ALBERT AMOR LTD.

ALBERT AMOR LTD.
AUTUMN 2013
37 Bury Street, St James’s, London SW1Y 6AU
Telephone: 0207 930 2444 Fax: 0207 930 9067
ALBERT AMOR LTD.
AUTUMN 2013
Detail: No.69 A Spectacular Derby a campana shaped vase.
FOREWORD
Our Autumn Catalogue 2013 is designed to give a flavour of the acquisitions we
have made in recent months. During this period we have, as in past years, been
fortunate to acquire both privately and at auction a varied and I hope interesting
group of pieces, many having passed through our hands in the past.
This catalogue is particularly rich in fine teapots, many from the collection of the
late Sidney M Arenburg, and acquired from Albert Amor in the 1970s and 1980s.
Of particular note are the very fine early Worcester blue and white ‘Indian
Fisherman’ pattern teapot, no 1 in this catalogue, and formerly exhibited here in the
Paul B Zeisler Jr Collection in 1986, a good Lowestoft blue and white teapot and a
rare Vauxhall example. Polychrome decorated teapots from the collection include
a particularly brightly enamelled Bow example, no 27, and a number of good
Worcester teapots, including number 50, beautifully decorated with a dragonfly
amongst the flowers.
Chelsea in this catalogue includes both a cauliflower and an asparagus tureen –
both classic examples of the factory output in the mid 1750’s, a large sunflower dish
particularly brightly decorated, and a fine vase and chocolate cup and saucer, with
Meissen inspired decoration.
Figures from Bow, Chelsea and Derby are also well represented, with a number of
variants of Bow figures of Harlequin and Columbine, a fine Bow figure of Neptune,
especially well modelled and coloured, and a pair of Chelsea Gold Anchor period
candlestick groups representing the Seasons.
Worcester with polychrome decoration includes a rare flower tub and cover, formerly
in the Zorensky Collection, a good Giles decorated pink scale bordered plate, and two
fine large cylindrical mugs painted with exotic birds on a blue scale ground. We also
show a pair of Worcester fruit coolers, covers and liners decorated in the Hop Trellis
pattern, which we last exhibited at the much lamented Grosvenor House Art and
Antiques Fair in 2009. To date no comparable pair has been recorded, and the quality
of the decoration is superb.
Later porcelains feature a good Flight and Barr Worcester mug, very finely painted
with a named view of Blenheim Palace, a fine Chamberlain’s Worcester dish and
two plates from the Goold Service, and an interesting figure of a young man, in
the white, as yet by an unidentified factory. We also show a spectacular Derby large
campana shaped vase, with the very best factory flower and landscape painting
from this period.
Continental pieces include a fine and rare Mennecy teapot, in the white, with very
detailed applied decoration, and contemporary French silver mounts, and a large
early 19th century Sevres ormolu mounted group of Venus bathing.
Many collectors will remember the Albert Amor Exhibition in 1977 of a
spectacular Derby botanical dessert service, painted by William Quaker Pegg.
I am delighted that in this catalogue we again show a very fine, but slightly earlier
Derby botanical dessert service, also very well painted, but in a more restrained
late eighteenth century style. It is so rare now for these services to appear on the
market complete with sauce tureens and dishes, and in such fantastic condition.
To complement the Derby service we also show some individual Derby botanical
pieces, and an exceptional Derby dessert service and set of plates with very detailed
painting of hunting scenes, and also two fine dessert services by Spode. Services of
this size are quite a logistical challenge to show in Bury Street (as many who have
visited us will understand…), but I think this is a great opportunity to remind
collectors how spectacular these services can be.
I do hope that you will enjoy this catalogue. Please do contact me if I can tell
you more about any of these pieces.
All exhibits are for sale from the publication of this catalogue.
Mark Law
London, September 2013
mark@albertamor.co.uk
1.
A very fine Worcester lobed round teapot and cover, with loop handle and turned knop, well painted
in underglaze blue with the Indian Fisherman pattern, within crisply scroll and flower moulded
cartouches, and painted with trailing flowers and leaves, 5″ high, circa 1753-54, workman’s mark.
Provenance : Dr Knowles Boney Collection.
Paul B Zeisler Jr Collection.
American Private Collection, acquired from Albert Amor Ltd. in 1986.
Exhibited :
Albert Amor Ltd., Blue and White 18th Century English Soft Paste Porcelain,
1979, no 16.
Albert Amor Ltd., The Paul B Zeisler Jr Collection, 1986, no 5.
See Branyan, French and Sandon, I.B.22 for a teapot in this pattern of a later date.
2.
A Worcester small cylindrical mug, with notched loop handle, finely painted in underglaze blue
with the Walk in the Garden pattern, 3 1/4″ high, circa 1755-56, workman’s mark.
3.
A Worcester oval potted meat tub,
the exterior painted in underglaze
blue with the Leaning Rock
Fisherman pattern, within scroll
moulded cartouches, the interior
painted with a flower spray, 5 1/4″
long, circa 1758, workman’s mark.
Provenance : Dr John Catlin
Collection.
See Branyan, French and Sandon,
I.B.17, for a similar butter tub in this
rare pattern.
4.
A rare Worcester round teapot stand, painted in underglaze blue with the Arcade pattern, 5 3/8″
diameter, circa 1762-65, pseudo Chinese character mark.
Provenance : Paul B Zeisler Jr Collection.
Exhibited :
Albert Amor Ltd., The Paul B Zeisler Jr Collection, 1986, no 51.
5.
A rare Worcester spoon, after a silver original, the rounded bowl painted in underglaze blue with a
flower head, within a cell diaper band, the scroll moulded handle picked out in blue, 4″ long, circa
1770, no mark.
6.
A Worcester teabowl and saucer, finely painted in underglaze blue with the Dragon pattern, in
Chinese style, circa 1756, workman’s marks.
Provenance : English Private Collection.
7.
A very rare Worcester globular teapot
and cover, with loop handle and flower
knop, painted in underglaze blue with
the Arabesque Reserve pattern,
5″ high, circa 1770, blue crescent mark.
Provenance : The Paul B Zeisler
Jr Collection.
Exhibited :
Albert Amor Ltd.,
The Paul B Zeisler Jr
Collection, 1986, no 63.
See Branyan, French and Sandon,
I.A.16, for another teapot and cover
in this very rare pattern in the Castle
Museum, Norwich.
8.
A rare Worcester round bowl, finely painted in underglaze blue with the High Island pattern, 5 7/8″
diameter, circa 1754, workman’s mark.
Provenance : English Private Collection.
See Branyan, French and Sandon, I.B.2, for a saucer in this rare pattern.
9.
A good Lowestoft globular teapot and
cover, with loop handle and ball knop,
painted in underglaze blue with buildings
and fenced gardens, in Chinese river
landscapes, within flower panelled
diaper bands, 5 3/4″ high, circa 1775-80,
workman’s numeral 5 in blue beneath.
Provenance : American Private Collection.
10.
A Lowestoft small baluster shaped sparrow beak cream jug, with loop handle, painted in underglaze
blue with a fence, a tree, flowering branches and rockwork, in Chinese style, the interior with a diaper
band, 3 1/4″ high, circa 1760-65, no mark.
11 and 12.
Two good Derby round chestnut baskets and pierced domed covers, each with ribbon entwined loop
knop, the basket moulded ground applied with trailing flowers and leaves, picked out in underglaze
blue, the interior of the base painted with a Chinese river landscape, one 7 1/4″ high the other 6 1/4″
high, circa 1762-65, no marks.
Provenance : American Private Collection.
13.
A rare Vauxhall globular teapot and cover, with loop handle and ball knop, painted in underglaze
blue with figures in a Chinese river landscape, within cell diaper bands, the handle and spout painted
with leaves, 5 1/4″ high, circa 1758, no mark.
Provenance : American Private Collection, acquired from Albert Amor Ltd. in 1993.
14.
A rare Mennecy ovoid
teapot and domed cover,
with flower knop, the scroll
handle with leaf moulded
thumbpiece, finely applied
with swags of flowers and
leaves to the upper body and
the cover, and with
contemporary French
engraved silver mounts with
the charge mark for Antoine
Leschaudel 1744-1750,
5 1/4″ high, circa 1740,
no mark.
Provenance : American
Private Collection.
15.
A Chelsea tureen and cover, in the form of a bunch of asparagus, tied with two brown bands, and with
one stem forming a loop handle, naturalistically painted in purple and green, 7 1/2″ long, circa 1755,
red anchor mark.
16.
A rare Chelsea tureen and cover, in the form of a cauliflower, naturalistically picked out in yellow
and pale green, 4 3/4″ wide, circa 1755, red anchor marks.
17.
A Chelsea oval dish,
with two ‘twig’
handles with bold leaf
moulded terminals,
naturalistically picked
out in coloured
enamels, and painted
with a butterfly, insects
and scattered flower
sprigs, the lobed and
basket moulded border
with brown line rim,
10 3/4″ wide, circa
1755-58, no mark.
18.
A Chelsea dish, in
the form of a
sunflower, the stalk
loop handle with bold
leaf terminals painted
in green and with
manganese veining,
8 3/4″ wide, circa 1755,
red anchor mark and
numeral 2.
19.
A rare Derby small
sunflower shaped
dish, the bold stalk
loop handle with an
entwined ribbon;
one side of the dish
moulded with flowers
and leaves, and
decorated in coloured
enamels, 4 1/4″ wide,
circa 1758, no mark.
A similar small dish was exhibited Albert Amor Ltd., Summer Exhibition 2004, no 65.
20.
A rare Chelsea inverted baluster shaped
vase, very finely painted in coloured
enamels with a long-tailed bird in a fruiting
tree, the reverse painted with butterflies, a
ladybird, a caterpillar and a snail, within
gilt line borders, 8 1/4″ high, circa 1755, no
mark.
Provenance : With D M and P Manheim
Private Collection
21.
A good Chelsea two handled chocolate cup and saucer, finely painted in coloured enamels with
shaded butterflies and insects; the cup also painted with a naturalistic bird, within brown line borders,
circa 1755, red anchor marks.
The form and decoration of this cup follow Meissen from the 1740s.
22.
A good pair of Chelsea lobed oval dishes, each finely painted in coloured enamels with an exotic bird
perched on rockwork, and two birds in berried branches, the scroll and ribbon moulded border picked
out in turquoise, pale blue and gilt, 10″ wide, circa 1760, brown anchor marks.
23.
A Chelsea plate, boldly painted in coloured enamels with a cluster of fruits and leaves, and
scattered fruits, the lobed and leaf moulded border picked out in gilt, 9″ diameter, circa 1760-62,
gold anchor mark.
Although from the Gold Anchor period at Chelsea, this plate uses a form more associated with the
1752-55 Red Anchor period.
24.
A Chelsea plate, boldly painted in coloured enamels with a cluster of fruits and leaves, scattered
fruits, including a cut pear, butterflies and a ladybird, the scroll moulded border picked out in
turquoise and gilt, 8 3/4″ diameter, circa 1760-62, gold anchor mark.
25.
A pair of Chelsea plates, each boldly painted in coloured enamels with an exotic bird perched on
rockwork, flanked by birds in branches, the shaped border with brown line rim, 8 1/2″ diameter,
circa 1760, brown anchor marks.
26.
A pair of Chelsea candlestick groups, emblematic of the Seasons, each with two figures, standing
before floral bocage, and richly decorated in coloured enamels and gilt, flanked by two pierced candle
sconces, on flower applied mound base with three scroll feet, picked out in gilt, 10 3/4″ high, circa 1765,
gold anchor mark.
27.
A very fine Bow globular teapot
and cover, with loop handle and
ball knop, brilliantly painted in
Chinese famille rose style with
peonies, leaves and rockwork,
within narrow green and black
diaper bands, panelled with
flower heads, 4 1/2″ high, circa
1753-1755, incised large X
mark to base.
Provenance :
Rev. C J Sharp Collection
American Private Collection,
acquired from Albert Amor
Ltd. in 1978.
28.
A pair of Bow figures of putti,
emblematic of Summer and
Autumn, each standing with a
basket; one with grapes and the
other with flowers, flanked by
floral bocage, and decorated in
coloured enamels, on flower
applied and scroll moulded base,
with three feet, picked out in
puce, blue and gilt, 6″ high,
circa 1758-60, no marks.
29.
A rare Bow figure of a putto, standing,
blowing a shell horn, and with flowers
in his right hand, on boldly coloured
shell applied mound and waisted base
with four scroll feet, picked out in
puce and blue, 6 1/4″ high, circa 1760,
no mark.
30.
A fine Bow figure of Neptune, astride
a dolphin, decorated in coloured enamels,
the pierced mound base modelled with
seashells, seaweed and coral, picked out
in colours, 7 3/4″ high, circa 1756-58,
no mark.
31.
A pair of Bow figures
of Harlequin and
Columbine, each
standing, he wearing a
chequered suit, and she
a chequered bodice and
a skirt painted with
playing cards, and each
carrying a slapstick,
flanked by floral bocage,
on flower applied square
base with four scroll feet
picked out in turquoise
and puce, 7 1/2″ high,
circa 1765, no marks.
32.
A rare Bow figure of
Harlequin, standing in a
dancing pose in front of
a tree stump, his costume finely decorated in coloured enamels, the flower applied and scroll moulded
base picked out in turquoise and puce, 8 1/2″ high, circa 1760-62, no mark.
Provenance : American Private Collection.
For another version of this rare figure see Albert Amor Ltd., The Gelston Collection, 2009.
33.
A rare Bow group of Harlequin and
Columbine, standing, he with chequered
suit and carrying a slapstick, and she in
purple bodice and pink skirt, before floral
bocage, the flower applied base with four
scroll feet picked out in puce and gilt, 8″
high, circa 1765, no mark.
34.
A pair of Bow models of a ewe
and a ram, each standing, before
floral bocage, and naturalistically
decorated in coloured enamels, on
scroll moulded base picked out in
turquoise, green and gilt, 5 1/4″
high, circa 1760-65, no marks.
35.
A pair of Bow New Dancer candlestick figures, each figure finely decorated in coloured enamels and
gilt, before floral bocage, and with a tole peint branch supporting a candle sconce, on flower applied
scroll moulded base with four feet, picked out in gilt, 10″ high, circa 1765, red painted anchor and
dagger marks.
36.
A Bow model of a Bunting, the plumage finely
detailed in yellow and manganese, and perched
on a flower and leaf applied tree stump, on
mound base, 3 1/4″ high, circa 1760, no mark.
See Peter Bradshaw, Bow Porcelain Figures,
figure 177 for a similar model.
37.
An unusual pair of Bow pierced round
two handled baskets, each containing an
arrangement of coloured flowers and leaves,
3 3/4″ high, circa 1760, no mark.
38.
A pair of Derby leaf shaped dishes, each painted in coloured enamels with sprays of flowers and
leaves, and with puce veins, within a green border, the blue glazed basket moulded ground picked out
in gilt, 10″ wide, circa 1765, no marks.
39.
A pair of Derby small
figures of a seated boy and
girl, each with a garland of
flowers in their hair; he
holding a sheaf of corn,
and she with flowers, and
decorated in coloured
enamels, on flower applied
elongated scroll moulded
base, 4 1/4″ high, circa 1758,
no marks.
40.
A Derby pierced oval basket, the two turquoise glazed rope twist handles with applied flower and
leaf terminals, painted in coloured enamels in ‘Moth Painter’ style with an apple, a moth and insects,
the exterior applied with flower heads picked out in turquoise and yellow, 8 1/4″ wide, circa 1760,
no mark.
41.
A Derby small scroll moulded vase, with flared rim, painted in coloured enamels with a church in a
wooded landscape, the reverse with a snail and two insects, within scroll moulded cartouches, picked
out in turquoise, and brown line rims, 4 1/8″ high, circa 1760, patch marks.
42.
A Derby small plate, finely painted in ‘Cotton Stem Painter’ style with a spray of flowers and leaves,
and scattered flowers, the pierced basketwork border applied with flower heads, picked out in yellow
and puce, within a brown line rim, 7″ diameter, circa 1758, no mark.
Provenance : English Private Collection.
43.
A pair of Derby figures of a
gentleman and companion, he with
a basket of fruits, a hound at his feet,
and she with flowers in her apron,
a recumbent hound at her side, each
finely painted in famille rose palette
with flowers and leaves, the scroll
moulded bases picked out in green
and puce, 9 1/2″ high, circa 1758-60,
no marks.
44.
A Derby chamber candlestick, in the form of
two chaffinches tending to birds in a nest, within
the heavily fruited branches of a tree, beneath
a leaf moulded sconce, and decorated in coloured
enamels, the scroll moulded base picked out in
turquoise and gilt, 8 3/4″ high, circa 1770,
patch marks.
45.
A rare Derby round chestnut
basket and pierced domed cover,
with ribbon entwined loop
handle, applied with trailing
flowers and leaves, picked out in
coloured enamels, within brown
line borders, 6 1/2″ high, circa
1762-65, red painted anchor
mark.
It is rare to find this Derby model
in polychrome rather than blue
and white.
46.
A rare Worcester flower tub,
modelled with three ring handles
and painted in coloured enamels
with flowers, beneath a blue and
puce band, the cover finely
modelled as an arrangement of
coloured flowers and leaves, 5 1/4″
high, circa 1768-70, no mark.
Provenance : Zorensky Collection.
47.
A Worcester small pierced flared
round basket, the interior painted
in coloured enamels with a flower
spray, a leaf and an insect, the
exterior with flower heads picked
out in iron red and yellow, beneath
a brown line rim, 5 1/8″ diameter,
circa 1760, no mark.
48.
A pair of Worcester cos lettuce leaf moulded sauceboats, each with stalk loop handle, finely painted
in coloured enamels with flowers, butterflies and insects, beneath a brown line rim, 7 1/4″ long, circa
1755-56, black painted workman’s marks.
49.
A fine Worcester globular teapot and cover, with loop handle and pointed knop, particularly well
painted in coloured enamels with sprays of flowers and leaves, within puce, iron red and green diaper
bands, the handle, knop and spout picked out in puce, 5 1/4″ high, circa 1760, no mark.
Provenance : American Private Collection
50.
An unusual Worcester globular teapot and cover, with loop handle and pointed knop, particularly
finely painted in coloured enamels with sprays of flowers and leaves, and with insects including a
large Dragonfly, 5 1/4″ high, circa 1765, no mark.
Provenance : American Private Collection, acquired from Albert Amor Ltd. in 1977.
51.
A Worcester plate, painted in coloured enamels in
the London atelier of James Giles with spiralling
flowers and leaves, within a pink diaper border,
and gilt line rim, 9″ diameter, circa 1770, no mark.
Provenance : English Private Collection.
52.
A Worcester plate, finely painted in coloured
enamels in the London atelier of James Giles
with the Sheridan pattern, 9″ diameter, circa
1770, no mark.
53.
A rare Worcester small pear shaped teapot and cover, with loop handle, facetted spout and flower
knop, outside decorated in coloured enamels with two bold sprays of flowers and leaves, and
scattered flowers, the handle and spout picked out in puce, 5 1/8″ high, circa 1765-70, no mark.
Provenance : American Private Collection, acquired from Albert Amor Ltd. in 1976.
54.
A Worcester globular teapot and cover, with loop handle and pointed knop, finely painted in coloured
enamels with sprays of flowers and leaves, and two butterflies, within purple scroll and sunburst
borders, 4 3/4″ high, circa 1760, no mark.
Provenance : American Private Collection, acquired from Albert Amor Ltd. in 1983.
55.
A Worcester globular teapot and cover, with loop
handle and flower knop, boldly painted in Imari
palette with the Fan pattern, and picked out in
gilt, 5 3/4″ high, circa 1768-70, blue painted
pseudo Chinese character mark.
Provenance : American Private Collection.
56.
A Worcester Hop Trellis
pattern teacup, coffee cup
and saucer, the cups each
with ear shaped handle,
painted in coloured
enamels with trailing
hops, within gilt ‘C’
scroll bands, and pink
herringbone borders,
circa 1775, no marks.
57.
A Worcester oval
chestnut basket, pierced
cover and stand, the
twig loop handles with
applied flower and leaf
terminals; moulded and
pierced with flower
heads, picked out in
puce and yellow, the
stand painted in
coloured enamels with
flowers and leaves, 10″
wide overall, circa 1770,
no mark.
58.
A Worcester large cylindrical mug, with notched loop
handle, finely painted in coloured enamels with exotic
birds in wooded landscapes, butterflies and insects,
within gilt scroll cartouches, on a blue scale ground,
5 3/4″ high, circa 1768-70, unusual blue painted mark
with a fretted square over a crescent.
59.
A Worcester large cylindrical mug, with notched loop
handle, finely painted in coloured enamels with exotic
birds in wooded landscapes, butterflies and insects,
within gilt scroll cartouches, on a blue scale ground,
5 3/4″ high, circa 1768-70, blue fret mark.
60.
A rare pair of Worcester
cylindrical two handled fruit
coolers, covers and liners, each
with loop knop, painted in
green and iron red with hops,
alternating with iron red and
gilt trellis, within turquoise
‘shagreen’ and blue and gilt
scroll and dentil bands, on three
compressed bun feet, 9″ high,
circa 1770-72, no marks.
Provenance : English Private
Collection.
No comparable pair of fruit
coolers with this decoration
appears to be recorded.
61.
A very rare English porcelain figure of a young man, in the white, standing, holding a stick in his left
hand, and two birds in his right, and flanked by floral bocage, on scroll moulded mound base, 5″ high,
circa 1810, no mark.
This extraordinary figure, with elements inspired by mid eighteenth century English examples and
also Staffordshire pearlware figures of the early nineteenth century is likely to have been a product of
a factory such as New Hall where to date we have not identified their figure output.
62.
A pair of Longton Hall flared oval bowls, each moulded with overlapping lettuce leaves, picked out in
green and yellow, the interior painted in coloured enamels with flowers and leaves, and one painted to
the exterior with an insect, 5 3/8″ wide, circa 1755, no marks.
63.
A good Flight and Barr Worcester cylindrical small mug, finely painted en grisaille by Rogers with a
named view of ‘Blenheim in Oxfordshire, the seat of the Duke of Marlborough’, within a gilt
roundel,and gilt line borders, 3 1/4″ high, circa 1800, script mark in brown.
64.
A Chamberlain’s
Worcester armorial oval
dish, centrally painted
with the arms of Goold,
within a Dragon in
Compartments pattern
border, 13 3/4″ wide, circa
1801, script mark in red
and pattern no 95.
From a service supplied
to Francis Goold of Cork
shortly after he was
created 1st Baronet in
August 1801.
65.
A pair of Chamberlain’s Worcester armorial plates, each centrally painted with the arms of Goold,
within a Dragon in Compartments pattern border, 8 3/4″ diameter, circa 1801, script marks in red.
From a service supplied to Francis Goold of Cork shortly after he was created 1st Baronet in
August 1801.
66.
A fine and rare Derby botanical dessert service, each piece well
painted in coloured enamels with a botanical specimen, within
gilt flower head and berry borders, comprising;
a pair of oval two handled sauce tureens, covers
and stands
three lobed oval dishes
a pair of square dishes
a heart shaped dish and an oval fluted dish
an oval fluted centre dish
sixteen plates, crowned crossed batons marks in
blue, pattern no 141 and each piece titled in blue verso,
circa 1796
Many of the botanical specimens featured on this service are
taken from Curtis Botanical Magazine Vol. I,II,III, V, VI,VII
& IX, published 1787-1795, and also James Sowerby’s English
Botany Vol I, published 1791.
See Andew Ledger `Derby Botanical Dessert Services’,
DPIS Journal, II.
67.
A pair of Derby oval sauce tureens, covers and stands, each piece finely painted in coloured enamels
with botanical specimens, within gilt harebell and leaf scroll borders, 9 3/4″ wide overall, circa 1795,
crowned crossed batons marks in blue, pattern no 115 and each piece titled in blue.
68 a and b
Two pairs of Derby plates, each finely painted in coloured enamels with a botanical specimen, within
a gilt harebell and leaf scroll fluted border, 9 1/4″ diameter, circa 1795, crowned crossed batons marks
in blue, pattern no 115 and each piece titled in blue verso.
69.
A spectacular Derby large
campana shaped vase, with two
gilt loop handles with satyr
mask terminals, brilliantly
painted in coloured enamels
with mounted figures and cattle
in a wooded landscape, the
reverse with a still life, within
gilt rectangular panels, on a
bright green ground and square
base, 17 1/2″ high, circa 1820-30.
Illustrated; Twitchett (John)
Derby Porcelain, colour plate
253.
70.
An exceptional Derby dessert service, each piece brilliantly painted in coloured enamels with a
hunting scene, with figures, horses and hounds in wooded landscapes, within a gilt roundel, the
border painted in purple and gilt with a continuous band of grapes and leaves, comprising;
a pair of oval two handled sauce tureens, covers and stands
eighteen plates, 9 3/8″ diameter
circa 1805, crowned crossed batons marks in red.
71.
A Meissen ornithological dessert service, each piece
finely painted in coloured enamels with English birds
on branches, the pierced basket moulded borders picked
out in gilt, comprising;
a pair of large round dishes
four smaller round dishes
ten plates, painted marks in blue and impressed
numerals,
circa 1900
72.
A good Spode topographical dessert service,
each piece finely painted in coloured enamels
with a named landscape, within a gilt panel,
the blue ground with a gilt interlinked and
flower head band and gadrooned rim,
comprising;
a pair of shell shaped dishes
two pairs of rectangular two handled dishes
a pair of oval two handled dishes
a rectangular centre dish
twelve plates,
circa 1820, painted marks in black
and each piece titled in black verso.
73.
A fine Spode ‘Felspar Porcelain’ dessert service,
each piece painted in coloured enamels with sprays
of flowers and leaves, on a gilt scroll and diaper
ground, comprising;
a pair of pierced round two handled baskets
and stands
a pair of shell shaped dishes
a rectangular two handled dish
twenty square canted plates
Circa 1820, printed marks in puce and pattern
no 3704.
74.
A rare pair of English porcelain large campana shaped
combined ice pails/pot pourri vases, each with two gilt
rams head and shell handles, pierced domed cover and
tulip finial, inner cover and liner, and finely painted in
coloured enamels with botanical specimens, within
grey and gilt borders, on square base, 14 3/4″ high,
circa 1800-10, no marks.
75.
An unusual Mosanic pottery model of a seated cat, with
glass eyes, and with one front paw bandaged, and a plaster
to his head, the green ground picked out in manganese,
9 1/2″ high, circa 1900-10, painted mark in blue.
76.
A large Sevres blue tinted biscuit
porcelain group of Venus
bathing, probably modelled by
Louis-Simon Boizot, (17431809), the goddess with
numerous attendants,
on round mound
base, and with leaf
cast ormolu mount,
16 3/4″ high, circa
1801-20
77.
A rare Royal Worcester vase,
in the form of an elephant,
supporting a baluster shaped vase,
picked out in gilt and brown, on
an ivory ground, on concave
bordered rectangular base, 8 1/4″
high, circa 1880, printed mark
in green, impressed mark and
incised shape no 626.
78.
An unusual Royal Worcester
square tapering vase, boldly
modelled with a gilt frog climbing
out of the vase, and another
climbing up outside, the blue
ground decorated in raised paste
gilding with leaves, 3 3/4″ high,
printed marks in puce for 1878.
79.
A Russian porcelain soup plate, centrally decorated with a crowned cypher, the bright blue ground
border moulded in relief with ribbon tied flowers and leaf scrolls, picked out in gilt, 9 1/2″ diameter,
mark in blue.
Provenance : American Private Collection.
80.
A Russian Imperial Factory porcelain plate, from the ‘Farm’ Palace Banquet Service, with crowned
cypher ‘A’, within a pale blue and gilt border, 9 3/4″ diameter, circa 1840-55, stencilled mark in green.
Provenance : American Private Collection.
From a service made for Grand Duke Alexander Nikolaevich (Alexander II) during the reign of his
father Nicholas I.
81.
A fine Minton’ Double
Dahlia’ inkstand, with central
loop handle, very finely
applied with coloured flowers
and leaves, the two dahlia
shaped inkwells with
detachable covers, 10 1/4″
wide, circa 1830-40, no mark.
See G. A. Godden, Minton
Pottery and Porcelain of the
First Period, figure 88, for an
extract from the Minton
design book showing this
model.
82.
A pair of Paris porcelain (Rue
Thiroux) large flared round
jardinières and stands, each with
two ring handles, boldly painted
with pink roses, buds and leaves,
within gilt horizontal bands, 8″ high,
circa 1810, red stencilled marks.
83.
An exceptional set of twelve Derby plates, each brilliantly painted in coloured enamels
with a hunting scene, with figures, horses and hounds in wooded landscapes, within a
gilt roundel, the border painted in purple and gilt with a continuous band of grapes
and leaves, 9 3/8″ diameter, circa 1805, crowned crossed batons marks in red.
Back cover detail: No.66
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