15thANNUAL FRIENDS OF FRIENDS PHOTOGRAPHY AUCTION

Transcription

15th
ANNUAL FRIENDS OF FRIENDS
PHOTOGRAPHY AUCTION
Benefiting Angkor Hospital for Children
December 4, 2012
15th ANNUAL FRIENDS OF FRIENDS
PHOTOGRAPHY AUCTION
Benefiting Angkor Hospital for Children
DATE
December 4, 2012 (Tuesday)
6:00 – 7:00 pm Preview & Cocktail Reception
7:00 – 8:30 pm Live Auction
LOCATION
Metropolitan Pavilion
123 West 18th Street, #5FL The Level, New York, NY 10011
DÉCOR
Chazz Levi
HORS D’OEUVRES DURING THE COCKTAIL RECEPTION
AND LIVE AUCTION PROVIDED BY:
Saffron 59
All proceeds benefit Angkor Hospital for Children in Cambodia.
All of the artwork can also be viewed online at www.fwabphotoauction.org
which includes links to each artist’s homepage.
FOR INQUIRIES, CONTACT:
FRIENDS WITHOUT A BORDER
1123 Broadway, #1210, New York, NY 10010
Tel (212) 691-0909 Fax (212)337-8052
e-mail: fwab@fwab.org
Catalog Printed by New York Press & Graphics
Digital Photography courtesy of Don Penny, NYC
Cover: © The Irving Penn Foundation: Irving Penn, Child with Goat, Morocco, 1971
Foreword
Next year will mark the 20th anniversary of my first visit to Cambodia. I remember the first trip like it was
yesterday. Tourists were rarely seen at that time so when I set up my large camera on the causeway to the
Angkor Wat, I was alone. After spending a good amount of time under my dark cloth composing a picture,
I emerged to find myself surrounded by a group of children with big, curious eyes looking at me and
inspecting my photography equipment. I was astonished to see some of the children were missing limbs,
disfigured by landmines, and yet they were all smiling, with bright eyes, at a visitor.
I began looking into the local government hospital and soon realized that it was nearly impossible for a family
to seek medical treatment if they were not wealthy. I encountered a scene of a father who, having spent all
his money for the journey to the hospital and unable to pay for treatment, looked helplessly on as his little
girl passed away lying in a hospital bed. That’s when I decided to build Angkor Hospital for Children (AHC), a
children’s hospital, with compassionate staff that would treat every child, regardless of their financial situation.
The development of Cambodia, especially in Siem Reap, has been amazing: a quiet, ancient capital has
become a popular tourist destination and Cambodians have swiftly adapted to the ever changing economy.
So, too, is the progress that our staff has made since AHC opened in 1999. It started with only a handful
of doctors and nurses working with several expat medical professionals to learn basic medical skills and
knowledge. As AHC has gradually expanded over the years, the staff have become competent in their work,
turning into excellent role models and the leaders of the next generation of Cambodia’s healthcare system.
A world-class Cambodian hospital for Cambodians by Cambodians, has always been our ultimate goal.
Thanks to the tireless efforts of the phenomenal staff and volunteers at AHC, I have proudly watched the
hospital grow from infancy to adolescence. I’m happy to announce that AHC is about to enter into the next
phase of its life and will take a big step in 2013 toward the eventual goal of becoming an independent entity.
It is a very exciting moment.
It has been an amazing journey and it would not have been possible without the wonderful supporters of
our signature event, the photo auction. This annual charity event started fifteen years ago in the Howard
Greenberg Gallery, a strong partner from the beginning. Year after year, hundreds of artists have donated
their work, committee members have worked hard to improve the event, and the audience has been making
successful bids — all to support our cause. I cannot express to you how much it means to me to see so
many caring and generous people come together to keep this dream alive, proving every year that “Art can
Make a Difference.” I would like to take this opportunity to express my deepest gratitude for your generosity.
Kenro Izu
Photographer
Founder, Friends Without A Border
LOOKING back, Looking ahead
Since its inception, AHC has steadily grown with the help of knowledgeable, dedicated staff, and caring donors. When the hospital
opened its doors in 1999, patients were successfully treated with
only an outpatient department. In 2001, outreach programs focusing
on preventive care and health promotion were launched, followed by a Medical Education Center in 2004 and an Intensive
Care Unit in 2006. In 2010, the AHC Satellite was established to give healthcare options to patients and their families in
remote villages and to lessen complications that could arise from the long journey to AHC.
Also in 2011, Friends partnered with The Lake Clinic, an innovative boat-based
medical distribution system for the dispossessed and neglected floating villages
on the Tonle Sap, Southeast Asia’s largest lake. Established by founding
AHC director Jon Morgan, The Lake Clinic utilizes specially outfitted watercraft
to travel for up to six days at a time to reach families and children who might
otherwise not have the means to travel to AHC for treatment.
The seed of an idea that was planted in 1993, when Kenro Izu, Friends and AHC
founder, first visited Cambodia and realized the desperate need for high-quality
medical care for children, has evolved into a successful model that is respected throughout Cambodia and the international
medical and philanthropic communities. As AHC works toward self-reliance and self-governance, Friends has begun
exploratory visits to neighboring countries so that we can bring the same level of knowledge, treatment, and compassionate
care to the underserved children of Southeast Asia.
So many dedicated and loyal friends have given their support to further Friends
Without A Border’s cause of healing children, healing Cambodia, especially in the
arts and photography communities. Members of these communities are essential to AHC’s success and to making the annual Friends of Friends Photography
Auction a fantastic event and an important financial resource for the hospital.
We would like to take this opportunity to thank all the photographers, galleries,
and collectors who have contributed to the 15th Annual Friends of Friends
Photography Auction. With this special 15th anniversary, Friends will surpass a
cumulative total of $2 million raised by the auctions over the past 15 years. We thank the artists whose photographs make
the auction possible; our generous donors who provide essential support; committee members who give so much of
their time, energy, and talent to the event; and, of course, a sincere thank you to everyone who attends the auction. Your
support makes a spectacular difference to so many people on the other side of the world.
Photos © AHC (top) & KarlGlobl.com
In 2011, Friends Without A Border and Angkor Hospital for Children
marked a very special milestone - near the very end of the year, the
hospital treated its one millionth patient when 11-month-old Alya was
brought to the hospital seeking treatment for a bad case of stomach
flu. Her mother told the staff, “We trust the care that the doctors give
here at AHC. The medicine always works and the staff is kind.” The
smiles of the mother and her daughter as they left the hospital say it all!
Special Print
Seeing Things
from the series Monsters in the Closet
by Wendy Sacks
It is our pleasure to present this limited-edition print,
generously donated by Wendy Sacks exclusively for the
15th Annual Friends of Friends Photography Auction. The
print is now available prior to the auction.
Price $500 (tax-deductible portion $480)
Edition of 15
Pigment print
Year of work: 2012
Image size 12 x 7 7/8 on 14 x 11 paper,
presented in 17 x 14 4-ply mat
Signed, editioned and dated by the artist in pencil on the recto;
Embossed with Friends Without A Border stamp
Prints courtesy of www.LumierePhoto.com
Artist’s Statement on the Series:
A child’s ordinary bedtime routine is often times incomplete without the parent’s
feigned search for the scary monsters that lurk under the bed and in the closet,
accompanied by the comforting reassurance that every dark crevice is vacant of
evil. All too often however, such a reassurance is not entirely true. Real monsters
don’t hide in the closet, they hide at the bedside under the guise of a guardian
and blur their violence or anger under the pretense of love, discipline, or trust.
Monsters in the Closet depicts how child abuse is veiled from society by the fog
of lies abusive parents tell to their children, themselves, and to the world.
Live
AUCTION
01
01
Eliot Porter
Café Algodones, New Mexico, 1947
Gelatin silver print mounted on a museum board
7 1/2 x 9 1/2
Signed by the artist in pencil on the mount recto; Photographer’s
stamp, titled, dated and numbered in ink on the verso
Estimate $3,500
Donated by The Estate of Eliot Porter
courtesy of Scheinbaum & Russek Ltd.
02
02
Lewis Hine
The Promised Land: A Jewish Grandmother Arriving
at Ellis Island with Her Family and High Hopes of a
Wonderful Future for All, 1926
Gelatin silver print; Printed c. 1942
13 3/8 x 10 1/2
Annotations by pencil #1113.25 on bottom left, 24009 HL
on top right, and Ellis Island, 1926 on bottom right of the
verso
Estimate $2,000
Donated by The Estate of Harry H. Lunn, Jr.
03
Berenice Abbott
Pingpank Barbershop, 413 Bleecker Street, May 18,
1938
19 1/4 x 15 1/4
Signed in pencil on the mount recto
Estimate $7,000
Donated by Commerce Graphics
courtesy of Howard Greenberg Gallery
03
04
James Karales
Two Young Boys, Rendville, Ohio 1956
Gelatin silver print; Printed in 2009
13 3/8 x 8 1/8
Estate stamp with signature of executrix, Monica Karales, title, date,
print date and copyright date in pencil on the verso
Edition no. 3/4
Estimate $3,000
Donated by The Estate of James Karales
05
Lyndie Benson
Flying Laird 2012
Pigment print
26 1/4 x 26 1/4
Signed, dated, titled and editioned in pencil on the verso;
Stamped as donation
Artist print
Estimate $3,500
Donated by the artist
courtesy of Kanamangcapus Works
The image is included in the artist’s monograph, The Point (Dollhouse
Inc. Publishing, 2012).
04
05
06
George S. Zimbel
Blonde Girl & Black Dog, Queens, NY 1962
Gelatin silver print
22 1/2 x 15 1/4
Signed and year of work in ink on the recto; Signed, titled, and years of
work and print in pencil on the verso
Unique edition for this size
Estimate $4,000
Donated by the artist and Elaine Zimbel
06
The image is in the collections of International Center of Photography,
Institut Valencia D’Art Modern, and Owens Art Gallery & Museum.
07
Michael Clinton
Antarctica Remains 2003
Pigment print; Printed in 2012
12 1/2 x 19
Signed and editioned in pencil on
the recto
Edition no. 1/15
Estimate $1,000
The image is on the cover of the
artist’s monograph, Global Remains
(Gliterrati, 2011). The book comes
with the print.
07
08
Lois Conner
Campania, Italy 2011
Pigment print
17 1/4 x 22
Signed, titled, editioned and print type in ink
on the recto
Artist print no. 1
Estimate $2,500
This new series by Conner was featured in Aperture Magazine issue no. 204 (August, 2011).
08
09
William Thompson
Tanzania, Elephant
Communication from the series
Elephants of the World 1990
Giclee print on Arches; Printed
in 2012
16 1/2 x 23 7/8
Signed, titled and dated in pencil
and stamp on the recto
Unique print
Estimate $3,000
courtesy of Anne Reed Gallery
09
This series depicting elephant
communication was created on a
two-year assignment for National
Geographic.
10
Lynn Saville
Girl on the Highline 2010
C-print
16 1/2 x 22
Signed, titled, editioned and year of work in ink
on the verso
Artist print no. 1
Estimate $1,750
courtesy of Yancey Richardson Gallery
10
11
Saul Leiter
Chauffeur (variant), 1955
C-print; Printed c. 2005
13 1/2 x 9
Signed in ink on the verso
Estimate $4,000
12
Nicholas Prior
Untitled #200 2012
C-print
14 x 17 1/4
Signed, titled, editioned and dated in ink on the verso
Edition no. 2/15
Estimate $2,000
courtesy of Yossi Milo Gallery
11
12
13
Elliott Erwitt
USA, New York City, 1953
11 1/2 x 17 3/4
Signed in ink on the recto; Signed and titled
in pencil on the verso
Estimate $5,500
The image is included in the artist’s
monograph, Personal Best (Te Neues, 2008),
page 422.
13
14
William Abranowicz
Stonehenge 1994
13 3/8 x 9 7/8
Signed in pencil on the mount recto
Framed
Estimate $1,500
Donated by the artist and Andrea Raisfeld
courtesy of Bonni Benrubi Gallery
The image is an outtake from a cover shoot assignment
for Condé Nast Traveler.
14
15
Loewy and Puiseux
Photographie Lunaire: Rheita - Monts Altai - Theophile
16 Février 1899 16h5
Vintage heliogravure
22 1/2 x 18 1/2
Estimate $4,800
Donated by Fraenkel Gallery
A tissue overlay identifies the names of the craters.
15
16
16
Kikuji Kawada
The Last Cosmology 1987
Vintage selenium-toned gelatin silver print
8 1/2 x 12 5/8
Photographer’s blindstamp on the recto; Signed,
titled, editioned, dated and annotation in pencil on
the verso
Edition no. 18/20
Framed
Estimate $9,000
courtesy of Photo Gallery International and
Tsuyoshi Saeki
The image is of the last annular eclipse of the 20th
century, photographed at Cape Zampa in Yomitani
Village, Okinawa, Japan. Self-taught in photography,
Kawada’s first photographic success was in the
contest of Camera Monthly magazine (1952),
which was judged by Ken Domon and Ihei Kimura. He was one of the founders of the VIVO group.
His monograph, The Last Cosmology received
annual awards from the Photographic Society of
Japan and the Higashikawa Prize (1996).
17
Herb Ritts
Nandoye & Nangini (Rear View) Africa 1993
Vintage gelatin silver print; Printed in 1994
13 x 10 1/4
Estate stamp with signature of Mark McKenna,
executive director at HRF, and annotation of gift
print; Titled and editioned in pencil on the verso
Edition no. 15/25
Frame courtesy of Fine Art Frame Works
Estimate $4,000
Donated by Herb Ritts Foundation
courtesy of Edwynn Houk Gallery
The image was published in the artist’s monograph, Africa (Little, Brown and Company/
Bulfinch Press, 1994).
17
18
18
Steve McCurry
Boy in Mid-Flight 2007
C-print; Printed in 2012
13 x 19 1/2
Signed in ink on the recto; Photographer’s label with date and catalog #
(INDIA-10720) on the verso
Frame courtesy of CLV Art Services
Estimate $3,000
courtesy of Imagine Asia
The image appears on the cover of the artist’s monograph, The Unguarded
Moment (Phaidon, 2009).
19
Peter Steinhauer
Teal Cocoon, Hong Kong - 2011
Pigment print on Hahnemuhle
Baryta; Printed in 2012
36 x 36
Signed, titled and dated in ink on
the recto
Artist proof
Estimate $5,000
19
20
Don Hong-Oai
Gibbons at Play, Tianzi Mountains, 1986
14 x 11
Signed in pencil and photorgapher’s copyright stamp on the
verso; The red chops with the artist’s name, title and year in
Chinese charactors in ink on the recto; The calligraphy on
the face of the picture-giving title and location (supposedly) is
handwritten by the artist
Approximately 65 original prints
Estimate $6,000
Donated by The Estate of Don Hong-Oai
courtesy of Photos Gallery/ Ruth Silverman
The print is made from several original negatives composed by
the artist. No two prints of the same image are exactly alike.
The image does not present a real scene.
20
21
Masatomo Kuriya
Lotus in Gold, 1988
Cibachrome; Printed in 1988
22 1/2 x 18
Signed, titled and editioned in ink on the recto
Edition no. 2/15
Estimate 2,000
courtesy of Yancey Richardson Gallery
21
22
Michael Massaia
Deep in a Dream, Central Park, 2009
Multicoated platinum-palladium print; Printed
in 2012
12 X 15 1/4
Signed and editioned in ink on the recto and
Artist proof
Framed
Estimate $2,400
courtesy of June Bateman Fine Art
22
In the series, Central Park is captured in its
most haunting, desolate, and inviting
moments between 2:00 - 6:00 a.m. Massaia
recreates true “one shot” scenes by specializing in large format b/w film image capture
and large format Platinum printing.
23
Horst P. Horst
Coco Chanel (Reclining), 1937
Gelatin silver print; Printed in late 1980s
7x7
The collector’s stamp on the verso
Estimate $3,000
Donated by William Abranowicz and
Andrea Raisfeld
23
24
Richard Phibbs
Anissai 2009
Pigment print
16 3/8 x 21
Signed in pencil and embossed on the recto
Edition no. 4/25
Estimate $3,250
24
25
The image is included in the artist’s monograph,
Chasing Beauty (powerHouse Books, 2010) and in
the private collection of Ralph Lauren’s home.
Eikoh Hosoe
Barakei (Ordeal by Roses) #32, 1961
11 x 14
Signed in pencil on the recto; Signed and titled in
pencil on the verso
Frame courtesy of CLV Art Services
Estimate $5,500
courtesy of Tsuyoshi Saeki
The series is a portrait of the controversial author
Yukio Mishima at home. The image is included in the
artist’s monograph, Barakei (Shueisha, 1963; Aperture, 2008).
25
26
26
Irving Penn
Child with Goat, Morocco, 1971
Gelatin silver print mounted on a museum board; Printed in 1991
14 3/4 x 14 7/8
Signed by the artist and titled in ink with original credit stamp
on the verso
Edition no. 6
Frame courtesy of Drummond Framing
Estimate $40,000
Donated and copyrighted by The Irving Penn Foundation
27
Ed Pfizenmaier
Best to Go: Vogue Ad, 1960s
Vintage gelatin silver print
13 3/4 x 10 3/4
Signed and titled in pencil and stamp on the verso
Framed
Estimate $3,500
courtesy of Staley Wise Gallery
28
Daido Moriyama
Hip 1979
10 x 13 1/4
Signed in pencil on the verso
Framed
Estimate $3,000
27
28
29
29
William Klein
Red Light, Rome, 1960
11 3/4 x 18
Signed and titled in pencil on the verso
Estimate $4,000
30
30
Hiroshi Sugimoto
White Rhinoceros from the series Dioramas 1980
Selenium-toned gelatin silver print mounted on a 2-ply
museum board; Printed in 1992
13 3/8 x 23
Signed in pencil on the recto; Title and edition
blindstamped in the margin
Edition no. 11/25
Frame courtesy of Fine Art Frame Works
Estimate $20,000
The image is included in the catalog, Hiroshi Sugimoto
(Hatje Cantz Verleg, 2010), page 66.
“Upon first arriving in New York in 1974, I did the tourist thing. Eventually I visited the Natural History Museum, where I made a curious discovery: the stuffed
animals positioned before painted backdrops looked
utterly fake, yet by taking a quick peek with one eye
closed, all perspective vanished, and suddenly they
looked very real. I’d found a way to see the world as a
camera does. However fake the subject, once photographed, it’s as good as real.”
31
Jerry N. Uelsmann
Untitled, 1976 (a.k.a.Philosopher’s Study)
19 3/8 x 14 1/2
Signed, titled and year of work in ink and stamp on
the verso and the mount verso; Initialed and dated in
pencil on the window mat
Estimate $7,000
Uelsmann’s work has been exhibited in more than
100 individual shows in the U.S. and abroad over the
past thirty years and is in the permanent collections
of many museums worldwide. Most recently, the
Peabody Essex Museum has hosted the artist’s
50-year retrospective (2012).
31
Imagining Asia: Two decades on
Special Portfolio by James Whitlow Delano
Tibetan Girls Running, Labrang, Amdo, Tibet, 1996
Based in Tokyo, Japan since 1993, James Whitlow Delano has photographed throughout Asia, Latin America and Africa. He balances his
time between magazine assignments, projects on social issues, and creating fine-art images.
Delano is drawn to Asia because it does not turn away a stranger, who moves on instinct with a Leica camera. “I have lived several lifetimes in
two decades without beginning to quench my curiosity.”
His finely-crafted black and white images have been extensively exhibited throughout Europe, North America, Asia and Australia, and is in the
collections of Museum of Fine Arts Houston, Museum of Photographic Arts, La Triennale di Milano Fine Arts Museum, and Museo Fotografia
Contemporanea. His work regularly appears in publications such as the
New York Times Magazine, Newsweek, GEO, and Time, among many
others. Delano has been cited with the Alfred Eisenstadt Award from
the Columbia University Graduate School of Journalism/Life Magazine,
NPPA’s Best of Photojournalism, Leica’s Oskar Barnack, and Picture of
the Year International, among others.
32
A collection of ten pigment prints.
Foreword by Syunichi Nishiyama, President and Founder
of Mado-sha Publishing, Tokyo, Japan.
All of the prints are matted and presented in a hand-crafted
double wall drop spine box, covered in elegant bookbinding
cloth and a direct foil-stamped on the cover.
Various image sizes printed on 11 5/8 x 16 1/2 paper,
matted with 16 x 20 boards: Printed in 2012
Signed, titled, dated and editioned by the artist in pencil
on the verso; Embossed with Friends Without A Border
stamp on each print
Edition no. 1/2 of portfolio with artist proof prints from
edition of 10; Prints are edition of 25
Estimate $8,000
Portfolio courtesy of Cloverleaf Studio
Aung San Suu Kyi in the Garden of her Rangoon Home, Burma, 1996
Veiled Infant, China, 1995
Monk’s Reflection, Chiang Mai, Thailand, 1998
Bai Junk on Lake Erhai, Yunnan Province, China, 1997
Dong Twins, Zhaoxing, Guizhou, China, 1999
Monk Atop Steps of Main Prayer Hall
at Labrang Monastery, Amdo, Tibet, 2000
Dugout Boats Crossing Rapti River at Chitwan, Nepal, 1997
Bago, Myanmar 1998
Unloading Coal from a Canal Barge, Near Suzhou, China, 1996
Janbeyang Holy Mountain, Konkaling Mountains, Kham, Tibet, 2001
Silent
AUCTION
S33
Sandi Fellman
Deception #31 2012
Pigment print
14 x 10 1/2
Signed, titled and year of print in pencil on the recto
Estimate $1,000
S33
S34
S34
S35
Masao Yamamoto
Nakazora #1400 2005
5 x 4 3/4
Photographer’s stamp with signature, edition, and date
Edition no. 19/40
Estimate $1,000
Jasmine Swope
The Tides of El Matador #3 2011
Palladium print
14 x 18
Edition no. 1/9
Framed
Estimate $1,200
The image was exhibited at the Kierman
Gallery (2012).
S35
S36
Ruth Orkin
Couple in MG, Florence, Italy, 1951
9 3/8 x 13 3/8
Photographer’s blindstamp on the recto;
Estate stamp with title, date, copyright
date, and signature of executrix, Mary
Engel, in pencil on the verso
Estimate $1,000
Donated by Ruth Orkin Photo Archive
S37
S36
S38
Mike Disfarmer
Untitled, c. 1943
11 7/8 x 7
Disfarmer Collection blindstamp on the
recto; Disfarmer Collection stamp and
edition in pencil on the verso
Edition no. 6/75
Estimate $1,000
Donated by Disfarmer.com
Lorenzo Cicconi Massi
Un Altro Mondo 1999
9 1/2 x 9 1/2
Signed in ink on the recto
Estimate $1,250
Donated by Forma Galleria Milano
Cicconi Massi received the Canon Prize (1999) for this series
dedicated to children’s games, as well as the World Press Photo
Award (2007). Working also in films, his work is influenced by the
observation of human realities and landscapes of his native Italy.
His work appears in numerous magazines including Panorama,
Venerdi and Vogue.
S37
S38
S39
Jeff Bridges
Michelle Pfeiffer in The Fabulous
Baker Boys, 1989
4 x 9 3/8
Signed and editioned in ink on the
recto
Edition no. 46/150
Estimate $750
Donated by Rose Gallery
The print comes with the artist’s
monograph, Pictures (powerHouse
Books, 2003). The image was shot
on the set of a film.
S39
S40
Simon Chaput
Una NY 9L, 2002
S40
8 1/4 x 21 3/4
Photographer’s copyright stamp with
signature, title, edition, negative number,
and print date in ink on the mount verso
Edition no. 2/15
Estimate $2,000
S41
Bob Shamis
Art Blakey, Harlem 1979
Gelatin silver print; Printed in early 1980s
9 x 13 3/8
Signed, titled and year of work in pencil
on the verso
Open edition, 1 of 5 vintage prints
Estimate $2,000
courtesy of Fourth Street Photo Gallery
The image was taken at Studio Toni deRossi,
Verona, Italy.
S41
S42
Nancy Hellebrand
#354 Clouds 2003
16 x 21 1/2
Signed, editioned, titled and year of
work in pencil on the recto
Edition no. 1/11
Estimate $2,200
S42
S43
Joshua Jensen-Nagle
Looking out from the Darkness 2007
Pigment print face-mounted on plexi; Printed in 2012
20 x 20
Signed, editioned and name in ink on the back
of frame
Artist print no. 3/3
Framed
Estimate $1,900
The image has appeared in Canadian Art, National
Post and Globe and Mail.
S43
S44
Brigitte Carnochan
Ranunculus I 1999
Gelatin silver print painted with oils; Printed in 2007
9 1/2 x 9 1/2
Signed, titled, editioned and year of print in pencil on the recto
Edition no. 4/7
Estimate $1,500
courtesy of Photos Gallery / Ruth Silverman
Layers of paints are applied on a gelatin silver print with rolls of
100% cotton, round toothpicks and q-tips instead of brushes
to interpret the essence of the subject according to the artist’s
imagination. This series of work has been featured in publications such as AfterCapture (2011), Zoom (2009) and Camera
Arts Magazine (2006).
S44
S45
Phillip Toledano
Xi 2012
Pigment print
16 x 20
Artist proof
Estimate $1,200
courtesy of Klompching Gallery
S45
S46
Tom Chambers
Marwari Stallion #3 2009
14 x 14 1/2
Signed, titled, editioned, years of work and print in pencil
on the verso
Edition no. 2/20
Estimate $750
The image was the poster image for Salong du Automne
2010 in Paris. It was photographed on Martha’s Vineyard.
S46
S47
S47
Ed Kashi
Aetas, Philippines, 1999
8 x 12
Signed and editioned in ink on
the recto
Edition no. 3/5
Estimate $750
S48
Sheila Rock
Spinning from the series Spiritus/ St. Pancras 2011
11 5/8 x 10
Signed, titled and editioned in pencil on the verso
Edition no. 1/25
Estimate $2,000
S48
S49
S49
Hiromitsu Morimoto
Sunflower #2 2008
5x4
Signed and year of work in ink on the recto
Framed
Estimate $400
courtesy of Jayne H Baum Gallery
S50
S50
Brett Weston
Spanish Valley 1960
7 5/8 x 9 1/2
Signed and year of work in pencil on the
mount recto
Estimate $3,000
Donated by Laurence Janss
courtesy of Four Friends Gallery
S51
Hiroshi Watanabe
Azusa Tukamoto as Osome,
Matsuo Kabuki from the
series Kabuki Players 2003
Early toned gelatin silver print
10 x 10
Signed, dated and editioned in
pencil on the verso; Photographer’s label with title, edition,
and years of work and print in
ink on the mount verso
Edition no. 23/30
Estimate $1,750
S52
Michael Kenna
Tree Portrait, Study 7,
Wakoto, Hokkaido, Japan,
2002
Sepia-toned gelatin silver print;
Printed in 2011
8 1/4 x 7 1/2
Signed, editioned and year
of work in pencil on the
mount recto
Edition no. 5/45
Estimate $2,000
courtesy of Robert Mann
Gallery
S51
S52
S53
Thomas Kellner
Genova, Camera di Comercio, Gilded Room, 2005
C-print
20 1/2 x 16 1/2
Signed, titled, dated and numbered on label
Edition of 20
Framed
Estimate $1,500
Donated by Debora Shriver
S53
S54
S54
Albrecht Tübke
Cecilia, 2011
C-print
12 1/4 x 9 3/4
Signed, titled, editioned and year of print in ink
on the verso
Edition no. 1/6
Estimate $2,100
courtesy of Rose Gallery
S46
S55
Alvin Booth
Anamorphosis #09011005 2009
Uniquely toned gelatin silver print
27 x 36
Signed, editioned and year of print in pencil on
the recto
Edition no. 2/7
Estimate $6,000
Donated by the artist and Nike Lanning
courtesy of Fahey Klein Gallery
The image is an analog image of a Martha
Graham dancer, created without photoshop.
S55
S56
Paul Outerbridge
Woman with Turquoise Dress, Laguna Beach,
California, c. 1952
12 3/4 x 8 3/4
Signed, editioned and annotations by Graham Howe on
the print verso
Edition no. 3/25
Framed
Estimate $2,550
Donated and copyrighted by Graham Howe
The print comes with the artist’s monograph, Paul
Outerbridge: New Color Photographs from Mexico and
California, 1948 - 1955 (Nazraeli Press, 2009).
The artist never created prints of this image.
S56
S57
S57
Douglas Kirkland
Brigitte Bardot, Mexico 1965
14 x 14 1/4
Signed and titled in pencil on the recto
Estimate $1,600
Donated by the artist and Françoise Kirkland
The print comes with a certificate of authenticity.
S58
S58
Jose Picayo
Still Life with Japanese Vase, 1998
Pigment print on Mitsumata paper; Printed in 2012
12 x 9 1/2
Signed, titled and dated in pencil on the verso
Framed
Estimate $1,500
Featuring Artists from Japan
Special thank you to Tsuyoshi Saeki, Publisher of Kaze no Tabibito magazine, who collected the prints
presented on the following pages.
S59
Takeshi Mizukoshi
Karakorum - Gasherbrum IV 26,000 Feet from Baltoro Glacier 1979
6 3/8 x 9 5/8
Signed and editioned in ink on the verso; Titled and annotation in pencil on the verso
Edition no. 7/30
Estimate $1,250
S59
Well-known for his works in the area of alpine and nature shooting, Mizukoshi was
awarded the Annual Prize by the Photographic Society of Japan for his monograph,
Primeval Forests in Japan (1991) and the Ken Domon Award for Forest Island (1999).
S60
Jun Morinaga
Wave #1 1972
11 3/4 x 17 1/2
Signed, titled and location in pencil on the verso; Annotation in pencil on the verso
Estimate $3,000
S60
In the early 60s, Morinaga assisted W. Eugene Smith who expressed a great affinity
for his work. Morinaga was awarded the Annual Prize by the Photographic Society
of Japan (1980). His work is in the collections of National Gallery of Canada, Santa
Barbara Museum of Art, and Tokyo Metropolitan Museum of Photography.
S61
Kensuke Kazama
Silent City 2011
11 1/2 x 9 1/4
Signed in pencil on the recto
Estimate $300
The image was taken in Kesen-numa city of Miyagi Prefecture, which was severely
affected by the 3.11 earthquake and tsunami. Kazama received the Special Award by
the Higashikawa Prize (2002) and the Newcomer Award by the Photographic Society
of Japan (2006).
S61
S62
Taishi Hirokawa
Time and Tide - Age of the Tree - #3-2 2003
18 1/3 x 13 3/4
Signed, titled, and years of work and print in pencil with copyright stamp on the verso
Charity edition
Estimate $2,000
Hirokawa’s work has been extensively exhibited through the U.S., Europe and Japan, and is in the
collections of Los Angeles Country Museum of Art, San Francisco Museum of Modern Art and
Bibliothèque Nationale de France. He has received the New York Art Directors Club Award (1996) and
the Annual Award by Photographic Society of Japan (2003). Most recently, Hirokawa has worked as
a cinematographer on Tony Takitani (2005) and Flowers (2010).
S62
S63
Yoshiaki Kita
Harijan (India) 2005
20 1/4 x 14
Signed, titled, editioned and year of print in pencil on the verso
Artist print
Estimate $600
Kita has been photographing extensively worldwide over the past two
decades. His work has been exhibited at numerous art festivals
including Chicago Art Festival (2011) and Arles Photo Festival (2009).
S64
Hiroshi Ohashi
Banya (Seaside Inn for Fishermen) 1979
6 x 9 1/4
Estimate $400
Ohashi has two published monographs, Moss Cosmos (Diamond,
1995) and 1972 Seishun Gunkan Island (Shinjuku Shobo, 2006).
S63
S64
S65
Kazuhiko Washio
Seas - on the Horizon 2011
6 1/8 x 9
Edition no. 3
Estimate $400
Washio has been photographing the coast line of Japan for more
than 15 years. The image was taken just before the 3.11 tsunami and
appears in his self-published catalog, On the Horizon. Proceeds from
sales of the catalog go towards helping the victims of the disaster. The
print comes with the catalog.
S66
S65
Tsuneo Yamashita
Another Time on the Ryukyu Islands No. 1 2007
8 x 12
Signed, titled, dated and location in pencil on the verso
Edition no. 1/10
Estimate $650
Known for his images of Okinawa, Yamashita here captures the native
shaman ceremony.
S66
S67
Ryoichi Saito
Hachinohe from the series A Good Day - Japan 2010
11 7/8 x 17 1/8
Signed and titled in ink on the recto
Estimate $500
The image appears in the artist’s monograph, A Good
Day - Japan, which depicts the cheerfulness of people in
rural areas who have survived in a country with many
natural disasters, especially after the 3.11 earthquake
and tsunami. Saito received the Newcomer Award by the
Photographic Society of Japan for New Map (1992) and
the Higashikawa Prize for Lost China (2003).
S67
S68
Katsutoshi Hatsuzawa
Angel of Homeless 2011
Pigment print
7 1/2 x 11 3/8
Estimate $300
Hatsuzawa is known for his images of Paris.
Here he documents a homeless female in Japan.
S69
Eriko Koga
Asakusa Zenzai (Image No. 51) 2004
6 3/8 x 9 1/2
Edition no. 1/20
Estimate $400
courtesy of Emon Photo Gallery
S68
The image appears in the artist’s monograph, Asakusa
Zenzai (Seigensha, 2011), which intimately portrays an old
couple in Asakusa, Tokyo. Her work is in the collections of
Bibliothèque Nationale de France and Kiyosato Museum
of Photographic Arts.
S69
S70
Nobuyuki Takahashi
Untitled 2012
Cibachrome
6 1/4 x 9 5/8
Estimate $600
S70
Known for his images of Niyodo River in Kochi,
Takahashi’s images of nature scenes have been
extensively exhibited. His work is in the collection of
Museum für Kunst und Gewerbe.
S71
Takeshi Shikama
Evanescence - Landscape #4 2009
Platinum-palladium print on handmade Japanese Gampi paper
5 1/2 x 5 1/2
Signed, titled, editioned and dated in pencil on the recto
Edition no. 3/15
Estimate $1,500
courtesy of Alan Klotz Gallery
Shikama captures the fleeting moments of all living things coexisting
within the forest. His work has been exhibited extensively in the U.S.,
and is in the collection of The Museum of Fine Arts Houston, among
many others.
S72
S71
Masataka Nakano
Hong Kong 2001
11 1/2 x 16
Edition no. 10
Estimate $1,200
courtesy of Gallery Art Unlimited
Nakano has received the Newcomer Award of The Photographic
Society of Japan for his monograph, Tokyo Nobody (2001), the Ihei
Kimura Award for Tokyo Windows (2005), and the Sagamihara Photographic Award in Professional Section for My Lost America (2008).
S72
S73
Naonori Nishiyama
Bird 2002
9 1/2 x 9 1/2
Estimate $650
courtesy of Emon Photo Gallery
After receiving the “Is Everybody The Same?” Award by
Camera Monthly magazine in 1997, Nishiyama’s work
has been exhibited extensively. “What would be the color
if you combine your past, present and future together in a
melting pot…?”
S74
S73
Kazuyoshi Nomachi
Salt Caravan, Ethiopia 2012
Pigment print
10 7/8 x 16 1/4
Estimate $3,000
Nomachi received awards by the Photographic Society
of Japan and the Higashikawa Prize in 1997 for his
monograph, Sahara 20 years. His work on Asian and
Islamic countries has appeared in leading publications
such as National Geographic, Stern and GEO magazines.
S74
S75
Yoshiaki Maeda
Cat in Sanya, Tokyo 1997
8 1/2 x 5 5/8
Estimate $300
The image is from Maeda’s monograph, Timetable for Cats (Gabo Ruru, 2004), which is
comprised of a series of images published in Tokyo Newspaper.
S76
Takehiko Nakafuji
Paris 2011
11 x 7 1/4
Signed, titled, dated and year of print in
pencil on the verso
Estimate $400
courtesy of Gallery Niépce
S75
Known for his b/w shots of cities,
Nakafuji has photographed in many
formerly socialist countries. A great
many of his works are in the collection of
Kiyosato Museum of Photographic Arts.
S77
S76
Seiichi Motohashi
Volsovichi Village 1995
9 x 13 1/2
Signed and dated in ink on the verso
Estimate $900
Motohashi photographed the life of
people who inhabit the polluted area
around Chernobyl and also published
two books on the subject: From the
Winds of Chernobyl and Infinite Embrace.
He has received the Ken Domon Award
(1998) and the Taiyo Award (1968).
S77
S78
Manabu Someya
Calcutta 1998
Early gelatin silver print
8 7/8 x 11 1/2
Signed, titled and dated in pencil on the
verso
Artist proof
Estimate $900
Since childhood, Someya always held an
image of Calcutta that was not the typical
“sacred & secular” or “noisy & chaotic”,
but something more romantic: a city with
sadness and beauty of life. His wish is
that his images, taken with a large format
camera, will one day bring the beautiful
memories of the city back to life for those
who live there.
S78
S79
Mary Durante-Youtt
Pushing Out 2009
Pigment print
15 x 10
Artist proof
Estimate $800
S79
S80
S80
Gyorgy Kepes
Photo-Drawing #4 1940s
Gelatin silver print; contact printed; Printed in 1980s
10 x 8
Signed and dated 1948 in pencil on the verso
Estimate $1,500
Donated by Michael Shapiro Photographs
S81
Jene Youtt
Phantom 2008
C-print on metallic paper
19 1/2 x 13
Edition no. 5/20
Estimate $850
S81
The image has received various awards including the International Aperture Award - bronze award (2010), and honorable
mention, Robert Cornelius Award (2010), International Photography Award (2009) and Prix de La Photographie (2009).
S82
Sean Perry
Event Horizon from the series
Gotham 2005
Platinum-palladium print; Printed in 2007
10 x 10
Edition no. 5/17
Framed
Estimate $1,350
courtesy of Stephen L. Clark Gallery
The image was exhibited at the Stephen
L. Clark Gallery (2008) and featured in
the 2007 AIPAD catalog.
S82
S84
S83
S83
Robert Buelteman
Alpine Lupine 2004
15 x 6 1/2
Signed, titled and editioned in pigment on the recto
Edition no. 3/25
Framed
Estimate $1,500
S84
Koichiro Kurita
Sunbeams from the series Chi-Sui-Ki
(Terresphere-Hydrosphere-Atmosphere) 1994
Platinum-palladium print on Japanese handmade paper;
Printed in 2002
8 x 10
Signed and editioned in pencil on the recto; Signed, titled,
editioned, dated, print year and location in pencil on the verso
Edition no. 7/20
Estimate $1,600
courtesy of Sepia Eye
The image was taken in Cape Cod, MA.
S85
John Delaney
Himalayan Boy 1992
Toned gelatin silver print; Printed in 1998
8 5/8 x 8 1/2
Edition no. 2/10
Estimate $1,000
S86
Sunil Gupta
Untitled #2 from the series Imagining Childhood:
Living with HIV in Delhi 2006
Lamda print; Printed in 2006
12 1/8 x 18 1/4
Signed, titled, editioned, years of work and print in ink on
the verso
1 of special edition
Estimate $3,000
S85
S86
S87
Phil Borges
Howa, 8 2005
20 x 20
Signed in pencil on the verso; Title and annotation printed
in ink and editioned in pencil on the recto
Edition no. 6/35
Framed
Estimate $1,600
Donated by the artist and Julee Geier
Awash Fontale, Ethiopia
Howa will be the first girl in her family’s history not to
be circumcised. In spite of the morbidity and long-term
health consequences due to the procedure, most Afar
girls look forward to their “salot” (circumcision ceremony).
They emerge from the ceremony with renewed respect
in the community and are then, and only then, eligible for
marriage. An uncircumcised female would bring shame
to herself and her entire family. Before the elders voted
to end female circumcision in Awash Fontale essentially
100% of girls were circumcised before the age of 12.
The print comes with a certificate of authenticity.
S87
S88
John Willis
Tuol Sleng/Emperor’s Palace
Composite 2009
6 1/2 x 13 3/4
Signed, titled, editioned and year of
work in pencil
on the back of the frame
Edition no. 6/12
Framed
Estimate $2,000
courtesy of Gallery Kayafas
S88
S89
Willis created the series to examine
humanity’s ability to repeat injustice.
At Tuol Sleng, a former public school
which turned into a torture and
execution prison during the Khmer
Rouge era in late 70s, visitors often
respond emotionally to the persecutor’s images by using graffiti and
defacing the images. At another tourist site in Phnom Penh, the Emperor’s
Palace has a large courtyard lined
with deteriorating frescoes representing
the Reamker, Cambodia’s epic poem
portraying trust, loyalty, love and revenge.
John McDermott
The West Gate - Angkor Thom,
Angkor, Cambodia 2008
20 x 40
Signed and editioned in ink on the
recto; Signed, titled, editioned, and
years of work and print in pencil on
the verso
Edition no. 29/40
Estimate $3,000
courtesy of McDermott Gallery
The image was photographed before
a wooden ramp and support brackets
were erected at, and around, the site.
The print comes with a certificate of
authenticity.
S89
S90
Tri Luu
Hue, Vietnam 2010
S90
Cyanotype; Printed in 2012
7 x 10
Signed, titled, editioned, name and finger print
in ink on the recto
Artist proof no. 1/3
Estimate $1,500
S91
S91
Gerald Förster
Little Angel - Nepal from the series
Light Years Project 1994
17 3/4 x 23
Signed, titled, editioned, and years of
work and print in pencil on the verso
Edition no. 4/9
Frame courtesy of Fine Art Frame
Works
$4,500
courtesy of Stephen Cohen Gallery
The Light Years Project is an experiment in photo-poetic portraiture in
more than twenty countries spanning
across five continents.
S92
Hamid Sardar-Akhami
Chin ‘Dai Elder, Mindat, Burma,
2012
S92
19 7/8 x 26 1/2
Edition no. 1/9
Estimate $1,800
S93
William Wegman
Frame up, 1993
10 x 8
Edition no. 21/30
Estimate $750
The image features Fay and her daughter, Betty.
S93
S94
Yong Hee Kim
Cherry Blossom, #8295 2010
Pigment print
20 x 30
Stamped with name, title, print type,
edition, and email in ink on the verso
Edition no. 1/5
Estimate $2,000
S94
S95
Enna Deer
Lost Knight on Backgammon Board
from the series Lost Knight 2004
16 3/4 x 24
Unique print of this size
Estimate $1,800
S95
S96
Ellen Silverman
Cuban Kitchen - Havana 2012
Pigment print
20 x 13 1/4
Signed, titled, edtioned and dated in pencil on the verso
Edition no. 2/8
Estimate $650
S96
S97
Linda Cummings
Drawing Water I from the series Stirring the Waters 2010
Pigment print on Hahnemuhle Rag
20 x 13 1/4
Signed, titled, editioned and year in pencil on the verso
Edition no. 1/3 of this size, total edition size of 10
Estimate $1,600
courtesy of d|mcontemporary
The print comes with a 68-page exhibition catalog of the series with
an essay by April Gornik (d|mcontemporary Gallery, 2010). The series
was taken on the Farm River in coastal Connecticut. Rooted in her
performance-based ‘slip’ photographs during the 90s, Cummings’
photographic process takes her down river in a kayak using a paddle
to navigate, but also to literally stir, splash or stroke, and sometimes
draw on the surface of the water.
S97
S98
S98
Raphael Shammaa
Tree on Brackish Pond, Yarmouth
Port, Cape Cod 2010
9 1/4 x 13 3/4
Signed, editioned, and years of work and
print in pencil on the verso
Estimate $650
S99
Michael Amoruso
Off the Leash 2004
9x9
Signed, titled, editioned and year of print in pencil
on the verso
Edition no. 6/15
Estimate $500
S100
David Simonton
Humber House, Greenville, Pitt County,
North Carolina, November 1999 from the
series Of This Place: Photographs from
North Carolina
18 x 18
Signed, titled, editioned and print year in pencil
on the verso
Edition no. 2/5
Estimate $1,000
S99
“North Carolina, the third-fastest-growing state
in the US, is at a turning point, losing many of
its distinctive characteristics to cookie-cutter
franchises. As a witness to an inevitable transition,”
Simonton photographs as a way of remembering.
S100
S101
George McClintock
Crêpier 1979
14 x 14
Signed, titled, and years of work and print in ink on
the verso
Estimate $500
S101
The image was exhibited at Salon Ciel (2012).
S102
Amy Touchette
Circus Sideshow Dressing Room, Coney Island
from the series Shoot the Arrow: A Portrait of
the World Famous *BOB* 2004
9 3/8 x 14
Signed and editioned in pecil on the verso
Edition no. 1/10
Estimate $1,600
S102
S103
The series depicts a Brooklyn-based female
burlesque dancer who is a central part of the neoburlesque movement that began in New York City
in the 90s. Touchette’s recently created Super-8mm
film that supplements the still photography series
was shown at the 2012 New York Photo Festival.
Stephanie Dworkin
Wonder Wheel from the series
Coney Island 2008
Pigment print on Hahnemuhle Rag; Printed
in 2012
14 x 14
Signed in ink on the recto; Signed, titled,
editioned, dated, and website in ink
on the verso
Estimate $550
Various images from the series have been
featured in juried exhibitions.
S103
S104
Irene Kung
Nuvole 2 2011
Pigment print
15 3/4 x 26 3/4
Signed and editioned in pencil on the recto
Edition no. 2/5
Estimate $2,500
courtesy of Forma Galleria Milano
S104
Kung was trained as a painter and has exhibited her
work at the Forma Galleria (2012), Bozar - Centre for
Fine Arts (2012), Chiaroscuro Contemporary Art (2012)
and Photographica Fine Art Gallery (2010) among many
others. Her work is in the Hermes Collection, Paris.
S105
Monica Karales
Prom 2011
9 3/4 x 13 1/4
Signed, titled and editioned in pencil
on the verso
Edition no. 1/2
Estimate $2,000
S105
S106
S106
S107
David Rudin
The Little Cowboy, Gyantse, Tibet, 2007
10 1/4 x 10 1/2
Signed, titled, editioned, print year and
copyright in pencil on the verso
Edition no. 1/25
Estimate $400
Bill Burke
Bicycle Repair, Phnom Penh, 1998
15 7/8 x 19 7/8
Signed, titled and dated in ink
on the recto
Estimate $2,500
S107
S108
Nandita Raman
Untitled #7 2009
20 x 16
Edition no. 1/12
Framed
Estimate $1,000
The image received the Cos Project Prize by
Daylight Magazine (2011). It has been published in
the Sunday Guardian and Marg magazines and is
in the permanent collection at the Snite Museum
of Art.
S108
S109
Pamela Singh
Façade, 2000
7x7
Estimate $2,000
S109
S110
S110
Daido Moriyama
Cherry Blossoms 1972
8 7/8 x 13 1/4
Estimate $3,000
S111
S111
Walker Evans
Joe’s Autograveyard, Pennsylvania, 1935
14 x 30 1/8
Titled, editioned and annotation of the printer
on the recto
Edition no. 4/146
Estimate $3,000
Donated by John T. Hill
courtesy of Martson Hill Editions
S112
S112
Barbara Mensch
Nathan’s Famous 2000
Selenium-toned gelatin silver print
15 x 15
Signed, titled, editioned and year of work in pencil
on the verso
Edition no. 5/10
Estimate $3,000
S113
S113
Todd Webb
Left Bank Laundry, Paris 1950
Gelatin silver print; Printed in 1970s
12 1/2 x 9 1/2
Signed, titled, dated in ink on the recto; Copyright
stamp with print date on the verso
Estimate $2,500
Donated by Howard Greenberg
S114
S114
Arthur Leipzig
T.W.U. Rally 1947
15 1/8 x 19 1/2
Signed in pencil and photographer’s stamp
on the verso
Estimate $2,500
Donated by Judith Leipzig
S115
Harold Feinstein
Screaming on the Cyclone, Coney
Island 1952
11 1/2 x 7 1/2
Signed, titled, editioned and year of work
Edition no. 1/20
Estimate $1,800
The print comes with a certificate
of authenticity.
S115
S116
Ken Rosenthal
Seen and Not Seen #1426-1 2001
Toned gelatin silver print; Printed in 2001
15 x 15
Signed, titled, editioned and year of work in
pencil on the verso
Edition no. 1/25
Estimate $1,000
courtesy of Klompching Gallery
S116
S117
Don Penny
Wink V4 (The Eye) 2009
18 1/2 x 12 1/3
Signed in pencil on the recto and verso
Artist proof no. 2
Estimate $1,500
S117
S118
Dan Nelkin
“Waiting for the Judge” Otsego County Fair
2004
C-print
18 7/8 x 18 7/8
Signed, titled and editioned in ink on the verso
Estimate $1,000
S118
S119
Ellen Kaplowitz
Rice Fields in the Cordillera Mountains,
Philippines 2009
C-print
20 x 30
Signed in pen on the mount verso
Edition no. 1/20
Framed
Estimate $3,000
The image was a part of a photo essay in
Natural History Magazine regarding fields as
world heritage sites.
S119
S120
Jamey Stillings
Aerial View, May 22, 2009
Pigment print
15 5/8 x 10 3/8
Signed and editioned in pencil on the verso
Edition no. 15/30
Estimate $750
Donated by Nazraeli Press
S120
S121
The print is a part of the deluxe edition book, The Bridge
at Hoover Dam (Nazraeli Press, 2011), which comes in a
clamshell box.
Raymond Adams
Brooklyn Navy Yards at
Sunrise, 6 May 2010 from
the series New York at Dawn
2010
Pigment print mounted on
Sintra; Printed in 2012
20 x 30
Signed, titled and dated in ink
on the mount verso
Edition no. 1/5
$2,000
The image was exhibited
at Greenwich House Music
School (2011).
S121
S122
Jefferson Hayman
Empire State Building 2000
11 1/2 x 7 3/4
Artist proof
Estimate $1,100
courtesy of Arcadia Fine Arts
S122
S123
S123
Janet Russek
Pregnancy I, 2005
16 x 12 1/2
Signed, titled, editioned and dated in pencil in the margin
Edition no. 2/10
Estimate $1,600
S124
S124
Vincent Cianni
Macy’s Thanksgiving Day Parade, NYC c. 1980
19 1/4 x 13
Signed, titled, and years of work and print in pencil
on the verso
Unique print
Estimate $2,000
S125
Alfred Wertheimer
Prelude to the Kiss 1956
17 1/2 x 11 3/4
Signed in ink on the recto; Signed and titled in
pencil, and stamp on the verso
Estimate $1,600
Elvis Presley and his date for the day, Barbara
Gray, under the stairwell at the Mosque Theater,
Richmond, VA, June 30th, 1956.
S125
S126
S126
S127
Slawomir Zulawinski
Untitled #86 1990
10 3/4 x 7 1/2
Artist proof no. 2
Estimate $1,500
Lorraine Gracey
Madison Avenue 2006
8 1/4 x 12
Estimate $700
S127
S128
Yoshi Abe
Untitled 2001
C-print
10 1/2 x 10 1/2
Edition no. 7/15
Estimate $1,200
S129
Thomas Holton
Bored, 2011
Pigment print
14 5/8 x 22
Signed, titled, editioned and date of work in ink on
the verso
Edition no. 1/10
Estimate $2,200
courtesy of Sasha Wolf Gallery
The image has appeared in Aperture (2007) and NY
Times (2008, 2012), and was exhibited at the Sasha
Wolf Gallery (2008) and the NY Public Library (2008).
S128
S129
S130
Hai Zhang
Untitled from the series Don’t Follow Me,
I’m Lost 2010
11 x 16 1/2
Signed, titled, editioned, dated and location
Edition no. 2/15
Estimate $750
S130
The image has been exhibited at the Luise Ross
Gallery (2012) and included in various presentations at Queens Museum of Art, India China
Institute of the New School and Brooklyn Public
Library, among others. It is included in the book,
Pressures and Distortions, City Dwellers as
Builders and Critics: Four Views (Rafael Vinoly
Architects’ Research Fellowship, 2012).
S131
John Cyr
Mark Sink’s Developer Tray 2010
Pigment print
20 x 17
Signed, titled, editioned and year of work in ink on
the verso
Edition no. 1/10
Estimate $1,500
courtesy of Catherine Edelman Gallery
Cyr photographs developer trays used by artists so that
the photography community will remember specific,
tangible printing tools that have been a seminal part of
the photographic experience for the past hundred years.
The image has been exhibited at the Catherine Edelman
Gallery (2012) and published in Time Lightbox, Aperture
Exposurers, NPE, Wired RAW File, PDN Photo Annual,
New York Phoot Awards, and Daylight Multimedia.
S131
S132
S132
Jerry Atnip
No. 214 2009
20 x 20
Edition no. 5/20
Framed
Estimate $1,700
Gone South (CIA Publishing, 2011). It was featured in South by Southeast photo magazine.
S133
S133
Joseph McDonald
Dragonfly 2008
19 1/2 x 15 1/2
Edition no. 3/15
Estimate $900
S134
S134
Tony O’Brien
A Quiet Moment, Monastery of Christ in the
Desert, 1995
12 1/2 x 18 3/4
Signed, titled, editioned, dated and location in pencil
on the verso
Edition no. 4/35
Estimate $1,200
Donated by Verve Gallery of Photography
S135
Margo Davis
Monk, Angkor Wat, 2001
11 x 10 3/4
Estimate $600
courtesy of Throckmorton Fine Art
S135
S136
S136
David Scheinbaum
Beng Melea, Cambodia, 2008
12 x 16 1/2
Signed, titled and editioned in pencil
on the mount recto; Signed in pencil
on the front of window mat; Stamp
and label with print information on the
mount verso
Edition no. 2/36
Estimate $1,600
S137
Elaine Ling
Myanmar, Land of the Mythical Bird #2, 2011
Pigment print from the scan of a P55 4x5 negative
22 1/2 x 17
Signed, titled and year of work in pencil on the verso
Edition no. 3/18
Estimate $1,200
S138
Kenro Izu
Angkor #158, Ta Prohm, Cambodia, 1994
13 x 19 1/8
Signed, year of print and negative number in pencil on
the recto; Stamp with signature, title, edition, negative
number, year of print in pencil on the mount verso
Edition no. 16
Estimate $1,500
courtesy of Friends Without A Border
S137
S138
S139
Brian English
Carved Elephant 2010
10 x 13 3/8
Signed, titled and editioned in pencil on the
verso
Edition no. 8/25
Estimate $500
courtesy of Throckmorton Fine Art
S139
The image was published in Parabola
Magazine Volume 35 No. 4
(Winter 2010-2011).
S140
John T. Hill
Looking South from 42nd Street c. 1983
Pigment print
24 x 19
Signed, titled, editioned and year in ink on the recto
Artist proof
Estimate $2,500
S141
Manuel Carrillo
Santa Rosa, Guanajuato, 1960
8 x 10
Signed by the artist in pencil in the margin
Estimate $1,600
Donated by Verve Gallery of Photography
S140
S141
S142
Sal Lopes
Horse Spirit - #43 2009
16 x 11 1/4
Signed, titled, editioned, location and print type in pencil on the
verso; Titled, editioned and location in pencil on mount verso
Edition no. 8/25
Estimate $1,500
The image was taken at a horse ranch near Cleveland, Ohio and
is in the collection at the Cleveland Museum of Art.
S142
S143
Imogen Cunningham
Calla with Leaf c. 1929
9 3/8 x 7 3/8
The print is debossed with the
artist’s facsimile signature and
chop; The Imogen Cunningham
Trust label on the mount verso
Estimate $1,800
Donated by The Imogen Cunningham Trust
The print was made from the
original negative and printed by
Rondal Partridge, son of Imogen
Cunningham.
S143
S144
Louis Fauer
Staten Island Ferry 1946
Gelatin silver print; Printed
in 1981
8x8
Estimate $5,000
Donated by Howard
Greenberg
courtesy of Howard
Greenberg Gallery
S144
S145
Amanda Means
Prayer Plant, 1990
18 3/4 x 15
Signed and titled in pencil on the verso
Estimate $1,200
S145
S146
S146
Go Sugimoto
Untitled from the series Paper-Work 2006
Selenium-toned gelatin silver print; Printed in 2006
7x7
Signed, titled, editioned, year and print type in pencil
on the verso
Edition no. 1/10
Estimate $1,500
S147
S147
Dana Buckley
Dahlia 2001
Platinum print; Printed in 2001
6 1/4 x 6 1/4
Signed, titled, dated and editioned in pencil
on the verso
Edition no. 1/20
Estimate $650
S148
Monica Denevan
Convergence, China 2011
15 x 15
Signed, titled, editioned and print date in pencil on
the verso
Edition no. 9/25
Estimate $1,200
courtesy of Scott Nichols Gallery
The image is included in the artist’s catalog, The
River Anthology: Portraits from Burma (Tao Evolution
Gallery, 2007).
S148
S149
Kenro Izu
Druk #469, Bhutan, 2006
19 x 13
Signed, year of print and negative number in pencil
on the recto; Photographer’s stamp with signature,
title, edition, negative number, year of print in pencil
on the mount verso
Edition no. 5/20
Estimate $3,500
Bhutan Sacred Within (Nazraeli Press, 2007), and
was exhibited at the Rubin Museum of Art (2007).
S150
S149
Bill Kane
Little Big Horn Panorama 01 2011
Pigment print
6 x 15
Signed, titled, editioned and year of the print
Artist proof
Estimate $1,200
courtesy of Modernism Gallery
S150
S151
Gianni Berengo Gardin
Venezia 1958
15 x 10
Signed in ink on the recto and copyright
stamp on the verso
Estimate $3,500
Donated by Forma Galleria Milano
Berengo Gardin’s images capture surreal
moments which embrace the subtle oddities of the human condition. His work has
been exhibited at The Museum of Modern
Art, the Rochester Eastman House and
the Bibliothèque Nationale of Paris. The
Lausanne Musée de l’Elysée hosted his
retrospective (1991).
S152
Frederic Brenner
Bukhara - Central Asia, U.S.S.R. 1986
9 1/2 x 14 1/8
Estimate $3,000
S151
S152
S153
Marc Riboud
Thanksgiving Parade,
New York, 1990
Gelatin silver print; Printed c.2005
9 1/2 x 14
Signed, titled and dated in pencil
on the recto; Annotation in pencil
on the verso
Estimate $2,500
courtesy of Howard Greenberg
Gallery
S153
S154
Aaron Siskind
Lima 98 1974
Gelatin silver print; Printed in 1980s
10 x 9 1/2
Signed, titled and dated in ink on the recto; Titled,
dated and annotation in pencil on the verso
Estimate $4,000
Donated by Howard Greenberg
S154
S155
Ehren Joseph
Maasai Fertility Dance 2010
16 x 24
Signed and editioned in pencil and
embossed on the recto
Edition no. 1/5
Estimate $750
S155
On assignment shooting a portrait
of the Leakey Family in a remote
part of the Great Rift Valley,
Joseph captured images of 30
Maasai women performing a fertility
dance for those who could not
bear children.
S156
David Maisel
History’s Shadow 2012
Pigment print
13 1/8 x 9 7/8
Edition no. 25/25
Estimate $750
Donated by Nazraeli Press
The print is a part of the deluxe-edition book,
History’s Shadow (Nazraeli Press, 2011), which
comes in a clamshell box.
S156
S157
S157
Yumiko Izu
Secret Garden #29 2006
10 x 8
Signed, titled, editioned and year in pencil on the
recto
Artist proof no. 1
Estimate $1,000
courtesy of Staley Wise Gallery
S158
Marcia Cooper
Untitled 2011
C-print
15 x 10
Label with signature, name, title, year, print year,
edition, media, and dimensions of image and frame
on the verso
Edition no. 2/5
Framed
Estimate $800
S158
The image of a found site references Robert
Motherwell’s Elegy series.
S159
S159
Matthew Pillsbury
Victorian Garden 2012
Pigment print
12 1/2 x 15 3/4
Signed, titled, dated and
editioned in pencil on the recto
Edition no. 1/20
Estimate $2,200
courtesy of Bonni Benrubi Gallery
With long exposures to create
images of both interior and public
spaces, people in the scenes are
translated into ethereal traces that
become ghosts of our collective
experience. Pillsbury brings
viewers to places that make up
the fabric of everyday life.
S160
Brett Weston
Abstraction 1973
S160
7 5/8 x 9 1/2
Signed and year of work in pencil
on the mount recto
Estimate $3,000
Donated by Laurence Janss
courtesy of Four Friends Gallery
SILENT AUCTION BOOKS
We are pleased to present the following books, magazines and other special item as part of our silent auction.
B201
Michael J. Benari, The Third Eye
BenariFoto, 2010
Signed first edition, 28 pp., b/w
illustrations throughout, 9 ½ x 11”,
softcover.
Courtesy of the artist
Guide value: $45
B202
Tom Chambers, Entropic Kingdom
Modernbook Gallery, San Francisco,
2012
Signed first edition, 112 pp., 58+
four-color illustrations, 11 x 11”,
hardcover.
Courtesy of the publisher
Guide value: $75
B203
Michael Crouser, Los Toros
Twin Palms Publishers, Santa Fe,
2007
Signed first edition, 180 pp., 130
casebound
Guide value: $60
B204
Yuichi Hibi, Neco
Nazraeli Press, Portland, 2008
Signed and numbered (no. 447/500)
first edition, 140 pp., 76 illustrations,
16 x 13”, hardbound.
Guide value: $100
B205
Kenro Izu, A Thirty Year
Retrospective
duotone illustrations, 15 x 11”,
hardbound.
Guide value: $75
B206
Kenro Izu, Bhutan: The Sacred
Within
Nazraeli Press, Tucson, 2008
hardbound.
Guide value: $75
B207
Geir Jordahl, Searching for True
North
2007
First edition, 164 pp., 127 duo-tone
illustrations, 13 x 9 ¼”, cloth-bound
hardcover.
Guide value: $40
B208
Fred Lyon, San Francisco Then
2010
First edition, 112 pp., 70 dual-color
illustrations, 11 x 9/5”, cloth-bound
hardcover.
Guide value: $65
B209
Norman Mauskopf, Dark Horses
Introduction by Bill Barich
1988
Signed slipcased edition no. 16/100,
112 pp., 80 sheet-fed gravure
plates, 10 x 14”.
Guide value: $150
B210
John McDermott, Elegy: Reflections
on Angkor
Foreword by Kenro Izu, Introduction
by Roland Eng
McDermott Gallery, Siem Reap,
Cambodia, 2009
tritone illustrations, 12 x 12”,
hardbound
Guide value: $75
B211
Robert & Shana ParkeHarrison,
Counterpoint
2008
casebound.
Guide value: $65
B212
Mark Steinmetz, Summertime
hardbound.
Guide value: $75
B213
John Willis, Views from the
Reservation
Essay by Kent Nerburn,
Contributions from the Lakota
people
Center for American Places at
Columbia College Chicago,
Chicago, 2010
Signed first edition with a CD,
Heartbeat of the Rez, 184 pp.,
illustrated throughout, hardbound.
Guide value: $55
B214
John Willis and Tom Young,
Recycled Realities
Text by Martha A. Sandweiss
Center for American Places,
Santa Fe 2006
Signed first edition, 80 pp.,
60 color illustrations, 9 ¾ x 11 ¼”,
hardbound.
Courtesy of the artists
Guide value: $50
B215
Various artists, Photographs
Not Taken: A Collection of
Photographers’ Essays
Edited by Will Steacy, Introduction
by Lyle Rexer
Daylight, Chapel Hill, 2012
First edition, 232 pp., 8 x 5 ½”.
Guide value: $14.95
B216
Various artists, The Mercy Project/
Inochi
Edited by James Whitlow Delano
Mado-sha Publisher, Tokyo, Japan,
2010
First edition, 161 pp., 118 color
illustrations, 10 ¼ x 8”, hardbound.
Courtesy of the editor
Guide value: $80
B217
Daylight Magazine
Available Issues: 2- 4 and 6-9
Guide value: $70
Special Editions with a Print:
S120
Jamey Stillings, The Bridge at
Hoover Dam
Limited special edition no. 15/30
which comes with a print in a
clamshell box, 128 pp., 60 color
illustrations, 17 x 13 ½”.
S156
David Maisel, History’s Shadow
Limited special edition no. 25/25
which comes with a print in a
clamshell box, 72 pp., 43 color
illustrations, 16 x 12”.
15th ANNUAL FRIENDS OF FRIENDS PHOTOGRAPHY AUCTION
Absentee and Phone Bid Form
December 4, 2012
Name:
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Friends Without A Border
1123 Broadway, #1210
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tel 212-691-0909
fax 212-337-8052
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TITLE OR DESCRIPTION
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& EMERGENCY BID FOR PHONE
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Total Bid Amount $
Shipping and Handling $ 50
Entry Fee or Special Print by Wendy Sacks $ 50 or $500
Note:
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– You will be notified by Friends if you made a successful bid within five business days after the auction.
Delivery Options:
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(Note: All of the artwork will be delivered before the holiday)
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How to place absentee and phone bids
Even if you are not able to physically attend the 15th annual Friends
of Friends Photography Auction on December 4, 2012, you will be
able to bid on photographs and books by filling out the absentee/
phone bid form and mailing or faxing it to Friends Without A Border by
3:00pm EST on December 4.
The auctioneer will accept bids from those present at the auction in
addition to absentee and phone bids. Live bids may be executed
lower than the top bid you place. If matching bids are entered by two
or more parties, the first bid received by Friends will take precedence.
Friends staff, board members and volunteers may bid at the auction for
themselves, or they may execute bids for absentees.
Absentee and phone bids must be submitted in advance with valid
credit card information. In the case that the absentee bid is successful
the credit card will be charged on the night of the auction. Placing an
absentee bid is considered authorization for this transaction.
To place a phone bid, please indicate this on your bid form. Please note
that phone bids can be placed only for live lots, and that volunteers
helping with phone bids cannot facilitate placing bids on silent lots.
You must provide us with a phone number where you can be reached
on the night of the auction, Tuesday December 4, 2012 from 6:00 to
8:30pm EST, and the lots that you are interested in bidding on. In case
of any problem with phone lines, we advise you to provide emergency
bids on the form. You will be contacted one hour before your first lot will
be auctioned and you will be bidding live via telephone with other bidders
during the live auction.
Important Notice
Admission and a paddle number for the auction is $50. Payment by
check or cash is preferred. Those who order the special print by Wendy
Sacks, available for $500, are entitled to free admission.
Payment for all work is due the night of the auction, without exception.
All property is “as is.” Neither Friends Without A Border nor the artist
makes any express or implied warranty or representation as to the
condition of any lot offered in the auction, and no statement made at
any time, whether oral or written, shall constitute such a warranty or
representation. Descriptions of condition are not warranties. Accordingly,
all lots should be viewed personally by prospective bidders to evaluate
the condition of the property offered in the auction. Please feel free to
contact Friends for a report on the condition of any prints. Be reminded
that each lot is “as is” and all transactions are final. Unless a lot is
identified as part of a limited edition, no edition limit should be assumed.
Unless a lot is identified as having been printed in a certain year, no date
of printing can be guaranteed. The highest bidder acknowledged by
the auctioneer will obtain the item: in the event of any dispute between
bidders, the auctioneer will have final discretion and his record shall be
binding and conclusive. If the auctioneer decides that any opening bid is
below the value of the article offered, he may reject the bid and withdraw
the article from the auction.
BOARD MEMBERS
HONORARY ADVISORS
Ronald Ablow, M.D.
David Chang
Nerou Cheng, C.P.A.
Kenro Izu
Véronique Lee
Matthew Magenheim
Tina Patterson
David L. Pugatch, M.D.
Michael Stern
Ayako Weissman
Yasushi Akashi
Kong Seung
ADVISORS
Peter Grilli
Michèle R. Haines
Yoshiaki Ishizawa
Sidney Sass
MEDICAL ADVISORS
Ashwin Balagopal, M.D.
Rethy K. Chhem, M.D.,
R.R.C.P.C.
Michael Cohn, O.D.
G.A.P. Ganepola,
M.D., F.A.C.S.
Masao Iwasato, M.D.
Masumi Kamachi, M.D.
Nal Oum, M.D.
B. Allen Weiss, M.D., F.A.C.S.
Susanne M. Werner,
R.N., B.S.N.
NEW YORK OFFICE
Christopher Hest, CEO
Akiko Arai
Jenni Cheers
Bryant Cheng
JAPAN OFFICE
DENTAL MEDICAL ADVISORS
Charles F. Craft, D.D.S.
ARCHITECTURAL
ADVISORS
Mamoru Kai
Jeffrey Kapec
Kan Morimoto
Kazuna Tanaka
Akio Matsushima
Thanks
Friends Without A Border would like to express profound gratitude to everyone who makes the annual Friends of Friends
Photography Auction possible: all participating photographers, contributors, committee members and sponsors.
PARTICIPATING ARTISTS
Berenice Abbott (3)
Yoshi Abe (S128)
William Abranowicz (14)
Raymond Adams (S121)
Michael Amoruso (S99)
Jerry Atnip (S132)
Lyndie Benson (5)
Gianni Berengo Gardin (S151)
Alvin Booth (S55)
Phil Borges (S87)
Frederic Brenner (S152)
Jeff Bridges (S39)
Dana Buckley (S147)
Robert Buelteman (S83)
Bill Burke (S107)
Brigitte Carnochan (S44)
Manuel Carrillo (S141)
Tom Chambers (S46)
Simon Chaput (S40)
Vincent Cianni (S124)
Lorenzo Cicconi Massi (S38)
Michael Clinton (7)
Lois Conner (8)
Marcia Cooper (S158)
Linda Cummings (S97)
Imogen Cunningham (S143)
John Cyr (S131)
Margo Davis (S135)
Enna Deer (S95)
John Delaney (S85)
James Whitlow Delano (32)
Monica Denevan (S148)
Mike Disfarmer (S37)
Mary Durante-Youtt (S79)
Stephanie Dworkin (S103)
Brian English (S139)
Elliott Erwitt (13)
Walker Evans (S111)
Louis Fauer (S144)
Harold Feinstein (S115)
Sandi Fellman (S33)
Gerald Förster (S91)
Lorraine Gracey (S127)
Sunil Gupta (S86)
Katsutoshi Hatsuzawa (S68)
Jefferson Hayman (S122)
Nancy Hellebrand (S42)
John T. Hill (S140)
Lewis Hine (2)
Taishi Hirokawa (S62)
Thomas Holton (S129)
Don Hong-Oai (20)
Horst P. Horst (23)
Eikoh Hosoe (25)
Kenro Izu (S138, S149)
Yumiko Izu (S157)
Joshua Jensen-Nagle (S43)
Ehren Joseph (S155)
Bill Kane (S150)
Ellen Kaplowitz (S119)
James Karales (4)
Monica Karales (S105)
Ed Kashi (S47)
Kikuji Kawada (16)
Kensuke Kazama (S61)
Thomas Kellner (S53)
Michael Kenna (S52)
Gyorgy Kepes (S80)
Yong Hee Kim (S94)
Douglas Kirkland (S57)
Yoshiaki Kita (S63)
William Klein (29)
Eriko Koga (S69)
Irene Kung (S104)
Koichiro Kurita (S84)
Masatomo Kuriya (21)
Arthur Leipzig (S114)
Saul Leiter (11)
Elaine Ling (S137)
Loewy and Puiseux (15)
Sal Lopes (S142)
Tri Luu (S90)
Yoshiaki Maeda (S75)
David Maisel (S156)
Michael Massaia (22)
George McClintock (S101)
Steve McCurry (18)
John McDermott (S89)
Joseph McDonald (S133)
Amanda Means (S145)
Barbara Mensch (S112)
Takeshi Mizukoshi (S59)
Hiromitsu Morimoto (S49)
Jun Morinaga (S60)
Daido Moriyama (28, S110)
Seiichi Motohashi (S77)
Takehiko Nakafuji (S76)
Masataka Nakano (S72)
Dan Nelkin (S118)
Naonori Nishiyama (S73)
Kazuyoshi Nomachi (S74)
Tony O’Brien (S134)
Hiroshi Ohashi (S64)
Ruth Orkin (S36)
Paul Outerbridge (S56)
Irving Penn (26)
Don Penny (S117)
Sean Perry (S82)
Ed Pfizenmaier (27)
Richard Phibbs (24)
Jose Picayo (S58)
Matthew Pillsbury (S159)
Eliot Porter (1)
Nicholas Prior (12)
Nandita Raman (S108)
Marc Riboud (S153)
Herb Ritts (17)
Sheila Rock (S48)
Ken Rosenthal (S116)
David Rudin (S106)
Janet Russek (S123)
Wendy Sacks (Special Print)
Ryoichi Saito (S67)
Hamid Sardar-Akhami (S92)
Lynn Saville (10)
David Scheinbaum (S136)
Bob Shamis (S41)
Raphael Shammaa (S98)
Takeshi Shikama (S71)
Ellen Silverman (S96)
David Simonton (S100)
Pamela Singh (S109)
Aaron Siskind (S154)
Manabu Someya (S78)
Peter Steinhauer (19)
Jamey Stillings (S120)
Go Sugimoto (S146)
Hiroshi Sugimoto (30)
Jasmine Swope (S35)
Nobuyuki Takahashi (S70)
William Thompson (9)
Phillip Toledano (S45)
Amy Touchette (S102)
Albrecht Tübke (S54)
Jerry N. Uelsmann (31)
Kazuhiko Washio (S65)
Hiroshi Watanabe (S51)
Todd Webb (S113)
William Wegman (S93)
Alfred Wertheimer (S125)
Brett Weston (S50, S160)
John Willis (S88)
Masao Yamamoto (S34)
Tsuneo Yamashita (S66)
Jene Youtt (S81)
Hai Zhang (S130)
George S. Zimbel (6)
Slawomir Zulawinski (S126)
CONTRIBUTORS
Commerce Graphics
Disfarmer.com
Fraenkel Gallery
Julee Geier
Howard Greenberg
Herb Ritts Foundation
John T. Hill
The Estate of Don Hong-Oai
Graham Howe
The Imogen Cunningham Trust
The Irving Penn Foundation
Laurence Janss
The Estate of James Karales
Françoise Kirkland
Nike Lanning
Judith Leipzig
The Estate of Harry H. Lunn, Jr.
Michael Shapiro Photographs
Nazraeli Press
The Estate of Eliot Porter
Andrea Raisfeld
Rose Gallery
Ruth Orkin Photo Archive
Debora Shriver
Verve Gallery of Photography
Elaine Zimbel
AUCTION COMMITTEE
MEMBERS
William Abranowicz
John Bennette
Jean Conlon
Thierry Demont
Brian English
Margit Erb
Howard Greenberg
Kenro Izu
Chazz Levi
Sarah Morthland
Debra Shriver
Gregory Wakabayashi
Rick Wester
Alice Zimet
SPONSORS
CLOVERLEAF STUDIO
Deluxe limited edition bindings and boxes.
Decorative and protective enclosures for rare
books, prints and photographs. Project design.
www.cloverleafstudio.com
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CLOVERLEAF PRESS
Publishers of artist book limited editions.
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PASSIONATE, COMMITTED
AND CARING.
(It’s no wonder we feel
such a strong connection.)
We are proud to support Friends Without A Border and all their ongoing efforts.
Taking extraordinary care of
41 and 43 West 22nd Street
Rental: 212-741-2991
photographers worldwide since 1968 (Between 5th and 6th Avenue) Retail: 212-741-2990
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©2010 FotoCare
Friends without a border Ad.indd 1
9/11/10 3:40 PM
THE POWER OF
CREATIVE PHOTOGRAPHY
CAN BE A HEALING FORCE
Calumet Supports Friends Without
A Border’s 15th Annual Auction!
COME VISIT US FOR:
» High-quality equipment from the best
brands in the business
» Equipment rentals for DSLRs, lenses,
lighting and grip equipment
» Extremely knowledgeable and friendly staff
» Technical and creative seminars
on all things photographic
» In-store photo gallery for creative inspiration
CALUMET NEW YORK
22 W. 22nd Street
New York, NY 10010
212.989.8500
calumetphoto.com | 1.800.CALUMET (225.8638)
   
The most widely read art magazine in
the world, and winner of 44 awards for
editorial excellence, ARTnews covers all
art—from classical to contemporary.
Available in both print and digital
editions, ARTnews provides lively and
comprehensive coverage of the people,
places, trends, and events shaping the
international culture scene.
Subscribe: 800.284.4625
Visit: www.artnews.com
Also visit us on:
Advertise: 212.398.1690
1123 Broadway, #1210
New York, NY 10010
Tel (212) 691-0909
Fax (212) 337-8052
www.fwab.org

15thANNUAL FRIENDS OF FRIENDS PHOTOGRAPHY AUCTION

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