Local Music-Ivry
Transcription
Local Music-Ivry
be our guest: 2 3 T hin layers of smoke blur the dark walls and dim lights, fusing them together in The Deli. A few steps lead up to the bar and tables for patrons to sit at as they watch bands perform on the stage below. For a more intimate experience, those who come to The Deli on Campus Corner can enjoy the music up close with seating beside the stage. Both local musicians and musicians from across the nation come to The Deli to share their music with anyone who will listen. Over on Crawford Avenue in Norman, a similar scene plays out after hours in a small room lined with massive paintings of cats. Students and older fans pack close together in Opolis, crowding the stage up front to get close to the live action about to play out. When bands finally appear onstage, the crowd slowly warms up, heads nodding along with the rhythm and voices echoing the band’s lyrics as the Norman music scene truly comes to life. Cliff Marroquin enjoys the fact that widely known acts such as Vampire Weekend pass through Norman on national tours, playing to a smaller crowd at venues such as Opolis or The Deli. “We’re not a Brooklyn. We’re not an Austin,” says Marroquin, human relations senior. “We’re just a city in Oklahoma with 100,000 people.” Marroquin also appreciates having Norman venues so close to him. “You don’t have to put a whole night aside to make a trip. [The music is] basically at your doorstep,” Marroquin says. Macy Hoover, film and video studies junior, is drawn to these Norman venues at least once every two weeks. She frequents the Norman music scene because of the passion everyone involved in the music process puts forth. From the artists, to the venue owners, to the fans, all love being engaged in the music. Hoover is also aware of a difference in the way Norman’s musicians play in contrast to certain national acts. “I think once you get past a certain point of popularity, it . . . becomes more of a chore,” Hoover says. When musicians are focused on playing for the love of music rather than because they are obligated to with a contract, “[their music] sounds better and the emotion is there.” Andrew Nunez, Opolis co-owner and drummer of The Starlight Mints, also notices the unique sound Norman’s musicians possess. “I definitely hear all the time . . . ‘Oh, this band kind of reminds me of this band — not in a rip-off way but just kind of in some sort of similar genre,” Nunez says. These Norman bands have the opportunity to dive headfirst into the music scene without straying too far from home. Local music stores such as Guestroom Records and local venues alike allow bands to test the waters of the music scene before traveling outside of Oklahoma to promote their music. “I’ve seen the scene come and go over the last 10 years. It kind of goes up and down like a rollercoaster,” Nunez says. “We kind of just roll with the punches.” In addition to local businesses, average Oklahomans support these musicians, adding to Norman’s local music scene. “Oklahoma people are more pro-Oklahoma,” Nunez says. “I’ve noticed that Oklahoma people get behind things.” As a young band started in 2009, surf-punk band The Boom Bang appreciates how easy it is to break into Norman’s music network. Connecting with venue owners and other bands certainly helps the band grow and reach out to a wider number of potential fans. “The people that support your music are also in bands,” says Tommy McKenzie, English literature junior and guitarist for The Boom Bang. “It’s not biased at all. It’s a direct relation.” McKenzie also appreciates the honest feedback from other Norman musicians. Fellow musicians in Norman’s music network will let bands know whether or not they like their music without being brutal. Local record labels do not want to produce music that is meaningless to them. Local bands also aim to produce music that is meaningful to them. “The ultimate goal . . . would be to make a living playing music,” Hoover says. However, if musicians do not put their hearts into their creations and maintain a strong work ethic, success will distance itself even further. “Just do what you enjoy. Once you lose sight of that, there’s really no point in doing it anymore,” McKenzie says. story by Tegan Burkhard photos by Katie Shoelen local music The Deli and Opolis, two norman venues known for showcasing local bands, provide Normanites with unique sounds. Indie music blasts from the speakers, enveloping customers as they enter Guestroom Records on Main Street. This quirky music store features fliers of upcoming concerts across Oklahoma, from Norman to OKC to Tulsa, unique artwork from artists across the U.S., and a vast array of CDs and records. At Guestroom Records, all genres and generations of music are welcome, from The Beatles to Olivia Newton John to Weezer. Guestroom Records has been in operation since 2002 when Co-owners Travis Searle and Justin Sowers began distributing music to people through monthly garage sales. From there, their operation evolved into the store it is today — where DJs, students and record collectors alike come to stock up on music. “The seed stock was Travis and Justin’s personal collection,” says Tom Goheen, Guestroom Records’ first hired employee. “It was hard for the first couple of months . . . but to guarantee from day one that you’ve got a store worth coming into as opposed to a store that’s just got all new product or all junky used flea market, thrift store crap . . . you’ve got to,” Searle says. In 2007, Guestroom Records even expanded into the heart of Oklahoma, opening a bigger version of its Norman counterpart in Oklahoma City. Although the main feature of Guestroom Records is its extensive collection of music, the store also sells offbeat items such as ranch-flavored mints, hip-hop cubes and merchandise highlighting the store’s logo. Guestroom Records heavily involves itself in the local music scene; when it’s not promoting local events and selling music by regional-based bands and artists, Guestroom Records produces CDs, EPs and records on its own record label. In fact, Guestroom Records produced a vinyl for one of Norman’s own indie pop/indie rock bands, The Starlight Mints. “We’re just sort of mingled in the local music scene in a lot of different little ways,” Goheen says. 283 etc. DON’T stop the music 1) Guestroom Records offers a wide variety of music from all eras. 2) The orange couch is Guestroom Records’ trademark. 1) Dick Valentine, the lead singer of Electric Six, puts on a performance with the help of drinking in between songs. 2) The drummer of Electric Six plays a set with his band. 3) The Constellations’ keyboardist Jamie Gordon takes a break from his regular duties and gives the crowd more cowbell.