thoroughly modern mercedes
Transcription
thoroughly modern mercedes
m e c h a t r o n i k m e r c e d e s - b e n z 2 8 0 S L & 2 8 0 SE thoroughly modern mercedes Whatever your feelings about ‘improved’ classics, you’d be hard-pushed not to enjoy Mechatronik’s brilliantly modified 1960s machines Words Robert Coucher // Photography Ian McLaren 9 6 j u ly 2 013 O C T A N E O C T A N E j u ly 2 013 97 m ech at ron i k m ercede s -be nz 280SL & 280 se T he sky is that high-intensity cobalt blue only ever seen in Africa. The fierce afternoon sunshine is cooled by a sharp breeze coming in off the Indian Ocean, which lies a day’s canter to the east beyond the mountains, valleys and gorges that make this perfect vineyard country. Modern cars slip imperceptibly past us as we wait at the top of the famous Franschhoek Pass, cameras at the ready. The view is astonishing: from high on the escarpment we look down the vertiginous mountain face over the tourist enclave of Franschhoek village and across the Cape Peninsula all the way to Table Mountain in the distance. Having grown up in this part of the world, I am always moved by the magnificence of the Cape of Good Hope. From under the shade of some hardy pine trees we watch the sparse traffic ambling up 9 8 j u ly 2 013 O C T A N E the switchback road. Derivative machines drone along and the occasional heavily loaded truck groans up the steep incline. Then, from way down at the bottom of the valley we hear a very different sound. It is guttural and deep. The sound rises and falls, it syncopates and seems to punch at our eardrums. It’s alive and exciting. Then we see them: two flashes of speed in the sun, like gamefish leaping at the end of a long line. Then they are gone again under the canopy of green. But that lovely sound continues to build, that hard-edged thunder of big engines exploring their upper reaches. Photographer Ian McLaren switches his long-lensed Nikon to autodrive. By now the two ice-blue motor cars are about three corners below us. The noise is a ferocious blend of multiple cylinders, the amphitheatre of rock faces amplifying the dramatic symphony. The curious Baboons that had been watching us scamper off into the fynbos in alarm as the two Mercedes-Benzes charge around the last around the last kopie [rocky outcrop] in tight formation. You don’t have much time to clock that they are two classic Benzes of 1960s vintage as they flash past the lens at modern sports car speed. The exuberant sound is unfettered. It assaults your ears and you feel the power through the soles of your feet. Then they disappear, leaving us alone with the chirruping crickets in the shimmering heat haze. This roadside glimpse of two fast Benzes in action is special, but the view from behind the wheel is even better… Mercedes-Benz has not always been the most radical or daring of manufacturers, but the marque has always aspired to the highest standards of engineering and finish. From the 1950s until the early-1990s, the average Benz really was a fantastic bit of machinery, but quality began to suffer as the company was forced to ‘build down’ to satisfy the bean counters, and the C-class cars assembled in South Africa were the most frequently criticised. But Benz is back, and the two O C T A N E j u ly 2 013 9 9 m ech at ron i k m ercede s -be nz 280SL & 280 se examples you see here are representative of the 1960s heyday it is beginning to recapture. Or are they? The two-door, W113 280SL ‘Pagoda’ is ostensibly a 1969 model but it appears brand new. The W111 280SE 3.5 Cabriolet is of a similar age but it looks like it is just out of the box. Immaculate looks aside, both cars sit every so squarely and flat on their Mexican Hat alloy wheels shod with purposeful, more modern 205/65 tyres. Hmm. These are properly set-up motors. The Pagoda was initially launched in 1963 as a 1295kg, 230SL (Sports Leicht) with a sweet 2306cc straight-six engine. It was pretty and appealed to the well-heeled female audience it was aimed at, mostly in America. Its reputation as a tough sports car was earned when Eugen Böhringer entered a (slightly overbored) 230SL on the extremely tough 1963 Spa-Sophia-Liège Rally and won outright. Not just a Rodeo Drive boulevardier, then. The 230SL became the 250SL and in 1967 the larger 2778cc fuel-injected six was secreted under the bonnet, the 280SL offering even more grunt (along, it must be said, with softer suspension and more weight at 1360kg). The £3850 Pagoda would now do 120mph and crack 60 miles per hour in nine seconds. Good, original Pagodas are now very desirable and collectable as they were so well built, are practical, with great M-B spares backup, and are fun to drive. The drop-dead looks also help. Interestingly, the larger four-seater W111 Cabriolet eclipses the SL in value because just 1232 were ever constructed in 3.5-litre spec, against some 23,800 280SLs. First seen in 1961 as the 220SEb, the W111’s final and most desirable incarnation was released in 1969, priced at a strong £5158. The 280SE 3.5 Cabriolet weighed a hefty 1570kg but had the lovely 3499cc V8 to propel it along to a claimed 127mph, with a 0-60mph time of nine seconds. Not too shabby. Both the Benzes before us today exude the sort of quality that German engineers are famous for. Walking around them you stroke the steel flanks and they are unbelievably solid. The paintwork looks like it is double gloss and the chrome appears twice as thick as on any other motor car. Shut lines are millimetre-perfect and the heavily wrought doors close with the most satisfying thunk. Watch your digits – they’ll be sliced clean off if misplaced! The leather trim is clearly new but it looks totally correct, as do the carpets and the gleaming woodwork. And each has a clever Becker radio that appears period but is in fact a new, state-of-the-art sat-nav system. Ah, then you notice the automatic gearshift gates are slightly more modern. And on the rear of each car is a neat little badge: an ‘M’ with stylised Gullwing doors sitting above the word ‘Mechatronik’. Bingo. These beauties are not what they seem. Each one looks almost entirely original, with only the tyres and purposeful stance indicating otherwise. Open the bonnets and the source Mechatronik Mercedes-Benz 280SL ENGINE 4266cc V8, all-alloy SOHC, three valves per cylinder, fuel-injection POWER 279bhp @ 5750 TORQUE 295lb/ft @ 3000rpm TRANSMISSION NAG five-speed automatic STEERING Recirculating ball, power-assisted SUSPENSION Front: independent double wishbones, coil springs anti-roll bar. Rear: single joint swing axle, radius arms, compensating spring, coil springs, telescopic dampers BRAKES Discs all round, ABS WEIGHT 1360kg (approx) PERFORMANCE 0-60mph 6sec. Top speed 145mph 10 0 X X X X 2 013 O C T A N E O C T A N E j u ly 2 01 3 101 m ech at ron i k m ercede s -be nz 280SL & 280 se ‘These beauties are not what they seem. Open the bonnets and the source of the Flight of the Valkyries soundtrack is revealed…’ The nimble 280SL was no slouch in period, but with re-engineered suspension and a modern, lightweight 4.3-litre V8 engine, it fairly screams up the Franschhoek Pass. The 280SE retains a degree of civility, but is also alarmingly quick. 10 2 j u ly 2 013 O C T A N E O C T A N E j u ly 2 01 3 10 3 m ech at ron i k m ercede s -be nz 280SL & 280 se Above and below Specially designed ‘Stratos’ badge cleverly emulates the Lancia shield; mid-mounted Ferrari V8 sits on view beneath the glazed engine cover. of the Flight of the Valkyries soundtrack is revealed. In place of the normally perfunctory straight-six lumps, each engine bay houses a modern Benz V8. In the case of the Pagoda, it has a 4.3-litre M113 series V8 fitted, whacking out 279bhp, while the bigger Cabrio has a 5.0-litre M113 Series V8 stonking out 300bhp. Performance? The Mechatronik Pagoda will storm to 60mph in 6.5 seconds and is electronically limited to 145mph. The Cabrio will do the sprint in about 7.5 seconds with the same electronically limited top speed. Impressive, considering both cars look like concours-worthy originals. Mechatronik is based in a high-tech workshop in Pleidelsheim, just outside Stuttgart. Set up in 1997, the company has 50 experts who offer full restoration services on all Mercedes-Benz motor cars. But it is the M-SL and M-Cabriolet here that are extra special. These are classic Benzes that are subtly re-engineered in line with the demands of modern-day motoring. Mechatronik strips the cars down to the last nut and bolt and then completely rebuilds them to its customers’ requirements, which can include modern M-B engines, gearboxes, brakes, uprated suspension and creature comforts like air-conditioning, heated seats, sound systems and so on. Each Mechatronik M-car meets the tough German TUV engineering standards. At this point it is worth touching on the philosophy of these sorts of ‘improved’ classic cars. Some might argue that a perfectly original example is preferable, and Mechatronik will certainly build you a 100-point concours winner. But some individuals, such as the owners of these M-cars, want something different. Each of the fellows in question has an enviable collection of concours classics (including concours Benzes), but they both enjoy driving and wanted suitable classics to meet the rigours of everyday use. When asked why they didn’t just buy new Mercs, they both agree that they prefer the look and feel of hand-built classics and, although expensive, these Mechatronik Benzes will hold their values and not depreciate like stones. Savvy. Both owners insist I have a go at the Franschhoek Pass, so let’s start with the Pagoda. The interior is jewel-like and the big stuffed chair well sprung. The car starts with a muted V8 rumble, the 4.3-litre lightweight alloy engine is quiet and low-key at town speeds. The NAG five-speed auto ’box snicks into gear and the SL moves of with alacrity. Driving through the village it is tight and instantly responsive. The 65-series tyres, allied to the proper seat, impart a very comfortable and jitter-free ride, unlike modern sports cars. Mechatronik 280SE Cabriolet 3.5 ENGINE 4966cc, V8, all-alloy SOHC, three valves per cylinder, fuel-injection POWER 306bhp @ 5600rpm TORQUE 340lb/ft @ 2700rpm TRANSMISSION NAG five-speed automatic STEERING Recirculating ball, powerassisted SUSPENSION Front: Independent double wishbone, telescopic dampers, anti-roll bar Rear: single joint swing axle, compensator spring, radius arms, telescopic dampers BRAKES discs all round, ABS WEIGHT 1570kg (approx) PERFORMANCE 10 4 j u ly 2 013 O C T A N E O C T A N E X X X X 2 01 3 10 5 m ech at ron i k m ercede s -be nz 280SL & 280 se I have driven a number of SLs and the original straight-six is lusty and torquey and responds like the quality ’60s engine that it is. But on the first application of serious throttle in this M-SL, I am taken aback by the engine’s willingness to rev. It spins up so quickly I think there is a gearbox-slipping problem. No, it’s just that the modern V8 is so reactive it catches me by surprise. Up the steep pass, any gear will do thanks to the seamless torque. The ride remains pliant and the cleverly reworked suspension, with its Eibach springs and KW dampers, is well up to the job. The brakes are modern ABS so you have the luxury of storming the straights at full chat before standing on the anchors and letting the car lean on the outside tyres before powering through as the auto ’box sorts out the best ratio in an instant. It takes a few miles for your brain to calibrate the sort of modern sports car speed being spooled out by what feels like an über-sorted ’60s classic. But the car’s dynamics are more than capable and soon you are exploring your personal envelope of bravery. The soundtrack is big and melodious but not outright loud, as that would not suit a Benz of this quality. But the road speed is 10 6 j u ly 2 013 O C T A N E ‘The SE monsters the mountain in the most aggressive manner’ incredibly impressive and this is a properly fast car. And, as you’d expect, the SL features a wind deflector behind the rear seats to keep my hair in place. How civilised. All I now need is a defibrillator. The bigger Cabrio is next and I expect it to feel a bit lumpen after the sharp SL. But it has the bigger 5-litre V8, with a chunk more torque, combined with shorter gearing, so it monsters the mountain in the most aggressive manner. If anything, it has more feelsome power steering that the Pagoda, which in comparison seems just a tad light and imprecise. Maybe that’s because I was going much faster in the lighter Pagoda, but I don’t think so. The Cabrio is certainly heavier but it handles its weight with aplomb. It is seriously incongruous that a full-sized cabriolet should handle and react like this. You can cruise quietly four-up, or nail the throttle to summon 300bhp of grunt and blast past most traffic… uphill! What phenomenal motor cars. What exquisite Mercedes-Benzes. What a way to enliven daily driving. What a blast! After an afternoon of exciting motoring on one of the best roads in Africa we sit in quiet repose and admire the cooling Benzes over a glass of Sauvignon Blanc in the Huguenot quarter. Both cars are absolutely the best examples of the marque, restored to the highest possible standard, and re-engineered by one of the leading Benz specialists. They are automotive works of art, but, before any further poncification sets in, I rewind to the sensation of raw power as I seared up the mountain pass at indecent speed and laugh out loud. These cars are equal parts beauty and beast, but my lasting impression will be of their fabulously monstrous performance. End Thanks to the Mercedes-Benz owners; Mechatronik, (www.mechatronik.de); Johan Arndt, our riding mechanic; and Franschhoek Council for the superb roads.