THE BICYCLE IN FILMS AND ARTWORK
Transcription
THE BICYCLE IN FILMS AND ARTWORK
THE BICYCLE IN FILMS AND ARTWORK: An Approach with Moving Pictures by Christine Dériaz & Andrea Weninger Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach Moving Pictures film editor christinewith dériaz, vienna Steel Iron and Steam Steel, Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures Moving Forward Movies and bicycles emerged from the same components: STEEL, IRON and STEAM, creating a new industrialized world. Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures Moving Forward “La sortie de l'usine Lumière” … still an icon of the film world La sortie de l'usine Lumière, 1895 Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures Moving Forward … the bicycle shown as part of daily life Bicycle Slap Stick, 1907 Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures Storytelling … US movies and European movies start to differ: storytelling became more important Harold Lloyd, Going Going Going Buster Kreaton, ‘Our Hospitality’, 1923 Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures Storytelling … European films focus much more on surrealism and machines Sergei Eisenstein’s ‘October’, 1927 Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures After the wars Having or not having a bicycle is vital to get a job … Vittorio de Sica's ‘Ladri di biciclette’, 1948 Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures After the wars Jacques Tati’s ‘Jour de fête’ fête’, 1949 Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures The Rebellious Cyclist … being fast, free and bold. Fernandel’s Don Camillo, 1952 Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures The Rebellious Cyclist … being weired, sexy and passionate. Louis De Funès in ‘Mon Vélo’ ‘Themroc’ with Michel Picoli, 1973 Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures François Truffaut‘s Jules and Jim’, 1962 The Rebellious Cyclist … or a political statement? ‘Barbara” by Christian Petzold, 2012 Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures Bicycles Becoming Cool .. … a bicycle become a way of life and part of a character. E.T. by Steven Spielberg, 1982 Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures Jackie Chan in Project A, 1983 Bicycles as a Statement bike messengers … young, fast & urban Kevin Bacon in ‘Quicksilver’, 1986 ‘Premium Rush”, 2012 Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures Bicycles in Action … even Bruce Willis rode a bicycle ‘Die hard with a vengeance’, 1995 ‘Clockstoppers’, 2002 Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures ‘The Transporter’, 2002 Cycling & Freedom … independent, modern, happy ‘City of Angels’ with Meg Ryan and Nicolas Cage, 1998 These movies from the late 1990ies and of the beginning of the 21st century are a strong evidence of re-emerging bicycle cultures in Europe and the United States. Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures Cycling & Equal Rights … reach out for the Middle East, China and Africa ‘Wadjda’ by Haifaa al-Mansour, Saudi Arabia, 2012 Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures Conclusions … film history and the role of the bicycles perfectly reflect the development of (urban) cycling cultures … bicycles y are used as scenery, y, necessity, status symbol, attitude and metaphor for our dreams Christine Dériaz, Andrea Weninger The Bicycle in Films and Artwork: An Approach with Moving Pictures