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FANZINE MAY 2011 L-EKTRICA SEVEN SNAX +GINO WOODY BIANCHI GRUM CRAZY P FABRIZIO MAMMARELLA & FRANZ UNDERWEAR L- E KT R I C A C LO S I N G PA RTY Tuesday Every Tuesday ore 23.00 AKAB Via di Monte Testaccio 69, Roma ● snaxonline.org ● 03 May myspace.com/ginowoodybianchi MAY 2011 SNAX live dj set L-Ektrica DJS: Andrea Esu & Fabrice Visual: Infidel Media Partner L-Ektrica Fanzine GraPHICS: Lord Z IntervIEW Matteo Quinzi ProJECT: L-Ektrica Family l-ektrica.com myspace.com/lektrica facebook.com/lektrica Web Partner Partner Tecnico GINO WOODY BIANCHI Woody’s “Boogiedelic” Chart (Disco-Edit & Cotillons) IN FLAGRANTI • Hallow Discourse MAGIC DISCO MACHINE • Scratchin’ (Woody Bianchi Edit) LETTA MBULU • Kilimanjaro (The Revenge Edit) DC LARUE • Dancing With Strangers (Social Disco Edit) TODD TERJE • Ragysh 6TH BOROUGH PROJECT • Changin William DeVaughn - Be Thankful For What You Got (Onur Engin Edit) EDDIE C • Starlight Remix SOUL RENEGATES • Y’All Want Let Me IDRIS MUHAMMAD • Could Heaven (Leftside Wobble Edit) SNAX Top 12 “HOT & SEXY” Tracks Snax • Special Guest Star (Sven Brede aka Toxic Twin Rmx) Danny Daze • Ghetto Fab Djpp • Miami Vice Kola Kube • Why (Joey Negro Block Party Mix) Scissor Sisters • Any Which Way (Tensnake Rmx) Snax • TheSpark feat. Eric D. Clark (Rimshooters Rmx) Club 69 • Drama feat Kim Cooper (Tenaglia’s DTour Mix) Cherelle • New Love Rolling Stones • Everything’s Turing To Gold Trouble Funk • Good Times Little Sister • Stanga Ella Fitzgerald • Always True To You In My Fashion Tuesday grum.tv 10 May soundcloud.com/grum dj set INterview by Matteo Quinzi Listening your productions, your musical imaginary seems to be an interesting and personal mix of the first “French Touch” scene and the Electro Pop and Disco from the 80ies... Please explain us how you’re arrived to “your sound”, revealing your most important steps, musical influences from the past and contemporary artists that you appreciate or consider “new classics”... Thanks. I think its just a mixture of music that I love but presented in a dance music format. I really try and come up with powerful melodies and hooks so that everything sort of fits like a jigsaw. Big influences are Daft Punk (yeah like everyone else), Human League, Fleetwood Mac, etc. I try and put in clever twists with melodies and chord inversions. I suppose my recent sound was based on big 80s drum machine sounds and brass sounds with a strong synthesizer leaning. Recently I’ve been developing this more and taking in more of a 90s club influence to really bring my production to a new dimension as this whole 80’s thing is starting to get a little tired. For current music I think Bag Raiders - Nil By Mouth (Knightlife Remix) is an absolute classic…same with Lifelike & Kris Menace - Discopolis e Midnight Magic – Beam Me Up (Jacques Renault Remix). Your debut album, “Heartbeats”, was released almost one year ago, so maybe it could be the right time for a balance. Are you remained satisfied of the results (sound/production, sales and critics) obtained from the album? And what about your new releases planned for the next months? The album has attained a strong cult following and we got some great reviews, and sales have been good. I’m not signed to a major label so its hard to compete with their incredible media power…(for example see Jessie J…awful but you cant escape her). So I have been working on lots of new music including a few tracks which hopefully will become singles. I’m pushing for an EP this summer but we’ll see. I’ve also been busy with loads of remixes including one for Howard Jones (incredible 80’s popstar!). GRUM Tuesday 17 crazyp.co.uk Tell us more about the two videos for the “Heartbeats” singles, “Through the night” and “Can’t shake this feeling”... How do you enter in contact with The General Assembly, the L.A. based duo that directed both the videos? The videos have an ironic/parodistic mood of the classic 80ies movies... Are you a fan of this kind of films or what? If yes, which are your favourite ones of that period? To be honest I’m not massively into music videos but my manager found some these guys had done previously…I loved the style and film treatment so was up for getting them to work on a vid for us. They mostly came up with the ideas with a little direction from us, so all credit to them! As a child of the 80’s, my favourite movies have to be Big and Flight of the Navigator. Which is the “story” behind the choice of your moniker? It seems like a “slang manipulation” of your real name, Graeme, or what? Yeah this began as a nick name of sorts while i was at uni…it seemed to stick so I just used it as my artist name. You’re a very well known and requested remixer too. Your list of “patients” is very large and eclectic, including worldwide popstar like Lady Gaga, David Bowie or Pet Shop Boys and indie sensations like Passion Pit, Friendly Fires or Everything Everything... Which is your first rule in the art of the remix? Do you change approach according to the “status” of the artist that you have to remix or not? I love remixing pop songs. I generally strip everything back so I’ve got just the vocal and then write new music which works with it, so its almost like my version of the song rather than a remix. The only thing I think about when choosing remixes is if I like the song (or if I don’t, can I do something cool with it!). What about your set? Do you usually include (mix) your productions, edits with selections from other artists or what? Is it (totally/partially) prepared in advance or is in “real time”? My set is based around my own songs and remixes with loads of current music thrown in too. I tend to do edits of most things I play to keep the energy high. I usually choose my first couple of tracks but from then on I just vibe off the crowd to see what works…its much more fun that way. dj set May INterview BY Matteo Quinzi You have chosen a super crazy and provocative moniker for your musical adventure and, if it could be possible, your sound is even more peculiar and What about your set? catchy... Please tell us more about the “genesis” of the set? project’s name and your music, including influences and contemporary artist strong fanbase in that you appreciate. And last the reasons of the “transfiguration” of your name from the “explicit” Crazy Penis to the more “mysterious” Crazy P... A we really should make up an interesting story with regards to how the name was born as it is simply quite straightforward; the name was originally “Loco Pingo” vaguely translating as “Crazy Penis”...there we go! We were having difficulty in promoting the name-we were refused radio play and it was eventually decided than rather lose the name totally we would drop the “enis”...leaving the “P” standing tall! We have all had similar influences and our tastes in music seem to move together. From Stevie Wonder, Rufus, Jamie Lidell, LCD, Soul Clap, Erdbeerschnitzel, Wolf and Lamb, Julio Bashmore, Detroit House, the NY Disco movement Paradise Garage, balearic, techno, folk, pop; there continues to be a stunning selection of new music, too huge to name all, but the old references can sometimes be the most influential. During your fifteen years of career you’ve released stuff for several labels, like 2020 Vision, Paper Recordings or Shiva Records... Please put order in your discography for us, selecting your “key moments” (tracks, edits or albums ) and motivating these choices... I dont think it would be fair of me to select on behalf of the rest of the band, but i think “A Nice Hot Bath With” was an album which was conceived in a wonderfully fruitful period of quality house music-a mainly instrumental album after which the lads decided they wanted to take the music live and so they brought the vocals onboard for the second album “The Wicked is Music”. “You Are We” is still a hugely requested track as is started something. Shiva saw Jim and Chris experimental successfully with other vocalists and Tim Davies, the bass player wrote a couple of quality tunes for the “A Night on Earth” album. “Lady T” still makes it into the set and is always a crowd pleaser. I think we have steadily progressed and the most recent album, “Stop Space Return” has brought us to a more live house sound. For me “Stop Space Return” is a winner as is love on the line. Which are the most important differences (approach, equipment, music styles...) that we can find (notice) when you play live or a dj- You’re from Nottingham, UK, but during these years you have built up a Australia... How it has happened? And do you have a favourite country, festival or venue for your “perfect gig”? The lads have their studio in Nottingham, they have been there for near 15 years now. “Notts” was a stronghold of house music in the late 90’s early 2000’s so it made sense to be around lots of creative types. Yes Australia is a country where the people love the outdoors. They have great summers and so reliable festivals and outdoor parties. Our music lends itself to a good bbq as it has that summery feel to it. Paper recordings are mainly responsible for introducing us to Australia as miles and ben used to go frequently djing and after they played a couple of our tunes out there, there was a demand for the live band to go over. It would be difficult to name one place as Eastern Europe and turkey have been very enjoyable but maybe our favourite for a number of reasons is the Garden Festival in Petricane, Croatia. Theres a gret family unity and it is a very beautiful place which promotes good love. What about your new releases, planned for the 2011? Your last album, “Stop Space Return”, was released long time ago, three years ago by now... We are currently working on new material for the new album which we hope will be due out in September. A lovely melancholic mix of soul with a deeper sound on the housier tracks. We have no name yet so suggestions on a postcard. Tell us your top 5 listenings at the moment, the hottest and deeper music selected by Crazy P... Fantastic 7 • A Star Disco Jazzy Eyewear • A New Life Mosca • Tilt Shift (Julio Bashmore mix) Emo Edits • I can Understand Marcel Giordani • Stop Tuesday soundcloud.com/mammarella 24 May soundcloud.com/slow-motion-records Slow Motion Night feat. Fabrizio Mammarella and Franz Underwear SLOW MOTION Top 10 Inlfuences Logic System • Clash November Group • Work that Dream Playgroup • Number One (Chicken Lips rmx) Ministry • Work for Love Zongamin • Serious Trouble Tullio De Piscopo • Cartago Le Club • Un Fait Diverse et Rien de Plus Gaz Nevada • Ticket to Los Angeles !!! • Instinct Sonic Youth • Sunday Tuesday 31 May l-ektrica.com L-EKTRICA CHART n° 7 / ANDREA ESU & FABRICE MAY Closing Party feat. ANDREA ESU & FABRICE Todd Terje • Ragysh Neighboorhood Romeo • Now you call him 6th Borough Project • B.U.R.T (The Journey) Jay Shepheard & Matthew Burton • Liberal Zee Greg Paulus • Nightime (Crazy P rmx) Cisco Cisco • Giro Disco Lykke Li • I Follow Rivers (The Magician rmx) Cosmic Kids • Reginald’s Groove (Classixx rmx) Purple Vein • 1999 In Flagranti • Worse for Wear Diamond Lights • Disco Dancer (Spruce Lee rmx) Munk • Keep My Secret (Rory Phillips Club Mix) Lee Foss • Cabin Party James Curd • Open Up Your Mind feat. 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