New Harmony, Indiana
Transcription
New Harmony, Indiana
New Harmony, Indiana Materials • New Harmony encompasses a wide variety of materials and building styles • Home and building materials range from wood, to glass, to metal paneling. • Older buildings are often traditional log cabins and often have wood shingle roofs. Photo of West Street Log Cabins (1814-1819) Materials • The New Harmony district contains 25 buildings built on 8 sites between 18141824 • The district is made up of reconstructed log cabins, a potter’s shop and barns representative of early structures once built in New Harmony Photo of West Street Log Cabins (1814-1819) Harmonist Period (1814-1824) • Main founders lived in 2 story timber frame homes (built 1822). Photo of David Lenz House (1822) Owenite Period (1825-1867) • This time period reflects domestic architecture of the time. • Often these homes reflected federal, Greek Revival, Gothic Revival, and Italianite. Photo of Owen House (1830) Existing Homes Homes in New Harmony, Indiana Existing Buildings Buildings around Downtown New Harmony, IN Existing Buildings Buildings around Downtown New Harmony, IN The Roofless Church • The dome is constructed of laminated pine arches and stretches from 50 feet in the air to 6 concrete pillars at ground level. • The dome houses Jacques Lipchitz’s sculpture “The Descent of the Holy Spirit.” Photo of Roofless Church by Philip Johnson (1960) TheMaterials Atheneum • Post-Modern architectural style • Designed specifically for its sight in New Harmony in relation to the original Harmonist street grid and the direction of the river. • Includes some nonfunctional spaces and the use of natural lighting Photo of Atheneum by Richard Meier (1979) Existing Buildings • The design of the building is to encompass a breathing like motion, constantly moving • Consists of white porcelain enamel panels • 3 stories at 40 degree angles Photo of Atheneum by Richard Meier (1979) Building Techniques • The Atheneum serves as a buffer to ease the transitional period of old fences and clapboard houses to the postmodern era in an attempt to reinstate symbolism in architecture. • A lesson from this building is to show the possibilities of architecture and teach us the richness of architectural space and structure. Photo of Atheneum by Richard Meier (1979)