selfreferences. Discusses ‚priming‛ in
riddling, how riddles work as a
speech act, and the sources of the
riddles used in these games. Includes
a translation of Bilbo’s riddles to
Smaug into Old English.
O
Oziewicz, Marek. ‚Christian,
Norse, and Celtic: Metaphysical
Belief Structures in Nancy
Farmer’s The Saxon Saga.‛
Mythlore 30.1/2 (#115/116)
(2011): 107-121.
Introduces a young adult historicalfantasy trilogy, The Saxon Saga by
Nancy Farmer, and elucidates the
value of its multicultural approach in
our distrustful and fragmented age.
The respectful representation of
three conflicting cultures in the
novels—Christian, Norse, and
Celtic—demonstrates to young
readers that people may hold vastly
different metaphysical views and yet
may have many core values in
common, enough to forge a
relationship of mutual trust.
Oziewicz, Marek and Daniel Hade.
‚The Marriage of Heaven and
Hell? Philip Pullman, C.S.
Lewis, and the Fantasy
Tradition.‛ Mythlore 28.3/4
(#109/110) (2010): 39-54.
This paper closely scrutinizes Philip
Pullman’s frequent denials of his
quite obvious debt to C.S. Lewis,
finding the hidden nuances in
Pullman’s statements by separating
out his responses to Lewis as a
reader, author, and critic. The
inescapable conclusion is that not
only is Pullman writing classic
fantasy, he is in very close agreement
with Lewis on many points as a
reader and critic.
P
Pendergast, John. ‚Six Characters in
Search of Shakespeare: Neil
Gaiman’s Sandman and
Shakespearian Mythos.‛ 26.3/4
(#101/102) (2008): 185-197.
Looks at episodes from Neil
Gaiman’s Sandman comics dealing
with two of Shakespeare’s most
fantastic plays, A Midsummer Night’s
Dream and The Tempest.
R
Rawls, Melanie A. ‚Witches, Wives
and Dragons: The Evolution of
the Women in Ursula K. Le
Guin’s Earthsea—An
Overview.‛ 26.3/4 (#101/102)
(2008): 129-149.
A survey of the evolution of women
in Ursula K. Le Guin’s Earthsea
series, examining how the author
reassessed her depiction of gender in
the earlier books and deliberately
changed her viewpoint in the later
books.
Reiter, Geoffrey. ‚‘Two Sides of the
Same Magic’: The Dialectic of
Mortality and Immortality in
Peter S. Beagle’s The Last
Unicorn.‛ 27.3/4
(#105/106)(2009): 103-116.
Looks at the subtle balance of
mortality and immortality in this
story and how Beagle resolves their
opposition though what his
characters learn (or don’t learn) from
experiencing both states of being.
Considers not just the novel but the
sequel short story ‚Two Hearts‛ and
Beagle’s script for the movie of The
Last Unicorn.
Riga, Frank P. ‚Gandalf and
Merlin: J.R.R. Tolkien’s
Adoption and Transformation
of a Literary Tradition.‛ 27.1/2
(#103/104) (2008): 21-44.
Concerns the roots of the wizard
Gandalf’s character in the legendary
figure of Merlin, tracing Merlin’s
development through a variety of
English and continental literature up
through the twentieth century, and
showing how various authors,
including Tolkien, interpreted and
adapted the wizard for their
purposes.
Riga, Frank P. ‚Rethinking
Shylock’s Tragedy: Radford’s
Critique of Anti-Semitism in
The Merchant of Venice.‛
Mythlore 28.3/4 (#109/110)
(2010): 107-127.
Shakespeare’s The Merchant of Venice
is not usually thought of as one of
his more mythically resonant plays
(aside from the Belmont casket
scene), yet it is ultimately based on
prevailing contemporary Christian
myths about the Jews and the way
these myths defined Christians’
beliefs about themselves. This paper
examines film director Michael
Radford’s masterful use of myths
and symbolism in his production of
this play. Includes a reproduction of
a painting which Radford duplicates
in the final scene of the film,
resolving the multiple themes of the
play.
Ruud, Jay. ‚The Voice of Saruman:
Wizards and Rhetoric in The
Two Towers.‛ Mythlore 28.3/4
(#109/110) (2010): 141-153.
Examines a particular aspect of
Tolkien’s wizards—their skill in the
art of rhetoric. Provides a useful
exercise in recognizing fallacious
reasoning in persuasive speech by
defining and demonstrating classical
rhetorical methods employed by
Saruman and Gandalf.
S
Scull, Christina. See Hammond,
Wayne G.
Shaham, Inbar. ‚Ancient Myths in
Contemporary Cinema:
Oedipus Rex and Perceval the
Knight of the Holy Grail in
Pulp Fiction and The Sixth
Sense.‛ 28.1/2 (#107/108) (2009):
87-101.
A study of two contrasting myths of
fathers and sons—the stories of
Oedipus and Percival, which Claude
Lévi-Strauss saw as in many ways
inverse images of each other—in a
number of contemporary films,
focusing most closely on Pulp Fiction
and The Sixth Sense.
Smol, Anna. See MacLeod, Jeffrey J.
Stoddard, William H. ‚Simbelmynë:
Mortality and Memory in
(#111/112) (2010): 151-160.
An elegiac contemplation of the
function of memory in Tolkien’s
Middle-earth, and the way the
complex intersection of memory,
loss, immortality, consolation, and
creativity is made flesh in Tolkien’s
depictions of the races of Elves and
Men and their interactions.
10
T
Tally, Robert T., Jr. ‚Let Us Now
Praise Famous Orcs: Simple
Humanity in Tolkien’s
Inhuman Creatures.‛ Mythlore
29.1/2 (#111/112) (2010):17-28.
A careful study of ‚the orcish
question,‛ in which the author
investigates their behavior,
conversations, and interactions with
other races in order to propose some
challenging conclusions about
racism, souls, and Tolkien’s purpose
in creating orcs the way he did.
Tally, Robert T., Jr. ‚Stalin’s Orcs
[Letter].‛ Mythlore 29.3/4
(#113/114) (2011): 171-172.
Following up on his article in
Mythlore 29.1/2, the author
summarizes a recent discovery that
Josef Stalin once attempted to create
a superior species of warrior by
cross-breeding humans and apes.
Taylor, Taryne Jade. ‚Investigating
the Role and Origin of
Goldberry in Tolkien’s
Mythology.‛ 27.1/2 (#103/104)
(2008): 147-156.
Leads us to Goldberry through
possible sources in classical and
Celtic legend, and emphasizes her
role in awakening the hobbits to the
sustaining beauty of the world.
Considers Goldberry as an Eve-like
figure.
V
Veach, Grace L. ‚What the Spirit
Knows: Charles Williams and
Kenneth Burke.‛ 26.3/4
(#101/102) (2008): 117-128.
Explores parallels between the
philosophy of Kenneth Burke and
the poetry of Charles Williams.
Vincent, Alana. ‚Putting Away
Childish Things: Incidents of
Recovery in Tolkien and
Haddon.‛ 26.3/4 (#101/102)
(2008): 101-116.
Applies the concept of Recovery
from Tolkien’s ‚On Fairy-Stories‛ to
an unusual subject—Mark Haddon’s
The Curious Incident of the Dog in the
Night-Time, a novel about a young
boy with Asperger’s Syndrome.
W
Waito, David M. ‚The Shire Quest:
The ‘Scouring of the Shire’ as
the Narrative and Thematic
Focus of The Lord of the Rings.‛
Mythlore 28.3/4 (#109/110)
(2010): 155-177.
Urges us to take a step back from the
well-known and thoroughly
examined Ring Quest in The Lord of
the Rings and consider its frame, the
beginning and ending chapters set in
the Shire, as representing an
important framing Quest in their
own right. The ‘Shire Quest’ is
ultimately seen as the real focus of
the book, with the ‘Ring Quest’
providing the necessary maturing
experiences that allow the hobbits to
succeed in reclaiming their
homeland.
Whitaker, Lynn. ‚Corrupting
Beauty: Rape Narrative in The
Silmarillion.‛ Mythlore 29.1/2
(#111/112) (2010): 51-68.
Describes the themes and traditions
Tolkien was drawing on as a
storyteller in the tales of Aredhel and
Lúthien, but more importantly,
examines the theological
implications suggested by his
depictions of the women in these
stories and how these ‚rape
narratives‛ serve to underscore the
sacredness of the created world in
Tolkien’s legendarium.
Whitt, Richard J. ‚Germanic Fate
and Doom in J.R.R. Tolkien’s
The Silmarillion.‛ Mythlore
29.1/2 (#111/112) (2010): 115-129.
The roots of Tolkien’s concepts in
early Germanic understandings of
the ideas of fate and doom are the
subject of Richard J. Whitt’s essay.
His examination of how these
initially pagan notions were
subsumed into the Christian idea of
divine providence, and most notably
blended together in the Old English
Beowulf and Old Saxon Heliand,
provide us with a basis for
understanding how even the Valar
are subject to time and the fate
decreed by Ilúvatar.
Wilkerson, Ginna. ‚So Far From the
Shire: Psychological Distance
and Isolation in The Lord of the
Rings.‛ 27.1/2 (#103/104) (2008):
83-91.
Considers Frodo’s psychological
isolation in The Lord of the Rings and
offers a different perspective on
Frodo and post-traumatic stress
syndrome, looking more closely at
what was happening to him during
his quest rather than after and using
our current understanding of the
dynamics of domestic abuse to
provide a framework for
understanding his experiences and
reactions.
Y
The centrality of service to the
goddess of love in E.R. Eddison’s
conceptions of heroism and the
properly lived life is the focus of this
study of the Zimiamvia trilogy.
Eddison considered his work an
important response to World War II
and a call for a more meaningful
type of courage and way of living
both during and after the war.
Young, Joe. ‚Aphrodite on the
Home Front: E.R. Eddison and
World War II.‛ Mythlore 30.3/4
(#117/118): 71-88.
Article Index by Title


Abbreviated author information
Titles in boldface
‚Amanda McKittrick Ros and the
Inklings.‛ Gorman, A.G. and
L.R. Mateer. 28.1/2 (#107/108)
(2009): 77-85.
‚The Company They Didn’t Keep:
Collaborative Women in the
Letters of C.S. Lewis.‛ McBride,
S. Mythlore 29.1/2 (#111/112)
(2010): 69-86.
‚Ancient Myths in Contemporary
Cinema: Oedipus Rex and
Perceval the Knight of the Holy
Grail in Pulp Fiction and The
Sixth Sense.‛ Shaham, I. 28.1/2
(#107/108) (2009): 87-101.
‚Cordial Dislike: Reinventing the
Celestial Ladies of Pearl and
Purgatorio in Tolkien’s
Galadriel.‛ Downey, S. Mythlore
29.3/4 (#113/114) (2011): 101-117.
‚Aphrodite on the Home Front: E.R.
Eddison and World War II.‛
Young, J. Mythlore 30.3/4
(#117/118): 71-88.
‚Corrupting Beauty: Rape Narrative
in The Silmarillion.‛ Whitaker,
L. Mythlore 29.1/2 (#111/112)
(2010): 51-68.
‚Art According to Romantic
Theology: Charles Williams’s
Analysis of Dante Reapplied to
J.R.R. Tolkien’s ‘Leaf by
Niggle.’‛ Milburn, M. Mythlore
29.3/4 (#113/114) (2011): 57-75.
‚The Dantean Structure of The
Great Divorce.‛ Christopher, J.R.
Mythlore 29.3/4 (#113/114) (2011):
77-99.
‚‘Beowulf: The Monsters and the
Critics’ Seventy-five Years
Later.‛
Drout, M.D.C. Mythlore 30.1/2
(#115/116) (2011): 5-22.
‚A Bibliography of Glen
GoodKnight’s Articles,
Reviews, and Major Editorials
in Mythlore.‛ Croft, J.B. Mythlore
29.3/4 (#113/114) (2011): 5-10.
‚The Blade Against the Burden:
The Iconography of the Sword
in The Lord of the Rings.‛
Brisbois, M.J. 27.1/2 (#103/104)
(2008): 93-103.
‚Christian, Norse, and Celtic:
Metaphysical Belief Structures
in Nancy Farmer’s The Saxon
Saga.‛ Oziewicz, M. Mythlore
30.1/2 (#115/116) (2011): 107-121.
‚The Christian Parody in Sara
Paretsky’s Ghost Country.‛
Christopher, J.R. 26.3/4
(#101/102) (2008): 165-184.
12
‚Fair Lady Goldberry, Daughter of
the River.‛ Basso, A.M. 27.1/2
(#103/104) (2008): 137-146.
‚Fairy and Elves in Tolkien and
Traditional Literature.‛ de
Rosario Martínez, H. Mythlore
28.3/4 (#109/110) (2010): 65-84.
‚The Fall of Gondor and the Fall of
Troy: Tolkien and Book II of
The Aeneid.‛ Bruce, A.M.
Mythlore 30.3/4 (#117/118): 103115.
‚‘A Far Green Country’: Tolkien,
Paradise, and the End of All
Things in Medieval Literature.‛
Kelly, A.K. and M. Livingston.
27.3/4 (#105/106)(2009): 83-102.
‚Dialogic War: From The Battle of
Maldon to the War of the Ring.‛
Grybauskas, P. Mythlore 29.3/4
(#113/114) (2011): 37-56.
‚Faramir and the Heroic Ideal of
the Twentieth Century: Or, How
Aragorn Died at the Somme.‛
Carter, S.B. Mythlore 30.3/4
(#117/118): 89-102.
‚Dragons and Serpents in J.K.
Rowling’s Harry Potter Series:
Are They Evil?‛ Berman, L.
27.1/2 (#103/104) (2008): 45-65.
‚A Footnote to Tales Before Narnia
[Letter]‛ Anderson, D.A.
Mythlore 29.1/2 (#111/112) (2010):
161-162.
‚’Dwarves are Not Heroes’:
Antisemitism and the Dwarves
in J.R.R. Tolkien’s Writings.‛
Brackmann, R. Mythlore 28.3/4
(#109/110) (2010): 85-106.
‚From Despoina to Δ.‛ Christopher,
J.R. Mythlore 30.3/4 (#117/118):
27-54.
‚Dwarves, Spiders, and Murky
Woods: J.R.R. Tolkien’s
Wonderful Web of Words.‛
Fisher, J. Mythlore 29.1/2
(#111/112) (2010): 5-15.
‚The Education of a Witch: Tiffany
Aching, Hermione Granger, and
Gendered Magic in Discworld
and Potterworld.‛ Croft, J.B.
27.3/4 (#105/106)(2009): 129-142.
‚Éowyn’s Grief.‛ Johnson, Brent D.
27.3/4 (#105/106)(2009): 117-127.
‚Gandalf and Merlin: J.R.R.
Tolkien’s Adoption and
Transformation of a Literary
Tradition.‛ Riga, F.P. 27.1/2
(#103/104) (2008): 21-44.
‚Germanic Fate and Doom in J.R.R.
Tolkien’s The Silmarillion.‛
Whitt, R.J. Mythlore 29.1/2
(#111/112) (2010): 115-129.
‚The Great War and Narnia: C.S.
Lewis as Soldier and Creator.‛
Melton, B. Mythlore 30.1/2
(#115/116) (2011): 123-142.
‚The Heart of the Labyrinth:
Reading Jim Henson’s
Labyrinth as a Modern Dream
Vision.‛ Carroll, S. 28.1/2
(#107/108) (2009): 103-112.
‚Heroic Orual and the Tasks of
Psyche.‛ Hood, G. 27.3/4 (#105106)(2009): 43-82.
‚‘The Homecoming of Beorhtnoth
Beorhthelm’s Son’: J.R.R.
Tolkien’s Sequel to ‘The Battle
of Maldon.’‛ Nelson, M. 26.3/4
(#101/102) (2008): 65-87.
‚In Memoriam: Pauline Baynes.‛
Hammond, W.G. and C. Scull.
27.1/2 (#103/104) (2008): 5-6.
‚Innocence as a Super-power: Little
Girls on the Hero’s Journey.‛
Emerson, D. 28.1/2 (#107/108)
(2009): 131-147.
‚Into the Lion’s Den: Joy Davidman
and Metro-Goldwyn-Mayer.‛
King, D.W. Mythlore 30.1/2
(#115/116) (2011): 91-106.
‚Investigating the Role and Origin
of Goldberry in Tolkien’s
Mythology.‛ Taylor, T.J. 27.1/2
(#103/104) (2008): 147-156.
‚Is a ‘Christian’ Mystery Story
Possible? Charles Williams’s
War in Heaven as a Generic
Case Study.‛ Higgins, S.
Mythlore 30.1/2 (#115/116) (2011):
77-90.
‚J.R.R. Tolkien’s ‘Leaf by Niggle’:
An Allegory in
Transformation.‛ Nelson, M.
Mythlore 28.3/4 (#109/110) (2010):
5-19.
‚Let Us Now Praise Famous Orcs:
Simple Humanity in Tolkien’s
Inhuman Creatures.‛ Tally, R.T.,
Jr. Mythlore 29.1/2 (#111/112)
(2010):17-28.
“The Lord of the Rings’ Interlace:
The Adaptation to Film.‛ Auger,
E.E. Mythlore 30.1/2 (#115/116)
(2011): 143-162.
‚The Marriage of Heaven and Hell?
Philip Pullman, C.S. Lewis, and
the Fantasy Tradition.‛
Oziewicz, M. and D. Hade.
Mythlore 28.3/4 (#109/110) (2010):
39-54.
‚Master of Doom by Doom
Mastered: Heroism, Fate, and
Death in The Children of Húrin.‛
Mitchell, J. Mythlore 29.1/2
(#111/112) (2010): 87-114.
‚The Noldor and the Tuatha Dé
Danaan: J.R.R. Tolkien’s Irish
Influences.‛ Kinniburgh, A.
28.1/2 (#107/108) (2009): 27-44.
‚The Non-Dead in John Dickson
Carr’s The Burning Court.‛
(#103/104) (2008): 127-136
‚The Origins of Dwarves [Letter].‛
Berube, P.H. Mythlore 29.1/2
(#111/112) (2010): 163-164.
‚A Matter of Time: C.S. Lewis’s
Dark Tower Manuscript and
Composition Process.‛ Himes,
J.B. Mythlore 29.3/4 (#113/114)
(2011): 25-35.
‚Pauline Baynes in Mythlore.‛
Croft, J.B. and E. Crowe. 27.1/2
(#103/104) (2008): 7-8
‚’The Meteorite’ and the
Importance of Context.‛
Christopher, J.R. Mythlore 28.3/4
(#109/110) (2010): 55-64.
‚The Pearl Maiden’s Psyche: The
Middle English Pearl and the
Allegorical-Visionary Impulse
in Till We Have Faces.‛ Miller,
T.S. Mythlore 30.1/2 (#115/116)
(2011): 43-76.
‚Myth-Remaking in the Shadow of
Vergil: The Captive(-ated)
Voice of Ursula K. Le Guin’s
Lavinia.‛ Miller, T.S. Mythlore
29.1/2 (#111/112) (2010): 29-50.
‚The Myths of the Author: Tolkien
and the Medieval Origins of the
Word Hobbit.‛ Livingston, M.
Mythlore 30.3/4 (#117/118): 129146.
“Naming the Evil One: Onomastic
Strategies in Tolkien and
Rowling.‛ Croft, J.B. 28.1/2
(#107/108) (2009): 149-163.
‚Narrative Dualism in C.S. Lewis’s
That Hideous Strength.‛ Bullard,
S.H. Mythlore 29.3/4 (#113/114)
(2011): 11-24.
‚Nice, Good, or Right: Faces of the
Wise Woman in Terry
Pratchett’s ‘Witches’ Novels.‛
Croft, J.B. 26.3/4 (#101/102)
(2008): 151-164.
‚No Sex in Narnia? How Hans
Christian Andersen’s ‘Snow
Queen’ Problematizes C.S.
Lewis’s The Chronicles of
Narnia.‛ Miller, J.L. 28.1/2
(#107/108) (2009): 113-130.
‚Perilous Shores: The
Unfathomable Supernaturalism
of Water in 19th -Century
Scottish Folklore.‛ Harris, J.M.
28.1/2 (#107/108) (2009): 5-25.
‚Phantastical Regress: The Return
of Desire and Deed in
Phantastes and The Pilgrim’s
Regress.‛ Bilbro, J. Mythlore
28.3/4 (#109/110) (2010): 21-37.
‚The Precious and the Pearl: The
Influence of Pearl on the Nature
of the One Ring.‛ Koubenec, N.
Mythlore 29.3/4 (#113/114) (2011):
119-131.
‚Psyche in New York: The Devil
Wears Prada Updates the
Myth.‛ Croft, J.B. Mythlore 30.3/4
(#117/118): 55-69.
‚Putting Away Childish Things:
Incidents of Recovery in
Tolkien and Haddon.‛ Vincent,
A. 26.3/4 (#101/102) (2008): 101116.
‚Reconstructing Arda: Of Fëanor
and the Unchaining of Melkor.‛
Kane, D.C. 27.1/2 (#103/104)
(2008): 9-19.
‚Rethinking Shylock’s Tragedy:
Radford’s Critique of AntiSemitism in The Merchant of
Venice.‛ Riga, F.P. Mythlore
28.3/4 (#109/110) (2010): 107-127.
‚The Road of Our Senses: Search
for Personal Meaning and the
Limitations of Myth in Neil
Gaiman’s American Gods.‛
Blomqvist, R. Mythlore 30.3/4
(#117/118): 5-26.
‚Selected Sayer Holdings at the
Wade Center.‛ Mitchell, C.W.
26.3/4 (#101/102) (2008): 27.
‚The Shire Quest: The ‘Scouring of
the Shire’ as the Narrative and
Thematic Focus of The Lord of
the Rings.‛ Waito, D.M. Mythlore
28.3/4 (#109/110) (2010): 155-177.
‚Stalin’s Orcs [Letter].‛ Tally, R.T.,
Jr. Mythlore 29.3/4 (#113/114)
(2011): 171-172.
‚‘That Most Unselfish Man’:
George Sayer, 1914-2005: Pupil,
Biographer, and Friend of
Inklings.‛ Foster, M. 26.3/4
(#101/102) (2008): 5-26.
‚The Thematic Organization of
Spirits in Bondage.‛
(#105/106) (2009): 5-41.
‚The Thread on Which Doom
Hangs: Free Will, Disobedience,
and Eucatastrophe in Tolkien’s
Middle-earth.‛ Croft, J.B.
Mythlore 29.1/2 (#111/112) (2010):
131-150.
‚Simbelmynë: Mortality and
Memory in Middle-earth.‛
Stoddard, W.H. Mythlore 29.1/2
(#111/112) (2010): 151-160.
‚Thresholds to Middle-earth:
Allegories of Reading,
Allegories for Knowledge and
Transformation.‛ Hallam, A.
Mythlore 30.1/2 (#115/116) (2011):
23-42.
‚A Single Leaf: Tolkien’s Visual
Art and Fantasy.‛ MacLeod, J.J.
and A. Smol. 27.1/2 (#103/104)
(2008): 105-126.
‚Time and J.R.R. Tolkien’s ‘Riddles
in the Dark.’‚ Nelson, M. 27.1/2
(#103/104) (2008): 67-82.
‚Six Characters in Search of
Shakespeare: Neil Gaiman’s
Sandman and Shakespearian
Mythos.‛ Pendergast, J. 26.3/4
(#101/102) (2008): 185-197.
‚So Far From the Shire:
Psychological Distance and
Isolation in The Lord of the
Rings.‛ Wilkerson, G. 27.1/2
(#103/104) (2008): 83-91.
‚Song as Mythic Conduit in The
Fellowship of the Ring.‛ Agan,
C. 26.3/4 (#101/102) (2008): 4163.
14
‚Tolkien and Dogs, Just Dogs: In
Metaphor and Simile.‛
Hawkins, E. 27.3/4
(#105/106)(2009): 143-157.
‚Tolkien’s Linguistic Application of
the Seventh Deadly Sin: Lust.‛
Hawkins, E.B. 26.3/4 (#101/102)
(2008): 29-40.
‚Tolkien’s Sigurd & Gudrún:
Summary, Sources, & Analogs.‛
Berube, P.H. 28.1/2 (#107/108)
(2009): 45-76.
‚Totemic Reflexes in Tolkien’s
Middle-earth.‛ Kisor, Y.
Mythlore 28.3/4 (#109/110) (2010):
129-140.
‚Túrin and Aragorn: Embracing
and Evading Fate.‛ Croft, J.B.
Mythlore 29.3/4 (#113/114) (2011):
155-170.
‚Two Rings to Rule Them All: A
Comparative Study of Tolkien
and Wagner.‛ McGregor, J.
Mythlore 29.3/4 (#113/114) (2011):
133-153.
‚‘Two Sides of the Same Magic’:
The Dialectic of Mortality and
Immortality in Peter S. Beagle’s
The Last Unicorn.‛ Reiter, G.
27.3/4 (#105/106)(2009): 103-116.
‚Two Views of Faërie in Smith of
Wootton Major: Nokes and his
Cake, Smith and his Star.‛
Long, J.B. 26.3/4 (#101/102)
(2008): 89-100.
‚The Voice of Saruman: Wizards
and Rhetoric in The Two
Towers.‛ Ruud, J. Mythlore 28.3/4
(#109/110) (2010): 141-153.
‚Watchful Dragons and Sinewy
Gnomes: C.S. Lewis’s Use of
Modern Fairy Tales.‛ Berman,
R. Mythlore 30.3/4 (#117/118):
117-127.
‚What the Spirit Knows: Charles
Williams and Kenneth Burke.‛
Veach, G.L. 26.3/4 (#101/102)
(2008): 117-128.
‚Witches, Wives and Dragons: The
Evolution of the Women in
Ursula K. Le Guin’s Earthsea—
An Overview.‛ Rawls, M.A.
26.3/4 (#101/102) (2008): 129-149.
Article Index by Subject




Sorted by subject, then author
Subject headings in boldface
Abbreviated author information; see Author Index for full information
A
Afterlife in J.R.R. Tolkien
Kelly, A. K. and M. Livingston. ‚‘A Far
Green Country’: Tolkien, Paradise,
and the End of All Things in
(#105/106)(2009): 83-102.
Allegory in C.S. Lewis
Bilbro, J. ‚Phantastical Regress: The
Return of Desire and Deed in
Phantastes and The Pilgrim’s Regress.‛
Mythlore 28.3/4 (#109/110) (2010): 2137.
Miller, T.S. ‚The Pearl Maiden’s Psyche:
The Middle English Pearl and the
Allegorical-Visionary Impulse in Till
We Have Faces.‛ Mythlore 30.1/2
(#115/116) (2011): 43-76.
Allegory in Pearl
(#115/116) (2011): 43-76
Allegory in J.R.R. Tolkien
Hallam, A. ‚Thresholds to Middle-earth:
Allegories of Reading, Allegories for
Knowledge and Transformation.‛
Mythlore 30.1/2 (#115/116) (2011): 2342.
Nelson, M. ‚J.R.R. Tolkien’s ‘Leaf by
Niggle’: An Allegory in
Transformation.‛ Mythlore 28.3/4
(#109/110) (2010): 5-19.
Andersen, Hans Christian. ‚The Snow
Queen‛
Miller, J.L. ‚No Sex in Narnia? How Hans
Christian Andersen’s ‚Snow Queen‛
Problematizes C.S. Lewis’s The Chronicles
of Narnia.‛ 28.1/2 (#107/108) (2009): 113130.
Anti-Semitism
Riga, Frank P. ‚Rethinking Shylock’s
Tragedy: Radford’s Critique of AntiSemitism in The Merchant of
Venice.‛
Anti-Semitism in J.R.R. Tolkien
Brackmann, R. ‚’Dwarves are Not
Heroes’: Antisemitism and the
Dwarves in J.R.R. Tolkien’s
Writings.‛ Mythlore 28.3/4 (#109/110)
(2010): 85-106.
Aphrodite (mythological figure)
Young, J. ‚Aphrodite on the Home Front:
E.R. Eddison and World War II.‛
Mythlore 30.3/4 (#117/118): 71-88.
Apuleius, Lucius. ‚Cupid and Psyche‛
Hood, G. ‚Heroic Orual and the Tasks of
Psyche.‛ 27.3/4 (#105-106)(2009): 4382.
Arthurian myth
Riga, F.P. ‚Gandalf and Merlin: J.R.R.
Tradition.‛ 27.1/2 (#103/104) (2008):
21-44.
Authorship
Shadow of Vergil: The Captive(ated) Voice of Ursula K. Le Guin’s
Lavinia.‛ Mythlore 29.1/2 (#111/112)
(2010): 29-50.
B
‚The Battle of Maldon‛
Grybauskas, P. ‚Dialogic War: From The
Battle of Maldon to the War of the
Ring.‛ Mythlore 29.3/4 (#113/114)
(2011): 37-56.
Nelson, M. ‚‘The Homecoming of
Beorhtnoth Beorhthelm’s Son’: J.R.R.
Tolkien’s Sequel to ‘The Battle of
Maldon.’‛ 26.3/4 (#101/102) (2008):
65-87.
Baum, L. Frank—Characters—Dorothy
Gale
Emerson, D. ‚Innocence as a Superpower: Little Girls on the Hero’s
Journey.‛ 28.1/2 (#107/108) (2009):
131-147.
Baynes, Pauline
Hammond, W.G. and C. Scull. ‚In
Memoriam: Pauline Baynes.‛ 27.1/2
(#103/104) (2008): 5-6.
Baynes, Pauline—Bibliography
Croft, J.B. and E. Crowe. ‚Pauline Baynes
in Mythlore.‛ 27.1/2 (#103/104) (2008):
7-8
Baynes, Pauline—Personal
reminiscences
Hammond, W.G. and C. Scull. ‚In
Memoriam: Pauline Baynes.‛ 27.1/2
(#103/104) (2008): 5-6.
Baynes, Pauline—Relation to C.S.
Lewis
McBride, S. ‚The Company They Didn’t
Keep: Collaborative Women in the
Letters of C.S. Lewis.‛ Mythlore
29.1/2 (#111/112) (2010): 69-86.
Beagle, Peter S. The Last Unicorn
Reiter, G. ‚‘Two Sides of the Same
Magic’: The Dialectic of Mortality
and Immortality in Peter S. Beagle’s
The Last Unicorn.‛ 27.3/4
(#105/106)(2009): 103-116.
Beagle, Peter S. ‚Two Hearts‛
(#105/106)(2009): 103-116.
Mythlore Index supplement issue 101/102 through 115/116  15
Beowulf
Whitt, R.J. ‚Germanic Fate and Doom in
J.R.R. Tolkien’s The Silmarillion.‛
Mythlore 29.1/2 (#111/112) (2010):
115-129.
Carr, John Dickson. The Burning Court
Christopher, J.R. ‚The Non-Dead in John
Dickson Carr’s The Burning Court.‛
27.1/2 (#103/104) (2008): 127-136
Beowulf—Critical history
Drout, M.D.C. ‚‘Beowulf: The Monsters
and the Critics’ Seventy-five Years
Later.‛ Mythlore 30.1/2 (#115/116)
(2011): 5-22.
Celtic mythology
Oziewicz, M. ‚Christian, Norse, and
Celtic: Metaphysical Belief Structures
in Nancy Farmer’s The Saxon Saga.‛
Mythlore 30.1/2 (#115/116) (2011):
107-121.
Binaries
Blomqvist, R. ‚The Road of Our Senses:
Search for Personal Meaning and the
Limitations of Myth in Neil Gaiman’s
American Gods.‛ Mythlore 30.3/4
(#117/118): 5-26.
Celtic mythlogy – Influence on J.R.R.
Tolkien
Kinniburgh, A. ‚The Noldor and the
Tuatha Dé Danaan: J.R.R. Tolkien’s
Irish Influences.‛ 28.1/2 (#107/108)
(2009): 27-44.
Burke, Kenneth—Philosophy
Veach, G.L. ‚What the Spirit Knows:
Charles Williams and Kenneth
Burke.‛ 26.3/4 (#101/102) (2008): 117128.
Children’s fantasy
Berman, R. ‚Watchful Dragons and
Sinewy Gnomes: C.S. Lewis’s Use of
Modern Fairy Tales.‛ Mythlore 30.3/4
(#117/118): 117-127.
Byron, George Gordon Byron, Baron.
Cain
Mitchell, J. ‚Master of Doom by Doom
Mastered: Heroism, Fate, and Death
in The Children of Húrin.‛ Mythlore
29.1/2 (#111/112) (2010): 87-114.
Chinatown (film)
Shaham, I. ‚Ancient Myths in
Contemporary Cinema: Oedipus Rex
and Perceval the Knight of the Holy
Grail in Pulp Fiction and The Sixth
Sense.‛ 28.1/2 (#107/108) (2009): 87101.
Byron, George Gordon Byron, Baron.
Manfred
29.1/2 (#111/112) (2010): 87-114.
C
Camus, Albert. The Myth of Sisyphus
29.1/2 (#111/112) (2010): 87-114.
Carpaccio, Vittore. Hunting on the
Lagoon
Venice.‛ Mythlore 28.3/4 (#109/110)
(2010): 107-127.
16
Christianity and myth
Mythlore 30.1/2 (#115/116) (2011):
107-121.
Christianity in mystery stories
Higgins, S. ‚Is a ‘Christian’ Mystery
Story Possible? Charles Williams’s
War in Heaven as a Generic Case
Study.‛ Mythlore 30.1/2 (#115/116)
(2011): 77-90.
Coinherence in Charles Williams
Burke.‛ 26.3/4 (#101/102) (2008): 117128.
Creative process
Milburn, M. ‚Art According to Romantic
Analysis of Dante Reapplied to J.R.R.
Tolkien’s ‘Leaf by Niggle.’‛ Mythlore
29.3/4 (#113/114) (2011): 57-75.
Creativity and religion
29.3/4 (#113/114) (2011): 57-75.
Creativity in J.R.R. Tolkien
29.3/4 (#113/114) (2011): 57-75.
Stoddard, W.H. ‚Simbelmynë: Mortality
and Memory in Middle-earth.‛
Mythlore 29.1/2 (#111/112) (2010):
151-160.
Criticism
Later.‛ Mythlore 30.1/2 (#115/116)
(2011): 5-22.
Cross-dressing
Croft, J.B. ‚The Education of a Witch:
Tiffany Aching, Hermione Granger,
and Gendered Magic in Discworld
(#105/106)(2009): 129-142.
Cupid and Psyche (myth)
Croft, J.B. ‚Psyche in New York: The
Devil Wears Prada Updates the
Myth.‛ Mythlore 30.3/4 (#117/118):
55-69.
Cupid and Psyche (myth) – Relation to
Till We Have Faces
Psyche.‛ 27.3/4 (#105-106)(2009): 4382.
D
Context in criticism
Christopher, J.R. ‚’The Meteorite’ and
the Importance of Context.‛ Mythlore
28.3/4 (#109/110) (2010): 55-64.
 Mythlore Index supplement volume 26.3/4 through 30.1/2
Dante—Characters—Beatrice
Downey, S. ‚Cordial Dislike:
Reinventing the Celestial Ladies of
Pearl and Purgatorio in Tolkien’s
Galadriel.‛ Mythlore 29.3/4 (#113/114)
(2011): 101-117.
Dante—Characters—Matelda
(2011): 101-117.
Dante—Influence on Charles Williams
29.3/4 (#113/114) (2011): 57-75.
Dante. Purgatory—Influence on C.S.
Lewis
Christopher, J.R. ‚The Dantean Structure
of The Great Divorce.‛ Mythlore 29.3/4
(#113/114) (2011): 77-99.
Dante. Purgatory—Influence on J.R.R.
Tolkien
(2011): 101-117.
Davidman, Joy—Association with
Metro-Goldwyn-Mayer Studios
King, D.W. ‚Into the Lion’s Den: Joy
Davidman and Metro-GoldwynMayer.‛ Mythlore 30.1/2 (#115/116)
(2011): 91-106.
Davidman, Joy. Movie criticism
(2011): 91-106.
Despoina (mythical figure)
Christopher, J.R. ‚From Despoina to Δ.‛
Mythlore 30.3/4 (#117/118): 27-54.
The Devil Wears Prada (movie)
Myth.‛ Mythlore 30.3/4 (#117/118):
55-69.
Disobedience
Croft, J.B. ‚The Thread on Which Doom
Hangs: Free Will, Disobedience, and
Eucatastrophe in Tolkien’s Middleearth.‛ Mythlore 29.1/2 (#111/112)
(2010): 131-150.
Dogs in J.R.R. Tolkien
Hawkins, E. ‚Tolkien and Dogs, Just
Dogs: In Metaphor and Simile.‛
27.3/4 (#105/106)(2009): 143-157.
Domestic abuse
Wilkerson, G. ‚So Far From the Shire:
Psychological Distance and Isolation
in The Lord of the Rings.‛ 27.1/2
(#103/104) (2008): 83-91.
Doom in J.R.R. Tolkien
Croft, J.B. ‚Túrin and Aragorn:
Embracing and Evading Fate.‛
Mythlore 29.3/4 (#113/114) (2011):
155-170.
Mythlore 29.1/2 (#111/112) (2010):
115-129.
Dragons in C.S. Lewis
Berman, L. ‚Dragons and Serpents in J.K.
Rowling’s Harry Potter Series: Are
They Evil?‛ 27.1/2 (#103/104) (2008):
45-65.
Dragons in literature
Rawls, M.A. ‚Witches, Wives and
Dragons: The Evolution of the
Women in Ursula K. Le Guin’s
Earthsea—An Overview.‛ 26.3/4
(#101/102) (2008): 129-149.
Dragons in J.K. Rowling
They Evil?‛ 27.1/2 (#103/104) (2008):
45-65.
Dragons in J.R.R. Tolkien
They Evil?‛ 27.1/2 (#103/104) (2008):
45-65.
Dreams
Carroll, S. ‚The Heart of the Labyrinth:
Reading Jim Henson’s Labyrinth as a
(#107/108) (2009): 103-112.
Dualism
Bullard, S.H. ‚Narrative Dualism in C.S.
Lewis’s That Hideous Strength.‛
Mythlore 29.3/4 (#113/114) (2011): 1124.
Dunbar, Nan—Relation to C.S. Lewis
29.1/2 (#111/112) (2010): 69-86.
Dwarfs
Berube, P.H. ‚The Origins of Dwarves
*Letter+.‛ Mythlore 29.1/2 (#111/112)
(2010): 163-164.
E
Earthly paradise in J.R.R. Tolkien
(#105/106)(2009): 83-102.
Eddison, E.R.—Views on war
Mythlore 30.3/4 (#117/118): 71-88.
Eddison, E.R. Zimiamvia Trilogy.
Mythlore 30.3/4 (#117/118): 71-88.
Education
(#105/106)(2009): 129-142.
Elder Edda
Berube, P.H. ‚Tolkien’s Sigurd & Gudrún:
28.1/2 (#107/108) (2009): 45-76.
Eucatastrophe
(2010): 131-150.
Eugenics
Tally, R.T., Jr. ‚Stalin’s Orcs *Letter+.‛
Mythlore 29.3/4 (#113/114) (2011):
171-172.
Everyman (play)—Relation to ‚Leaf by
Niggle‛
(#109/110) (2010): 5-19.
F
Faerie
de Rosario Martínez, H. ‚Fairy and Elves
in Tolkien and Traditional
Literature.‛ Mythlore 28.3/4
(#109/110) (2010): 65-84.
Faerie in Smith of Wootton Major
Long, J.B. ‚Two Views of Faërie in Smith
of Wootton Major: Nokes and his
Cake, Smith and his Star.‛ 26.3/4
(#101/102) (2008): 89-100.
Fairy queen in Smith of Wootton Major
(#101/102) (2008): 89-100.
Farmer, Nancy. The Saxon Saga
Mythlore 30.1/2 (#115/116) (2011):
107-121.
Farrer, Katharine—Relation to C.S.
Lewis
29.1/2 (#111/112) (2010): 69-86.
Fate in J.R.R. Tolkien
Mythlore 29.3/4 (#113/114) (2011):
155-170.
29.1/2 (#111/112) (2010): 87-114.
Mythlore 29.1/2 (#111/112) (2010):
115-129.
Fealty in The Lord of the Rings
Brisbois, M.J. ‚The Blade Against the
Burden: The Iconography of the
Sword in The Lord of the Rings.‛
27.1/2 (#103/104) (2008): 93-103.
28.3/4 (#109/110) (2010): 55-64.
Free will in J.R.R. Tolkien
(2010): 131-150.
G
Gaiman, Neil—Use of Myth
(#117/118): 5-26.
Gaiman, Neil. American Gods.
(#117/118): 5-26.
Gaiman, Neil. ‚The Problem of Susan‛
Miller, J.L. ‚No Sex in Narnia? How
Queen‛ Problematizes C.S. Lewis’s
The Chronicles of Narnia.‛ 28.1/2
(#107/108) (2009): 113-130.
Gaiman, Neil. Sandman series
Pendergast, J. ‚Six Characters in Search
of Shakespeare: Neil Gaiman’s
Mythos.‛ 26.3/4 (#101/102) (2008):
185-197.
Gender
(#105/106)(2009): 129-142.
Genre and The Lord of the Rings
Agan, C. ‚Song as Mythic Conduit in The
Fellowship of the Ring.‛ 26.3/4
(#101/102) (2008): 41-63.
Girls in fantasy
Formalistic criticism
18
(#107/108) (2009): 103-112.
Journey.‛ 28.1/2 (#107/108) (2009):
131-147.
Goddess in Ghost Country
Christopher, J.R. ‚The Christian Parody
in Sara Paretsky’s Ghost Country.‛
26.3/4 (#101/102) (2008): 165-184.
GoodKnight, Glen—Bibliography
Croft, J.B. ‚A Bibliography of Glen
GoodKnight’s Articles, Reviews, and
Major Editorials in Mythlore.‛
Mythlore 29.3/4 (#113/114) (2011): 510.
Graphic novels
Mythos.‛ 26.3/4 (#101/102) (2008):
185-197.
Grief, traumatic
Johnson, B.D. ‚Éowyn’s Grief.‛ 27.3/4
(#105/106)(2009): 117-127.
H
Haddon, Mark. The Curious Incident of
the Dog in the Night-Time
Vincent, A. ‚Putting Away Childish
Things: Incidents of Recovery in
Tolkien and Haddon.‛ 26.3/4
(#101/102) (2008): 101-116.
Heliand
Mythlore 29.1/2 (#111/112) (2010):
115-129.
Henson, Jim
(#107/108) (2009): 103-112.
Heroism in J.R.R. Tolkien
29.1/2 (#111/112) (2010): 87-114.
I
K
Immortality and mortality in Peter S.
Beagle
(#105/106)(2009): 103-116.
Kay, Guy Gavriel—Editorship
Kane, D.C. ‚Reconstructing Arda: Of
Melkor.‛ 27.1/2 (#103/104) (2008): 919.
Immortality and mortality in J.R.R.
Tolkien
Mythlore 29.1/2 (#111/112) (2010):
151-160.
L
Labyrinth (film)
(#107/108) (2009): 103-112.
Indiana Jones (films)
Sense.‛ 28.1/2 (#107/108) (2009): 87101.
Lang, Andrew. Color fairy books
(#117/118): 117-127.
Inklings
Gorman, A.G. and L.R. Mateer. ‚Amanda
McKittrick Ros and the Inklings.‛
28.1/2 (#107/108) (2009): 77-85.
The Last Unicorn (film)
(#105/106)(2009): 103-116.
Interlace structure
Auger, E.E. “The Lord of the Rings’
Interlace: The Adaptation to Film.‛
Mythlore 30.1/2 (#115/116) (2011):
143-162.
Intertextuality
(#117/118): 5-26.
J
Jews
(2010): 85-106.
(2010): 107-127.
Lawson, Penelope (Sister Penelope)—
Relation to C.S. Lewis
29.1/2 (#111/112) (2010): 69-86.
Le Guin, Ursula K.—Characters—
Women
(#101/102) (2008): 129-149.
Le Guin, Ursula K.—Technique
(#101/102) (2008): 129-149.
Le Guin, Ursula K. Earthsea books
(#101/102) (2008): 129-149.
Le Guin, Ursula K. Lavinia
(2010): 29-50.
Leadership in The Lord of the Rings
27.1/2 (#103/104) (2008): 93-103.
Lévi-Strauss, Claude
Sense.‛ 28.1/2 (#107/108) (2009): 87101.
Lewis, C.S.—As critic
Oziewicz, M. and D. Hade. ‚The
Marriage of Heaven and Hell? Philip
Pullman, C.S. Lewis, and the Fantasy
Tradition.‛ Mythlore 28.3/4 (#109/110)
(2010): 39-54.
Lewis, C.S.—Attitude toward writing
for children
Melton, B. ‚The Great War and Narnia:
C.S. Lewis as Soldier and Creator.‛
Mythlore 30.1/2 (#115/116) (2011):
123-142.
Lewis, C.S. – Characters – Jane
Studdock
Mythlore 29.3/4 (#113/114) (2011): 1124.
Lewis, C.S. – Characters – Lucy
Pevensie
Journey.‛ 28.1/2 (#107/108) (2009):
131-147.
Lewis, C.S. – Characters – Mark
Studdock
Mythlore 29.3/4 (#113/114) (2011): 1124.
Lewis, C.S. – Characters – Orual
Psyche.‛ 27.3/4 (#105-106)(2009): 4382.
Lewis, C.S.—Friends and associates—
Women
29.1/2 (#111/112) (2010): 69-86.
Lewis, C.S.—Influence of Andrew Lang
(#117/118): 117-127.
Lewis, C.S.—Influence on Philip
Pullman
(2010): 39-54.
Lewis, C.S.—Knowledge—
Contemporary fiction
Anderson, D.A. ‚A Footnote to Tales
Before Narnia *Letter+.‛ Mythlore
29.1/2 (#111/112) (2010): 161-162.
Lewis, C.S.—Personal reminiscences
Foster, M. ‚‘That Most Unselfish Man’:
Biographer, and Friend of Inklings.‛
26.3/4 (#101/102) (2008): 5-26.
Lewis, C.S.—Relation to Janie Moore
Mythlore 30.3/4 (#117/118): 27-54.
Lewis, C.S.—Relations with women
29.1/2 (#111/112) (2010): 69-86.
Lewis, C.S.—Religion and philosophy
Christopher, J. R. ‚The Thematic
Organization of Spirits in Bondage.‛
27.3/4 (#105-106)(2009): 5-41.
Lewis, C.S. – Sources – Classical
literature
Psyche.‛ 27.3/4 (#105-106)(2009): 4382.
20
Lewis, C.S.—Technique
Mythlore 29.3/4 (#113/114) (2011): 1124.
Himes, J.B. ‚A Matter of Time: C.S.
Lewis’s Dark Tower Manuscript and
Composition Process.‛ Mythlore
29.3/4 (#113/114) (2011): 25-35.
Lewis, C.S. The Great Divorce—
Influence of Purgatory
(#113/114) (2011): 77-99.
Lewis, C.S. The Great Divorce—Sources
(#113/114) (2011): 77-99.
Lewis, C.S.—Use of allegory
(#115/116) (2011): 43-76.
Lewis, C.S. Letter to Malcolm M.
Ferguson, 20 February 1953
Before Narnia [Letter+.‛ Mythlore
29.1/2 (#111/112) (2010): 161-162.
Lewis, C.S.—Use of Fairy Tales
(#117/118): 117-127.
Lewis, C.S. Letters
29.1/2 (#111/112) (2010): 69-86.
Lewis, C.S.—War experiences
Mythlore 30.1/2 (#115/116) (2011):
123-142.
Lewis, C.S. ‚The Meteorite‛
28.3/4 (#109/110) (2010): 55-64.
Lewis, C.S. The Chronicles of Narnia—
Depiction of war
Mythlore 30.1/2 (#115/116) (2011):
123-142.
Lewis, C.S. Chronicles of Narnia—Sex
(#107/108) (2009): 113-130.
Lewis, C.S. The Dark Tower—
Authorship
29.3/4 (#113/114) (2011): 25-35.
Lewis, C.S. The Dark Tower—
Manuscript
29.3/4 (#113/114) (2011): 25-35.
Lewis, C.S. Miracles
28.3/4 (#109/110) (2010): 55-64.
Lewis, C.S. The Pilgrim’s Regress
Mythlore 28.3/4 (#109/110) (2010): 2137.
Lewis, C.S. The Pilgrim’s Regress—
Sources
Mythlore 28.3/4 (#109/110) (2010): 2137.
Lewis, C.S. ‚Poem for Psychoanalysts
and/or Theologians‛
(#115/116) (2011): 43-76.
Lewis, C.S. Poetry.
Mythlore 30.3/4 (#117/118): 27-54.
Lewis, C.S. Spirits in Bondage
Mythlore 30.3/4 (#117/118): 27-54.
Lewis, C.S. Spirits in Bondage—Themes
Christopher, J. R. ‚The Thematic
Organization of Spirits in Bondage.‛
27.3/4 (#105-106)(2009): 5-41.
Lewis, C.S. That Hideous Strength
Mythlore 29.3/4 (#113/114) (2011): 1124.
Lewis, C.S. Till We Have Faces
Psyche.‛ 27.3/4 (#105-106)(2009): 4382.
Lewis, C.S. Till We Have Faces—As
Allegory
(#115/116) (2011): 43-76.
The Lord of the Rings (film trilogy). Dir.
Peter Jackson—Narrative structure
Mythlore 30.1/2 (#115/116) (2011):
143-162.
Lust (Sin)
Hawkins, E.B. ‚Tolkien’s Linguistic
Application of the Seventh Deadly
Sin: Lust.‛ 26.3/4 (#101/102) (2008):
29-40.
M
MacDonald, George. Phantastes
Mythlore 28.3/4 (#109/110) (2010): 2137.
MacDonald, George. Phantastes—
Influence on The Pilgrim’s Regress
Mythlore 28.3/4 (#109/110) (2010): 2137.
MacLeod, Jeffrey J. ‚Lúthien and
Beren‛
MacLeod, J.J. and A. Smol. ‚A Single
Leaf: Tolkien’s Visual Art and
Fantasy.‛ 27.1/2 (#103/104) (2008):
105-126.
MacLeod, Jeffrey J. ‚Smaug‛
Fantasy.‛ 27.1/2 (#103/104) (2008):
105-126.
McKenna, Aline Brosh. The Devil Wears
Prada (movie script)
Myth.‛ Mythlore 30.3/4 (#117/118):
55-69.
Medieval dream vision – Relation to
Labyrinth
(#107/108) (2009): 103-112.
Medieval literature
(#107/108) (2009): 103-112.
(#109/110) (2010): 65-84.
Memory in J.R.R. Tolkien
Mythlore 29.1/2 (#111/112) (2010):
151-160.
Mentors
Myth.‛ Mythlore 30.3/4 (#117/118):
55-69.
The Merchant of Venice (film). Dir.
Michael Radford
(2010): 107-127.
Merlin
Tradition.‛ 27.1/2 (#103/104) (2008):
21-44.
Metro-Goldwyn-Mayer (film studio)
(2011): 91-106.
Mines and mining
Berube, P.H. ‚The Origins of Dwarves
*Letter+.‛ Mythlore 29.1/2 (#111/112)
(2010): 163-164.
Miyazake, Hayao—Characters—
Chihiro
Journey.‛ 28.1/2 (#107/108) (2009):
131-147.
Moore, Janie—Relation to C.S. Lewis
Mythlore 30.3/4 (#117/118): 27-54.
Multiculturalism in children’s literature
Mythlore 30.1/2 (#115/116) (2011):
107-121.
Music in J.R.R. Tolkien
(#101/102) (2008): 41-63.
Mystery fiction
Study.‛ Mythlore 30.1/2 (#115/116)
(2011): 77-90.
Mythlore—History
Mythlore 29.3/4 (#113/114) (2011): 510.
Mythopoeic Society—History and
personal reminiscences
Mythlore 29.3/4 (#113/114) (2011): 510.
Mythopoeic themes in mysteries
26.3/4 (#101/102) (2008): 165-184.
27.1/2 (#103/104) (2008): 127-136
N
Name magic
Croft, J.B. “Naming the Evil One:
Onomastic Strategies in Tolkien and
Rowling.‛ 28.1/2 (#107/108) (2009):
149-163.
Names in J.R.R. Tolkien
Mythlore 29.3/4 (#113/114) (2011):
155-170.
New Masses (periodical)
(2011): 91-106.
(#107/108) (2009): 113-130.
O
Oedipus figures in literature
Sense.‛ 28.1/2 (#107/108) (2009): 87101.
Ofermod in J.R.R. Tolkien
Ring.‛ Mythlore 29.3/4 (#113/114)
(2011): 37-56.
Onomastics
Rowling.‛ 28.1/2 (#107/108) (2009):
149-163.
P
The Nibelungenlied
28.1/2 (#107/108) (2009): 45-76.
Pacino, Al. See The Merchant of Venice
Norse mythology
McGregor, J. ‚Two Rings to Rule Them
All: A Comparative Study of Tolkien
and Wagner.‛ Mythlore 29.3/4
(#113/114) (2011): 133-153.
Mythlore 30.1/2 (#115/116) (2011):
107-121.
Paretsky, Sara. V.I. Warshawski series
26.3/4 (#101/102) (2008): 165-184.
Norse mythology – Influence on J.R.R.
Tolkien
(2009): 27-44.
28.1/2 (#107/108) (2009): 45-76.
Novalis. ‚Hyacinth and Rosebud‛
22
Paretsky, Sara. Ghost Country
26.3/4 (#101/102) (2008): 165-184.
Pearl (poem)
Downey, S. ‚Cordial Dislike: Reinventing
the Celestial Ladies of Pearl and
Purgatorio in Tolkien’s Galadriel.‛
Mythlore 29.3/4 (#113/114) (2011):
101-117.
Koubenec, N. ‚The Precious and the
Pearl: The Influence of Pearl on the
Nature of the One Ring.‛ Mythlore
29.3/4 (#113/114) (2011): 119-131.
Pearl (poem)—As allegory
(#115/116) (2011): 43-76.
Pearl (poem)—Characters—The Jeweler
29.3/4 (#113/114) (2011): 119-131.
Pearl (poem)—Characters—The pearlmaiden
Downey, S. ‚Cordial Dislike: Reinventing
the Celestial Ladies of Pearl and
Purgatorio in Tolkien’s Galadriel.‛
Mythlore 29.3/4 (#113/114) (2011):
101-117.
Penelope, Sister. See Lawson, Penelope.
Perceval figures in literature
Sense.‛ 28.1/2 (#107/108) (2009): 87101.
Pitter, Ruth S.—Relation to C.S. Lewis
29.1/2 (#111/112) (2010): 69-86.
Post-traumatic stress disorder
(#103/104)(2008): 83-91.
Pratchett, Terry—Characters—Tiffany
Aching
(#105/106)(2009): 129-142.
Pratchett, Terry—Characters—Witches
Croft, J.B. ‚Nice, Good, or Right: Faces of
the Wise Woman in Terry Pratchett’s
‘Witches’ Novels.‛ 26.3/4 (#101/102)
(2008): 151-164.
Pratchett, Terry. Discworld series
(#105/106)(2009): 129-142.
Pratchett, Terry. Discworld series—
Morality and religion
‘Witches’ Novels.‛ 26.3/4 (#101/102)
(2008): 151-164.
Pratchett, Terry. Discworld series—
‛Witches‛ novels
‘Witches’ Novels.‛ 26.3/4 (#101/102)
(2008): 151-164.
Psyche (mythological figure)
Myth.‛ Mythlore 30.3/4 (#117/118):
55-69.
Pullman, Philip – Criticism of C.S.
Lewis
(2010): 39-54.
Pullman, Philip. His Dark Materials
(#107/108) (2009): 113-130.
Pulp Fiction (film)
Sense.‛ 28.1/2 (#107/108) (2009): 87101.
Purgatory in J.R.R. Tolkien
Kelly, A.K. and M. Livingston. ‚‘A Far
(#105/106) (2009): 83-102.
R
Racism in J.R.R. Tolkien
(2010): 85-106.
Tally, R.T., Jr. ‚Let Us Now Praise
Famous Orcs: Simple Humanity in
Tolkien’s Inhuman Creatures.‛
Mythlore 29.1/2 (#111/112) (2010):1728.
Radford, Michael. See The Merchant of
Venice
Rape in J.R.R. Tolkien
Whitaker, L. ‚Corrupting Beauty: Rape
Narrative in The Silmarillion.‛
Mythlore 29.1/2 (#111/112) (2010): 5168.
Rape in mythology
Mythlore 29.1/2 (#111/112) (2010): 5168.
Readers and reading in J.R.R. Tolkien
Mythlore 30.1/2 (#115/116) (2011): 2342.
Religious tolerance in children’s
literature
Mythlore 30.1/2 (#115/116) (2011):
107-121.
Rhetoric in The Lord of the Rings
Ruud, J. ‚The Voice of Saruman:
Wizards and Rhetoric in The Two
Towers.‛ Mythlore 28.3/4 (#109/110)
(2010): 141-153.
Q
Riddle games
Nelson, M. ‚Time and J.R.R. Tolkien’s
‘Riddles in the Dark.’‚ 27.1/2
(#103/104) (2008): 67-82.
Quests in The Lord of the Rings
Waito, D.M. ‚The Shire Quest: The
‘Scouring of the Shire’ as the
Narrative and Thematic Focus of The
Lord of the Rings.‛ Mythlore 28.3/4
(#109/110) (2010): 155-177.
Riddles
(#103/104) (2008): 67-82.
Romantic theology
29.3/4 (#113/114) (2011): 57-75.
Ros, Amanda McKittrick
Gorman, A.G. and L.R. Mateer. ‚Amanda
McKittrick Ros and the Inklings.‛
28.1/2 (#107/108) (2009): 77-85.
Rowling, J.K.—Characters—Hermione
Granger
(#105/106)(2009): 129-142.
Rowling, J.K.—Characters—Voldemort
Rowling.‛ 28.1/2 (#107/108) (2009):
149-163.
Rowling, J.K. Harry Potter novels
They Evil?‛ 27.1/2 (#103/104) (2008):
45-65.
(#105/106)(2009): 129-142.
S
Sayer, George—Bibliography
Mitchell, C.W. ‚Selected Sayer Holdings
at the Wade Center.‛ 26.3/4
(#101/102) (2008): 27.
Sayer, George—Personal reminiscences
26.3/4 (#101/102) (2008): 5-26.
Sayer, George. Jack: C.S. Lewis and His
Times
26.3/4 (#101/102) (2008): 5-26.
Sayers, Dorothy L.—Relation to C.S.
Lewis
29.1/2 (#111/112) (2010): 69-86.
Scottish folklore
Harris, J.M. ‚Perilous Shores: The
Unfathomable Supernaturalism of
Water in 19th-Century Scottish
Folklore.‛ 28.1/2 (#107/108) (2009): 525.
Sehnsucht
Mythlore 28.3/4 (#109/110) (2010): 2137.
Serpents in C.S. Lewis
They Evil?‛ 27.1/2 (#103/104) (2008):
45-65.
Serpents in J.K. Rowling
They Evil?‛ 27.1/2 (#103/104) (2008):
45-65.
Seven deadly sins in The Lord of the
Rings
Sin: Lust.‛ 26.3/4 (#101/102) (2008):
29-40.
Sexuality in C.S. Lewis
(#107/108) (2009): 113-130.
Shakespeare, William—Characters—
Shylock
(2010): 107-127.
Shakespeare, William. The Merchant of
Venice
24
(2010): 107-127.
Shakespeare, William. A Midsummer
Night’s Dream
Mythos.‛ 26.3/4 (#101/102) (2008):
185-197.
Shakespeare, William. The Tempest
Mythos.‛ 26.3/4 (#101/102) (2008):
185-197.
Shamanism in The Lord of the Rings
Kisor, Y. ‚Totemic Reflexes in Tolkien’s
(#109/110) (2010): 129-140.
Shelburne, Mary Willis—Relation to
C.S. Lewis
29.1/2 (#111/112) (2010): 69-86.
Shiel, M[atthew] P[hipps]
Before Narnia *Letter+.‛ Mythlore
29.1/2 (#111/112) (2010): 161-162.
Sister Penelope. See Lawson, Penelope.
Sixth Sense (film)
Sense.‛ 28.1/2 (#107/108) (2009): 87101.
Stalin, Josef
Mythlore 29.3/4 (#113/114) (2011):
171-172.
Star Wars (film series)
Sense.‛ 28.1/2 (#107/108) (2009): 87101.
Sub-creation
Fantasy.‛ 27.1/2 (#103/104) (2008):
105-126.
(#109/110) (2010): 5-19.
Suicide
29.1/2 (#111/112) (2010): 87-114.
Superstitions
Unfathomable Supernaturalism of Water
in 19th-Century Scottish Folklore.‛ 28.1/2
(#107/108) (2009): 5-25.
Swords
27.1/2 (#103/104) (2008): 93-103.
T
Speech act theory
Maldon.’ 26.3/4 (#101/102) (2008): 6587.
Threshold imagery in J.R.R. Tolkien
Mythlore 30.1/2 (#115/116) (2011): 2342.
Spirited Away (film)
Journey.‛ 28.1/2 (#107/108) (2009):
131-147.
Tieck, Ludwig. ‚Fair-Haired Eckbert‛
(#107/108) (2009): 113-130.
Tolkien, Christopher—Editorship
Melkor.‛ 27.1/2 (#103/104) (2008): 919.
Tolkien, J.R.R.—Attitude towards Jews
(2010): 85-106.
Tolkien, J.R.R. —Characterization—
Technique
27.3/4 (#105/106)(2009): 143-157.
Tolkien, J.R.R.—Characters—Aragorn
27.1/2 (#103/104) (2008): 93-103.
Mythlore 29.3/4 (#113/114) (2011):
155-170.
Tolkien, J.R.R—Characters—Aredhel
Mythlore 29.1/2 (#111/112) (2010): 5168.
Tolkien, J.R.R.—Characters—Bilbo
(#103/104) (2008): 67-82.
Tolkien, J.R.R.—Characters—Dwarves
(2010): 85-106.
Tolkien, J.R.R. – Characters – Elves
(#109/110) (2010): 65-84.
(2009): 27-44.
Mythlore 29.1/2 (#111/112) (2010):
151-160.
Tolkien, J.R.R.—Characters—Éowyn
(#105/106)(2009): 117-127.
Tolkien, J.R.R.—Characters—Faramir
Carter, S.B. ‚Faramir and the Heroic
Ideal of the Twentieth Century: Or,
How Aragorn Died at the Somme.‛
Mythlore 30.3/4 (#117/118): 89-102.
(#105/106) (2009): 117-127.
Tolkien, J.R.R.—Characters—Fëanor
Melkor.‛ 27.1/2 (#103/104) (2008): 919.
Tolkien, J.R.R.—Characters—Finwë
Melkor.‛ 27.1/2 (#103/104) (2008): 919.
Tolkien, J.R.R.—Characters—Frodo
(#109/110) (2010): 155-177.
(#103/104)(2008): 83-91.
Tolkien, J.R.R.—Characters—Galadriel
(2011): 101-117.
Tolkien, J.R.R.—Characters—Gandalf
(#109/110) (2010): 129-140.
Tradition.‛ 27.1/2 (#103/104) (2008):
21-44.
(2010): 141-153.
Tolkien, J.R.R.—Characters—Goldberry
Basso, A.M. ‚Fair Lady Goldberry,
Daughter of the River.‛ 27.1/2
(#103/104) (2008): 137-146.
Taylor, T.J. ‚Investigating the Role and
Origin of Goldberry in Tolkien’s
Mythology.‛ 27.1/2 (#103/104) (2008):
147-156.
Tolkien, J.R.R. —Characters—Gollum
27.3/4 (#105/106)(2009): 143-157.
29.3/4 (#113/114) (2011): 119-131.
Tolkien, J.R.R.—Characters—Hobbits
(#109/110) (2010): 155-177.
Tolkien, J.R.R.—Characters—Hobbits—
Names—Etymology
Livingston, M. ‚The Myths of the
Author: Tolkien and the Medieval
Origins of the Word Hobbit.‛
Mythlore 30.3/4 (#117/118): 129-146.
Tolkien, J.R.R.—Characters—Hobbits—
Origin of name
Livingston, M. ‚The Myths of the
Author: Tolkien and the Medieval
Origins of the Word Hobbit.‛
Mythlore 30.3/4 (#117/118): 129-146.
Tolkien, J.R.R.—Characters—Indis
Melkor.‛ 27.1/2 (#103/104) (2008): 919.
Tolkien, J.R.R.—Characters—Lúthien
Mythlore 29.1/2 (#111/112) (2010): 5168.
Tolkien, J.R.R—Characters—Men
(Race)
Mythlore 29.1/2 (#111/112) (2010):
151-160.
Tolkien, J.R.R. – Characters – Morgoth
Rowling.‛ 28.1/2 (#107/108) (2009):
149-163.
Tolkien, J.R.R.—Characters—Míriel
Melkor.‛ 27.1/2 (#103/104) (2008): 919.
Tolkien, J.R.R.—Characters—Nerdanel
Melkor.‛ 27.1/2 (#103/104) (2008): 919.
Tolkien, J.R.R.—Characters—Nokes
(#101/102) (2008): 89-100.
Tolkien, J.R.R.—Characters—Orcs
Tally, R.T., Jr. ‚Let Us Now Praise
Famous Orcs: Simple Humanity in
Tolkien’s Inhuman Creatures.‛
Mythlore 29.1/2 (#111/112) (2010):1728.
Mythlore 29.3/4 (#113/114) (2011):
171-172.
Tolkien, J.R.R.—Characters—Sam
Gamgee
27.3/4 (#105/106)(2009): 143-157.
Tolkien, J.R.R.—Characters—Saruman
Rowling.‛ 28.1/2 (#107/108) (2009):
149-163.
(2010): 141-153.
Tolkien, J.R.R.—Characters—Sauron
Rowling.‛ 28.1/2 (#107/108) (2009):
149-163.
Tolkien, J.R.R.—Characters—Smith
(#101/102) (2008): 89-100.
Tolkien, J.R.R.—Characters—Tídwald
26
Ring.‛ Mythlore 29.3/4 (#113/114)
(2011): 37-56.
Tolkien, J.R.R.—Characters—Torhthelm
Ring.‛ Mythlore 29.3/4 (#113/114)
(2011): 37-56.
Tolkien, J.R.R.—Characters—Tuor
Bruce, A.M. ‚The Fall of Gondor and the
Fall of Troy: Tolkien and Book II of
The Aeneid.‛ Mythlore 30.3/4
(#117/118): 103-115.
Tolkien, J.R.R.—Characters—Túrin
Turambar
Mythlore 29.3/4 (#113/114) (2011):
155-170.
29.1/2 (#111/112) (2010): 87-114.
Tolkien, J.R.R.—Characters—Women
Melkor.‛ 27.1/2 (#103/104) (2008): 919.
Tolkien, J.R.R.—Characters—
Wormtongue
27.3/4 (#105/106)(2009): 143-157.
Tolkien, J.R.R.—Critical history
Later.‛ Mythlore 30.1/2 (#115/116)
(2011): 5-22.
Tolkien, J.R.R.—Knowledge—Medieval
period
(#105/106)(2009): 83-102.
Tolkien, J.R.R.—Knowledge—
Languages
Fisher, J. ‚Dwarves, Spiders, and Murky
Woods: J.R.R. Tolkien’s Wonderful
Web of Words.‛ Mythlore 29.1/2
(#111/112) (2010): 5-15.
Tolkien, J.R.R.—Languages
(#109/110) (2010): 65-84.
(#111/112) (2010): 5-15.
Tolkien, J.R.R.—Military service—
World War I (1914-1918)
Mythlore 30.3/4 (#117/118): 89-102.
Tolkien, J.R.R.—Objects—The Ring—
Sources
29.3/4 (#113/114) (2011): 119-131.
(#113/114) (2011): 133-153.
Tolkien, J.R.R.—Personal reminiscences
26.3/4 (#101/102) (2008): 5-26.
Tolkien, J.R.R.—Recovery as
characteristic of fairy-tale
(#101/102) (2008): 101-116.
Tolkien, J.R.R.—Settings—Middleearth—Cosmology
(#105/106)(2009): 83-102.
Tolkien, J.R.R.—Sources—Celtic
Mythology.‛ 27.1/2 (#103/104) (2008):
147-156.
Tolkien, J.R.R.—Sources—Classical
Mythology.‛ 27.1/2 (#103/104) (2008):
147-156.
Tolkien, J.R.R.—Theory of
eucatastrophe
(2010): 131-150.
Tolkien, J.R.R.—Translations—Old
English.
(#103/104) (2008): 67-82.
Tolkien, J.R.R.—Use of allegory
Mythlore 30.1/2 (#115/116) (2011): 2342.
(#109/110) (2010): 5-19.
Tolkien, J.R.R.—Use of language
Sin: Lust.‛ 26.3/4 (#101/102) (2008):
29-40.
Tolkien, J.R.R.—Use of rhetoric
(2010): 141-153.
Tolkien, J.R.R. ‚Beowulf: The Monsters
and the Critics‛
Later.‛ Mythlore 30.1/2 (#115/116)
(2011): 5-22.
Tolkien, J.R.R. Beowulf and the Critics
Later.‛ Mythlore 30.1/2 (#115/116)
(2011): 5-22.
Tolkien, J.R.R. The Children of Húrin
29.1/2 (#111/112) (2010): 87-114.
Tolkien, J.R.R. ‚The Fall of Gondolin‛
(#117/118): 103-115.
Tolkien, J.R.R. The Fellowship of the
Ring
(#101/102) (2008): 41-63.
Tolkien, J.R.R. The Hobbit. ‚Flies and
Spiders‛
(#111/112) (2010): 5-15.
Tolkien, J.R.R. The Hobbit. ‚Inside
Information‛
(#103/104) (2008): 67-82.
Tolkien, J.R.R. The Hobbit. ‚Riddles in
the Dark‛
(#103/104) (2008): 67-82.
Tolkien, J.R.R. ‚The Homecoming of
Beorhtnoth Beorhthelm’s Son‛
Ring.‛ Mythlore 29.3/4 (#113/114)
(2011): 37-56.
Maldon.’ 26.3/4 (#101/102) (2008): 6587.
Tolkien, J.R.R. ‚Leaf by Niggle‛
(#105/106)(2009): 83-102.
Fantasy.‛ 27.1/2 (#103/104) (2008):
105-126.
29.3/4 (#113/114) (2011): 57-75.
(#109/110) (2010): 5-19.
Tolkien, J.R.R. The Legend of Sigurd and
Gudrún
28.1/2 (#107/108) (2009): 45-76.
Tolkien, J.R.R. The Lord of the Rings—
Criticism and interpretation
(#105/106)(2009): 83-102.
Tolkien, J.R.R. The Lord of the Rings—
Narrative structure
Mythlore 30.1/2 (#115/116) (2011):
143-162.
Tolkien, J.R.R. ‚Mythopoeia‛
Fantasy.‛ 27.1/2 (#103/104) (2008):
105-126.
Tolkien, J.R.R. ‚On Fairy-Stories‛
Fantasy.‛ 27.1/2 (#103/104) (2008):
105-126.
(#109/110) (2010): 5-19.
(#101/102) (2008): 101-116.
Tolkien, J.R.R. ‚On Fairy-Stories‛—
Relation to ‚Leaf by Niggle‛
(#109/110) (2010): 5-19.
Tolkien, J.R.R. The Return of the King.
‚The Scouring of the Shire‛
(#109/110) (2010): 155-177.
Tolkien, J.R.R. The Silmarillion
Melkor.‛ 27.1/2 (#103/104) (2008): 919.
Mythlore 29.1/2 (#111/112) (2010): 5168.
Mythlore 29.1/2 (#111/112) (2010):
115-129.
Tolkien, J.R.R. The Silmarillion. ‚Of
Melkor‛
Melkor.‛ 27.1/2 (#103/104) (2008): 919.
Tolkien, J.R.R. Smith of Wootton Major
(#101/102) (2008): 89-100.
Tolkien, J.R.R. Visual art
Fantasy.‛ 27.1/2 (#103/104) (2008):
105-126.
Tolkien Journal—History
Mythlore 29.3/4 (#113/114) (2011): 510.
Totemism
(#109/110) (2010): 129-140.
Tuatha Dé Danaan
(2009): 27-44.
U
The undead
27.1/2 (#103/104) (2008): 127-136
28
V
Vergil—Characters—Aeneas
(#117/118): 103-115
Vergil. Aeneid
(2010): 29-50.
Vergil. Aeneid—Escape quest—
Compared to ‚Fall of Gondolin‛
(#117/118): 103-115.
Völsunga Saga
28.1/2 (#107/108) (2009): 45-76.
W
Wade Center (Wheaton College, Ill.)
Mitchell, C.W. ‚Selected Sayer Holdings
at the Wade Center.‛ 26.3/4
(#101/102) (2008): 27.
Wagner, Richard. The Ring Cycle—
Influence on Tolkien
(#113/114) (2011): 133-153.
War in heaven
(2010): 131-150.
War in The Chronicles of Narnia
Mythlore 30.1/2 (#115/116) (2011):
123-142.
War trauma
(#105/106)(2009): 117-127.
Water creatures in folklore
Folklore.‛ 28.1/2 (#107/108) (2009): 525.
Water in folklore
Folklore.‛ 28.1/2 (#107/108) (2009): 525.
Williams, Charles—Romantic theology
29.3/4 (#113/114) (2011): 57-75.
Williams, Charles. Region of the
Summer Stars
Burke.‛ 26.3/4 (#101/102) (2008): 117128.
Williams, Charles. Religion and Love in
Dante: The Theology of Romantic
Love
29.3/4 (#113/114) (2011): 57-75.
Williams, Charles. Taliessin Through
Logres
Burke.‛ 26.3/4 (#101/102) (2008): 117128.
Williams, Charles. War in Heaven
Study.‛ Mythlore 30.1/2 (#115/116)
(2011): 77-90.
Witches
27.1/2 (#103/104) (2008): 127-136
(#105/106)(2009): 129-142.
‘Witches’ Novels.‛ 26.3/4 (#101/102)
(2008): 151-164.
(#101/102) (2008): 129-149.
World War I in J.R.R. Tolkien
Mythlore 30.3/4 (#117/118): 89-102.
World War II in E.R. Eddison
Mythlore 30.3/4 (#117/118): 71-88.
Review Index by Author



Sorted by author of review; alphabetically for each reviewer
Anonymous reviews listed by title
Main entries in bold face
A
Peake, Mervyn. Collected Poems.
Auger, Emily E. Mythlore 30.3/4
(#117/118): 151-152.
Bogstad, Janice M., and Philip E.
Kaveny, eds.Picturing Tolkien:
Essays on Peter Jackson’s The Lord
of the Rings Film Trilogy.
Bratman, David. Mythlore 29.3/4
(#113/114) (2011): 198-200.
Sammons, Martha. War of the Fantasy
Worlds: C.S. Lewis and J.R.R.
Tolkien on Art and Imagination.
(#101/102) (2008): 199-201.
Croft, Janet Brennan, ed. Tolkien and
Shakespeare: Essays on Shared
Themes and Language.
(#117/118): 171-172.
Goodwin, Tali, and Marcus
Katz.Abiding in the Sanctuary: The
Waite-Trinick Tarot: A Christian
Mystical Tarot (1917–1923).
(#107/108) (2009): 180-182.
Versluis, Arthur, et al., eds.
Esotericism, Art, and Imagination.
B
Bassham, Gregory. Mythlore 29.3/4
(#113/114) (2011): 178-180.
MacSwain, Robert and Michael
Ward, eds. The Cambridge
Companion to C.S. Lewis.
Berman, Ruth. Mythlore 30.1/2
(#115/116) (2011): 171-173.
Auxier, Randall E. and Phillip S.
Seng, eds. The Wizard of Oz and
Philosophy: Wicked Wisdom of the
West.
(#105/106) (2009): 196-198.
Barfield, Owen. Night Operation and
Eager Spring.
(#109/110) (2010): 190-192.
30
(#109/110) (2010): 202-204.
Schweitzer, Darrell. The Fantastic
Horizon: Essays and Reviews.
(#101/102) (2008): 201-203.
Whittingham, Elizabeth A. The
Evolution of Tolkien’s Mythology: A
Study of the History of Middleearth.
Brown, Sara. Mythlore 30.3/4
(#117/118): 173-182.
Phelpstead, Carl. Tolkien and Wales:
Language, Literature, and Identity.
Christopher, Joe R. Mythlore 28.1/2
(#107/108) (2009): 172-175.
Miller, Laura. The Magician’s Book: A
Skeptic’s Adventures in Narnia.
(#105/106) (2009): 181-186.
Miller, Ryder W., ed. From Narnia to a
Space Odyssey: The War of Ideas
between Arthur C. Clarke and C. S.
Lewis.
(#111/112) (2010): 192-195.
Pease, Donald E. Theodor SEUSS
Geisel.
(#115/116) (2011): 163-168.
Poston, Carol, ed. The Making of a
Mystic: New and Selected Letters of
Evelyn Underhill.
C
(#109/110) (2010): 193-197.
Schwartz, Sanford. C.S. Lewis on the
Final Frontier: Science and the
Supernatural in the Space Trilogy.
Christopher, Joe. R. Mythlore 26.3/4
(#101/102) (2008): 203-206.
Ashenden, Gavin. Charles Williams:
Alchemy and Integration.
(#113/114) (2011): 173-178.
Van Leewen, Mary Stewart. A Sword
Between the Sexes.
(#111/112) (2010): 172-176.
Bray, Susan and Richard Sturch.
Charles Williams and his
Contemporaries.
(#103/104) (2008): 157-161.
Ward, Michael. Planet Narnia: The
Seven Heavens in the Imagination
of C.S. Lewis.
(#109/110) (2010): 186-190.
Davidman, Joy. Out of My Bone: The
Letters of Joy Davidman. Ed. Don
W. King.
Croft, Janet Brennan. Mythlore
29.1/2 (#111/112) (2010): 188-191.
Fastitocalon: Studies in Fantasticism
Ancient to Modern 1.1 (2010)
(#103/104) (2008): 167-171.
King, Don W. Hunting the Unicorn: A
Critical Biography of Ruth Pitter.
30.1/2 (#115/116) (2011): 182-189.
Fastitocalon: Studies in Fantasticism
Ancient to Modern. 1.2 (2010).
Journal of Inklings Studies. 1.1 (March
2011).
An Index to Mythlore Supplement: Issues 101/102 through 113/114
VII: An Anglo-American Literary
Review. 27 (2010).
Tolkien Studies: An Annual Scholarly
Review. 7 (2010).
30.1/2 (#115/116) (2011): 168-171.
Frankel, Valerie Estelle. From Girl to
Goddess: The Heroine’s Journey
through Myth and Legend.
28.1/2 (#107/108) (2009): 182-186.
Grahame, Kenneth. Ed. Annie
Gauger. The Annotated Wind in
the Willows.
Grahame, Kenneth. Ed. Seth Lerer.
The Wind in the Willows: An
Annotated Edition.
Hares-Stryker,
Carolyn.
The
Illustrators of The Wind in the
Willows, 1908-2008.
30.3/4 (#117/118): 183-187.
North Wind: A Journal of George
MacDonald Studies. #29 (2010).
Review. #28 (2011).
Tolkien Studies: An Annual Scholarly
Review. #8 (2011).
Kane, Douglas Charles. Arda
Reconstructed: The Creation of the
Published Silmarillion.
Fisher, Jason. Mythlore 26.3/4
(#101/102) (2008): 206-212.
Rateliff, John D. The History of The
Hobbit: Part One: Mr. Baggins;
Part Two: Return to Bag-End.
(#105/106) (2009): 175-181.
Segura, Eduardo and Thomas
Honegger, eds. Myth and Magic:
Art according to the Inklings.
(#103/104) (2008): 172-176.
Smith, Ross. Inside Language:
Linguistic and Aesthetic Theory in
Tolkien.
Huttar, Charles A. Mythlore 29.3/4
(#113/114) (2011): 192-195.
Caldecott, Stratford and Thomas
Honegger. Tolkien’s The Lord of
the Rings: Sources of Inspiration.
(#103/104) (2008): 179-184.
Tolkien, J.R.R. Tolkien On FairyStories. Expanded edition, with
Commentary and Notes by
Verlyn Flieger and Douglas A.
Anderson.
28.1/2 (#107/108) (2009): 192-196.
Tolkien Studies: An Annual Review.
Volume 6 (2009).
Crowe, Edith L. Mythlore 27.3/4
(#105/106) (2009): 186-188.
Forest-Hill, Lynn, ed. The Mirror
Crack’d: Fear and Horror in JRR
Tolkien’s Major Works.
Foster, Mike. Mythlore 30.1/2
(#115/116) (2011): 189-192.
Fisher, Jason, ed. Tolkien and the
Study of His Sources: Critical
Essays.
F
(#111/112) (2010): 167-172.
Fimi, Dimitra. Tolkien, Race and
Cultural History.
(#105/106) (2009): 189-195.
Healy, Kim Coleman. Mythlore
28.3/4 (#109/110) (2010): 199-202.
Barkley, Christine. Stephen R.
Donaldson and the Modern Epic
Vision.
Hobbs, Priscilla. Mythlore 29.1/2
(#111/112) (2010): 180-183.
Perlich, John and David Whitt, eds.
Millennial Mythmaking: Essays on
the Power of Science Fiction and
Fantasy Literature, Films and
Games.
(#107/108) (2009): 175-179.
Young, Matthew. Projecting Tolkien’s
Musical Worlds: A Study of
Musical Affect in Howard Shore’s
Soundtrack to Lord of the Rings.
Crowe, Edith L. Mythlore 28.3/4
(#109/110) (2010): 179-183.
Skogemann, Pia. Where the Shadows
Lie: A Jungian Interpretation of
Tolkien’s The Lord of the Rings.
H
G
GoodKnight, Glen. Mythlore 27.3/4
(#105/106) (2009): 167-168.
Tolkien, Hilary. Black & White Ogre
Country: The Lost Tales of Hilary
Tolkien.
Gray, Bill. Mythlore 27.3/4
(#105/106) (2009): 159-166.
Harriman, Lucas H., ed. Lilith in a
New Light: Essays on the George
Macdonald Fantasy Novel.
K
Kane, Douglas C. Mythlore 29.3/4
(#113/114) (2011): 180-186.
Thomas, Jeffrey E. and Franklin G.
Snyder, eds. The Law and Harry
Potter.
Kondratiev, Alexei. Mythlore 27.1/2
(#103/104) (2008): 165-67.
Lambdin, Laura Cooner and Robert
Thomas Lambdin, eds. Arthurian
Writers: A Biographical
Encyclopedia.
M
McLaren, Scott. Mythlore 30.3/4
(#117/118): 147-150.
Gaarden, Bonnie.The Christian
Goddess: Archetype and Theology in
the Fantasies of George MacDonald.
Mills, Alice. Mythlore 27.1/2
(#103/104) (2008): 177-79.
Winnington, G. Peter. The Voice of the
Heart: The Working of Mervyn
Peake’s Imagination.
Moniz, Emily A. Mythlore 29.1/2
(#111/112) (2010): 183-186.
Eden, Bradford Lee. Middle-earth
Minstrel: Essays on Music in
Tolkien.
An Index to Mythlore Supplement: Issues 101/102 through 113/114
O
Oberhelman, David D. Mythlore
30.3/4 (#117/118): 153-155.
Chen, Fanfan, and Thomas
Honegger, eds.Good Dragons are
Rare: An Inquiry into Literary
Dragons East and West.
28.3/4 (#109/110) (2010): 198-199.
Gray, William. Death and Fantasy:
Essays on Philip Pullman, C.S.
Lewis, George MacDonald, and R.L.
Stevenson.
29.1/2 (#111/112) (2010): 186-188.
Prinzi, Travis. Harry Potter and
Imagination: The Way Between
Two Worlds.
Ordway, Holly. Mythlore 30.3/4
(#117/118): 168-170.
Khoddam, Salwa. Mythopoeic Narnia:
Memory, Metaphor, and
Metamorphosis in The Chronicles of
Narnia.
R
Rateliff, John D. Mythlore 28.1/2
(#107/108) (2009): 167-171.
Anderson, Douglas A., ed. Tales
Before Narnia: The Roots of Modern
Fantasy and Science Fiction.
(#103/104) (2008): 161-164.
Blaxland-de Lange, Simon. Owen
Barfield: Romanticism Comes of
Age: A Biography.
(#107/108) (2009): 186-191.
Himes, Jonathan, et al., eds. Truths
Breathed Through Silver: The
Inklings’ Moral and Mythopoeic
Legacy.
(#101/102) (2008): 212-215.
Sturgis, Amy H., ed. Past Watchful
Dragons: Fantasy and Faith in the
World of C.S. Lewis.
Sims, Harley J. Mythlore 29.1/2
(#111/112) (2010): 176-179.
Okrent, Arika. In the Land of Invented
Languages.
Sturgis, Amy H. Mythlore 27.3/4
(#105/106) (2009): 171-172.
Koontz, K. Dale. Faith and Choice in
the Works of Joss Whedon.
Rodgers, Amy S. Mythlore 30.3/4
(#117/118): 155-9.
Barfield, Steven, and Katharine Cox,
eds. Critical Perspectives on Philip
Pullman’s His Dark Materials:
Essays on the Novels, the Film and
the Stage Productions.
T
S
W
Schweitzer, Darrell. Mythlore
27.3/4 (#105/106) (2009): 173-174.
Szumskyj, Benjamin, ed. Fritz Leiber,
Critical Essays.
West, Richard C. Mythlore 30.1/2
(#115/116) (2011):174-176.
Lewis, C.S., edited with an
Introduction by A.T. Reyes. C.S.
Lewis’s Lost Aeneid: Arms and the
Exile.
(#117/118): 159-168.
Adams, Michael, ed. From Elvish to
Klingon: Exploring Invented
Languages.
(#115/116) (2011): 176-181.
Kerry, Paul E., ed. The Ring and the
Cross: Christianity and The Lord
of the Rings.
(#113/114) (2011): 187-191.
Knight, Stephen. Merlin: Knowledge
and Power Through the Ages.
32  Mythlore Index supplement volume 26.3/4 through 30/1.2
Tuerk, Richard. Mythlore 28.3/4
(#109/110) (2010): 183-186.
Schwartz, Evan I. Finding Oz: How L.
Frank Baum Discovered the Great
American Story.
White, Donna R. Mythlore 29.3/4
(#113/114) (2011): 195-198.
Oziewicz, Marek. One Earth, One
People: The Mythopoeic Fantasy
Series of Ursula K. Le Guin, Lloyd
Alexander, Madeleine L’Engle, and
Orson Scott Card.
Williams, Don T. Mythlore 27.3/4
(#105/106) (2009): 168-171.
Beversluis, John. C.S. Lewis and the
Search for Rational Religion.
Revised and updated.
Review Index by Item Reviewed



Sorted by author of reviewed item, or title for corporate works.
Main entries in bold face.
See and See also references are provided for co-authors, editors, directors, illustrators, etc.
A
Adams, Michael, ed. From Elvish to
Klingon: Exploring Invented
Languages.
(#117/118): 159-168.
Anderson, Douglas A., ed. Tales
Before Narnia: The Roots of
Modern Fantasy and Science
Fiction.
Rateliff, J.D. Mythlore 28.1/2
(#107/108) (2009): 167-171.
Anderson, Douglas A. See also
Tolkien, J.R.R., Tolkien On FairyStories
Barkley, Christine. Stephen R.
Donaldson and the Modern Epic
Vision.
Healy, K.C. Mythlore 28.3/4
(#109/110) (2010): 199-202.
Beversluis, John. C.S. Lewis and the
Search for Rational Religion
Revised and updated.
Williams, D.T. Mythlore 27.3/4
(#105/106) (2009): 168-171.
Blaxland-de Lange, Simon. Owen
Barfield: Romanticism Comes of
Age: A Biography.
(#103/104) (2008): 161-164.
Ashenden, Gavin. Charles
Williams: Alchemy and
Integration.
(#101/102) (2008): 203-206.
Auxier, Randall E. and Phillip S.
Seng, eds. The Wizard of Oz and
Philosophy: Wicked Wisdom of
the West.
Berman, R. Mythlore 30.1/2 (#115/116)
(2011): 171-173.
Bray, Susan and Richard Sturch.
Charles Williams and his
Contemporaries.
(#111/112) (2010): 172-176.
B
C
Barfield, Owen. Eager Spring.
(#105/106) (2009): 196-198.
Caldecott, Stratford and Thomas
Honegger. Tolkien’s The Lord
of the Rings: Sources of
Inspiration.
Huttar, C.A. Mythlore 29.3/4
(#113/114) (2011): 192-195.
Barfield, Steven, and Katharine
Cox, eds. Critical Perspectives
on Philip Pullman’s His Dark
Materials: Essays on the Novels,
the Film and the Stage
Productions.
Rodgers, Amy S. Mythlore 30.3/4
(#117/118): 155-9.
D
Davidman, Joy. Out of My Bone:
The Letters of Joy Davidman.
Ed. Don W. King.
(#109/110) (2010): 186-190.
E
Bogstad, Janice M., and Philip E.
Kaveny, eds.Picturing Tolkien:
Essays on Peter Jackson’s The
Lord of the Rings Film Trilogy.
(#117/118): 151-152.
Barfield, Owen. Night Operation.
(#105/106) (2009): 196-198.
Croft, Janet Brennan, ed. Tolkien
and Shakespeare: Essays on
Shared Themes and Language.
Auger, E.E. Mythlore 26.3/4
(#101/102) (2008): 199-201.
Chen, Fanfan, and Thomas
Honegger, eds.Good Dragons
are Rare: An Inquiry into
Literary Dragons East and West.
30.3/4 (#117/118): 153-155.
Eden, Bradford Lee. Middle-earth
Minstrel: Essays on Music in
Tolkien.
Moniz, E.A. Mythlore 29.1/2
(#111/112) (2010): 183-186.
F
Fastitocalon: Studies in
Fantasticism Ancient to Modern
Volume 1.1 (2010).
Croft, J.B. Mythlore 29.1/2 (#111/112)
(2010): 188-191.
Fastitocalon: Studies in
Fantasticism Ancient to Modern.
Volume 1.2 (2010).
(2011): 182-189.
Fimi, Dimitra. Tolkien, Race and
Cultural History.
Fisher, J. Mythlore 29.1/2 (#111/112)
(2010): 167-172.
Fisher, Jason, ed. Tolkien and the
Study of His Sources: Critical
Essays.
Foster, M. Mythlore 30.1/2 (#115/116)
(2011): 189-192.
Flieger, Verlyn. See Tolkien, J.R.R.
Forest-Hill, Lynn, ed. The Mirror
Crack’d: Fear and Horror in JRR
Tolkien’s Major Works
Crowe, E.L. Mythlore 27.3/4
(#105/106)(2009): 186-188.
Frankel, Valerie Estelle. From Girl
to Goddess: The Heroine’s
Journey through Myth and
Legend.
(2011): 168-171.
G
Gaarden, Bonnie. The Christian
Goddess: Archetype and
Theology in the Fantasies of
George MacDonald.
McLaren, Scott. Mythlore 30.3/4
(#117/118): 147-150.
Goodwin, Tali, and Marcus
Katz.Abiding in the Sanctuary:
The Waite-Trinick Tarot: A
Christian Mystical Tarot (1917–
1923).
(#117/118): 171-172.
Grahame, Kenneth. Ed. Annie
Gauger. The Annotated Wind in
the Willows.
(2009): 182-186.
Grahame, Kenneth. Ed. Seth Lerer.
The Wind in the Willows: An
Annotated Edition.
(2009): 182-186.
Gray, William. Death and Fantasy:
Essays on Philip Pullman, C.S.
Lewis, George MacDonald, and
R.L. Stevenson.
Oberhelman, D.D. Mythlore 28.3/4
(#109/110) (2010): 198-199.
H
Hares-Stryker, Carolyn. The
Illustrators of The Wind in the
Willows, 1908-2008.
34
(2009): 182-186.
Harriman, Lucas H., ed. Lilith in a
New Light: Essays on the George
Macdonald Fantasy Novel.
Gray, B. Mythlore 27.3/4 (#105/106)
(2009): 159-166.
Himes, Jonathan, et al., eds. Truths
Breathed Through Silver: The
Inklings’ Moral and Mythopoeic
Legacy.
(#107/108) (2009): 186-191.
Honegger, Thomas See also
Caldecott, Stratford, and Segura,
Eduardo.
J
Journal of Inklings Studies. Volume
1.1 (March 2011).
(2011): 182-189.
Koontz, K. Dale. Faith and Choice in
the Works of Joss Whedon.
Sturgis, A.H. Mythlore 27.3/4
(#105/106) (2009): 171-172.
Knight, Stephen. Merlin: Knowledge
and Power Through the Ages.
Sims, H.J. Mythlore 29.3/4 (#113/114)
(2011): 187-191.
L
Lambdin, Laura Cooner and Robert
Thomas Lambdin, eds.
Arthurian Writers: A
Biographical Encyclopedia.
Kondratiev, A. Mythlore 27.1/2
(#103/104) (2008): 165-67.
Lewis, C.S., and A.T. Reyes, ed. C.S.
Lewis’s Lost Aeneid: Arms and
the Exile.
West, R.C. Mythlore 30.1/2 (#115/116)
(2011):174-176.
M
K
Kane, Douglas Charles. Arda
Reconstructed: The Creation of
the Published Silmarillion
(2009): 189-195.
Kerry, Paul E., ed. The Ring and the
Cross: Christianity and The
Lord of the Rings.
Sims, H.J. Mythlore 30.1/2 (#115/116)
(2011):176-181.
Khoddam, Salwa. Mythopoeic
Narnia: Memory, Metaphor, and
Metamorphosis in The
Chronicles of Narnia.
Ordway, Holly. Mythlore 30.3/4
(#117/118): 168-170.
King, Don W. Hunting the Unicorn:
A Critical Biography of Ruth
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(#103/104) (2008): 167-171.
King, Don W., ed. See Davidman,
Joy.
MacSwain, Robert and Michael
Ward, eds. The Cambridge
Companion to C.S. Lewis.
Bassham, G. Mythlore 29.3/4
(#113/114) (2011): 178-180.
Miller, Laura. The Magician’s Book:
A Skeptic’s Adventures in
Narnia.
(#107/108) (2009): 172-175.
Miller, Ryder W., ed. From Narnia
to a Space Odyssey: The War of
Ideas between Arthur C. Clarke
and C. S. Lewis.
(#105/106) (2009): 181-186.
N
North Wind: A Journal of George
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Croft, Janet Brennan. Mythlore 30.3/4
(#117/118): 183-187.
O
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Invented Languages.
Sims, H.J. Mythlore 29.1/2 (#111/112)
(2010): 176-179.
Rateliff, John D. The History of The
Hobbit: Part One: Mr. Baggins;
Part Two: Return to Bag-End
(2008): 206-212.
Oziewicz, Marek. One Earth, One
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Pease, Donald E. Theodor SEUSS
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Perlich, John and David Whitt, eds.
Millennial Mythmaking: Essays
on the Power of Science Fiction
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(2010): 180-183.
Phelpstead, Carl. Tolkien and Wales:
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Brown, Sara. Mythlore 30.3/4
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Poston, Carol, ed. The Making of a
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(#115/116) (2011): 163-168.
Prinzi, Travis. Harry Potter and
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Oberhelman, D.D. Mythlore 29.1/2
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Smith, Ross. Inside Language:
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Snyder, Franklin G. See also Thomas,
Jeffrey E.
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Sammons, Martha. War of the
Fantasy Worlds: C.S. Lewis and
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Schwartz, Evan I. Finding Oz: How
L. Frank Baum Discovered the
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Tuerk, R. Mythlore 28.3/4 (#109/110)
(2010): 183-186.
Sturgis, Amy H., ed. Past Watchful
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Szumskyj, Benjamin, ed. Fritz
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Schweitzer, D. Mythlore 27.3/4
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the Final Frontier: Science and
the Supernatural in the Space
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(#109/110) (2010): 193-197.
Schweitzer, Darrell. The Fantastic
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Segura, Eduardo and Thomas
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(2009): 175-181.
Review. Volume 27 (2010).
Croft, J.B.. Mythlore 30.1/2 (#115/116)
(2011): 182-189.
Review. #28 (2011).
(#117/118): 183-187.
Skogemann, Pia. Where the
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Interpretation of Tolkien’s The
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Crowe, E.L. Mythlore 28.3/4
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Thomas, Jeffrey E. and Franklin G.
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Kane, D.C. Mythlore 29.3/4 (#113/114)
(2011): 180-186.
Tolkien, Hilary. Black & White Ogre
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GoodKnight, G. Mythlore 27.3/4
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Tolkien, J.R.R. Tolkien On FairyStories. Expanded edition, with
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(2008): 179-184.
Tolkien Studies: An Annual Review.
Volume 6.
(2009): 192-196.
Tolkien Studies: An Annual
Scholarly Review. Volume 7
(2010).
(2011): 182-189.
Tolkien Studies: An Annual
Scholarly Review. #8 (2011).
(#117/118): 183-187.
V
Van Leewen, Mary Stewart. A
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Versluis, Arthur, et al., eds.
Esotericism, Art, and
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Auger, E.E. Mythlore 28.1/2
(#107/108) (2009): 180-182.
(#101/102) (2008): 201-203.
W
Ward, Michael. Planet Narnia: The
Seven Heavens in the
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Ward, Michael. See also MacSwain,
Robert.
Whitt, David. See John Perlich
Whittingham, Elizabeth A. The
Evolution of Tolkien’s
Mythology: A Study of the
History of Middle-earth.
VII. See Seven.
36
Winnington, G. Peter. The Voice of
the Heart: The Working of
Mervyn Peake’s Imagination.
Mills, A. Mythlore 27.1/2 (#103/104)
(2008): 177-79.
Y
Young, Matthew. Projecting
Tolkien’s Musical Worlds: A
Study of Musical Affect in
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(2009): 175-179.
Mythlore Issue Checklist
Whole
#
101/102
Volume
#
26
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3/4
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103/104
27
1/2
Fall/Winter 2008
192
105/106
27
3/4
Spring/Summer 2009
204
107/108
28
1/2
Fall/Winter 2009
200
109/110
28
3/4
Spring/Summer 2010
208
111/112
29
1/2
Fall/Winter 2010
202
113/114
29
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Spring/Summer 2011
204
115/116
30
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Fall/Winter 2011
196
117/118
30
3/4
Spring/Summer 2012
192
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