DIALOGHI FRA ARTE E SCIENZA 6 Interpretazioni libere

UN PROGETTO DI
UN’IDEA DI MARE
DIALOGHI FRA ARTE E SCIENZA
6 Interpretazioni libere
TI
www.bellatieditore.com
The idea
The idea is blue. A colour that throughout the history of art has had enormous significance and given many a sleepless night to both artists and philosophers: from creators
of the Byzantine mosaic, to Antonello from Messina, from Picasso to Klein, from Plato
to Kant, Usseri to Wittgenstein. A colour that is a veritable metaphor evident to us
through the blue sky and sea. And it’s notably the sea and all its tones that occupy this
particular exhibition, a theme which brings together the work of a range of scholars
committed to the investigation of seas and oceans, problems and secrets, disasters
and promises. Because we are born in water and it attracts us, but we understand little
of what it is that this compelling marvel - the sea itself – represents. And even though
we are regularly reminded that for decades we have been polluting and destroying it,
ordinary people continue to regard it in a picture postcard sense, sent back casually
from a holiday resort. Whereas the sea is so much more, and indeed represents an
undiscovered continent. And this exhibition is an attempt to communicate to the general public a rather different vision of the sea. Through raising consciousness and
knowledge, but also via wonder and potential. Because after all dreamers are forever
straining to find that elusive island on which, one fine day, they might land. And with
luck they’d like to discover it both luxuriant and sundrenched.
Fabio Trincardi and Anna Caterina Bellati
THE ARTISTS
Stefano Bombardieri (Italy) sculptor
Monica Marioni (Italy) painter and performer
Ugo Riva (Italy) sculptor
Marialuisa Tadei (Italy) painter and performer
Fulvia Zambon (USA) painter
Dania Zanotto (Italy) sculptress
Un’idea di mare
(3)
Research themes
ISMAR conducts research in polar, oceanic and Mediterranean regions, focusing
on the following themes the evolution of oceans, the influence of climate change,
submarine habitats and ecology, and the increasing pollution of coastal and deepsea environments, natural and anthropogenic factors impacting economically and
socially on coastal systems from pre-history to the industrial epoch, and fisheries
science. This is one of the main institutional interests of ISMAR, and is aimed at
managing and understanding fishery-related problems. This is a multidisciplinary
science involving oceanography, marine biology, ecology, population dynamics.
WHALES
BY STEFANO BOMBARDIERI
An exhibition focusing on the sea in order to remind a Public of differing
ages and cultures of its enormous importance within our daily lives, and
contrast its age-old presence within the context of man’s short history;
and where better to start perhaps than with that most magical and legendary inhabitant of the deep waters, which has featured over many an era
within literature - the whale. Stefano Bombardieri has chosen the courtyard of the Caserma Carnoldi in which to mount his enormous fibreglass
installation, composed of three huge whales caught and hung upside
Un’idea di mare
(4)
down. Almost as if crucified on a thousand year-old Golgotha where
the Human Race has sacrificed each and every breed of animal to his
own sole advantage. The whales created by the sculptor from Brescia
sum up all the rare qualities that over the centuries we have attributed
to them. They appear monsters to battle with, personifying our fears of
all things huge and unknown, recounting stories and tales etched into
the collective memory. From those of a biblical nature, to that of Jonah
or Pinocchio: from tales of Melville and the embattled Captain Ahab to
those within the Physiologius, regarded as the first major book dedicated to the Natural World. But they also demonstrate the way in which
over the years an aspect, a particular fringe of humanity has had such
an anthropic impact on the planet that the survival of almost all living
things has been endangered.
dall’alto from the top:
Esercizi di tecnica giapponese
2009
vetroresina, ferro, corda
fiberglass, iron, rope
Gaia e la Balena
2003
vetroresina, terracotta
fiberglass, terracotta
Un’idea di mare
(5)
The oceanography
ISMAR investigates the structure and dynamics of the ocean and how it interacts
with the biological and chemical processes leading to eutrophication and hypoxia/anoxia. A key goal is understanding the interaction of the ocean with the atmosphere and the seafloor, across its upper and lower boundaries. The research
is carried out by combining observational and model-based approaches. Ocean
observations come from research cruises, fixed stations and remote sensing.
Fantastic sea cruises
by MONICA MARIONI
The young painter and performer from Vicenza explores feelings and emotions of the individual composing them painstakingly in photo sets in
which they take on an new life within an almost dreamlike scenario. For
the exhibition ‘An Idea of the Sea’ Monica Marioni is presenting an installation on the ground and two photographic collages - Lambda printed
on Dibond - which reconstruct the idea of a ‘water world’ within which
female figures like nymphs glide effortlessly and inquisitively in the midst
of objects, animals and unidentified minerals. Marioni’s probing introduces the idea of a voyage through the mind all along the bottom of the sea
where you might encounter forests of algae and coral woodland.
Un’idea di mare
(6)
dall’alto from the top:
Trasparenze
2010
stampa Lambda su dibond
Lambda print on dibond
Ninfa del mare
2010
stampa Lambda su dibond
Lambda print on dibond
L’acqua
2010
stampa Lambda su dibond
Lambda print on dibond
Un’idea di mare
(7)
Geology and natural processes
ISMAR studies the evolution of rift basins, mid-ocean ridges and transform faults
in the Mediterranean, Red Sea, Equatorial Atlantic and peri-Antarctic seas. The
team also studies active tectonic structures and related geo-hazards within the
Mediterranean region as well as submarine volcanoes and hydrothermal processes. The sedimentology team investigates coastal and abyssal environments to
determine the role of alongshore, cascading and contour currents, as well as
storms, turbidity currents and sediment failure, in shaping the architecture of
continental margins.
The gods the sea
by UGO RIVA
There was a time when the gods had control of the Universe. Nothing
was allowed to happen that they, the all-powerful, had not decreed. And
men could only stand by and watch in terror the ensuing catastrophes.
Tsunami and other overwhelming events could wipe out whole empires
and cities in an instant. For some years now Ugo Riva has been sculpting
Un’idea di mare
(8)
figures plucked from mythology and history, epic tales and legends. His
headless angels and other hieratic figures resurrect the splendour of a
time-honoured art dating back to that of the most ancient religions. In
the courtyard of the Caserma Carnoldi the impassive gods created for
the exhibition are returning the sea and its very physical nature back to
a distant age, when the caprice of fortune coupled with the great courage of ancient heroes plotted the fate of Man himself. The very basis of
the sculpture, produced using boxes containing seashells, discoveries,
wreckage in terracotta which the sea has transformed into a depository
in the form of collective memory. And the bronze angel positioned at the
entrance warns of believing that the age of the rulers is a thing of the past.
They are still observing and commenting on us even now.
dall’alto from the top:
Come imperturbabili dei
2010
bronzo
bronze
Angelo / Polena
2010
bronzo
bronze
Un’idea di mare
(9)
Ecosystems
and bio-geochemistry
ISMAR has a long tradition of focusing on the comprehensive study of biodiversity of marine systems from transitional to deep-sea habitats. Particular attention is devoted to the study of phenology and the structure and functioning of
plankton and benthic communities in relation to the environment, the climate
and human impact. Special emphasis is laid on the bio-geochemical cycling
of key elements in the water column, especially those associated with global
warming and climate change (e.g. carbon storage).
The gardens of the sea
by MARIALUISA TADEI
The painter and performer from Rimini has reconstructed a sea garden
inhabited by magnificently coloured crustaceans and moluscs which in
order to resist genetic mutation within the ecosystem are encrusted in a
type of glittering mosaic produced in Murano and have also fortified their
framework with fibreglass or wherever necessary with bronze. Some have
taken refuge in transparent boxes where they swim in a protective oil, a
type of amniotic fluid where they rebuild their lives and families. Marialuisa Tadei has, as ever, created fascinatingly soft and almost intangible
scenarios, from gauze, feathers, lights and painted glass. Under the colonnade of the Caserma Carnoldi she’s constructed an aerial installation
which offers a beguiling vision of the seabed.
Un’idea di mare
(10)
dall’alto from the top:
Intuizioni marine 2010
bronzo, plexiglass olio
bronze, plexiglas, oil
Polipo e Aculeus 2010
vetroresina, mosaico
fiberglass, mosaic
Un’idea di mare
(11)
alien species
ISMAR is also concerned with climate and human-driven ecosystem variability,
with attention also paid to the issue of alien species. ISMAR research activities
include the evaluation of primary production in the ocean and the examination of
plankton and microbial dynamics. Special emphasis is laid on the bio-geochemical
cycling of key elements in the water column.
Baby Carriages and save domino
by FULVIA ZAMBON
The American painter takes up the challenge within this particular The
American painter takes up the challenge within this particular exhibition
and adopts two themes she holds most dear, Save Domino and Baby carriages, employed here to afford some insight into the sea. It’s in this way
that one of her feminine creatures, usually crying out against social injustice or the extreme boredom of our disenchanted world, this time tackles
the problem of the pollution and the destruction of the oceans; whilst the
distressing Baby carriages into which the artist generally places distorted
babies deprived of arms or legs, or indeed the disturbing suggestion of
missing babies not capable of being brought into the world, in ‘An Idea of
the Sea’ the prams will contain coral and seashells, algae and flowers from
the seabed. Hanging at the entrance to the Caserma Carnoldi, two large
paintings will suggest to visitors that we are not talking solely about the
sea. We are confronting the absurd situation where the Human Race quite
wrongly believes that it is master of the world.
Un’idea di mare
(12)
dall’alto from the top:
Sidecar to Superga
2006
olio su tela
oil on canvas
Save Domino - Raising Cranes
2010
olio su tela
oil on canvas
Save Domino - Iwona 2
2009
olio su tela
oil on canvas
Un’idea di mare
(13)
The aquaculture
Aquaculture and mariculture represent another important topic for ISMAR. Designed to supplement the increasing exploitation of wild fisheries, they involvecultivating freshwater and saltwater organisms such as finfish, molluscs and
crustaceans under controlled conditions.
The sea’s shamanic clothing
by DANIA ZANOTTO
Dania Zanotti’s shamatic garments saturated in things of a ‘profanely sacred’ nature piece together the history of mankind through their obsession with perpetuity. For this particular exhibition the performer from Treviso weaves material in sea-inspired colours making use of resins, glues,
strands of wool, iron, copper, more seashells, broken piece of glass, stones, pebbles: objects all discovered along the beach; the end result is a
bulky yet magical garment. It’s aiming to suggest a habitat unknown to
man, whose knowledge of the sea is limited to the superficial and who
knows little of the structure of its very life and challenges, the colours and
sounds of an alien existence made up of subterranean lands and deserts.
Dangling and waving in the porch of the Caserma Carnoldi, shimmering in
the shadow in their lightness - so painstakingly stitched together by the
artist – are all the treasures uncovered along the shoreline.challenges, the
colours and sounds of an alien existence made up of subterranean lands
and deserts. Dangling and waving in the porch of the Caserma Carnoldi,
shimmering in the shadow in their lightness - so painstakingly stitched together by the artist – are all the treasures uncovered along the shoreline.
Un’idea di mare
(14)
dall’alto from the top:
Izanagi
2008
materiali vari
various materials
Il sacerdote del mare
(particolari)
2010
materiali vari
various materials
Un’idea di mare
(15)
Stefano
Bombardieri
Born in Brescia in 1968.
INTERNATIONAL EXHIBITIONS
2010
- :[LMHUV)VTIHYKPLYPt-H\UHS*V\U[KV^ (curated by
Maria Livia Brunelli), Museo di Storia Naturale, Ferrara, Italy
– 0S=\V[VLSL-VYTLt4L[YVWVSP(U[PTL[YVWVSP
(curated by Anna Caterina Bellati), Chiavenna, Sondrio, Italy
2009
- SCOPE BASEL, Basel, Switzerland
- OPEN XII, Lido Venice, Italy
- The Animals’ Countdown, (curated by Anna Caterina
Bellati), Della Pina Arte Contemporanea, Pietrasanta,
Lucca,- Italy
– Expo-Terra, Tour & Taxis, Brussels, Belgium
2008
– Solo exhibition, Bordeaux, France
– Gaia e la Balena (Gaia and the Whale), Cittadelle
Saint-Tropez, France
– Stefano Bombardieri a solo exhibition, Linz, Austria
– Regards, Monaco Modern Art Gallery, Monte Carlo,
Monaco
– Le temps au temps, Riff Art Projects Gallery, Strasbourg, France
2007
– )VTIHYKPLYPt7HZ[VY, Saint-Tropez, France
– Découvertes 2007, 52ème Salon d’Art Contemporain de Montrouge, Paris, France
– Group exhibition, Saint Jean Cap Ferrat, France
2005
– Arte e Vita (Art and Life), Sculpture at Potsdam/
Berlin, (2nd Prize), Germany
– Frammenti (Fragments), Alain Couturier Gallery,
Nice, France
2004
– Flash, group exhibition, Maretti Arte Monaco, Monte Carlo, Principality of Monaco
NATIONAL EXHIBITIONS
2009
- 4LUOPYKLSSHJVZJPLUaH, solo exhibition, Gardone Val
Trompia, Brescia, Italy
– The Animals’ Countdown, Della Pina Arte Contemporanea, Pietrasanta, Lucca, Italy
2009/2008
– Emergenze Creative (Creative Emergencies), group
exhibition, Museum MAR, Ravenna, Italy
– Pietra & Co. (Stone & Co.), group exhibition, Giardini
Catullo, Sirmione, Brescia, Italy
– Icaro Transport, solo exhibition, Marchina Arte Contemporanea, Brescia, Italy
– 0SZL[[PTV:WSLUKVYL3HTVKLYUP[¢KLSSH4HSPUJVUPH
;OLZL]LU[O:WSLUKV\Y4LSHUJOVS`’ZTVKLYUP[`, a
permanent installation at the Museum of Portofino’s
Park, Portofino, Genova, Italy
2007
– 4HU9H`L:[LMHUV)VTIHYKPLYP6THNNPVHS:\YYLHSPZTVKLS;\YH4HU9H`HUK:[LMHUV)VTIHYKPLYP
A tribute to Tura’s Surrealism), MLB home Gallery,
Ferrara, Italy
– LII Biennale di Venezia, Pavilion of the Syrian Arab
Republic, Venice, Italy
– Palazzo Forti/Palazzo della Ragione, Verona, Italy
2006
– Una Balena in Darsena (A Whale in the Dock), a temporary installation at the Dock of Milan, Italy
– Stefano Bombardieri, solo exhibition, Galleria Cà
d’Oro, Rome, Italy
– Bombardieriland, solo exhibition, G.A.M, Faenza,
Ravenna, Italy
– Freestyle, solo exhibition, Marchina Arte Contemporanea, Brescia, Italy
2005
– Bombardieriland, MuMi Museo Michetti, Francavilla
al Mare, Chieti, Italy
2004
– Sub Anime (Sub-Souls), group exhibition, Area Imprinting, Roè Volciano, Brescia, Italy
2002
– In-Stallo (In-Stall), group exhibition, Sala San Filippo
e Giacomo, Brescia, Italy
– (NVY¢6WLYL.YHUKP-VYTH[P(NVYH)PN:PaL
Works), Bordighera, Imperia, Italy
2001
– (NVY¢6WLYL.YHUKP-VYTH[P(NVYH)PN:PaL
Works), Bordighera, Imperia, Italy
– 4L[H-PUL+LZPNU4L[H(PT+LZPNU, group exhibition, Associazione Culturale Verbo Essere, Brescia,
Italy
– Stefano Bombardieri, solo exhibition, Associazione
Culturale Verbo Essere, Brescia, Italy
1999
– Sogno e Realtà nell’Immaginario Collettivo di Fine
4PSSLUPV+YLHTHUK9LHSP[`PU[OL*VSSLJ[P]L0THNPUHY`
H[[OL,UKVM[OL4PSSLUUP\T, group exhibition, Arsenale, Iseo, Brescia, Italy
Un’idea di mare
(16)
Monica
Marioni
Over the last three years, Marioni have already had solo
exhibitions at Carlo Livi Gallery in Miami, Poltrona Frau
Showroom in Washington D.C., Museo de arte Italyna in
Lima (Perù), and many others in Italy. She was born near
Treviso in 1972. Having graduated in statistics she then
decided to abandon her career in senior management to
dedicate herself to art. In 2004 she was discovered by
the international curator Mrs. Antonina Zaru, who runs
the Capricorno Gallery and has been the collaborator
behind the success of important artists like Frangi,
Pignatelli, Nam June Paik. Last year Marioni took part
in Detounement Venise 2009, collateral event of 53
Biennale d'Arte, with the installation Ego. During 2010
13 of her artworks are on show at Molino Stucky Hilton
Venice Hotel.
EXHIBITIONS
2010
- Ninfe, curated by Oliver Orest Tschirky, Vicenza, Italy
- Il Vuoto e le Forme 2010 Metropoli//Antimetropoli –
curated by Anna Caterina Bellati, Venice, Italy
- AAM, Spazio Eventiquattro Il Sole 24 Ore, Milan, Italy
2009
- Vernice fresca, Rossocinabro Gallery, Rome, Italy
- Alter Ego, Molino Stucky Hilton, Venice, Italy
- Collateral event 53esima Biennale D'arte
contemporanea, Detournement 2009, Ego, Molino
Stucky, Venice, Italy
- Antologica, Museo De Arte Italyno, Lima, Perù
2008
- 4HYPVUP^PUZ[OLMPYZ[WYPaL-PVYPUV+6YV, XXVI Premio
Firenze, Palazzo Vecchio, Florence, Italy
- AAM, Superstudiopiù, Milan, Italy
- "... non è la mia introspezione...", Capricorno & Nabis
Galleries, Capri, Napoli, Italy
- "... non è la mia introspezione...", Locanda di Piero,
Vicenza
- American Idol, Poltrona Frau Showroom, Washington
D.C.
- Carlo Livi Art Gallery, Miami, Florida
2007
- ;OL6K`ZZL`>P[OPU, Agora Gallery, New York NY
- Genovarte, Satura Gallery, Stella Palace in Genova, Italy
- Arte Padova 2007, Padova Art Fair, Padova, Italy
- Arttime Gallery, Udine, Italy
- Chiamatemi per nome, Yvonne Artecontemporanea,
Artsynergy, Vicenza, Italy
- Venezia, curated by Antonina Zaru, Palazzo ContariniFasan, Venice, Italy
- Biennale Saturarte, Satura Gallery, Pisa, Italy
- ItalyRTS, town hall, Stoccarda
- Corpo/Segno/Superficie, Sekanina Gallery, Estense
castle, Ferrara, Italy
- Le Opere a Montecchio Precalcino, Pigrecoemme,
Vicenza
4VUPJH4HYPVUP, Locanda di Piero, Vicenza, Italy
2006
- Evento speciale, by Antonina Zaru, Crispi palace,
Naples
- 4VUPJH4HYPVUP, Interior design studio, Rome, Italy
2005
- Senza pregiudizi, by Antonina Zaru, Crispi palace,
Naples, Italy
Un’idea di mare
(17)
Ugo
Riva
Born in Bergamo in 1951.
SOLO EXHIBITIONS
2011
- Ugo Riva, curated by Anna Caterina Bellati and
Angelo Piazzoli, Fondazione Credito Bergamasco,
Bergamo, Italy
– De Twee Pauwen, Den Haag, Holland
– Ugo Riva Disegni, Salamon & C, Milan, Italy
2010
- ,UZHTISL<NV9P]HHUK4H\YPaPV)VUMHU[P, Galleria
Mar&Patners, Torino, Italy
- *HZHKLSSH4LTVYPH, 1st Prize, Città di Chiari (BS),
Italy
- D’Annunzio segreto e tre Angeli di Riva, Vittoriale
degli Italiani, Gardone (BS), Italy
- Four Seasons, Florence, Italy
2009
– De Twee Pauwen, Den Haag, Holland
2008
– Palazzo della Provincia, Spazio Viterbi, Bergamo,
Italy
– Next-Art Gallery, Arezzo, Italy
2007 – +VUULt9LUH[V.\[[\ZVL<NV9P]H>VTLUt
Renato Guttuso and Ugo Riva),
Grand Hotel, Rimini, Italy (è segnalata anche nelle
mostre collettive)
2006
– Via Christi (a polychrome terracotta), Santa Lucia
Church, Votive temple, Bergamo, Italy
2005
– Galerie Vallois, Paris, France
2004
– Capricorno Gallery, Washington D.C., USA
2002
– Park Ryu Sook Gallery, Seoul, Korea
2000
– Ugo Riva, Galleria Bonaparte, Milan, Italy
– Ugo Riva. Il Viaggio (Ugo Riva. The Voyage), Palazzo
dei Notai, Bologna, Italy
1999
– Piero e dintorni (Around Piero), Palazzo Pretorio,
San Sepolcro, Arezzo, Italy
– Galleria Franceschini, Rimini, Italy
1997
– Fortezza di San Leo, Pesaro and Urbino, Italy
– Palazzo Lazzarini, Pesaro, Italy
– Galerie Zur Krone, Batterkinden, Switzerland
1995
– Museo Bandiera, Busto Arsizio, Varese, Italy
1994
– Teatro sociale, Bergamo, Italy
1993
– Galerie Zur Krone, Batterkinden, Switzerland
1992
– Galleria Proposte d’Arte, Acqui Terme, Alessandria,
Italy
1990
– Galleria Gastaldelli, Milan, Italy
1989
– Galleria Ada Zunino, Milan, Italy
1987
– Galleria Fumagalli, Bergamo, Italy
GROUP EXHIBITIONS
2010
- L’altra memoria, Galleria Minelli , Venice, Italy
- Ugo Riva, Sala Manzù, Bergamo, Italy
)PLUUHSL9VUJHNSPHtLo spazio infinito dell’essere,
San Felice sul Panaro (MO), Italy
- Trittico, Nuovo Ospedale di Legnano, Legnano (MI),
Italy
- Ispirarsi a Caravaggio, Fondazione città di Cremona,
Cremona, Italy
- Festival dei due mondi, curated by Vittorio Sgarbi,
Spoleto (PG), Italy
2009
- Open XII, Lido Venice, Italy
- XXXVI Premio Sulmona, Sulmona (AQ), Italy
- Regard sur la sculpture contemporaine, Gerard Xuriguera, ed. FVW Paris
2008
– Aspetti della figurazione contemporanea. Italia: le
ultime generazioni (Aspects of the contemporary representation. Italy: the last generations), Villa Genoese
Zerbi, Reggio Calabria, Italy
– L’arte e i suoi doppi (The Art and its doubles), San
Giovanni in Persiceto, Bologna, Italy
– Foemina, Fondazione IEO, Milan, Italy
– Il Neroazzurro è Arte (The Black and blue is Art),
Galleria Bellinzona, Milan, Italy
– 405;4PSHU0U[LYUH[PVUHS(U[PX\LZHUK4VKLYU(Y[
Fair), Salamon & C, Milan, Italy
2007
– De Italiaanse routé, De Twee Pauwen, Den Haag,
Holland
– Realisme 07, Passenger terminal, Amsterdam,
Netherlands
– Arte fiera Bologna, Galleria Bonaparte, Milan, Italy
– Quadri per un’esposizione. Guardare le opere, incontrare l’artista (Pictures for an exhibition. Looking
at the works, meeting the artist), CMC Centro Culturale di Milano, Milan, Italy
– Spazio Arte Legnano, Chiesa di San Domenico,
Legnano, Milan, Italy
– 405;4PSHU0U[LYUH[PVUHS(U[PX\LZHUK4VKLYU(Y[
Fair), Salamon & C, Milan, Italy
2006
– Ciò che è infinitamente piccolo (What is awfully
small), Galleria Civica, Palazzo Loffredo, Potenza,
Italy
– :\P.LULYP5H[\YLPUWVZH6UNLUYLZ5H[\YLWVZing), Centro di Promozione Culturale “Le Muse”,
Andria, Bari, Italy
– Er zij licht…II, De Twee Pauwen, Den Haag, Holland
– 12th International Biennial Print and Drawing Exhibi-
Un’idea di mare
(18)
Ugo
Riva
tion, ROC, Taiwan
– XII Biennale D’Arte Sacra (XII Biennial of Sacred
Art), Museo Stauros, San Gabriele del Gran Sasso,
L’Aquila, Italy
– 4P(Y[, Galleria Bonaparte, Milan, Italy
– Antologia della figurazione italiana (An Anthology of
Italian representation), Galleria Formae, Milan, Italy
– Figurae, Galleria Factory, Modena, Italy
– Amore e Psiche. Arte e Seduzione (Cupid and Psyche. Art and Seduction), Villa Ponti, Arona, Novara,
Italy
2005
– Altre figurazioni (Further representations), Agorarte,
Milan, Italy
– Grands Antiquaires, fSalon international de Bruxelles, Galerie Vallois, Paris, France
2004
– Arte contemporanea in Lombardia (Contemporary
Art in Lombardy), Museo di Gazoldo degli Ippoliti,
Mantova, Italy
– 4\ZLV-SVYPHUV)VKPUP, Gemonio, Varese, Italy
– Terza Triennale d’arte sacra contemporanea (Third
Three-year Exhibition of Contemporary Sacred Art),
Lecce, Italy
– Nature in posa (Nature posing), Centro di Promozione Culturale “Le Muse”, Andria, Bari, Italy
– Strategie del corpo (The body’s strategies), Galleria
Tamatete, Rome, Italy
– Poetiche del ‘900: affinità e percorsi attraverso pittura e scultura (Poetics of the XX Century: affinities and
ways through picture and sculputure), Castel Ivano,
Ivano Fracena, Trento, Italy
– IV International Biennial of Drawing, Pilsen, Czech
Republic
– 6S[YL0UKHNPUPKLSSHKPTLUZPVULTL[HÊZPJHULSS’HY[L
KLS??0ZLJVSV6]LY0UX\PYPLZHIV\[[OLTL[HWO`ZPJHS
dimension in the XXI Century Art), Galleria Tondinelli,
Rome, Italy
– 5H[\YH4VY[H:[PSS3PML, Centro di Promozione Culturale “Le Muse”, Andria, Bari, Italy
– 0U9VZHYP\T=PYNPUPZ4HYPHL]PHW\SJOYP[\KPUPZ, Pontificio seminario regionale della Basilicata, Italy
– 04PZ[LYPKLS9VZHYPV;OL9VZHY`’Z4`Z[LYPLZH
contemporary sacred exhibition, Palazzo Apostolico,
Museo Pinacoteca, Loreto, Ancona, Italy
2003
– Arte in salotto. 4 scultori in galleria (Art in the living room. 4 sculptors in a gallery), Galleria Vittorio
Emanuele II, Milan, Italy
– Giovanni Testori, un ritratto (Giovanni Testori, a portrait), Palazzo Leone da Perego, Legnano, Milan, Italy
2002
– Art Köln, Park Ryu Sook Gallery, Cologne, Germany
2001
–2000 volte 2000. La figurazione in Europa (2000
times 2000. The representation in Europe), Villa Ponti,
Arona, Novara, Italy
2000
– -PN\YHaPVULH4PSHUVKHSZLJVUKVKVWVN\LYYHHK
VNNP;OLYLWYLZLU[H[PVUPU4PSHUMYVT[OLZLJVUK
postwar period till now), La Posteria, Milan, Italy
– IX Biennale d’arte sacra (IX Biennial of Sacred Art),
San Gabriele del Gran Sasso, L’Aquila, Italy
1998
– Expositive XVI+1, Contemporary Art Centre Schalkwijk, Holland
1996
– Situazioni della scultura (Sculpture’s situations),
Palazzo Ducale, Lucca, Italy
1995
– Le ragioni della libertà (Freedom’s reasons), Palazzo
della Triennale, Milan, Italy
– XVI Biennale Internazionale del Bronzetto (XVI International Biennial of the Bronze work), Palazzo della
Ragione, Padua, Italy
1994
– VI Biennale della ceramica d’arte (VI Biennial of the
artistic ceramics), Fortezza del Priamar, Savona, Italy
– Ipotesi sulla figura. Bergomi, Borghi, Pietrantoni, Riva
(Hypothesis on the Image. Bergomi, Borghi, Pietrantoni, Riva), A.A.B. Brescia, Italy
– La scultura contemporanea. I disegni degli scultori
(The contemporary sculpture. The sculptors’ drawings), Villa Comunale di Crevenna, Erba, Como, Italy
1993
– ???00)PLUUHSLK’HY[L*P[[¢KP4PSHUV???00)PLUUPHS
VM(Y[*P[`VM4PSHU, Palazzo della Permanente, Milan,
Italy
1992
– V Biennale Ceramica (V Biennial of Ceramics),
Fortezza del Priamar, Savona, Italy
1991
– 4VZ[YH0U[LYUHaPVUHSLKP:J\S[\YH0U[LYUH[PVUHS,_OPbition of Sculpture), Legnano, Milan, Italy
1988
– Nove scultori nuove sculture (Nine sculptors new
sculptures), Galleria Ada Zunino, Milan, Italy
1987
– 6[[VZJ\S[VYPWLY\UVZWLKHSL,PNO[ZJ\SW[VYZMVYHU
hospital), Gift to the Ospedali Riuniti, Bergamo, Italy
– I04VZ[YH0U[LYUHaPVUHSLKLSSH7PJJVSH:J\S[\YH00
International Exhibition of Little Sculpture), Castellanza, Varese, Italy
1986
– I Biennale di Scultura (I Biennial of Sculpture) Asti,
Italy
1985
– Galerie Unterburg, Regensberg, Switzerland
1980
– Art Basel 11, Basel, Switzerland
1978
– III Biennale della Scultura (III Biannial of Sculpture),
R.A.S.E., Palazzo della Ragione, Bergamo, Italy
Un’idea di mare
(19)
Marialuisa
Tadei
Marialuisa Tadei was born in Italy
Master’s Degree in Sacred Art, Architecture and Liturgy
Università Europea di Roma, Ateneo Pontificio Regina
Apostolorum, Rome, Italy
Master’s Degree
Domus Academy, Milan, Italy
Arts Degree (Painting department)
Accademia di Belle Arti, Bologna, Italy
Arts Degree
D.A.M.S., Bologna, Italy
Course with Prof. Jannis Kounellis
Kunst Academy, Düsseldorf, Germany
Postgraduate Diploma Goldsmiths College, London,
Great Britain
Marialuisa Tadei works with the Cass Sculpture
Foundation and is an Associate Member of the Royal
Society of British Sculptors
Solo exhibitions
2009
Into the Light, curated by Giorgio Cortenova, Church of
San Samuele, Venice, Italy
Inside the Eyes, Contemporary Concept Gallery, curated
by Valerio Dehò, Bologna, Italy
2007
Eternity, Italyn Cultural Institute, New York, United
States
2006
4HYPHS\PZH;HKLP=PHNNPVULSSH=PZPVULTHJYVJVZTP
microcosmi, Gagliardi Art System Gallery, Torino, Italy
Interior Nature, ArtCentre South Florida, organized by
Mariangela Capuzzo/Locomotives and Setart, Miami,
United States
2005
Levitatis Laudatio (Elegy to Weightlessness), ArtCentre
South Florida, organized by Mariangela Capuzzo/
Locomotives and Setart, Miami, United States
2004
Cosmic X, City Art Museum Mestna Galerija, curated
by Brane Kovic, text by Brane Kovic (cat.), Ljubljana,
Slovenia
Cosmic X1, Italyn Cultural Institute, curated by Brane
Kovic, text by Brane Kovic (cat.), Ljubljana, Slovenia
Cosmic Y, City Art Museum Mestna Galerija, curated
by Brane Kovic, text by Brane Kovic (cat.), Nova Gorica,
Slovenia
Cosmic Z, Patrizia Poggi Gallery, curated by Brane
Kovic, text by Brane Kovic (cat.), Ravenna, Italy
2003
Innerspace, Geo Arte Contemporanea, curated by
Massimo Sgroi, Vito Caiati, Bari, Italy
Walking Between Galaxies, Public Exhibition, organized
by Luminarte/Galleria Patrizia Poggi/Ravenna City
Council, curated by Fabiola Naldi, text by Fabiola Naldi
(cat.), Ravenna, Italy
2002
Soglia/Übergang/Threshold, Museum und Galerie im
Prediger, Schwäbisch Gmünd, Germany/Kulturzentrum,
Englishe Kirche and Gallery Scheffel, Bad Homburg vor
der Höhe, Germany, curated by Dr Gabriele Holthuis,
Direttore Director of the Museum im Prediger, texts
by Dr Gabriele Holthuis, Dr Gottlieb Leinz, Direttore
Director of the Wilhelm Lehmbruck Museum, Duisburg,
Germany, and by Prof Achille Bonito Oliva and Victor De
Circasia (cat.). Im Prediger
2001
Coming in, Gallery Scheffel, curated by Cristian
Scheffel, Bad Homburg vor der Höhe, Frankfurt,
Germany
No Border (with Sergia Avveduti), Santa Maria delle
Croci, curated by Prof Claudio Spadoni, text by Claudio
Spadoni (cat.) Ravenna, Italy
2000
0SNPHYKPUVKP4HYPHS\PZH, Studio Ercolani, Bologna, Italy
1997
Incisioni, Lavatoio contumaciale, Cultural Center
directed by Tommaso Binga, curated by Prof Claudio
Cerritelli, text by Prof Claudio Cerritelli (cat.), Roma,
Italy
Installazioni, Galleria Atelier, curated by Prof Omar
Calabrese, text by Prof Omar Calabrese (cat.), Siena,
Italy
Group exhibitions
2010
12th Architecture Biennale, Venice - Il vuoto e le forme,
curated by Anna Caterina Bellati, Castello, Venice, Italy
14th Biennale of Sacred Art, Stauros Foundation,
curated by Giorgio Cortenova inter alia, San Gabriele,
Teramo, Italy
International Sculpture Biennale 2010, curated by
Luciano Caramel, at Racconigi, Piedmont, Italy
2009
53rd(Y[)PLUUHSL=LUPJL‘-HYLTVUKP’curated by
Daniel Birenbaum
2008
10ma edizione Artisti della Carpegna, curated by Giovanni
di Carpegna Falconieri, Palazzo dei Principi di Carpegna,
Carpegna (PU), Italy
Dall’Accademia alla Fornace, arte per lo sviluppo del
territorio, curated by Silvia Rossetti, text by Fabio
Girardello, Fornace di Asolo, Asolo (TV), Italy
Settima Biennale dell’arte sperimentale, Museo de
Manege, curated by Enzo Fornaro and O. Dotti, St
Petersburg,
6S`TWPJ-PUL(Y[Z curated by Katy Feng, Hu
Xiaowei, Beijing, China
+VUUH4H[LYPH*YLH[P]P[¢ Galleria Palazzo Coveri,
Firenze, Italy
10 + 10 = 20 anni. Poeti e artisti per clanDestino. 29°
4LL[PUNWLYS’HTPJPaPHMYHPWVWVSP6WYV[HNVUPZ[PV
nessuno, curated by Beatrice Buscaroli, Davide Rondoni,
Padiglione clanDestino, Rimini, Italy
*4@20SPUN\HNNPKLS4LKP[LYYHULV, Pinerolo (TO), Italy
Galleria ventitreesima, Cattolica (RN), Italy
Astralia Mirano, Venezia, Italy
Creek Art Fair Bastakia, Dubai, UAE
2007
Shanghai Mart Art Fair, Gallery Present Temporary Art,
Shanghai, China
Non calpestare le margherite, Palazzo dei Principi di
Carpegna, Pesaro, Italy
Un’idea di mare
(20)
Marialuisa
Tadei
2006
Quaranta per Quaranta. Circa, PAD - Pay and Display,
Verona, Italy
Nuove presenze, Museo della Scultura temporanea,
Parco Ranghiasci, curated by Giorgio Bonomi, Gubbio
(PG), Italy
XXIV Biennale di Scultura, Palazzo Ducale/Ari del Palazzo
dei soli/Palazzo Pretorio/Palazzo del Turismo/Parco
Ranghiasci, curated by Giorgio Bonomi, Gubbio (PG),
Italy
<UUH[\YHSS`6JJ\YYPUN!:HS[:HUK)YVUaL.VSK. A group
show of painting and sculpture with an alchemical
twist (with Makoto Fujimura, Clement Price-Thomas,
Marialuisa Tadei, Karina Wisniewska), Sara Tecchia Roma
New York Gallery, United States
Ephemeral/Trends, IV Arteamericas Fair - Cout Grove
vention Centre Miami, progetto project curated by
Milagros Bello Ph. D, Miami, United States
Exhibition of work acquired by and gifted to MAR Museo
Arte Ravenna, Italy Curatela e catalogo di curated and
catalogue by Claudio Spadoni
L’immaginario femminile, Basutti & Basutti Gallery,
curated by Piero Gilardi, Giuseppe Biasutti, Torino, Italy
2005
6TUPHY[, Art Basel Miami, curated by Tina Spiro, Carol
Damian, Julia Herzberg, Miami, United States
Erect ArtCenter/South Florida & Majestic Properties,
Miami Design District, curated by Claire Bruekel Miami,
United States
Galleria Altri Lavori in Corso, Rome, Italy
56maLKPaVUL7YLTPV4PJOL[[P0ULV\[VWLYHLHTIPLU[L
nella dimensione Glocal, curated by Prof. Luciano
Caramel, text by Prof. Luciano Caramel (cat.)
Palazzo S. Domenico, Museo e Fondazione Michetti,
Francavilla a Mare (CH), Italy
*SHUKLZ[PUV4LL[PUNKLSS’(TPJPaPHMYHPWVWVSP, curated by
Gianfranco Lauretano, Rimini, Italy
(S[YL3PSP[O3L=LZ[HSPKLSS’(Y[L;LYaV4PSSLUUPV, Museo
Tuscolano - Scuderie Aldobrandini, curated by Rosetta
Zozzini, Gabriella Serusi, text in catalogue by Gabriella
Serusi, Frascati (Roma), Italy
Dreamscapes, John Michael Kohler Arts Center, curated
by Carmen Devine, Sheboygan, United States
2004
New Underground Railway Station, Acerra (NA), Italy
Cass Sculpture Foundation, London, Great Britain
Galleria il Torchio Costantini, Milan, Italy
Lang Gallery, London, Great Britain
*SHU+LZ[PUVHY[LH[4LL[PUNKLSS’HTPJPaPH[YHPWVWVSP,
Rimini Fair, curated by Marina Mojana, Rimini, Italy
Maravee Clorofilla, Villa Ottelio-Savorgnan, curated
by Sabrina Zannier (cat. Comunicarte Edizioni), Ariis di
Rivignano (UD), Italy
Arte Fiera Bologna, Patrizia Poggi Gallery, Ravenna, Italy
2003
Vergine d’oliva, Pinacoteca, Bari, Italy
Chamber of the European Parliament Strasbourg,
curated by Vito Caiati, text by Vito Caiati, Lorella
Scacco, Giusi Petruzelli, Antonella Marino (cat.), France
Io non ho paura del colore, curated by Lorella Scacco,
text by Lorella Scacco (cat.), Villa Piccolomini, Rome,
Italy
Wulbari Galleria en plein air, curated by Wences Rambla
(cat.), Pinerolo (TO), Italy
Art2003 London Art Fair, Robert Sandelson Gallery,
London, England
2002
Arcadia in the City, Marble Hill Richmond, London, Great
Britain
Art Cologne Fair, Scheffel Gallery, Bad Homburg vor der
Höhe, Germany
Art Frankfurt Fair, Scheffel Gallery, Bad Homburg vor der
Höhe, Germany
L’ultima cena ( with Bill Viola, Andres Serrano, Mimmo
Paladino, Nino Longobardi, Marco Neri, Michele Chiossi,
Gabriel Orozco, Miltos Manetas, Bianco-Valente, Gulia
Lusikova, Giovanni Rizzoli, Jason Martin, Perino & Vele,
Arturo Casanova, David Bade, Loris Cecchini, Martino
Coppers, Chiara Dynys, Peter Friedl, Giuseppe Mingione,
Simon Morley, Ryuji Miyamoto, Marina Nunez, Simon
Reilly, Markus Schaller, Pieter Schoolwerth, Adrian
Tranquilli, Vedovamazzei, Sislej Xhafa, Peter Zimmerman
(cat.), curated by Massimo Sgroi, Castel dell’Ovo, Napoli,
Italy
La beauté du geste, Salon de l’Art, curated by Marie
Aimée Tirole, Italyn section curated by Boris Brollo
(cat.), Principality of Monaco
Glass Way ( with Joseph Beuys, Louise Bourgeois, Marcel
Duchamp, Jaume Plensa, etc), temp. section curated
by Maurizio Sciaccaluga (cat.), Museo Archeologico
Regionale, Aosta, Italy
:J\S[\YH0U[LYUHaPVUHSLH3H4HUKYPH ( with William Pye,
Antony Gormley, Anish Kapoor, Rui Chafef, Edward
Chillidia, Esther Ferrer, John Aiken, Anselmo, Jean Pierre
Rainaud, Ruick Reim, cat.), introduced by Sir Nicholas
Serota, written and curated by Victor De Circasia,
organised by the Association of Piedmontese Art, Parco
La Mandria, Torino, Italy
Blu-Place Arte, curated by Victor De Circasia, text by
Victor De Circasia (cat.), Cavagnolo Po (TO), Italy
Sculturama, Galleria Annovi, curated by Maurizio
Sciaccaluga, text by Maurizio Sciaccaluga (cat.),
Sassuolo (MO), Italy
Lune parlanti, an idea by Walter Gasperoni, curated by
Walter Gasperoni, text by Alberto Fiz, Vittoria Cohen,
Flaminio Gualdoni, Emilio Tadino, Cesare Padovani (cat.),
Rocca Malatestiana di Montefiore, Rimini, Italy
5V:[`SL:OV^4L[HS9VVT, curated by Boris Brollo,
text by Boris Brollo (cat.), San Donà di Piave (VE), Italy
2001
Art Cologne Fair, Scheffel Gallery, Bad Homburg vor der
Höhe, Germany
Art Frankfurt Fair, Scheffel Gallery, Bad Homburg vor der
Höhe, Germany
Blickachsen 3 Skulpturen im Kurpark ( with Louise
Bourgeois, David Nash, Jaume Plensa, Wolf Vostell,
etc, cat.), curated by Cristian Scheffel, text by Dr
Gottlieb Leinz, Direttore Director of the Museum Wilhelm
Un’idea di mare
(21)
Marialuisa
Tadei
Lehmbruck, Duisburg, Germany, Bad Homburg vor der
Höhe, Germany
tatto tagi, Pescheria d’Este, curated by Maria Luisa
Trevisan, text by Maria Luisa Trevisan (cat.), Padova, Italy
Arte oggetto ‘01 xyz cmyk, Biblioteca comunale, curated
by Maria Luisa Trevisan and Boris Brollo, texts by Maria
Luisa Trevisan and Boris Brollo (cat.), Buia (UD), Italy
In-pressione, AEM Stabilimenti Gas-Bovisa, curated
by Mimmo di Marzio, Chiara Guidi, texts by Mimmo di
Marzio, Chiara Guidi (cat.), Milan, Italy
4V]PL4VKLUH]PKLVL_OPIP[PVU ( with Franco Vaccari,
Willy Darko, Jorge Peris, Laura Ambrosi, Giuliana
Cuneaz, Maurizio Camerani), curated by Willy Darko
and Mario Bertoni, sponsorship Provincia di Modena,
Chiesa S. Paolo, Modena, Italy / curated by Willy Darko,
sponsorship Comune e Provincia di Novara (cat.), Italy
Videotape, Palazzo Arengo del Broletto, Novara, Italy
(Y[;]6U4H[JO4\ZPJ;]Z[H[PVU, curated by Fabiola
Naldi
Kunst in der Kammer 5, Frankfurt Stock Exchange /
curated by Cristian Scheffel, texts by Dr Ursula GrzechaMohr, Städelsches Kunstinstitut und Museum, Frankfurt
International Airport (2001-2002) / curated by Cristian
Scheffel, texts by Dr Ursula Grzecha-Mohr, Städelsches
Kunstinstitut und Museum, Germany
2000
4HPVULZLGalleria en plein air, curated by Luca
Beatrice, Alessandra Galletta, texts by Luca Beatrice,
Alessandra Galletta (cat.), Pinerolo (TO), Italy
6UKH)PNGalleria en plein air, curated by Olga Gambari,
texts by Olga Gambari, Pinerolo (TO), Italy
6UL+H`H[H;PTLGalleria en plein air, curated by
Alberto Barbero, Olga Gambari, Marco Aime, Pino
Guglielmo, Margherita Hack, Paolo Molino, Marco
Robino, Andrej Termikov, texts by Alberto Barbero, Olga
Gambari, Marco Aime, Pino Guglielmo, Margherita Hack,
Paolo Molino, Marco Robino, Andrej Termikov (cat.),
Pinerolo (TO), Italy
Periplo della scultura Italyna temporanea 2, Sassi,
curated by Giuseppe Appella, Pier Giovanni Castagnoli,
Fabrizio D’Amico, texts by Giuseppe Appella, Pier
Giovanni Castagnoli, Fabrizio D’Amico (cat.), Matera,
Italy
Anatomie del paesaggio, curated by Maria Luisa
Trevisan, text by Maria Luisa Trevisan (cat.), Sant’Elena
D’Este (PD), Italy
1999
4\ZLVHSS’HWLY[V curated by Miriam Campagnini,
sponsorship Comune di Vicchio (cat.), Vicchio (FI), Italy
4VYIª, Mole Vanvitelliana, curated by Antonio Luccarini,
text by Antonio Luccarini, sponsorship Comune di Ana
(cat.), Ana, Italy
Pubblicità: una vista dall’arte, curated by Pierre Restany,
text by Pierre Restany (cat.), Spazio soloMilan, Milano,
Italy
1998
.SPLSLTLU[P>H[LY(PY,HY[O-PYL;YHHY[LLHTIPLU[L,
curated by Maria Luisa Trevisan, Lucia Majer, Umberto
Daniele, texts by Maria Luisa Trevisan, Lucia Majer,
Umberto Daniele (cat.), Sant’Elena D’Este (PD), Italy
Prizes
2003
Public competition for the new Law Courts at Pescara,
Italy
Awarded first prize in the young artists’ section
2002
Special Jury Mention at the Third International Sculpture
Prize for the Piedmont Region, curated by the
Piedmontese Art Association and the St. Filippo Neri
Gallery, texts by Claudio Cerritelli, Martina Corgnati,
Piergiovanni Castagnoli (cat.), Torino, Italy
2001
Winner of the Novartis Prize - Permanent installation,
Novartis headquarters, Horsham, West Sussex, Great
Britain
Major private, public, corporate and museum
collections
MUSMA - Sculpture Museum, Matera, Italy
MAR - Museo d’arte della Città di Ravenna, Italy
Museum of temporary Sculpture of Gubbio (PG), Italy
Museum Beelden aan Zee, The Hague/Scheveningen,
Netherlands
Fresenius company, Bad Homburg vor der Höhe,
Germany
Mestna Galerija Nova Gorica, Museum of temporary Art,
Nova Gorica, Slovenia
Bad Homburg vor der Höhe, Frankfurt, Germany
Museum im Prediger, Schwäbisch Gmünd, Germany
Class Sculpture Foundation, Great Britain
Museo all’aperto, Vicchio (FI), Italy
Public commissions
Woman from the Future, Coral Springs, United States
Florida International University College of Law, Miami,
United States
New underground station at Acerra, Napoli, Italy
Novartis Collection, West Sussex, Great Britain
Un’idea di mare
(22)
Dania
Zanotto
Born in Treviso, Italy on 4th May 1975.
In 1998 she graduated in Painting at the
Accademia di Belle Arti in Venice, Italy. She lives
in Treviso and works in Venice. She teaches visual
arts in a secondary school.
SOLO EXHIBITIONS
2010
- Vie di Fuga/Senza Confini (performance in
collaboration with Cristina Guitti), curated by
Carolina Lio and Yvonne Pugliese, Galleria Yvonne
Artecontemporanea, Vicenza, Italy
2009
- Aria (withToyomi Nara), curated by Carolina Lio,
Galleria Yvonne Artecontemporanea, Vicenza, Italy
2008
- 7OHKH4\YNHUPH, curated by Carlo Sala, Ex
Chiesetta S. Antonio, Badoere, Treviso, Italy
2007
- Storia, immaginazione, verità e leggenda, curated
by Carlo Sala, Galleria Polin Contemporanea,
Treviso, Italy
2006
- Dania Zanotto, curated by Maurizio Sciaccaluga,
Santa Marta Gallery, Milan, Italy
1999
- Dania Zanotto, curated by Agostino Morandin,
Palazzo del Podestà, Treviso, Italy
SELECTED GROUP EXHIBITIONS
2010
- 0U*OHY[PZ4L]HUPL, curated by Carlo Sala and
Franco Troiani, Museo Civico di Bevagna (PG), Italy
- 6UJL0SP]LKOLYL3HYLNNPHWVY[H[PSL, curated by
Gloria Vallese and Carlo Sala, Museo Civico di
Asolo (Treviso), Italy
- Living/Leaving, La reggia portatile, curated by
Gloria Vallese, Associazione Nuova Icona, Oratorio
di San Ludovico, Venice, Italy
- Liquida Preview, Festival d’arte contemporanea,
curted by Carlo Sala, Museo di Santa Caterina,
Treviso, Italy
- Dis-abitare: per una riflessione sui luoghi, curated
by Carlo Sala, Ex area commerciale, Fonte
(Treviso), Italy
- 7SLHZLTLMHZOPVUMS\[[\HaPVUPMYH(Y[LL4VKH,
curated by Isabella Falbo, Ferruccio Piromani,
Roberto Roda, Palazzo Ducale, Sabbioneta
(Mantova), Italy
- Ricognizione sulla nuova Arte in Veneto, curated
by Carolina Lio, Studio Bazzini, Milan, Italy
- :H]L6\YZ:RPLYZ, curated by Viviana Siviero,
Galleria De Faveri arte contemporanea, Feltre
(Belluno), Italy
- Suspense, a cura di Carolina Lio, Fondazione
Bevilacqua La Masa, Palazzetto Tito, Venice, Italy
2009
- Art for l’Aquila, curated by Magdalena Rutkowska
and Blandine Martin, Scuola del Vetro Abate
Zanetti, Murano Venice, Italy
- The Cream Society, curated by Gloria Vallese and
Carlo Sala, Fondazione la Fornace dell’Innovazione,
Asolo (Treviso), Italy
- Degli uomini selvaggi e d’altre fantasticherie,
curated by Viviana Siviero, Lab 610 XL e De Faveri
Arte, Servo di Sovramonte (Belluno), Italy
- Cream in Paradise, curated by Gloria Vallese,
Paradiso, Giardini della Biennale, Venice, Italy
- Facciamo quadrato, curated by Roberto Pozzobon,
Accademia di Belle Arti, Venice, Italy
- L’anima del suono, curated by Antonio Costanzo,
Maria Luisa Trevisan, Myriam Zerbi, PaRDeS ,
Mirano Venice, Italy
- La traccia dell’arte a Villa Carcina, curated by
Silvia Iacobelli e Maddalena Penocchio, Villa
Glisenti, Villa Carcina (Brescia), Italy
2008
- Ergo Iperbolico, curated by Luciano Ghersi, Mya
Lurgo Gallery, Lugano, Switzerland
- ¼[YH]LYZS’PTTH[LYPLS6THNNPVH@]LZ2SLPU,
curated by Anna Caterina Bellati, Mya Lurgo
Gallery, Lugano, Switzerland
- Biennale Italia, curated by di Angelo Calabrese,
Francesco Elisei, Sara Costa, Paolo Feroce, San
Leucio, Caserta, Italy
- Fiera Internazionale d’Arte, Palazzo dei Congressi,
Rome, Italy
2007
- Collettiva Spring Summer 2007, curated by Zaira
Beretta, Zaion Gallery, Biella, Italy
- Premio d’Arte Donato Frisia / V edizione, curated
by Sara Fontana, Palazzo Prinetti, Merate, Lecco,
Italy
- Sculture e sculture, curated by Christine Polin, Polin
Contemporary Gallery, Treviso, Italy
2006
- L’altro sguardo/ Visioni al femminile, curated by
Silvia Caprari, Commenda di Pré, Genova, Italy
- ArtVerona/l’Arte e i suoi percorsi, participation at the
Aletti Prize, Verona, Italy
- V Biennale d’arte Postumia Giovani / Camerae
pictae, curated by Paola Artoni and Antonella
Gandini, Museo d’Arte Moderna e Contemporanea,
Gazoldo degli Ippoliti, Mantova, Italy
- 67,566 0U[LYUH[PVUHS,_OPIP[P[PVUVM
Sculptures and Installations, curated by Paolo De
Grandis, Venice Lido, Italy
- 7VY[(Y[L6TIYL9PMSLZZPKPJVU[LTWVYHULV,
curated by Sandra Nava, Porta S.Agostino,
Bergamo
- Tangenze arte/moda, curated by Gloria Vallese,
Villa Vecelli Cavriani, Mozzecane, Verona, Italy
2005
- Atelier aperti/Work in progress, curated by Gloria
Vallese and Paolo De Grandis, Fondaco Marcello,
Venice, Italy
- Atelier aperti/Dancing with the elements,
Un’idea di mare
(23)
Dania
Zanotto
curated by Gloria Vallese, Centro Direzionale E33,
S.Martino Buon Albergo, Verona, Italy
- Tra donne…, curated by Vanda Sabatino, Villa
Glisenti, Villa Carcina, Brescia, Italy
- Atelier aperti/Skin & feathers, parallel event at
the 51.International Art Exhibition-La Biennale di
Venezia, curated by Gloria Vallese, Accademia di
Belle Arti, Venice, Italy
- 10 ragazze per me/pittura, scultura, grafica,
installazioni + gioielli & poesia, curated by Anna
Caterina Bellati, Palazzo Pretorio, Chiavenna,
Sondrio, Italy
2004
- Io mi chiamo Eva, curated by Maria Chiara
Valacchi, Spirale Arte Gallery, Pietrasanta, Lucca,
Italy
4LKPVL]VWYVZZPTV]LU[\YV, curated by Maurizio
Sciaccaluga, Palazzo Pretorio, Certaldo, Florence,
Italy
- Sei come 6, curated by Anna Caterina Bellati,
Palazzo Pretorio, Chiavenna, Sondrio, Italy
2003
- IV Premio Cairo Communication/Giovane
figurazione, curated by Maurizio Sciaccaluga and
Anna Caterina Bellati, Palazzo della Permanente,
Milan, Italy
- S8 pressione, curated by Maurizio Sciaccaluga,
Guidi & Schoen Gallery, Genova, Italy
2002
- :\Y]P]L3’HY[LZHS]LY¢PSTVUKV&, curated by Luigi
Bozza and Massimo De Bortoli, Centro Officina
Culturale, Latisana, Udine, Italy
2001
- Quotidiana 01, curated by Virginia Baradel, Guido
Bartorelli, Stefania Schiavon, Museo Civico del
Santo, Padua, Italy
- Lampi Grevi, curated by Francesco Tedeschi and
Fabio Paris Art Gallery, Villa Glisenti, Villa Carcina,
Brescia, Italy
- 4HYRLYZHUV\[KVVYIHUULYL]LU[MVY=LUPJL
Biennale 2001, parallel event at the 49.
International Art Exhibition- La Biennale di Venezia,
curated by Riccardo Caldura, Cattedrale ex
convento S. Maria Ausiliatrice, Venice, Italy
2000
- 84.ma Collettiva della Fondazione Bevilacqua La
4HZH, curated by Riccardo Caldura, Bevilacqua La
Masa Gallery, Venice, Italy
Un’idea di mare
(24)
Fulvia
Zambon
She lives in Brooklyn, NY.
EDUCATION
2005-2009
– The Art Students League, New York, NY, USA
Certification in Fine Art Paintings 2001-2004
– The Art Students League, New York, NY, USA
She studied portrait painting with Roland Sherr
1984-1989
– Academy of Fine Arts of Brera, Milan, Italy, she
studied life drawing and sculpture
SOLO EXHIBITIONS
2008
– Baby Carriages, Merge Gallery, New York, NY, USA
2006
– Sidecar, TAG, Opening of 18 Gallery during the
Winter Olympic Games, Turin, Italy, USA
– Chicken Pox, Figureworks Gallery, Williamsburg,
Brooklyn, New York, NY, USA
2003
– Wrapping, East, Williamsburg, Brooklyn, New York,
NY, USA
2000
– Self Portraits, Headquarters, Hollywood, CA, USA
1996
– )PTIPL4HKVUUL, Totem Gallery, Venice, Italy
1995
– 3VNVZ`4`[OVZ, Spazioltre Art Gallery, Rome, Italy
1994
– La voce muta, Dissemination, Milan, Italy
1993
– Interni, Spazio Leti, Milan, Italy
1991
– Paintings, José Martos Gallery, St. Barth, French
West Indies, USA
1990
– Yugodok, Drvenik, Croatia
– Paintings, Fullscale Gallery, New York, NY, USA
1989
– Paintings, Diocleziano Palace, Split, Croatia
GROUP EXHIBITIONS
2010
– 0S=\V[VLSL-VYTLt4L[YVWVSP(U[PTL[YVWVSP
(curated by Anna Caterina Bellati), Chiavenna, Sondrio, Italy
2009
- OPEN XII, Lido Venice, Italy
– It’s a wonderful life, Sideshow Gallery, Williamsburg, Brooklyn, New York, NY, USA
2008
– Il Vuoto e le Forme (curated by Anna Caterina Bellati), Chiavenna, Sondrio, Italy
– “µ[YH]LYZS’0TTH[¥YPLS6THNNPVH0]LZ2SLPU
(curated by Anna Caterina Bellati), Mya Lurgo Art
Gallery, Lugano, Switzerland
Affordable Art Fair, Metropolitan Pavilion, New York,
NY, USA
– Red Dot Fair, Merge Gallery New York
– Peace, Sideshow Gallery, Williamsburg, Brooklyn,
New York, NY, USA
2007
– :VTL^OLYL<UKLY[OL4HY`SLIVUL-S`V]LY, Subway Gallery, London, UK
– Focus on the Figure, Hopper House Art Center,
Nyack, New York, NY, USA
– TOL8\LZ[[V+LÊUL6\YZLS]LZHUK6\Y*\S[\YL, St.
Joseph College, Brooklyn, New York, NY, USA
– >HYPZ6]LY(NHPU, Sideshow Gallery, Williamsburg, Brooklyn, New York, NY, USA
2006
– >HYPZ6]LY, Sideshow Gallery, Williamsburg,
Brooklyn, New York, NY, USA
;OL [O(UU\HS4LYTHPK:OV^, Sideshow Gallery, Williamsburg, Brooklyn, New York, NY, USA
2005
– Project Diversity, Random
– 6JJ\YYLUJLZ!+LJVUZ[Y\J[PUN0THNLZ0JVUZHUK
Identity, Skylight Gallery, Brooklyn, New York, NY,
USA
2004
– 10 Ragazze per me (10 Girls for me), (curated by
Anna Caterina Bellati), Palazzo Pretorio, Chiavenna,
Sondrio, Italy.
– Premio Arte 2004, Museum of the Permanente,
Milan, Italy
– Williamsburg in Lenox, Borea Gallery, Lenox, MA
– Water Show, Red Hook, Art at The Pier, Brooklyn,
New York, USA
2003
– Small Immensities, The Painting Center, Winter
Show, New York, NY, USA
– 100th Birthday Williamsburg Bridge, Holland Tunnel, Brooklyn, New York, NY, USA
2001
– I Love NY, World Trade Center, Egizio’s Projects,
New York, NY, USA
– 4HZ[LY7PLJLZ, Art Museum of South Texas, Texas,
TX 2000, USA
– Nursery Crime, Egizio’s Project, New York, NY, USA
AWARDS
2009
– The Art Student League of New York, Jean Gates
Award Grant
2008
– The Art Student League of New York, Scholarship
– The Art Student League of New York, Scholarship
2007
– The Art Student League of New York, Summer
Scholarship
2004
– 7YLTPV(Y[L.PVYNPV4VUKHKVYP7\ISPZOLY, Milan,
Italy. Diploma d’Onore (Honour certificate)
1998
– The Bay and Beyond, Bayside Historical Society,
Albany, NY. 2nd Prize
1995
– Vetrerie Italiane, New forms in glass, 1st Prize
Un’idea di mare
(25)