Instruments • Accessories • Books • Recordings

Transcription

Instruments • Accessories • Books • Recordings
elderly.com
888-473-5810
(toll-free in USA)
Cat14-1
Greetings and Welcome to
Elderly Instruments!
We’ve been a family owned and operated music store since 1972. I
started Elderly with the idea that we would run it as if we were
welcoming folks into our living room to play some music and check
out our new and used instruments, accessories, recordings, books and
more. We still operate this way, so you should always feel welcome,
whether in our store or on our web site.
On the pages of this catalog you will see a sampling of what we offer,
and also recognition of the Elderly Instruments employees that have
been with us 20 years or more. They – and all of our employees –
are a big part of our success. So are you.
Visit with us at our web site at www.elderly.com or on Facebook or
Twitter. If you’re nearby, drop into our showroom in Lansing, Michigan.
We’ll be happy to see you and to help you get what you need to make
your music. Whether you’ve been with us a long time or are new to
us, we’re glad that you are a part of our musical family.
Lily Werbin, Sandy Dykins, Stan Werbin
What’s Inside
Find us on:
Elderly Starter Packs . . . . . . . . . . . . . . . . . . . . . . . 1
Acoustic Flattop Guitars . . . . . . . . . . . . . . . . .2-19
Classical Guitars . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Electric Guitars and Basses . . . . . . . . . . . 21-26
Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27-28
Amplifiers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29-31
Instrument Cables . . . . . . . . . . . . . . . . . . . . . . . . 32
Resonator and Lap Steel Guitars . . . . 33-36
Mandolins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37-41
Banjos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42-46
Ukuleles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47-50
Harmonicas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Autoharps ® and Dulcimers . . . . . . . . . . . 52-53
Bodhrans, Whistles & Percussion . . . . . . . . .54
Acoustic Pickups and Preamps . . . . . . 55-58
Digital Recorders . . . . . . . . . . . . . . . . . . . . . . . . . 59
Mics and Mic Stands . . . . . . . . . . . . . . . . . . . . . .60
Tuners, Metronomes & Humidifiers . . 61-62
Slides & Steels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Instrument Parts . . . . . . . . . . . . . . . . . . . . . . 63-70
Strings and Picks . . . . . . . . . . . . . . . . . . . . . . 71-81
Cases and Gigbags . . . . . . . . . . . . . . . . . . . 82-86
Straps & Capos . . . . . . . . . . . . . . . . . . . . . . . 87-89
Instrument & Music Stands, Gift Ideas . . . 90
CDs, Books and DVDs . . . . . . . . . . . . . . . . . 91-95
Stan Werbin, President
swerbin@elderly.com
or visit our website at elderly.com
I know you carry it! Why isn’t it here?
We simply can’t include everything we carry in our catalog; there is just not enough
room. On our web site some items may be out of stock or available only by special
order, but generally everything we carry is there – so please call us at 888-473-5810
(toll-free U.S. only or 517-372-7890 outside the U.S.) or email us at elderly@elderly.com
for specifics.
Prices and Availability
We take pride in providing you with unusual and hard-to-find merchandise. But
because of its specialized nature — much of it handmade in limited supply — the
price and availability of items in this catalog are subject to change without notice.
Our Limited Warranty On New Instruments
We guarantee that all new instruments purchased from us will remain free from defects in material
and workmanship for a limited period of no less than 90 days and up to one year from the date of
purchase, depending on the brand name of the instrument. (Ask us for details on specific instruments).
This is in addition to the manufacturers’ guarantees. Please note that inexpensive imported instruments
may have minor flaws in the finish; this is normal and does not affect tone or playability, and will
not be repaired under warranty.
The following are not included in our guarantee: harmonicas, strings, banjo heads, tremolo readjustments, checked finishes (which are often the result of extreme temperature and/or humidity changes),
and damage resulting from abuse, accident, or improper use. We strongly recommend use of a humidifier
in your stringed instrument, particularly during the dry winter months.
SHOP ADJUSTMENTS: Unlike most mail order shops, our stringed instruments are shop-adjusted
for easy playability before we put them up for sale. Our personal rule of thumb for setting the action
(string height above the fretboard) has been developed over many years. We are confident that nearly
all players will be pleased with our standard setup. However, some players may want the action adjusted
in a way that is outside these parameters. We are happy to provide this service, but in some instances
there may be an additional charge (particularly if you want higher action than our standard).
Ray Aleshire
Steve Szilagyi
Todd Young
Dave Matchette
Production
Credits
Cover illustration by
Jennifer Springman –
jmscreative.com
Catalog layout and
design by Ray
Aleshire, Steve
Szilagyi, Todd Young
and Dave Matchette
Employee
Since 1994
Employee
Since 1980
Employee
Since 1991
Employee
Since 1995
Our Exclusive Guitar, Mandolin, and Banjo Starter Packs
Save on everything you need to get going!
Each instrument has a custom selection of the accessories you need to start playing now!
Dreadnought
Guitar Outfit
000-Size
Guitar Outfit
Blueridge Bristol
D-Size Guitar
and Guardian
Hardshell Case
Blueridge Bristol
000-Size Guitar
and Guardian
Hardshell Case
•
•
•
•
•
•
DEAL1
Picks
Extra strings
String winder
Clip-on tuner
Polishing cloth
Instructional Book/CD
•
•
•
•
•
•
DEAL2
Rover RB-115
Resonator Banjo and
Guardian Hardshell Case
DEAL5
Kentucky KM-150
Mandolin and
Access Stage One
Gigbag
•
•
•
•
•
Picks
Extra strings
String winder
Clip-on tuner
Polishing cloth
Classical Guitar Outfit
Cordoba C5 Classical
Guitar and Guardian
Hardshell Case
Rover RB-110
Open-Back Banjo and
Boulder Alpine Gigbag
Picks
Extra strings
String winder
Clip-on tuner
Polishing cloth
Book/CD/DVD Set
•
•
•
•
•
Extra strings
String winder
Clip-on tuner
Polishing cloth
Instructional Book
DEAL4
Old-Time
Banjo Outfit
Bluegrass Banjo Outfit
•
•
•
•
•
•
Mandolin Outfit
•
•
•
•
•
•
Extra strings
String winder
Clip-on tuner
Polishing cloth
Footstool
Extra strings
String winder
Clip-on tuner
Polishing cloth
DEAL7
DEAL6
DEAL3
Roundneck
Resonator Outfit
Squareneck
Resonator Outfit
Gypsy Jazz
Guitar Outfit
Regal RD-30MS
Guitar and Guardian
Hardshell Case
Gretsch® Ampli-Sonic
Alligator Guitar and
Cigano GJ-10
Oval-Hole Guitar and
•
•
•
•
•
•
Slide
Extra strings
String winder
Clip-on tuner
Polishing cloth
Book/CD Set
•
•
•
•
•
•
DELTA1
Concave slide
Extra strings
String winder
Clip-on tuner
Polishing cloth
Instructional DVD
• Picks
• Extra strings
• String winder
• Clip-on tuner
• Polishing cloth
• Book/CD/DVD Set
GYPSY1
Don’t see the package for you? Call us toll free at 888-473-5810
LEVY CASE/LUGGAGE TAG
Leather tag with a slot for a
business card. Specify black
or brown.
A149C
ELDERLY INSTRUMENTS –
ALL THINGS STRINGS
Peek-behind-the-scenes
documentary about our
store, as seen on PBS!
ELDERLY-DVD1
KEY RING PICK HOLDER
Key ring with leather pick
holder.
EFOB
CHERRY WOOD PICK BOX
Elderly logo lasered into the
slide top.
EPB
A149C
TEE87-BLUE
EFOB
EPB
“TUNE IT OR DIE” MUG
‘Cause somebody has to
say it.
MUG2
TEE87-BLACK
DISTRESSED LOGO T-SHIRT
Natural (tan), Fern (blue-green), Powder
Blue, Black or Slate (dark gray).
TEE87-(color)-(M, L, or XL)
TEE87-(color)-XXL
TEE87-(NAT or Blue)-XXXL
MUG2
ELDERLY LOGO CAPS
EHAT3 (black logo on gray)
EHAT4 (white logo on gray)
TEE87-FERN
TEE87-SLATE
TEE87-NAT
2
ELDERLY CUSTOM SHOP AND LIMITED EDITION MARTIN GUITARS
Toll-Free (USA only) 888-473-5810 or 517-372-7890
Elderly Custom Shop Martins –
specially made at our request
HD-28 Adirondack Custom
Designed for remarkable tone and playability! Low Profile neck with
wider 1 3 / 4 ” nut. Rosewood with Adirondack spruce top, standard
scalloped braces.
HD28AWB
HD-28V Adirondack Custom
HD-28V
Adirondack
Custom
HD-28VS
Adirondack
Custom
0000-28HW
Custom
000-28H
Custom
Rosewood with Adirondack spruce top, Modified-V neck, forward-shifted
X-brace, and ivoroid binding. Aging toner on top.
HD28VAW
HD-28VS Adirondack Custom
Rosewood with Adirondack spruce top, Modified-V neck with solid
peghead joins body at 12th fret. Aging toner on top, ivoroid binding.
HD28VSCUST
0000-28H and 0000-28HW Custom
Rosewood with Sitka spruce top, scalloped braces, white body binding,
herringbone top trim, Low Profile neck, 25.4” scale.
000028H (standard 111/16” nut width)
Search “ELDCUST” at elderly.com
for current custom guitar selection
Limited Edition
000028HW (wider 13/4” nut width)
000-28H Custom
Rosewood with Sitka spruce top, scalloped braces, white body binding,
herringbone top trim, Low Profile neck, 24.9” scale, 111/16” nut.
00028H
D-28 Louvin Brothers
The Louvin Brothers – Ira on mandolin and Charlie on guitar, singing
in soaring harmonies – were the stuff of legend. So, too, was their 1959
gospel LP Satan Is Real, in no small part because of the artwork that
made it one of the most talked-about albums of all time. Much more
elaborately staged than the typical LP photo shoot of the era, it
included a painted, 16-foot plywood depiction of the devil, set up
behind a giant pile of burning tires with Ira and Charlie posing
dramatically in the foreground. This classic album cover is
reproduced on the top of a very special C. F. Martin Limited Edition
– limited to 50 guitars total, and destined to become a legend in
its own right. Based on a 1955 D-28, it includes an Indian
rosewood body, Sitka spruce top, modern Modified Low Oval 13/
4” neck, and an inside label numbered in sequence and signed
by C. F. Martin IV and Charlie’s son Ken Louvin.
Madagascar
Rosewood
28-Style
Custom Models
OM14MADSWISS
Two each of several body sizes.
Choice of Adirondack or thinsanded Swiss spruce top. Golden Era
scalloped bracing.
www.elderly.com
D28LOUVIN
CD – Louvin Brothers – Satan is Real
Reissue of the 1960 classic LP with the
famous cover and the timeless brother
harmonies.
CAP-CD37378
Book – Satan Is Real –
The Ballad of the
Louvin Brothers
by Charlie Louvin and
Benjamin Whitmer
The beautiful and tragic saga
of the Louvin Brothers, one of
the most legendary country
duos of all time and one of
America’s great untold stories.
HARDCOVER
542-325
SOFTCOVER
542-372
D45MAK
Madagascar
Rosewood
45-Style
Custom Models
One each of several body sizes.
Premium Madagascar rosewood
and Adirondack spruce, flame koa
binding, select abalone inlay,
45-style snowflake fingerboards.
ELDERLY CUSTOM SHOP AND LIMITED EDITION MARTIN GUITARS
OM-28 Custom
OM28CUST
0-21 and 00-21 Custom
Small body 14-fret guitars designed with smaller
players in mind. Rosewood and spruce with
tortoise binding and scalloped brackes. Modified
low oval neck, 24.9” scale with 111/16” nut width.
Cocobolo with
Bearclaw Spruce
OMBECOCUST
www.elderly.com
OM-28
Custom
Rosewood with Sitka spruce top, scalloped braces,
white body binding, black/white layered top trim,
Low Profile neck, 25.4” scale, 13/4” nut width.
Dramatically figured body woods.
One each of several body sizes.
Scalloped bracing, ivoroid binding,
abalone rosette and snowflake
fingerboard inlays.
021CUST . . . 0-Size
0021CUST . . 00-Size
0-16 and 00-16 Custom
3
D28ADCOCUST
Small body 14-fret rosewood and spruce models.
Modified Low Oval neck, 25.4” scale with 1 11/16”
nut width. Satin finish.
0-16
Custom
016CUST . . . 0-Size
Cocobolo with
Adirondack
Spruce
0016CUST . . 00-Size
00-15S Custom
Like the popular 15-Series 00 mahogany model,
but neck joins body at 12th fret and features a
wider 1 3/ 4” nut.
One each of several body sizes
with 1933 Ambertone sunburst
tops. Features ivoroid binding,
herringbone rosette and special
thin finish.
0015SCUST
0-size – smaller version of above.
015SCUST . . . 12-fret
015CUST . . . . 14-fret
15-Series Tenor Custom
All mahogany 4-string tenor, Martin Size 5 mini
body, 23” scale with 11/4” nut width.
515TEN
Want to design your own
unique, one-of-a-kind
handmade instrument?
Cynthia Bridge
Vintage
and Used
Martins
Rare guitars – pre-war
through current models
www.elderly.com
C. F. Martin
Custom Shop
Martin’s Custom Shop offers a
vast array of possibilities on a
special-ordered custom guitar.
Let us know what interests you
and we’ll get a price quote.
Delivery is usually within 6 to 10
months from when we first
receive your deposit.
Also available …
D-28 Custom
Limited production
Employee
Since 1978
Design your own Custom Martin
Contact Cynthia Bridge toll-free at
888-473-5810
D-size body of solid rosewood and
spruce with ivoroid binding, natural
finish top with scalloped braces,
25.4” scale ebony fretboard with
pearl dot inlays and 13/4” nut width.
Ebony bridge, 23/16” string spacing
at saddle, Grover Vintage 18:1
tuning gears, beveled and polished
tortoise pickguard.
D28CUST141
0-15 and 0-15S Custom
00-15S
Custom
4
MARTIN GUITARS
Standard Series
Martin’s Standard Series models are famous
for their resonant warm tones, quality
craftsmanship, and tasteful styling. They are
played by many of the world’s top guitarists.
The sound quality and craftsmanship of
today’s Standard Series continues to live up
to the reputation established by the original
Martin models, which ushered in the
Golden Age of the guitar.
Model HD-28 –
The most imitated
guitar of all time!
Martin Standard
Fretboard Inlay
Gold
decal,
chrome
tuners
Models
D-28 • D-1228
HD-28
D-35 • HD-35
000-18
000-28 • M36
Gold
decal,
nickel
butterbean
tuners
(not shown)
Dot Inlay
D-18 • D-28 • D-1228 • HD-28
D-35 • HD-35 000-18 • 000-28
GJ-28LSE • OM-21• M36
Abalone Snowflake Inlay
Models
OM-28 • D-18
OM-21 000-18
D-42 • 000-42 • OM-42
Abalone Hexagon Inlay
D-41 • D-45 • J-40
45-Style
abalone
inlay,
gold
tuners
Martin Standard
Soundhole Rosettes
45-Style
Rosette
28-Style
Rosette
Models
D-41 • D-45
J-40
45-Style
inlay, gold
butterbean
tuners
28-Style (black/white)
45-Style (abalone)
D-28 • D-1228 • HD-28 • D-35 •
HD-35 • 000-18 • 000-28 • OM-21 •
M-36 • OM-28
D-41 • D-42 • D-45 • J-40 •
000-42 • OM-42
Martin Standard Series features
Modern versions of Martin’s original designs, with the legendary Martin tone.
All models available LEFT-HANDED – models with asterisk (*) are also
available with SUNBURST FINISH.
www.elderly.com
Martin
Standard
Headstocks
Models
D-42
000-42
OM-42
Solid wood top, back, and sides • Maple bridge plate • Polished
gloss finish • Hand-fit dovetail neck attachment • Hardshell case
• Limited lifetime warranty
D-Size Models
D-18*
D-28*
D-1228
12-String
HD-28*
D-35*
HD-35
D-41*
D-42
D-45
Back and Sides
Top Bracing
Rosette
Back
Back Strip
Body Binding
Neck
Fretboard/Bridge
Fretboard Inlay
Fretboard Binding
Top Toner
Tuning Machines
Pickguard
Scale Length
Neck Width at Nut
mahogany
forward shifted
Style 18
2-piece
black
tortoise
Modified Low Oval
ebony
pearl dot
no
aging toner
nickel, vintage
tortoise
25.4”
13/4”
rosewood
standard 5/16”
black/white
2-piece
checkered
white
Low Profile
ebony
pearl dot
no
no
chrome
black
25.4”
111/16”
rosewood
standard 5/16”
black/white
2-piece
checkered
white
Low Profile
ebony
pearl dot
no
no
chrome
black
24.9”
17/8”
rosewood
scalloped 5/16”
black/white
2-piece
zig-zag
white
Low Profile
ebony
pearl dot
no
no
chrome
tortoise
25.4”
111/16”
rosewood
standard 1/4”
black/white
3-piece
wht/blk/wht
white
Low Profile
ebony
pearl dot
yes
no
chrome
black
25.4”
111/16”
rosewood
scalloped 1/4”
black/white
3-piece
zig-zag
white
Low Profile
ebony
pearl dot
yes
no
chrome
tortoise
25.4”
111/16”
rosewood
scalloped 5/16”
abalone
2-piece
mosaic
white
Low Profile
ebony
abalone hex
yes
no
gold
tortoise
25.4”
111/16”
rosewood
forward shifted
abalone
2-piece
mosaic
ivoroid
Low Profile
ebony
abalone snwflk
yes
aging toner
gold/vintage
tortoise
25.4”
111/16”
rosewood
scalloped 5/16”
abalone
2-piece
mosaic
white
Low Profile
ebony
abalone hex
yes
no
gold
tortoise
25.4”
111/16”
D18
D28
D1228
HD28
D35
HD35
D41
D42
D45
Stock Number
MARTIN GUITARS
J-40
000-18
000-28*
Back and Sides
Top Bracing
Rosette
Back
Back Strip
Body Binding
Neck
Fretboard/Bridge
Fretboard Inlay
Fretboard Binding
Top Toner
Tuning Machines
Pickguard
Scale Length
Neck Width at Nut
rosewood
forward shifted
abalone
2-piece
mosaic
white
Low Profile
ebony
abalone hex
yes
no
gold
tortoise
25.4”
111/16”
mahogany
scalloped 1/4”
old style 18
2-piece
black
tortoise
Modified Low Oval
ebony
abalone dot
no
aging toner
nickel vintage
tortoise
24.9”
13/4”
rosewood
standard 5/16”
black/white
2-piece
checkered
white
Low Profile
ebony
pearl dot
no
no
chrome
black
24.9”
111/16”
J40
00018
00028
Stock Number
000-42
00042
Martin Standard Top Trim
• 18-STYLE - Black or tortoise
binding with black/white inlay lines
• 28-STYLE – White or Ivoroid
binding with black/white
inlay lines
M-36
rosewood
forward shifted
black/white
3-piece
wht/blk/wht
white
Low Profile
ebony/rosewood
pearl dot
yes
vintage toner
chrome
tortoise
25.4”
111/16”
OM42
M36
OM28
All feature the Fishman F1 Aura Plus pickup system with sound
images created using vintage guitars from Martin’s museum
played through vintage mics. The Aura Plus offers Easy Mode
with 3 presets, plus Performance Mode with a wealth of user
controlled blend and EQ options and built-in tuner.
28STYLE
00018ERETRO
• HERRINGBONE – White binding
with herringbone inlay
Models HD-28 • HD-35
OM21
OM-42
rosewood
scalloped 1/4”
abalone
2-piece
mosaic
ivoroid
Low Profile
ebony
abalone snowflake
yes
aging toner
gold vintage
tortoise teardrop
25.4”
13/4”
Spruce top with scalloped bracing • Vintage Series appontments
• Aging toner on top • High Performance Neck (Modified Low
Oval shape with Performing Artist taper • 13/4” nut • 21/8” width
at 12th fret • 23/16” string spacing at saddle).
HERRINGBONE
New! D-35E Retro
• M-STYLE (not shown) –
White binding with multiple
black/white inlay lines
Rosewood 3-piece back, European spruce top.
D35ERETRO
Model M-36
• 45-STYLE – White or ivoroid
binding with abalone inlay
New! 000-18E Retro
45STYLE
Mahogany and Sitka spruce top, scalloped braces, short scale.
Models D-41 and D-45 (white)
D-42, 000-42, OM-42 (ivoroid)
00018ERETRO
GEIB CASE UPGRADE
Martin‘s wooden GEIB (rhymes with “vibe”) STYLE case
– c urrently inc luded with their Vintage Series
Instruments may be substituted for the thermoplastic
case on any new Martin Standard Series guitar for an
additional $100.00.
CEO-7
Special Edition
CEO-7
Slope-Shoulder 00
• 24.9” scale ebony fretboard
with dot inlay
• Modified V-neck profile
• Mahogany back and sides,
Adirondack spruce top
• Tortoise pickguard, ivoroid
binding
• Geib-style hardshell case
CEO7
Retro Models
Back and Sides
Top
Top Bracing
Rosette
Back
Body Binding
Pickguard
Fretboard Inlay
Scale Length
Stock Number
D-18E
HD-28E
mahogany
rosewood
Sitka
Sitka
scalloped 5/16” scalloped 5/16”
old style-18
style-28
2-piece
2-piece
tortoise
ivoroid
tortoise
tortoise
diamond/square abalone dot
25.4”
25.4”
D18ERETRO HD28ERETRO
D-35E
rosewood
European
scalloped 1/4”
style-28
3-piece
ivoroid
black
pearl dot
25.4”
D35ERETRO
Martin Back Strips
Zig-Zag
HD-28 • HD-35
(35-Style 3-piece
back shown)
Mosaic
J-40 • 000-42
OM-42 • D-41
D-42 • D-45
000-18E
mahogany
Sitka
scalloped 1/4”
style-18
2-piece
tortoise
tortoise
abalone dot
24.9”
00018ERETRO
0M-28E
rosewood
Sitka
scalloped 1/4”
style-28
2-piece
ivoroid
tortoise teardrop
diamond/square
25.4”
0M28ERETRO
ZIG-ZAG
28-Style –
Checkered
D-28 • 000-28
D12-28 • GJ28LSE
18-Style –
Black line
D-18 • 000-18
OM-21
MOSAIC
28-STYLE
18-STYLE
Models D-28, D-35, D12-28, M36,
000-28 (white) • OM28 (ivoroid)
OM-28
Retro Series
18STYLE
Models D-18 (tortoise), 000-18 (black)
OM-21 (tortoise)
OM-21*
rosewood
rosewood
rosewood
scalloped 5/16”
scalloped 1/4”
scalloped 1/4”
abalone
black/white
black/white
2-piece
2-piece
2-piece
mosaic
black
zig-zag
ivoroid
tortoise
ivoroid
Modified V
Modified Low Oval Modified Low Oval
ebony
ebony
ebony
abalone snowflake
pearl dot
diamond/square
yes
no
no
aging toner
aging toner
aging toner
gold vintage
nickel vintage
nickel vintage
tortoise teardrop
tortoise teardrop
tortoise
24.9”
25.4”
25.4”
13/4”
13/4”
13/4”
www.elderly.com
J-, M-, 000-, and
OM-Size Models
5
6
MARTIN GUITARS
Marquis Collection –
Authentic Series
00028KAUTH21
New! 000-28
Authentic 1921
Reproduction of a rare 1921 guitar in
Martin’s museum. Highly figured koa
body, 12-fret neck joint, Madagascar
rosewood peghead overlay .
00028KAUTH21
Re-creates prewar construction methods including non-adjustable truss rod,
the use of hide glue, and cloth strip side braces. All incorporate small but
significant historic features including neck shapes and bracing styles that
are true to the year. All have Adirondack spruce tops. Amazingly light in
weight, awesome prewar sound. Madagascar rosewood replaces the Brazilian
used in the originals.
New! D-28 Authentic 1937
Madagascar rosewood, forward-shifted
X-brace, herringbone top trim.
D28AUTH37
Mahogany, ebony truss rod, 1933 shaded top.
OM18AUTH33
D-18 Authentic 1939
Mahogany, T-Bar truss rod, rear shifted X-brace.
D18AUTH39
D-28 Authentic 1931
Madagascar rosewood, 12-fret body, ebony
truss rod.
D28AUTH37
D18AUTH39
D28AUTH31
D18AUTH41
OM18AUTH33
D28AUTH31
D-28 Authentic 1941
Madagascar rosewood, T-Bar truss rod, rearshifted X-brace.
D28AUTH41
Detailed photos of these
and other Martin guitars
on our web site at
elderly.com
Martin Neck Profiles
Custom Artist Series
Low Profile
Martin’s artist-inspired and artist-designed guitars, handcrafted by
the Martin Custom Shop. See complete details of these and other
Custom Artist Series guitars in stock at elderly.com
Martin’s standard neck profile as found
on most Standard Series models and
countless others. Produced with 111/16”,
13/4” and 17/8” nut widths to accomodate
a variety of models.
Martin's newest and slimmest neck
shape features a parallel taper; the
fretboard and the back of the neck
remain parallel up to about the 10th
fret. Although the nut width is 13/4”, the
fretboard widens less as it approaches
the body.
Modified V-Shape
Similar to a low profile, but with sides
shaved. Featured on Vintage, Golden
Era, and Marquis Series, plus many
Special and Limited Editions. Available
with 111/16”, 13/4”, or 113/16” nut widths.
Modified Low Oval
Slightly thinner depth than the Low
Profile, does not thicken as quickly
towards the body. Used on most 15-,
16- and X-Series models. Also on some
Standard and Special models. 111/16” and
13/4” nut widths only.
Jeff Tweedy
00-Deep Body
Seth Avett
Dreadnought
Performing Artist
www.elderly.com
OM-18 Authentic 1933
D35AVETT
Designed with the
Avett Brothers guitarist.
Designed with Wilco
guitarist Jeff Tweedy.
3-piece back of East
Indian rosewood with
koa center wedge,
high altitude Swiss
spruce top with
1/4” Adirondack
spruce braces,
ivoroid binding,
herringbone
rosette.
Ebony fretboard
with large
copper star
inlays,
Martin
Gold Plus
pickup
installed.
All mahogany with
sunburst top, woods
are certified by the
Forest Stewardship
Council. Features
deep body (45/8”)
tortoise binding
with black/
white inlay,
Modified V
neck, Fodenstyle
position
inlays.
00DBJT
MARTIN GUITARS
7
Features
Marquis
Collection –
Golden Era
Models
D-18GE Golden Era
Mahogany and Adirondack spruce, tortoise binding,
Brazilian rosewood headplate, Style-18 dot fretboard
inlays.
D18GE/99 . . . . . . . aging toner
Specifications used in Martin’s first
Golden Era, including the original
lacquer tints and stains, linen
reinforcing strips in the sides,
authentic inlays, and bridge shape.
Modern features include a Modified Vshaped neck with adjustable truss rod.
D18GE/99SB . . . . . sunburst
www.elderly.com
D28MQ
D18GE/99SB
‘30s-style bracing with forward shifted X-brace •
Ebony fretboard • 1 3/ 4” nut width • Ebony bridge
with long bone saddle and 2 5/ 16 ” string spacing •
Beveled and polished tortoise pickguard • Gloss
finish • 1930s-style logo on headplate • Open gear
tuners with butterbean buttons • Geib-style
hardshell case •
D-28 Marquis
Indian rosewood and Adirondack spruce, ivoroid
binding, diamond and squares position inlays.
D28MQ . . . . . . . . aging toner
D28MQSB . . . . . . sunburst
Marquis Collection – Vintage Series
Vintage Series models available
LEFT-HANDED – models with asterisk (*)
are also available with SUNBURST finish.
Vintage Series Features
Sitka spruce top with aging toner • Modified V-shape
neck • Ebony fretboard and bridge • Tortoise pickguard
• Polished gloss finish • Hand-fitted dovetail neck
attachment • Nickel open gear tuners (gold on D-45V)
with butterbean buttons • Deluxe wooden Geib-style
hardshell case • Limited lifetime warranty.
028VS
0-28VS
Martin’s smallest full-size guitar. Rosewood back and sides,
spruce top with aging toner and scalloped braces,
herringbone top trim, grained ivoroid binding, diamonds
and squares inlays
028VS
00-18V
Great sounding 14-fret mahogany 00 with short scale and
wide nut
HD-28V
HD-28VS*
D-45V
Back and Sides
Top Bracing
Rosette
Back Purfling
Body Binding
Bridge Style
Fretboard Inlay
Fretboard Binding
Top Toner
Scale Length
Neck Width at Nut
rosewood
frwd-X, scall. 5/16”
black/white
zig-zag
ivoroid
long saddle
diamonds/squares
no
aging
25.4”
111/16”
rosewood
scalloped 5/16”
black/white
zig-zag
ivoroid
long saddle
diamond/squares
no
aging
25.4”
13/4”
rosewood
frwd-X, scall. 5/16”
abalone
mosaic
ivoroid
long saddle
abalone snowflake
yes
aging
25.4”
111/16”
HD28VR
HD28VS
D45VR
Stock Number
0018V
0018V
D-Size Models
Small Body Models
Eric Clapton
000-28EC*
000-28VS
00-18V
00-28VS
0-28VS
Back and Sides
Top Bracing
Rosette
Back Purfling
Body Binding
Bridge Style
Fretboard Inlay
Fretboard Binding
Top Toner
Scale Length
Neck Width at Nut
rosewood
scalloped 5/16”
herringbone
zig-zag
ivoroid
standard
diamonds/squares
no
vintage
24.9”
13/4”
rosewood
scalloped 5/16”
black/white
zig-zag
ivoroid
pyramid
diamonds/squares
no
aging
25.4”
113/16”
mahogany
scalloped 1/4”
black/white
black
tortoise
long saddle
abalone dot
no
aging
24.9”
13/4”
rosewood
scalloped 1/4”
black/white
zig-zag
ivoroid
pyramid
diamonds/squares
no
aging
24.9”
17/8”
rosewood
scalloped 1/4”
black/white
zig-zag
ivoroid
pyramid
diamonds/squares
no
aging
24.9”
17/8”
00028EC
00028VS
0018V
0028VS
028VS
Stock Number
Pre-War inspired – each model is a tribute to Martin’s early craftsmen. Model names ending in “VS” feature slotted
headstock, and neck which joins the body at the 12th fret.
8
MARTIN GUITARS
Performing Artist Series
Grand Performance, OM, and D Sizes
New! Performing Artist
GT Models with F1 Aura Plus
Rosewood back and sides, white binding, pearl rosette,
black pickguard. bound African Blackwood fretboard
with pearl hexagon outline inlays, bound ebony
headplate, nickel enclosed tuning gears, satin finish with
polished gloss top.
Grand Performance . . . . . . . . . . . . . . . GPCAURAGT
D-Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DCAURAGT
Performing Artist models put Martin quality and acoustic tone in a contemporary
acoustic-electric. Available in traditional dreadnought, orchestra and Grand
Performance size that’s smaller than a dreadnought, but larger and deeper than the
OM for greater volume.
All feature a solid spruce top, Martin’s slim High Performance neck-shape and
fretboard taper (13/4” nut, 21/8” at 12th fret, 23/16” string spacing at saddle) and
either the Fishman F-1 Aura Plus pickup system or the ultra-affordable F-1 Analog
pickup system.
Performing Artist 1
with F1 Aura Plus
Rosewood back and sides, ovangkol wood binding,
bound fretboard and headstock, Martin pearl logo, pearl
rosette, hollow arrows and squares inlay, gold tuners.
Natural finish
Grand Performance . . . . . . . . . . . . . . GPCPA1P-NAT
D-Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . DCPA1PLUS
OM-Size . . . . . . . . . . . . . . . . . . . . . . . . OMCPA1PLUS
GPCAURAGT
OMCPA1PLUS
Ambertone sunburst finish
Grand Performance
GPCPA1P-AMB
Award winning Aura Acoustic Imaging technology, coupled with
the Martin Gold Plus under-saddle transducer replicates the
F1 AURA PLUS
sound of nine different world-class studio mics. Easy-access sidemounted controls offer a chromatic tuner, EQ and Blend controls. Easy Mode with 3
mic/transducer blend presets, Performance Mode with access to all 9 mics.
True plug-in, tune-up and
play system provides an
amazing mix of simplicity
and functionality with volume and tone shaping
capabilities, onboard digital chromatic tuner, and
phase control. Easy-access side mounted controls,
two low-profile buttons and a single large, bright LED
display. F1 Analog electronics are standard on all PA4
and PA5 models.
F1 ANALOG
www.elderly.com
DCPA1PLUS
Performing Artist 4 with F1 Analog
Solid spruce top with solid rosewood or sapele back and sides, black binding,
rosewood peghead overlay, white dot inlay.
Rosewood
Grand Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GPCPA4R
OM-Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . OMCPA4R
D-Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DCPA4R
Sapele
Grand Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GPCPA4
OM-Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . OMCPA4
D-Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DCPA4
12-String . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GPC12PA4
BCPA4
GPCPA4R
OMCPA4R
DCPA4SB
New! Sapele Models with Shaded Top
Grand Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GPCPA4SB
D-Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DCPA4SB
Performing Artist 4 Bass with F1 Analog
J-size cutaway body of sapele with solid spruce top, 34” scale.
BCPA4
MARTIN GUITARS
9
Performing Artist 5
Koa
Grand Performance . . . GPCPA5K
D-Size . . . . . . . . . . . . . . . . . DCPA5K
17-Series
Great sound, all solid woods, made in USA
Mahogany
Mahogany back and sides • Spruce top • Tortoise binding and
pickguard • Modified Low Oval neck shape • Morado
fretboard and bridge • Standard 25.4” scale • Diamonds and
Squares position inlays • Satin finish with polished gloss
sunburst top • Martin flattop hardshell case
Grand Performance . . . . . GPCPA5
D-Size . . . . . . . . . . . . . . . . . . DCPA5
Black
Grand Performance . GPCPA5BLK
D-Size . . . . . . . . . . . . . . DCPA5BLK
OM-Size . . . . . . . . . . . OMCPA5BLK
GPCPA5K
00017SM
D17M
D-17M Sunburst
D-size body, Solid peghead, 111 /16” nut, 2 1/ 8”
string spacing at saddle, nickel open-gear
butterbean tuners.
Amazingly
simple to use
F1 ANALOG
with volume
and tone shaping capabilities,
onboard digital chromatic tuner,
and phase control. Easy-access side
mounted controls, two low-profile
buttons and a single large, bright
LED display.
D17M
000-17SM Sunburst
000-size 12-fret body, slotted peghead, 13/4” nut,
21/4” string spacing at saddle, nickel open-gear
tuners with ivoroid buttons.
More models made from Sustainable
Harvested Woods at
00017SM
16-Series
Premium solid wood construction – exceptional sounding guitars
Gloss Top Models
16-Series
Model
DC-16GTE
D-16GT
D-16RGT
HD-16R
Adirondack
000-16GT
Grand
J12-16GTE
Finish/Model Type
Body Style
Back and Sides
Body Binding
Top Trim (Purfling)
Rosette
Neck Shape
Electronics
Stock Number
Gloss Top
D-cutaway
sapele
black
black/white
herringbone
Mod. Low Oval
Roland AP-1
DC16GTE
Gloss Top
D-full body
mahogany
black
none
herringbone
Mod. Low Oval
none
D16GT
Gloss Top
D-full body
rosewood
white
black/white
herringbone
Mod. Low Oval
none
D16RGT
Full Gloss
D-full body
rosewood
ivoroid
herringbone
style-28
Modified V
none
HD16RA
Gloss Top
000-full body
mahogany
black
none
herringbone
Modified Low Oval
none
00016GT
Gloss Top
Grand Jumbo
mahogany
black
herringbone
herringbone
Performing Artist
Duncan D-TAR
GJ1216GTE
Full-Gloss Models
Fancier versions of the Gloss Top
models above with c omplete
gloss body finish.
Grand J12-16GTE
Grand Jumbo 12-String Acoustic-Electric
• Mahogany back and sides with 17” lower bout
• Sitka spruce top with herringbone trim
DC16GTE
D16RGT
00016GT
GJ1216GTE
• Performing Artist neck profile
• Seymour Duncan D-TAR pickup system
GJ1216GTE
Shop our great selection of
new and used Martin guitars at
elderly.com
elderly.com
Sitka spruce top with Hybrid-X
scalloped bracing, herringbone
rosette, pearl dot fretboard
position markers, c hrome
enc losed tuning gears, satin
finish neck and body with glossy
top finish, hardshell case.
www.elderly.com
Martin’s most affordable Performing Artist guitars
feature Black, Koa or Mahogany patterned High
Pressure Laminate (HPL) back and sides and solid
spruce top. All feature the Fishman F1 Analog system.
10
MARTIN GUITARS
Road Series
15 Series
Excellent value with pickup
Solid sapele back and sides • Modified Low Oval Stratabond neck
• Black Richlite fretboard with small white position dots • Single
ring rosette • Chrome enclosed tuners • Fishman Sonitone pickup
with soundhole mounted volume and tone controls • Flattop
hardshell case included.
Fine sound, all mahogany,
made in USA
Bone nut and saddle • Old style headplate decal • Open gear
butterbean tuners • Inlaid rosette ring • Modified Low Oval
neck • Diamonds and Squares inlays • Delmar tortoise
pickguard • Satin finish
DRS1 . . . . . sapele top
DRS2 . . . . . spruce top
D-15M and D-15MSB
000RS1 (000-Size)
MTND15MAH . . . D-size
000RS1 . . . sapele top
D15MSB . . . . . sunburst top
New! DRSGT and 000RSGT
Gloss Top Models
000-15M and 000-15SM
Solid sapele or sipo (a European mahogany-like
wood) back and sides, solid Sitka spruce top.
00015MAH 000-size, 14-fret
DRSGT . . . . . . D-size
00015SM . 000-size, 12-fret
000RS25NAV
00-15M
000RSGT . . . . 000-Size
New! Limited Edition
0015MAH . . . . . 00-Size
Only 25 0 made – c ommemorates the 25th
Anniversary of Martin’s Navojoa, Mexico factory.
We are your source for
all things Martin …
000RS25 Navojoa
25th Anniversary
000 body, solid Sitka spruce top, rosewood
fretboard and bridge, satin finish with aging
toner on top. Fishman Sonitone pickup with 1/4”
and USB outputs.
new and used Martin guitars in stock at
000RS25NAV
elderly.com
Little Martin Models
Great sound in a small package!
X Series
Acoustic/Electrics
www.elderly.com
DRS1 and DRS2 (D-Size)
000RS1
High Pressure Laminate (HPL)
paired with solid spruce top
000X1AE
Modified 0-size body, 23” scale neck. Available with solid spruce
top or HPL wood grain. Gigbag included!
Standard Models
LXM
LXM (mahogany and spruce look)
Mahogany look back and sides, 25.4” scale Modified Low
Oval Stratabond neck • Tortoise pickguard • Black Richlite
fretboard and bridge • Chrome tuning machines • Satin
finish • Fishman Sonitone pickup with soundhole
mounted volume and tone controls • Case sold separately
LXK2 (all koa look)
LX1 (solid spruce top)
See more Little Martins
and Backpackers at
DX1AE and D12X1AE
www.elderly.com
DX1AE . . . . . D-Size
D12X1AE D-Size 12-String
000X1AE
000X1AE . . . 000-Size
MARTIN ECONOMY HARDSHELL CASE
GCMA-DF . . . . D-Size
GCMA-000F . . 000-Size
Martin Backpacker
The perfect travel guitar – just 351/2“ long, 2” deep, and
81/4” wide. Triangle shape body and neck of solid mahogany, solid
spruce top, Richlite fretboard. Features chrome enclosed tuning
gears and strap buttons. Gigbag and strap included.
MBP100
ACOUSTIC GUITARS
11
Acoustic/Electric Models
114-CE
Grand Auditorium, sapele back and sides,
black binding, plastic rosette, Taylor ES-T Element
undersaddle pickup system. Gigbag included.
412-CEN
Nylon String
Grand Concert, solid ovangkol back
and sides, white binding, Tusq nut and
saddle, nickel tuning machines with pearloid
buttons and satin finish. ES-N pickup system.
412CEN
114CE
524-CE
150-E
12-String
D-size, solid Sitka spruce top, sapele back
and sides, black binding and pickguard.
Chrome mini tuners, matte finish.
Gigbag included.
www.elderly.com
Unless otherwise noted, all have a solid spruce top, ebony fretboard and
bridge and feature Taylor’s great sounding Expression System pickup.
Hardshell case included.
Grand Auditorium. A beautiful pairing of
solid mahogany trimmed in ivoroid with
ebony peghead overlay and gloss finish.
524CE
150E
714-CE
210-E
714CE
210E
814-CE
214-CE
Grand Auditorium, solid rosewood
back and sides, maple binding,
abalone rosette, pearl 800 Series inlay.
Grand Auditorium, rosewood back
and sides, Taylor ES-T Element under-saddle
pickup system. Gigbag included.
814CE
214CESBDLX sunburst finish
314-CE
914-CE
Grand Auditorium with solid sapele
back and sides, bound fretboard, satin finish
body with gloss top, chrome tuners.
Grand Auditorium, rosewood back
and sides with rosewood binding, abalone
rosette, ornate fretboard inlay.
314CE
914CE
356-CE
12-String
Grand Symphony size cutaway body,
solid sapele back and sides, black binding,
3-ring rosette, mahogany neck, pearloid
dot fretboard inlay, chrome tuners.
Satin finish with gloss top.
356CE
K24-CE
Grand Auditorium, all solid Hawaiian
koa, wood rosette and binding. Mahogany
neck with satin finish, island vine inlays,
bone nut and saddle, gold tuners. Gloss finish.
K24CE
D-size, rosewood back and sides,
solid spruce top, white binding, Taylor ES-T
Element under-saddle pickup system.
Gigbag included.
Grand Auditorium, solid rosewood
back and sides with solid Engelmann
spruce top. Ivoroid binding, gloss finish
with satin finish neck.
12
ACOUSTIC GUITARS
Baby Taylor® Models
Coastline
S6 Folk
All include gigbag. Left-handed versions
are also available.
Dark stained
wild cherry back and
sides, select solid cedar top,
integrated set-in neck, rosewood
fretboard and bridge, Tusq nut and
saddle, semi-gloss finish.
Baby
Taylor®
3/4-size dreadnought body,
laser-etched soundhole rosette,
sapele sides with arched back,
ebony fretboard and bridge, satin finish.
CCF
BABY1B . . . . . spruce top
BABYMB . . . . mahogany top
GS
Mini
Scaled-down GS body shape,
but bigger, deeper, and longer
(231/2”) scale than the Baby Taylor. Large
soundhole produces greater volume. Solid
spruce or mahogany top, sapele back and
sides, ebony fretboard and bridge, chrome
tuners, satin finish. Gigbag included.
Entourage
Rustic Grand
Parlor-size acoustic electric. Wild cherry
back and sides, solid cedar top, rosewood
fretboard and bridge, Tusq nut and saddle,
Quantum I electronics.
SERGRQ
S6 Cedar
Original
GSMINI . . . . . . spruce top
GSMINIM . . . mahogany top
Cherry back and sides, solid select cedar
top, rosewood fretboard and bridge, Tusq
nut and saddle, polished semi-gloss finish.
F1HC
S6CO
D-size, solid Sitka spruce top,
nato back and sides, rosewood
fretboard and bridge, chrome tuners,
natural finish. Hardshell case included.
Natural
Elements
Acoustic-Electric
F1HC
FS720-S
000-size, solid Sitka spruce top,
mahogany back and sides, rosewood
fretboard and bridge, black bound body.
Natural finish – other finishes available.
Cutaway Mini Jumbo size. Cherry
back and sides, solid cedar top, maple
binding, maple neck with flame maple veneer
contoured headstock, rosewood fretboard and
bridge, butterbean open-gear tuners, B-Band T35
electronics, semi-gloss natural finish.
SNCLE-MJ
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FS720S-NAT
FSX700SC
Excursion
Walnut SG
000-size acoustic-electric cutaway,
Solid Sitka spruce top, nato back and sides,
rosewood fretboard and bridge. System 55T
piezo pickup and preamp.
D-size, walnut back and sides with
solid spruce top. Rosewood fretboard and
bridge, burn stamped rosette, Tusq nut and
saddle semi-gloss natural finish.
SXWD
FSX700SC-NAT
Perfect for
smaller hands
Coastline
Cedar Grand
JR2 3/4-Size
Spruce top, nato back and
sides, nato neck, rosewood bridge and
fretboard, chrome hardware. Gigbag included.
Specify Natural or Tobacco Sunburst finish
JR2-NAT . . natural finish
Parlor-size, dark stained wild cherry
back and sides, solid select cedar top,
rosewood fretboard and bridge, Tusq nut and
saddle, semi-gloss finish.
JR2-TBS . . sunburst finish
CCG
ACOUSTIC GUITARS
D-size body, solid
mahogany back, sides and top
with scalloped spruce braces. 20-fret
rosewood fingerboard, Nu-Bone nut and
compensated saddle, rosewood bridge and
headcap. Pearl rosette, gloss finish body with
satin finish neck. Deluxe hardshell case included.
GAD12512
M-120
Concert
Gloss finished solid mahogany
back, sides and top with scalloped
spruce bracing, slim neck with satin finish,
rosewood fretboard and bridge, and vintagestyle tuners. Hardshell case included.
GADM120
M -120 Acoustic Electric Cutaway
Fishman Sonitone pickup system with endpin-mounted active preamp and soundholemounted volume and tone controls.
GADM120E
www.elderly.com
GAD D-125
12-String
1100 N. Washington
Lansing, Michigan 48906
Your trusted
source for …
BUY • SELL • TRADE
Consignment and Appraisals
TOLL-FREE (USA only) 888-473-5810
(517-372-7890 outside USA)
FTB3CE2-(COLOR) . . . . . Sunburst
California
Series Sonoran
Cutaway D-size mahogany body, solid spruce top
with scalloped X bracing and checkerboard rosette,
bound top and back. C-shape maple neck with
20-fret rosewood fingerboard, rosewood bridge with
compensated bone saddle, and Fishman Isys III system.
Specify Lake Placid Blue, Candy Apple Red, Olympic White,
Black or Natural finish with matching headstock.
www.elderly.com
Brian Alvarez
S. J. “Frog” Forgey
FSCE-(COLOR) . . . . . Lake Placid Blue
Classic
Design
CD-60
D-size, nato back and sides, spruce top
with scalloped bracing, 20-fret rosewood
fingerboard, Dual-Action truss rod, rosewood
bridge with compensated saddle, chrome tuners,
and gloss black finish. Hardshell case included.
CDS60-BLK-(COLOR) . . . . Black
Employee
Since 1995
Employee
Since 1986
Used &
Vintage
Guitars
T-BucketTM
300-CE Cutaway
Acoustic/Electric
D-size, mahogany back and sides, scalloped
X-bracing, ivoroid binding and pinstripe motif.
Isys III pickup system. Specify Sunburst or Transparent
Black (flame maple top), Transparent Blue or Amber (quilted
maple top) or Transparent Violet or Brown (quilted ash top).
13
14
ACOUSTIC GUITARS
Beautiful and affordable
all solid wood models
Dirty ‘30s
Series
Decent no-frills acoustic guitars with
solid spruce top, bound top and back,
rosewood fretboard and bridge, bone
saddle and nut, and nickel enclosed gear tuners
with cream buttons. Vintage Dark-Burst satin finish.
DTY30-D (D-Size)
DTY30-D
10-Series
Sitka spruce top with scalloped
bracing, tortoise bound mahogany back
and sides, mahogany neck, rosewood
fretboard and bridge, nickel tuners, bone nut
and saddle, and gloss Natural finish
RD10 (D-Size)
RO10 (000)
RO10
DTY30-000 (000-Size)
310-Series
DTY30-0 (0-Size, 12-Fret)
Exceptional entry-level guitars
with solid top
Vintage-style dreadnought with
African mahogany back and sides,
Adirondack spruce top, scalloped bracing
with forward-shifted X, rosewood fretboard
and bridge, tortoise body binding, nickel
Rotomatic tuners, bone nut and saddle, gloss finish.
06-Series
Solid spruce top with scalloped
bracing, tortoise-bound mahogany
back and sides, plain rosewood fretboard
(side dots only), nickel tuners, bone nut
and saddle, gloss finish.
RD310 (D-Size)
RD310
RO310 (000)
RD06 (D-Size)
RD-316
Dreadnought
RD06W (D-Size, Large Soundhole)
ROS06
ROM06CE
RO06 (000)
AAA Adirondack spruce top,
ebony fretboard and bridge, nickel
Grover butter-bean tuners, gloss
nitocellulose lacquer finish.
RO06M (000 with satin finish)
ROS06 (12-Fret 000-Size)
RP06 (12-Fret 0-Size)
RD316 (D-Size)
RJ06 (Small F-Jumbo)
ROM-06-CEF4
000 Acoustic-Electric Cutaway
Venetian cutaway, Fishman Presys pickup system.
ROM06CE
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elderly.com
Beautifully designed vintage-style guitars
LO-16
Classic L-00 style body,
mahogany back and sides with
solid spruce top, bound top and
back, rosewood fretboard and bridge,
3-on-a-plate nickel Grover tuners and pearl
peghead inlay. Specify Natural or Black finish.
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LO-215
12-fret 0-size, bound maple
back and sides, solid Sitka spruce top,
mahogany neck with dovetail neck joint,
dot inlaid rosewood fretboard, bone nut
and saddle, rosewood bridge, pearl headstock
inlays, vintage style tuners, Sunburst finish.
LO215-SB
LO16-(COLOR)
Nice small body based on
classic designs of the ‘30s.
Solid spruce top, premium
mahogany back, sides and neck with dotinlaid rosewood fretboard, and rosewood
bridge. Bound body, neck and peghead, nickel
open-gear butter-bean tuners, ornate peghead
inlay and gloss Sunburst finish.
LO-216
Like above, but mahogany back and sides.
Specify Natural or Black finish.
LO216-(COLOR)
LH-200
and LH-250
LH250S
LH200S
LH250S solid back and sides
ARCHTOP AND GYPSY JAZZ GUITARS
Based on classic archtop
designs from the ‘20s
GJ-10
Django
LH-280C-VS
GJ10
GJ-15
Django
LH280C-VS
12-fret cutaway body with large D-shaped
soundhole and mahogany back and sides.
LH-300-VS
Hand-carved solid spruce top, maple
back and sides, bound body and neck. Vprofile mahogany neck with rosewood
fretboard, adjustable ebony bridge, vintagestyle tuners. Vintage Tobacco Sunburst finish.
GJ15
GG-39
Django
Paris Swing
LH-309-VS
Bound 14-fret body. Rosewood
back and sides, solid spruce top with
small oval soundhole, mahogany neck with
rosewood fretboard, rosewood bridge,
Grover tuners, nickel-plated tailpiece.
GG39
LH309VS
GG-42
Django
LH-350-VS
Kent Armstrong floating humbucking
pickup, bound pickguard with volume
control, gloss Vintage Sunburst finish.
Like above, but with a
large D-shaped soundhole.
GG42
LH350VS
Newark St.TM Collection
X-175
Manhattan
Solid spruce top,
flame maple back
and sides with body
binding, 20-fret rosewood
fingerboard. Guild single-coil pickups,
3-way switch, compensated rosewood
bridge, Sta-Tite tuners, plexi pickguard,
Antique Burst finish. Hardshell case included.
D-500
Django
Based on a 1932 Selmer/Maccaferri
gypsy jazz guitar, with extended 24-fret
ebony fretboard, solid spruce top with
rosewood back and sides, 12-fret cutaway
body with multi-layer wood binding and
rosette. Large D-shaped soundhole, brass
trapeze tailpiece, gloss finish.
GD500G
X175
EXL-1
D-300
Jorgenson
Spruce top, flame
maple back, multi-ply
bindings. Rosewood fretboard
and bridge. Stairstep tailpiece, floating
humbucker neck pickup, bound tortoise
pickguard. Grover Super Rotomatic tuners,
gold plated hardware and Vintage Sunburst
finish. Deluxe hardshell case included.
Designed with input from swing
master John Jorgenson. Brazilian
rosewood back and sides with select solid
spruce top and oval soundhole. 14-fret walnut
neck, flat ebony fretboard with distinct square
profile, tortoise body binding and tailpiece
insert, gold tuners, ebony bridge. Gloss finish
with aging toner on top.
‘40s classic
reborn
EXL1VS
DG300
Like above with single P-90-style
pickup with volume and tone controls.
Vintage Tobacco Sunburst finish.
www.elderly.com
A nice student level gypsy jazz
guitar. Solid spruce top, rosewood back
and sides, 14-fret cutaway body with small
oval soundhole and black binding, ebony
bridge, extended 24-fret rosewood
fingerboard, brass tailpiece, satin finish.
Bound maple body, bound mahogany
neck with rosewood fretboard. Dual
humbucking pickups, 3-way switch. Floating
tune-o-matic bridge, vintage-style tuners with
butterbean buttons. Vintage Sunburst finish.
LH300VS
15
16
ACOUSTIC GUITARS
Exceptional
imported
guitars
Jerry Spencer
SUPER DEAL
Starter Packs
Guitar, hardshell case and all the
accessories you need to get started.
Bristol
models
BD-16
and BM-16
BRBD16
DEAL1 . . . . . . . . . . . BD-16 Guitar
DEAL2 . . . . . . . . . . . BM-16 Guitar
Spruce top, mahogany back and sides,
mahogany neck with adjustable truss rod,
dot inlaid rosewood fingerboard, bound
top, back and fretboard, ornate peghead
decals, nickel sealed-gear tuners, gloss finish.
BRBD16 (D-Size) or BRBM16 (000)
Employee
Since 1983
See even more Blueridge guitars at
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Solid spruce top
models
BR163A
BR-160A
and BR-163A
BR-40
and BR-43
Traditional-style with mahogany back
and sides, adjustable truss rod, dot-inlaid
rosewood fretboard. Bound top, back and
fretboard, ornate peghead inlay, bone nut and
saddle, nickel butterbean tuners, full gloss finish.
BR40
Solid rosewood/
Adirondack spruce
models
Like the BR160 and BR163 above,
but with Adirondack spruce top
and wider 13/4” nut width.
BR160A (D-Size) or BR163A (000)
BR-160-12 Jumbo 12-String
Classic 17” all solid wood F-jumbo body features bound spruce top with
herringbone purfling and rosewood back and sides.
BR40 (D-Size) or BR43 (000)
BR16012
BR-4012
12-String
BR-180A
A long-awaited addition to the Blueridge
line. Like the BR-40 dreadnought above,
but with 17” F-jumbo body for exceptional
balance and tonal response.
Dressed up version of the
BR-160A above. Fully bound with
abalone purfling on top and back,
beautifully done abalone rosette and
peghead inlay, gold butterbean tuners.
BR4012
BR180A
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Solid mahogany/
spruce models
BR143
BR-140
and BR-143
BR-183
Scalloped bracing with forward
shifted X-brace, ornate peghead
inlay, “dalmatian” tortoise pickguard.
000-size version of above with
Sitka spruce top and 111/16” nut width.
BR183
BR140 (D-Size) or BR143 (000)
Solid rosewood/
spruce models
Tenor
Models
BR160
0-size, solid spruce top, black
bound mahogany (BR40T) or white
bound rosewood (BR60T and BR70T) back
and sides, bound neck, gloss finish.
BR-160
and BR-163
Like the BR140, but with rosewood back
and sides and snowflake fretboard inlay.
BR40T pearl dot inlay, nickel tuners
BR60T pearl dot inlay, nickel tuners
BR160 (D-Size) or BR163 (000)
BR70T
BR70T abalone inlay, gold tuners
18
ACOUSTIC GUITARS
All models feature chrome
vintage open-gear Gotoh
tuners and inc lude
hardshell case.
Tony Rice Model
All solid wood construction
with hand-carved scalloped
bracing
E10-D
Dreadnought
Adirondack spruce top, mahogany back and
sides, black body binding, mahogany neck,
wide ebony fretboard with 13/4” nut width
and mother-of-pearl microdot inlays, ebony
bridge, and real bone nut and saddle.
E10D
D-size, Indian rosewood back and sides,
Sitka spruce top with scalloped braces,
ivoroid binding, herringbone top trim and
rosette, ebony bridge, tortoise pickguard.
Like Rice’s famous guitar, the bound
ebony fingerboard extends into the large
4 1/4” soundhole. Plain fretboard (no inlays
except Santa Cruz SCGC logo at the 12th
fret) and plain ebony peghead overlay.
RICE
E10-OM
000-Size
000-size version of above.
D-PW ROSEWOOD
DPW
FIREFLY
SCFFRSB
VINTAGE ARTIST
E10OM
SCVA
E10P
Parlor
0-size version of above.
E10P
E6OM
000-Size
OM (000) size, solid Sitka spruce top,
solid mahogany back and sides.
E6OM
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Heirloom quality instruments
handcrafted for sustain and
complex, sophisticated tone
Shop our great selection – hundreds of
new, used and vintage guitars in stock
elderly.com
Outstanding quality and
meticulous attention to
detail – the choice of
countless professionals
D2HA
Dreadnought body, solid Indian rosewood
back and sides with solid Adirondack
spruce top, herringbone trim, diamond and
squares inlays, scalloped braces, squared
off headstock, ivoroid bindings. Waverly
vintage-style open-gear tuners, pearl
Collings logo in peghead.
COLD2HA-REG
D2HA BRAZ ILIAN
CD2HBRZ 0
CJ-35SB SUNBURST
CJ35-SB
D1A VARNISH
COLD1AVAR
OOO-40R
000-size 12-fret body of all solid
woods. Rosewood back and sides,
Sitka spruce top with hybrid scalloped
bracing. Ebony fretboard with wide
13/4” nut width, tortoise pickguard,
vintage-style Grover tuners, ebony bridge,
bone nut and saddle. Hardshell case included.
OOO40R
ACOUSTIC GUITARS
19
G-Series
All feature solid top with
quartersawn X-bracing
GD20
GD30CE
Cutaway acoustic/electric
dreadnought features mahogany back
and sides, bound spruce top, TP-4TD
preamp with built-in tuner. Gloss finish.
GD30CE-NAT
GJ72CE12
12-String
GJ72CE12-NAT
FL1EC-BM
Classical construction,
innovative design
and manufacturing
techniques for
lighter, stronger,
unique guitars
with a natural
amplified
sound
Pro-Series
Crafted with the performer in mind. All feature solid
woods, scalloped bracing, pinless bridge with split
bone saddle and Palathetic pickup.
P1M
Bound OM body, sapele back
and sides, cedar top, concentric ring
rosette, satin finished mahogany neck,
rosewood fretboard, pearl dot inlays, CT4B2
preamp system, chrome tuners, satin finish
body and neck with gloss top.
Fat Lady 1
Acoustic/Electric
D-size with internally carved top and back. Solid Queensland maple
back and sides with solid bunya top. Dual Input Acoustic Pickup
includes a bridge mounted piezo-transducer and a top plate sensor.
FL1EC-BM
P1M
Fat Lady 2
Cutaway
Acoustic/Electric
P3NY
New Yorker
Sapele back and sides, cedar top, ivory
binding with wood purfling. Concentric ring
with wood marquetry rosette, rosewood
fretboard with abalone inlays, CT4B2 preamp,
gold tuners with amber buttons.
P3NY
CAN1BM
FL2EC-BB
P5JC
Jumbo cutaway body,
rosewood back and sides, spruce top,
ivory binding with dark wood purfling and
abalone soundhole rosette. Asymmetrical
neck profile, rosewood fretboard with abalone
inlays, CT4-DX preamp, tortoise pickguard,
gold tuners, and gloss finish.
P5JC
FL2EC-BB
Cutaway body, blackwood back
and sides, bunya top. 3-way
pickup includes a piezo bridge,
top sensor and internal mic. Very
natural, warm sound. Hardshell
case included.
One Series
Angel
Grand Auditorium with
internally carved top and
back. Solid Queensland
maple back and sides
with solid bunya top.
CAN1BM
Cutaway jumbo, flame maple back and
sides with bound spruce top, TK-40D preamp
with built-in tuner and gold tuners with
pearl buttons. Gloss finish.
Made
different –
to sound
different
www.elderly.com
GD20
D-size, mahogany back
and sides, bound cedar top
mahogany neck with 20-fret rosewood
fingerboard, pearloid dot inlays, synthetic
bone nut, pinless bridge, satin finish.
20
CLASSICAL GUITARS
Jose Ramirez
130th
Anniversary
C-12
Handcrafted concertlevel guitar with Spanish heel,
carved neck and lattice bracing, domed
soundboard, and premium woods. Rosewood
back and sides, cedar top, ebony fretboard,
mother of pearl rosette, maple binding,
rosewood bridge, bone nut and saddle, and
lacquer finish. Hardshell case included.
Solid rosewood back and sides
with solid red cedar top, cherry
blossom rosette, ebony fretboard,
rosewood bridge, gold tuners with
pearl buttons. Hardshell case included.
RAM130C
CORC12
CN-140
Classical
C-9
Sweet, warm tone of
solid mahogany and cedar with
the visual elegance of hand-inlaid
pearl rosette. Mahogany neck and fretboard,
rosewood bridge and binding, gold tuners
with wood buttons. Hardshell case included.
CORC9C
Solid cedar top with traditional fan
bracing, rosewood back and sides,
mahogany neck with rosewood headstock
veneer, rosewood fretboard, rosewood bridge,
chrome open-gear tuners with pearl acrylic
buttons. Gloss natural finish.
CN140S
CORC9D (7/8-size Parlor)
C-10
Parlor
All-solid 7/8-size, rosewood back and
sides, European spruce top, ebony fretboard,
mother-of-pearl and ebony “Esteso” rosette,
bone nut and saddle, gloss finish. Cordoba
polyfoam case included.
CG-142C
Classical
Solid cedar top, nato back and sides,
rosewood fretboard, gloss natural finish.
CG142C
CORC10P
Orchestra
Rosewood back and sides, solid
Canadian cedar top with fan bracing.
Mahogany neck, radiused ebony fretboard
with thinner 17/8” nut width, bone nut and
saddle, silver tuners with ebony buttons and
gloss finish. Gigbag included.
We have more classical guitars from
these and other makers – see ‘em all at
elderly.com
CORORCH
Hirade
Series
H5 Concert
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C-5
African mahogany back
and sides, solid Canadian cedar
top, rosewood fretboard and bindings,
wood rosette, gold tuners.
Solid rosewood back and sides,
solid cedar top, ebony fretboard and
bridge, rosewood peghead overlay,
gold tuners. Hardshell case included.
CORC5
CORC5CE cutaway, Isys+ pickup
Cordoba C-5 starter pack See page 1
TH5
Guilele
Small guitar with a ukulele
sound and feel and tuned up a fourth
from standard guitar tuning. Solid spruce
top, mahogany back and sides, rosewood
fretboard, satin finish. A great travel guitar.
GUILELE
GUILELE-CE (cutaway with pickup)
G-Series
GC5CE
Cutaway classical body, rosewood
back and sides, bound solid spruce top
with fan bracing. Rosewood fretboard and
bridge with compensated saddle. Takamine
TP-E preamp with built-in tuner and gold tuners.
GC5CEN
FENDER® ELECTRIC GUITARS
Alder body, satin finish on back of neck,
Fender Custom Shop® pickups. All include
molded rectangular SKB case.
Made in USA.
“FSR” Models
Factory Special Run
‘54 Stratocaster®
Ash body, V-shape maple neck, 21 frets. Three
Alnico Custom single-coil pickups, floating tremolo
bridge, vintage-style tremolo, single-ply pickguard.
Stratocaster®
22 medium-jumbo frets, 4-bolt neck
with Micro-TiltTM, three Fat ‘50s single-coil
pickups, 2-point synchronized tremolo, bent
steel saddles with elongated string slots, high
mass bridge block, chrome cast/sealed tuners,
3-ply parchment pickguard with aged plastic parts.
FSR131 (2-Color Sunburst)
CabronitaTM
Series
FNAS-MYB-M (Mystic Blue)
Thinline
Telecaster®
Semi-hollow ash body with F-hole, C-shape
neck, 22 medium jumbo frets. Two Fideli’TronTM
humbucking pickups, vintage-style Strat® stringsthru-body bridge, cast/sealed tuners and white
single-ply pickguard. Deluxe gigbag included.
Other colors available –
See elderly.com for our
current stock
Stratocaster®
FNAS-BLK-M (Black)
FCBTT-SHG (Shoreline Gold)
Standard
Series
22 medium-jumbo frets, 4-bolt neck
with Micro-TiltTM, Fender® Custom Shop®
Broadcaster bridge and Twisted Tele singlecoil pickups with Delta No-load tone control,
brass bridge plate with bent steel saddles with
elongated string slots, chrome cast/sealed tuners,
3-ply parchment pickguard.
Specify rosewood or maple fretboard. Available
in Arctic White, Brown Sunburst, Candy Apple
Red, Lake Placid Blue, Midnight Wine, and Black.
Affordable versions
of the time-tested classics
Stratocaster®
Alder body, one-piece tinted maple neck
with 21-fret rosewood fingerboard, high mass
tremolo, die-cast tuners, 3 single-coil pickups, 3-ply
parchment pickguard.
FSS11-BLK-R (Black)
FNAT-MYR-M (Mystic Red)
Deluxe Series
Telecaster®
Alder body, one-piece tinted maple
neck, 21 frets, 3-ply parchment pickguard,
string-thru-body bridge, two single-coil pickups.
Stratocaster® Plus HSS
100% solderless electronics features
interchangeable “personality cards” for
instant wiring modifications.
Alder body,
compound radiused
neck with satin finish,
Twin Head humbucking bridge
pickup, two NoiselessTM N3 single-coil pickups,
5-way switch. 3-ply pickguard, aged white plastic
parts. Three personality cards, strap, cable,
polishing cloth and deluxe hardshell case included.
FST11-MDW (Midnight Wine)
Jazz Bass®
Alder body, maple neck with
rosewood fretboard, two single-coil pickups.
FSJ11-BSB-R (Brown Sunburst)
FADSPH-M3S (Mystic 3-Color Sunburst)
Modern Player TM
Series
®
Telecaster Plus
Pine body, slim C-shape maple neck with
22 jumbo frets. Humbucking bridge, single-coil
Strat® middle and single-coil Tele ® neck pickups, 6saddle hardtail bridge, 3-ply pickguard.
P-Bass®
Alder body, maple neck with rosewood
fretboard, split single-coil P-Bass® pickup.
FSP11-AWT-R (Arctic White)
Even more Fender® at elderly.com
Telecaster®
FMPTP-HBST (Honeyburst)
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American
StandardTM
21
22
SQUIER® ELECTRIC GUITARS
Standard Series
Value-packed versions of the
world’s most popular guitars
Vintage Modified
Series
‘70s Strat®
See elderly.com for
current colors in stock
Stratocaster®
Agathis body, maple neck, maple or
rosewood fretboard with 22 frets. Large headstock,
three single-coil pickups, tortoise shell pickguard.
Basswood body, tinted C-shape maple neck
with large 70’s style headstock, 21-fret rosewood
fingerboard, Duncan DesignedTM single-coil
pickups, 3-ply pickguard, synchronized tremolo,
vintage-style tuners and chrome hardware.
SVM7S-BLK (Black)
SQST-ATB-MPL (Antique Burst)
Squier® ‘51
®
Telecaster
Agathis body, C-shape maple neck,
rosewood fretboard with 22 frets, two
Alnico 5 magnet single-coil pickups.
Basswood body, tinted C-shape maple neck
21 medium jumbo frets, single-coil Strat® neck
pickup and hot humbucking bridge pickup,
3-way rotary selector, 6-saddle hardtail bridge.
Chrome hardware and single-ply pickguard.
S51-2SB (2-Color Sunburst)
SQT-BLND (Blonde)
Classic Vibe
Series
Telecaster®
Thinline
Stratocaster® ‘60s
Alder body, 21-fret rosewood fretboard,
three Custom Alnico 5 single-coil pickups, aged
plastic parts, 3-ply tortoise pickguard, vintagestyle tremolo and tuners.
Semi-hollow body, maple neck with 22-fret
rosewood fingerboard, Duncan DesignedTM
pickups, chrome hardware, and parchment pickguard.
SQVMTT-SHG (Shoreline Gold)
SCVS6-3SB (3-Color Sunburst)
Telecaster® ‘50s
Classic looks with just the right amount of
player upgrades. Pine body, two Custom Tele ®
Alnico 5 single-coil pickups.
Jaguar®
Bass Special
Basswood body, maple neck with 20-fret
rosewood fingerboard, split single-coil P-Bass®
pickup, Jazz Bass® bridge pickup, active bass boost.
SVMJBS-CRT (Crimson Red Trans.)
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SCVT5BB (Butterscotch Blonde)
Tele®
Custom
Double bound alder body, rosewood fretboard
with 21 medium jumbo frets, two Custom Tele ®
Alnico single-coil pickups, strings-thru-body bridge.
SCVTC (3-Color Sunburst)
Telecaster® Bass
Basswood body, bound 20-fret maple neck,
Duncan Designed single-coil pickup, special
3-way tone selector, 4-saddle bridge.
SVMTB-VBL (Vintage Blonde)
Precision
Bass® ‘50s
Pine body, 1-piece maple modern C-shape
neck, 20 vintage style frets, Custom original
P-Bass single-coil pickup with Alnico 5 magnets,
volume and tone controls, knurled chrome dome
knobs, hi-mass 4-saddle bridge, black single-ply pickguard
with thumbrest, open gear tuners with chrome hardware.
SCVP5BB (Butterscotch Blonde)
Jazz Bass® 77
Agathis body, bound 20-fret maple neck
with pearloid block inlays, two Fender®
designed single-coil Jazz pickups.
SVMJB77-AMB (Amber)
SQUIER® ELECTRIC GUITARS
Affinity SeriesTM
3/4 size Strat®. Hardwood body,
short 223/4” scale C-shaped maple neck with
20-fret rosewood fingerboard, three single-coil
pickups. Specify Black, Torino Red, or Pink finish.
Strat®
Three single coil
pickups. Specify Black or
2-Tone Sunburst (SQAFSM) or Black,
Brown Sunburst, Lake Placid Blue, Shell Pink,
Burgundy Mist or Surf Green (SQAFSR).
SQAFSM (maple board)
Mini Strat®
SQMINI
BOOK – SQUIER® ELECTRICS –
30 YEARS OF FENDER’S BUDGET GUITAR BRAND
49-333228
SQAFSR (rosewood board)
BOOK – THE FENDER® STRATOCASTER®
HANDBOOK – 2ND EDITION
49-333858
®
Tele
Alder body, C-shape maple
neck with 21 frets, two single-coil
pickups. Specify Black, Butterscotch Blonde,
2-Tone Sunburst or Arctic White finish.
BOOK – THE STRAT® IN THE ATTIC –
THRILLING STORIES OF GUITAR
ARCHAEOLOGY
542-405
Artist Series
SQAFT (Butterscotch Blonde)
John 5
Telecaster®
Alder body, bound top and back, 22 frets,
humbucking bridge pickup with ceramic magnets,
Alnico V magnet custom humbucking neck
pickup, gold mirror plastic pickguard.
Jazz Bass®
SJ5TFG (Frost Gold)
J. Mascis
JazzmasterTM
SQAFJ
Basswood body, tinted neck, large headstock
with J. Mascis signature on back. 21 frets, two singlecoil pickups, 3-position toggle, lead/rhythm switch,
vintage-style tremolo and tuners, anodized pickguard.
Bullet Series
Great value!
SQJMJM (Vintage White)
Bullet Strat®
Simon Neil
Stratocaster®
Thin basswood body, maple neck
with 12-fret rosewood fingerboard,
three single-coil pickups, master volume and
two tone controls, tremolo bridge, covered
tuners, chrome hardware and a single-ply white
pickguard. Also available in Fiesta Red, Black, Pink,
Brown Sunburst, or Arctic White finish.
SQBST-DPB
Based on Simon’s Custom Shop® Time Machine
‘60s Strat®. Alder body, tinted neck with Simon’s
signature on the back of the headstock and the
Biffy Clyro logo on the front. 21 frets, three Custom
single-coil pickups, 3-ply mint green pickguard.
SQSNS (Fiesta Red)
Brian Hefferan
Juan Sanchez
Larry Scott White
Used Instrument
Wanted List
We can help you
find that vintage
Strat® or Tele®
http://elderly.com/
wanted.htm
Employee
Since 1984
Employee
Since 1993
Employee
Since 1992
20 frets, 2 single-coil Jazz® pickups.
Specify Black, Lake Placid Blue, Burgundy Mist
Metallic, or Brown Sunburst finish.
www.elderly.com
Affinity
SeriesTM
23
24
ELECTRIC GUITARS
Manufactured and
distributed by…
Electromatic
Junior Jet Bass II
Three dual-coil Super HiLo’Tron pickups
and lots of controls give you a ton of
tonal possibilities.
G5622TCB-R (Rosa Red)
Short 30.3” scale length – a little bit of bass
with a whole lot of sound.
l
ode
M
A
US
G2224 (Tobacco Sunburst)
G100BKCE
Synchromatic
Acoustic/Electric
Archtop
Neck-mounted single-coil pickup with volume
and tone controls on the pickguard. Vintage cool.
G-6129T
Sparkle Jet
Las Vegas “show” with lots of “get up and go.”
G6129TG (Green Sparkle)
l
ode
M
A
US
G100BKCE (Black Satin)
G-6120
Chet Atkins
When you say “Chet Atkins,”
you’ve said all you need to say.
G6120 (Orange Stain)
G-5422DC-12
12-String
That great Gretsch® sound of renown.
l
ode
M
A
US
G-6137TCB
Panther
A night stalkin’ stunner that
will impress the cats in your crowd.
G5422DC12-BLK (Black)
G6137-W (White)
G-5422TDC
Hollowbody
Ready to rock ‘n’ roll with “Black Top”
Filter’TronTM pickups and a Bigsby®.
G5422TDC-TR (Transparent Red)
Kingbolt
www.elderly.com
G-5622T
Semi-Hollow
A hot-rodded bolt-on rock guitar. Special H
humbuckers, a simple yet effective control
layout and a stay-in-tune Wilkinson trem.
Tone , Style, Value
Pete Anderson
Eastsider-S
This plank may look standard at first glance,
but it’s hot-rodded and stage ready right out
of the box.
RPAESTB (Tobacco Burst)
RKBBLK (Black)
Flatroc
Perennially popular model with two RevTron
mini-humbuckers. Dare to be different – it will
not disappoint.
FROC-ROR (Rock Orange)
Shop from our complete selection of electric guitars at
www.elderly.com
l
ode
M
A
US
G-6120SSU
Brian Setzer
Rockabilly Riot!
Crank up the two TV Jones pickups
and strut right by with your tail in the air.
6120SSU (Orange Tiger Flame)
ELECTRIC GUITARS AND BASSES
S-2 Series
Quality
imports
USA-made
SE
Custom 24
Classic 24-fret PRS design. All of the
features including bird inlays and PRS
designed pickups and trem – with an
appealing pricetag. Gigbag included.
SEC24-TOB (Tobacco Burst)
SE
Kestrel Bass
5-ply maple/walnut neck-through
design. 34” scale, 22 frets with bird inlays.
Hipshot hardware and SE 4B pickups.
Gigbag included.
SEKB-TCS (Tri-Color Sunburst)
S2 Mira
21 frets, S2 Mira treble and bass
pickups, stoptail and bird inlays.
Gigbag included.
MS2B-VC (Vintage Cherry)
S2 Mira
Semi-Hollow
Thin semi-hollow mahogany body,
22 frets with bird inlays. PRS stoptail and
S2 Mira pickups. Gigbag included.
MS2BSH-VC (Vintage Cherry)
www.elderly.com
SE Series
25
S2
Custom 24
S2 HFS treble and S2 Vintage
Bass pickups and bird inlays.
CUS2-BC (Black Cherry)
One of the most versatile-sounding guitars on
the market. Features a huge palette of singlecoil, humbucker, and excellent acoustic tones.
P22
Flame maple on
mahogany, 22 frets, bird inlays.
PRS/L.R. Baggs piezo bridge (stoptail)
and 57/08 uncovered humbuckers, 3-way
toggle and blend. Hardshell case included.
5P22 (Blood Orange)
No name resonates across the spruce
and maple boundaries of the classic
American guitar like that of John
D’Angelico, master guitar builder.
SCS2BSH-MTS (Tobacco Sunburst)
See more models and
color choices at elderly.com
Here is a small sampling of his Standard Series guitars –
New here at Elderly Instruments
Check out our web site at
www.elderly.com for more great models
EX-175
Stylish retro vibe!
Spruce top and flame maple back and
sides. Bigsby B-30 and two Kent Armstrong
humbuckers. Hardshell case included.
1100 N. Washington
EX175NAT (Natural)
EX-DC
Classic semi-hollow body with
gold hardware, 5-ply binding and
lots of style. Two Kent Armstrong
humbuckers, Tune-O-Matic bridge.
EXDCCH (Cherry)
Hundreds of
USED & VINTAGE
guitars in stock
www.elderly.com
del
Mo
A
US
S2 McCarty
Classic single-cut body with
beveled maple top. 22 frets with bird inlays.
S2 #7 pickups and stoptail bridge. Gigbag included
EFFECTS
Bright 21-segment LED indicators
and Accu-Pitch tuning verification.
Chromatic or guitar/bass tuning
modes. Powers up to 7 Boss pedals,
too, with optional parallel cable
(PCS20A, $24.50).
TU3
Distortion and
overdrive effects
SD-1 Super Overdrive
Delay effects
TR-2 Tremolo
DD-7 Digital Delay
Modulation Delay mode
offers natural, chorus-type
sounds, classic Analog Delay
mode for modeling the
warm analog sound of the
earlier Boss delay pedals.
Controls include tap tempo,
delay time, feedback, and effect level. Up to 6.4
seconds delay time, and up to 40 seconds of
recording in hold mode.
TR2
CH-1
Super
Chorus
BCH1
DD7
FRV-1 ‘63
Fender® Reverb
Phrase sampler with realistic
onboard drum patterns
SD1
BD-2
Blues Driver
BD2
DS-1
Distortion
New and improved with
more memory and USB
connectivity. Store up to 99
phrases with room for three
hours of recording.
RC3
FRV1
ME-25 Multi-Effects Processor
BDS1
CS-3 Compression
Sustainer
CS3
ME25
See even more effects at elderly.com
StompLab Multi-Effects
Volume Pedals and Wah Effects
Compact and powerful
multi-effects feature
easy-to-use controls
and a sturdy housing.
Built-in chromatic
tuner with bypass
and mute functions.
Operates on batteries
(included) or optional
AC power supply.
Ernie Ball
Volume Pedal Junior
Smooth, great control. Open end
design for easy cleaning. Kevlar pulley
cable. Designed for use with passive
electronics.
EB6180
Goodrich Model 120
Smooth, quiet volume control with two outputs.
GOOD120
Dunlop Original Crybaby
The original vintage wah wah tone — the one
that all others are judged against.
GCB95
Vox V846 Wah
Hand-wired for vintage tone. Vintage specs
with new potentiometer design for precise
control. Carrying case included.
V846
1G and 1B
100 preset programs, 103 types
of effects. Edit and save 20 of
your own user programs. Up to
eight effects simultaneously.
SL1G
Scott Koster
for guitar
SL1B . . for bass
2G and 2B
Like above with a built-in
expression pedal that lets you
control a variety of effect
parameters, wah and volume.
SL2G
for guitar
SL2B . . for bass
Employee
Since 1987
Packed with powerful Boss effects to make you
sound like a pro. Instant access to dozens of
classic and modern effects – simply choose a
category, select a variation and play. Customize
your sound with simple twists of the Drive, Tone
and Volume knobs. Features COSM amp models,
plus Super Stack and Phrase Loop. Runs on 6 AA
batteries or optional AC adaptor (not included).
Great for guitar or bass
BOSS PSA-120S AC POWER SUPPY
Recommended over batteries for
best performance.
PSA120
The legendary sound of the
1963 Fender® spring
reverb in a stompbox.
Timeless tube-driven
reverb sound with three
classic controls for
Dwell, Tone, and Mixer for
creating sounds from buttery warmth to
sparkling Fender® twang.
RC-3 Compact
Loop Station
www.elderly.com
TU-3 Pedal Tuner
Modulation effects
27
28
EFFECTS
History, quality and innovation
Pedaltrain 2
New! B9
Organ Machine
PT-2SC Pedalboard
Holds a wah and a dozen standard size stomp boxes,
with plenty of space underneath for power supplies
and power strips. Features a tough cordura nylon
gigbag, with protective panels to keep your pedals
safe. Lifetime warranty.
PT2SC
Mini Pedalboard
Super compact pedalboard is great for the quick
weekend gig. Includes soft case and lifetime warranty.
USA Big Muff Pi
Reissue of the original madein-USA distortion / sustainer.
Replicates the familiar appearance and the sweet, singing
tone prized by artists from Jimi
Hendrix to Carlos Santana and
beyond.
BMUFFUS
PTMINI
Fast and flawless tracking, nine presets of the most
popular and classic electric organ tones. Features
percussive attack level, modulation speed, organ
and dry tone controls. Rugged and easy to use.
Includes 9.6 DC power supply.
EHB9
Holy Grail
Digital Reverb
Ravish Sitar
Classic spring, hall and “Flerb” reverb
settings with level control. Power
supply included.
Truly amazing sitar
sounds! Transforms
your guitar into a
sitar with LOTS of
creative tone
shaping. Power
supply included.
EHNG
New! Soul Food
Overdrive
Fuzz Face
Mini Distortion
Smaller,
pedalboard-friendly
version of the Fuzz Face
SILICON - Specs are from a 1970 Fuzz Face – prized
for its bright and aggressive sound, delivered by its
matched BC108 silicon transistors. Rugged blue
housing.
FFM1
GERMANIUM - Based on a ‘66-’68 era pre-silicon Fuzz
Face, famous for warm vintage fuzz tones provided by
slightly mismatched germanium transistors. Rugged
red housing.
FFM2
JIMI HENDRIX MINI - The same thick, smooth Fuzz
Face tone that Hendrix made famous. Rugged
turquoise housing.
www.elderly.com
Light the fire and
cook up some
green onions –
amazing
organ tones
from your guitar
Transparent overdrive with great
touch and response. May also be
used as a clean boost. Features
boosted power rails to provide
abundant headroom and increased
definition. Volume, treble and drive
controls. Buffered or true bypass
operation. Powered by 9v battery or
optional AC power supply.
EHSF
ELECTRO HARMONIX POWER SUPPLY
9.6V power supply for many Electro Harmonix
effects including the Soul Food, OD Glove, B9 Organ
Machine, Holy Grail and others.
US96DC
Carbon Copy
Delay
New! OD Glove
Overdrive/
Distortion
Get a grip on your tone! Uses
mosfet semiconductors for
clipping. True bypass circuitry
with volume, tone and gain
controls. Includes an internal
voltage 9/18 volt switch. Operation at 18V results in a less compressed, more open
tone while the 9V setting results in a tighter sound and
reduces the current draw to 5mA. Also can be used as
a clean boost. Compact diecast chassis, powered by 9v
battery or by optional AC power supply.
GLOVE
See even more effects at
elderly.com
Jamman Express
XT Stereo Looper
FFM3
EHRS
10 minutes of stereo looping
time Includes LED's for record,
Stereo in/out, true bypass
switch, easy to operate.
JMEXT
Analog-dry-through c ircuitry for maximum tonal
integrity and clarity. Requires 9-V battery or optional
power supply.
Hall of Fame Reverb
Features 10 reverb types, stereo in
and out.
HOFAME
AC POWER SUPPLY
Boss 9V power supply.
PSA120
An amazing 600ms delay.
MXR169
Dyna Comp
Compressor
One of the most popular
compressor pedals of all
time – heard on countless
hit recordings.
Luxe Polyphonic Detune
The detune effect from the
popular Whammy product line
adds positive and negative
detune capabilities. Provides
consistent thickening to your
signal without the modulating
side effects of a chorus pedal. 9V
DC power supply included.
LUXE
MXR102
Ditto Looper
5-minute looping time. Combines
all essential looper functions with
an intuitive one-button user
interface. Features true bypass,
analog dry-through design, ultrasmall footprint and 24-bit
uncompressed high-quality audio.
DITTO
AMPLIFIERS
Vaporizer
Pawn Shop
Special Series
ChampionTM 20
FCH20
High speed, amped-up, and loud
MustangTM Series
FMST2
Authentic amp models and a huge bank
of built-in effects. Equipped with U SB
c onnec tivity, Ableton ® Live Lite 8,
AmpliTube® and Fender® FUSETM software.
VAP-(COLOR)
Ramparte
Cool 2-tone chocolate and copper fabric
exterior with wheat grille cloth. 9 watts all tube,
1x12” Special Design speaker. Two inputs (Cool
and Hot) with separate volume controls, internal
speaker disconnect for use with external
cabinets. Black top panel and black chicken
head knobs.
RAMPARTE
Vintage
Modified® Series
MustangTM II
40 watts 1x12” speaker, closed back
combo. 24 onboard presets.
Blends classic styling with some cool new
features for the best of old and new. All tube
designs with custom-made Schumacher
transformers – just like the originals.
FMST2
MustangTM I
FMST1
Hot Rod® Series
‘65 DELUXE REVERB®
Two channels, 22 watts, 1x12” Jensen
speaker. 2-button footswitch included.
Blues Junior® III
Traditional all-tube tone with modern day
features. 15 watts, 1x12” speaker, spring
reverb and Fat Switch. Mid, bass, treble,
volume, and master volume controls.
R200
R100
‘68 Custom
Princeton® Reverb
12 watts, 1x10” Celestion speaker, 2
inputs. Controls include volume, treble,
bass, reverb, tremolo speed, and tremolo
intensity.
Rumble 40, 100 and 200 feature footswitchable contour and vintage 3-button
voicing plus XLR line out with ground lift. Rumble 200 is also equipped with an
effects loop and external speaker output.
R200
R100
R40
R25
R15
FC68D
FC68D
Newly redesigned
with features
to satisfy the
demands of the
modern bassist
Rumble 200
Rumble 100
Rumble 40
Rumble 25
Rumble 15
‘68 Custom
Deluxe Reverb®
200
100
40
25
15
E.Q.
4-band
4-band
4-band
3-band
3-band
F65DRFB
Versatile and toneful. 22 watts, 1x12”
Celestion speaker, 2 channels (Custom
and Vintage) with 2 inputs each. Custom
channel includes a modified Bassman ®
tone circuit, quicker gain onset and
reduced negative feedback for greater
sensitivity. Controls include volume, treble
and bass for each channel with reverb,
level and intensity.
FBJ3
Stock # Watts
Awesome looks and c hewy tone!
Features brown covering with a brown
faceplate and wheat grille cloth.
F65PRFB
Retooled and refueled
Model
Limited availability
Fudge Brownie
‘65 PRINCETON® REVERB
Single channel, 15 watts, 1x10” Jensen
speaker. 2-button footswitch and cover
included.
FMST1
RumbleTM
Series
Bass Combos
FSR® Series
Speaker Horn Overdive
1x15”
1x12”
1x10”
1x8”
1x8”
Yes
No
No
No
No
Yes
Yes
Yes
No
No
FC68P
‘68 Custom Twin Reverb®
85 watts, 2x12” Celestion speakers, 2
channels (Custom and Vintage) with 2
inputs each. Custom channel includes a
modified Bassman® tone circuit. Controls
include a bright switch, volume, treble,
middle and bass for each channel with
reverb, level and intensity.
FC68T
‘59 Bassman®
Blondeman
Blonde covering and oxblood grille
cloth. 50 watts, 4x10” Jensen speakers,
two channels. Includes cover.
F59BLM
The great features of the Mustang™ II
above, but in a smaller 20-watt, 1x8”
package.
Tougher, louder,
and better sounding
www.elderly.com
12 watts, all tube circuitry, 2x10” Special
Design Vaporizer speakers. Normal and
bright inputs, volume, tone and reverb
controls, spring reverb. Footswitchable
“Vaporizer” mode bypasses volume and
tone controls for full strength overload.
Single-button footswitch included.
Specify Rocket Red, Slate Blue or Surf
Green exterior.
Quality tone at a great price
20 watts, 1x8” Fender® Special Design speaker.
Single channel with selectable amp voice. Gain, volume,
voice, treble, bass, FX level and FX select controls. Built-in effects include reverb,
delay/echo, chorus, tremolo, Vibratone and more with tap controllable delay time
and tremolo speed. Black “Bronco” covering with silver grille cloth.
29
30
AMPLIFIERS
Acoustic Amplification
Ultrasound AG-15M
Amazing studio quality
guitar tone anywhere
THR-5A
Acoustic Stereo
Amplifier /
Recording
Interface
Combination stereo amp
and recording interface
with four acoustic microphone simulations (condenser, dynamic, tube, nylon)
and one clean amp model for electric guitar. Features 6 on-board effects
(compressor, compressor/chorus, chorus, delay, delay/reverb, hall reverb),
chromatic tuner, blend/gain control knob. 10-watt stereo, 2x3.15” speakers.
Built-in chromatic tuner, Cubase AI recording software included. Uses 8-AA
batteries or included power supply. Easy USB connectivity.
THR5A
AG15M
Loudbox Mini
Small, low-priced powerhouse. 60
watts, 1x6.5” woofer and tweeter.
Two channel with independent EQ
and reverb, plus two auxiliary inputs
and XLR direct output.
FLB5
LOUDBOX MINI COVER
FLB5SC
Loudbox Artist
Jam 100
New! Schertler
Reso-Coil pickups for
guitar and banjo
(See page 56)
Versatile, compact, lightweight, and
delivers impressive sound. 100-watt
biamp power, 1x6” woofer and 1”
tweeter. Four channels (two with 1/4”
and XLR inputs, one with dual hi or
low impedance 1/4” and one with
stereo RCA input). 3-band EQ on the
three main channels, 2-band EQ on
the RCA channel, reverb on all
channels, master DI output, built-in
pole mount.
SJ100
JAM 100 PROTECTIVE GIGBAG
SJ100BAG
AcoustasonicTM
Series
www.elderly.com
Award-winning clean acoustic Ultrasound
tone at an affordable price. 15 watts with
1x8” coaxial speaker, single instrument
input with feedback filter and shape
control, separate mic input with volume
control. Effects loop, direct output.
AcoustasonicTM 15
15 watts and 1x6” Special Design speaker,
XLR and 1/4” inputs with separate volume
controls. 3-band EQ with chorus.
FAC15
AcoustasonicTM
150
Guitar simulating voicing
control for parlor, dreadnought
or jumbo. 150 watts, 2x8”
speaker and tweeter. Two
channels with 1/4” and XLR
inputs, independent EQ and
effects. Effects include reverb,
delay, chorus, Vibratone. XLR
line out, built-in kick stand. USB
connectivity. Optional 2-button
footswitch available.
FACS150
120 watts with 1x8” woofer and 1x1”
tweeter. Two channels accept mic or
instrument inputs, 3-band EQ, feedback controls and effects controls for
reverb, chorus, flanger, delay, echo.
XLR output on each channel, 48V
phantom power, and more.
FLB6
LOUDBOX ARTIST COVER
FLB6SC
Loudbox
Performer
Seriously good acoustic
amp with dual digital effects processors. 180
watts of clean bi-amped
power packed into a
lightweight package.
1x8” woofer, 1x5”
midrange and 1” tweeter.
Two channels for mic or
instrument with 1/4” and
XLR inputs, 3-band EQ,
feedback controls and effects controls. Auxiliary stereo input with level control. Effects
include reverb, chorus, flanger, delay, echo and slap echo. Balanced
XLR DI output on each channel, main mix. 24V phantom power and
more. Speakers installed at 10-degree angle for improved monitoring, plus a built-in kickstand.
FLB7
LOUDBOX PERFORMER COVER
FLB7SC
SoloAmp
(FSA1)
SoloAmp SA220
The SoloAmp provides a complete, highly portable sound system for the
solo acoustic musician that yields a rich powerful sound from instrument
and vocals. 220 watts, two channels with a vertical array of 6x4”
woofers and 1x1” dome tweeter, 3-band EQ, phantom power, four digital
reverbs. Includes tripod stand and gigbag with wheels.
FSA1
Fishman pickups and preamps ( See page 55)
AMPLIFIERS
Cube 80GX
AC-33 Acoustic Chorus
15 watts/side stereo, 2x5” speakers,
dual channel, reverb, chorus and
ambience effects, phrase looper with
40 seconds of record time. Built-in tiltback stand. Powered by standard AC or
by eight AA-size batteries.
CUBE80GX
AC33
Cube 40GX
The great features of the Cube
80GX in a smaller package.
40 watts with 1x10” speaker.
5 watt stereo (2.5 watts/side)
2x4” speakers, 1/4” inputs,
1/8” and RCA stereo inputs,
1/8” headphone output.
Features chorus and “wide”
switches, volume, tone and
reverb controls. Operates on
6-AA batteries or optional
power supply.
CUBE40GX
www.elderly.com
80 watts, 1x12” speaker, three channels (JC
Clean and Lead) plus 10 COSM amp types.
Fully programmable effects, delay with tap
tempo and reverb. i-Cube Link jack provides
audio interfacing with Apple iPhone, iPad, and
iPod (cable included). 3-band EQ plus Presence
control, built-in chromatic tuner and more.
AC or DC operation
Mobile AC
Acoustic Chorus
31
Micro Cube GX
Fill it with 6-AA batteries and sling it over
your shoulder (strap included). The smallest,
feature-packed Cube. 3 watts, 1x5” speaker,
eight COSM amps, eight DSP effects, plus the
i-Cube Link Apple interface – just like its big
brothers.
MOBILEAC
RMCGX-B
Mini 3 G2
Pathfinder V-9106
Vintage basket weave covering and
diamond grille cloth. 10 watts, 1x6.5”
speaker, volume, gain, treble, and bass
controls.
PATH10
VM3G2-CBK
VT-20P
Valvetronix Plus
Mini 5 Rhythm
5 watts, 1x6.5” speaker and all the
modeling power and effects of the
Mini 3 G2 above, plus built-in rhythm
tracks and metronome patterns – a
total of 99 rhythms. Featues tempo/
level controls, start/stop button, builtin tuner. Power supply included, also
runs on 6-AA batteries (not included).
Combines great tube amp sounds with
cutting-edge modeling technology. 33
amp models, 22 effects. 12AX7 tube
driven Vox Valve Reactor circuit, 30
watts, 1X8” speaker, power level
control for lower wattage use; gain,
volume, master volume, treble middle
and bass controls.
VT20P
AC15C1
AC15C1-VRD
Limited Production Model
(V15VR)
All tube and two channels
(normal/top-boost). 15 watts,
1x12” Celestion Greenback
speaker, master volume and
tone cut controls. Features
footswitchable reverb and
tremolo
(footswitch
not
included). Classic black basketweave covering with brown Vox
diamond grille cloth and
chicken-head knobs.
AC15C1
AC15C1-VRD
Limited production model of the AC15C1 above. Features 1x12”
V-type Celestion speaker, British Garnet Red vinyl covering and black grille cloth.
V15VR
VM5R
AC1RV Rhythm Vox
Ultra-small mini amp with a wealth of
features never before seen on a mini
amp. Based on the popular Amplug
Series circuitry, the AC1 delivers great
amp tones to a pair of 3” speakers. Builtin rhythm with 66 Rhythm/Song
Patterns. Operates on 6 AA batteries
(included) or optional power supply.
AC1RV
Amplug Model AC30
Headphone Amp
Just plug in your headphones and
plug it into your guitar for hours of
jamming! Voiced to sound like the
classic tube driven Vox AC30. Runs on two
AAA batteries (included). Headphones not included.
AMPLUG-AC30
Mini modeling amp with the classic
Vox look. Features 11 amp models
from sparkling clean to over the top
distortion. Built-in effects include
compressor, chorus, flanger, tremolo,
delay and reverb. 3 watts, 1x5”
speaker, removable carrying strap
and power supply included. Also runs
on 6-AA batteries (not included).
32
CABLES
Instrument Cables
Make
Stock#
Length
Description
Good quality multi-use cables
Fender®
Fender®
Fender®
Fender®
Planet Waves
Planet Waves
Planet Waves
Planet Waves
Quantum
Quantum
Quantum
Quantum
FPSC-10
FPSC-10A
FPSC-186
FPSC-186A
PWCGT-10
PWCGT-10R
PWCGT-20
PWCGT-20R
HQ15G
GLI-10
Q10
QQ20
10’
10’
18.6’
18.6’
10’
10’
20’
20’
15’
10’
10’
20’
Heavy PVC jacket, white straight plugs
Heavy PVC jacket, one angled plug
Heavy PVC jacket, white straight plugs
Heavy PVC jacket, one angled plug
Classic Series, single conductor
Classic Series, one angle plug
Classic Series, single conductor
Classic Series, one angle plug
Cloth covered, gold straight plugs
Economy grade with lifetime guarantee
Best Seller! Nice quality, inexpensive
Best Seller! Nice quality, inexpensive
Fender®
FPSC-10
Planet Waves
PWCGT-20
Quantum
GLI-10
Better quality performance cables
Fender®
Fender®
Fender®
Fender®
Planet Waves
Planet Waves
Planet Waves
Quantum
FCSPSC-BTWD-10
FCSPSC-BTWD-10A
FCSPSC-BTWD-186
FCSPSC-BTWD-186A
PWAMSG-10R
PWAMSG-15
PWAMSG-20R
QI20R
10’
10’
18.6’
18.6’
10’
10’
10’
20’
Black tweed covered, straight plugs
Black tweed covered, one angle plug
Black tweed covered, straight plugs
Black tweed covered, one angle plug
Geo Tip connectors, one angle plug
Geo Tip connectors, two straight plugs
Geo Tip connectors, one angle plug
Oxygen free, one right angle plug
10’
10’
15’
15’
20’
20’
15’
straight plugs
1 straight and one angled plug
straight plugs
straight plugs
Two XLR plugs – perfect for D.I.
Fender®
FCSPSCBTWD-10
Quantum
QI20R
Best quality for studio sound
Asterope
Asterope
Asterope
Asterope
Asterope
Asterope
Asterope
ABN1-10
ABN2-10
ABN1-15
ABN2-15
ABN1-20
ABN2-20
ABN4-15
Patch cables for your outboard gear
Fender®
Hosa
Hosa
Hosa
Quantum
Quantum
Quantum
Quantum
FPSC-5
IRG-100
IRG-101
IRG-103
GLI-6
GLICR-.5F
GLICR-1F
Q3
0.5’
0.5’
1’
3’
6’
0.5’
1’
3’
Two white jacketed straight plugs
Two right angle plugs
Economy grade with lifetime guarantee
Cloth covered, two right angle plugs
Cloth covered, two right angle plugs
High quality, perfect for patching effects
5’
10’
25’
16-gauge premium copper, straight plugs
16-gauge premium copper, straight plugs
16- gauge premium copper, straight plugs
3’
6’
10’
30’
14-gauge wire, straight plugs
Planet Waves
PWCSPK-25
Quantum
GLICR-1F
Quantum
SC14-30
Speaker Cables
Hosa
IRG-101
Good quality
www.elderly.com
Planet Waves
Planet Waves
Planet Waves
PWCSPK5
PWCSPK10
PWCSPK25
Best quality for low noise
Quantum
Quantum
Quantum
Quantum
SC14-3
SC14-6
SC14-10
SC14-30
Shop our huge selection
of cables and accessories at
elderly.com
Top quality sound reproduction for acoustic instruments
Taylor V-Cable
Asterope Pro-Stage Cables
Impressive cables –
optimized for live performance
Premium cable delivers a broader bandwidth and far
greater clarity. Signal is unidirectional from instrument to
amp as indicated by arrows on the plugs. Made in Austin,
Texas for Fishman. Lifetime warranty. See list above.
Great cable for acoustic instruments,
features a built-in volume control.
250K - Best suited for acoustic
pickups and single-coil electric gutar
pickups.
VCABLE-250-10 . 10’
VCABLE-250-20 . 20’
RESONATOR GUITARS
Wo w !
Impressive art, exhaustive detail …
an incredible book every collector should own
by Mark Makin
A tour-de-force that explores the fascinating design world
of the Dopyera Brothers and the instruments they produced
from 1923 to 1993. Featuring over 1100 graphic illustrations
of musical instruments and amplifiers, and more than 100
artists who used them, this is the definitive collection of the
developments, designs, colors and engraving patterns of
everything produced by the Dopyera Brothers in their
various companies – National, Dobro, Supro, Valco, Mosrite,
Regal and OMI. Hardcover, 423 pages.
782-1
Attractively priced
versions of the time-honored
designs of the 1930s
www.elderly.com
Palm Trees, Senoritas…
and Rocket Ships!
33
See more Gretsch Resonators
and Lap Steels at elderly.com
Ampli-Sonic Models
All feature a Gretsch® Ampli-Sonic
handspun cone.
Wood Body
RD-30MS
All mahogany model. Soundwell
with parallelogram ports, spider bridge,
Grover Sta-Tite tuners, semi-gloss finish.
G9200 . . Roundneck
G9210 . . Squareneck
RD30MS
RD-52
Black Lightning
Traditional squareneck, hot-rodded
with a USA-made spun cone. Classic
12-fret sapele body with gloss translucent
black/brown finish, bound body and neck,
solid peghead with distinctive lightning bolt inlay.
101/2” cone with spider bridge, dual screen-holes, nickel
plated fan coverplate, tailpiece, and tuners.
BobtailTM
Deluxe
Acoustic-electric version of above with
bound body and neck and Fishman
Nashville pickup installed. Sunburst finish.
G9220 . . Roundneck
G9230 . . Squareneck
RD52
Metal Body Roundneck
RC-2
Polished, plain nickel-plated
body, 91/2” spun cone with biscuit
bridge, sieve coverplate, round mahogany
neck with dot-inlaid rosewood fretboard.
AlligatorTM
Roundneck
Medium V-shape mahogany neck
with white binding, weathered poinsettia
chrome resonator cover. Sunburst finish.
G9240
RRC2
CANADIAN 00-SIZE GUITAR CASE
Fits most roundneck resonator guitars.
GCEV-00
USED and VINTAGE resonator guitars
elderly.com
Honey DipperTM
Roundneck
Weathered “Pump House Roof” finish,
nickel-plated brass body, V-shaped mahogany
neck, biscuit bridge, chrome-plated hardware,
Grover Sta-Tite tuning machines.
G9201
Nice entry level squareneck.
Bound mahogany body and neck,
maple soundwell, 101/2” aluminum cone
with spider bridge, natural gloss finish.
BoxcarTM
34
RESONATOR GUITARS
Authentic
‘30s style
resonator
guitars
with etched
Hawaiian
scene
Wood Bodies
NGO14
Radio-Tone
Bend-A-Way
12-fret maple body cutaway with dual tripleslot soundholes, maple neck, ebony fretboard,
ribbed sieve coverplate, nickel hardware, vintage
style tuners. Broad peghead with black overlay and
stylized graphic logo. Tobacco-burst satin finish.
National’s Iconic
Brass Bodies
NGO14
NGRTB5
ResoRocket
Style O
Polished nickel-plated brass body with F-holes. 12-fret maple
neck with ivoroid bound, pearl dot inlaid, profiled ebony
fretboard, slotted peghead with shield logo. 91/2” resonator
cone with biscuit bridge, sieve coverplate.
All wood body variation
of the Reso-Rocket with a rich wood
tone and that big single-cone voice.
NGO
NGRRWB . . . . mahogany
14-Fret Style O
NGRRWB2 . . . . . . koa
Similar to above, but neck joins the body at the 14th fret and
features a “chicken foot” pattern coverplate.
NGRRWB
NGO14
El Trovador
The true classic
Tricone
Vintage ‘30s look! Tight waist
and deep 4” mahogany body
with solid sides, pre-aged hardware.
Style 1
Tricone
Plain polished nickel-plated brass body
with domed back and lattice soundholes.
12-fret mahogany neck, grained ivoroid
bound ebony fretboard with dot inlay. Slotted
peghead with National shield logo decal and
vintage-style tuners, three 6” spun embossed
cones with T-bar bridge and maple insert.
NGELT
El Trovador Baritone
Baritone voice (tuned C-to-C).
NGELTB
NGELTB
M1
Tricone
NGT1 12-fret
Steel Bodies
NRP
Single Cone
Remarkable tone
and beauty
Steel-body with single 91/2” cone. 12- or
14-fret mahogany neck with ebony fretboard,
vintage-style tuners. Specify Distressed Steel,
Grey-Green Burst, Black-Rust, Black, or Ivory finish.
NGNRP . . . . . . . 12-fret
www.elderly.com
Rich, warm tone. Bound
mahogany body with lattice
soundholes, matching coverplate,
three 6” swirl embossed cones, ivoroid bound
ebony fretboard, vintage style engraved tuners.
NGNRP14 . . . . . 14-fret
NGNRP
NGTM1SQ . . . squareneck
NGTM1 . . . . . . roundneck
NGTM1SQ
NGTM1C . roundneck cutaway
Solid Body
Electric
Standard
Reso-Lectric
NRP
Reso-Rocket
Light gauge steel body with cutaway.
12-fret mahogany neck with rosewood
fretboard, and slotted peghead. Arched back,
lattice soundholes, distinctive grillwork
coverplate, all done in a distressed nickel-plated
finish for an authentic vintage look.
NGNRPRR2
Slimline Pickup
A joint effort of National Reso-Phonic Guitars
and Villex Electronics. Thin dual-coil magnetic
pickup attaches to the top just below the
fingerboard. Nickel plated engraved cover.
NSLP1
Maple body, 91/2” cone, sieve
coverplate. Active electronics, Highlander
saddle transducer plus Lollar P-90 pickup.
NGRL3 . . . . . Sunburst
NGRL3
Shop our
great
selection
of new,
used and
vintage
National
guitars at
elderly.com
NGRL5 . . Transparent Black
Raoul
Employee
Since 1980
RESONATOR GUITARS
Crafted in USA by National Reso-Phonic
L-Body Squareneck
Style-0
Ivoroid bound large modified-D body of all solid woods, motherof-pearl dot inlaid ebony fretboard, cast spider bridge with capped
maple inserts. Features Scheerhorn spun cone, soundposts,
internal baffle, fan coverplate, dual open soundhole rings,
traditional tailpiece, nickel plated hardware and high gloss finish.
Roundneck, 14-fret brass
body, rosewood fretboard,
Continental 91/2” cone, “Chicken Foot”
coverplate. High-Polished finish.
AXL
HONDURAN MAHOGANY- Mahogany body and
neck, sunburst finish.
Style-1
NSLRG-MAHOGANY
12-fret tricone, nickel-plated
brass body, 3x6” Continental cones.
FLAMED MAPLE - Flame maple body and neck,
sunburst finish.
www.elderly.com
Workhorse resonator
guitars with classic
looks and sound
35
Roundneck
NSLRG-MAPLE
ROB ICKES MODEL - Indian rosewood back and
sides, spruce top, mahogany neck, natural finish.
TRIAX1
30s-Style – Squareneck
NSLRG-ICKES
TRIAX1SQ
Jerry Douglas
Blackbeard
A visually stunning, great sounding new guitar
from master luthier Paul Beard in collaboration
with resonator guitar virtuoso Jerry Douglas.
Solid mahogany
modified E-style body
with open body chamber
and baffle – powered by a sand-cast
spider bridge and Beard spun cone. Custom
coverplate, fabulous bubinga fretboard with
Douglas’ signature inlaid and Translucent Black
finish. Performance ready with Fishman
Nashville bridge pickup. Includes Fishman
Douglas Aura pedal and hardshell case.
Jerry Douglass
Aura Pedal
Included
Standard
Mahogany
Bound mahogany
laminate body, bound mahogany neck
with rosewood fretboard.
BGT1S . . . . . . squareneck
BGT1R . . . . . . roundneck
BGT1S
Solid
Mahogany
Premium grade, all solid
mahogany body with curly maple
bindings. Diamond pattern fretboard inlay.
JDB1
BGT4S . . . . . squareneck
Vintage
R Custom
Maple
Deluxe
‘30s style squareneck with
open soundwell. Birch veneer body.
Vintage or Red Sunburst with chrome
hardware or Red Sunburst with black hardware.
Bound premium flame
maple laminate body, bound
mahogany neck with rosewood fretboard
and ornate inlay, chrome fan coverplate.
BVR-RSB . . . red sunburst
BVR-RSBC1 red w/ black hardware
BVR-VSB . . vintage sunburst
BGT3R . . . . . . roundneck
BGT3S
Mike
Auldridge 6
Large E-body 6-string squareneck
with maple bound birch body. Open body
cavity with soundposts and bass baffle. Ebony
fretboard with hearts and flowers inlay, Tobacco
Sunburst finish, chrome hardware.
BMA6-TBS
PBS-8
8-String
Bound R-body 8-string made of
premium mahogany. Features Beard’s
open soundwell design for maximum
resonance, and bound rosewood fingerboard.
The choice of
many top players
Designed by
Genuine U.S.-made Beard parts
for the highest quality imported
resonator guitars available
36
LAP AND PEDAL STEEL GUITARS, PARTS AND ACCESSORIES
Resonator Guitar
Gigbags and Cases
ACCESS
STAGE THREE
(AGHT33-00/000)
GUARDIAN
DELUXE
(GDGC-DOB)
CANADIAN
(GCEV-DOB)
ACCESS STAGE-ONE GIGBAG Great value. Dense foam padding
with wall stiffener, nylon web
handles, nylon zippers, accessory
pocket, padded shoulder straps.
AGB1-00/DOB
ACCESS STAGE-THREE GIGBAG Extra heavy-duty ballistic-style
nylon exterior, thick closed-cell
foam padding, with wall stiffeners,
bridge and peghead protectors,
wrap-around nylon web handles,
padded shoulder straps, and dualpocket accessory pouch.
AGHT33-00/000
GUARDIAN DELUXE HARDSHELL
CASE - 5-ply wooden shell with
arched top, plush padded interior,
leather covered handle. Fits
squareneck resonator guitars only.
GDGC-DOB
CANADIAN HARDSHELL CASES Wooden shell with strong arched
lid, plush padded interior. Fits
squareneck or roundneck models.
GCEV-DOB (Black)
1-SM Style 3
Mahogany Top
All solid mahogany body with rope-look
top trim and rosette. Hollow mahogany neck
with fret lines, pearl dot inlay, gold Kluson tuners.
1SM
GOLD TONE/WEISSENBORN HARDSHELL CASE - Fits Gold Tone 1-SS & 1-SM. Black
vinyl exterior with “Weissenborn by Gold Tone” logo, padded plush interior.
GCGT-WEISS
6-String
Electric Lap Steel
Squareneck Capos
Styled after the vintage Oahu models.
Solid body lap steel with cream binding, treble
clef design on bridge cover, single-coil pickup.
WALWORTH - Nice design. Heavy brass, easy cam
action flip lever with tension adjustment screw.
WRGC1
GTLS (Sunburst)
GRAHAM METCALF - Innovative design from
England. Solid brass with carbon fiber spring. Dual
adjusters, simple one hand operation.
GMRGC1
More capos on page 81
SHEERHORN - Heavy brass top bar with a padded
pivot arm. Simple flip-action release.
SRGC1
Resonator Cones
NR16
NATIONAL - The “hot rod” cone, spun embossed,
91/2” diameter with swirl-pattern. Includes biscuit
bridge. Fits old and new National guitars.
SRC1
NR16
SCHEERHORN - Genuine Scheerhorn spun cone for
spider-bridge style resonator guitars. Classic design
109/16” diameter – may be trimmed down to 101/2”,
aluminum alloy, hand spun and shaped to yield
clean clear response across frequencies.
SRC1
BEARD BC-1 - Classic design 109/16” diameter spun
aluminum cone for spider bridge.
BRC1
www.elderly.com
A great acoustic lap steel
for Hawaiian music
Original
1920s design
“If you own a resonator guitar, you
should own the Paul Beard video.”
– Mike Auldridge
DVD – DOBRO SET UP AND MAINTENANCE
by Paul Beard
Renowned luthier Paul Beard shows you
complete disassembly and reassembly,
adjustments to correct buzzes and rattles,
modifications and general maintenance for
your spider-bridge style resonator guitar.
362-101DVD
Asher
Electro
Hawaiian
Junior
Beautiful combination of
vintage and modern details
and innovations
BRC1
BEARD BC-2 LEGEND CONE - Beard’s premier triplespun special aluminum alloy cone with modified
traditional shape for enhanced lower frequency
response and clear bell-like tone. 109/16” diameter
for spider bridge guitars – may be trimmed down to
101/2”, typical of many older Dobros.
BRC2
Solid mahogany neck-thru design, two
humbucking pickups. Gigbag included. Specify
Tobacco Sunburst, Black, or Cherry Burst finish.
AIEHJR2 (Tobacco Sunburst)
BRC2
RG-31
Favorite Slides and Steels
BROZ-O-PHONIC
HAWAIIAN STEEL
BOPGS
SCHEERHORN
STAINLESS
STEEL - Used by
Jerry Douglas.
S16
STEVENS STEEL
S1
Solid mahogany, pearloid
fretboard, single EMG designed
P-90 style pickup, volume and tone
controls, string-through-body bridge.
SILICA SOUND
GLASS OVER
BRASS SLIDE
SS113
MOONSHINE
CERAMIC SLIDE
S243
DUNLOP
LAP DAWG
TONEBAR
S926
RKLS1
More Lap Steels at elderly.com
MANDOLINS
All solid wood entry-level mandolins. Spruce top
with tone bar bracing, maple back and sides.
Get a bigger sound
from your instrument –
fits most A- and
F-style mandolins
The Tone-Gard
Attaches to the back of most mandolins.
Holds your mandolin securely away from
your body – opening up the sound and
improving projection. Used by David Grisman, Ricky Skaggs,
Mike Marshall, and many more of today’s mandolin masters.
RM50 (Sunburst finish)
RM50B (Black finish)
Economical
traditional
F-model
RM-75SB
F-Model
All bound solid woods: Carved spruce top
with f-holes and tone bar bracing, carved maple
back and sides, maple neck, rosewood fretboard with
scooped extension. Fancy peghead inlay, nickel
hardware, gloss Sunburst lacquer finish.
STANDARD - Fits most traditional-size mandolins with 93/4” to 915/16”
body width.
TGM1 . . . . . . . . . . . . sunrise pattern
TGM3 . . . . . . . . . . . . . deco pattern
www.elderly.com
RM-50
and RM-50B
A-Models
37
LARGE - Fits mandolins with larger 10” to 103/16” body width.
TGM4 . . . . . . . . . . . . sunrise pattern
RM75SB (Sunburst finish)
Great value – nice quality
KM-630
KM-140S
One of the best sounding
entry-level mandolins you’ll find anywhere.
Solid spruce top, laminate maple back and sides,
maple neck dovetail neck joint, Sunburst finish.
KM630
KM140S
KM-855
Radiused ebony fretboard,
ornate “Bella Voce” pattern inlays,
gold hardware, Vintage-Burst lacquer finish.
KM-150S
Another great sounding entry-level
mandolin. Maple back, sides and neck,
spruce top with f-holes, Sunburst finish.
KM855
KM150S
KM-1050
KM-252
and KM-256
Master Model, hand-carved
Adirondack spruce top, flamed maple
back, sides and neck, bound top, back,
fretboard and peghead. Radiused ebony
fretboard, ornate pearl peghead inlays, ebony
bridge. Silver-plated engraved tailpiece, Gotoh
reverse tuners, Vintage Sunburst lacquer finish.
Carved maple back, carved spruce top
with F-holes, bound body and neck.
KM252 (Transparent Amber)
KM1050
KM256 (Transparent Brown)
KM-270 and KM-272
Carved spruce top with oval soundhole, carved
maple back and sides, dovetail neck joint. Bound
body and neck.
KM270 (Sunburst)
KM272 (Transparent Amber)
Hundreds
of new,
used and
vintage
mandolins
in stock
Josh Swain
Employee
Since 1994
Fully bound, handcarved flamed
maple and spruce with tone bar braced top,
maple neck with radiused rosewood fretboard
with stylized extension, rosewood bridge, fernpattern peghead inlay, nickel hardware, and gloss
lacquer Sunburst finish.
38
MANDOLINS
All solid woods, including carved spruce
top, maple back and sides, rosewood
fretboard and ebony bridge.
Model One Wood Body
Responsive,
powerful sound
MD-304
and MD-305
A-style, bound top, maple neck, dot-inlaid
rosewood fretboard with stylized extension,
traditional stamped tailpiece, nickel hardware, Classic
Red-Brown satin finish. Padded gigbag included.
MD304C (Oval Soundhole)
RM-1 Walnut
A unique look based on the rare pre-war
instrument. Walnut back and sides, maple
top, aged brass, coverplate, spiral-embossed
spun cone with biscuit bridge.
NRM2
MD305C (F-Holes)
MD305C
MD-315
MD315C
RM-1V Maple
F-style version with above features.
Maple back, sides, and top.
Vintage nickel hardware.
MD315C
NRM4
MD-504
A-style, maple neck, dot-inlaid ebony
fretboard, heavy cast tailpiece, gloss lacquer
finish. Nylon covered hard foam case included.
NATIONAL “HOT PLATE” FOR MODEL ONE Simple solution for adding a pickup to your
National Model One resonator mandolin. Aged
brass coverplate with a Lollar single-coil pickup,
1/4” jack, volume and tone controls. Simply replace
the coverplate, plug in, and play.
NRHP3
MD504C (Rich Brown )
New Yorker
A-Models
MD504CSB (Sunburst top)
MD504CSB
MD-505
A-style, all hand-carved
solid woods, maple back and sides,
spruce top, maple neck, dot-inlaid
ebony fret-board, heavy cast tailpiece, gloss lacquer
finish. Deluxe nylon covered suspension-fit hard
foam case included.
Quality entry-level mandolins. All feature
rosewood fretboard with pearl dot inlays,
adjustable rosewood bridge, Grover tuners,
nic kel hardware, tortoise pickguard, and
antique semi-gloss finish.
Standard
Bound body neck and headstock,
solid spruce top, mahogany back sides
and neck, 2-tone sunburst finish.
MD505C (Rich Brown)
www.elderly.com
MD505CSB
MD505CSB (Sunburst Top)
G9300
MD-604
and MD-605
Acoustic/Electric
MD605CE
A-style, maple back and sides, spruce top,
triple bound top and single bound back, bound maple
neck, dot-inlaid radiused ebony fretboard, bound
headstock with Schaller tuning machines, and heavy
cast tailpiece. Schertler Reso-Coil pickup installed.
Gloss lacquer Classic Rich Brown stain finish, deluxe
rectangular cordura nylon covered suspension-fit
hard foam case included.
Supreme
Solid mahogany top back and
sides, mahogany neck, natural finish.
G9310
Deluxe
Acoustic/Electric
MD604CE (Oval Soundhole)
Bound body neck and headstock,
solid spruce top, mahogany back, sides
and neck, rosewood electric bridge,
3-tone sunburst finish.
MD605CE (F-Holes)
elderly.com
G9320
MANDOLINS
MF F-Model
Carved solid maple back and rims, carved solid
spruce top, ivoroid binding around top only.
Radiused ebony fretboard with pearl dot inlays,
stainless steel one-piece Collings custom tailpiece.
Sunburst satin lacquer finish with polished gloss top.
MFIG
CAM2-SB
MT A-Model
MT Mandola
Carved solid maple back and rims, carved
solid spruce top, ivoroid binding around top only.
Radiused ebony fretboard with pearl dot inlays,
stainless steel one-piece Collings custom tailpiece,
Sunburst satin lacquer finish with polished gloss top.
A-style body with f-shaped soundholes,
solid carved maple back and rims, carved
Adirondack spruce top with tone bar bracing
and ivoroid binding. Radiused ebony fretboard,
nickel hardware, Sunburst satin finish with gloss top.
Shaped hardshell case included.
CMTDOLA-SBIG
CMTA-IG
Handcrafted in Austin, Texas
Fully bound, flamed maple sides
and 1-piece back, Adirondack red spruce
top hand-graduated to Loar specs with tone-bar
bracing. Smith adjustable ebony bridge, radiused
ebony fretboard with pearl dot inlay. Engraved
silver custom James tailpiece, Waverly tuners with
ivoroid buttons, ebony pickguard, bound headstock
with abalone inlays. Cremona Sunburst hand rubbed
oil varnish finish. Hardshell case included.
Handmade one at a time in Polk, PA.
Stiver Mandolins
elderly.com
S-Series Models
Maintaining the same level of handcrafted
quality and superb tone that Northfield
mandolins have become known for, the
S-series offers several new features and
options with affordability in mind.
EA5DLX8
Delightful mandolins from luthier Pava Knezevic, made at
Ellis Mandolins in Austin, TX.
Designed in the USA
Player
A-5 Model
Classic A-style sound. Ivoroid bound
figured maple back and rims, Adirondack
red spruce top with tone bar bracing, radiused
fretboard, snakehead headstock, ebony bridge,
traditional polished nickel tailpiece, nickel tuners with
ivoroid buttons, Sunburst gloss lacquer finish.
S-Series F5S
Ivoroid-bound Adirondack red spruce top,
ivoroid bound figured maple back and sides,
3-piece maple neck with striped ebony center.
Ebony bridge, fretboard and pickguard. Mother-ofpearl dot markers and peghead logo, Schaller
tuners with black buttons. Satin Sunburst finish.
NFSS-F5S
PPL-SUNBURST
Satin A-Model
Classic no-frills A-model. Same construction
as above, but with ivoroid bound top and
Transparent Brown stain lacquer finish.
S-Series F2S
All the great appointments of the F5S
above with an ivoroid-bound oval soundhole.
NFSS-F2S
A-5
Deluxe
PSA-BROWN
www.elderly.com
MT-2 A-Model
Solid carved maple back and rims, carved
Adirondack spruce top with f-holes, tone bar
bracing, gold or nickel hardware. Ivoroid binding
with purfling around top, back, fretboard and
peghead. Radiused ebony fretboard, adjustable truss
rod, pearl logo and decorative flourish in peghead.
Sunburst gloss finish. Hardshell case included.
39
40
MANDOLINS
Solid carved spruce top and solid maple back
and sides, rosewood fretboard and ebony bridge.
Crossover
Natural
LM-220-VS
A-Model
Breedlove O-body shape, solid spruce top,
maple back and sides, rosewood fretboard with dot
inlay and wide 13/16” bone nut (easier for “crossover”
guitar players to play). Rosewood bridge, nickel tuners
with black buttons, semi-gloss finish.
Bound body and neck, dot fretboard inlay,
nickel hardware. Sunburst polyurethane lacquer.
LM220VS
BCVR-F . . . . . . . F-Holes
LM-520-VS F-Model
LM220VS
BCVR-O . . . . Oval Soundhole
BCVR-F
LM520VS
Crossover
Black
BCVRB-O
Like above, but with black finish.
LM-700-VS
BCVRB-F . . . . . . . F-Holes
Loar-inspired F-model with
flame maple back and sides.
BCVRB-O . . . . Oval Soundhole
LM700VS
Nice sound, contemporary
looks – made in the USA
Premier
Series
Solid carved Sitka spruce
top with tone bar bracing, solid maple
sides and back with handrubbed semi-gloss
Honeyburst finish. Radiused ebony fretboard with
pearl dot inlays and, wide 13/16” wide fossilite nut.
Adjustable ebony bridge, heavy cast tailpiece and
nickel Gotoh tuners. Hardshell case included.
F-SHAPE (F-MODEL)
BPM-FF . . . . . . . . . . . . . . . . . . . . F-Holes
Bitterroot
Custom A-Model
Great workhorse mandolin. Adirondack solid
spruce top with tone bar bracing, solid maple
back, sides and neck, radiused ebony fretboard
with wide 13/16” nut width and pearl diamond inlay.
Ornate peghead inlay, Buckskin satin lacquer finish.
WB2C1-A
BPM-FO . . . . . . . . . . . . . . . . . Oval Soundhole
K-SHAPE (CONTEMPORARY F-MODEL)
BPM-KF . . . . . . . . . . . . . . . . . . . . F-Holes
BPM-K0 . . . . . . . . . . . . . . . . . Oval Soundhole
Bitterroot
Custom F-Model
www.elderly.com
O-SHAPE (A-MODEL)
BPM-OF . . . . . . . . . . . . . . . . . . . . F-Holes
All the great features of
above (WB2CA-1) but in an F-model.
BPM-OO . . . . . . . . . . . . . . . . . Oval Soundhole
Joe Konkoly
Steve Olson
WB2C1-F
Bitterroot Custom
Octave Mandolin
Solid mahogany
back, sides and neck,
X-braced spruce top with oval
soundhole. Short 20” scale radiused
ebony fretboard with pearl diamond inlays,
bound top and neck, fancy peghead inlay,
nickel hardware. Ebony bridge, heavy cast
tailpiece, Buckskin satin lacquer finish.
Employee
Since 1987
Employee
Since 1989
WB2C4-A
More Weber mandolins in stock!
MANDOLINS
41
Electric Mandolins
Alder body, maple
C-shape neck, 24 fret rosewood
fingerboard, Fender designed pickup with
volume and tone controls, vintage style adjustable
bridge with 2 threaded brass barrel saddles, chrome
vintage style tuners and 3-ply tortoise shell pickguard.
www.elderly.com
Mando-Strat®
4-String
1100 N. Washington
FMST (3-Color Sunburst)
®
Mando-Strat
8-String
Your trusted
source for …
Like above with standard 8-string configuration.
FMST8 (3-Color Sunburst)
A-8
Semi-Hollow
GA8-NAT
Resonator
Mandolin
Engraved
Brass Body
Classic pear-shaped design, ornately engraved
nickel-plated brass body, maple neck with dot inlaid
ebony fretboard. Spun aluminum cone, sieve coverplate,
biscuit bridge. Nylon covered rigid foam case included.
MA998E
Trinity College
TOLL-FREE (USA only) 888-473-5810
(517-372-7890 outside USA)
www.elderly.com
Bob Blackman
Jim Jones
TM-275 Mandola,
TM-325 Octave Mandolin
and TM-375 Bouzouki
TC375
Celtic-style,
solid maple back
and sides, solid spruce top,
mahogany neck with rosewood
fretboard. Hardshell case included.
TC275 (Mandola)
TC325 (Octave Mandolin)
TC375 (Bouzouki)
Employee
Since 1993
Employee
Since 1992
Solid two-chamber mahogany body,
solid spruce top, mahogany neck with 24-fret
ebony fingerboard, custom RMC transducer saddles
and pre-amp, volume, middle, treble and bass control
sliders, gold hardware. Natural semi-gloss finish,
gigbag included.
Used &
Vintage
Mandolins
42
OPEN BACK BANJOS
Gold Tone loves old time music! They offer a great
variety of nice quality, good sounding, affordably
priced instruments, assembled with care in the USA
from parts manufactured overseas.
Open
Back
Banjos
• Quality Gold Tone open
back banjo with brass
hoop tone ring, planetary
tuners, maple neck, NoKnot tailpiece
• Gigbag, strap, and DVD
included
CB-100
11” maple pot with brass rod
tone hoop, 24 brackets, Fiberskyn
head. Maple neck with rosewood fretboard,
Gold Tone logo and star on peghead, shooting
star inlay at 5th fret, planetary tuners, No-Knot
tailpiece, Vega-style armrest, gloss finish.
GTCB100
GTCCOT
CC-Mini
5-String
Cripple Creek
Take it with you
wherever you go
Great value in a fine
sounding open back
BC-350
Bob Carlin
12” maple pot with brass hoop tone ring,
26 brackets, Renaissance head, maple neck
with ebony fretboard and peghead with star inlay,
Planetary-geared tuners, No-Knot tailpiece, Gold Tone
“hotdog” armrest. Beautiful natural gloss finish.
GTBC350
Short scale (approx. 19 7/8”) for B or C tuning.
Features 8” head, 16 brackets and brass hoop tone
ring. Vega-style armrest, guitar-style gears with geared
5th peg, rosewood fretboard with slotted diamond inlays.
GTCCM
14” pot with Renaissance head
for a great, deep tone
Cello
Banjo
Peghead shape and inlays give
these models a historic 1920's-era look.
Perfectly suited for playing
Celtic reels and jigs
IT-250
Irish Tenor
Dark-stained maple neck and rim, whitebound ebony fretboard withpearl cloud inlays,
fancy peghead inlay, planetary tuners, Whyte Laydie
tone ring, Fiberskyn head, No-Knot tailpiece, flat armrest.
GTIT250
CEB-5
Tuned low to A (aEAC#E) or D (aDADE).
GTCEB5
We stock many of Gold Tone’s innovative banjos
including cello banjos, wood-body banjos,
6-and 10-strings and solid body electrics
See www.elderly.com or call for current stock
Wildwood Banjos
Beautifully handcrafted
“Exotic Wood” model
www.elderly.com
Complete
Gold Tone
banjo package
Exotic
Bubinga
Maple bound tropical bubinga
neck and rim with wenge wood tone ring
and Renaissance head for a clear but mellow
tone. Scooped ebony fretboard with diamond inlays
and star at 5th fret, ebony peghead overlay with pearl
Wildwood logo and abalone vine inlay, planetary
tuning gears, 24 brackets, Waverly tailpiece, Vega-style
armrest. Light and smooth, satin oil finish.
Vega by Deering
All feature an 11” diameter 3-ply maple rim, ebony fretboard
and peghead overlay, and armrest. Deering’s lifetime warranty
and hardshell case included.
Modern versions of
some old Vega favorites
WILDEX5
We are pleased to offer
the Ome line of openback banjos combining
time-tested features with
modern refinements in
technology and design – the newest innovation
being a series of short scale, wide fretboard
models including the Flora, Wizard, Tupelo,
Minstrel and North Star models.
FLORAMPL11
See details at
elderly.com
Vega 2
The flagship of the
Vega models with a full, rich
tone and refined traditional beauty.
Tubaphone tone ring and bracket band,
curly maple neck with bound fretboard.
VEGA2
Old-Tyme
Wonder
Dark finish maple neck and Little Wonder
tone ring (steel hoop inside spun brass sleeve, nickelplated), scooped fretboard, Fiberskyn head, planetary
tuners with geared 5th string peg, No-Knot tailpiece.
VEGAOTW
OPEN BACK BANJOS
43
Low-priced starter banjos – made in the USA
SS-10
Old-Time
Open Back
Great old-time sound
Goodtime
Open Back
11" diameter rim of 5/8” maple with
simple brass hoop tone ring, 18 tension
hooks, no-knot tailpiece. Mahogany neck with
rosewood fretboard, planetary pegs, geared 5th peg.
Improved version of the original Goodtime.
3-ply rim, 11” frosted plastic head with 16 brackets,
maple neck with traditional peghead shape and walnut
bowtie inlays, four guitar-type tuners, geared 5th peg.
SS10
GOODTIME
GOODTIME
Goodtime with Scooped Fretboard
SS-10P Pony
Travel Banjo
Short scale for C-tuning
GOODSCOOP
Short scale version of the SS10 above,
with 17-fret neck designed for open C-tuning.
Classic
Goodtime
A fancier Goodtime banjo
CGOOD
www.elderly.com
Deering
Goodtime
SS10P
SUPERIOR PONY BANJO GIGBAG
BCSU-PONY
The standard Goodtime with
shinier antique mahogany stain finish,
railroad spikes installed at 7th, 9th and
10th frets, and planetary banjo pegs.
Special-design rim
requires no tone ring
CGOOD
Classic with Scooped Fretboard
Madison
CGOODSCOOP
GOODTIME GIGBAG
Black padded bag with gold Deering logo embroidery.
BCGO-OB
RKOB25
Inspired by vintage designs
RKOB25OT scooped fretboard
RKOB25
RB-20
5-String
11” diameter composite rim with
24 hooks, beveled tension hoop with flat
hooks, Vega-style armrest, bound mahogany
neck with rosewood fretboard and adjustable truss
rod, four guitar-style tuners and friction 5th peg.
RB20
RKOBH05T
Dirty ‘30s
Models
Decent no-frills old-time banjos.
11” maple rim with single adjustable rim-rod,
maple neck with rosewood fretboard and 2-way
adjustable truss rod. Remo frosted head, geared
guitar-style tuners and geared 5th peg, presto style
tailpiece. 16 tension hook pattern and satin finish.
RKOBH05 5-string
RKOBH05T 4-string tenor
RB-20T and
RB-20P 4-String
Tenor and plectrum versions of the RB20 above.
RB20T (tenor)
Small and large gourd
models – no two exactly alike
Hartel
RB20P (plectrum)
RB-110
5-String
11” diameter multi-ply rim with
simple brass hoop tone ring, mahogany
neck with double-cut peghead and adjustable
truss rod, dot inlaid rosewood fretboard, planetary
tuners, geared 5th peg, Waverly style tailpiece,
armrest, ebony capped maple bridge.
RB110
Thornburg
Faithful reproductions of
19th-Century minstrel banjos
Chanterelle
Fine old-time banjos
handcrafted by Mike Ramsey
elderly.com
Great old-timey sound! Features 11”rim
with 24 tension hooks, maple neck with dot-inlaid
rosewood fretboard and dual coordinator rods, geared
nickel tuners, Presto-style tailpiece, dark stain finish.
44
OPEN BACK BANJOS
quality workmanship –
Bart Reiter High
excellent old-time sound and feel
Unless noted, all feature brass tone hoop.
an 11” bent maple rim, planetary pegs,
ebony fretboard, Elite Amber head,
No-Knot tailpiece, and satin finish.
Buckbee
Squared peghead, walnut
rim cap, scooped fretboard. Specify
Cherry, Walnut or Mahogany neck.
BUCKBEE . . . . . . fretted
Super-clean and powerful traditional
open back sound in a totally new look –
plenty of Nechville’s distinctive style,
comfort, and playability.
Moonshine EX
New Corona Excelsior rim design with
tubaphone tone ring, curly maple neck, traditional
peghead shape, ebony fretboard with Diamond Blossom
inlay pattern. Exotic wood beveled armrest, Nechville
tailpiece, Enterprise bridge. Hardshell case included.
BUCKFL-MAH fretless, mahogany
Standard
STAND
The Moonshine is back –
now with the Excelsior
Heli-Mount Frame
NMOON-EX
Mahogany neck, dark-stained rim
with walnut rim cap, scooped fretboard.
STAND . . . . . . . . fretted
Handcrafted in
North Carolina
STANDA . . . . . . . . . . . . . . fretted, short A-flat scale
Special
Excellent banjos in a variety of
woods, sizes, and decorative trim.
Natural maple neck and rim with
rosewood cap, fully fretted neck.
SPECIAL
Round
Peak
CMBUNGA-11MPL
Named for the famed North
Carolina music community that
gave us Tommy Jarrell, Fred Cockerham
and many others. Mahogany neck, 12” darkstained rim, 26 brackets, and scooped fretboard.
Appalachian
Rosewood rim with brass hoop
tone ring, mahogany neck with Dobson-style
heel, scooped ebony fretboard ebony peghead
overlay, Waverly V-2 pegs.
ROUNDPK
Whyte Laydie tone ring –
bright and loud
Galax
Named for the town of
Galax, Virginia, host of the
renowned annual fiddle and banjo
contest. Mahogany neck, dark-stained
rim with walnut cap, scooped fretboard.
Bungalow
All woods from the U.S.A. Curly
maple rim and neck, cherry rim cap,
peghead overlay and fretboard. Five Star pegs.
CMA-11MAH
Unique designs, great tone
Chuck Lee
Pure tone, extreme playability,
true vintage spirit and Chuck’s
unique expression – hallmarks
of every Chuck Lee banjo.
www.elderly.com
GALAX
See our current stock at
Whyte Laydie tone ring
Regent
Natural maple neck and rim with
rosewood cap, fully fretted.
REGENT
Bacon-style tone ring
for a sweet, bright tone
Kevin Enoch
Excellent craftsmanship in
an affordable, no frills banjo
Bacophone
Mahogany neck, dark-stained rim with
walnut rim cap, scooped fretboard for
easy playing above neck.
BACONE
elderly.com
Tradesman
Black multi-ply maple rim, hardwood
neck with Dobson-style rounded heel and
graphite reinforcement, ebony or rosewood fretboard.
TRM100 12” fretted
TRM111 11” fretted
Fretless, Flush-Fret, and Half Fretless models
are also available – see them all at elderly.com
RESONATOR BANJOS
Goodtime Banjos
Goodtime
Resonator
3-ply rim, maple resonator, maple
neck with walnut bowtie fretboard inlays.
2-piece flange, 16 brackets, Vega style armrest,
guitar-style tuners, geared 5th string peg.
RB-115
11” multi-ply rim with
simple brass hoop tone ring,
bound mahogany resonator, mahogany
neck with adjustable truss rod, dot inlaid
rosewood fretboard, planetary tuners, geared
5th peg, Waverly style tailpiece, 24 hooks, armrest.
RB115
All include maple rim with 1-piece flange,
Presto tailpiece, armrest and hardshell case.
GOOD2
Brighter, punchier,
and louder
GF-85
Goodtime
Special
Pre-war style
bronze flathead tone ring
bound mahogany resonator and
neck, rosewood fretboard with ornate inlay.
Like GOOD2 above, with a nickel-plated steel
flathead tone ring. Nice beginning bluegrass banjo.
www.elderly.com
Nice U.S.-made
student banjos
45
GF85
GOOD2SP
GF-100
Series
GIGBAG - For Goodtime resonator models.
BCGO-RES
Mahogany neck and resonator,
bell bronze flathead tone ring, triple
nickel-plated hardware, ebony fretboard with
Flying Eagle or Hearts and Flowers inlay
patterns, ebony peghead overlay.
Goodtime
Special Classic
GF100FE (Flying Eagle inlay)
GF100HF (Hearts and Flowers inlay)
6-String Banjos
CGOOD2SP
Dirty ‘30s
Decent no-frills resonator banjo.
11” maple rim, maple resonator, tube
and plate flange, rosewood fretboard, geared
guitar-style tuners and geared 5th peg, Presto-style
tailpiece, 24 tension hook pattern, satin finish .
Bridge transducer plus KavanjoTM headmounted humbucker, volume and blend controls.
Maple rim and resonator radiused ebony fretboard,
guitar-style tuners. Hardshell case included.
PH6
Goodtime
Solona 6
RKRBH05
Madison
Wonderful bluegrass sound,
special rim design requires no tone ring.
Bound maple resonator, tube and plate
flange, 24-bracket hook pattern with notched
tension hoop, Presto-style tailpiece, armrest.
Deering
Phoenix
Nylon strings for a sweet, mellow tone. 12” violin
grade maple rim, maple neck, rosewood fretboard,
tailpiece and bridgeplate with piezo pickup installed.
Slotted classical guitar inspired peghead, and
smooth, accurate classical guitar tuners with pearloid
buttons. Beautiful natural blonde finish.
GOODSOL6
RKRB25
Gold Tone
GT-500 Banjitar
Madison Deluxe
3-ply maple rim with cast bell brass flathead tone ring, bound rosewood fretboard
with ornate inlay, bound resonator, one-piece flange, hand-rubbed satin finish.
RKRB35 . . maple neck and resonator
RKRB36 mahogany neck and resonator
Maple rim with alloy tone ring, maple neck
with rosewood fretboard and guitar-style tuners.
Features a sliding magnetic pickup with an
easy-access volume control.
GT500-STD
Constructed like the Goodtime Special
above, but with some additional professional
features and improvements including planetary
tuning gears, railroad spikes are installed at the 7th,
9th and 10th frets and Vega-style armrest. Black-bound
maple resonator, Antique Mahogany stain satin finish.
46
RESONATOR BANJOS
“The Great American
Banjo Company”
All models feature a 3-ply violin-grade maple rim,
slender neck shape with ebony fretboard and two-way
adjustable truss rod, planetar y gears and nic kel
hardware. Eac h is bac ked by Deering’s lifetime
warranty, and includes a hardshell case.
All include hardshell case.
Maple neck and
resonator with light reddish
stain. Features Stelling’s patented
wedge-fit tone ring on a Tony Pass
Lost-TimbreTM block rim for exceptional
richness and depth. Bound fretboard, maple leaf
fretboard inlays, red fox on peghead, and railroad
spikes installed at frets 7, 8, 9 and 10.
Eagle II
“Twenty-Ten” tone ring and 2-piece
plate flange construction bring a new sound
to the Deering line-up. Great value in a professional
level bluegrass banjo made in the USA. Maple neck and
bound resonator, fancy engraved inlays.
Red Fox
Made in the USA, with
a hard-driving tone
LFREDFOX
EAGLE2
Professional
Models
Sunflower
All feature Deering’s “06” 20-hole bell bronze tone ring
and one-piece cast zinc flange.
Available in
mahogany or maple
Available in
mahogany or maple
Sierra
Deering’s lowest priced
professional banjo. Satin finished
mahogany or maple neck and bound
resonator, ornate engraved inlays.
SIERRA (mahogany)
SIERRAMPL (maple)
Deluxe
A step up from the Sierra,
features gloss finished mahogany or
maple neck and bound resonator, and
engraved white and gold inlays.
DELUXE (mahogany)
DELUXEMPL (maple)
Curly maple neck and resonator with
Cremona sunburst stain, Stelling patented
tone ring, ebony fretboard with flower and leaf inlay
pattern. Kiln-dried old wood dredged from the depths of
Lake Superior and turned into a superior tone machine by
Tony Pass. Railroad spikes installed at frets 7, 8, 9 and 10.
LFSUN
Exceptional resonator banjo
from David and Paul Hopkins
Features Kerschner tailpiece, ebony
fretboard with railroad spikes at frets
7, 9 and 10. Hardshell case included.
Mahogany
Standard
Mahogany neck, quilted mahogany resonator,
Tony Pass rim, Hopkins flathead tone ring, ornate
fretboard and peghead inlays. Waverly 2-band tuners
and 5th peg, chrome plated hardware, bound neck and
resonator, dual-action truss rod.
DPH6
www.elderly.com
Calico
Honey finish figured maple.
Tapered resonator walls for better
projection. Ivoroid binding and checkerboard purfling around sides of resonator and
fretboard. Bound peghead, fancy pearl inlays.
See even more great banjos from
these and other makers online at
elderly.com
Fine tone, innovative
design – join the
Banjo Revolution
CALICO
Fine bluegrass banjos by Rob Bishline,
handcrafted in the USA
Heli-Mount tone ring system makes head tensioning
a matter of a few seconds. Action height adjusts
with an Allen screw. Standard and
lightweight models.
Phantom
Midnight Galaxy
Cimarron
Bishline’s newest model has a full-weight
tone ring and beautiful premium woods. Walnut
neck and burled walnut resonator, ivoroid binding,
ebony fretboard with pearl inlays, satin finish.
CIMARRON
Mahogany neck and resonator, radiused
ebony fretboard (for playing comfort), Galaxy
fretboard inlays. Cyclatronic tone ring with Black
Eclipse frame, Enterprise compensated bridge,
Nechville straight-pulling tailpiece and comfortable
beveled armrest.
NMPHANGAL
UKULELES
The oldest, most respected name
in genuine Hawaiian ukuleles
Kamaka
C1KUKE
All solid figured koa,
rosewood-bound top with
decorative rope purfling and soundhole
rosette. Pearl peghead logo, ebony fretboard,
planetary pegs with pearloid buttons, gloss finish.
All solid wood ukes with
inlaid rosette (black/white/black),
morado fretboard and bridge, Tusq nut
and saddle, Martin decal on peghead.
Satin finish. Padded gigbag included.
HFD1 . . . . . . . . soprano
Soprano model has uke-style friction tuners; concert and
tenor models feature open-gear guitar-style tuners.
HF3D . . . . . . . . . . tenor
Standard
Solid Curly
Koa Models
S1UKE . . . . . . . . . . . . mahogany soprano
C1KUKE . . . . . . . . . . . . . . koa concert
T1KUKE . . . . . . . . . . . . . . . koa tenor
www.elderly.com
Deluxe
Style 1
Models
47
HF1P . . . . . . . . soprano
Style 2
Ukuleles
USA-built at the Martin
factory in Nazareth, PA
HF2P . . . . . . . . . concert
HF3 . . . . . . . . . . tenor
Beautiful solid wood
ukes feature ivoroid binding
with black/white top inlay, black/
white multi-layered single rosette ring,
rosewood bridge. Traditional peghead shape
with old-style decal, rosewood fretboard, pearl
position dots. Satin finish, and Tusq nut and saddle.
Padded gigbag included.
2CONUKE
HF4 . . . . . . . . . baritone
National Resophonic
Ukes
Soprano model has uke-style friction tuners, concert and
tenor models feature open-gear guitar-style tuners.
1930’s style distressed nickel-plated steel
body uke, mahogany neck, plain mahogany
peghead with block “National” inscribed. Single 6”
cone, 15” concert scale. Hardshell case included.
Koa Models
2KUKE . . . . . . . . . . . . . . . . soprano
NCNRPU
2KCONUKE . . . . . . . . . . . . concert
2KTENUKE . . . . . . . . . . . . . . tenor
UC-1
Concert
Mahogany Models
2UKE . . . . . . . . . . . . . . . . . soprano
Weighs barely more than air
and sings like a bird. All solid mahogany,
rosewood fretboard and peghead overlay.
PegHed brand geared tuning pegs,
and satin finish. Hardshell case included.
2CONUKE . . . . . . . . . . . . . . concert
2TENUKE . . . . . . . . . . . . . . . tenor
Israel Kamakawiwo’ole
Commemorative Tenor
UC1
UT-1K
Tenor
Inspired by 1T ukes of the ‘40s
and ‘50s and honors beloved
Hawaiian musician “Brudda Iz.”
Quilted mahogany body. Commemorative
peghead design features the Martin logo decal,
a pink awabi pearl hibiscus flower and “IZ” inlaid
in koa all on a rosewood background. PegHed tuning
gears, rosewood fretboard and bridge. Inside label is
individually signed by Iz’s wife Marlene and numbered
in sequence without total. Includes zippered semi-hard case
with embroidered Martin logo.
Tenor version of above, but with
solid koa top, back and sides.
UT1K
Elderly Exclusive …
L3K Standard
Soprano
Meticulous, exacting
replicas of the great
ukuleles of the 1920’s
1TIZ
Acoustic/Electric Model
Fishman under-saddle transducer installed.
1TIZE
Laughlin
Ukuleles
L3K
Concert
NRP
48
UKULELES
Beautifully crafted ukes –
Sound as good as they look
Banjo
Ukulele
Striped
Acacia
Classic open back banjo-uke
with brass hardware, bound neck with
rosewood fretboard, Remo Weatherking head, and
geared tuners. Black satin finish. Gigbag included.
All-solid acacia wood (a cousin
of koa) decorated with abalone inlay,
rosewood binding and vintage-style
herringbone purfling.
KABNJO-S . . . . . . . soprano
KABNJO-C . . . . . . . concert
KABNJO-C
KACS . . . . . . . soprano
KACC . . . . . . . concert
KACT
Archtop
Tenor
KACT . . . . . . . . tenor
Beautiful archtop and archback
design with f-holes. Mahogany back and
sides, spruce top, pearloid binding on body and
fretboard, palm tree pearl inlay at 12th fret.
Shadow pickup installed, satin finish.
KACB . . . . . . . baritone
Ovangkol
and Spruce
All solid wood trimmed top to
bottom with dark red padauk wood
bindings and fancy pearl inlay.
KAJSB . . . . . Tobacco Sunburst
KAJHB . . . . . . . Honey Burst
KAJSB
KASOV-S . . . . soprano
Great bass tone
and feel
KASOV-C . . . . concert
KASOV-C
KASOV-T . . . . . . tenor
U-Bass
Rumbler
20” short scale bass on
baritone size body – tuned EADG like a
bass guitar. Agathis body, 16-fret rosewood
fingerboard and bridge. Custom Hipshot
tuners, on-board preamp and built-in tuner
with individual piezo elements. Gigbag included.
Flamed
Maple
Spalted flame maple back and sides
with a solid Sitka spruce top. Maple neck
with rosewood fretboard and bridge, geared
tuners with amber buttons, mahogany-bound
body. Abalone soundhole rosette.
UBRUM
KAFMS . . . . . . soprano
KAFMT
U-Bass
Mini-Bass
KAFMC . . . . . . concert
KAFMT . . . . . . . tenor
Mahogany back and sides with
solid spruce top. Custom Hipshot tuners,
active Shadow pickup with individual piezo
elements and compensated saddles, active
preamp with built-in tuner. Gigbag included.
www.elderly.com
Pacific
Walnut
Bound Pacific walnut top,
back and sides. Rosewood
fretboard and bridge, nickel-silver
frets, open-gear tuners, satin finish.
KAPW-S . . . . . . . soprano
KAPW-C . . . . . . . . concert
KAPW-S
KAPW-T . . . . . . . . . tenor
KAPW-TE . . . tenor with pickup
Exotic
Mahogany
Figured mahogany body,
black bound top and back, mahogany
neck, rosewood bridge and fretboard, geared
tuners. Aquila strings and a light gloss finish.
KAEM-S . . . . . soprano
KAEM-C . . . . . concert
KAEM-C
KAEM-T . . . . . . tenor
UBASS2 . . . . . . fretted
UBF2 . . . . . . . . fretless
Ukulele sizes
Ukuleles come in four sizes:
SOPRANO, CONCERT, TENOR,
and BARITONE.
Uke Scale / Body Width (Approximate)
Soprano: 13”-14” scale / 6”-61/2” wide
Concert: 15” scale / 71/2”-8” wide
Tenor: 17” scale / 9” wide
Baritone: 19” scale / 10” wide
Soprano, concert, and tenor ukes are usually
tuned GCEA, with the G string being a 5th up from
the C string. This tuning – often called “reentrant”
tuning – contributes to the unique sound of the
uke. Some players prefer “Low G” – or “linear” –
tuning, which requires a heavier (usually wound)
low G string. The baritone uke is tuned like the
highest four strings of a guitar, DGBE (linear).
A more in-depth look at ukulele
tunings and sizes can be found at
http://www.elderly.com/info/
ukulele-sizes.html or by
scanning the QR code at right.
UKULELES
Each features a compensated nut and
individual adjustable saddle pieces
which allows for perfect intonation
on every string, every time.
Mahogany
Models
All mahogany construction, white
top and back binding, dark stained Nato
fingerboard, geared tuners with plastic buttons.
LUTU-21S . . . . . . . . . . . soprano
LUTU-21C . . . . . . . . . . . concer
www.elderly.com
Intonation problems
are a thing of the past
with the new
TunaUke system
49
Sailor Jerry
Concert Uke
A must have for tattoo
fans, uke collectors and
lovers of vintage Americana
Celebrates the legendary tattoo artist Norman “Sailor
Jerry” Collins, the father of traditional American
tattooing, with classic flash tattoo designs on the
top and back. Mahogany body, rosewood
fretboard and bridge, chrome geared tuners.
LUSJ-C
lLUTU-21T . . . . . . . . . . . tenor
LUTU-21B . . . . . . . . . . . baritone
UkeSB
Solid
Spruce Top
USB-equipped ukes with Fishman electronics –
truly the instrument of the 21st Century
SPTU-S . . . . . . . . . . . . . soprano
SPTU-C . . . . . . . . . . . . . concert
SPTU-T . . . . . . . . . . . . . . tenor
LMU-S . . . . . . . . . soprano
SPTU-B . . . . . . . . . . . . . baritone
LMU-C . . . . . . . . . . concert
Thinline
Limited edition thin body
uke features solid spruce top with
Okume back and sides. Stunningly appointed
with abalone rosette top and back purfling,
and custom rope-style binding and backstrip.
SOTTU-C . . . . . . . . . . concert
SOTTU-T . . . . . . . . . . . . tenor
Mahogany
All mahogany construction,
rosewood fingerboard and bridge,
chrome geared tuners. Bound neck and body.
LMU-T . . . . . . . . . . . tenor
LMU-B . . . . . . . . . baritone
Solid Spruce Top
Mahogany back and sides, solid spruce top.
Black binding, pearl top purfling, rosette, gold
geared tuners, gloss finish.
Makau Series
LKSUSB-C . . . . . . concert
Handcrafted in Hawaii
of all-solid premium koa
LKSUSB-T . . . . . . . tenor
Haleiwa Soprano
Crafted using the top 1% of koa harvested from the
slopes of Mauna Kea and Mauna Loa – a true legacy
instrument made to perform and last for centuries.
Radiused koa top with Alaskan Sitka spruce braces
and radiused back for tone and projection.
Rosewood fretboard and bridge, abalone inlay,
geared tuners with black buttons, hand-rubbed oil
and wax finish. Hardshell case included.
LMSH-SOP
Koa Series
Attractive koa with black
binding, mother of pearl top
purfling, rosette and block inlays.
Gold geared tuners and gloss finish.
LKSEU . . . . . . . . soprano
LKCEU . . . . . . . . . concert
LKTEU . . . . . . . . . . teno
Bound mahogany back and sides, 12-fret
rosewood fingerboard, geared tuners with black
plastic buttons. Good, bright sound.
50
UKULELES
We also carry ukuleles by these and other fine makers …
Leho • Nalu • Kanile’a • Loprinzi • Kiwaya • Zimnicki • Oscar Schmidt • Makai • Kohala • Gretsch ®
Even more at elderly.com
Made in USA
Firefly
Banjo-Uke
Great value
Remo Acousticon frame, detachable
walnut neck, 16 frets, pearl inlay, Grover
tuners, Renaissance head. Gigbag included.
KU-650
Baritone Uke
Traditional baritone ukulele, all solid
woods, mahogany top, back, sides and
neck, sealed gear mini guitar-style tuners,
bone nut and saddle, gloss natural finish.
MFBU soprano
KU650
MFBUC concert
Madison
Banjo-Uke
EU3 Ukuleles
Sweet soprano banjo-uke features
a maple rim with 61/4” frosted head and
10-hook pattern, maple neck, 20-fret rosewood
fretboard, open gear tuners, single rim-rod, nickel
hardware, stained satin finish.
Solid mahogany body and neck,
rosewood fretboard, bridge and binding. Grover
tuners, gloss finish, hardshell case included.
RKU25
EU3-SOP . . . . . soprano
EU3-CON . . . . concert
Ignacio
Suarez
10-String
Charango
EU3-TEN . . . . . . tenor
Traditional nylon-string Andean
instrument made in Bolivia. Single piece
carved body and neck, with spruce top and ebony
fretboard, fancy marquetry rosette and top purfling.
Carrying bag included.
Guitalele
Guitar/Uke
Half guitar, half uke – a mini 6-string
guitar that is sized like a baritone uke.
Six nylon strings tuned up a fourth
(ADGCEA) from standard guitar tuning.
Features meranti back and sides, spruce top,
rosewood fretboard and bridge. Specify Natural or
Persimmon Brown finish. Gigbag included.
CHA3
www.elderly.com
EU3-CON
Planetary Uke Tuners
Set of 4 geared tuners for smooth and stable tuning.
Satin chrome with white butterbean-style buttons.
UPTCWWB
GL1 . . . . . . . . . . . Natural
GL1PB . . . . . Persimmon Brown
LRB50
Ukulele Pickups
LR BAGGS “FIVE.O” PICKUP SYSTEM
Under-saddle Baggs “Element” mini preamp with a 1/4”
endpin jack, soundhole-mounted volume control.
LRB50
K&K BIG ISLAND PICKUP
Single piezo disc soundboard pickup attaches with doublesided adhesive, wired to 1/4” endpin jack.
KK13
K&K ALOHA TWIN PICKUP
Like above, but with dual disc transducers.
KK14
KK14
MI-SI ACOUSTIC TRIO PICKUP SYSTEM
Innovative system incorporates Baggs “Element” pickup with
a rechargable active preamp. Charges in 60 seconds for 8
hours of playing, charger included.
MSAT5
MSAT5
HARMONICAS AND ACCESSORIES
Diatonic Harmonicas
Model Name
Comb
Keys
Stock #
The Old Standby
plastic
A, C, G, D
HO34B
Big River Harp
plastic
All
HO590
pearwood
All
HO1896
Special 20
Marine Band
plastic
All
HO560
Blues Harp
wood
All
HO532
Golden Melody
Marine Band Deluxe
plastic
All
HO542
sealed pearwood
All
HOMBD
Chromatic Harmonicas
Complete octaves with all the sharps and flats. Each single hole contains four reeds:
button selects between two blow and two draw reeds.
Educator 10 by Hohnica
Good value, low-priced 10-hole
chromatic made for Hohner in China.
Clear, powerful sound without valves.
Zippered case included. Key of C only.
M1040-C
M1040-C
HO270
Super Chromonica (12-Hole)
HO270 . . . C, D, G, A, (Bb, B, E, F
special order)
Crossover
sealed bamboo
M2013
All
M2009
Super Chromonica Deluxe
Great feel, playability
and volume
New! M2013 Rocket
Fully sealed wood comb, improved round
hole mouthpiece. Slide assembly can be
reversed for left-handed players.
HO7540 . . C only
A souped-up Special 20 with rounded comb edges
and hole openings for a smooth feel. Features fully recessed
reedplates with forward-shifted coverplate screws for an airtight seal.
M2013 . . . . . . . . . All Keys
Excellent quality, pro-level chromatics.
SCX48 . 12-Hole
SCX64 . 16-Hole
NO RETURNS ON HARMONICAS!
Health and sanitary regulations prohibit
us from ac cepting any mouth blown
instrument retur ned for exchange or
refund – they must be returned to the
manufacturer for repair or replacement.
Harmonica Microphones
VET
SVET
Nice gnarly tone.
SVET
SHRR
Retro Rocket
Major Diatonic
Extra responsiveness, quality construction.
LOM
Fantastic clear,
full sound
Crystal element for a hot bluesy sound.
SHRR
Madcat
Natural acoustic sound.
MADCAT
MADCAT
SHM300 Dynamic
Seydel
Harmonicas
Blues Session Steel (10-Hole)
German silver reed plates, long-lasting stainless steel
reeds and superior airtight construction. Specify key.
SESS
7PHC
Harmonica Accessories
Green Bullet
The old favorite for that Chicago-style tone.
SM520DX
SM520DX
Flex Rack Harp Holder
Compact bi-fold case for seven 10-hole
harmonicas.
7PHC
Fully adjustable for height, angle and
position. Locking joints never slip. Holds
harps up to 7” wide. Nice rack.
MZ2010
7-Harp Carrying Case
Harp Holder
Rigid foam shell with space for 7 harps.
Nylon covering with zippered closure.
HOC7
Holds most 7” wide diatonic harmonicas.
Nice and sturdy.
HM22
7-Harp Leatherette Case
HOC7
SMH300
Best value. Hot, thick blues sound.
SHM300
MZ2010
HM22
More harmonicas and accessories at elderly.com
Set of 7 Blues Band harmonicas in the keys of
A, Bb, C, D, E, F and G, all in a zippered case.
BBH7
HO7540
Chromatix
Blues Band Set
Blues Band
7-Harp Set
(BBH7)
www.elderly.com
Diatonic 10-hole harmonicas with 20 reeds tuned to produce the natural notes of
the scale without sharps or flats. Each hole produces two different notes.
51
52
AUTOHARPS® AND ACCESSORIES
OS11021LTDEHSB
Entry Level Models
®
OS21C
Berkshire
OS15B . . . . . . . . 15-Bar
www.elderly.com
Classic
Sunburst gloss finish.
OS21C . . . . . . . . 21-Bar
All Autoharps ® are covered by a five-year warranty and
include tuning wrench, tuning tips, and picks.
Classic Electric
Like above with pickup installed. Sunburst gloss finish.
Professional Series
OS21CE . . . . . . . 21-Bar
Features fine tuning system.
Appalachian
Adirondack – Solid Spruce Top
Natural finish spruce top with flower-shaped
soundhole, cream binding, black sides, Sunburst back.
Natural finish, imitation abalone inlay, cream binding,
Sunburst birdseye maple back, high gloss finish.
OS45C . . . . . . . . 21-Bar
OS12021 . . . . . . 21-Bar
OS11021AE
Appalachian Electric
Ozark Deluxe – Solid Spruce Back
OS45C
OS45CE . . . . . . . 21-Bar
OS11021LTDE-HSB 21-Bar
Flame Top Electric
FTiger maple top, brown binding, no soundhole for
decreased feedback. Sunburst gloss finish.
Americana – Solid Spruce Back
New chord lineup – key of E added and improved key
of A with bluegrass, folk, and old-time styles in mind.
Magnetic pickup installed. Sunburst satin finish.
OS150FCE . . . . 21-Bar
Cases and Gigbags
OS11021AE . . . . 21-Bar
OSCAR SCHMIDT HARDSHELL CASE - Oblong, with
brown covering.
ACOS-HS
PADDED GIGBAG - Black Cordura, detachable
shoulder strap, accessory pocket.
ACOS-GIG
1930s Reissue
OS73C
Like above with magnetic pickup. Natural finish.
Tiger maple top, pickup, Honey Sunburst gloss finish.
Vintage-style “A-model” stringing system with modern
chord bar assembly and flip-open endpin cover. Black
satin finish.
OS73C . . . . . . . . 21-Bar
Oscar Schmidt® Parts & Accessories
Most of the parts and accessories listed here are supplied to us directly by Oscar Schmidt. We
have most in stock; others are easily available by special order (allow 6-8 weeks for delivery).
Chord Bar Felt
Complete Chord Bars
Self-sticking white felt strips. Stick the
whole strip to the bar, cut the felt out
where you do not need it. Bar width is the
first dimension below, felt height is the
second, length is third.
With pre-cut felts and printed buttons.
Special order — available only in the
standard chords provided on new
Autoharps.
10-, 12-, 15-BAR FELT, SHORTER - Approx.
1
/4” x 3/16” x 101/2”.
FELT-15
10-, 12-, 15-BAR FELT, TALLER - Approx.
1
/4” x 1/4” x 101/2”.
FELT-14
21-BAR FELT - Approx. 3/16” x 1/4” x 91/4”.
FELT-21
21-BAR WIDE FELT - Approx. 7/32” x 7/32”
x 91/4”.
FELT-732
Springs for under bars
10-, 12-, OR 15-BAR SPRING
SPRING-15
21-BAR SPRING
SPRING-21
Chord Bar Holders
Sold in pairs with springs included.
15-BAR HOLDER WITH TOP - 11/4 ” tall
with cover. Black plastic.
HOLDER-15PR
21-BAR HOLDER - White plastic.
HOLDER-21PR
OS150FCE
Slider Autoharp Strap
Spreads weight across your back.
Specify black, or brown.
SLS2
Blank Chord Bars
To make your own custom chords.
Includes bar, blank button, and felt.
12-, and 15-BAR AUTOHARPS
BAR-15
21-BAR AUTOHARP
BAR-21
Chord Buttons
15-BAR SET - All 15 chord buttons.
AB-12/15-SET
21-BAR SET - All 21 chord buttons.
AB-21-SET
UNPRINTED BUTTON - For most 10- 12or 15-bar Autoharps.
AB-12/15-BLANK
UNPRINTED BUTTON - For 21-bar.
AB-21-BLANK
for Dulcimers
and Autoharps
Dandy Duster
Static-free dusting brush for
hammered dulcimers, Autoharp, and
more. Soft 4” hog bristles, handturned wooden handle.
DD15
12- and 15-BAR AUTOHARPS - Specify
chord.
BARB-(chord)
21-BAR AUTOHARPS - Specify chord.
BARC-(chord)
ACCESSORIES
Conversion Kits
Pre-felted bars (black felts), buttons,
springs, and chord bar holders —
everything you need to recondition an
old Autoharp. Repositioning of the
chord bar holders may require drilling
new screw holes. Specify 15-bar or 21bar kit, also available with uncut felts.
CONVKIT-15
CONVKIT-21
Tuning Wrenches
T-STYLE
HDA4
GOOSENECK-STYLE
HDA5
HDA4
Fine Tuning System
Replacement for string anchor. Lets you
make precise tuning changes easily
with included Allen wrench. Brass with
black anodized finish.
AA8
Pickup
Slides under chord bar assembly.
Volume and tone controls mount to
side of chord bar cover (21 bar) or
holder (15 bar). 1/8” output jack, cord
included.
AP442
HDA5
HDA1
Pins
HDA2
ZITHER TUNING PINS
HDA1
DESK (HITCH) PINS
HDA2
Hammers, piano wire,
stands, and more in stock at
elderly.com
DULCIMERS AND MORE
BMT58DLX
Lap Dulcimers
Mountain Dulcimer Cases & Gigbags
All fit teardrop and hourglass shaped dulcimers.
Model 58 Deluxe
Great value! Shorter scale and adjustable string spacing for
versatility and ease of playing. 32” long hourglass shape body
with solid cherry back and sides, solid redwood top with
heart-shaped soundholes, rosewood fretboard with pearl
position dots.
MCSPADDEN GIGBAG - Heavy-duty generously padded navy blue nylon bag.
Handy storage pockets and backpack straps.
MCDC
FOLKCRAFT
HARDSHELL CASE Oblong wooden shell,
plush padded interior.
Fits instruments up to
39 1/ 2” long and 7 3/ 4”
wide.
DCFC
www.elderly.com
Nicely made,
nicely priced
DCFC
Jake’s Cabin
Dulcimers
BMT58DLX
BLACK MOUNTAIN DULCIMER GIGBAG
For 50-series dulcimers. 34”x10 1/2” padded bag of heavy duty black
nylon with accessory pocket, web handles, shoulder strap.
Meadowlark
Folk
Roots
Great sound – our
most popular model
25 courses (13 treble, 12
bass). Laminate Baltic birch top, Baltic birch back with hole/handle for easy
carrying, walnut bridges and hard maple pin block. Tuning wrench, instruction
book and gigbag included.
CFML
Made in the U.S.A.
Dulcimer Hammers
DGB50
FRD550S
53
D-550S
JW30
JW35
JW34
More hammers to choose from at elderly.com
18 frets includes a 61/2 fret. 36” long 4-string with
traditional scroll peghead. Solid walnut back, sides,
solid spruce or walnut top, heart-shaped soundholes.
WEIMER “CELTIC KNOT” - 8” maple blade.
JW30
WEIMER “HUMMINGBIRD” - 8” long, well-crafted.
JW34
M4FGWW
Hammered Dulcimer Stands
Handmade in the Ozarks –
many models in stock
4FHWW Walnut
JCDS1
4-string. Hourglass shape with flat peghead. Solid walnut
back, sides, and top. Embroidered gigbag included.
JAKE’S CABIN BASSWOOD STANDS
Highly portable, light weight, and sturdy.
Made in the USA.
SITTING - Holds lower edge of dulcimer approx. 24” high.
JCDS1
STANDING - Holds lower edge of dulcimer approx. 35” high.
JCDS2
M4FHWW
Lap Dulcimer Picks
Nylon triangle shape. Each point a different gauge.
HPK1 (lt. gauge, yellow)
HPK2 (med. gauge, red)
HPK3 (heavy gauge, blue)
Merlin
A dulcimer inspired, 4-string diatonic
instrument (tuned DADD) – held and
strummed like a guitar. Features 3-piece
maple body with neck-through design, solid spruce
or mahogany top, Tusq string-through body bridge
with compensated saddle, open-geared tuning
machines, semi-gloss natural finish.
HPK3
Appalachian Dulcimer Strings
D’ADDARIO - Nickel, .012 .012 .014 .022w
J64
GHS STEEL - Stainless steel, .012 .012 .012 .020w
D20S
GHS SQUEALESS - Bronze, .012 .012 .014 .024w
D20MBS
JOHN PEARSE - 80/20 Bronze, .009 .010 .012 .023w
JP5000
MARTIN - Nickel, .012 .012 .012 .022w
M640
MERLIN-M (mahogany top)
MERLIN-S (spruce top)
Mountain Dulcimer Capos
Lots of dulcimer songbooks and
instructional material in stock at
EWING - Great looking capo adjusts to fit all fretboard
widths. Solid maple, with brass screw, decorative brass
dot inlay. Specify Cherry or Walnut cap.
EDC1
elderly.com
WALWORTH - Simple to use brass cam lever design
easily adjusts to different fretboard widths.
WDC1
EDC1-CHER
EDC1-WAL
WDC1
WEIMER “SWIRL” - 73/4” long, nicely cut design.
JW35
FRD550S (spruce top)
54
BODHRANS, WHISTLES, PERCUSSION, MORE
Bodhrans
Jaw Harps
Traditional Irish drums
Basic
18” Internal Tunable Bodhrans
MODEL 5 - Single goatskin head worked extra soft.
Whitlow
Stainless steel body and tongue. Can be played
hard with little buzz. Lifetime guarantee.
Specify LOWD, F, D#, F#, E, G, G#, B, A, C, A#,
C#, High D, Low A, Low C, or Low G.
TBOD5
IBB561
WALTONS BODHRAN CONDITIONING CREAM - Helps
maintain goatskin.
BCC
JH4
JH4-(KEY)
Szilagyi
BODHRAN TIPPER, CENTER RIBS - 9” long, approx. 1.6 oz.
IBB561
Handmade and precisely tuned by
Hungarian master Zoltan Szilagyi.
Everything you need
to get started
Waltons Bodhran Gift Pack
SJH1
BLACK FIRE - Stiff reeds for excellent tone and powerful low
register. Specify A, E, G, D, F, C, Low A, Low G, or Low D.
SJH2-(KEY)
15” Waltons handcrafted bodhran with a real
goatskin head and Gaelic Cross design. Includes
tipper, carrying bag and instructional DVD.
AZTEC MINI - Flexible, springy reeds for more tone in the mid
and upper registers. Specify key of A, C, D, or G.
SJH1-(KEY)
BGP15CC
BGP15CC
Hand Percussion
CG12MS
Pennywhistles
Gourd Piano
Rhythm Ring
12-note thumb piano
(Kalimba). Resonant wood
soundboard nicely joined to
a gourd.
CGP12MS
Generation
Hands-free shaker effects.
RRS1
Nickel plated with blue plastic mouthpiece, or plain
brass with red plastic mouthpiece. Made in England.
KEY
NICKEL
BRASS
G
GTW1
GTW7
F
GTW2
GTW8
Eb
GTW3
GTW9
D
GTW4
GTW10
C
GTW5
GTW11
Bb
GTW6
GTW12
Guiro (Fish)
Traditional wooden guiro
with a wooden scraper.
RG1
Catpaws Cherry
Wooden Spoons
Bounce ‘em between your
leg and the palm of your
hand.
CP1
www.elderly.com
JH1 (soprano)
JH2 (alto)
JH3 (tenor)
MODEL 4 - Double crossbar and single goatskin
head.
TBOD4
TBOD5
JH2
RRS1
Chicken Shakes
To make a musical
omelet, you gotta shake a
few eggs! Plastic egg fits
in palm of your hand.
RG1
CKS1
CKS1
Whamdiddle
Rhythm Bones
CP1
Crafted in the USA from cherry,
cedar, poplar, maple, oak, or walnut
– each wood has a tone all its own.
Sold in pairs, instructions included.
WBD-(WOOD)
WBDCHERRY
It’s back – and better than ever!
Shaw
Handmade in England by Dave Shaw. Solid nickel,
conical bore, carved wood mouthpiece, breathy sound.
STOCK #
KEY
STW-E
E
STW-D
D
STW-C
C
STW-A
A
STW-G
low G
STW-LOWD
low D
Porchboard Bass
An amplified low frequency rhythm instrument that uses
the natural technique of foot tapping to produce playercontrolled bass beats – more percussive than bass guitar
and more resonant than bass drum. When combined with
an ac c ompany ing guitar, the Porc hboard gives the
impression that the bass notes are changing. A quality bass
amplifier is recommended.
Micro Model
Composite board with an embedded low
frequency sensor. Measures just 10” x 8” x 3” –
a perfect size for one foot. 1/4” and XLR outputs
may be used simultaneously.
PBMICRO2
RP Model
Larger version. 181/2” x 101/4” x 3” – plenty of room
for two feet.
RPPB2
See our selection of bass amps
in this catalog, and more online
Lots of
assorted hand
percussion
in stock– cajons,
djembes, maracas
and more!
Shop from our
complete
inventory
online now at
elderly.com
ACOUSTIC PICKUPS AND PREAMPS
55
MatrixTM
MatrixTM Infinity Pickup
Perfect EQ for all instruments.
Platinum Pro EQ / DI
Preamp, EQ, electronic tuner, direct
box and volume boost housed in a
rugged stompbox design. Features
include a high-headroom preamp, 5band EQ with mid and low frequency
filters, phase control and notch filter for feedback control. Adjustable compressor,
foot-switchable chromatic tuner with high-contrast display, foot switch activated
adjustable volume boost. 1/4” input and output, balanced XLR DI output and effects
loop. Runs on a single 9-volt battery or Fishman 910-R AC-adapter (not included).
FPPEQ
Platinum Stage EQ
Great belt-clip preamp / EQ features 4-band EQ with mid and low frequency filters,
phase control, volume boost switch with level control. 1/4” input and output,
balanced XLR DI output. Belt clip included. Runs on a single 9-volt battery, 48-volt
phantom power or Fishman 910-R AC-adapter (not included).
FPSEQ
Aura® Acoustic Imaging
Extremely versatile,
fully programmable
Aura® 16 Pedal
FAP16
FREP2
Incredible tone and sensitivity.
Neodymium element forms the
magnets. Padded clamp installs
securely and quickly. Stacked coil with
volume control added.
AT100
Multi-piezo element. Natural acoustic
sound, requires no modification to
your instrument.
AT100
Rare Earth Banjo
Aura Spectrum DI
Basic Belt-Clip
Preamps
Acoustic Preamp II
Lightweight, clean and transparent sound. Active
bass and treble controls. Specify for guitar or bass.
FGII (for guitar)
FBII (for bass)
Pro-EQ II Guitar Preamp
Advanced version of the Model GII. 4-band EQ,
brilliance, bass trim, phase and gain controls.
FPEQII
Rare Earth Active
Soundhole Humbucker
Archtop Bridge Pickup
The complete tone solution for
acoustic musicians. Loaded with
128 images and features 16 userconfigurable presets, built-in
3-band EQ, compressor, and chromatic tuner. Access an expanding
list of instruments recorded using
world-class studio mics and techniques with the Aura Image
Gallery software included.
FASDI
FPEQII
The Ellipse Blend – a combination preamp and control unit which mounts
conveniently inside the edge of the soundhole, with an attached soundhole
microphone – plus the Matrix under-saddle element. The two signals can be
blended onboard to create the perfect acoustic sound. Professional installation
recommended. Specify 1/8” or 3/32” saddle width.
FEMB
FREP2
®
FGII
FEMB
Ellipse MatrixTM
Blend System
Active humbucking stacked coil pickup clamps
onto the coordinator rods and senses the
movement of a metal shim which is attached to
the underside of the head.
FREP6
Mandolin Pickups
FREP6
Complete traditional-style replacement bridges with embedded piezo-ceramic
element. 1/4” jack included. Reproduces your mandolin’s natural acoustic tone.
ADJUSTABLE EBONY FOR ARCHTOPS
FMP300
FIXED ROSEWOOD FOR FLATTOPS
FMP400
FMP300
V200
Violin Family Pickups
PRO VIOLIN
1/4” jack attaches to violin like a
chinrest; pickup attaches to bridge.
V200
BASS
Brass clips hold two transducer elements
to bridge. Output jack attaches to D and
A strings near tailpiece. Includes cable.
BP100
BP100
Based on Fishman’s award-winning Aura
technology to eliminate intrusive stage
noise and expensive microphone setups.
Pre-loaded with 16 dreadnought images,
but can be easily replaced with 16
images from the ever-expanding library
of over 800 Aura Images using the Aura
Image Gallery, your computer and the
included USB cable.
FMI
The popular under-saddle element coupled with a preamp
endpin jack, and soundhole mounted volume and tone
controls. Two switchable voice settings for different acoustic
guitar styles. Specify 1/8” or 3/32” saddle width.
FMI
www.elderly.com
Platinum EQ
56
KK3
Pure Mini
DYNM
For steel string acoustic guitars, three mini
transducer discs which are glued to the bridge
plate. Preamp recommended.
KK3
DYN-M Electro Dynamic Mic
Top quality dynamic contact microphone disc
transducer, attaches to the soundboard with
special adhesive putty. Balanced low-Z signal,
integral 6-foot cable with XLR plug. For external
installation only.
DYNM for mandolin
DYNG for guitar
PURE MINI WITH VOLUME CONTROL
KK3V with volume control
PURE MINI WITH VINTAGE JACK
Install without altering your instrument. Specify
brass or steel jack.
KK3VJ
KKDS1
Designed for acoustic instruments with a floating
bridge – especially good for Maccaferri and Selmer
style guitars, bouzoukis, even cellos. Ultra thin
compression pickup for wedged applications under a
bridge foot. Features an outboard preamp that focuses
and strengthens the output signal and includes an
internally or externally mounted endpin jack.
KKDS1
KK8-EXT
Mandolin Twin
Two small disc transducers attach to the
underside of the top with peel-and-stick tape.
Specify internal or external jack.
KK8-INT
KK8-EXT
SRCB1
BANJO
Sensor attaches to the underside of the banjo
head with double-sided adhesive and. Prewired to
an XLR jack which mounts on the flange for
resonator banjos or on the inner edge of the rim
on open-back banjos. Use a standard mic cable
or an XLR-to-1/4” conversion cable.
SRCB1
GUITAR
Pickup prewired to a standard 1/4” endpin jack.
Low-Z output
KK5
Banjo Pickup
Reso-Coil Internal Pickups
The noteworthy Schertler DYN series technology.
Contact microphone prewired in a package designed
for permanent internal installation. Strong natural
response. Professional installation recommended.
Definity System
SRCMG1
Two mini transducers mount to the underside
of the banjo head beneath the bridge.
KK5
GF30
KKP1
Pure Preamp
Small, rugged, belt-clip preamp with volume,
gain, bass, mid and treble controls, 1/4” input
and output. Runs on 9V battery.
KKP1
FLATTOP ACOUSTIC GUITAR
GF30
Great natural sound –
for all stringed
instruments
www.elderly.com
Includes endpin jack and mounting
instructions. Professional installation
recommended.
SRS2
RESONATOR GUITAR
BRF50 biscuit bridge
SRF40 spider bridge
MANDOLIN
MF200
BANJO
BF60
Soundhole
Microphone
SRSB1
Mini Condenser Mic
Adjustable pole pieces
Sunrise Soundhole Pickup
Premier acoustic guitar soundhole pickup. Includes installation kit of endpin jack
and mini-jacks, which allows for easy removal.
SRS2
Nice quality unidirectional mic minimizes
feedback. Microphone is attached to a
thin gooseneck and wired to a 1/4” mono
endpin jack. Professional installation
recommended.
A137
Sunrise Soundhole Pickup – “Long-Wire” With Jack
22” lead wire with a 1/4” jack attached – use when you prefer not to structurally
alter your guitar.
SRS1LWJ
Sunrise Buffer Box / Preamp
Compact outboard line matching buffer box. Mono 1/4” input and output.
SRSB1
Artist Transducer
Small, round, stick-on piezo pickup, constructed
out of maple. Includes cord pre-wired with 1/4”
plug. Easy to use, good sounding basic pickup.
DMAT
A137
Tru-Mic
Systems
LRBM80
Exc eptional mic rophone
sound without feedback.
Electromagnetic pickup with enhanced 3D body
vibration sensors. Features an active/passive
mode switch, adjustable pole pieces, battery
check light, built in gold plated 1/8” jack, prewired 1/4” strapjack. Great sounding and easy to
use. Uses 3V lithium battery.
LRBA
LRBM1
LRBM80
M1
Great sounding passive pickup with body
sensors. Quiet, hum-free and feedback resistant
with adjustable pole pieces, built-in gold plated
1/8” jack.
ANTHEM SL - Simplified version of the Anthem with a preset
barrel preamp/endpin jack and simple soundhole mounted
volume control.
LRBASL . . . . . . . . for steel string
LRBASLC . . . . for classical nylon string
LRBM1
M1 Active
Active version of the M1 above with internal
preamp/line driver and built-in volume control.
LRBM1A
BEAS2
L. R. Baggs Pickup Accessories
System includes Element undersaddle transducer,
a pre-contoured all-discrete Class A endpin
preamp, and small battery bag. Uses single 9 volt
battery.
BEAS
BEAS2 . . with volume control
ANTHEM - Combines the
popular Baggs undersaddle element with a
low-profile mic. Soundhole
mounted preamp module
gives you control over volume,
mix and phase.
LRBA
BUFFER (STEREO) JACK
Combines two signals.
BBJ1
STRAPJACK PLUS
4-pin jack.
LBJ2
BATTERY BAG
Holds 9V battery.
BBAG
GOLD BUTTON FOR
ENDPIN JACK
BGJB
We have L. R. Baggs for ukulele, too!
See the ukulele section of this catalog
Never run out of batteries on the bandstand again –
charges in 60 seconds for hours of worry-free playing
Pickup element cast into a high quality bridge senses
all three dimensions of bridge motion for warm,
sensitive, balanced sound. 1/4” carpenter jack included.
LBV
LBV
Radius Mandolin Pickup
Passive thin film sensor features simple stick-on
installation. Carpenter jack included.
RADM
LYRIC - Optimized stand alone TruMic microphone for acoustic guitar.
Easily mounts on the underside of the
bridge plate with the signal routed through a
barrel preamp-endpin jack. Features a presence control to
optimize high-frequency response and a soundholemounted volume control.
LYRIC1 for steel-string guitar
LYRIC2 for classical guitar
MI-SI
Acoustic Trio
Guitar and Ukulele
Incorporates the L. R. Baggs Element
undersaddle pickup with the Mi-Si batteryfree (rechargable) active preamp/endpin
jack. Charger included.
MSAT1 . . . . guitar
MSAT5 . . . ukulele
RADM
MSAT1
MI-SI VOLUME AND TONE CONTROL Add-on module for the Mi-Si Guitar pickup
above. Mounts on edge of the soundhole.
MSVTC
VENUE
Venue D.I.
New! Mi-Si Magpie
Soundhole Guitar Pickup
Preamp, EQ, electronic tuner and direct box all
in one portable box – perfect for all acoustic
instruments. Features 5-band EQ with tuneable
low and high mid controls and adjustable gain.
Footswitchable chromatic tuner, solo volume
boost, and effects loop.
Fine active soundhole pickup with built-in volume and tone controls, rechargeable
preamp and Mi-Si power charger. Magnetic single-coil pickup designed to minimize
hum while providing a broad frequency response. Easily clamps in soundhole,
mini-jack in pickup allows you to use a patch cord externally or easily connect a
standard 1/4” strap button jack harness (included).
MSMAG
PADI
VENUE
Para Acoustic D.I.
Studio quality with 5-band EQ and low-cut filter.
PADI
Gigpro
Belt clip preamp with adjustable gain. Volume,
bass, and treble controls.
GIGPRO
GIGPRO
Violin and Mandolin
Kremona element with the Mi-Si batteryfree (rechargable) active preamp jack.
Charger included.
MSAT3 . . . mandolin
MSAT4 . . . . violin
We have Mi-Si for ukulele, too!
See the ukulele section of this catalog
MSAT3
Three Dimensional Violin Pickup
www.elderly.com
M80
Element Active System
57
58
Stereo Vintage Jack
Nicely designed – replaces most taper fit endpins. Stereo
wired and ready to solder to your pickup. 1/8” output,
includes high quality right-angle plug to replace one end
of your own cable or use the Vintage Jack Cable Adapter
below (sold separately).
GVJ1GUITAR
BRASS
GVJ1-(BRASS or STEEL)
GVJ1-EBONY
MANDOLIN
MVJ1-(BRASS or STEEL)
MVJ1-EBONY
VINTAGE JACK CABLE ADAPTOR
6” cable converts the 3.5 mm Vintage Jack plug to use a
standard 1/4” guitar cable.
VJCA1
Endpin Jack Strap Locks
SK1
STRAP-KEEPER
Leather straplock with nylon clip
attaches to your strap. Fits most
standard-size endpin jacks.
SK1
SJ1BLACK
Give us a call – we’re
always happy to help
888-473-5810
For
violin and
upright
bass
TRBP
Realist Passive Piezo
Developed by inventor Ned Steinberger in collaboration
with luthier David Gage. Efficiently captures top vibration
and produces a strong signal that requires no preamp. Fully
shielded to eliminate hum.
TRBP . . . . . . . . . . . for bass
Simple solution for adding a pickup to your resonator
guitar. Includes a 10” diameter sieve-style coverplate with
a Lollar single-coil pickup, 1/4” jack and volume and tone
controls built in. Just replace the coverplate on your guitar,
plug-in and play. Fits most new and old National guitars.
NRHP1 polished nickel-plated brass
NRHP2 rubbed (dulled) nickel-plated brass
NRHP3 aged brass
A joint effort of
National Reso-Phonic
Guitars and Villex
Electronics.
Thin
dual-coil magnetic
pickup attaches to the top just below the fingerboard with
double-stick tape. Nickel plated engraved cover.
NSLP1
TRBDS
Realist SoundClip
High quality upright bass pickup endorsed by
jazz bassist Ron Carter. Solid brass, clamps to
the bridge foot. Adjustable weights alter the
tonal response. Onboard volume control.
TRBSC
Attaches to bridge with nylon screw
clamp, jack attaches like a chinrest.
BB3100
Compact tone solution with 16 microphone
sound images created and used by Jerry
Douglas. Uses 9V battery or AC adapter.
FAP7
FAP7
FRGP5
Spider Bridge Pickup
Dual hard maple saddles for a spider bridge,
with piezo-ceramic pickup elements
attached to each. 1/4” jack included.
FRGP5
Designed for banjo
and resonator guitar.
ABS
Mic
System
Gooseneck mounted mic attaches easily to
banjo hooks or a resophonic guitar tailpiece.
Stompbox-style EQ included with optional
belt clip operates on 9v battery, included.
ABS2MIC
Magnophonic Tricone Pickup
Biscuit Pickup
For National style biscuit bridge resonator
guitars. Pickup element is embedded in the
biscuit. Requires boring a hole through the
end of the body. Professional installation is
highly recommended. Battery mounted
externally in a box which connects back to
the guitar with a special stereo cord
(included).
IP-1XBIS
We install them, too!
Violin Transducer
CTONE1
Excellent sounding
system designed by
Elderly Repair Shop
resonator
guitar
guru Steve Olson.
This replacement
bridge has a thin
element laminated
into the biscuit, with
the element extending down onto the cone –
successfully capturing the sound coming off the cone
itself. Passive system; no battery needed. Installation
instructions included.
CTONE1
Realist Docking Station
Universal volume control for pickup
systems. Easily and securely mounts to
the bass tailpiece. Extremely versatile and
effective. Works with any pickup system.
Jerry Douglas Aura® Pedal
Hot Plate Pickup Assembly
Electric
Biscuit
TRVP18 . . . . . . . . . for violin
Not sure which pickup is best
for your resonator guitar?
An Elderly
Instruments
Exclusive!
TRVP18
www.elderly.com
NRHP1
Slimline
Pickup
SMALL STRAP-KEEPER
For Yamaha, Takamine, Ovation, Taylor.
SK2
STRAP-JACK
Use playing “unplugged.” Plastic plug
attaches your strap and is inserted into
the endpin jack. Specify Black or Clear.
SJ1
Reso Guitar
Pickups
Call our shop toll-free
(USA) at 888-473-5810 or
517-372-7880 outside USA
Unique barrel-shaped sensor positions directly
beneath a metal clip that has been attached to the
bottom of the bridge. Signal is passed along to an
internally mounted preamp. Preamp is powered by a
9V battery in an external box with special cord.
IP-MAGX
DIGITAL RECORDING
59
Digital Pocketstudios
Simple recording anywhere
Six tracks of CD-quality (16-bit) recording with a
dedicated stereo mixdown track. Incredibly
small (6.1” x 1.3” x 4.2”) and packed with features
including two built-in omni-directional condenser
mics, USB 2.0, and more. 2GB SD card included.
DP006
DP-008EX
The big brother of the DP-006 above,
with eight tracks and XLR inputs with
phantom power, 2-band EQ on each
channel, plus built-in tuner, metronome, and stereo reverb. Records to
the included 2GB SD card; expandable
to optional 32GB SDHC card. USB 2.0
connection, powered by 4-AA batteries
(included) or optional power supply.
DP008EX
Digital Portastudio
DP-03
Serious audio quality
that fits in your pocket
DR-40
Four-track recording. Adjustable external
and two internal condenser mics plus two
XLR/line inputs allow you the flexibility to
record 2-tracks stereo anywhere. 96kHz/
24-bit resolution. Peak reduction meter,
limiter, low cut filter, reverb, overdub
feature, built-in speaker and more. 17.5
hour battery life (optional power supply
not included).
DR40
DR-07MKII
Clear sound quality and a great design.
Built-in adjustable condenser mics.
Records MP3 or WAV formats to microSD
or microSDHC media cards. 1/8” mic/line
input, 1/8” headphone output and built-in
speaker. Slow-down and looping features
(during playback) are great for
transcribing and learning new music.
DR07MKII
DR-05
Stereo recording powerhouse. Records
MP3 or WAV format to microSD or
microSDHC media. Nice quality mics
capture every detail. Features include
Peak Reduction and Quick Menu.
Powered by 2-AA batteries or USB.
Built-in
CD burner
DR05
DP03
Practice and recording tools
CD-GT2 Guitar Trainer
Slows down the speed of a CD without
changing the pitch, allowing you to
learn fast licks, rhythm parts and solos
from your favorite artists. Ultracompact design and the most userfriendly trainer ever.
Um-One MK2
USB Midi Interface
CDGT2
Single USB bus powered highperformance MIDI interface. Low
latency, compatible with Mac, PC, and
iPad (connection kit required). Super
compact, and easy to use.
UMONE
CD-ROM –
Mixcraft 6
Powerful yet easy-to-use multi-track recording studio that
enables you to record audio, arrange loops, remix tracks,
compose with virtual instruments, score and edit video,
and add effects to create stunningly professional
compositions. Easy enough for everyone and powerful
enough for the pros. Get a studio for a song with Mixcraft
6! (Windows XP, Vista or 7).
495-CDR22
Professional headphones
SRH240A
For general
listening.
Excellent
sound with
deep bass,
clear mids
and highs.
Calibrated for use with consumer
audio, but works well for
monitoring professional audio.
ATH-M20X
Closed-back
headphones for
recording, mixing
and personal
listening. 10’
cable, with
1/8” plug and
1/4” adapter.
ATHM20X
SRH240A
SRH440
TH-02
For studio
recording.
Exceptional
sound with
a powerful
extended
range optimized for studio
recording and professional mixing
applications. 10’ detachable cable
and carrying bag included.
Closed-back
dynamic
design with
clean sound,
rich bass
response and
crisp highs.
Foldable for easy
transport. Includes
1/8” to 1/4” adapter.
SRH440
TH02-BLK
Compact but powerful 8-track recorder
with on-board CD burning, effects, stereo
condenser microphones. Features two
high-quality mic preamps with phantom
power for external mics, XLR and 1/4”
inputs with a handy instrument level switch
that allows you to record a guitar or bass
without a direct box, built-in chromatic
tuner, metronome and more. Records to SD
cards. 2GB card and power supply included.
Handheld
Recorders
www.elderly.com
DP-006
60
MICROPHONES, STANDS AND ACCESSORIES
AT2021 Cardioid Condenser
Ideal for home studio and live performance.
Offers an extended frequency response, high
maximum SPL and wide dynamic range.
Outstanding for acoustic guitar, piano and
group vocals. Its low mass element offers a
superb transient response making this mic
perfect for overhead applications. 30-20,000
Hz frequency response, requires 48V phantom
power. Mic clip and protective pouch included.
AT-2020 Condenser
Mic Stands
Side-address cardioid condenser
studio microphone, 20Hz to
20kHz frequency response. Low
noise and wide dynamic range at
an affordable price. Dimpled
charcoal black finish; mic clip
included. Requires 48V phantom
power.
STAGELINE MIC STAND - 10” round base.
Extends from 35” to 63” high.
MS603B
AT2020
ATM-350 Mini
Clip-On Condenser
AT2021
Outstanding instrument microphone
and an excellent solution for
amplifying acoustic bass, violin, and
wind instruments. Gold-plated XLRMtype connector, permanently attached
power module. Includes both clip-on
and velcro-style microphone mounts,
and soft protective pouch.
6” Studio
Pop Filter
Controls unwanted noise
in your studio recordings.
Clamp/bracket and gooseneck included.
SPF1
ATM350
We have
more mics,
stands, and
accessories at
MSTB
elderly.com
ON-STAGE SMALL TRIPOD
BOOM STAND - Ideal for use
on amps and drums.
MS7411B
MS603B
MS7411B
elderly.com
Mic Stand Extensions
SM58
SM58
Microphone Holders
Uni-directional – great for most instruments, and for
vocalists who want higher monitor levels without
feedback. 40Hz-15KHz.
SLIP-IN EXPANDABLE - Rubber slip-in style
expands to fit large wireless hand-held mics.
SRMCW
MH2
MH1
SLIP-IN
MH1
SM57 WINDSCREEN - Locking, black foam.
A2WSB
CLOTHESPIN TYPE
MH2
MSA5050
PG Series
Mic Stand Accessories
PG58
PG58 - For vocals. 60Hz-15kHz frequency response.
PG57
ON-STAGE CLAMP-ON DRINK HOLDER - Made
of Neoprene rubber material to keep your drinks
hot or cold. Adjustable cup diameter.
MSA5050
PG58
iKLIP2 MIC STAND iPAD ADAPTER - Multi-angle,
lightweight universal iPad adapter. Holds full-sized
iPad to any mic stand. Attaches in seconds.
PG57 - 50Hz-15kHz frequency response – best for
instruments.
IKLIP2
PG57
IKLIP2
MSPH
DUNLOP MIC STAND PICK HOLDER - Clips on
mic stand and holds six standard flatpicks.
Beta Series
High output, supercardioid versions of Shure’s
original SM57 and SM58 designs with a neodymium
element and 50Hz-16KHz range. Includes carrying
bag and mic clip.
BETA57 (instrument)
SRMCW
SM57
SM57
BETA58 (vocal)
SMB7
13” GOOSENECK - Flexible steel.
KB713 (Chrome)
KB713B (Black)
SM58
Genuine Shure quality at an incredibly low price. Onoff switch, protective pouch and 15’ XLR cable included.
MB7
ON-STAGE 7” MINI MIC BOOM - 7” heavy-duty
black boom attaches to any mic stand.
MB7
(top-mount)
SMB7 (side-mount)
The favorite of singers and sound techs everywhere!
Rugged and dependable, with wide pickup pattern,
built-in wind “pop” filter. 50Hz-15KHz.
SM58 WINDSCREEN - Black foam.
WS58
MS76030
ON-STAGE 32” BOOM - Threaded, top mount, 32”
black boom. Works with all types of mic stands.
MS76030
The industry standard
SM57
www.elderly.com
ON-STAGE MIC STAND - Standard-size
tripod base and boom with cable clip.
MSTB
MSPH
Microphone Cables
QUANTUM LOW-Z MIC CABLES - Extremely
reliable, noise-free cable. 24 gauge wire. Specify
black, blue, green, red, violet, or yellow.
BETA58
BETA57
Hohner and Shaker Harmonica Mics
See our web site at elderly.com
LM30 (30’)
LM20 (20’)
LM10FT (10’ - black only)
LM20
TUNERS AND METRONOMES
61
Clip-On Tuners
Peterson SC-1 Strobo-Clip
SN-8 Super Tight
The best Snark yet! Brighter, easier
to read display, faster response,
Fully chomatic and deadly accurate.
Features a built-in metronome with
tap tempo.
PESC1
PESC1
Fishman FT-2
SN-5 – Basic Tuner
Flip up to turn on, flip down to turn off, quickly and
accurately finds the note being played and indicates if
you're in tune (green), sharp (red) or flat (amber), bright
backlit LCD display features a meter style pitch indicator
with large readout.
FT2
Simple, bare-bones Snark without any bells and whistles – just
fast, accurate and inexpensive tuning.
SNARK-GBV
Planet Waves by D’Addario
NS Micro
SNARK-SN8
FT2
SNARK-SN8
www.elderly.com
The StroboClip has the renowned accuracy of all Peterson strobes,
with new tunings and alternate temperaments for a wide variety of
string and wind instruments, including the Buzz Feiten tuning system.
Smooth, real time display, drop/capo setting, adjustable key,
adjustable reference tone (400Hz to 490Hz), auto power off.
Chromatic
Clip-On Tuners
Precise tuning for guitar, mandolin, banjo, basses and
more. Low-profile design blends with the aesthetics of
your instrument, concealing it from your audience.
Highly sensitive, backlit display allows easy tuning in dim
or well-lit stages.
PWCT12M
PWCT12M
Son of Snark
Fender® FT-004
SNARK-SOS
FT004
SNARK-SOS
Korg AW-2G
Fits the thickest headstocks. Double ball-joint
attachment for greater display positioning.
Low power mode, switchable internal mic.
AW2G
FT2001
F-Zone FT-2001
Compact size, bright LCD display changes
color when you are in tune. Simulated needle
meter, 8-octave range. Very simple to use and
accurate.
FT2001
ST-200 Stomp Box
Strobe Tuner
A true strobe tuner in a stomp
box. True bypass, muted output,
chromatic and bass / guitar
modes. Fully programmable
for alternate tunings and
temperaments, extremely
accurate. Rugged aluminum
case, made in the USA.
AW2G
Yamaha GCT1
Clip-on chromatic instrument tuner for guitar,
bass, ukulele, and more.
YGCT1
YGCT1
Even more tuners and metronomes at elderly.com
SRST200
Metronomes
Matrix MMR-500
Simple, effective quartz metronome features an easy-to-use dial, 40-208
BPM tempo range, an A440 reference pitch, sound and LED beat display,
and a personal earphone. Three-way switch for sound and light, light only,
and off. Folding stand, uses 9V battery (not included).
TU-3 Stomp Box
Tuner Pedal
Newly updated version of the
widely popular TU-2 tuner can
also double as a power supply
for up to seven effect pedals.
Housed in a tank-tough chassis,
and features a smooth 21segment LED meter with a
High-Brightness mode. Choose
between chromatic or guitar/bass tuning modes. Accu-Pitch
verification for quick tuning accuracy within one centitone.
TU3
MMR500
Planet Waves MT-02
Metronome/Tuner combo. Full featured metronome
includes loud woodblock tone, tempo, beats per
measure, and time divisions. A precision meter-style
chromatic tuner, pitch pipe and easy-to-navigate
menu make this an essential practice tool. Built-in
microphone and 1/4” input jack.
PWMT02
Super bright, fully chromatic tuner for guitar, bass and more.
Tiny size – just over 1” square. Ultra fast and accurate (like all
Snarks), bulletproof design hides behind the headstock so that
you see it but your audience does not.
Accurate tuning even in the noisiest of places.
Large, easy-to-read needle shows white when out
of tune and bright green when in tune. Tuning
modes include Guitar, Bass, Ukulele, Violin and
Chromatic.
FT004
62
HUMIDIFIERS AND MORE
Protecting your instrument from wood and finish cracks is essential, particularly during the winter when your
furnace dries the air indoors. Low relative humidity (below 30%) is common during the winter months. Humidity
this low can cause shrinkage in the wood of your instrument. As the wood shrinks, a variety of problems can
result, including low action, warps, cracks, protruding fret ends, weakened glue joints, and loose braces.
The best way to maintain a proper and consistent humidity level (50% RH @ 70 O F) is to use a full-house or
room humidification system. Next best is to keep the instrument in its case when you’re not playing it and
supplement the room moisture with an in-case humidifier.
PWHCS
Humistat
Humidifiers
HUMI
Adjustable moisture release. Clever design, easy
to use and refill. Clear barrel allows you to view
the amount of water remaining in the
humidifier. About 2.5 inches long, includes a
Velcro patch to secure the humidifier. Use
distilled water to avoid mineral buildup.
Instructions included.
HUMISTAT #1 - For small instruments
including ukulele, mandolin, Autoharp®, more.
TWO-WAY HUMIDIFICATION SYSTEM - Two-way
humidity control maintains a constant 45-50% relative
humidity level. Includes one headstock pouch (holds one
Humidipak packet), and soundhole pouch (holds two
Humidipak packets). Automatically corrects humidity issues
in any season.
PWHCS
HUMIDIPAK REFILLS (3-PACK) - For use with Planet Waves
Humidipak Automatic Humidity Control System.
PWPAK3
HUMIDITY CONTROL SENSOR - Monitors the humidity of
your practice room yet small enough to use inside most
cases. Indicates when it is time to add humidity to your
instrument’s environment.
HCS
GUITAR SOUNDHOLE HUMIDIFIER Plastic soundhole humidifier with a high
absorbtion sponge, fits between the
strings without clips or fasteners.
GH
HCS
Flexible tube with sponge inside, inserts in soundhole.
Guitar versions include soundhole cover with built-in
humidity indicator.
. . . . . . . . . . . . violin
. . . . . . . . . bass violin
. . . . . . . . standard guitar
. . . . . . . . . large guitar
HUMISTAT #3 - Like above, but designed for larger instruments
including guitar, bass, dulcimer, more.
HUMI3
Oasis
Humidifiers
OGH1
Lets you see when it
needs to be refilled.
The humidifier is held securely
by the strings. Used in a closed case, each
refill will last two weeks or longer, depending on
how often the case is opened.
GUITAR - Our best selling guitar humidifier. Held securely in place
by the strings, hangs in the body cavity of the guitar.
OGH1
LARGE - For guitars in drier environments.
OGH3
UKULELE - Like the OGH1 above, but smaller for ukulele.
Dampit Humidifier
D1
D2
D3
D4
GH
HUMI
Kyser
Lifeguard
Guitar
Humidifiers
OGH5
MANDOLIN - In case humidifier for mandolin.
OGH6
OASIS DIGITAL THERMOMETER AND HYGROMETER - Small (4”
long) and accurate. Ideal for keeping track of temperature and
humidity in a case.
Sponge inside a
flexible, black
soundhole cover.
OGH2
SMALL - Fits soundholes
from 33/8” to 33/4” in diameter.
LG100S . . . . . . . . . . . small
D1
LARGE - Fits soundholes from 33/4” to 41/8” in diameter.
LG100L . . . . . . . . . . . large
OGH2
www.elderly.com
Climate controlled guitar display case
The sliding
rocking chair
for rocking
musicians
Acoustic Remedy
Climastand
Display your guitar while protecting it from pets,
dust, low humidity, or children.
Handmade in the USA by Amish craftsman and
uses the Humidipak humidity control system.
Spring loaded stainless steel latches, double
strength glass, String Swing cradle to hang the
guitar inside the case, and showcase-style
battery powered LED lighting.
Some assembly required. 50”h x 22”w x 21”d.
Each case is shipped directly to you in 6 to 8
weeks from the manufacturer. Shipping to
lower 48 states is included in the price.
ACSFC1 . . . . cherry
ACSFW1 . . . walnut
Comfortable and stylish. Helps you play with a natural,
relaxed posture. Hold your guitar in the proper position
while you kick back and relax without worries
about bumping or scratching your instrument.
Beautiful ash frame with padded seat and back in
Wheat, Navy, Sand or Green to complement almost
any home decor. Black or brown leather also
available at additional charge – please inquire.
Each chair is shipped directly to you in 6 to 8 weeks
from the manufacturer. Shipping to lower 48 states
is included in the price.
PNG-(Fabric)
Custom upholstery with your own fabric!
Call us for details (888) 473-5810
Pick-N-Glider
with Navy fabric
SLIDES AND RESONATOR GUITAR PARTS
Your Slide Guitar Headquarters
Resonator Instrument Parts
Glass Bottleneck
FENDER® LARGE GLASS SLIDE - 69mm length, 1.5mm wall
thickness and 22mm inside diameter.
FGSL-FGS2
FGSL-FGS2
S202
Brass Bottleneck
DUNLOP BRASS CONCAVE - Concave for better contact
across the width of radiused fretboards. 3/4” inside diameter,
1” outside diameter, 25/8” long.
S227
FENDER® MEDIUM BRASS SLIDE - 60mm length, 1.5mm wall
thickness and 19mm inside diameter.
FBSL1
S227
FBSL1
More at elderly.com
Knuckle Slides
BROZ-O-PHONIC STEEL - Stainless steel bullet
slide designed by Bob Brozman. The original
weight, dimensions, and tone of the first
Hawaiian steel slides.
BOPGS
TRICONE SET - Set of 3 cones for Tricone.
NTT3
SPUN EMBOSSED CONE - 9 1/ 2”, Pre-War
National style embossed swirl design. Biscuit
bridge included.
NR16
UKE RESONATOR CONE WITH BISCUIT - 6”
diameter, swirl-pattern embossed resonator
cone with biscuit bridge. This is the same cone
National uses on their ukuleles.
NR16U
MANDOLIN RESONATOR CONE - Spun
embossed “swirl-pattern” 91/2” resonator cone
from National Reso-Phonic. Includes small
biscuit bridge. Fits old and new National
mandolins and tenor guitars.
NR16M
NATIONAL STYLE TAILPIECE - Fits new and
most old National instruments.
TP1
NATIONAL 12-STRING TAILPIECE - Onepiece stamped 12-string nickel plated tailpiece.
TP12
KS-GLASS
KS-BRASS
KS-CHROME
SHUBB/PEARSE - The familiar design preferred by many
slide players.
S6
SHUBB GS WOOD AND STEEL - A new concept in guitar
steels.
SPGS
SHUBB SALLY VAN METER - Great for bluegrass – built for
speed, precision, control and tone.
SP3
SCHEERHORN CHROME PLATED BRASS - Based on the
classic Tipton steel, with more defined flute on top. Beveled
ends and sharp corner transitions for clean, sharp pull-offs.
S10
NVT2CREAM
LAP DAWG TONEBAR - Large radius for great sustain and
added vibrato.
S926
LONG DAWG TONEBAR - Longer version of Lap Dawg
above for larger hands.
S927
NVT3BLACK
BWS-1010
BEARD LEGEND CONE - Triple spun special
aluminum alloy. Enchanced lower frequency response and bell-like tone.
10 9/ 16” spun aluminum cone for spider
bridge style resonator guitars. Edge is
trimmable to 101/2” to fit older Dobros®.
BRC2
NC-8 - 81/4” diameter biscuit bridge style
cone for smaller resonator guitars.
NC8
PLATED BRASS TAILPIECE
RTT1
SPGS
SP3
NATIONAL VINTAGE ENGRAVED 3-ON-APLATE TUNING MACHINES - Nicely designed
vintage-style set used on many new National
guitars. Nickel plating with black or cream
buttons.
FOR SOLID PEGHEAD
NVT2
S10
S16
FOR SLOTTED PEGHEAD
NVT1
NATIONAL VINTAGE PLAIN 3-ON-A-PLATE
TUNING MACHINES - Nicely designed direct
replacements for many old National ResoPhonic guitars. Nickel plating with black or
cream buttons.
FOR SLOTTED PEGHEAD
NVT3
S1
S926
SCREENLESS SOUNDHOLE RINGS - Pair of
chrome plated brass open soundhole rings.
Standard style and size. Fits most resonator
guitars.
RTR2
SPIDER - Saddles not included.
D14
S6
SCHEERHORN STAINLESS STEEL
S16
STEVENS STEEL - The old standby used by countless players
worldwide.
S1
CBS1
BC-1 RESONATOR CONE - 10 9/ 16” spun
aluminum cone for spider bridge style
resonator guitars.
BRC1
SCREEN RINGS - Pair.
RTR1
Steels for Lap & Pedal Styles
BEARD WAVE - Contoured chrome-plated steel.
BWS-0000 . . . . straight ends, 5.9 oz
BWS-1010 . . 10-degree end cuts, 5.5 oz
BWS-2020 . . 20-degree end cuts, 5.2 oz
BWS-2010 10-degree and 20-degree, 5.4 oz
Beard
Resonator
Guitar Parts
Guitar Extension Nut
Make any guitar a slide guitar. Simple
metal device slips over standard guitar nut
for Dobro or Hawaiian style playing.
EN03
ADJUSTABLE #14 SPIDER BRIDGE - The
classic #14 cast aluminum 8-leg spider
bridge with four set-screws added to the
saddle slot channel. Produced to facilitate
use of the Fishman spider-bridge pickup
(our item FRGP5).
ADJ14
MAPLE SADDLES - Pair of hard maple
inserts for spider bridge.
RTB15
MAPLE TRICONE BRIDGE SADDLES Unslotted, need to be sized and notched.
TBI1
EBONY-TIP MAPLE BRIDGE SET - Pair of
ebony tipped hard maple saddle inserts for
a spider bridge.
RTB16
EBONY-TIP MAPLE TRICONE BRIDGE
SADDLES - Bright tone, increased sustain.
Unslotted, needs to be sized and notched.
TBI2
Extra short (1.1”)
bottleneck slide
with 3/4” inside
diameter. Allows
lots of freedom of
movement for the
slide finger.
Solid-Bullet Slide
RESO-PHONIC BISCUIT BRIDGE - Same
bridge National uses on their instruments.
NBB . . . . . for reso-guitars
NUBB . . . . . . . ukulele
NMBB . . . . . . mandolin
SCHEERHORN RESONATOR CONE - 109/16”
aluminum alloy, hand spun and shaped by
Tim Scheerhorn.
SRC1
www.elderly.com
National
Reso-Phonic
Parts
DUNLOP MEDIUM - 18mm (.71”) inside dia., 72mm (2.83”)
length.
S202
DUNLOP LARGE - 21mm (.83”) inside dia., 68mm (2.68”)
length.
S203
63
64
ACOUSTIC GUITAR PARTS
Acoustic Guitar Parts
A
B
C
Bridge Pins (sold singly)
A
B
C
D
E
F
GA01
GA02
GA05
GA06
GA23
GA22
Authentic non-slotted replica pins like those used
on original Martin guitars. Sets include six bridge
pins and one endpin. Imported from Germany.
. . . . . . white plastic
. . . . . . black plastic
. . . . . ebony, no dot
. . . . ebony, pearl dot
. . . . rosewood, no dot
. . rosewood, pearl dot
D
E
F
H
MAMMOTH IVORY BRIDGE PIN - More dense than plastic or wood.
Transfers string vibration better to your guitar top. 10,000 year old ivory
– not from endangered species. Tapered to replace plastic bridge pins.
G GA25 . . . . . . . . . . . . plain
H GA24 . . . . . . . . with tortoise dot
Endpins
I
J
K
L
GA10
GA12
GA07
GA08
Antique Acoustics –
Replica Martin Guitar Pin Sets
I
G
J
K
L
. . . . . white plastic
. . . . . black plastic
. . . . . . . ebony
. . . ebony, pearl dot
STYLE 18 - Plain black.
AAPS1-P1 (1920-1930)
AAPS1-P5 (1931-1938)
AAPS1-P10 (1939-1940s)
STYLE 28 (BLACK DOT)
STYLE 21 - Black with ivoroid dot.
AAPS1-P2 (1920-1930)
(1931-1938) - Ivory white.
STYLES 28, 40, 42, AND 45 - Ivoroid with
black dot.
AAPS1-P3 (1925-1930)
(1931-1938) - Aged cream.
AAPS1-P7
AAPS1-P6
MARTIN IVORY BRIDGE MODELS -1910s -style
fossil ivory with pearl dot.
AAPS1-P4
(1939-1940’s) - Ivory white.
AAPS1-P8
(1939-1940’s) - Aged cream.
AAPS1-P9
We carry Antique Acoustics pin sets for vintage Gibson, too – see elderly.com
Bridges
M
N
Martin Plastic
Bridge Pin Sets
7 bridge pins, matching endpin.
WHITE PLASTIC
M GA03 . . black dots
N GA04 . abalone dots
“REDEYE” - Tortoise plastic dots.
O GA60
BLACK PLASTIC
P GA21 painted white dots
Q GA42 . abalone dots
Martin Ebony
Bridge Pin Set
Ebony with Paua Pearl dot, seven bridge pins
and one endpin. Martin warns that taper
does not match their plastic pins.
Professional installation recommended.
O
P
Q
TUSQ NUTS AND SADDLES
for Martin, Taylor and others!
Visit us online at
www.elderly.com
for more information.
GRAPH TECH SUPERCHARGER KITS
Includes Tusq compensated saddle and six Tusq
bridge pins.
KIT A - 1/8” thick saddle.
SUPERCA-A
Pickguards
BASIC - Self-sticking, Martin-style. Soundhole contour
varies.
SP23 . . . . . . black
HERCO - Set of two self-sticking, clear face guards.
Pre-cut to fit around soundhole — half above, half
below. Trim to fit.
SP22
JPA2
GA50MPS
PG28
SP21
SP45
John Pearse Guitar Armrests
STANDARD SIZE - Stick-on armrest protects finish and
allows top to vibrate freely. Instant, permanent
adhesion. Specify Rosewood, Boxwood, or Ebony.
JPA2
John Pearse Bridge Pin Sets
JPA6
JPBHBP
SLIMLINE - Shaped to better fit smaller body guitars.
Ebony only.
JPA3
JUNIOR SLIMLINE - Smaller version of above.
JPA6 . . . . . . . . ebony
JPBPS
FAUX TORTOISE SHELL - Package of 7 bridge pins with
abalone dots. The closest in appearance to the real thing
– beautiful and hard wearing high-density Casein plastic.
Looks great and improves sustain.
JPTBP
JPA6R . . . . . . rosewood
Nut Blanks
Measurements are approximate.
FAUX TORTOISE SHELL WITH MATCHING ENDPIN AND
STRAP BUTTON
JPTBPS1
BONE
N1 . . . 3/16” x 3/8” x 21/16”
JPTBPS1
D’Andrea Tone Pins
Measurements are approximate.
BONE
SD2 . . 3/8” x 3” x 3/32”
SD3 . . . 3/8” x 3” x 1/8”
TPIN
N1
1211
MICARTA
1210 . 1/4” x 7/16” x 23/16”
Saddle Blanks
Increased sustain and brighter sound. Set of 6 solid brass bridge pins with
cylindrical head, fits most acoustic guitar bridges. An interesting
alternative to traditional bridge pins.
TPIN-BRASS . . . . . . . . . . . plain
TPIN-ABALONE . . . . . abalone dot
TPIN-PEARL . . . . . mother-of-pearl dot
TPIN-TRADPEARL traditional shape, pearl dot
SP23
MARTIN OVERSIZED - Self-adhering.
SP45 . . . . . . . black
SP46 . . . . . . tortoise
Oversized Martin-style
BRIDGE PIN / END PIN SET - Set of seven bridge pins and
one end pin. Specify buffalo horn with pearl dot inlays or bone
with Parisian eye inlays. Hand carved and slotted.
JPBHBP . . . . . . horn
SP39
FLATTOP - Martin-style for 3/32” saddle
and 21/8” string spacing.
SP39-RO rosewood
SP39-EB ebony
SP21 . . . . . tortoise
KIT C - For guitars requiring a Martin-style 3/32”
saddle.
SUPERCA-C
Set of six grooved, plain ebony bridge pins. Diameter is
slightly larger than standard to replace pins in bridges with
worn holes.
GA93S
SP36
ARCHTOP - Compensated, adjustable.
17/8” string spacing. Height adjusts from
11/16” to 11/4”.
SP36 . rosewood
SP37 . . . ebony
PG28 . . . . . pearloid
KIT B - Narrow diameter bridge pins.
SUPERCA-B
GA50MPS
www.elderly.com
AAPS1-P3
MICARTA
1211 . . 3/8” x 41/8” x 1/ 8”
M ICARTA is synthetic material,
similar to bone in hardness and
density, but more consistent and a
bit easier to work with.
Fossil walrus ivory
parts also available.
Please inquire.
65
TUNING MACHINES
Guitar Tuners
Unless otherwise noted, all guitar tuners listed on this page are packaged in
sets of 6, include bushings and screws, and are designed for solid headstocks.
Golden Age
Vintage Reproductions
Vintage Replica
3-on-a-side unless noted.
SOLID PEGHEAD - Designed for restoration
or reproduction of early 20th century steel
string guitars. Plain steel plate with antiqued
finish, 15:1 ratio, oval cream colored
buttons, 1 3/ 8” post spacing on center.
Matching press-fit bushings and screws
included.
GART250
BENT TAB FOR SOLID PEGHEAD - Replica
tuners with Relic® nickel finish. Plate shape
and bent shape of rounded worm posts are
typical of gears of the 1930’s to the 1970’s,
white oval buttons, 15:1 gear ratio, 1 3/8”
stringpost spacing. Screws included.
GART253R
ST66
TK977
GART250
ST6K
GTMK5
GOTOH - Like Schaller vintage style.
Requires 11/32” holes. Single ring pearloid
plastic keystone buttons.
GTMK5 . . . nickel
Golden Age tuners are also available for
12-string and slotted headstocks –
Vintage Replica
Locking Tuners
See them all at elderly.com
TK0735-GOLD
Sealed and Lubed, 3-On-A-Side
GTM1N
GROVER ROTOMATICS - 14:1 gear ratio. Lifetime
manufacturer’s warranty.
GTM1N . . . . . . nickel
GTM1C . . . . . . chrome
GTM1G . . . . . . . gold
205C
GROVER 18:1 ROTOMATICS - 18:1 gear ratio.
10218C . . . . . chrome
10218G . . . . . . gold
10218N . . . . . . nickel
10218C
GTM30
GOTOH - 16:1 gear ratio. Specify 3-on-a-side chrome or
gold finish.
GTM30 . . . . . . chrome
GTM30G . . . . . . gold
GROVER VINTAGE STYLE 18:1 STATITES - Butterbean
buttons, brass 18:1 gears for smooth precise tuning. Set
of 6 tuners. Grover's newest and best replacement for
Martin and other instruments from the ‘30s to ‘60s.
H9718N
FOR SLOTTED HEADSTOCKS
H9718G . . . . . . . gold
H9718N . . . . . . . nickel
V9718N
FOR SOLID HEADSTOCKS - Includes bushings.
V9718G . . . . . . . gold
V9718N . . . . . . . nickel
GROVER STA-TITES - Simple, functional.
GTM5C . . . . chrome
GTM5N . . . . . nickel
GOTOH 6-IN-LINE
TK0779-NICK . . . . . . . nickel
TK0779-GOLD . . . . . . gold
GOTOH ADJUSTABLE 6-IN-LINE - Like above with height
adjustable posts.
TK7679-NICK . . . . . . . nickel
TK7679-GOLD . . . . . . gold
Guitar Tuner
Replacement Buttons
IVOROID - Convex-sided, small oval, fits
round 3/32” shaft.
GB12
GB12
GB13
WHITE PLASTIC - Concave-sided small oval,
fits rectangular 3/32” x 5/32” shaft. The best
replacement for old deteriorating buttons.
GB13
AAB1
Basic Tuners Sets
GTM41
GTM41
GTM5C
ALLPARTS VINTAGE STYLE - Accurate repro
with oval metal buttons. 15:1 gear ratio,
“Deluxe” stamped on nickel covers.
TK703
ALLPARTS VINTAGE STYLE DELUXE - Same
as above, but with longer posts for slotted
pegheads, white oval plastic buttons.
TK702
VINTAGE STYLE DELUXE - Exact copies of
gears on old Gibsons, lap steels, others, for
solid pegheads. Nickel with plastic buttons.
15:1 gear ratio. “Deluxe” stamped on covers.
GTMK8
Fender ® is a registered trademark of the Fender
Musical Instruments Corporation. Products described
on these pages are manufactured by companies
which have no connection with Fender Musical
Instruments Corporation, and are not approved or
licensed by Fender.
Some tuners may be difficult to
obtain – availability may vary.
See our current inventory at
elderly.com
Bushings
GTM46 - Metal bushing.
GTM46
ADAPTER BUSHINGS - Set of six nickel-plated
bushings allows you to use vintage-style tuners.
Get back the original look!
TK900
WAVERLY CONVERSION - Set of six press-fit
bushings with heavy wall fit 3/8” hole. Convert
to Waverly tuners from Grover or Schaller
without plugging and re-drilling peghead holes.
WCB1
GTM27
Classical Guitar
BASIC 3-ON-A-PLATE - For
nylon string, slotted peghead
guitars. Gold color with
plastic rollers and white
plastic buttons. 13/8” between
post centers.
GTM27
GTM21
GTM35
6-IN-LINE
GTM41L
-
INDIVUDUAL - Open gear
PLASTIC BUTTONS
GTM21
V97C
METAL BUTTONS
GTM10G
GTM22
W16
Kluson, Gotoh, National, Sperzel
More tuners online at elderly.com
3-ON-A-PLATE - For solid or
slotted pegheads. 1 3/ 8” between post centers, needs
GTM46 bushings above.
GTM35
12-STRING - Nickel plated,
6-on-a-plate. 14:1 ratio.
TK798
GTMK8
VINTAGE-STYLE NICKEL - Set of six.
TK902
ANTIQUE ACOUSTICS AUTHENTIC ‘40SSTYLE BUTTONS - Black or cream.
AAB1-(color)
3-ON-A-SIDE
WAVERLY VINTAGE - Replace vintage tuners on old
Martins and Gibsons without re-drilling. Work better
than the originals! 16:1 gear ratio, stainless steel worm
with nylon bushings for smooth action, butterbean
buttons, tapered string posts. Nickel-plated.
W16
GOTOH 3-ON-A-SIDE - Green plastic Keystone buttons.
TK0735-NICK . . . . . . . nickel
TK0735-GOLD . . . . . . gold
TK702
3-On-A-Plate
INDIVUDUAL - Chrome buttons, removable
covers, needs GTM46 bushings above.
Vintage Style, Open Geared
GROVER “VINTAGE-STYLE” 14:1 STA-TITES
Individual tuners with brass gears.
V97C . . . . . . chrome
V97N . . . . . . . nickel
Direct replacement for most vintage
style tuners. 15:1 gear ratio.
TK703
SCHALLER - Gold plated with
pearloid buttons. Very nice
quality tuners.
HAUSER STYLE PLATE
GTM10G
LYRA STYLE PLATE
TK798
GTM9G
GROVER MINI ROTOMATICS - Like above, with mini
buttons and housing.
205C . . . . . . . chrome
205G . . . . . . . . gold
GOTOH - Nickel with oval white plastic
buttons. 15:1 gear ratio.
TK977
SCHALLER - Similar to old Gibsons, covered
but not sealed. Requires 3/8” holes. Double
ring plastic keystone buttons.
ST6K . . . . nickel
GART253R
Grover Style
SCHALLER CBS FENDER® REPLACEMENT
- 6-in-line enclosed older-style tuners.
ST66 . . chrome
www.elderly.com
Individual
6-String, 3-On-A-Plate
66
MANDOLIN PARTS, UKE TUNERS AND MORE
Mandolin Parts
MA21
Spacing of 29/32” between string posts.
MA1 - Inexpensive, geared A-model tuners, nickel-plated, white plastic buttons.
MA1
Tone-Gard
Get a bigger sound
from your instrument.
Attaches to the
back of most
A- and F- style
mandolins.
Holds your mandolin securely away
from your body –
opening up the sound and improving projection. Used by David Grisman, Ricky Skaggs,
Mike Marshall, and many more of today’s
mandolin masters.
STANDARD - Fit traditional-size mandolins
with 9 3/4” to 915/16” body width.
TGM1 sunrise pattern
TGM3 . deco pattern
LARGE - For 10” to 103/16” body width.
TGM4 sunrise pattern
WEBER WOOD NYMPH Elegant, innovative design
from Vern Brekke at
Weber mandolins, this
small device suppresses unwanted harmonics
generated by the strings between the bridge and
the tailpiece. Installs easily – great for recording.
WWN1 . . . . . mandolin
WWN2 . octave & mandocello
An Elderly Instruments exclusive …
Hennig Banjo-Mandolin Bridges
elderly.com
Vintage-Style Bridges
Vintage-style ebony bridges. Excellent intonation.
Height-adjustment wheels are stamped “PAT’D JAN
18-21.” Antiqued Silver or Gold-look wheel finish.
STANDARD - Low arch base to fit older mandolins,
including Gibsons and some newer models.
MA21
HIGH-PROFILE - High arch base to fit modern
Gibsons and Flatiron instruments.
MA22
MANDOLA - Arched base fits older Gibsons. Now
with larger base, compensated for mandola.
Antiqued Silver only — Gold available by special order.
MA23-SIL
Cumberland Bridges
SCHALLER A-MODEL - 16:1 gear ratio. German made.
MANN13 . . . . . . . . . . . . . . . nickel
MANG3 . . . . . . . . . . . . . . . . gold
SCHALLER F-MODEL - 16:1 gear ratio, German made reverse tuners with the gear above
the worm.
MANN14 . . . . . . . . . . . . . . . nickel
MANG4 . . . . . . . . . . . . . . . . gold
GOLDEN AGE LOAR-STYLE - Bright nickle finish on engraved steel plate, 15:1 gear ratio,
worm below gear, nylon worm bearings for smooth motion. Removable black buttons.
Screws and bushings included. 21/64” diameter peg holes required.
MA251A-BK . . . . . . . . . . . A-style
MA251F-BK . . . . . . . . . . . F-style
Compensated bridges made to same specs as current
Gibson bridges. Specify Nickel or Gold adjustment wheels.
FLAT SADDLE - For use with flat fretboards.
CU71
MA1
MANN13
MANN14
MA251F-BK
RADIUSED - For use with radiused fretboard.
CU72
Basic Bridges
ROSEWOOD - For flat tops.
MA4
EBONY - With white plastic insert; for flat tops.
MA5
ADJUSTAB LE ROSEWOOD - For archtops.
Compensated.
MA6
ADJUSTABLE EBONY - For archtops. Gibson-style,
compensated. Large wheels.
MA7 . . . nickel wheels
MA7G . . gold wheels
Basic Tailpieces
GUKNW
UP3
STANDARD UKE - Set of 4. Screw
adjustment. Available with black
or cream buttons.
MA11G
UP1 (black)
UP26 (cream)
UP1
4WN
GROVER STA-TITE - Set of 4. Screw
adjustment, black buttons. For
pegheads up to 7/16” thick.
Professional Quality Tailpieces
ALLEN TAILPIECE - Finely cast, heavy, plated bronze.
Retrofits to most mandolins. Specify nickel or gold plating.
MONTELEONE-STYLE
AAR2-NICKEL
AAR2-GOLD
Ukulele Tuners
GOTOH STANDARD - Set of 4.
Nickel with white buttons.
GUKNW
MA8
TRADITIONAL-STYLE
MA11G . . . . . . . gold
MA11N . . . . . . . nickel
SCALLOP SHELL - Coverless tailpiece for A-style or
roundback mandolin, hooks hold loop-end strings. Nickel-plated brass with hole for endpin, 3 attaching screws
included.
MA8
www.elderly.com
Mandolin Tuners
AAR2
TRADITIONAL-STYLES
ATR3-NICKEL
ATR3-GOLD
JAMES TAILPIECE - Classic looking design with flip-up
cover for easy string changing. Strings and cover are fully
dampened against vibration. Specify silver, gold or nickelplated finish.
JMT1
ORRICO TAILPIECE - Heavy cast bronze with elaborate
art noveau design with Florentine ornamentation. Specify
unplated or nickel-plated finish.
OMT1-BRONZE
OMT1-NICKEL
WEBER TAILPIECE - Universal design is a direct replacement
for many vintage mandolins. Cast in heavy bronze.
WMT1-NICKEL
WMT1-GOLD
Mandolin Armrest
EBONY ARMREST - Attaches with a violin chinrest
clamp. Nickel hardware, wrench included.
CU61-NKL
UP3
GROVER DELUXE UKE - Friction
pegs. Nickel finish.
ATR3
4WN (white)
4BN (black)
JMT1
UPTCWWB
Stop uke tuner slippage forever
GOTOH PLANETARY UKE TUNERS - Set of 4. Smooth and stable tuning while
maintaining the classic look of friction pegs. 4:1 gear ratio. Chrome white (satin
chrome) finish with white butterbean-style buttons. All mounting hardware included.
Fits pegheads from 10mm to 12mm thick.
UPTCWWB
OMT1
WMT1
The look of ebony
friction pegs with a
micro-planetary gear
system in the shaft
PegHed Classic
Old-Time Pegs
PEGHED UKULELE SET - Set of 4. 4:1
gear ratio, 23/16” long with a 7mm
diameter.
PHUP1
PHUP1
PEGHED BANJO SET -Set of
4. 4:1 gear ratio, 2 5/8”long
with an 8mm diameter. 5th
string tuner sold separately.
PHBP2
SINGLE
5TH-STRING
PEGHED BANJO TUNER Great upgrade for any oldtime banjo. 7mm dia., 21/4”
long, 5/8” insertion length.
PH5PL
BANJO HARDWARE AND BRIDGES
RECORDING KING BANJO ONE-PIECE
FLANGES - Prewar-style, 24 hook pattern.
PB600
PB650
‘50s era, nickel
‘30s era, nickel
PK ONE-PIECE BANJO FLANGE - Very high
quality classic pre-war style 1-piece flange
for resonator banjos. Die cast, nickel plated.
1012/16” inner diameter (will not fit vintage
rims), 10 15/16” at the lip. Outside diameter is
131/8” for 24-hook pattern.
PKFL1
ATTACHING HARDWARE - Set of four
thumbscrews, wall lugs and brackets.
P91
RESONATOR THUMBSCREW AND WALL
LUG - Set of one screw and one lug. (Most
banjos require four.)
THREE LEGGED, MAPLE - Ebony top.
Inexpensive and popular.
BA1 . . . . 5-string, 1/2"
BA2 . . . . 5-string, 5/8"
BA6 . . . 5-string, 11/16"
BA5 . . . . 5-string, 3/4"
BA4 . . . . 4-string, 1/2"
BA3 . . . . 4-string, 5/8"
Ebony top with white plastic inserts
BA8 . . . . 5-string, 1/2"
BA9 . . . . 5-string, 5/8"
BA10 . . . 4-string, 1/2"
BA11 . . . 4-string, 5/8"
GROVER NON-TIP - All maple with two legs
and supporting centerpiece.
BA12 . . . 5-string, 1/2"
BA14H . . 4-string, 1/2"
BA950
RESONATOR ATTACHING BRACKET - Lshaped bracket, needs two screws to attach
to resonator.
BA951
GROVER 30 TENOR - Maple with two legs and
ebony top.
G3012 . . 4-string, 1/2"
G3058 . . 4-string, 5/8"
SCORPION 5-STRING BRIDGES - Handmade
in Italy from aged Slovakian maple. Slotted
ebony top. Crisp, clean, warm tone. Specify
Standard or Crowe spacing, and 5/8”, 21/32” or
11/16” height.
SC58 . . . . . . . . . 5/8"
SC656 . . 21/32"(.656")
SC1116 . . . . 11/16"
PKFL1
P91
BA950
BA951
Tone Enhancer
LITTLE MOUNTAIN MUSIC BANJOMATE Brass or nickel plate mounts on the inside
back surface of your resonator with Velcro
included. Increases volume while
enhancing the tonal qualities of your banjo.
BMTE (brass)
BMTE-NKL (nickel)
KAT EYZ OLD WOOD BRIDGE - Three- legged
aged maple with ebony top. Nicely crafted.
Specify Standard or Crowe spacing, 5/8”, .656”,
or 11/16” height.
KEBB1
SNUFFY SMITH NEW GENERATION - One of
the best selling bridges of all time is back.
Excellent quality aged maple with a noncompensated ebony tip. Specify Standard or
Crowe spacing, 5/8”, .656”, or 11/16” height.
SSNG
BART VEERMAN MYSTERY WOOD BRIDGES
- Fine grade wood with ebony tip. Specify
Standard or Crowe spacing, 1/2”, 5/8”, 11/16”
height, and light or medium weight.
SBVBME . Standard
BVBME . . . Crowe
NECHVILLE ENTERPRISE - Maple with
compensated ebony top for accurate
intonation. Top edge has more mass to
prevent sagging and slight arch to distribute
string weight evenly and to prevent tipping.
Shorter bridges are stout; tall bridges thin to
maintain optimum mass. Slotted for 1 3/ 4”
spacing (unslotted by special order.) Specify
5/8”, R5/8 (radiused) 21/32”, 11/16”, R11/16
(radiused) 23/32” or 3/4”.
NEBS . . . . . slotted
SAMPSON COMPENSATING BRIDGE - Made
of old growth wood salvaged from the
depths of the Great Lakes, compensated
rosewood with ebony tip. Small feet and
wide arches for power and clarity. Specify
birch or maple, and 1/2”, 5/8”, or 11/16” height
SNBC
SAMPSON - Handcrafted with compensated
tip. Wide base transmits full, rich sound.
Specify walnut, maple, mahogany, or rosewood
with ebony tip or koa with purpleheart tip. Each
available with Standard or Crowe string
spacing, and 1/2”, 5/8”, or 11/16” height.
SBB
HUBER BRIDGES - Vintage Grover-style 5string bridge design. Select aged maple with
ebony tip. Specify Standard or Crowe spacing,
and 5/8”, 21/32” , or 11/16” height.
SH58 . . . . . . . 5/8"
SH2132 . 21/32"(.656")
SH1116 . . . . 11/16"
We have
more banjo
bridges by
these and
other makers.
Shop from our
complete inventory at
elderly.com
FARQUHAR 4-STRING – Three-legged
bridge with taqua (vegetable ivory) inserts
for improved balance, clarity and volume.
Standard spacing, specify 5/8” or 1/2”
height.
F4B
SOSEBEE 5-STRING BRIDGES - Aged maple
with ebony top. Deep, well rounded tone.
Specify Standard or Crowe spacing, and 5/8”,
21/32” , or 11/16” height.
GSB58 . . . . . . 5/8"
GSB656 . 21/32”(.656")
GSB1116 . . . 11/16"
MOON COMPENSATED - Shaped like a crescent
moon. Improves intonation without loss of
volume or tone. Hard rock maple with synthetic
ebonex top. Three heights and three weights
(light for brighter sound; heavy for more bass).
Specify weight and height.
BA93L1 . . light, 1/2"
BA93L5 . . light, 5/8"
BA93L11 light, 11/16"
BA93M1 . . med., 1/2"
BA93M5 . . med., 5/8"
BA93M11 . med., 11/16"
BA93H1 . . heavy, 1/2"
BA93H5 . . heavy, 5/8"
BA93H11 heavy, 11/16"
LAMSON BALANCED BRIDGES - A new design in
5-string compensated bridges! Each string is
centered over its own hole directing vibrations
through the same amount of wood resulting in
even volume, tone, and sustain. Specify rosewood
or ebony, and 9/16”, 1/2”, 5/8”, or 11/16” height.
LBB
Banjo Mutes
FIELDING - Handcrafted of walnut with
Vermont ironwood top. Continuous 5-hole
design effectively transfers sound to the head
while maintaining balance. Specify 9/16” or
11/16” height.
FBB
BILL MORRIS MINSTREL-STYLE - Handmade copy of the Cole banjo bridge for nylon
or gut string banjos. All maple, 4 arches.
BA82 . . . . slotted 5/8”
BA83 . . unslotted, 5/8”
BA82T . . . slotted 3/4”
BA83T . unslotted, 3/4”
THE KILLER BANJO
MUTE - Heavy metal
mute fits loosely over
straight bridges.
P180
GOLD TONE ULTIMATE
BANJO MUTE - U-shaped
brass bar slides on bridge
under the strings.
BA74
PB600
BART VEERMAN TEAK WOOD BRIDGES Meticulously handmade in Canada.
Uncompensated three-legged bridge.
Beautiful teak wood with an ebony tip.
Unleash the true tonal clarity, dynamic
range, volume and sustain of your
instrument. Specify Standard or Crowe
spacing, 1/2”, 5/8”, 11/16” height, and light or
medium weight.
BVBE
www.elderly.com
Banjo Hardware
Resonator Parts
Banjo Bridges
67
68
BANJO PEGS AND HARDWARE
Banjo Parts
Banjo Armrests
BP35
BP7N
WAVERLY V-2 REISSUE PEGS - Great reproduction of the
classic “2-band” pegs used on Gibson banjos and Martin OM
guitars from the 1920s and ‘30s. Nickel-plated with ivoroid
buttons, offset gear casing design with two bands, 4:1 gear
ratio. Sold as a set of four or individually.
BP35 . . . . . . . . . . set of 4
BP35S . . . . . . . . . single
FIVE STAR PLANET PEGS - 4:1 gear ratio, 3/8” shaft diameter.
Excellent U.S.-made quality. Nickel, with pearloid buttons. Sold
as a set of 4 or individually.
BP7N . . . . . . . . . set of 4
BP7NS . . . . . . . . single
P101
GT102
BA20
BP1A
NARM1
PRE-WAR GROVER STYLE PANCAKE TUNERS - Set of 4.
Excellent European version of Grover pancake tuning pegs
with 3.5:1 gear ratio. Requires 3/8” mounting holes. Nickel or
gold finish.
BP16R
BP16 . . . . brushed steel
BP17 . . . . . . . . . gold
OME SWEETONE - Simple tension tailpiece.
Loop end strings hook securely, then pass
through holes which space them for nearly a
straight pull over the bridge. Attachment bolt
included. Specify Nickel or Aged-Brass finish.
OTP15-N nickel
OTP15-B aged brass
BP14
BP8
BP37W
FRICTION - Old-style mechanical peg with cream color
button.
BP8
BA21
OTP15-N
P113
CBT
KERSHNER STYLE - Patented in 1916 by
Benjamin Kershner. Nickel-plated heavy brass.
Uniform tension.
P113
WAVERLY-STYLE - One screw adjusts
tension. Nickel-plated brass.
P117
P117
FIELDING - Similar to the old talon tailpiece,
but with better downward tension. Jewelry
quality plating on heavy brass. Hex head
bolt and nut included.
P119 . nickel plated
P119B polished brass
WAVERLY PLANETARY GEARS - Nickel plated casing
with 2-band engraving. Straight peg design, insert string
end between gear housing and neck. 4:1 gear ratio.
BP37W
TENSION - Tension on all strings adjusts
with one screw. Nickel-plated hinged cover.
P110
See even more BANJO PARTS at
NO KNOT TAILPIECE DELUXE - Original
turn-of-the-century design. Strings wrap
around swinging cams instead of stationary
posts. Will enhance your open back banjo.
P115DLX
elderly.com
BA53
DOWEL STICK FERRULE - Square nickel-plated sleeve
for tailpiece end of banjo dowel stick.
BA53
NO KNOT - Similar to those on old Fairbanks
Vega and other turn-of-the-century banjos.
Accepts loop or ball end strings.
P115 . nickel plated
P115B unplated brass
VEGA-STYLE DOWEL STICK NECK BRACE - For open
back banjos with dowel stick (vs. coordinator rod). Nickel
plated.
BA54 . . . . . . polished
MODEL A - Inexpensive, non-adjustable
tailpiece accepts loop or ball end strings.
BA18
END BOLT - Anchors wood dowel stick to rim and is bracket
shoe for tailpiece bolt. Nickel-plated, round ball lug.
BA52B
Unless otherwise noted, all are for
5-string banjo, designed to accept
loop end strings and include the
attachment bolt.
COLBY - Early 20th century reproduction of
the Fred Van Eps design, later modifed for 5string banjo by Peter Colby.
CBT
Banjo 5th-String Pegs
www.elderly.com
GOLD TONE SINGLE LEG - Fits multiple hook spacings.
GTB121-NKL nickel
GTB121-CHR chrome
PRICE SL-5 STRAIGHT-PULL - Spreads the
strings out so they pull straight from the
tailpiece to the bridge for improved tone.
Machined brass, nickel plated.
BA21
KEITH STAINLESS BANJO PEGS - Designed to match the Keith
Scruggs D-tuners (above) with the same top grade quality.
Stainless steel, 4:1 ratio, fits 3/8” diameter peg holes. Set of two
for 1st and 4th strings.
BP16R
Banjo Neck Parts
DEERING VEGA-STYLE ARMREST - Nickel plated. Fits
a variety of hook spacings. Flatter than original Vega,
about 1/2” wide top surface and sits closer to the head.
GT102
Banjo Tailpieces
BP16
KEITH SCRUGGS D-TUNERS - Set of 2 pegs (for 2nd and 3rd
strings), pearloid buttons. Specify Brushed Steel or Gold finish.
Inquire for 1st and 4th set.
FIVE STAR - Right angle, geared peg. Pearloid button.
Matches BP7 sets. 8:1 ratio.
BP14 . . . . . . . nickel
BP14G . . . . . . . gold
VEGA-STYLE ARMREST - Simple and elegant, similar
to those on old Fairbanks-Vega banjos.
P101
NECHVILLE COMFORT BEVEL - Polished tropical hardwood. Small metal L-brackets hook under tension hoop.
NARM1
GTB121
D-Tuners
PREWAR VEGA WIRE-STYLE ARMREST - For 11”
and 12” rims with a variety of hook spacings. Mounts
on hooks between the bracket shoe and hex nut.
SARM10 . . . . . . nickel
SARM10B . . . . brass
ONE-LEG ARMREST - Attaches to brackets, fits most 24
bracket banjos.
BA20
BP34-GOLD
GROVER STA-TITE FRICTION PEGS - Old style, easy to install.
Black plastic buttons. Fits pegheads up to 5/8” thick. Sold as a set
of four only.
BP1A
BP34-NICKEL
BP34-GOLD
For 11” rim with standard 24 bracket spacing.
SARM10B
Banjo Pegs – Sets and Singles
BA54
BA52B
STRAIGHT LINE - Spreads the strings out so
they pull straight from the tailpiece to the
bridge. Lightweight, chrome-plated.
BA77C
P119
P110
P115DLX
P115
BA18
BA77
TAILPIECE BRACKET - Nickelplated, fits over lower rim rod.
Hole for tailpiece bolt.
BA955
BANJO HEADS AND HARDWARE
Banjo Heads
2
The industry standard
Ordering banjo heads by stock #
B +
1
+
2
+
3
Example – 11” high crown head with frosted top:
B
1100
-
Diameter
Code
1
-
FRT
Crown Height
(H, M, L)
H
Style
Code
Measure For Proper Size
Remove the old head. Measure the rim of the
banjo (not the rim of the head) from outside edge
to outside edge straight across, to the nearest
1/16 of an inch. You should measure at 3 or 4
different places — especially on old banjos —
because the rim can warp out of shape slightly
and may not be perfectly round. Provided the rim
is not severely warped, take the average of those
measurements and order that size head.
Code
1000
1001
1002
1003
1004
1005
1006
1007
Diameter
10-1/2"
10-9/16"
10-5/8"
10-11/16"
10-3/4"
10-13/16"
10-7/8"
10-15/16"
Code
1008
1009
1010
1011
1012
1013
1014
1015
• Low = 3/8” • Medium = 7/16” • High = 1/2” •
The crown height of a banjo head is best determined
by looking at the relationship between the neck, the
rim, and the tension hoop. The crown should be high
enough for the tension hoop to sit on a plane below
the level of the fretboard, but not so high that the
mounting band bottoms out in the neck pocket
before the head is tight. High and medium crown are
the most common. Low crown is used mostly on
banjos with archtop tone rings.
3 Head Brand and Style
WEATHER KING FROSTED OUTSIDE
Code
FRT
FRT
Size
11”
All Others
WEATHER KING FROSTED UNDERSIDE
Code
FRB
FRB
Size
11”
All Others
WEATHER KING CLEAR MYLAR
Code
CLR
CLR
Size
11”
All Others
Size
11”
All Others
Diameter
11-1/2"
11-9/16"
11-5/8"
11-11/16"
11-3/4"
11-13/16"
11-7/8"
11-15/16"
12"
Code
1108
1109
1110
1111
1112
1113
1114
1115
1200
More sizes in stock or available by
special order – please inquire
Looks and sounds like calfskin, but the specially
textured mylar-backed material won’t stretch or sink
in high humidity. Recommended for frailers and
clawhammer players. Great old-time sound.
Code
Size
FIB
11”
FIB
All Others
RENAISSANCE
Translucent “skin look” head from Remo with a tone
somewhere between frosted top and Fiberskyn.
Code
Size
REN
11”
REN
All Others
Head Tensioning Tools
GBW1
BA38
GTT6
BTW
Nut Wrenches
TRADITIONAL-STYLE
BA38 . . . . . for 1/4" nut
BA40 . . . . . for 5/16" nut
DDIAL
GOLD TONE VEGA-STYLE
GTT6 . . . . . for 1/4" nut
GTT9 . . . . . for 9/16" nut
GROVER TWO-HEADED - 1/4” and 5/16” on one
sturdy key.
GBW1
MYBANJO THREE HEAD TUNING WRENCH Nicely done banjo nut wrench with three heads on
one tool – 1/4”, 9/32”, and 5/16”. Sturdy and
NDTW
ergonomic.
BTW
REMO BLACK SUEDE AND WHITE SUEDE
Textured mylar. Medium crown height, 11" size only.
B1100-BKSUEDE
B1100-WTSUEDE
TAIWAN-MADE REMO WEATHER KING
WITH HEAVIER FROSTED COATING
Coveted by many banjo players for their sound quality. These are the same heads as
featured on Recording King banjos. High crown height, 11” size only.
B1100-H-TAI
DEERING PRISMATIC
Patterned iridescent head reflects light in all shades of a rainbow. Medium
crown height, 11" size only.
BH18M
FIVE STAR
Made from .007" mylar plastic. Hoop resists pulling apart under
tension. Medium crown height, 11" size only.
BA45 . . . . . . . . . . . . . . . . . . . frosted
BA46 . . . . . . . . . . . . . . . unfrosted white
BA44 . . . . . . . . . . . . . . . . . . . . clear
Unmounted — you must have your own mounting hoop. Instructions included. We
offer medium thickness most of the time and thin when available. Other sizes and
thicknesses may be available – please call.
Economy Goatskin
FIBERSKYN
Diameter Code
Most common size!
11"
1100
11-1/16" 1101
11-1/8"
1102
11-3/16" 1103
11-1/4"
1104
11-5/16" 1105
11-3/8"
1106
11-7/16" 1107
More Banjo Heads
GENUINE SKIN HEADS
WEATHER KING CLOUDY MYLAR
Code
CDY
CDY
Tighten that head just a little at a time! Work your way around the rim,
starting at one bracket and following it with the bracket on the opposite side.
Don’t tighten brackets more than 1/4 or 1/2 turn at a time — be patient and
make several trips around the rim. Head tightness can make a huge
difference in tone, so experiment to get the sound you like best.
DRUM DIAL HEAD TENSION
METER - Measures banjo head
tension directly from the head
for accurate tap-tuning.
DDIAL
DRUM DIAL DIGITAL - Same as
above, but with a digital display.
DIGIDIAL
REGAL TORQUE WRENCH - Use
along with your existing wrench
for precise tensioning of banjo
heads. Ensures even tension on
every bracket hook. Practical
and effective. Has adaptor that
slips over winged banjo wrench.
NDTW
GT14 . . . . . . . . . . . . . . 14", for 11" rim
GT16 . . . . . . . . . . . . . . 16", for 12" rim
Economy Calfskin
CF14 . . . . . . . . . . . . . . 14", for 11" rim
CF16. . . . . . . . . . . . . . 16", for 11" rim
Good Quality Goatskin
GT27 . . . . . . . . . . . . . 18", for 12-13" rim
Head Tensioning Hardware
Bracket Hooks
BA32
Nickel-plated steel. (Hex nuts are sold separately.) 8-26 thread
size.
ROUND HOOK - 21/2”, usually used on notched tension
hoops.
BA32
FLAT HOOK - Nickel-plated steel. 21/2”, usually used on
grooved tension hoops.
BA31
FLAT HOOK AND NUT SET - 23/8” hook with 1/4” nut. Other
hex nuts listed here will not fit this hook — the threads are
a different size.
P44
L-Shaped Bracket Shoe Set
Nickel-plated shoe with stainless steel bolt (12-24
thread) and washer. Hex head bolt fits 5/16” nut
wrench.
LBS34 . . . . . . 3/4” bolt
LBS100 . . . . . 1” bolt
LBS34
Hex Nuts
Nickel-plated brass, fits BA31 and BA32 hooks. 8-26
thread size.
STANDARD OPEN-END 5/16”
BA33
PRE-WAR GIBSON-STYLE 1/4”
BA35
VEGA-STYLE OPEN-END 5/16”
BA59
BA33
BA35
BA59
Diameter
10"
10-1/16"
10-1/8"
10-3/16"
10-1/4"
10-5/16"
10-3/8"
10-7/16"
There are three standard crown heights for banjo
heads. Approximate measurements are:
Installing a new synthetic banjo head
www.elderly.com
High crown heads available in all
sizes, plus we stock the most common sizes for low
and medium crowns. See our web site at
www.elderly.com for current stock. Some crown
heights and finishes are available by special order only
and require 3-5 months for delivery – please inquire!
Determining crown height
Note: We have changed our crown height (collar
height) measurement system to match Remo’s. We
no longer include the 1/8” tall mounting band in the
measurement.
69
70
VIOLIN PARTS AND ACCESSORIES
Violin Pegs
PVP1
Violin Bridges
PERFECTION GEARED VIOLIN PEG SET
At last, effective planetary geared violin pegs!
Smooth precise tuning without any need for fine
tuners. Maintains the traditional look of ebony
friction pegs.
Non-Fitted Bridges
BASIC MAPLE
VB50 4/4-Size
VB50T 3/4-Size
SEMI-FITTED MAPLE - Semi-fitted for 4/4size violin.
GOOD QUALITY EBONY
SEMI-FITTED MAPLE WITH INSERT Ebony insert for E string.
FINE QUALITY EBONY
VBSA2
VB53
VP11 . . . 4/4-Size
Aubert A Mirecourt
CHAMPION FRICTION PEGS SET
Plastic button, chrome shank, screw for
tension adjustment. Ultra heavy. Set of 4.
Aubert (pronounced o-BEAR) bridges are imported from the world’s most
respected violin bridge maker, producing bridges in Mirecourt, France since
1865. Aged naturally and treated to color and specially harden the wood.
VP18
Allows smooth tuning without slippage.
VBA5
HILL PEG COMPOUND
Medium medullary rays, branded “AUBERT A MIRECOURT — FRANCE.”
Specify size: 4/4, 3/4, or 1/2.
V403
HIDER PASTE
VBA7
V404
VBA7
VT30
Tailpieces
VC81
PLASTIC WITH METAL FASTENERS
GOOD EBONY
VC81
VT31
VT30
VC84
FINE EBONY
VT34
VC88
Fine Tuners
VFT40
GERMAN - Long arm style.
End Pins
PLAIN EBONY
VT31
SACCONI NYLON TAILGUT Tailpiece attachment installs
easily without tools. Works
for 4/4 and 3/4 size.
TA20
VC88-44 (4/4 size)
Meisel Tuner/
Metronome
VM205
ULTRA PRACTICE MUTE - Large,
secure rubber mute.
VM205
Chromatic clip-on
tuner/metronome
combo features a
specially shaped clip
for use on the scroll of
a violin or viola. Switchable
mic, adjustable reference
pitch, tap tempo. Bright
display, battery included.
VM204
TOURTE - The popular fiddleshaped hard rubber mute.
VM204
CHROME - Heavy metal mute sits
directly on bridge.
VM50
COM250
VM50
VFT49
VFT49 . . chrome
VFT50 . . . black
FINE EBONY
WITH PARISIAN EYE
VC84
VFT40
HINGELESS - Long arm style.
All are 4/4 size.
EBONY DRESDEN MODEL
Mutes
VBA5
VIOLIN NON-FITTED MAPLE
Small medullary rays, branded “AUBERT — MADE IN FRANCE.” Specify
size: 4/4, 3/4, or 1/2.
PEG COMPOUND
WITTNER
HYPOALLERGENIC
Anatomically designed and allergy tested. Ebonylook composite cup and fittings.
www.elderly.com
VIOLIN - Branded “AUBERT A MIRECOURT —
FRANCE.” Medium medullary rays. Specify size:
4/4, 3/4, 1/2, or 1/4 and height: high, med., or low.
VB52
VP10 . . . . 4/4-Size
VP10T . . . 3/4-Size
Chin Rests
Quality bridge with prefitted, swivel feet –
designed for quick
installation.
BRIDGE BLANKS
SINGLE EBONY FRICTION PEGS
Must be taper-fit to your violin. Reamers
and shapers are required.
VP18
AUBERT A
MIRECOURT
Professional fitting and shaping recommended.
PVP1 . . . . . . . 4/4-Size
VP11
Adjustable
Pre-Fit Bridges
GA07
GA07
EBONY WITH PARISIAN EYE
VE63
Bows and Bow Accessories
GLASSER - Real horsehair on fiberglass stick, sturdy.
Specify 4/4, 3/4, 1/2, 1/4, 1/8 size.
VB7
BRAZILWOOD, ROUND STICK - Real horse hair on
a brazilwood stick, ebony frog. 4/4 size only.
VB2
GLASSER “CARBON” VIOLIN BOW - Real horsehair
on carbon graphite fiber stick for high response.
Nickel silver windings and a fully lined ebony frog
with Parisian eye. 4/4 size.
VB11
We have USED BOWS in stock, too! See elderly.com
Bow Hair
HERCO HERVEX - Synthetic.
Shoulder Rests
BON MUSICA - Comfortable and built to last. Fits 4/4.
VS91
KUN COLLAPSIBLE - 4/4 size shoulder rest with foldable
clasp arms.
VS101
VS101
VS90
BW1
GENUINE HORSEHAIR - Double drawn, unbleached.
BW2
MAATZHAARE - High-grade synthetic. Designed to
simulate real horsehair.
BW8
SUPER KUN - Soft, comfortable curves and edges.
VS96-4/4
EVEREST - Ergonomic design for optimum comfort.
Collapsible for easy storage, fits 4/4 and 3/4 size violins.
EZ4
EZ4
VS96
POEHLAND - Kidney shaped pad with leather
attachments.
VS90
Rosin
VR501
ROSIN-IN-A-TROUGH
VR501
HIDERSINE #3V
VR502
SUPER SENSITIVE
CLARITY
HILL
AB - Dark
VR504 light
VR506
VR505 dark
STRINGS
Acoustic 6-String Guitar
Easily convert your 6-string
acoustic to a 7-string …
Addstring Modular
System
New! MARTIN RETRO MONEL
nkl alloy lt
nkl alloy med
.011 .014 .023w .031w .041w .052w
.012 .015 .025w .031w .041w .054w
BLACK DIAMOND
N600L
N600M
phos brz lt
phos brz med
.012 .016 .024w .032w .042w .053w
.013 .017 .026w .035w .046w .056w
Black Coated
N600LB
phos brz lt
.012 .016 .024w .032w .042w .053w
D’ADDARIO
EJ10
EJ11
EJ12
EJ13
EJ14
EJ16
EJ17
EJ19
EJ26
EXP11
EXP12
EXP13
EXP15
EXP16
EXP17
EXP19
FT16
80/20 brz xlt
80/20 brz lt
80/20 brz med
80/20 brz cust lt
80/20 brz bluegrass
phos brz lt
phos brz med
phos brz blgrass
phos brz cust lt
coated 80/20 brz lt
coated 80/20 brz med
coated 80/20 brz cust lt
coated 80/20 brz xlt
coated phos brz lt
coated phos brz med
coated phos brz blgrass
semi-flat phos brz lt
.010 .014 .023w .030w .039w .047w
.012 .016 .024w .032w .042w .053w
.013 .017 .026w .035w .045w .056w
.011 .015 .022w .032w .042w .052w
.012 .016 .025w .035w .045w .056w
.012 .016 .024w .032w .042w .053w
.013 .017 .026w .035w .045w .056w
.012 .016 .025w .035w .045w .056w
.011 .015 .022w .032w .042w .052w
.012 .016 .024w .032w .042w .053w
.013 .017 .026w .035w .045w .056w
.011 .015 .022w .032w .042w .052w
.010 .014 .023w .030w .039w .047w
.012 .016 .024w .032w .042w .053w
.013 .017 .026w .035w .045w .056w
.012 .016 .025w .035w .045w .056w
.012 .016 .024w .032w .042w .053w
Back in 2007, Roger McGuinn teamed-up with C.F.
Martin & Co. for a Signature model 7-string guitar –
the 7th string being an octave G string. This allowed
McGuinn to have one guitar that allowed him to
capture the essenc e of the 12-string guitar while
maintaining the clean bass runs and the high-end
clarity of a 6-string guitar.
Now you can have a similar setup on your own guitar. Requires an additional string
slot cut into the nut, but no other permanent modifications. Watch the quick installation
video on our web site.
ADDS
Never use strings that are heavier than the gauge
recommended by the maker of your instrument.
JOHN PEARSE
JP200L
JP300M
JP600L
JP650
JP700M
JP710NM
JP960L
D’ANGELICO
100L
100SS
80/20 brz (brass) lt
silk & steel lt
.012 .016 .024w .032w .042w .054w
.011 .014 .024w .030w .040w .050w
“dragon skin” phos lt
“dragon skin” phos med lt
“rare” phos brz med lt
“rare” phos brz med
pre-alloy phos brz med lt
“sunbeam” phos med lt
“sunbeam” phos brz med
.011
.012
.012
.013
.012
.012
.013
M140
M150
M175
M240
MEC12
MTR13
M540
M550
M130
80/20 brz lt
80/20 brz med
.011 .015 .022w .030w .042w .052w
.013 .017 .026w .034w .046w .056w
80/20 nanoweb lt
80/20 polyweb med
80/20 nanoweb med
80/20 nanoweb med
phos brz lt
phos brz med
phos brz lt-med
.012 .016 .024w .032w
.012 .016 .024w .032w
.013 .017 .026w .035w
.013 .017 .025w .032w
.012 .016 .024w .032w
.013 .017 .026w .035w
.012 .016 .024w .035w
.042w
.042w
.045w
.042w
.042w
.045w
.045w
.053w
.053w
.056w
.053w
.053w
.056w
.056w
MFX130
MFX740
MFX750
aluminum brz lt
aluminum brz med lt
.011 .015 .022w .030w .042w .052w
.012 .016 .024w .032w .044w .054w
phos brz xlt
phos brz lt
phos brz std med
phos brz “true” med
Alloy “52” white brz med
.011
.012
.013
.013
.013
.014 .022w .030w .038w .050w
.016 .024w .032w .042w .054w
.017 .026w .036w .046w .056w
.017 .024w .032w .042w .056w
.017 .022w .036w .046w .056w
.012
.013
.012
.013
.016 .024w .032w
.017 .026w .036w
.016 .024w .032w
.017 .026w .036w
M1100
M1200
M1400
M2100
M2200
80/20 brite brz lt
80/20 brite brz med
coated contact core lt
coated contact core med
.042w
.046w
.042w
.046w
silk & steel lt
silk & steel med
silk & brz lt
silk & brz med
MSP3050
MSP3100
MSP4050
MSP4100
MSP4150
MSP4200
MSP4250
.054w
.056w
.054w
.056w
brz lt
brz med
.012 .016 .024w .032w .042w .054w
.013 .017 .026w .036w .046w .056w
Signature Laurence Juber – Cryogenic bronze
LJ30L
LJ40TM
brz lt
brz true med
.012 .016 .024w .032w .042w .054w
.013 .017 .024w .032w .042w .056w
Vintage Bronze – Vintage alloy
VNB
85/15 brz bluegrass
.012 .016 .026w .036w .046w .056w
More strings…
• Pyramid • Cleartone • Dean Markley • Optima •
Wyres • Savarez • Thomastik • more
…we’ve got ‘em
.012 .016 .022w .031w .041w .052w
.013 .017 .026w .035w .046w .056w
.011 .014 .023w .031w .041w .051w
.012 .016 .025w .033w .046w .056w
.012 .016 .022w .031w .041w .052w
80/20 brz lt
.012 .016 .025w .032w .042w .054w
80/20 brz med
.013 .017 .026w .035w .045w .056w
80/20 brz custom lt
.011 .015 .023w .032w .042w .053w
80/20 brz bluegrass
.012 .016 .025w .035w .045w .056w
phos brz lt “Eric Clapton” .012 .016 .025w .032w .042w .054w
monel-nkl med “Tony Rice”.013 .016 .026w .034w .044w .056w
phos brz lt
.012 .016 .025w .032w .042w .054w
phos brz med
.013 .017 .026w .035w .045w .056w
silk & steel
.0115 .014 .023w .028w .038w .047w
silk and phos custom
phos brz lt
phos brz med
.011 .013 .023w .028w .038w .047w
.012 .016 .025w .032w .042w .052w
.013 .017 .026w .035w .045w .056w
80/20 brz lt
80/20 brz med
silk & steel
phos brz lt
phos brz med
.012 .016 .025w .032w .042w .054w
.013 .017 .026w .035w .045w .056w
.0115 .014 .023w .028w .038w .047w
.012 .016 .025w .032w .042w .054w
.013 .017 .026w .035w .045w .056w
80/20 brz cust lt
.011 .015 .023w .032w .042w .052w
80/20 brz lt
.012 .016 .025w .032w .042w .054w
phos brz cust lt
.011 .015 .023w .032w .042w .052w
phos brz lt
.012 .016 .025w .032w .042w .054w
phos brz lt-med
.0125 .0165 .0255w .0335w .0435w .055w
phos brz med
.013 .017 .026w .035w .045w .056w
phos brz bluegrass
.013 .017 .026w .036w .046w .056w
Studio Performance Lifespan Series – Cleartone Treated
.010 .013 .020w .026w .034w .042w
.011 .014 .022w .028w .038w .048w
.011 .014 .023w .029w .039w .049w
.012 .016 .024w .032w .042w .054w
MSP6050
MSP6100
MSP6200
MSP7100
MSP7200
Infinity Bronze – Coated
IB30L
IB40M
golden alloy lt
silver plated med
silk & steel lt
silk & steel med
special phos brz lt
Studio Performance Series
Silk Core – Warm, soft feel and exceptional sustain
345
350
370
370ML
.042w .053w
.045w .056w
.042w .053w
.046w .056w
.045w .056w
.042w .055w
.042w .054w
Marquis Series
Bright Bronze – 80/20
BB30
BB40
CCBB30
CCBB40
.032w
.035w
.032w
.035w
.035w
.032w
.032w
FX – Flexible Core – Thinner core for great control
GHS
S315
S325
S335
TM335
WBM
.024w
.026w
.024w
.024w
.026w
.024w
.024w
MARTIN
ERNIE BALL
EB2568
EB2566
.016
.017
.016
.016
.017
.017
.016
80/20 brz cust lt
80/20 brz lt
80/20 brz med
phos brz lt
phos brz med
.011 .015 .023w .032w .042w .052w
.012 .016 .025w .032w .042w .054w
.013 .017 .026w .035w .045w .056w
.012 .016 .025w .032w .042w .054w
.013 .017 .026w .035w .045w .056w
Folk Guitar
Wound bass, nylon trebles – designed for steel string acoustics
D’ADDARIO – 80/20 Bronze wound
J33
clear nylon trebels
.028 .032 .040 .031w .037w .045w
LA BELLA – “Golden Alloy” wound
L830
black nylon trebels
.028 .032 .040 .031w .035w .044w
MARTIN
M1400
Marquis silk & steel
.0115 .014 .023w .028w .038w .047w
Wound basses, nylon trebles
M160
M260
silver-plated
80/20 brz
.028 .032 .040 .030w .035w .043w
.028 .032 .040 .030w .035w .043w
labella
L830
40PS
700M
710L
710M
7GPS
ELIXIR
11052
11050
11102
11182
16052
16102
16077
.012
.013
.012
.012
.013
.013
.012
Golden alloy, silver-plated, silk & steel, and more
.015 .022 .030w .040w .050w
.016 .024 .032w .042w .054w
.016 .024w .032w .042w .054w
.017 .026w .034w .045w .056w
.016 .024w .032w .042w .054w
.016 .024w .032w .042w .054w
.017 .026w .034w .045w .056w
EARTHWOOD
EW20
EW30
80/20 brz lt
80/20 brz med
phos brz lt
phos brz bluegrass
phos brz med
phos brz “New” med
pure nickel lt
LA BELLA
DR
DSA11
DSA12
DRRP12
DRRP13
DRPA12
DRRCA12
DRRCA13
www.elderly.com
Long-lasting nickel-alloy blend
for warm vintage tone
MM11
MM12
71
STRINGS
Acoustic 12-String Guitar
D’ADDARIO
EXP38
EJ41
coated phos brz xlt .010/.010
.030w/.012
.010/.010
.030w/.012
phos brz xlt
.009/.009
.029w/.011
.014/.014
.039w/.018w
.014/.014
.039w/.018
.013/.013
.036w/.016
.023w/.008
.047w/.027w
.023w/.008
.047w/.027w
.021w/.008
.045w/.026w
.013/.013
.036w/.017
.012/.012
.032w/.016
.017/.017
.046w/.026w
.016/.016
.042w/.024w
.026w/.012
.058w/.036w
.024w/.010
.054w/.032w
.009/.009
.026w/.011
.011/.011
.030w/.014
.012/.012
.036w/.018
.014/.014
.040w/.022w
.020w/.009
.046w/.024w
.024w/.010
.050w/.030w
.010/.010
.030w/.012
.014/.014
.039w/.018w
.024w/.009
.048w/.028w
phos brz lt
D’ANGELICO
500M
80/20 brz med
DA500PBL phos brz lt
DEAN MARKLEY
DMP22
brz lt
DMP42
brz med lt
DR
ELDERLY CUSTOM SETS from La Bella
C12BA
phos brz (low tune) .014/.014
.036w/.016
phos brz (baritone) .012/.013
.034w/.016
.018/.018
.045w/.019
.018w/.018w
.047w/.023w
.025w/.025w
.064w/.014
.026w/.011
.070w/.034w
ELIXIR
11152
Nano brz lt
11150
Poly brz lt
.010/.010
.030w/.012
.010/.010
.030w/.012
.014/.014
.039w/.018
.014/.014
.039w/.018
.023w/.009
.047w/.027w
.023w/.009
.047w/.027w
GHS LOW TUNED
GLK12
heavy
.013/.013
.040w/.017
.017/.017
.030w/.013
.048w/.028w .056w/.039w
JOHN PEARSE
JP1300L
JP1450H
80/20 brz lt
.010/.010
.030w/.012
phos brz (low-C#) .013/.013
.039w/.018
7GP12XL phos brz xlt
.023w/.010
.047w/.027w
.030w/.014
.056w/.035w
.009/.09
.028w/.012
.012/.012
.038w/.020
.020w/.008
.048w/.026w
.010/.010
.030w/.012
.014/.014
.039w/.018
.023w/.010
.047w/.027w
.010/.010
.032w/.012
.014/.014
.042w/.018
.025w/.010
.054w/.027w
.014/.014
.039w/.018
.014/.014
.039w/.018
.023w/.008
.047w/.027w
.023w/.008
.047w/.027w
.0014/.014
.039w/.018
.0014/.014
.039w/.018
.023w/.008
.047/.027
.023w/.010
.047/.027
MARTIN
80/20 brz xlt
Flexible Core Series
phos brz light
Marquis Series
M1600
80/20 brz xlt
M2600
phos xlt
.010/.010
.030w/.012
.010/.010
.030w/.012
Studio Performance Series
MSP4600 phosbrz xlt
MSP7600 coated phos xlt
.010/.010
.030w/.012
.010/.010
.030w/.012
PYRAMID GOLD-SERIES FLATWOUND
PG12
BLACK DIAMOND
N780
N780FS
phos brz
Ferrell Stowe
pure nkl lt
.010/.010
.030w/.013
.012/.012
.035w/.019
.019w/.010
.0465w/.030w
Classical Guitar
With few exceptions, nylon string sets have plain nylon treble strings, bass strings
of metal wound over silk. Except where indicated, the classical guitar strings we
carry have traditional tie ends.
AQUILA – Synthetic gut
AALAN
AALAS
AALCS
Alabastro - normal tension
Alabastro - superior tension
Alchemia - superior tension
AUGUSTINE
500
700
900
black low tension
red high tension
blue superhi tension
D’ADDARIO
J27N
J27H
J45
J46
J44S
EJ45C
EJ46C
EJ49
EJ50
EXP46
.016 .018 .028w .036w .046w .056w
.017 .019 .028w .036w .044w .056w
D’ADDARIO
EXP42
FT13
J42
phos brz coated .016 .018 .026w .035w .045w .056w
phos brz semi flat .016 .019 .028w .036w .044w .056w
phos brz
.016 .018 .026w .035w .045w .056w
DUNLOP
DLP3207 phos brz
.016 .018 .028w .036w .046w .056w
ELIXIR – Polyweb coating
.016 .018 .028w .035w .045w .056w
GHS
G Tuning – 6-String
GCRS
GCRS2
1600
SH1600
TS1600
PL1650
PB1650
SF1650
stainless steel
stainless steel
semi-flat, blgrass
coated brz
Scheerhorn
Phil Ledbetter
phos brz round
phos brz semi-flat
.018 .020 .030w .038w .048w .056w
.018 .020 .030w .036w .046w .056w
.016 .018 .028w .036w .046w .056w
.017 .019 .028w .036w .046w .056w
.017 .019 .028w .036w .046w .056w
.016 .018 .028w .036w .044w .056w
.016 .018 .028w .036w .046w .056w
.016 .018 .028w .036w .046w .056w
JOHN PEARSE
G Tuning – 6-String
JP3000
JP3050
JP3100
nickel acou/elec
nickel acou/elec
phos brz
.016 .018 .028w .038w .049w, .059w
.018 .018 .026w .038w .048w, .059w
.016 .018 .027w .039w .049w, .059w
JP790
phos brz
.013 .017 .026w .036w .046w .056w
Roundneck – Spanish Style
MARTIN
M980
nickel, bluegrass .016 .018 .026w .036w .046w .056w
Lap Steel Guitar
ASHER – Open tuning lap steel
Standard Series
MFX700
phos brz
.017 .019 .028w .036w .045w .056w
phos brz
.018 .020 .029w .036w .045w .056w
G tuning 8-string .016 .018 .028w .032w .035w .045w
.056w .060w
silver plated bass, normal tension
silver plated bass, hard tension
normal tension
hard tension
extra-hard tension
composite, normal tension
composite, hard tension
black nylon, normal tension
Pro-Arte hard tension
coated silver plated, hard tension
AH614
EH615
phos brz med
nickel med
.014 .017 .028w .036w .046w .056w
.015 .018 .028w .038w .048w .058w
GHS – Nickel roundwound
GLSE
GLSC6
GLSG
GLS8
E9 tuning
C6 tuning
G tuning 6-string
G tuning 8-string
.014 .018 .022. 034w .046w .058w
015, 017, 022, 026, 030w, 036w
.016 .018 .026 .040w .050w .058w
.012 .016 .018 .022w .028w .032w
.038w .050w
JOHN PEARSE
C6 Tuning – 8-String
JP7650 nickel
.011 .014 .018 .024w .030w .036w
.046w .056w
D Tuning – 6-String Weissenborn
JP3150H phos
.017 .022 .027w .045w .054w, .068w
GHS
2050W
2390
2300
tynex ball-end high
med-high tension rollerwound basses
med-high tension silverwound basses
HANNABACH – Silver plated
H815H
H815M
H728M
H728H
high-tension
med-tension
med-tension
high-tension
LABELLA
411A
2001H
2001M
2001MH
10PH
silver-plated basses, gut trebles “Antique Set”
hard tension
med tension
med/hard tension
high tension “Professional Series”
SAVAREZ
520B
520R
520P
520P3
low tension
high tension
wound 2 and 3 high tension
wound 3 high tension
SAVAREZ ALLIANCE
540J
540R
540RH
superior high tension
high tension
polished brass high
More classical strings in stock by Galli, Oasis, Sevilla, Ramirez and Thomastik – See them all at elderly.com
.014/.014
.039w/.018w
.017/.017
.045w/.027w
LA BELLA
M180
BR78
BR79
BR80
11125
DRRP/12 “rare” phos brz
LBGS
Resonator Guitar
BEARD – Special thick core 3rd string
www.elderly.com
EJ38
73
74
STRINGS
Electric 6-String Guitar
BLACK DIAMOND
BD477L
BD200L
light, nickel alloy
pure jazz light
.010 .013 .017 .026w .036w .046w
.012 .016 .024w .032w .042w .052w
D’ADDARIO
EXL1103D
EXL115
EXL115W
EXL1153D
EXL120
EXL1203D
EXL120P
3 SETS nickel lt
nickel jazz/rock
nickel blues/jazz
3 SETS nickel jazz/rock
nickel xlt
3 SETS nickel xlt
nkl, super lt plus
.010 .013 .017 .026w .036w .046w
.011 .014 .018 .028w .038w .049w
.011 .014 .021w .028w .038w .049w
.011 .014 .018 .028w .038w .049w
.009 .011 .016 .024w .032w .042w
.009 .011 .016 .024w .032w .042w
.0095 .0115 .016 .024w .034w .044w
Boomers – nickel roundwound
GBXL
GBCL
GBL
GB105
GBM
GBH
x-light
custom lt
light
light plus
med
heavy
CBGBCL
CBGBM
CBGBTNT
custom lt
med
thin-thick
CRGBXL
CRGBL
extra light
light
Burnished Nickel
BNRXL
BNRL
.010 .013 .017 .026w .036w .046w
reg lt
blues/jazz rock
.010 .013 .017 .025w .035w .045w
.011 .014 .018 .027w .037w .048w
Pure nickel
EPN110
EPN115
nickel, lt
nickel, jazz med
.012 .016 .024w .032w .042w .052w
.013 .017 .026w .036w .046w .056w
Soldered Twists – reinforced for vibrato tailpieces
EKXL110
nickel, reg lt
.010 .013 .017 .026w .036w .046w
Heat-Treated Half-Wound
EHR370
extra light, polished .009 .011 .016 .024w .032w .042w
light, polished
.010 .013 .017 .026w .036w .046w
David Gilmour Custom Gauge Boomers
DGF
RRL
RRM
Blue, Strat® set, lt
.010 .012 .016 .028w .038w .048w
.011 .014 .018 .028w .038w .049w
lt jazz
.011 .015 .022w .030w .040w .050w
light
medium
.010 .013 .017 .026w .036w .046w
.011 .015 .018 .026w .036w .050w
Brite Flats – Alloy 52
720M
nickel medium
.011 .014 .022w .028w .038w .050w
Progressives “Alloy 52” nickel
PRL
steel, lt
Flatwound Chromes for smooth jazz tone
CG24
.019 .011 .016 .024w .032w .042w
.010 .013 .017 .026w .036w .046w
Nickel Rockers – semi-flat
Hex core
J21
J22
.009 .011 .016 .026w .036w .046w
.011 .015 .018 .026w .036w .050w
.010 .013 .017 .030w .044w .052w
Sub-Zero Boomers – cryogenically treated
EXP110
nickel lt
.009 .011 .016 .024w .032w .042w
.009 .011 .016 .026w .036w .046w
.010 .013 .017 .026w .036w .046w
.0105 .0135 .017 .026w .038w .048w
.011 .015 .018 .026w .036w .050w
.012 .016 .019 .028w .038w .052w
Coated Boomers – nickel roundwound
Coated EXP – tin-plated plain steels
light
.010 .013 .017 .026w .036w .046w
Nickel Precision Flatwound
800S
710S
extra light
brite flat light
.011 .014 .022w .028w .036w .046w
.010 .013 .017 .026w .036w .046w
New! NYXL Flexsteel high-carbon steel core
JOHN PEARSE – EZ Bend nickel-plated steel
NYXL0942
NYXL1046
JP2700
JP2500
super lt
reg lt
.009 .011 .016 .024w .032w .042w
.010 .013 .017 .026w .036w .046w
jazz medium
medium
.012 .016 .024w .032w .042w .052w
.010 .013 .017 .026w .036w .046w
Prosteels – Special alloy, D’Addario’s brightest and most magnetic
LA BELLA
EPS510
Roundwound – bonus sets with extra 1st and 2nd strings
reg lt
.010 .013 .017 .026w .036w .046w
DEAN MARKLEY – Roundwound nickel
LELR
LELJL
DME17
DME20
DM2552
DM2562
Black Nylon Tape Wound
regular lt
med
nkl “Blue Steel” lt
nkl “Blue Steel” med
.010 .013 .017 .026w .036w .046w
.011 .013 .020w .030w .042w .052w
.009 .011 .016 .024w .032w .042w
.011 .013 .020w/.018 .030w .042w .052w
nickel lt
nickel extra hvy
Pure Blues med
Pure Blues heavy
Black Beauties med
Neon White med
.010 .013 .017 .026w .036w .046w
.011 .014 .018 .028w .038w .050w
.010 .013 .017 .026w .036w .046w
.011 .014 .018 .028w .038w .050w
.010 .013 .017 .026w .036w .046w
.010 .013 .017 .026w .036w .046w
DRE10
DRE11
DRPHR10
DRPHR11
DRBB10
DRNWE10
12002
12052
12102
Nanoweb ex-light
Nanoweb light
Nanoweb med
.009 .011 .016 .024w .032w .042w
.010 .013 .017 .026w .036w .046w
.011 .014 .018 .028w .0385w .049w
light
medium
.010 .013 .017 .026w .036w .046w
.012 .016 .024w .032w .042w .052w
.012 .015 .028w .038w .048w .056w
.014 .018 .036w .046w .056w .067w
2215
2251
EB20
EB21
EB22
EB23
EB2626
nickel lt-hvy
classic nickel reg
power nickel med
reg nickel
hybrid nickel
super nickel
custom for detuning
.010 .013 .017 .030w .042w .052w
.010 .013 .017 .026w .036w .046w
.011 .014 .018 .028w .038w .048w
.010 .013 .017 .026w .036w .046w
.009 .011 .016 .026w .036w .046w
.009 .011 .016 .024w .032w .042w
.012 .016 .024 .032w .044w .056w
Iron/cobalt alloy – stronger magnetic properties
EB2721
EB2723
reg slinky
super slinky
.010 .013 .017 .026w .036w .046w
.009 .011 .016 .024w .032w .042w
regular
.010 .013 .017 .026w .036w .046w
medium blues
.011 .014 .018 .028w .038w .052w
lt top / hvy bottom .010 .013 .017 .030w .042w .052w
PYRAMID
Nickel Classics – silvered trebles
P450
P451
P451/5
P453
P454
P455
light
medium
regular special
med/heavy
jazz
special
.019
.010
.010
.010
.012
.011
.012
.013
.013
.013
.016
.014
.016 .022w .032w .042w
.017 .026w .036w .046w
.017 .028w .038w .048w
.017 .030w .042w .052w
.022w .032w .044w .054w
.018 .028w .038w .048w
PMPRL
PMPRM
light
med
.010 .013 .017 .026w .036w .046w
.011 .014 .018 .028w .038w .048w
Pyramid Gold flat – German-made
PG6XL
PG12
light
12-str elec light
.010 .013 .019w .030w .035w .0465w
.010/.010 .012/.012 .010/.019w .013/.030w
.019/.035w .030W/.0465w
ROTOSOUND
Nickel wound
RS010
RSR11
Yellows, regular
Reds, medium
.010 .013 .017 .026w .036w .046w
.011 .014 .018 .028w .038w .048w
Flatwound – monel steel
FENDER®
pure nickel med
pure nickel lt
nickel reg lt
Dynamax reg
nickel lt
nickel reg
nickel steel lt
nickel steel reg
HRSR
HRSMB
HRSLTHB
Max Performance – silver-plate trebles
ERNIE BALL SLINKY
150M
150R
150L
250R
3150L
3150R
3250L
3250R
800L
800M
nickel regular
nickel jazz
HRS Series – hand-wound nickel
DR
ELIXIR — Thin coating for long life, bright tone
www.elderly.com
GHS
.011 .014 .018 .028w .038w .049w
.010 .013 .017 .026w .036w .046w
.010 .013 .017 .026w .036w .046w
.010 .013 .017 .026w .036w .046w
.009 .011 .016 .024w .032w .042w
.010 .013 .017 .026w .036w .046w
.009 .011 .016 .024w .032w .042w
.010 .013 .017 .026w .036w .046w
Great selection and low prices
Check out our
web site for
quantity discounts
and special sales
www.elderly.com
RS200
jazz gauge
.012 .016 .024w .032w .042w .052w
nickel, light
nickel, hvy bottom
nickel, jazz lt
nickel, x-light
nickel, lt
.010 .013 .017 .026w .036w .046w
.010 .013 .017 .030w .042w .052w
.012 .016 .024w .034w .044w .052w
.009 .011 .016w .024w .032w .042w
.009 .011 .016 .026w .036w .046w
SIT
SS1046
SS1052
SS1252
SS942
SS946
THOMASTIK-INFELD
George Benson Jazz Series – brass-plated steel trebles
GB112
GR112
flatwound med lt
.012 .016 .020w .028w .039w .053w
flatwound medium .012 .016 .020w .030w .038w .053w
Jazz Swing Series – warm jazz tone
JS113
med
.013 .017 .021w .028w .039w .053w
med
.010 .013 .017 .026w .036w .046w
Super Alloy
IN110
Sliders Blues
SL195
med
.010 .013 .016 .028w .037w .048w
med
.013 .017 .021w .030w .038w .053w
Bebop
BB113
Flatwound
JS111
JS112
flatwound light
.011 .015 .019w .025w .035w .047w
flatwound medium .012 .016 .020w .027w .037w .050w
STRINGS
Electric Bass
D’ADDARIO
GHS
(long scale
unless noted)
Boomers — Nickel roundwound
lt top / med bottom
regular light
.045 .065 .085 .105
.045 .065 .080 .100
Nickel roundwound
EXL170 med. light
EXL1705 5-string med. light
EXL165 medium
.045 .065 .080 .100
.045 .065 .080 .100 .130
.045 .065 .085 .105
4-string med. light
Precision Flatwound
3020
M3050
.045 .065 .080 .100
4-string regular
T3060
.045 .065 .085 .105
4-string regular
ML3075
M3075
.045 .065 .080 .100
4-string regular
ML7200
M7200
.050 .065 .085 .105
DR
medium
ML5000
.045 .065 .085 .105
regular slinky, reg
hybrid slinky, med
super slinky, med-lt
760FL
760FS
760FHB2
760FL-MUS
0760M
760FM
7676F
.050 .070 .085 .105
.045 .065 .085 .105
.045 .065 .080 .100
FENDER®
9050ML
9050M
8250M
9120M
stainless steel flatwnd lt
stainless steel flatwnd med
nickel taperwound med
nylon tape
750N
750T
RB45
RS66LD
bronze wound, med lt.
stainless steel wnd, med lt.
.011 .011 .015 .022w .011
.011 .011 .015 .022w .011
BLACK DIAMOND
N730
N735
nickel, lt.
nickel, med
.010 .012 .014 .022w .010
.011 .013 .015 .024w .011
D’ADDARIO
J55
J60
J60P
J61
J63
J63I
J57
JS57
JS60
phos brz, med
nickel, lt
nickel, lt-plus
nickel med
tenor lt
irish tenor, nickel
nickel, custom medium
stainless, med
stainless, lt
.010 .012 .016 .023w .010
.009 .010 .013 .020w .009
.0095 .011 .013 .020w .0095
.010 .012 .016 .023w .010
.009 .016 .023w .030w
.012 .016 .024w .036w
.011 .012 .013 .022w .011
.011 .012 .013 .022w .011
.010 .011 .012 .020w .010
DEAN MARKLEY
DMB04
steel, med-lt
.010 .013 .015 .024w .010
DEERING – Durable high-grade steel
DBL
DBMED
DBTB
DBTEN
DBTENOR
DBP
DBIT
DB6S
lt
med
Terry Baucom
Tenbrooks
standard tenor
plectrum
Irish tenor
6-string
.010 .011 .013 .021w .010
.010 .012 .016 .024w .010
.011 .011 .013 .020w .011
.011 .012 .013 .022w .011
.010 .016 .024w .036w
.010 .012 .016 .024w
.012 .018w .28w .038w
.010 .013 .017 .026w .034w .046w
ELIXIR — Polyweb coated bronze
11600
11650
light
medium
.009 .010 .013 .020w .009
.010 .012 .016 .023w .010
J. D. Crowe, Stage lt
J. D. Crowe, Studio lt
stainless med
phos brz 4th, lt
stainless, custom lt
phos brz 4th, med
stainless, lt
S. Osborne, stainless, med-lt
stainless, med
extra long, almost medium
tenor (4-str), phos brz, lt
tenor (4-str), stainless, lt
celtic tenor, stainless, lt
.010 .011 .012 .020w .010
.0095 .011 .012 .020w .0095
.010 .012 .013 .022w .010
.010 .012 .014 .022w .010
.010 .011 .0125 .020w .010
.011 .013 .016 .026w .010
.009 .011 .013 .020w .009
.011 .012 .013 .022w .011
.011 .013 .016 .024w .010
.0105 .0115 .013 .020w .0105
.009 .012 .022w .028w
.0105 .012 .020w .028w
.014 .024w .032w .042w
GHS
PF135
PF140
PF145
PF150
PF155
PF160
PF170
PF175
PF180
PF185
PF210
PF220
CTB
.044 .063 .080 .102
light
standard
for Hofner Beatle Bass
light, for Fender® MustangTM
“Jamerson” set, medium
medium
6-string, high C
.043 .060 .082 .104
.045 .065 .085 .105
.039 .056 .077 .96
.043 .060 .082 .104
.052 .073 .095 .110
.049 .069 .089 .109
.026 .035 .044 .56 .75 .95
black nylon light
transparent nylon light
.050 .065 .085 .105
.050 .065 .085 .105
Roto Bass medium
Swing Bass standard
.045 .065 .085 .105
.045 .065 .080 .105
S4500
S4505
Power Wound light
Power Wound medium
.045 .065 .080 .100
.045 .065 .085 .105
GHS – 6-String Banjo
stainless, lt
.011 .014 .018 .024w .034w .042w
GHS – 5-String set with ball-ends
PF130
stainless, lt
.010 .012 .014 .022w .010
JOHN PEARSE
JP1700L bronze 4th, lt
JP1800M nickel 4th, med xtra-long
JP1900 Hartford nickel G tuning
JP1950 Hartford nickel D tuning
JP2010M tenor 80/20 med
JP2020H tenor 80/20 heavy
.009 .010 .013 .020w .009
.010 .012 .016 .023w .010
.010 .012 .014 .022w .010
.012 .014 .020w .024w .012
.012 .016 .026w .038w
.013 .020w .028w .040w
OME
OBS5H
OBS5M
OBS5L
OBST
heavy
medium
light
jazz (tenor)
.011 .013 .018 .026w .011
.010 .012 .014 .022w .010
.011 .013 .018 .026w .011
.011 .013 .22w .29w
VEGA
V700
V730
V720
lt
med
tenor (4-string)
.009 .010 .013 .020w .009
.010 .012 .016 .023w .010
.009 .016 .023w .030w
Synthetic gut and nylon sets
AQUILA – Nylgut synthetic gut
Minstrel
ANGMB heavy tension, lower D- or E-tuning
Classical
A1BR
A2BR
A11B
New version 1B Nylgut set with Red Series 4th string
New version 2B Nylgut set with Red Series 4th string
normal tension, all Red Series set
Banjo Uke
ANBU
Standard soprano uke tuning
CHRIS SANDS – Nylon, for “Classical Banjo”
CS50L
CS50M
CS50H
lt
med
heavy
LA BELLA – Nylon, silver-plated wound
L17
lt 019 022 028 025w 019
BKB4
BKS4
med-lt, long scale plus
SIT
PF120
BILL KEITH
.044 .058 .080 .102
.044 .062 .084 .106
ROTOSOUND
elderly.com
(5-string steel unless noted)
med-lt
medium
Tapewound
.050 .065 .085 .100
.055 .071 .088 .104
.045 .065 .085 .110w
.058 .072 .092 .110
Even more bass strings at
Banjo
.052 .065 .084 .103
.049 .062 .084 .108
Deep Talkin‘ — Flatwound
.045 .065 .085 .105
ERNIE BALL — Nickel, roundwound
2832
2833
2834
med-lt
medium
LA BELLA
Low Rider - Hex core, roundwound
DRMH45 medium
.050 .070 .090 .105
Super Steels – Stainless steel roundwound
Hi Beam Steel – Roundwound
DRBM
medium
Pressurewound
Tapewound - Black nylon
ETB92
.045 .060 .075 .095
.045 .065 .085 .105
Brite Flats — Ground roundwound nickel
Flatwound Chromes - Warm, mellow tone
ECB81
short scale light
long scale plus medium
Tapewound – Black nylon
ProSteels - Piano-like tone
EPS165
.040 .055 .075 .095
.045 .065 .080 .100
.045 .065 .085 .105
.050 .070 .090 .107
.030 .045 .065 .080 .100 .126
.040 .055 .075 .95 .120
.045 .065 .085 .105 .130
GHS
Half Rounds - Heat-treated nickel
ENR71
light
med-lt
medium
short scale, med
6-string
5-string light
5-string medium
www.elderly.com
L3045
ML3045
M3045
3035
6MLDYB
5LDYB
5MDYB
New! Flex Steels – Textured roundwound
EFX165
EFX170
75
76
STRINGS
LABELLA
Mandolin
770L
770M
880L
880M
BLACK DIAMOND – Silver-plated
N762
N774
N774B
silver plated, extra light
phosphor bronze, medium
black coated phos, med
.0095 .012 .022w .035w
.011 .015 .026w .040w
.011 .015 .026w .040w
M400
450M
coated phos brz, med
coated phos brz, med-hvy
coated 80/20 brz, med
phos brz, lt
phos brz, med-lt
stainless steel, med-lt
phos brz, med
80/20 bronze, lt
flattop phs brz, med
ultra-smooth steel, med
.011 .015 .026w .040w
.0115 .016 .026w .041w
.011 .015 .026w .040w
.010 .014 .024w .038w
.011 .015 .026w .040w
.011 .015 .026w .040w
.0115 .016 .026w .041w
.010 .014 .024w .034w
.011 .015w .026w .039w
.011 .015 .026w .036w
phosphor bronze, light
.011 .015 .024w .038w
SM1036
SM1140
rare phos brz lt
rare phos brz med
rare phos brz hvy
.010 .014 .024w .036w
.011 .015 .026w .040w
.012 .016 .028w .042w
154-L
154-M
154-H
154K
.010 .014 .024w .034w
.011 .015 .026w .040w
phos brz ultra lt
phos brz lt
phos brz Bobby Osborne
phos brz med
silk & bronze lt
silk & steel lt
bronze med-lt
bronze med
p.brz lt wound ball end
.009 .013 .020w .032w
.010 .015 .024w .036w
.011 .016 .024w .038w
.011 .016 .026w .040w
.011 .016 .026w .040w
.011 .016 .026w .038w
.011 .016 .024w .038w
.011 .016 .026w .040w
.010 .015 .024w .036w
E250
J67
2250L
GHS, stainless steel light .010 .015 .024w .032w
D’Addario, nickel elec/acou, med-lt .011 .014 .025w .039w
Fender®, nickel-plated med .011 .016 .026w .040w
Mandola
FT76
J76
J72
PF280
JP2250
164
D’Addario, semi-flat phos brz .016 .024w .035w .053w
D’Addario, phos brz med-heavy .015 .025w .035w .052w
D’Addario, phos brz light .014 .023 .034w .049w
GHS, bright bronze, light .012 .024 .034w .048w
John Pearse, phos brz .012 .024w .034w .048w
Thomastik-Infeld, chrome flatwound, medium tension
Octave Mandolin
GOMPB
J80
JP2280
174L
174M
GHS, phos brz .012 .022w .032w .044w
D’Addario, phos brz .012w .022w .032w .048w
John Pearse, phos brz .012 .021w .032w .045w
Thomastik-Infeld, chrome flatwound, light tension
Thomastik-Infeld, chrome flatwound, med tension
Mandocello
J78
JOHN PEARSE
JP2050L phosphor bronze, light
JP2100M 80/20 bronze, med
JP2150M phosphor bronze, med
.009 .013 .019w .028w
.009 .014 .020w .031w
.011 .015 .021w .034w
.009 .014 .020w .031w
Electric Mandolin
GHS
A240
A250
A260
A270
LSB250
LS250
PF250
PF270
PFBM
light
medium
heavy
light / ball-end
Other Mandolin Family
.011 .015 .026w .040w
bronze, light
bronze, medium
.010 .015 .024w .036w
.011 .015 .026w .040w
WTMP1036 coated phos brz med
.010 .013 .023w .034w
WTMP1141 silver-plated 80/20 brz lt .009 .012 .021w .031w
ELIXIR – Nanoweb coating for longer life
11500
11525
phosphor bronze, light
phosphor bronze, med
WYRES
DUNLOP
DLP1618 phos brz medium
.010 .014 .024w .034w
.011 .014 .024w .038w
THOMASTIK-INFELD — Flat, chrome/steel
DR
DRML
DRMM
DRMH
bronze lt
80/20 brz bluegrass
SIT — The “Stay-In-Tune” Strings
Ball-End
EJ70
.009 .012 .021w .036w
.010 .014 .024w .038w
.009 .012 .021w .036w
.011 .015 .024w .038w
MARTIN
D’ADDARIO
EXP74
EXP75
EXP77
J73
J74
JS74
J75
J62
FT74
FW74
silver-plated lt
silver-plated med
bronze lt
bronze med
D’Addario, phos brz .022w .034w .048w .074w
Mando-Banjo
.010 .012 .024w .036w
.011 .014 .025w .039w
.011 .014 .026w .040w
GMB
GMBS
GHS, phos brz x-light .008 .010 .018w .024w
GHS, stainless steel .008 .010 .018w .026w
www.elderly.com
More thanks for 20+ years at Elderly
Jill Messing
Doug McWhirter
John Jozwiak
Aaron Sawdy
Employee
Since 1994
Employee
Since 1987
Employee
Since 1988
Employee
Since 1991
Anthony
Marsala
Employee
Since 1980
Carrie Rowe
Chris Rietz
Jerry Patterson
Juan Lopez
Melanie Kennicott
Paul Schotzko
Employee
Since 1988
Employee
Since 1979
Employee
Since 1987
Employee
Since 1991
Employee
Since 1987
Employee
Since 1992
STRINGS
Specialty Sets
BLACK DIAMOND
We carry string sets for most every
stringed instrument imaginable
N719
N7207
4/4 set, steel, medium
4/4 set, chromium wound, medium
D’ADDARIO
Acoustic Bass Guitar
Prelude
J810
4/4 set, medium tension
Perlon core
J56
4/4 set medium tension
Helicore
H310
4/4 set medium tension
E single, medium
A single, medium
D single, medium
C single, medium for 5-string Violins
H311M
H312M
H313M
J5804
H310H
H310W
4/4 set, heavy tension
4/4 set, medium tension, aluminum wound E
Zyex - Composite fiber core
DZ310
4/4 set, medium tension
EVAH PIRAZZI - Incredible life and dynamic range
4190
4/4 set, plain steel E, alum wnd A, silver wnd D and G
JOHN PEARSE - Artiste (Perlon, warmth of gut)
JP3500
4/4 set
EPBB170
8060
MSP4800
MSP4850
RS445LD
D’Addario, 4-str phos brz, med .045 .065 .080 .100
Fender®, 34” scale 4-str phos brz 045 065 080 100
Martin, 4-str phos brz .045 .065 .080 .100
Martin, 4-str phos brz .045 .065 .085 .105
Rotosound, 5-str brz .045 .055 .085 .105 .130
Bajo Quinto
J85
2095QN
BSX10
LBX100
SBX10B
SBX10N
D’Addario, 10-string phos brz
Dean Markley, 10-string 8/20 brz
GHS, 10-string stainless steel
Labella 10-string stainless steel
SIT Candelas Signature 10-string phos brz
SIT Candelas Signature, 10-string nickel plated
Bajo Sexto
J86
2096SX
BSX12
D’Addario, 12-string phos brz
Dean Markley, 12-string 8/20 brz
GHS, 12-string stainless steel
Balalaika
PYRAMID - Excellent tone and timbre
BL90
PVA100
PVG108
PV113
PV116
Baritone Guitar
4/4 set, polished aluminum wound on steel core
4/4 set, Gold Series, polished nickel wound, steel core
4/4 set, Precision drawn steel
4/4 set, Ultraflex Series
PRIM – Swedish chromesteel, flatwound, plain E
PRIM-SET
4/4 set
SUPER SENSITIVE – Steel
4/4 set, soft
SS100M
S101E
S101A
S101D
S101G
4/4 set, medium
E single, medium
A single, medium
D single, medium
G single, medium
SS100H
SS75
SS50
SS25
SS240
4/4 set, heavy
3/4 set, medium
1/2 set, medium
1/4 set, medium
Old Fiddler, 4/4 set, med
EXP23
EXL158
BRS
11306
11308
12302
BARI
BGEL
BEGM
MSP7700
La Bella, 6-string, 2x.008 2x.010, 2x.012
D’Addario, 6-string, Coated phos brz
D’Addario, nickel lt, .013 .017 .026w .036w .046w .062w
D’Addario, for Resonator 6-string, phos brz
Elixir, 6-string, Nanoweb
Elixir, 8-string, Nanoweb
Elixir, 6-string Electric, anti-rust steel
GHS, phos brz, .014 .018 .028w .038w .050w .060w
Labella, 6-string Electric, nickel-plated lt
Labella, 6-string Electric, nickel-plated med
Martin SP Lifespan, 6-string, coated phos brz
Dulcimer (Appalachian)
J64
D20S
D20BMS
JP5000
M640
D’Addario, nickel, .012, .012, .014, .022w
GHS, stainless steel, .012, .012, .012, .020w
GHS, phos brz, .012, .012, .014, .024w
John Pearse, 80/20 brz, .009 .010 .012 .023w
Martin, nickel, .012, .012, .012, .022w
THOMASTIK-INFELD – Sets and singles
Greek Bouzouki
TRS300
TR301
TR302
TR303
TR304
“Ropecore” 4/4 set
E single
A single
D single
G single
Irish Bouzouki
TDS15
“Dominant” 4/4 set, perlon
E single
A single
D single
G single
TDE15
TDA15
TDD15
TDG15
1R-100-SET
1R-01-E
1R-02-A
1R-03-D
1R-04-G
“Red” 4/4 set
E single
A single
D single
G single
1B-100-SET
1B-01-E
1B-02-A
1B-03-D
1B-04-G
“Blue” 4/4 set
E single
A single
D single
G single
D’ADDARIO
Helicore set, medium tension
SUPER SENSITIVE
S125
set, medium
Bass Violin
D’ADDARIO
H610
Orchestral set, nickel wound Helicore
LABELLA
1006
LB7710
D’Addario, phos brz .011, .016, .028w, .040w
GHS, phos lt 3x.010, 2x.015, .016 .024w, .036w
GHS, phos med 3x.011, 3x.016, .028w, .040w
Charango
ACH
DMC1
M1230
M1240
Aquila, 10 strings (5 pairs), synthetic Nylgut
Daniel Mari, 10 strings (5 pairs), black nylon
Medina, 10 strings (5 pairs), black nylon
Medina, 10 strings (5 pairs), microwound
Cuatro
CPR10
700C
C11
PC663
PC664
AAO13
OU80
OU80A
P650W
P650LC
GHS, Puerto Rican 10-string, silver basses
La Bella, Puerto Rican
La Bella, S. American 4-string, nylon
Pyramid, clear nylon
Pyramid, clear nylon, heavier tension
Aquila, 11-string Arabic tuning
La Bella, 11-string nylon, silver-plated wound
La Bella, 12-string Arabic tuning
Pyramid, 10-string .028 .031 .024w .029w .032w
Pyramid, 11-string .028 .031 .024w .029w .032w .043w
Requinto
RQ80
2400
La Bella nylon, silver-plated wound
GHS, ground trebles, silver-wound basses
Sitar
ST30
set, Supernil, nylon core, 3rd and 4th silver-plated
set, Tapewound, black nylon ropecore
ROTOSOUND
RS4000
J81
GIBL
GIBM
Labella, steel 3x.010, 3x.013, .021w, .031w
GHS silver, 3x.011, 3x.014, .022w, .028w
Rotosound 3x.011 2x.014 .024w .015 .030
Oud
Viola
H410MM
BZ50
BZ8
RS70
La Bella 18-string
Tiple
TPL
GHS 85/15 Bronze 10-string
set, nylon on nylon, monel (nickel alloy) on nylon
SUPER SENSITIVE
Tenor Guitar
SS8107
J66
BTGS
JP450L
set, steel
Cello strings also available online at elderly.com
D-Addario 80/20 brz .010 .014 .022w .032w
Custom Breedlove, coated phos .013 .023w .035w .045w
John Pearse, 80/20 brz, .013 .020w .030w .042w
SS100S
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Violin (sets and singles)
77
78
STRINGS
BLACK DIAMOND
Ukulele
N54
AQUILA
Synthetic Nylgut: the closest to
genuine gut we’ve heard
ANSR
ANSG
ANS5
ANBU
ANCR
A55UR
ANCG
ANC5
ANCG2
ANTRP
A13UR
ANTGW
ATHDR
ANLU
ANT8
ANB6
ANBP
ANB
ANB8
soprano, standard tuning, all plain
soprano, low G tuning, wound 4th
soprano, 5ths tuning, wound 4th
banjo uke, standard tuning, all plain
concert, standard tuning, all plain
concert, standard tuning, Red 3rd
concert, low G tuning, wound 4th
concert, 5ths tuning, wound 3 & 4
concert, low G tuning, wound 3 & 4
tenor, standard tuning, all plain
tenor, standard tuning, Red Series 3rd
tenor, low G tuning, wound 4th
tenor, High-D tuning, Red Series 3rd
tenor, Lili’U 6-string set
tenor, 8-string set
baritone
baritone, C tuning, all plain
baritone, G tuning, wound 3 & 4
baritone,8-string, wound 3 & 4
Bionylon – Warm, mellow tone
ABS57
ABS58
ABC59
ABC61
ABC60
ABT63
ABT65
concert, standard tuning, wound 3rd
Red Series – Bright, powerful response
A83U
A84U
A85U
A86U
A87U
A88U
A89U
A90U
soprano, standard tuning
soprano, low G tuning (plain 4th)
concert, standard tuning
concert, low G tuning (plain 4th)
tenor, standard tuning
tenor, low G tuning (plain 4th)
baritone, wound 3 & 4
banjo uke, standard tuning
J65U
J53
J92
J71
J54
J68
soprano, clear nylon
concert black nylon
concert Pro Arte clear nylon
tenor, clear nylon
tenor black nylon
baritone, clear nylon, silver wound 4
Titanium – Great volume and clarity
EJ87S
EJ87C
EJ87T
EJ87B
soprano, translucent purple, all plain
concert, transluces purple all plain
tenor, translucent purple, all plain
baritone, purple trebles, wound 3 & 4
Nyltech – Developed with Aquila for
a warm, punchy tone
EJ88S
EJ88C
EJ88T
EJ88B
soprano, cream, all plain
concert, cream, all plain
tenor, cream, all plain
baritone, cream, wound 3 & 4
soprano, concert or tenor, wound G
Blackline – Black fluorocarbon
STR-FM
STR-FH
STRFMG
STR-FT
STRFTG
STR-FG
soprano or concert, medium tension
soprano or concert, hard tension
soprano or concert low G tuning
tenor
tenor, low G tuning
single low G for soprano/ concert
4th plain for low G soprano
4th plain for low G concert
4th plain for low G tenor
3rd plain for baritone
4th plain for baritone
KMS4
KMSP
KMC
KMC4
KMT
KMT3
KMT4
KMT34
KMB
Thundergut
Silver Rumblers
Book – The Martin Ukulele
by Tom Walsh and John King
The little instrument that helped create a guitar
giant. Hundreds of full color photos.
49-109376
LB200
LB100
LB12
LB13
LB25
M600
M620
M630
Clear fluorocarbon
Book/2-CD Set – Ukulele Jazz
by James Hill
12 jazz standards with lyrics, melody, chords,
and a technique tutorial for each song.
158-92
49-240356
WSBL
WSBM
WSBS
WSBMLG
WSBSLG
WSBF
WSBT
WSBTLG
WSBB
WSB6
707-1
Autoharp® String Sets
“A-MODEL” STRINGS - Loop-end strings fit over pins on the bridge.
Used on most pre-1967 Autoharps and the recent OS73B and OS73C.
“B-MODEL” STRINGS - Ball end strings. An aluminum bridge (string anchor) is inset in the
top of the body (most post-1967 instruments). Strings fit into slots in bridge. Also used for
fine tuning systems.
FLADMARK
OSA
OSB
FMK1A
FMK2A
FMK1B
A-model
B-model
Single strings also available!
WSCH
WSCHLG
WSCHLGEX
WSCH5
WSCF
WSCM5
WSCL
WSCM
WSCD
WSCMLG
WSCT
WSCTLG
WSCHLGHD
WSCTLGEX
WSCB
WSC6
WSC8
all ukes, heavy
all ukes, heavy, low G
all ukes, heavy, low G (heavier 4th than above set)
soprano or concert, high G hard
soprano or concert, “fat” gauge
soprano or concert, high G med
concert, light
concert, medium
concert, hard
concert, low G
tenor
tenor, low G
tenor, low G, heavy tension
tenor, low G, extra-thick
baritone
for 6-string uke
for 8-strung uke
Brown fluorocarbon
AUTOHARP® is a registered trademark of the Oscar Schmidt Co.
OSCAR SCHMIDT
standard uke, clear nylon
tenor, clear fluorocarbon
baritone uke, clear nylon, wnd. 3 & 4
WORTH Long enough to cut and make two sets
standard and concert uke
concert uke, low G tuning
tenor uke
baritone uke
6-string tenor uke
49-109376
concert and tenor, standard tuning
tenor, standard tuning, wnd. 3
banjo-uke, standard tuning wnd. 3
baritone uke, stand. tuning, wnd. 3, 4
MARTIN
soprano/concert D-tuning
soprano/concert C-tuning
tenor, wound 3rd
tenor for fingerstyle, wound third
Book – The Daily Ukulele
by Liz and Jim Beloff
A massive collection! Each includes 365 wellknown songs in easy ukulele arrangements.
49-240356 . . . . . . Volume 1
49-240681 . . . . . . Volume 2
Book/CD Set – 50 Easy Uke Chord-Solos
by Gerry Long
Getting started with chord-soloing. 50 solos and
various exercises.
707-1
soprano, low G tuning
concert, low G tuning
tenor, standard tuning
tenor, standard tuning, wound 3rd
tenor, standard tuning, wound 3 & 4
baritone, standard tuning, wnd 3 & 4
Uke-Pro Series – Rectified nylon
clear nylon
Hawaiian uke, black nylon
baritone uke, black nylon
KAMAKA
KS1
KS1G
KS2
KS3
KS4
tenor, standard tuning, wound 4th
tenor, standard tuning, wound 3 & 4
LA BELLA
Fluorocarbon for sweeter tone
G20
GH20
GHT20
GHT20F
tenor, standard tuning, wound 4th
tenor, wound 3rd & 4th
Mahana – High quality clear nylon
KSS
KSLG
KCS
KCLG
KTS
KTW3
KTW4
KTW34
KBS
Polished for squeak-free tone
SOLO
KAS
KAS4
KACP
KAC4
KAT
KAT3
KAT4
KAT34
KABP
Gold Series – Gold nylon
FREMONT
10UKE
10HUKE
100UKE
Uke History, Songbooks and More
www.elderly.com
D’ADDARIO
Nylon
Bass Ukulele Sets
ABU68
AQUBR
‘Alohi – Hard microfilament
for a bright and strong tone
GHS
Red Series Singles
AR70
AR71
AR72
AR73
AR74
KO’OLAU
soprano, white nylon
A-model for Reissues
A-model (most pre-1967)
B-model (most post-1967)
soprano, light
soprano, medium
soprano, hard
soprano, low G
soprano, hard, low G
soprano or concert, “fat” gauge
tenor
tenor, low G
baritone
for 6-string uke
158-92
Pedal Steel
D’ADDARIO
DPS490 E9 tuning, ProSteels
DPS500 C6 tuning, ProSteels
ERNIE BALL
EB02
EB01
E9 tuning, nickel
C6 tuning, nickel
Shop from our
complete inventory at
GHS
PF500 E9 tuning, pure nickel
PF550 C6 tuning, pure nickel
SIT
EME9
ST12
E9 tuning, nickel alloy
universal set, 12-string
Powerwound
SHOE9
SHOC6
EMC6
E9 tuning, nickel
C9 tuning, nickel
C6 tuning, nickel
elderly.com
PICKS
Flatpicks
Unless otherwise noted, all flatpicks are sold
by the dozen or greater quantities only
GAUGE
STOCK #
FENDER® standard shape, plastic – see color codes below
all colors
all colors
all colors
shell only
thin
medium
heavy
ex-heavy
FPCCE-(color)-T
FPCCE-(color)-M
FPCCE-(color)-H
FPCCE-S-XH
FENDER® small oval shape, plastic – see color codes below
shell only
shell only
shell only
shell only
thin
medium
heavy
ex-heavy
PK358-T-S
PK358-M-S
PK358-H-S
PK358-XH-S
FENDER® rounded triangle, plastic – see color codes below
shell or white thin
shell or white medium
shell or white heavy
PP346-T-(color)
PP346-M-(color)
PP346-H-(color)
FENDER® standard shape, heavy-duty nylon, non-slip grip
creme
.046mm
FNPP-46
light grey
.060mm
FNPP-60
grey
.073
FNPP-73
black
1.14mm
FNPP-114
When ordering Fender® picks, please use the following color codes:
Tortoise Shell (-SHL), White (-WHT), Confetti (-CON), or Black (-BLK)
CLAYTON ULTEM TORTOISE tan/khaki color, tortoise feel
standard
standard
standard
round triangle
round triangle
round triangle
0.072 mm
0.080 mm
0.094 mm
0.072 mm
0.80 mm
0.94 mm
PK19P-STD-72
PK19P-STD-80
PK19P-STD-94
PK19P-TRI-72
PK19P-TRI-80
PK19P-TRI-94
thin
medium
heavy
.060 mm
.080 mm
.100 mm
PKSR-T
PKSR-M
PKSR-H
COOL PICKS “JURATEX” standard shape, high-grade nylon
ultra-thin
thin
medium
heavy
extra-heavy
0.50 mm
0.60 mm
0.8 mm
1.00 mm
1.20 mm
PKAG-UT
PKAG-T
PKAG-M
PKAG-H
PKAG-XH
COOL PICKS “COOLCELL” standard shape, pearloid
thin
medium
heavy
0.50 mm
0.75 mm
1.0 mm
PKCC-T
PKCC-M
PKCC-H
ELDERLY INSTRUMENTS standard shape, plastic
red or white
red or white
red or white
thin
medium
heavy
PK11-T-(color)
PK11-M-(color)
PK11-H-(color)
ELDERLY INSTRUMENTS standard shape, celluloid
shell classic
shell classic
shell classic
shell classic
thin
medium
heavy
x-tra heavy
PK26-T
PK26-M
PK26-H
PK26-XH
ELDERLY INSTRUMENTS standard shape, polycarbonate
trans. blue
trans. green
trans. purple
trans. red
trans. yellow
light
med. light
medium
heavy
x-tra heavy
PK13-L
PK13-ML
PK13-M
PK13-H
PK13-XH
FRED KELLY delrin, tapered tip
delrin
delrin
delrin
thin
medium
heavy
PK93-DELRIN-T
PK93-DELRIN-M
PK93-DELRIN-H
FRED KELLY nylon, tapered tip
black
black
black
thin
medium
heavy
PK93-NYLON-T
PK93-NYLON-M
PK93-NYLON-H
STOCK #
medium
heavy
PK15-M/GLD
PK15-H/GRY
.38 mm
.46 mm
.60 mm
.73 mm
.88 mm
1.00 mm
PK12P-38
PK12P-46
PK12P-60
PK12P-73
PK12P-88
PK12P-100
HERCO nylon
gold
gray
JIM DUNLOP nylon
white
creme
lt. gray
gray
dk. gray
black
JIM DUNLOP JAZZTONE extra-heavy, contoured edge
small, rounded tip
small, pointed tip
medium oval shape
standard size, rounded
standard size, pointed
PK204
PK205
PK206
PK207
PK208
JIM DUNLOP TORTEX TRIANGLE rounded triangle shape
red
orange
yellow
green
blue
purple
.50 mm
.60 mm
.73 mm
.88 mm
1.00 mm
1.14 mm
PK29P-50
PK29P-60
PK29P-73
PK29P-88
PK29P-100
PK29P-114
JIM DUNLOP ULTEX STANDARD responsive and expressive
lt brown only
lt brown only
lt brown only
lt brown only
.60 mm
.73 mm
1.00 mm
1.14 mm
PK421P-60
PK421P-73
PK421P-100
PK421P-114
JIM DUNLOP ULTEX TRIANGLE rounded triangle shape
lt brown only
lt brown only
lt brown only
lt brown only
lt brown only
.60 mm
.73 mm
.88 mm
1 mm
1.14 mm
PK426P-60
PK426P-73
PK426P-88
PK426P-100
PK426P-114
JIM DUNLOP TORTEX TEARDROP teardrop, beveled edge, non-slip
red
green
purple
thin
medium
heavy
PK30-T
PK30-M
PK30-H
JIM DUNLOP 478 JAZZ III jazz shape, speed, clarity and definition
white only
white only
white only
white only
white only
white only
.73 mm
.88 mm
1.00 mm
1.14 mm
1.35 mm
1.50 mm
PK478-73
PK478-88
PK478-100
PK478-114
PK478-135
PK478-150
JIM DUNLOP “BIG STUBBY” standard shape, pointed tip, very stiff
clear
purple tint
dark purple
1 mm
2 mm
3 mm
PK475-100
PK475-200
PK475-300
JIM DUNLOP “ULTEX” JAZZ III jazz shape, stiff with pointed tip
lt brown only
lt brown only
1.38 mm
“Petrucci”
PK427
PK427PJP
JIM DUNLOP JAZZ III jazz shape, stiff with pointed tip
red
black
nylon
stiff
PK47P3-RN-JAZZ3
PK47P3-BS-JAZZ3
Even more picks from Jim Dunlop in stock!
See our website at elderly.com
JOHN PEARSE “STUDIO” asymmetrical shape
red logo
black logo
blue logo
gold logo
thin
medium
heavy
ex-heavy
PKJPS-T
PKJPS-H
PKJPS-H
PKJPS-XH
PYRAMID standard shape, pearloid in a variety of colors
color varies
color varies
color varies
color varies
thin
medium
heavy
ex-heavy
PYRPKS-T
PYRPKS-M
PYRPKS-H
PYRPKS-XH
Call us toll free at 888-473-5810 for discounts on larger quantities
COOL PICKS “ULTRA COOL” standard shape, “Cellulon”
GAUGE
www.elderly.com
BRAND/
COLOR
BRAND/
COLOR
79
80
PICKS
Premium Flatpicks
Great balance,
feel, sound,
and wear
Hand-burnished, sculpted
edges. Three pack.
Michael
Wegen
PK513-150
Dual beveled-edge
tips for right handed
players. Available in
WP-BG-WHT
white or black.
TRIANGLE - Specify 1.4mm
or 1.5mm
PK513 . . . . . . 3-Pack
John Pearse
“Fast Turtle”
Asymetrical shape provides
a choice of picking edges.
Specify T, M or XH.
PKFT
Guitarmoose
SEMI-ROUND - 1.3mm
PK514 . . . . . . 3-Pack
WPTF100B
Standard shape with soft sticky
grip. Specify 0.40mm, 0.50mm,
0.65mm, .080mm or 1.0mm.
MOOSEPK1
MICHAEL WEGAN triangle, 1.40mm – 2-Pack
white
WP-TF140-WHT
black
WP-TF140-BLK
MICHAEL WEGAN triangle, 1.00mm – 2-Pack
white
WPTF100
black
WPTF100B
MICHAEL WEGAN “Bluegrass” 1.40mm – 4-Pack
white
WP-BG-WHT
black
WP-BG-BLK
Uke Picks
PK514
Saga Golden Gate
John Pearse
Buffalo Horn
Same size and contours of the
original Grisman Dawg Pick.
PK20-S
PKJPB
Thumbpicks
Bolo Felt Uke Pick Pack
See even more at elderly.com
Adjustable angle
and pick length
3-pack, softer and less dense than other felt
picks. Standard size and shape and about
1/8” thick. Comes in pastel colors (blue,
purple, yellow and pale green) – sorry no
choice of color.
BFPK3 . . . . . . . . . . . . . . . . . . . 3-Pack
Fred Kelly
Bumble Bee
Thumbpicks
Jazz-style (oval shape).
Specify L, M, H, or XH.
PKBBJ Each
BFPK3
FRED KELLY BUMBLE BEE TEARDROP
light
PKBBT-L
medium
PKBBT-M
heavy
PKBBT-H
extra heavy PKBBT-XH
Kiwaya
Leather
Uke Pick
Propik Thumbpicks
DELRIN TIP THUMBPICK Small nickel pick with delrin tip
for a mellow clean tone. Specify
small, medium, or large.
PK43D
Triangular
leather uke pick
with “Kiwaya”
stamped on it. Just the
right stiffness for strumming.
UP6
www.elderly.com
Dunlop
Primetone
Sculpted Plectra
WPTF140WHT
Mick’s
Uke Pick
Synthetic felt – similar
in look and feel to real
felt, but lasts longer. Gray,
standard shape and size.
MUPK1 . . . 2.5mm
MUPK2 . . . 3.8mm
Triangular
Felt Pick
Triangle shape with
rounded corners, 1/8”
thick, hard white felt, about 1 1/4” long by 1”
wide. Great for uke and autoharp, too.
PK35
QUICK-PIK THUMBPICK Slender plastic pick blade for
bright tone. Medium, or large.
PKQPT
THUMB-FLATPICK - Heavy
plastic pick riveted to a metal
thumb clasp, adjustable angle.
PKTFL right-handed
PKTFLE left-handed
Acri Thumbpicks
Grip completely encircles
thumb and adjusts for a
comfortable fit. Pick blade is
angled and beveled to give a
more parallel attack to the
string.
ONE-PIECE BRASS
AABTP
DELRIN BLADE
ATPB
More Thumbpicks
BRAND/
GAUGE
STOCK#
PRICE
FRED KELLY SPEED PICK - narrow, delrin
thin
PK24-T
medium
PK24-M
heavy
PK24-H
GOLDEN GATE - white pearloid
medium
PK21-M
large
PK21-L
large, XH
PK21-LXH
HERCO - plastic, blue
medium
PK3
HERCO - plastic, flat/thumbpick
light
HE111
medium
HE112
heavy
HE113
JIM DUNLOP - white plastic
small
PK27-S-RHT
medium
PK27-M-RHT
large
PK27-L-RHT
medium lefty PK27-M-LFT
large lefty PK27-L-LFT
JIM DUNLOP - tortoise plastic
medium
PK39-MED
large
PK39-LG
JIM DUNLOP HEAVIES - specify calico or
ivoroid plastic
medium
PKH-MED
large
PKH-LG
JIM DUNLOP ZOOKIE - angled tip allows
natural hand position with tip parallel to
strings — medium or large
10 degree PKL-10
20 degree PKL-20
30 degree PKL-30
JIM DUNLOP DELRIN - red
PK36
JOHN PEARSE VINTAGE REPLICA plastic
right only
JPVTP
NATIONAL - white plastic
medium
PK1-M
large
PK1-L
FINGERPICKS
Fingerpicks
81
Fingerpicks
BRAND/
STOCK #
RESOPHONIC PICKS - .025 gauge, blade angles back
(away from thumb) for comfortable hand position and
better string contact in lap-style playing. Also works
well for lap and pedal steel. Specify nickel or brass and
medium of large size.
PK46 . . . . . . . . . single wrap
PK46SP . . . . . . . split wrap
FINGERTONE - Nickel, blade has oval cutout. Specify
medium or large size.
PK47 . . . . . . . . . single wrap
PK47SP . . . . . . . . split wrap
SMALL-SIZED FINGERPICKS - No more need to alter
larger picks. Sized especially for smaller fingers, .025
gauge. Specify nickel or brass and small or medium size.
PKWC . . . . . . . . single wrap
PKWCSP . . . . . . split wrap
NATIONAL - metal
.020
PK41
Fred Kelly Freedom Finger Pick
JIM DUNLOP (adult size) nickel silver
various
PK8-(gauge)
ERNIE BALL PICKY-PICKIES - pointed tip, metal
.020
PK7
JIM DUNLOP - tortoise, white or clear plastic
medium tortoise
PK38-MED
large tortoise
PK38-LG
medium white
PK38W-MED
large white
PK38W-LG
medium clear
PK370-MED
large clear
PK370-LG
JIM DUNLOP - metal fingerpicks available in various gauges.
Please use the following codes when ordering:
.013mm = 13
.020mm = 20
Extremely strong, unbreakable. Specify Small, Medium,
or Large.
DELRIN - Soft and natural sound.
PKFP-DELRIN
POLYCARBONATE - Loud and bright sound.
PKFP-POLY
.015mm = 15
.0225mm = 225
.018mm = 18
.025mm = 25
www.elderly.com
Propik Fingerpicks
JIM DUNLOP - (adult size) brass
various
PK8B-(gauge)
JIM DUNLOP - (smaller finger size) nickel silver
various
PK9-(gauge)
Alaska Pik Fingerpicks
JIM DUNLOP - (smaller finger size) brass
various
PK9B-(gauge)
Fits over nail side of finger. Specify cream plastic or
brass, and S, M,L, or XL.
JOHN PEARSE HI-RIDER - holds on at finger joint
nickel
PK42
We have more at elderly.com
BRASS
PK40B . . . . . . specify size
Shop from one of the largest selections of flatpicks,
fingerpicks and thumbpicks you’ll find anywhere!
Acri Fingerpicks
Bob Perry Signature Picks
Slightly cupped pick surface,
wide contoured finger band.
Specify stainless steel or brass
and medium or large size.
ACFP-BRASS
Cobalt-plated nickel-silver, 025” guage. Smooth, clean,
last a long time.
BPSP
ACFP-STEEL
Showcase 41 Fingerpicks
Pre-war shape and tone! German nickel-silver reproductions of classic National ® fingerpicks. Polished for a
smooth edge.
PK1941
National Fingerpicks
Original 1930’s specifications.
NP2
Cobalt-Plated
Showcase 41 and National NP2
Wonderfully smooth and wear-resistant. Cobalt plating reduces drag, resulting
in faster playing and cleaner sound. Plating process done by a 3rd party for Elderly
Instruments.
COBALT-PLATED 1941 FINGERPICKS
CB1941
COBALT PLATED NP2 NATIONAL FINGERPICKS
CBNP2
Sammy Shelor Fingerpicks
Highly polished, high quality pair of fingerpicks with
slightly wider than standard bands.
SSFP-WIDE
Hooks’ Banjo Thimble
Very original style – solid .025” precision stamped,
hand finished brass. Highly recommended for old-time,
clawhammer, stroke and frailing styles.
JHBT
Perfect Touch –
by Rusty Thornhill
FINGERPICKS - Pair of fingerpicks designed and
crafted for extra comfort and ease of use. Available
with cupped or flat-faced blade. Lifetime guarantee
from the maker. Specify brass or nickel-silver plated and
Small, Medium or Large size.
PTFP-RF . . . . . . . cupped
PTFP-FF . . . . . . . . flat-faced
CLAWHAMMER PICKS - Designed specifically for
clawhammer banjo style. Crafted for extra comfort and
ease of use. Specify brass or nickel-silver plated and Small/
Medium or Large size.
PTCP
PLASTIC
PK40 . . . . . . . specify size
82
CASES AND GIGBAGS
Selecting the right size
ACOUSTIC GUITAR
CASE or GIGBAG
Often knowing the make and model of your
guitar is enough to properly fit your guitar to an
after-market case. However, in the world of
handcrafted guitars, slight deviations from
industry standard sizes exist.
Compare the physical measurements of your
guitar with the chart below.
MEASURING
YOUR
INSTRUMENT…
Acoustic Guitar Cases and Gigbags
LD (Large Dreadnought)
Hardshell Cases
GCGE-D/LD . . . . Guardian flat top
GCEV-D6F . . . . . Canadian flat top
GCEV-D/LD . . . . . . . Canadian
O-Size
GCEV-0F . . . . . . Canadian flat top
GCEV-0 . . . . . . . . . . Canadian
GVGC-0 . . . . . . . Guardian Vintage
GCMA-VIN/0 . . . . . Martin Geib
Small F (16” lower bout)
GVGC-SF . . . . . . Guardian Vintage
GCEV-SF . . . . . . . . . Canadian
GCE-SF . . . . . . . . . . . . . Elite
ASSC1-SF . . . . . . . . Ameritage
HAGC1-(COLOR) . Hiscox Liteflite
OO-Size (Classical)
GCG18-00 . . Guardian basic arch top
GCGE-00 . . . . . . Guardian flat top
GCEV-00F . . . . . Canadian flat top
GCEV-00 . . . . . . . . . Canadian
GVGC-00 . . . . . . Guardian Vintage
GCMA-00 . . . . . . . Martin molded
SFGC2 . . . . . . . Superior Fiberglass
GCE-00 . . . . . . . . . . . . . Elite
ASSC1-00 . . . . . . . . Ameritage
GCMA-VIN/00 . . . . Martin Geib
Jumbo F (17” lower bout)
GCEV-J . . . . . . . . . . Canadian
GCE-J . . . . . . . . . . . . . . . Elite
ASSC1-J . . . . . . . . . Ameritage
Super Jumbo (18” lower bout)
GCEV-JXL . . . . . . . . Canadian
GCE-JXL . . . . . . . . . . . . Elite
Dobro®
OOO (14-Fret Grand Concert)
To make sure your case fits,
use this illustration to
measure your instrument.
Also include the body depth.
A
C
A - Total Length
B - Body Length
C - Upper Bout
D - Lower Bout
GCEV-DOB . . . . . . . Canadian
GCEV-000F . . . . Canadian flat top
GCEV-000 . . . . . . . . Canadian
GVGC-000 . . . . . Guardian Vintage
GCMA-OM433 . . . Martin archtop
GCMA-000 . . . . . . . . . Martin molded
GCMA-000GRAY . . Martin Gray molded
GCE-000 . . . . . . . . . . . . Elite
GCMA-VIN/OM . . . Martin Geib
ASSC1-000 . . . . . . . Ameritage
Parlor (13” lower bout)
GCEV-PARLOR . . . . Canadian
Gigbags
O- and 00-Size (Classical)
RBSLG-00/DOB . . . . . . Rockbag
AGB1-00/DOB . . . . . . . . . Access I
BAG3 . . . . . . . . . . . . . Boulder Alpine
RBX-00/000 . . . . . . Reunion Blues RBX
OOO (12-Fret Grand Concert)
GVGC-00012 . . . Guardian Vintage
GCMA-VIN/00012 . Martin Geib
If it’s an
unusual
instrument,
trace an outline
on a large
sheet
of paper.
OOO (Grand Concert)
OOO0/M (Grand Performance)
GCMA-GP64 Martin archtop brown alligator
GCMA-0000GRAY Martin gray molded
B
Gypsy Jazz
D (Dreadnought)
GVGC-GYPSY . . Guardian Vintage
GGDC-GYPSY . . . . GoldenGate
RBSLG-ACOU . . . . . . . . Rockbag
AGB1-D/000 . . . . . . . . . . . Access I
GCMA-DGIG . . . . . . . . . . Martin
AGHT33-D/SF . . . . . . . . Access III
RBX-D . . . . . . . . . . Reunion Blues RBX
D (14-Fret Dreadnought)
D
Common acoustic guitar body sizes
14-Fret Dreadnought
A. Total Length . . . . . . . . . . . . . . 401/2”
B. Body Length . . . . . . . . . . . . . . . . 20”
C. Upper Bout . . . . . . . . . . . . . . . . . 13”
D. Lower Bout . . . . . . . . . . . . . . . 155/8”
Body Depth . . . . . . . . . . . . . . . . . . 47/8”
12-Fret Dreadnought
9
A. Total Length . . . . . . . . . . . . . . 39 /16”
B. Body Length . . . . . . . . . . . . . . . . . 21”
C. Upper Bout . . . . . . . . . . . . . . . . 121/2”
D. Lower Bout . . . . . . . . . . . . . . . . 155/8”
Body Depth . . . . . . . . . . . . . . . . . . . 47/8”
GCG18-D . . . Guardian basic arch top
GCGE-D/LD . . . . Guardian flat top
GCEV-D6F . . . . . Canadian flat top
GCEV-D/LD . . . . . . . Canadian
GVGC-D . . . . . . . Guardian Vintage
GCMA-D445 . . . . Martin archtop
GCMA-D . . . . . . . . Martin molded
GCMA-DGRAY Martin Gray molded
SFGC1 . . . . . . . Superior Fiberglass
GCE-D . . . . . . . . . . . . . . Elite
GCMA-VIN/D . . . . . Martin Geib
ASSC1-D . . . . . . . . . Ameritage
HAGC1-(COLOR) . Hiscox Liteflite
LD (Large Dreadnought)
RBSLG-ACOU . . . . . . . . Rockbag
RBX-D . . . . . . . . . . Reunion Blues RBX
Small F (16” lower bout)
AGB1-D/000 . . . . . . . . . . . Access I
AGHT33-D/SF . . . . . . . . Access III
Dobro®
D (12-Fret Dreadnought)
3/4 Size (111/4“ or smaller lower bout)
GCMA-VIN/D12FR . Martin Geib
AGB1-3/4 . . . . . . . . . . . . . Access I
www.elderly.com
000/OM (14-fret)
A. Total Length . . . . . . . . . . . . . . 395/8”
B. Body Length . . . . . . . . . . . . . . 193/8”
C. Upper Bout . . . . . . . . . . . . . . . . . 12”
D. Lower Bout . . . . . . . . . . . . . . . . . 15”
Body Depth . . . . . . . . . . . . . . . . . . 41/8”
AGB1-D/000 . . . . . . . . . . . Access I
AGHT33-00/000 . . . . . . . Access III
RBX-00/000 . . . . . . Reunion Blues RBX
For acoustic guitars – most sizes in stock
Ordering a new Martin?
Protect your investment –
case upgrades available
400 SERIES WOOD ARCHTOP - Quality
wood-frame cases with arched lid, padded
plush interior. Martin name plate near handle.
500 SERIES “GEIB” VINTAGE
STYLE - Shaped, heavy-duty
wooden shell with deep textured
black vinyl exterior, plush cabernet
interior, leather handle, antique
white stitching, brass-plated hardware, and lock. Small Martin name
plate near handle.
000 (12-fret)
A. Total Length . . . . . . . . . . . . . . . 397/8”
B. Body Length . . . . . . . . . . . . . . . 201/2”
C. Upper Bout . . . . . . . . . . . . . . . . . 11”
D. Lower Bout . . . . . . . . . . . . . . . . . 15”
Body Depth . . . . . . . . . . . . . . . . . . . . 4”
00 (14-fret)
A. Total Length . . . . . . . . . . . . . . 385/8”
B. Body Length . . . . . . . . . . . . . . 187/8”
C. Upper Bout . . . . . . . . . . . . . . . . . 11”
D. Lower Bout . . . . . . . . . . . . . . . 145/16”
Body Depth . . . . . . . . . . . . . . . . . . 41/8”
600 SERIES MOLDED - Black thermoplastic with aluminum edging,
chrome hardware, locking latch,
and plush lined interior. Slate gray
shell also available in D, 000, and
0000 sizes.
0000 and Jumbo (14-fret)
A. Total Length . . . . . . . . . . . . . . . 403/8”
B. Body Length . . . . . . . . . . . . . . . 201/8”
C. Upper Bout . . . . . . . . . . . 12” / 121/4”
D. Lower Bout . . . . . . . . . . . . . . . . . 16”
Body Depth . . . . . . . . . . . . . . 41/8” / 47/8”
400 Series
Wood Archtop
(GCMA-GP64)
500 Series “Geib”
Vintage-Style
(GCMA-VIN/D)
600 Series
Molded
(GCMA-D)
Gigbag
D-Size
(GCMA-DGIG)
GIGBAG - Thick foam padding, velour lining reinforced at peghead
and bridge to prevent string tears.
Embroidered with the Martin logo
in gold, backpack straps.
CASES AND GIGBAGS
Electric Guitar Cases and Gigbags
Gigbags
Les Paul
Les Paul
GVGC-LP . . . . Guardian Vintage
GCEV-LP . . . . . . . . Canadian
RBSLG-EGTR . . . . . . . . Rockbag
GCSU-T/S/LP . . . . . . Saga Superior
AGB1-T/S/LP . . . . . . . . . . Access I
RBX-EG . . . . . . . . . Reunion Blues RBX
Les Paul Junior
GCEV-LPJR . . . . . . Canadian
Explorer
SG
GCEV-EXP . . . . . . . Canadian
Flying V
ES-335
GCEV-FLYV . . . . . . Canadian
AGB1-ES335 . . . . . . . . . . Access I
RBX-HB . . . . . . . . . Reunion Blues RBX
SG
GCEV-SG . . . . . . . . Canadian
ES-335
GVGC-ES335 . Guardian Vintage
GCEV-ES335 . . . . . Canadian
GCE-ES335 . . . . . . . . Elite
ES-175
GCEV-SF . . . . . . . . Canadian
GCE-SF . . . . . . . . . . . Elite
Tele® and Strat®
GCEV-T/S . . . . . . . . Canadian
GCFPS-TSBLK . . Fender Pro
GCF-ABSST . . . . Fender ABS
GCF-TWDTS . . . Fender tweed
Fender® Bass
GCEV-FBS . . . . . . . Canadian
GCFPS-PJTWD Fender Pro tweed
GCF-ABSPJ . . . . Fender ABS
GCF-TWDP . . . . Fender tweed
Reunion Blues
RBX Series
For all instruments
New RBX Protection System features a lightweight, ultra-protective
foam surround, and strategically placed impact panels for targeted protection.
Heavy duty quilted chevron exterior, padded blue lining, padded backpack straps, Zero-G handle, and large
front pocket which includes cable loop and organizer
to keep accessories in place.
ES-175
RBX Dreadnought
(RBX-D)
AGB1-D/000 . . . . . . . . . . . Access I
Tele® and Strat®
FGB-DTST . . . . . . . . . Fender Deluxe
FGT-S/T . . . . . . . . . . Fender Traditional
FGU-S/T . . . . . . . . . . . Fender Urban
FGM-S/T . . . . . . . . . . . . Fender Metro
AGB1-T/S/LP . . . . . . . . . . Access I
RBX-EG . . . . . . . . . Reunion Blues RBX
Fender® Bass
RBSLG-BASS . . . . . . . . Rockbag
FGB-SPJ . . . . . . . . . Fender Standard
FGT-B . . . . . . . . . . . . Fender Traditional
FGU-B . . . . . . . . . . . . Fender Urban
FGM-B . . . . . . . . . . . . . Fender Metro
GCSU-BASS . . . . . . . Saga Superior
AGB1-BASS . . . . . . . . . . Access I
AGHT33-BASS . . . . . . . Access III
www.elderly.com
Hardshell Cases
83
Boulder Alpine
For acoustic guitar, banjo and mandolin
Rugged 600 denier nylon with 30 mm padding, heavy duty
zippers, detachable backpack straps, multi layer cargo
pocket. Choice of colors in Blue, Green, or Tan.
Banjo
(BAG5-TAN)
Fender ®, Strat ® and Tele ® are registered trademarks of the Fender Musical Instruments Corporation. Some products described on this page are
manufactured by companies which have no connection with Fender Musical Instruments Corporation, and are not approved or licensed by Fender.
For acoustic and electric guitars and basses.
Fender® Gigbags
For Stratocaster®, Telecaster®, Jazz® and P-Bass®
Elegant and protective with durable molded interiors,
molded in feet, thick-pile plush-lined scratch resistant
interior. Padded neck cradle, roomy accessory compartment, high quality metal latches.
STANDARD AND DELUXE - Black and grey
nylon (standard) or tweed (deluxe) exterior.
Heavy-duty padded interior, backpack straps.
Access
For all instruments
A variety of designs, from low priced entry-level padded
gigbags to extra proctective, heavy-duty ballistic-style nylon
with thick closed-cell foam padding.
Access Stage 3
Resonator Banjo
(ABHT33)
TRADITIONAL - 600 denier exterior, 8mm
thick padding. Large outer pocket and single
shoulder strap.
URBAN - 600 denier exterior, 11mm thick
foam padding, two outer pockets, backpack
style shoulder straps.
METRO - 25mm thick premium foam
padding. Three large outer pockets and
backpack style shoulder straps.
Fender® ABS
(GCF-ABSST)
Rockbag
Fender® Standard
Quality wood frame hardshell cases with traditional
black Tolex exterior and distinctive orange interior.
Select cases available in vintage-style tweed.
For guitar
Low priced water-resistant nylon gigbags
with plush interior and thick padding.
Rockbag
Acoustic Guitar
(RBSLG-ACOU)
Fender® Pro Series
Fender® Tweed
(GCF-TWDTS)
Black covered wooden rectangular hardshell case with
chrome hardware, 2 locking end latches, center latch,
and 50’s style Fender logo. Soft black plush interior,
large split center compartment with extra-wide neck
support. Fits right or left handed models.
Elite
For acoustic guitar and
hollow body electrics
Classic shaped plywood shell, reinforced arched top and back.
Deep textured black leather-look exterior, padded velour lining.
Elite 00-Size
(GCE-00)
Metro
(FGM-D)
Urban
(FGU-B)
Fender® Pro
(GCFPS-TSBLK)
Fender® ABS
84
CASES AND GIGBAGS
Ameritage
Silver Series
For guitar, banjo,
mandolin and uke
Your instrument held
securely with an
exclusive
suspension
system.
Ameritage
(ASSC2-RESO)
Superior Fiberglass
(SFGC1-WHITE)
Superior
Fiberglass
For guitar, banjo, mandolin and violin
Rugged fiberglass shell with arched lid,
rubber valance seal, generously padded interior.
Available with white or black exterior.
Hiscox Liteflite
(HAGC1)
Hiscox
Liteflite Artist
For guitar
Highly protective –
crush resistant to over
1100 lbs. Excellent
thermal protection.
Hiscox
Liteflite Pro
cases also
available!
Calton Fiberglass
(CGC1-WH-B)
Hardshell Cases
Gigbags
Open Back 5-String (11” rim)
Open Back 5-String and Plectrum
SDB11-BLK . . . . Superior Bump
BCEV-5STO . . . . . . . Canadian
ASSC2-OB11 . . . . . Ameritage
BCSU-5STO . . . . . . . Saga Superior
ABB1 . . . . . . . . . . . . . . . Access I
BAG6 . . . . . . . . . . . . Boulder Alpine
RBMCONT-BANJO Reunion Blues Cont’l
Open Back 5-String (12” dia. rim)
Open Back Long Neck (Pete Seeger)
SDB12-BLK . . . . Superior Bump
ASSC2-OB12 . . . . . Ameritage
BCEV-5STOLG . . . Canadian
BCGT-LONGIGOB . . . Gold Tone
Resonator 5-String and Plectrum
Open Back Long Neck (Pete Seeger)
BCGT-LONGNK . . . Gold Tone
BCEV-5STOXLF Canadian Flat Top
Open Back 4-String Tenor
BCSU-BAG . . . . . . . Saga Superior
ABB1 . . . . . . . . . . . . . . . Access I
ABHT33 . . . . . . . . . . . . Access III
BAG5 . . . . . . . . . . . . . . Boulder Alpine
RBMCONT-BANJO Reunion Blues Cont’l
Resonator Tenor
BCEV-TENOB . . . . . Canadian
BCGT-TENGIG . . . . . . Gold Tone
Open Back Irish Tenor
Irish Tenor
BCGT-IRTENOB . . Gold Tone
BCGT-IRTGIG . . . . . . . Gold Tone
Resonator 5-String and Plectrum
Reunion Blues
Midnight Continental
BCG18-5STR . . . Guardian Basic
BCEV-5STR . . . . . . . Canadian
SFBC1 . . . . . . . Superior Fiberglass
ASSC2-RESO . . . . Ameritage
For banjo and mandolin
Ballistic style black Quadraweave exterior with highdensity foam. Blue Diamond velvet interior with
Softmesh sides.
Resonator Tenor
BCEV-TENR . . . . . . . Canadian
elderly.com
Resonator Irish Tenor
BCGT-IRTEN . . . . . Gold Tone
Mandolin Cases and Gigbags
Hardshell Cases
Gigbags
Gibson A
Martin A
MCKE-AOBL . . . . . . . . . Kentucky
MCEV-A . . . . . . . . . . . . . Canadian
SFMC2 . . . . . . . . . . Superior Fiberglass
ASSC3-SHAPED . . Ameritage Shaped
ASSC3-OBLONG . . Ameritage Oblong
MCKE-DLXGIG . . . Kentucky Deluxe
AMHT33 . . . . . . . . . Access Stage 3
F-Model
MCKE-DLXGIG . . . Kentucky Deluxe
BAG4 . . . . . . . . . . . . Boulder Alpine
AMHT33 . . . . . . . . . Access Stage 3
Gibson A
Fit most A-models and many F-style mandolins.
MCGE-F . . . . . . . . . . . Guardian Basic
TLC-F-MANDO . . . . . . . . Travelite
MCEV-F . . . . . . . . . . . . . Canadian
SFMC1 . . . . . . . . . . Superior Fiberglass
EMC1-(COLOR) . . Eastman Fiberglass
MCEV-FOBL . . . . . . Canadian oblong
ASSC3-SHAPED . . Ameritage Shaped
ASSC3-OBLONG . . Ameritage Oblong
Calton Cases
Canadian
For guitar, banjo and mandolin
Watertight, airtight, the ultimate
in protection!
For all stringed instruments
Excellent arched top
3-ply wood frame
cases covered with
vinyl. Generously
padded plush
interior.
Custom Calton cases available –
See our web site or give us a call
www.elderly.com
Banjo Cases and Gigbags
F-Model
BAG4 . . . . . . . . . . . . . . Boulder Alpine
AMHT33 . . . . . . . . . . . . Access Stage 3
RBMCONT-MANDO Reunion Blues Cont’l
Concord Adjustable
Hardshell Mandolin Case
Canadian
F-Mandolin
(MCEV-F)
Guardian
For guitar, banjo, mandolin and more
ECONOMY FLAT TOP - Basic 3-ply wood case with flat
lid and plush interior.
Interior features movable pads to form-fit to most
any mandolin, even non-traditional shaped
models. Arched-top wood frame with lined cordura
nylon cover provides great impact and thermal
protection. Full-size music compartment, two
accessory compartments, built-in thermometer,
hygrometer and humidifier – even a Tone-Gard
holder in the lid.
CAMC1 . black with burgundy interior
CAMC2 . . brown with green interior
ECONOMY ARCH TOP - Basic 3-ply wood case with
slightly arched lid and plush interior. D- and 00-Size only.
DELUXE - Heavy-duty 5-ply shell with arched lid and plush
interior.
VINTAGE - Classic styling with extra-strong
7-ply shell, arched lid, crushed velour
lining. Dual neck supports.
Guardian Vintage
(GVGC-D)
Eastman Shaped Fiberglass
For mandolin
Rugged and light weight with draw bolt latches for a
weather tight seal. Plush padded
interior, backpack style
straps.
Eastman
Fiberglass
(EMC1-BLACK)
Concord
Mandolin
Case
(CAMC2)
UKULELE CASES AND GIGBAGS
Ukulele Cases and Gigbags
Kaces Polyfoam
Ukulele Gigbags
Soprano
Soprano
DHS-S . . . . . . . . . Ohana Deluxe Shaped
GVUC-SOP . . . . . . . Guardian Vintage
KAC-S . . . . . . . . . . . . . Kala Alligator
UC-SOP . . . . . . . . . . Basic Lightweight
U800C1 . . . . . . . . . . . Crossrock ABS
UCMA-SOPTHERM . . Martin Molded
ASSC4-SOP . . . . . . Ameritage Silver
UKKA-SOP . . . . . . . Kaces Polyfoam
RBSLG-UKES . . . . . . . . Rockbag
TPB-S . . . . . . . . . . Lanikai Sidekick Tribal
THB-S . . . . . . . . . . . Lanikai Hard Gigbag
UCMA-SOPGIG . . . . . . . . Martin
AUB1 . . . . . . . . . . . Access Stage-One
AUHT33 . . . . . . . Access Stage-Three HB
M80U2 . . . . . . . . . . . . . . Mono M80
Concert
Concert
Tenor
DHS-T . . . . . . . . . . Ohana Deluxe Shaped
GVUC-TEN . . . . . . . . Guardian Vintage
KAC-T . . . . . . . . . . . . . . Kala Alligator
UC-TEN . . . . . . . . . . Basic Lightweight
U800C3 . . . . . . . . . . . Crossrock ABS
ASSC4-TEN . . . . . . . Ameritage Silver
Baritone
DHS-B . . . . . . . . . Ohana Deluxe Shaped
GVUC-BAR . . . . . . . Guardian Vintage
KAC-B . . . . . . . . . . . . . Kala Python
ASSC4-BAR . . . . . . Ameritage Silver
UC-BAR . . . . . . . . . . Basic Lightweight
RBSLG-CONUKE . . . . . Rockbag
UKKA-CON . . . . . . . Kaces Polyfoam
TPB-C . . . . . . . . . . Lanikai Sidekick Tribal
THB-C . . . . . . . . . . Lanikai Hard Gigbag
UCMA-CONGIG . . . . . . . Martin
AUB1 . . . . . . . . . . . Access Stage-One
RBX-CONUKE . . . . Reunion Blues RBX
M80U2 . . . . . . . . . . . . . . Mono M80
For soprano,
concert and tenor
Lightweight foam
protects and
insulates. 1200
denier nylon.
Kaces
Polyfoam
(UKKA-SOP)
Basic Lightweight
For soprano,
concert and tenor
Nylon covered hard
plastic shell with
zipper closure.
Rigid foam padding.
Basic
Lightweight
(UC-SOP)
Rockbag
For soprano,
concert and tenor
Nice student gigbag.
Water resistant,
nylon exterior,
padded interior.
Tenor
RBSLG-TENUKE . . . . . Rockbag
TPB-T . . . . . . . . . . Lanikai Sidekick Tribal
UKKA-TEN . . . . . . . . Kaces Polyfoam
UCMA-TENGIG . . . . . . . . Martin
THB-T . . . . . . . . . . . Lanikai Hard Gigbag
RBX-TENUKE . . . . Reunion Blues RBX
M80U3 . . . . . . . . . . . . . . Mono M80
Rock Bag
(RBSLG-UKES)
Access
For soprano, concert and tenor
STAGE 1
Baritone
TPB-B . . . . . . . . . . Lanikai Sidekick Tribal
UKKA-BAR . . . . . . . Kaces Polyfoam
THB-B . . . . . . . . . . Lanikai Hard Gigbag
We have cases and gigbags available for banjo-uke
sopranino, pineapple, longneck, and other “hard-to-fit” ukes.
Access
(AUHT33)
STAGE 3
Durable nylon, dense
foam padding,
removable
internal pad,
wall stiffener.
Heavy-duty ballistic-style nylon exterior, thick, dense
closed-cell foam padding, wall stiffeners, internal bridge
and peghead wear protectors, adjustable neck cradle.
Reunion Blues RBX Series
For soprano, concert, tenor or baritone
For concert and tenor uke
New RBX Protection System features a lightweight, ultraprotective foam surround, and strategically placed impact
panels for targeted protection. Heavy duty quilted chevron
exterior, padded blue lining, padded backpack straps, ZeroG handle, and a large front pocket which includes a cable
loop and organizer to keep accessories in place.
TRIBAL GIGBAG (TPB)
Reinforced rigid side walls, comfortable fabric handle,
large exterior pocket.
HARD GIGBAG (THB)
Strong and attractive. Soft lining, positionable internal
padded blocks, 25mm padding, rugged PVC handles,
rigid frame construction, extra large exterior storage
pocket, hide away comfort backpack straps.
Martin
For soprano, concert, and tenor
GIGBAG
Nice quality paddedbag with zippered accessory pocket
and Martin embroidered logo.
Ohana Deluxe
Ohana Deluxe
(DHS-T)
Ameritage
Mono M80
For soprano, concert and tenor
Extremely durable and highly protective military grade
black “sharkskin” exterior. Abrasion resistant and
waterproof, with thin ABS panels for impact protection,
dense foam padding, and internal neck support.
Ameritage
Silver-Series
(ASSC4-SOP)
Black molded case, top and bottom edged in aluminum,
green plush shaped interior.
Reunion Blues
(RBX-CONUKE)
For pineapple, soprano,
concert and tenor
Highest quality
craftsmanship.
Uke is held
securely in place
with a pressure pad
suspension system.
Guardian
Vintage
(GVUC-SOP)
THERMOPLASIC HARDSHELL CASE
Lanikai Tribal
(TPB-S)
For all uke sizes
Super durable
wood frame
case with
plush interior.
Mono M80
(M80U2)
Guardian
Vintage
For all uke sizes
Heavy-duty
5-ply wood
frame, arched lid,
pebble-grain exterior,
and plush interior.
Martin Tenor
Gigbag
(UCMA-TENGIG)
Crossrock
Crossrock
(U800C2-BLUE)
Kala
Alligator
Pattern
Shaped
wooden
shell, alligator
skin-look
exterior
See our selection of in-case humidifiers on page 62
Kala Alligator
(KAC-T)
For soprano,
concert and tenor
ABS molded shell.
Specify red, blue, grey,
champagne, or black/white
weave.
Call us (toll free) 888-473-5810 or 517-372-7890 outside USA
Lanikai Sidekick
www.elderly.com
Hardshell Cases
DHS-C . . . . . . . . . Ohana Deluxe Shaped
GVUC-CON . . . . . . . Guardian Vintage
KAC-C . . . . . . . . . . . . . Kala Alligator
UC-CON . . . . . . . . . . Basic Lightweight
U800C2 . . . . . . . . . . . Crossrock ABS
ASSC4-CON . . . . . . Ameritage Silver
85
86
VIOLIN CASES AND CASE ACCESSORIES
Neotech
Case Sling
Strong, comfortable
and tapered neoprene
pad distributes the
weight of your case
evenly on one shoulder
and inhibits slipping.
Adjustable from 22” to
54” and attaches with
metal swivel hooks.
Works well for all
instrument cases.
Made in the USA.
Case Shoulder Strap
Black web nylon with rubberized shoulder pad,
dual-swivel ABS clips, 11/2” wide, adjusts up to 35”
maximum length.
CSS1
Hiscox 2” Case Strap
All cases are full size (4/4),
unless otherwise noted
Travelite Deluxe
Super light and strong, reinforced rigid foam shell with
arched top, exterior covered with black nylon. Features
exterior music pocket, three bow holders, full suspension fit, padded velour lined interior with blanket, accessory box, detachable backpack style straps, and full
zippered closure with flap covered latch.
TLC-VIOLIN
Guardian
Vintage
Rectangular wooden shell with arched lid and durable
nylon cover that adds increased protection from extreme weather conditions. Comfortable padded handle,
strong latch, plush padded interior, three accessory
boxes (one large enough for a shoulder rest), four bow
holders and exterior music pocket. Includes satin lined
blanket, string tube, and built-in hygrometer.
GVC1
Same strap Hiscox provides with their Artist series
cases. 2” wide black nylon web with moveable
pad and metal clasps.
HGCS2
VIOLIN/MANDOLIN
Thermoplastic
(VCIN)
Like the GVC1 above, but designed to fit a violin and a
mandolin.
GMVC1
Dr. Duck’s
Adjustable
Guitar Neck Rest
Handy laser cut birch neck
support for repairs or string
changes. Adjustable in height for
most acoustic or electric guitars and
basses. Breaks down to four pieces that store easily inside
your guitar case. Made entirely from 5/8” thick wood –
no metal or plastic parts to break or wear out. Neck
cradle and legs are padded with non-slip rubber.
NECKREST
Planet Waves Headstand
PWHDS
Wonderfully designed mini-tripod fits
under the neck to elevate the peghead and
stabilize instrument during string changes.
Compact size and collapsiblity make it easy
to store in nearly any instrument case.
Works well for guitars, basses, banjos,
mandolins and more.
PWHDS
Case Handles
PARALLEL BUCKLE
STEEL REINFORCED PARALLEL BUCKLE
A heavier duty version of the CH1 above.
CH1S
G2VC1
Thermoplastic
Superior
Fiberglass
Molded plastic case with aluminum edging. The same
case used by generations of student violinists. Plush
interior, dual bow holders and accessory pockets.
VCIN
Superior Fiberglass
Nicely designed and rugged fiberglass shell with arched
lid for added strength. Features a rubber valance seal
between top and bottom, well padded interior with one
large and one small accessory box, four bow holders,
instrument blanket. Strong latches, shoulder strap and
heavy-duty handle. Specify white or black exterior.
Baker Street
Deluxe
SFVC1-(COLOR)
Baker Street Violin Cases
DELUXE
LUXURY
Fabic covered oblong-shaped plywood shell with
suspension fit padding and elegant appointments.
221B-3 . . . . . . . . brown
221B-4 . . . . . . . . black
Violin Gigbags
U-SHAPED
TKL
Bass Bag
(BS14)
CH2
TKL Upright Bass Bag Gigbag
CH2
CASE HANDLE WITH
METAL RINGS
Like the GVC1 above, but designed to fit two violins.
221B-1 . half moon, houndstooth
221B-2 . . . . . oblong, brown
CH1
CH1
For use with in-line U-brackets.
DOUBLE VIOLIN
Fabric covered rigid foam shell, suspension fit padding.
Leather with nickel buckles. Works on cases with parallel
U-brackets, buckles on.
www.elderly.com
Travelite Deluxe
TLC-VIOLIN
Guardian
NEOCS
CH3
Thick sausage-shaped
black leather handle like those used on many vintage
style cases.
CH3
MOUNTING BRACKETS FOR CH3 STYLE
CASE HANDLE
Single brass color bracket – you provide your own screws
or rivets to attach to your case.
CH3BR
Violin Cases
Heavy-duty black nylon oxford shell, thick foam padding, multiple zippered compartments, zippered bow
pouch with removable bow sleeve, and multiple heavy
duty nylon web handles and straps. 3/4 size.
BS14
Superior Brand
Upright Bass Gigbag
Medium-duty padded nylon bag with reinforced seams.
Webbed nylon handles and two adjustable “backpack”
shoulder straps. One bow pocket and two accessory pockets (one large, one small). 2-way black zipper. 3/4 size.
BS12
Our complete inventory online
elderly.com
GUITAR CAPOS
Guitar
Capos
BMFC-GTR
BIRD OF PARADISE CAPO - Cam design
minimizes pressure. Works for 6- and 12-string
guitar and both flat and curved fretboards.
BIRD . . . . . . . . . . . orange beak
BLKBIRD . . . . . . . . . all black
KGC1-(color)
ULTIMATE
GUITAR
CAPO - Handmade in
Oregon by Dave Elliott.
Sleek solid brass design
for radiused fretboards.
Easily adjustable to
precise tension.
ULTGTR
SHUBB - Top quality,
durable, and easy-touse capo in your choice of nickel, unplated brass, or
black finish. Replacement parts available.
GA70 . . . . . . . . . . . nickel-plated
GA70B . . . . . . . . . unplated brass
GA70BLK . . . . . . . . . . . black
G7th PERFORMANCE For most 6- or 12-string guitars.
Unique spring clutch allows precise
operation putting less pressure on
the neck. Black finish only.
Partial Capos
Alternate tunings made easy
CAPNEWB
G7th NASHVILLE CAPO Classy design spring capo
for guitar. Light, quick,
and secure.
SHUBB PARTIAL CAPO - Brass capo skips the
outside string (either bass or treble) and capos the
next three.
GA75
CAPOGN
SHUBB PARTIAL CAPO 2 - Like above, but skips
the sixth string only (low E) while covering the
other five.
G7th NASHVILLE FOR
CLASSICAL
CAPOGNC
SPC2
GA70DLX
GA82-BLK
SHUBB LITE - Nickel-plated aerospace quality
aluminum with the look of the original. Extremely
lightweight, less than 1oz.
PAIGE CLIK CAPO - The same
balanced tension of the original
Paige capo above, with quick
on-and-off feature that maximizes
intonation accuracy with minimal
tension on the neck. Available for
standard or wide fretboards.
GAL1
CLIK ......................... standard width
CLIKWIDE . wide fretboard
GA70DLX
NS GUITAR CAPO Adjustment dial eliminates any
unwanted string buzz. Lightweight
aluminum. For 6- or 12-string guitars.
NSCAPO-BLK . . . . . . . . . . . black
NSCAPO-CHR . . . . . . . . . . chrome
NS CLASSICAL - Wider for use on classical guitars.
NSCAPO-CLA . . . . . . . . . . classical
NS LITE - Ultralight molded ABS plastic.
NSCAPO-LITE . . . . . . . . ABS plastic
VICTOR BRONZE Solid cast bronze for
precise intonation.
Easy to use with a sleek,
rugged design. Specify for flat or curved fretboard.
NSTRIO
More capos and
accessories in stock at
Shop from our complete
inventory online
VIC-FLAT . . . . . . . . . for flat fretboards
VIC-CURV . . . . . . for radiused fretboards
Squareneck Resonator Guitar Capos
BEARD WAVE SQUARENECK CAPO Paul Beard’s latest capo, made of nickelplated heavy steel. Large tension
adjuster. Fits 6- or 8-string guitars.
Specify Gold, Black or Chrome.
BDC2-GOLD
BDC2
BDC2-CHROME
TGC-(COLOR)
PLANET WAVES NS TRIO
Perfect for drop/alternate
tuning on guitars or as a
full capo on a banjo or
mandolin. Sleek aluminum design.
elderly.com
BDC2-BLACK
TRIGGER - Spring action
clamp-style capo with ergonomically designed, triggerlike handle for one-handed
positioning. Specify black, gold
or nickel.
SPC2
GA75
SHUBB - Snaps on and off
quickly. Easy to place, since
it straddles the fret. Solid
brass, with rubber and
nylon where it touches the
neck and strings.
SDC1
WRGC1
SRGC1
SCHEERHORN
HEAVY
BRASS - Simple flip-action
catch releases the capo.
Rubber padded arm is positioned between the strings and
fretboard, virtually eliminating string bounce.
SRGC1
SDC1
WALWORTH Nice design
made of heavy
brass. Features
an easy cam-action flip lever and tension adjustment
set screw for the exact tension you desire. Includes an
Allen wrench for the adjusting screw. Fits most 6- and
8-string guitars.
WRGC1
PAIGE - Electro-plated steel.
Locking crossbar with rubber
padding and adjustable thumbscrew. Crossbar is slightly angled
to compensate for string size.
Black only.
SHUBB DELUXE - Roller mechanism provides
consistently smooth operation. Made of stainless
steel. For curved fretboard. Fits most acoustic and
electric steel-string guitars.
GAL1
www.elderly.com
BMF HIGH PRECISION
ACOUSTIC GUITAR CAPO 2” wide bar, stainless steel
construction. Quick release push
button lock system with thumb-screw adjustment.
Replacement sleeve included.
KYSER QUICK CHANGE Moves easily with one hand,
and comes in assorted cool
colors. Specify
black, silver,
black chrome,
silver vein, gold,
copper vein, red, pink,
blue, red bandana, or
dark purple finish.
87
88
GUITAR AND UKULELE STRAPS, STRAP LOCKS
Guitar Straps
B
A
C
E
D
F
LEATHER - Black soft leather with adjustable neckcord and heavy-duty plastic hook.
STPC
HOOTENANNY DESIGN - 2” jacquard
weave strap with vintage design. Soft
leather backing, distressed leather ends,
antique brass adjustment. Available in a
variety of colors and patterns.
B M8HTV
Strap Buttons
STRAP BUTTONS - With screw
GA15S . . . silver satin
GA15C . . . . . chrome
GA15E x-long screw nickel
GA15B . . . . . . black
GA07G . . . . . . gold
NARROW LEATHER GUITAR STRAP - 11/2”
wide, adjustable from 38” to 53”. Specify
Black or Brown.
C M70
El Dorado
DURANGO SUAVE STRAP 21/2” wide glove-soft leather
with sturdy harness-thread
edge stitching. Adjusts from
40”-53”. Specify Brown/
Chocolate, Black/Chocolate,
Black/Tan, Cognac/Tan, Black/
Red, Black/Chocolate, or
Cognac/Chocolate.
SUAVE-(color)
STITCHED SADDLE-GRADE
LEATHER
Genuine sheepskin shoulder pads and
stainless steel buckles. Adjustable from 45”
to 51”. Specify Black, Tan, or Brown.
E ELOP-(color)-ORIG . . . . . . . . . . 11/2”
ELOP (color)-VINT . . . . . . . . . . . . . 1”
EL DORADO DURANGO - Top quality
leather, 21/2” wide. Adjustable from 40” - 53”.
Dark Brown, Brown, Red or Black.
F EDDU-(color)
Strap Locks
G
TWEED STRAP - Vintage
look, 2” wide with leather
ends. Adjusts from 33” to
54”.
G FSTW
MONOGRAMMED STRAP
- 2” wide leather backed
cloth strap with company
logo and Strat® headstocks
monogrammed along top.
Adjusts from 26” to 50”.
Available in a variety of
colors and patterns.
H FS681
DUNLOP PLASTIC STRAP LOCK
SL1S
H
2” nylon guitar strap with integrated
lock system built into the leather
ends. Specify black or brown.
www.elderly.com
SL1S
SK1
DGS15
PLANET WAVES
QUICK-RELEASE SYSTEM
DGS15
MASH
O
P
Q
O
P
Q
N
LIS2G-(color)
Ukulele Straps
N
A variety of colors and designs
MARTIN BASEBALL GLOVE LEATHER High quality leather for durability with
embossed Martin logo.
J MSTP12 . . . . brown
L
M
More straps online at
elderly.com
SUEDE LEATHER - 21/2” strap for Dobro or
acoustic guitar. Brown suede leather with
decorative black piping and suede backing.
Adjustable from 44” to 64”.
L MSS6/BRN
DSL-GOLD
MARTIN ACOUSTIC STRAP HOOK Leather with durable nylon strap button
attaches to any guitar strap. Specify
Black, Brown, or Natural.
MASH
New! Lock-It Strap
J
SLIM LEATHER
MARTIN LOGO 21/2” wide, soft
brown leather with
detail stitching and
embossed Martin
logo.
I MSTP45
K
GA07G
DUNLOP STRAPLOK SYSTEM - The
original quick-release strap lock system.
DSL-NICKEL . . .
DSL-BLACK . . .
DSL-GOLD . . . .
I
Resonator Guitar
M20L
STRAP KEEPER ENDPIN JACK STRAP LOCK
SK1 . . . for standard endpin jacks
SK2 . . . for smaller endpin jacks
MSTP13 . . . . . black
2” WIDE COTTON - Designed for resonator
guitar but works well for acoustic guitars.
3
/8” cotton webbed loop on the headstock
end, tri-glide adjustment; adjustable to 70”.
Specify Black or Brown.
K MC8A
STPC
LEVY - Nice quality 3/4” wide leather strap hooks on
the guitar soundhole with a plastic hook. Black only.
M20L
ELDERLY INSTRUMENTS
LOGO - Basic 2” wide strap in
black only.
A M8POLYL
LEATHER ROCKABILLY STRAP - Heavy 1”
narrow strap with 2” moveable shoulder
pad. Adjusts from 38” to 52”. Specify Brown
or Black.
D PM22RBA
Classical Guitar
POLYESTER - Plastic soundhole
hook, adjusts to 36”
N MP20 . 1” wide
COTTON UKULELE STRAP - 2 3/8 ” cotton
uke strap with plastic soundhole hook.
Adjustable to 22”.
0 M22
L&M
Simple black neck strap with J-hook
attaches at the soundhole.
P LMUS1
Medina-Made
3/4” wide leather strap, 2” wide shoulder
pad. Specify Black, Brown or Burgundy.
Q MMS25
Webb
Kala Cloth
WOVEN NYLON - Quick disconnect
system. Specify Black, Brown, or Guatemalan
Woven Striped.
WDS300 . . . 3” wide
St. Hawaiian
WOVEN NYLON WITH LINED LEATHER
SHOULDER PAD - Specify Black or Brown.
LWD2 . . . . . 2” wide
M LWD3 . . . . . 3” wide
11/4” wide with shoulder pad and leather tab
ends. Adjustable from 30” to 48”.
KCSTP1
11/2” wide nylon with Hawaiian print fabric
stitched on the top. Leather tab ends. Specify
Black, Green, Purple, (shown) or Blue, Pink,
Red or Yellow.
STUS
KCSTP1
STUS
BANJO AND MANDOLIN STRAPS, BANJO CAPOS
R
Banjo Straps
T
2” SUEDE - Leather banjo
strap with suede backing,
metal clips. Adjustable to
50”. Specify Black, Brown,
Sand, or Tan. More colors
available special order.
S M9S
Banjo and Mandolin Capos
NSTRIO
BA62-BLK
PLANET WAVES NS BANJO/MANDOLIN CAPO - Sleek,
ultralight design for fast, accurate one-hand positioning.
Smooth, tactile dial fine tunes tension to eliminate string
buzz for perfect, in-tune performances.
NSTRIO
ORIGINAL PAIGE - Locking crossbar, black anodized
steel.
BA62-BLK
LM Straps
NYLON STRAP - No hooks to scratch
your banjo. Attaches with leather tabs.
T BSGT1
2” wide, adjustable length and
non-marring clips.
NYLON
PWBS-NY
EMBROIDERED LEATHER
PWBS-EL
CLASSIC LEATHER
PWBS-CL
Strap Tabs
Set of two leather
tabs convert
any guitar strap for
use with banjo.
BJST2 $6.50
CLIK62
CLIK62 . . . . . . . . . . . . flat
CLIK62R . . . . . . . . radiused
PAIGE “CLIK” WIDE CAPO - For capoing above the 5th
fret on 5-string banjos. Also used for mandola, octave
mandolin, bouzouki.
CAPNEWBJO
Mandolin Straps
U
V
W
X
CAPNEWBJO
KBC1
Supple, single thickness leather, 21/4”
wide at shoulder with narrow ends.
Loop for attaching to an F-mando
scroll, or to a strap button.
W CMSTRAP
ULTBJO
Lakota Leathers
Soft, strong and comfortable –
handmade on the Lakota Sioux Indian
reservations in South Dakota, U SA.
FLAT BRAID ELK HIDE - 43” long with a loop
at one end and three button holes on the other
end for adjustment. Chocolate (brown) or Black.
LFBMC . . . . . chocolate
LFBMB . . . . . . black
BISON HIDE - 48” long with a loop at one end
and eight button holes on the other for
adjustment. Black, Mahogany or Rosewood.
LMSB . . . . . . . black
LMSM . . . . . mahogany
LMSR . . . . . . rosewood
Medina-Made
Hand-tooled 3/4” wide leather strap
with a sliding 2” wide shoulder pad.
Works with A- or F-style mandolins.
Specify Black, Brown, or Burgundy.
X MMS25
SC5N
NICKEL-PLATED - New roller version of the most
popular and widely used capo in the industry.
SC5N
UN-PLATED BRASS
BA60B
BA60DLX
SHUBB DELUXE - Crafted of stainless steel with
an all-new roller mechanism that provides
consistently smooth operation.
BA60DLX
5th String Capos
SHUBB - Lever action.
BA28N . . . . . nickel-plated
BA28B . . . . unplated brass
BA28N
GOLDEN GATE - Nickel-plated, spring action.
BA30
LFBMC
(ELK HIDE)
BA30
LMSM
(BISON HIDE)
REAGAN BANJO 5TH STRING CAPO - Small brass block
attaches directly to the string and clamps above the nut
when not in use. Includes two nylon thumbscrews.
El Dorado
Nicely crafted leather strap with a
comfortable soft suede underside.
Integrated loop end attaches to either
the scroll of an F- or the headstock of an
A-style mandolin. Adjustable length,
Brown only.
Y ELMA
ULTIMATE BANJO CAPO - Completely hand made in
Oregon by Dave Elliott. This sleek design, open sided
precision banjo capo is solid brass, and adjusts easily
via the good sized knob (not too big) at the bottom.
ULTBJO
RBC55N
RBC55N
PWMAS-BRN
Leather, 3/4” wide, adjustable.
PWMAS-BLK . . . . black
PWMAS-BRN . . . brown
PWMASE . . embossed brown
EARL’S SUSPENDER CAPO - A new approach to a 5th
string capo. Requires no drilling or installation, just place
one end of the capo on the edge opposite the 5th string,
stretch the elastic behind the neck, and place the other
end at the desired fret. Easy on, easy off.
ESC
ESC
3/8” COTTON WEB - One leather end,
one loop end, and tri-glide adjustment.
Adjustable to 46”, Black only.
V M19C
KYSER QUICK CHANGE - Black only.
KBC1
DELUXE - For either A- or F-style. 1/2”
wide with brass buckles for length
adjustment. Specify Black, Brown, or Tan.
M19DLX
1/2” LEATHER - Adjustable from 25” to
48”. Fits all styles of mandolins. Specify
Brown, Black or Tan.
M19PR
CLIK63 . . . . . . . . . . . . . flat
CLIK63R . . . . . . . . radiused
G7TH NEWPORT BANJO/MANDOLIN - Unique spring
clutch allows precise one-hand operation while putting
less pressure on your instrument’s fretboard.
Y
F-MODEL 3/4” LEATHER 44” long, for A- or F-style.
Specify Black or Brown.
U LMS19
PAIGE “CLIK” BANJO/MANDOLIN CAPO - Quick on
and off feature and the same balanced tension as their
original capo. Maximum accuracy with less pressure
on your instrument’s fretboard.
www.elderly.com
CRADLE-STYLE - Makes
heavy banjos feel light. 21/2”
wide leather shoulder piece
with 12” sheepskin pad. No
metal or plastic parts. Specify
Black, Tan, or Brown.
R BA65
S
89
90
STANDS
Instrument Stands
Traditional-Style Instrument Stands
GS442B
Basic Guitar Stand
Hanging-Style Stands
Our most popular guitar stands
Works for most stringed instruments. Sturdy
foldable tripod base, soft foam covers all parts
touching instrument.
Hercules Instrument Stands
Auto-Grab prevents your instrument from
falling out. Finish-friendly rubber on all
contact points
GS414B . . . single
GS442B . . double
KB38
CHROME
DGS1
Ultimate Support Genesis
Versatile and heavy-duty stand for guitar or
banjo. Tubular construction, padding at all
contact points, built-in pick holder.
GS100
BLACK
PGS1
Hamilton KB-38
Hang your instrument in safety – no loose
parts to lose.
KB38
Compact, Foldable Stands
COOP-MINI
Wall-Mount String Swing
Instrument “KEEPER” DESIGN
Deep pocket, more secure.
Hangers
CC01K each
GS100
Cooperstand Pro-Mini
MARTIN LOGO
CC0M1
COOPE-BLK
Cooperstand ECCO-G
Made from recycled ABS plastic, reinforced
with steel. Great for guitar, bass, banjo and
more. Folds to a compact size – fits in the
pocket of most cases or behind the
headstock of the guitar.
COOPE-BLK
BANJO AND SMALLER NECKS
CC01B
VIOLIN AND BOW HOLDER
CC01V
CC01
Fender® Mini Acoustic
UKULELE
CC01UK
US12
Sturdy enough to hold your guitar, yet small
enough to fit inside most cases and gigbags.
FMAS
Heavy-duty orchestra style stand.
KB1D
JSAG100
Strong tubular steel with glass-filled
polycarbonate fittings. Folds into a
24”x6” canvas bag (included).
SMS20
SMS20
Economy Orchestra Stand
Tubular steel construction with tripod
base. Adjustable tilt desk with ledge.
SM050
PUNCHED HOLE DESK VERSION
SM051
On-Stage “Mighty-Guitar”
SA20
On-Stage Wire Stand
SM050
Lightweight. Carrying bag included.
OSMS
On-Stage “Mighty-Uke”
Compact, easily fits into gig bags. Rubber
padding, depth adjustable. For ukes.
GS6000B
GS6000B
Stage Mate Mic Stand Sheet
Music Holder
Ukulele Hanger Stand
Classic collapsible tripod hanger stand scaled
down for the uke family. Works for soprano,
concert, tenor and baritone ukes. All contact
points are padded to protect the instrument.
US12
ST30B
Wood base with the
Hercules AutoGrab instrument hanger. Includes wall anchors
and screws.
GSP38WB
Peak SMS-20
Stable, heavy-duty design. Features an
extendable bow holder. Metal parts finished
in a powder coat taupe. Also works for
mandolin, mandola, and more.
SA20
Strong A-frame stand. Adjustable arms allow
you to size to fit your instrument perfectly.
Carrying bag included.
Hercules
Wall Hook
Hamilton KB1D
FMAS
Ingles Violin / Viola Stand
Peak A-Frame Banjo Stand
elderly.com
Music Stands
KB1D
Heavy-duty steel folds flat. Width adjustable
to accomodate body size.
JSAG100
Small enough for your gigbag. Rubber
padding on all contact points protects your
guitar’s finish and provides a slip-free cradle.
A-frame design ensures stability.
GS6500
More stands
and wall
hangers at
UNIVERSAL
Fits most stringed instruments.
CC01
CC01K
Solid wood with neoprene contact points. For
uke, violin, mandolin and other small
instruments.
COOP-MINI
Ultimate Support A-Frame
www.elderly.com
PGS1
DGS1
OSMS
Attaches to any standard microphone
stand adjustable height and angle.
SMS5H
Mighty Bright
Xtraflex Duet
ST30B
SMS5H
Flexible dual head LED
stand light. No bulbs to
replace. Requires 3-AAA
batteries (not included).
SIGHTXD
INSTRUMENT CARE, GIFT IDEAS, BOOKS AND DVDS
Hundreds of gift ideas in stock
Martin Polish/Cleaner Kit
Professional level kit with one 4 oz. bottle of
polish/cleaner and 11” x 14” polishing cloth.
MGPCK1
DP0002
SNAPZ
PPSW
GRP10
ELDERLY METAL POLISH CLOTH - Specially treated for metal
finishes (not for use on lacquer finishes).
GRP18
ERNIE BALL POWER PEG MOTORIZED STRING
WINDER -Handy for extra-quick string changes. Portable, fits most tuning keys. Forward and reverse, locking
safety switch.
PPSW
PLANET WAVES MICRO-FIBER POLISH CLOTH - Traps dirt
particles and lifts them away from the surface of your
instrument. Can be washed time and again.
PWMPC
PENGUIN
METAL KAZOO
KZ1
Polish, Wax and Cleaners
PARATUSS PST-30C PENGUIN MOTORIZED STRING
WINDER - 3-in-1 tool features a motorized string winder,
string cutter and bridge pin remover. Long lasting
rechargeable battery that charges via USB.
PENGUIN
ELDERLY LOGO PLASTIC KAZOO Variety of colors.
CKZ
VIRTUOSO PREMIUM CLEANER - 4 oz. bottle cleaner brings
back the luster of the original finish.
VC
KZ1
CKZ
HUMANATONE NOSE FLUTE - Fun to
play.
HT1
VIRTUOSO PREMIUM POLISH - 4 oz. bottle instrument
polish. Used in our own repair department.
VP
ELECTRIC KAZOO - Look out – a kazoo
paired with a pickup. Marshall stack sold
separately.
DUNLOP FORMULA NO.65 - Optimum cleaning with
exceptional shine and incredible protection. 4 oz. bottle.
654
HT1
EHK1
HOWARD FEED • N • WAX® -Combines beeswax and orange
oil to preserve finished and unfinished woods. 4 oz. bottle.
Best for fingerboards.
GRP16
HOHNER BEGINNER’S HARMONICA
- Standard 10-hole diatonic in C.
Colors vary.
EHK1
HO48
SW1
PLASTIC SLIDE WHISTLE
SW1
BOOKS AND DVDS
DVD - Ain’t In It for My Health: A
Film About Levon Helm
Helm, drummer for The Band, lost his
voice to cancer. Follow his journey to
recover and record an album. “A
captivating look at a musician
hanging onto his art for dear life.”
KINO-DVD838
DVD - Uncle Dave Macon Days:
A Tribute to Old Time Music and
Dance
DVD - Appalachian
Fingerstyle Guitar in
DADGAD Tuning
In-depth look at the event that draws
over 50,000 visitors every July to
Tennessee. Vintage photos, event
footage, dozens of interviews and
lots of music and dance.
Southern Mountain songs and
instrumentals infused with
fresh new harmonies and
inventive fingerpicking.
300-DVD446SET
715-DVD1
INSTRUCTIONAL
BOOKS & DVDS
Book/2 CDs - Rhythm Guitar
365: Daily Exercises for
Developing, Improving and
Maintaining Rhythm Guitar
Technique
Book/DVD - Daniel Donato The New Master of the
Telecaster: Pathways to
Dynamic Solos
DVD - You Are There
Performances from the early
1950s: Hank Williams, Bill Monroe,
Louvin Brothers, Grandpa Jones,
others.
Open your mind and fingers to
uninhibited fretboard freedom,
increase theory comprehension,
and dynamic solos.
SHAN-DVD622
Learn chord construction and progressions, fingerpicking, strumming techniques, more.
49-103627
49-121923
DVD - The Guitar Artistry of
Doc Watson
29 tracks: “Black Mountain Rag,”
“Shady Grove,” “Beamont Rag,” more.
VEST-DVD13130
DVD - Mike Dowling’s
Roadmap to Creative Guitar
Arranging: Simple Concepts
for Advanced Playing
DVD - Uncaged & Free
The CAGED system strengths and
weaknesses and how to get
maximum results.
304-DVD1015
DVD - The Gospel Music of
Marty Stuart
Stuart brings to life songs that were
mainstays of his childhood.
GAITHER-DVD94399
DVD - Take a Solo! The
Secrets to Blues and Country
Guitar Improvisation
How to come up with powerful and
compelling improvisations in any
key and any position, using a
flatpick or fingers.
300-DVD452
How to develop unique arrangements for favorite tunes using easily
accessible fretboard techniques.
300-DVD449
Book - The Guitar Player’s
Guide to Rhythm, Timing,
and Groove
Become a solid acoustic rhythm
player in country, bluegrass,
acoustic rock, gospel, Irish, oldtime, folk, more.
475-17
HO48
LIZARD SPIT GUITAR POLISH - Keeps your guitar’s shine
lasting longer. Good stuff! 4 oz. bottle.
LSGP
PERFORMANCE/DOCUMENTARY DVDS
www.elderly.com
ELDERLY LOGO POLISHING CLOTH - Safe for
delicate lacquer finishes.
GRP10
PLANET WAVES PRO-WINDER - Combination
string winder and wire cutter.
DP0002
SNAPZ BRIDGE PIN PULLER - Locks on to bridge pins to
allow smooth removal without marring the bridge.
SNAPZ
Polishing Cloths
91
92
BOOKS AND DVDS
Book - First Fingerstyle Songs
Each solo combines melody and
harmony in one easy, full-sounding
arrangement. “Hallelujah,” “In My
Life,” “Lean on Me,” “Moon River,”
more.
Book/Online Audio - OneMan Guitar Jam: How to Use
Riffs, Bass Lines, and Rhythm
Patterns for Self-Accompaniment While Soloing
Book - Baritone Ukulele From
Scratch
What at treat this book is! Funny,
thorough, and easy to comprehend.
49-129734
Incorporate rhythm and lead playing into a cohesive performance.
578-14
49-122026
Book - Learning Music by Ear
- For All Stringed
Instruments
Learn how to find the song’s key,
chord progression, and melody all by ear.
Book - 100 Most Beautiful
Songs Ever
Contains time-less songs from a
wide variety of genres in full
arrangements for solo guitar.
49-703066
475-18
Book/Online Audio - Easy
Banjo Solos for 5-String
Banjo, 2nd Edition
Book/CD - Eric Clapton: From
the Album Unplugged Guitar Play-Along Vol. 155
Book/CD - Fingerstyle
Ukulele: A Method and
Songbook for Fingerpicking
Backup and Solos
Learn to play chord melody solos,
mix chords and single notes, and
fingerpick patterns.
49-696620
Book/CD - Ukulele Chord
Melody Solos: Tips and Tricks
for Arranging Songs on the
Ukulele
Presented in order of difficulty,
basic rolls and chords to 16th
notes and fret-hand techniques.
The Beatles, Hank Williams, Flatt
and Scruggs, Merle Travis, more.
CD is enhanced for computers so
you can adjust the tempo without
changing pitch! 8 songs.
Introduction to the chord melody
style. Explanations on how the
arrangements were created. “Aloha
Oe,” “Blue Skies,” “Eight Days a
Week,” more.
49-114592
49-703085
49-696609
Book - 100 Greatest Guitar
Intros
“Barracuda,” “Crazy Train,” “Free
Ride,” “Heartbreaker,” “La Grange,”
“Paranoid,” “Pride and Joy,”
“Revolution,” more.
49-127533
Book/CD - Clawhammer
Cookbook: Tools, Techniques
and Recipes for Playing
Clawhammer Banjo
Teaches you ways to approach,
arrange, and personalize any tune
- to develop your own unique style.
49-118354
Book/CD - 50 Easy Uke
Chord-Solos: Getting Started
With Chord-Soloing
50 solos and exercises to help the
strummer advance to the chordmelody-solo player level. Soprano,
concert or tenor uke.
707-1
DVD - Great Banjo Lessons:
Clawhammer Style
Book/CD - Chet Atkins Guitar
Play-Along, Vol. 59
Eight lessons by top players: Bob
Carlin, Mike Seeger, Cathy Fink,
David Holt, Kirk Sutphin, Ralph
Stanley, Mark Johnson, Frank Lee.
CD is playable on any CD player
and is enhanced for computers so
you can adjust the tempo without
changing pitch! 8 songs.
Book/CD - Ukulele Aerobics
40-week, one-lick-per-day workout
program for developing, improving, and maintaining ukulele
technique.
300-DVD447
49-702347
49-102162
Book/2 DVDs - B.B. King Style
Learn the timing, note selection,
bends, vibrato, and famous “box
position” that combine to create
B.B.’s unique phrasing.
56-59
Book/CD - Old-Time
Favorites for Clawhammer
Banjo
62 more tunes of varying difficulty.
Favorites, new additions and timetested standards. Intermediate/
advanced.
02-30224BCD
Book - Roy Sakuma’s
Treasury of Ukulele Chords
Organized by chord form and key.
with voicings for each chord.
Shows how chord substitutions
can spice up the simplest melody.
562-1
Book - Folk Songs for Banjo
www.elderly.com
DVD - The Guitar of Bert Jansch
Most tunes are in G tuning with
some in double C, C, and G modal:
“Amazing Grace,” “John Henry,”
“Yankee Doodle,” more.
Jansch was one of the most
influential and unique guitarists to
emerge from the British folk music
scene of the sixties. Explores, folk,
traditional, and blues segments of his
arrangements.
Book - The Daily Ukulele Baritone Edition
49-701919
Strum a different song every day
with easy arrangements of 365 of
your favorite songs. G tuning
(DGBE).
304-DVD1021
49-121280
Book - Best of Peter Green
Green made a name for himself
with the Bluesbreakers and
Fleetwood Mac. Transcribes 13 of
his songs.
49-691190
Book/2-CD - Enda Scahill’s
Irish Banjo Tutor
Mick Moloney says “Enda’s Tutor is
masterfully conceived, the product of
years of playing and thoughtful
reflection.”
Note-for-note transcriptions of
Wayne’s first solo album, plus the
bonus tune, “Lime Rock.”
666-1
Rarely seen songs: “After You’ve
Gone,” “Some Of These Days,” “A
Good Man Is Hard To Find,” more.
664-2
719-2
Book - Wayne Henderson Made & Played, Transcribed
for Flatpicking and
Fingerstyle Guitar
Book/2 CDs - Ukulele Guide
Open Mic Songbook
Book/CD - Bach’s Cello Suites
I-III Arranged for Tenor Banjo
The cello and the tenor banjo
share the same tuning, and banjo
players will be surprised at how
well this music fits on the
fretboard. Tab.
02-30430BCD
Book/2 CDs - Ukulele Jazz
by James Hill
12 standards; lyrics, melody, chord
diagrams; technique tutorials, jam
tracks, chord chart.
158-92
BOOKS
Book - Baker’s Dozen: A
Collection of Mandolin Tunes
781-1
“Billie’s Bounce,” “Now’s The Time,”
“Donna Lee,” “My Little Suede
Shoes,” “Anthropology,” and “Blues
For Alice.” With play-along tracks.
678-1
Book - Peter, Paul and
Mary: Fifty Years on Music
and Life
During John F. Kennedy’s
presidency, America was dramatically changing. The trio
became the standard-bearers
of America’s new hopes and
dreams.
542-327
Book - 2015 Official Vintage
Guitar Magazine Price Guide
Current values on vintage and
collectible acoustic and electric
guitars, basses, lap steels, steels,
mandolins, ukuleles, banjos,
amplifiers and effects.
Book/DVDROM - The
Worship Bass Book: Bass,
Espresso, and the Art of
Groove
Book - Classical Themes for
Fingerstyle Ukulele
15 solo uke arrangements: “Ave
Maria”, “Blue Danube Waltz”,
“Canon in D”, “Eine Kleine
Nachtmusik,” more.
Covers: phrasing, grooves, fingerboard familiarity, musical styles,
slap and tap techniques, more.
49-127940
49-138549
49-333737
Book - Mandolin from
Scratch
Book/Online Audio - Best
Bass Lines Ever Bass PlayAlong, Vol. 46
Bluegrass, old-time, Celtic
and folk enthusiasts will
learn about chords, singlenote playing, fiddle tunes,
the blues, chords up the neck
and chord-melody playing.
“Billie Jean,” “Hysteria,” “Longview,”
“Roundabout,” “Sweet Child O’
Mine,” “Taxman,” more.
49-103359
578-19
Book/CD - Dobro Roots:
A Photo Tour of Prewar Wood
Body Dobros
www.elderly.com
Original tunes as an exercise in a
particular style or technique:
Bluegrass, cross-picking, jazz
mandolin, Italian Ballo Liscio,
more.
Book/CD - Charlie Parker
Transcriptions for Mandolin
93
Lots of color photos of rare and
historically significant instruments
produced from 1929 through 1941.
CD features 15 different Dobros.
49-125507
Book/CD - Mandolin Master
Class: Intermediate and
Advanced Bluegrass
Improvisation, Theory and
Practice Techniques
Book - Ball’s Manual of
Gretsch Guitars: 1950s
Book - Pedal Steel Guitar
Chords and Scales
The ultimate book for vintage
Gretsch guitars of the 1950s.
Detailed review of both guitar
production and individual models.
Learn chords and scales. More
than 1100 chords and 430 scale
forms. E9 tuning.
Techniques, scales, improvisation
ideas, and theory for intermediate/
advanced players.
565-6
49-696608
642-1
Exercises to help you find your way
in and out of every possible twist
and turn of the left and right hands.
644-1
62 more tunes with chords and
mandolin tablature. Each tune is
played on both fiddle and
mandolin, with a separate CD for
each instrument.
02-30225BCD
Book - Play Well With Others:
A Musician’s Guide to Jamming
Like a Pro
Covers jam do’s and dont’s, progressions, transposing, keys, a theory
reference guide, etiquette & technique.
778-1
Book - Songwriting
Strategies: A 360-Degree
Approach
CD/ROM - Mandolin
Melodies: Ballo Liscio Dance
Music From the 1890s
Through the 1960s
Book/CD - Old Time String
Band Music for Mandolin
70+ old-time period songs
recorded mostly by Ernest
Stoneman, or the duo Grayson &
Whitter, during the 1920s and early
1930s.
Write songs starting from melody,
lyric, harmony, rhythm, or ideas.
This liberating approach supports
the overall integrity of emotion
and meaning in your songs.
Collection of mazurkas, waltzes,
polkas, marches, tarentellas,
rhumbas, more.
659-CDR1
49-449621
49-128131
Book - The Book of the Dawg:
Dawg Roots
20 songs, ballads and fiddle tunes
as played and recorded by David
Grisman: “Shady Grove,” “Boston
Boy,” “Wayfaring Stranger,” more.
158-93
Book/CD - Exploring Folk
Fiddle - An Introduction to
Folk Styles, Technique and
Improvisation
All aspects of folk violin technique,
centered on Irish traditional music
includes the styles of England,
Scotland, Scandinavia and more.
The first biography of two integral
bluegrass innovators and touchstones
of old-time country music authenticity.
701-15
49-943982
Book - The Book of the
Dawg: Dawg Grass
20 original songs as played and
recorded by David Grisman: “Opus
57,” “Dawg’s Bull,” “Opus 38,” more.
158-94
Book/CD - 100 Authentic
Blues Harmonica Licks
Book - Kentucky Traveler:
My Life in Music
From basic 12-bar blues backing
riffs to mojo-packed solo licks, 100
time-tested licks to help you get
the most out of your 10-hole
diatonic harp. For C harp.
Celebrating Ricky Skaggs’ 40th year
as a professional musician, the
musical prodigy and legend who
revived modern bluegrass presents a
heartfelt and candid memoir.
49-115070
Book - The Bob Dylan
Mandolin Chord Songbook
Book - Slide Rules: Tunings for
Lap Steel, Bottleneck, Resophonic,
and Indian Slide Guitar
30 classics with lyrics and chords.
Strum and sing: “Forever Young,”
“Like a Rolling Stone,” more.
70+ tunings for acoustic & electric lap
steel, bottleneck, resophonic, Weissenborn style, and Hindustani slide guitar.
01-108282
Book - Lonesome Melodies: The
Lives and Music of the Stanley
Brothers
618-5
542-455
Book - Constructing the
Mountain Dulcimer
A thorough guide on building this
unique instrument. Diagrams and
photos, fret tables, finish information,
playing instructions, and history.
08-47
Book - Mike Marshall’s
Mandolin Method: The Great
Book of Finger Busters
Book/2CDs - Old-Time
Favorites for Fiddle and
Mandolin
94
COMPACT DISCS
HOMER & JETHRO
Playing It Straight / It Ain’t
Necessarily Square
Our selection of CDs is among the finest anywhere! Whether it’s big-label releases or the
fast-growing world of independent music, we have thousands of titles: bluegrass,
Americana, songwriters, Celtic, country, blues, swing, world, roots and acoustic music of
all kinds. Here’s just a tiny sample of some of our best-sellers and hot new releases —
log on to www.elderly.com and browse our complete, up-to-date selection.
CHRIS SMITHER
Still On the Levee: A 50-Year
Retrospective (2 CDs)
25 of the best songs from this heralded,
bluesified, beloved songwriter and
guitarist; with Allen Toussaint, Kris
Delmhorst, Loudon Wainwright III and
others.
SIG-CD2066
SARAH JAROSZ
Build Me Up From Bones
MANDOLINS
SF-CD19500
CHRIS THILE Bach:
Sonatas and Partitas, Vol. 1
Three Bach suites recorded by
mandolin phenomenon and
MacArthur Fellow Thile! Solo
violin works rendered here on
solo, unaccompanied mandolin:
Sonata No. 1 in G minor, Partita
No. 1 in B minor, and Sonata No.
2 in A minor.
NONE-CD535360
Third CD from the young and
startlingly talented Jarosz, an
artist who features a rare
combination of instrumental
virtuosity, emotive vocals and
songwriting chops.
SIMON MAYOR
The Art of Mandolin
STAN ROGERS
The Collection
(6 CDs & DVD)
BORL-CD226
VARIOUS ARTISTS Looking
Into You: A Tribute to
Jackson Browne (2 CDs)
SMALLD-CD611
JOHN HARTFORD
Aereo-Plain / Morning
Bugle: The Complete Warner
Bros. Recordings (2 CDs)
The perennially popular Hartford
recordings reissued again at last!
With Vassar Clements, Tut Taylor,
Norman Blake, Randy Scruggs
and Dave Holland; with eight
previously unreleased tracks.
RGM-CD00098
“Second Time!” Sophomore outing for mandolin cosmonaut
Marshall and his SF Bay-area crew.
Classic & modern Brazilian “choro,”
the New World’s scintillating blend
of 19th-century European popular
music with Afro-Brazilian flavor.
TOMMY EMMANUEL
The Guitar Mastery of
Tommy Emmanuel (2 CDs)
28 tracks from the hyperkinetic
Aussie, scintillating picker and
tireless performer. “Over the
Rainbow,” “Endless Road,” “Guitar
Boogie” and more.
FAVORN-CD2860
JOHNNY STAATS &
THE DELIVERY BOYS
Time Moves on
GUY CLARK
An American Dream:
4 Classic Albums 1978-92
(2 CDs)
RAVEN-CD379
JSRS-CD13
ADAM STEFFEY
New Primitive
Boxcars mandolinist Adam
Steffey’s album of old-time, prebluegrass mountain music! Duets
and a few band sides with Tina
Steffey on clawhammer banjo,
fiddler Eddie Bond and others.
ORGANIC-CD14692
Singer and ukulele player
Julianna Wilson and husband
Andy on trumpet and harmonicas. Some originals plus
evergreens like “Careless Love,”
“Lullaby of Birdland,” and more.
Deep overview of the whole
performing career of the
incomparable Bensusan, 38 live
tracks including 11 never before
issued in any form.
MVD-CD6049
BRIAN SETZER
Rockabilly Riot! All Original
The one-man rockabilly revival
and guitar killer steps out with for the first time ever- a program
of all-original rockers, 12 in all!
With bassist Mark Winchester,
Noah Levy on drums and pianist
Kevin McKendree.
SURFDOG-CD566481
UKULELE
THE SPRINGTAILS
…Because We’re in Love
PIERRE BENSUSAN
Encore: Live (3 CDs)
West Virginia’s bluegrass mandolin Olympian with his Delivery
Boys: guitarist Davey Vaughn,
Roger Bissell on bass, banjopicker Butch Osborne and fiddler
Ray Cossin.
MUSICR-CD018
The dean of Texas songwriters!
“Guy Clark,” “The South Coast of
Texas,” “Better Days” and “Boats
to Build” packaged together at a
great price.
www.elderly.com
1988 jam session tapes from
John Hartford’s basement, never
before released. A priceless sonic
treasure from this holy trinity of
string-mongers, with Roy Huskey
Jr. on bass and mandolinist Mark
Howard.
ACS-CD065
MIKE MARSHALL & CHORO
FAMOSO Segunda Vez
AM-CD1090
23 songs from the beloved
Browne’s deep catalog by Ben
Harper, Lyle Lovett, Keb’ Mo’,
Bonnie Raitt, Lucinda Williams,
Don Henley, Bruce Springsteen &
Patti Scialfa, more.
JOHN HARTFORD, TONY
RICE & VASSAR CLEMENTS
Hartford, Rice & Clements
“A portrait of the mandolin across
4 centuries: classics, rags,
dances, airs and original music
with mandolin, mandola and
mandocello.” Mayor originals
plus tunes from Chopin, Debussy,
Brahms, Scott Joplin, Django
Reinhardt and more.
SUGA-CD4093
The Canadian folk legend’s five
original albums remastered,
along with the DVD “One Warm
Line” featuring additional songs
and interviews - plus a bonus EP
“Discoveries.”
The cornball country duo’s
widely coveted no-funny-stuff,
all-instrumental LPs reissued! A
showcase of their considerable
instrumental chops on 23 Chet
Atkins-produced tracks.
CHET ATKINS & LES PAUL
Chester & Lester
ALBERT KING
Born Under a Bad Sign
The perennially popular super
session reissued, with four new
bonus tracks! Includes 12-page
booklet with never-before-seen
photos and new liner notes, too.
1967 reissue with five bonus
tracks; the classic among classics
from
this
string-bending
visionary of electric blues guitar!
“Personal Manager,” “Crosscut
Saw,” “Laundromat Blues,” 16
stinging rockers in all.
RLG-CD76379
EARTHWORK-CD1501
FAN-CD34334
DANIEL HO Polani
The first-ever Grammy nomination for an instrumental uke
album! All original, totally solo
ukulele by this Hawaiian master
& teacher. 11 Ho compositions
plus “Ahe Lau Makani” by Queen
Lili’uokalani. Tab book available
too! (Stock #512-76)
ALY BAIN, ALE MOLLER &
BRUCE MOLSKY
Meeting Point
DJANGO REINHARDT
The Essential Django
Reinhardt
Shetland fiddling great Bain,
Swedish fretmeister Moller and
American old-time music ambassador and multi-instrumentalist
Molsky shine live at the Liverpool Philharmonic.
36 sweet-and-hot tracks from this
legendary Alsatian Gypsy jazz
guitarist: “Minor Swing,” “Nuages,”
“Djangology,” “Swing 42,” lots
more. Lots of sides with violinist
Stephane Grappelly and the
Quintette du Hot Club de France.
WHI-CD34
DHC-CD80065
GERALD ROSS
Swing Ukulele
The South Pacific breezes meet
the Swing Era! Uke-mongering
paragon Ross plays uke plus lap
steel, guitars and bass on 16
evergreens from the 1930s and
’40s.
UT-CD2305
MIKE AULDRIDGE, JERRY
DOUGLAS & ROB ICKES
Three Bells
The three undisputed kings of
the Dobro, in what would be
Auldridge’s final recording
session. Three instruments, six
hands and nothing else! on
“Sunrise Serenade,” “Panhandle
Rag,” nine more.
ROUN-CD35773
SMG-CD83737
FRANK VIGNOLA &
VINNY RANIOLO
Beloved Earth Songs
Another eclectic set from these
two jazz guitar monsters:
“Apache” to Grieg, Mozart to
“Killing Me Softly,” time-tested
standards and fresh surprises, all
on two acoustic guitars.
RANMUS-CD013
COMPACT DISCS
ALAN JACKSON
The Bluegrass Album
EARL SCRUGGS
BANJOS
The
Essential Earl Scruggs
(2
CDs) PIKELNY
NOAM
40
classic
tracks
spanning the
Plays
Kenny
Baker
long
career
of bluegrass banjo’s
Plays
Bill Monroe
NICKEL CREEK
A Dotted Line
They set the world on fire as
teenagers; now Nickel Creek has
issued their first joint album in
nine years! Mandolin demigod
Chris Thile, fiddler/singer Sara
Watkins and her guitar-playing
brother Sean.
COMPASS-CD4616
OLD & IN THE WAY Live At
the Boarding House (4 CDs)
Limited Edition! Recordings of the
shows held on October 1973 at
the popular club in San Francisco,
14 cuts which have never been
released in any format. Jerry
Garcia, David Grisman, Peter
Rowan, Vassar Clements and
John Kahn.
All the music from their PBS
“Great Performances” special,
jewels from the Steve-and-Edie
collaboration “Love Has Come for
You” & funnyman banjoist Steve’s
“Crow” & “Rare Bird Alert” sets.
12 hard-driving tracks with banjo
ace Baucom and a knockdown
roster of guests including Sam
Bush, Jerry Douglas, Wyatt Rice,
Steve Bryant, Aubrey Haynie and
singers Marty Raybon, John
Cowan, Tim Stafford and more.
First album since 2007 from this
long-lived, modernist DC-area
bluegrass institution! Original
members Tom Gray and John
Starling with Emmylou Harris,
fiddler Rickie Simpkins, guitarist
Chris Eldridge and banjoist Ben
Eldridge.
Dazzling trio from Switzerland
(now residing in North Carolina)
in a heartfelt tribute to their old
friend, neighbor and Merlefest
cohort, the late Doc Watson.
DTM-CD025
Early recordings of the distinctive
southern Appalachian church
harmony known as “shape-note
singing,” “The Sacred Harp.” “Canaan’s Land,” “Wondrous Love,” 81
devotional jewels.
JSP-CD77175
NATE LEATH & FRIENDS
Volume 2
A second go-round of eclectic
tuneifying with NC fiddle wiz Leath
and his boundary-busting friends:
cellist Rashad Eggleston, fiddlers
Tatania Hargreaves, Duncan
Wickel and Nancy Sluys, guitarists
David Grier and Danny Knicely,
banjo man Sammy Shelor & more.
PATUX-CD244
DIRK POWELL
Walking Through Clay
Sugar Hill-label debut from this
multi-instrumentalist and renaissance man of indigenous
American music! “Some Sweet
Day,” “Abide With Me,” “That Ain’t
Right, 12 in all.
FOLKW-CD40209
SUGA-CD4099
VARIOUS ARTISTS
Banjo Gathering (2 CDs)
“100% pure old-time banjo;
unobscured, unaccompanied and
unadulterated!” A 5-string feast of
solo banjo from a galaxy of today’s
finest players.
R.D. LUNCEFORD
Drop-Thumb: 21
Clawhammer Banjo Solos
KRUGER BROTHERS
Remembering Doc Watson
SUGA-CD4105
PATUX-CD250
TALLTR-CD07
MOUH-CD1462
VARIOUS ARTISTS
Sacred Harp & Shape Note
Singing 1922-1950s (4 CDs)
30 tracks plus a 44-page booklet,
the cream of five-string banjo
from Folkways’ deep and
formidable catalog: Pete Seeger,
Hobart Smith, Dock Boggs, Mike
Seeger, Tony Trischka, Bill Evans,
Ola Belle Reed, Doc Watson, many
more.
FOLKW-CD40199
Third
album
from
this
supergroup and reigning IBMA
“Instrumental Group of the Year!”
Original songs from Ron Stewart
and Keith Garrett plus “When
Sorrows Encompass Me ‘Round,”
the Carter Family’s “Coal Miner’s
Blues” and more.
JHEFF-CD0331
BOB WILLS & HIS TEXAS
PLAYBOYS
Riding Your Way: The Lost
Transcriptions for Tiffany
Music, 1946-47 (2 CDs)
50 songs that have never been
reissued! These recently discovered Tiffany sides were some of the
most electric, freewheeling and
spontaneous recordings extant of
the King of Western Swing.
RGM-CD00244
BRUCE MOLSKY If It Ain’t
Here When I Get Back
One of our most enduringly
popular banjo CDs! An engaging
musical feast with nothing but the
man and his banjo, no sidemen,
no overdubs, no nothin.’ There’s
an accompanying book, too (sold
separately as 158-24).
Self-produced solo outing from
this multi-instrumentalist, singer,
and world ambassador of old-time
southern Appalachian music.
Fiddle, banjo and guitar on an
array of tunes and songs from the
mountain tradition and beyond.
CBM-CD82498
BELA FLECK & ABIGAIL
WASHBURN
Bela Fleck & Abigail
Washburn
Sparrow Quartet bandmates and
5-string world ambassadors in a
“front-porch" duo for the 21st century! With Fleck's resonator banjo,
Washburn's openback, cello banjo,
banjo-uke, baritone uke & more.
ROUN-CD3626
TFM-CD1301
ALASDAIR FRASER &
NATALIE HAAS Abundance
More Scottish and Celtic tunifying
from fiddle Olympian Fraser and
all-world cellist Haas; with Donald
Shaw on keys, percussionist James
McIntosh and Cory DiMario on
bass. 16 tracks of Gaelic glory
including the “Connie Suite.”
CULB-CD124
5-string blowout from Maryland’s
top-shelf indie bluegrass label! 40
tracks from bluegrassers Tom
Adams, Murphy Henry, Bill Emerson, clawhammer stylists Reed
Martin, Cathy Fink & Marcy
Marxer, Joe Herrmann, legends
Roni Stoneman & Eddie Adcock
and lots more!
VARIOUS ARTISTS
Classic Banjo From
Smithsonian Folkways
THE SELDOM SCENE
Long Time... Seldom Scene
Singer Mitchell teams up with
Heffernan on banjo, Dobro,
mandolin, guitars and more (plus
an array of guests) on a slate of 12
timeless classics.
VARIOUS ARTISTS
The Patuxent Banjo Project
(2 CDs)
ACOUST-CD81
HIGHCO-CD003
BLMP-CD5
JIMMY HEFFERNAN &
JIM MITCHELL
The Old Road to Home:
The Songs of Jimmie Rodgers
KNEE-CD2
THE INFAMOUS
STRINGDUSTERS
Let It Go
The cutting edge of 21st-century
post-bluegrass acoustic Americana! Guitarist Andy Falco, Andy
Hall on Dobro, banjo ace Chris
Pandolfi, fiddler Jeremy Garrett
and Travis Book on upright bass.
“This recording is an imaginative
look at the Round Peak music of
Surry County, NC & the surrounding Piedmont region.” Fiddler
Sutphin, Levy on banjo and concertina, with singer Eddie Bond.
STEVE MARTIN & THE
STEEP CANYON RANGERS
FEAT. EDIE BRICKELL Live
(CD/DVD Set)
TERRY BAUCOM Never
Thought of Looking Back
ACOUST-CD80
The dean of latter-day bluegrass
guitarists, fleet, bluesy and harddriving; in an eclectic program
with guests Noam Pikelny, Bill
Frisell, Stuart Duncan, Ronnie
McCoury, Sam Bush and more.
SUTPHIN & LEVY
Two Peas In a Pod
ROUN-CD8846
A limited-edition tribute to Doc
Watson, Clarence “Tom” Ashley
and Ralph Rinzler from mandolin
pioneer Grisman and his
`grassified outfit: Chad Manning,
Keith Little, Jim Nunnally, and
Samson and Tracy Bigelow
Grisman.
BRYAN SUTTON
Into My Own
TBM-CD012
tal
bluegrass bible!” All 12 tracks
COLU-CD90858
in the same sequence as the
original, with Bryan Sutton,
Ronnie McCoury and Mike Bub.
NONE-CD541944
THE BOXCARS
It’s Just a Road
Longtime pickin’ buddies Compton
on mandolin and mandola and
Newberry on banjo and guitar they both sing, too! - live at
Brandywine Friends in Newark, DE
in Feb. of 2012.
late
patriarch, 5-string
including
sides
The latter-day
adventurwith
Monroe’s
er inBill
a tribute
to theband,
1973plenty
classic
of
Scruggs
more.
LPFlatt
that&served
as sides,
his “instrumen-
CAPN-CD191070
THE DAVID GRISMAN
BLUEGRASS EXPERIENCE
Muddy Roads
MIKE COMPTON & JOE
NEWBERRY Live
www.elderly.com
The wildly popular country star
goes native! Some originals with
the
chestnuts,
top-notch
production, and all-star sidemen
Rob Ickes, Don Rigsby, Adam
Steffey, Samy Shelor, Ronnie
Bowman and more.
95
ORDER TOLL FREE!
888-473-5810 (USA only)
or 517-372-7890 (outside USA)
www.elderly.com
PRSRT STD
US POSTAGE
PAID
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Lansing, MI 48906
RAVENNA, MI
PERMIT NO. 320
Family Owned and Operated Since 1972
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Our store at 1100 N. Washington Ave., Lansing, MI
• Thousands of new, used and vintage instruments in stock.
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