RISD press December 7, 1973 - DigitalCommons@RISD
Transcription
RISD press December 7, 1973 - DigitalCommons@RISD
Rhode Island School of Design DigitalCommons@RISD All Student Newspapers Student Newspapers 12-7-1973 RISD press December 7, 1973 Students of RISD Follow this and additional works at: http://digitalcommons.risd.edu/studentnewspapers Part of the Architecture Commons, Art and Design Commons, Art Education Commons, Creative Writing Commons, Esthetics Commons, History of Art, Architecture, and Archaeology Commons, Music Commons, and the Theatre and Performance Studies Commons Recommended Citation Students of RISD, "RISD press December 7, 1973" (1973). All Student Newspapers. Book 93. http://digitalcommons.risd.edu/studentnewspapers/93 This Newspaper is brought to you for free and open access by the Student Newspapers at DigitalCommons@RISD. It has been accepted for inclusion in All Student Newspapers by an authorized administrator of DigitalCommons@RISD. For more information, please contact mpompeli@risd.edu. F r i d a y , December 7 , 1973 SHIFTING FOUNDATION Recently John Udvardy, head of Freshman Foundation, was int er viewed to find out about the proposed 2nd semester switch and the changes i t would bring to the present Freshman Founda tion structure: RI5D Press: In general terms; what is being changed (about the pre sent Foundation structure) and i s i t d resuIt o f financial problems? Udvardy: There probably w i ll be a change... at the beginning o f the ye a r. . . I was hoping that each instructor would be able t o carry their program through tl e i en t i re y ea r with T R 5 " r e a s o f t s ' r f ox " n o w * contemplating the c h a n g e , and that i t will take effect, is i n p o l l i n g t he s t u d e n t s , and t ry i n g to get feed back from them. I f you look at our roster of faculty, you'll notice that i t ' s an extreme 1y diverse group of people. The m ajor reason for wanting a change i s that I f e l t i t would be shortchanging the stu dents i f there was such a dynamite group of in structors and not a l lowing them to experience as many d i f f e r e n t vi ew points during the Fresh man year as p o s si b l e . The easiest way t o do t h a t n o w s e em s t o b e switching sections, so that students wouldn't be preconditioned by the time they got into the ir sophomore year with one viewpoint. We a r e h e r e t o g i v e t h them a foundation and a basic understanding of what i t ' s a l l about. 1 realize that there are going to be tremen dous problems with f a c u l t y , and students who are ju st becoming aware of certain instructors vocabulary, and who are just relating to instructors, but I think the shortcomings are minimal compared to the benefits. I t w i l l o f f e r a good cross-polination o f an exchange of ideas. P RE S S : W h a t h a v e y o u been able to do w ith the situation that you i n h e r i t e d f r o m M r . Ho? Do y o u h a v e i d e a s f o r other types o f change? Udvardy: Wei 1 , the re are a l l kinds o f ideas th at we a re en t ert a i n ing. A l o t i s real 1y very dependent on the financial straits that the school finds i t s e lf in. The number o f ideas are many; for example, a stronger series of electives that are specific, such as a strong photo graphy experience. Something that would in interact with the pro— I r aw ( ng expt-i something part of the 2-D experience, part of the 3"D experience, a course that would be specifically tied in with the curriculum, an actual physical in tegration. There are a l l kind s o f th in gs we are thinking about such as a basic hand tool course. I t would equip the freshman with a working knowledge of working too ls, including machine work. Another t h i n g we are tryin g to do i s ex change o f f and int e grate our area with the rest of the col lege on an exchange bas i s. I'm try ing to work out an exchange where we m ight send someone i n 3~D i n t o the sculpture depart ment to teach a course t h e r e a n d i n t u r n s o me one from there would teach a 3~D c ours e here (which could be figure sculpture). This could also happen between the 2-D courses and the painting department The reason f o r th i s would be a greater in tegration with the rest of the school , so that the isolation, which I strongly feel exists, i s broken down. PRESS; Vou aer \r\g th* were here we maintain tV\e very r\ ilraviinq, 7.—O and w/ program, which ran pr e tty much the same as i t aiways has. It was rea l ly pr etty much a m a tt e r o f assuming charge o f a course that had a lready been charted. PRESS: Tra nsfer s t u dents go through the Foundation requirements i n 6 w e e k s . . . I 'v e heard tha t people found i t a very intense and rewarding exper ience just because of the concentrated effor t f i t into the time space. Do you see any way to focus that s ort of thing into a year 'round program? Udvardy: This is the main reason why I want to make the change.• I th ink when the switches are made i t w i l l force the instructor to trim the fat from his course a n d r e a l l y g e t d o wn t o the essentials. I think the courses in this situation wi11 be parallel to the inten s it y generated during the summer. PRES S: T h e y a r e n o w contemplating block system o f 5 sessions o f 6 w e e k s . . . How d o you think that wi11 affect your program? Udvardy: That depends on the t otal struc turing of things. If The / / possfb///ty P> <*/> I mm might be to eliminate a l l the headings as they now appear in the catalog and instead just of fe r the name o f the person and have the entire thing be electives. T h i s i s s i m i I ra t o w h a t is already being done in the sculputre de partment. This way those who are more interested in a more cerebral approach to a course and those in te r ested in more of an int uat ive approach can select what he/she wants. Press: You're one of the few people who have contact w i th Brown i n any way. What are the possib i1itie s o f any kind of trade-off pro gram or sharing of fa c i l i t i e s between Brown and RISD, even on the freshman level? Udvardy: This subject seems t o come up at ev ery mee ting we have. I t would be a very good thing economically for t h i s college and for Brown. As to why m ore i s n ' t being done, I r e a l ly don't have the answer to that; there probably are alot of empty classrooms in the List Art BuiIding, they j u s t don't have (Continued on Page 5) Uelsmann L a r t i gu e PHOTOGRAPHICA Kertesz F rida y , December 7 , 1973 Vol. I I , No. 9 Published weekly at the Rhode Island School of Design, Box F-7, 2 Col lege St., Prov. R.I. 02903 Meetings Tuesday and Wednesday at 4:30 p.m. in the SAO. One year's subscrip tion mailed to your home; $12.00 Jeff Carpenter - Editor Ken Hartley - Graphics Ed. Jim Coan Leslie,SiIverblatt Lisa Cushman - Assoc. Eds. Staff John Bratnober FrederIck the Ti1t Jeffrey Isaac Jay Litman John Long Sagitarrii Steve Talasnik Nina Zebooker - Copy Queen Weegee STUDENTS IN PAINTING LAND By the time this appears, the work of the two student painters, Leslie Reed (Ms.) and Jancie Stefani, wi11 be down and we'll be into other things (shoes, I think) at Woods- Ger ry. Nevertheless, a few words seem in order because the show raises some important questions. Like, for instance, what's going on in the painting de partment that it produ ces such sorry results. The word seems to be, judging from this dis play, that if you don't know what you are doing cover the canvas with a riot of lurid colors and pile the pigment in great globs. That way it looks like something authentic has happened. This approach has the virtue of hiding weak ness, inability, lack of painting sense and sensibility, and poor training, under a cov er of what I'm sure would be indentified as spon taneity or visceral expression. Whatever you want to cal1 it, it's a mess. The unfortunate thing about a l l of thIs, i i n t He fortunate accident that at 1 east se of L islie undi rneath all impasto, that rather than a purpose ful statement, or that rau- rea I FRIDAY painting abi1ity. In her large interiors, wich smack of the Prov idence scene, she dis plays a good sense of effective image and a feel for documentation. She's most certainly willing to tackle dif ficult structure with audacity. Whatever is there, however, is so glopped up that it's almost totally lost in a senseless bravado of pigment. I can attribute this fail ure only to poor train ing. Instead of images which reveal an under standing of basic prob lems, we have sloppy amateurish statements - the kind of stuff found in super-abundance among art-festival en tries. Ms. Reed has abi1ity. What 1 s hap pened to it? If Leslite Reed has a positive ability, Janice Stefani has a negative abil ity. It's just not there. Only one of her paintings, a mannequin-1 ike fig ure with a red head, has anything going for it. I must conclude that the piece is a from some D E C , 7T" other source. AT The rest of Janice Stefani's paintings (mostly small heads) are a total loss and she should have had the good sense to reject them instead of putting them up on the wal1. Training in painting, to be any good, must include judgement at least on the quality of one's own work. Could it be that the lapse of judge ment on Ms. Stefani-s part is also attribut able to a lapse in the training which she has received? If so, then both Ms. Stefani and Ms. Reed are the vic tims of being in the same b oat - the RISD Painting Department? Wei 1, let's not be too rash. I ' l l only say this, that judging from their work the fac ulty members of the department never let themselves get away with the sloppy shorcuts in practice and judgement. Why do they let students get away with it? The usual answer (Oh, how many times have I heard it) is that painting really cannot be taught. If that is so, and 1 don't believe it for a moment , then we are talcing an awful lot. of o r " * T a Y s e ~ p r e t e " n s V s \ !_ THE doubleQ SAGITTARIUS i (or II) (D It is true that a school cannot promise to make you a painter, but it can promise to teach you painting with a third degree of sophis tication and some ex pectation of competence. Isn 1 1 that after al 1 , what we mean by pro fess ional ism - a word that sometimes sticks in the craw around here. Never mind the mystiques. Let's get down to it. Across the hal1 from Ms. Reed and Ms. Stefani are the paintings of Jeffrey Haste, also a major in the depart ment. His pictures are small and carefully done with some q uite good passages. In comparison with what's across the way, they please by the very fact of their unpretentiousness. All his things, however, have the look of sopho more-exercises about them. That would be okay except for the fact that he's a senior and he should be well beyond that point. Hs. Reed and Ws . Stefani are also seniors . f>nd tViat. \ s more ffjjfl J I Rl ft 111! AUDlTORlU/A FARNUM UNDER FIRE On the request o f a resident, Farnum H ouse, (commonly referred to as the "leaning tower o f Providence") was i n spected by the Fire Pre vention Bureau. I t was inspected for only fi re violations, not on structural violations which a re just as impor tant in dealing with safety. The vio lat io ns which were noted deal only with problems which should be dealt with by the residents of Farnum. The Fire Prevention Bureau does not deal with structural violations. Violations sighted included; 1. Hasps and padlocks on front doors and bo lts on interior doors. 2. Indiscriminate use of extension cords and wires on the f loors. 3. Wardrobes p a r t i a l l y obstructing passageways for free exit. k. Indiscriminate use of candles found on bed po s t s. 3. Generally poor house keeping throughout struc ture. 6. The use of drapes and assorted flammables for partitions. These v i ol a t ions are important and should be dealt with properly. However, a couple o f the points predictably w i ll never be corrected. As long as RISD dorms are laid out as bed rooms instead of studios (with beds), housekeeping is something which most students w i l l not be concerned with. Fire inspections w i l l become a reg ular thing at Farnum. stu dents w i l l be expected t o comply wit h reg ula tio n s, but now m ost res idents question what role the "absentee 1US1) UOUSlMi I.IVOIIl» 51 MM. M ' 1 and I o r ds " w i l l p1ay. True, there are fi re violations which are caused by the students and could be corrected. However the re are a l o t o f (Dther problems at Farnum, which the res idents have no control over. For instance, the room temperature a t any given time is quite unpredictable. There could be no heat in the morning and by noon you've acquired a sauna. Farnum's antiquated heating system has also uncovered some h i g h l y talented radiators. A few could easily re place the percussion selection o f any marching band. The wa11s a n d c e i 1 i n g s o f s om e o f the rooms are quite interesting also. Curved wa11s wi t h growing cracks are only t o be complemented by sag ging cei1ings which create beautiful forced perspectives. To top o f f this l i s t of wi nners is the allegation that Farnum i s moving. Underground vib ratio n s have supposedly affected Farnum's foundations. Yes there are f i r e violations and yes there are structural problems. The only difference is that the f i r e violations w i l l be corrected be cause the f i r e v iol a tions directly affect the students. The Press i s hoping to soon em ploy a structural en gineer to take Farnum through the t e s t . Hewever, until that time we d o n ' t e n v i s i o n a n y major changes in Far num's structure (ex cept perhaps i f i t should f a 11 d o w n t h e h i l l . ) Stephen Talasnik -OVER 30% OF THE RISD STUDENT BODY LIVE IN CAMPUS HOUSING. -350 OF THEM (OR YOU) ARE FORCED TO LIVE IN CAMPUS HOUSING. -WE, THE RXSD HOUSING GROUP, PRESENTLY EXIST AS A GROUP OF STUDENTS, RESIDENT DIRECTORS & COUNSELORS, FACULTY AND SOME ENLIGHTENED ADMINISTRATORS. -WE ARE ATTEMPTING TO EVALUATE THE PRESENT HOUSING PROGRAM AND IT'S PHYSICAL PLANT IN RELATION TO ITS' RESIDENTS AND TO THE TOTAL SCHOOL. -WE DEEPLY NEED RESIDENT FEEDBACK TO ACCURATELY DEFINE THE PRESENT SITUATION: -what is the role of campus housing in a design school? -is RISD Housing presently a valued resource to the student body and/or it's residents? -do you know student housing even exists? IF YOU HAVE OR DO LIVE IN RISD HOUSING: -is or was RISD housing adequate to your needs as a design student? -if not, what are or were the main problems or deficiencies? -would you rather live on-campus? if so, why? -would you rather live off-campus? if so, why? -considering what you get for the money, which do you think is more reasonable, on-campus or off-campus housing? -LET US KNOW YOUR FEELINGS -GIVE US YOUR GRIPES OR -GIVE US YOUR PRAISE -ALL OPINIONS WILL BE ACCEPTED -ALL HELP IS WELCOMED present committee: david brisson, nils bruun, marsue cumming, Caroline davies, mike donovan, torn emerson, mike everett irving haynes, lynne kortenhaus, dan pierce, merlin szosz Udvardy Hnw-hi' v?from T~) i \ (Continued Page 1) the faculty to ser vice al l the students. Unfortunately the areas of most interest for exchange of students and facu lty are those areas that are special ized,namely photography. Brown has very l i t t l e to offe r in exchange for photography. Here we have the f a c u l i t i e s and facu1ty but a 1 ready there is too much o f a demand on i t . Press: What about th e union of Brown and R I SD ? Udvardy: There has always been t a l k about i t , but again I rea11y don't know a ny d ef i n i t e feeling on i t one way or another. RISD: Is there any thing else you'd 1ike to talk about? U d v a r d y : On e t h i n g I might say i s tha t I feel I would 1 i ke to become mor e in volved in the admittance pro cedure. I feel that there are very definite problems as to the c al i ber o f the students we g e t . We s h o u l d h a v e stronger imput into the whole admissions pro cedure. Perhaps there could ful be a more screening, care perhaps we shoul-d have person al interviews. The whole idea of the portf o l i o - the three draw ings- I don't think is an adequate way of judging a candidate. Alot of the responsi b i l i t y as to what kind o f program or the qual i t y of the end product i s very dependant on the students. I'm suggest ing that right at the beg inning al1 of the students portfolios w i l l be gone over and that those people who, say, express a strong inte r est in apparel design be put in a sect ion where the instructor i s more sympathetic with Apparel Design than where the in structor is very definitely working in a d i f f e r e n t a r e a . Now i t ' s t o t a l l y random. I'm striving for a greater structure al1 the way through. Again the changing of the second semester i s good. RISD: Is something going to be done about year end c rit s? Udvardy: I know now we have a fair1 y exis t before and t h i s i ss o m e t h i n q t h a t I ' ve been pushing f o r . My faculty are really be coming more involved in a p o s i t i v e w a y . My fa cult y and student con tact time i s much mor e than i t has been. Rig ht now m y major concern is getting the program f o r second semester worked out. Then there are also the indications that Wintersession w i l l be dropped which wi ll drastically a lt e r any decisions one way o r another. A freshwoman compiled a sample survey t o discov e r the fe a s i bi l i ty of open r egis tration for second semester freshman founda tion. Suprisingly, her survey showed th at wi t h a l i t t l e b i t o f paper work, a system of open regis tra tion has the potential t o satis fy almost everyone. Every person surveyed as to their fir st three choices o f teachers for three foundation courses (2-D, 3-D, drawing), got at least one f i r s t choice and one second choice, and every class was f i l l e d t o capacity , in the sample random shuffle. The re sult s of the survey were discussed with John Udvardy. He was receptive and agreed to consider the po s s i b i l i t i e s of open registration. ^Another idea for ob tain ing more space f o r freshmen i s being worked out by the "RISD Housing Group". The G r o u p h e a d e d b y Tom Emerson (who la st year made a study o f the Homer-Nickerson working space) and assisted by members o f the Freshman department i s now look ing into finding more working space within the dorms. strong counciling program, which didn't k jiuutm ©vmrvu n ttt mu Starting t hi s week the Press wiI1 carry a summary o f the week's student board meeting, the meetings are held " S h a l 1 We D a n c e " I debated playfully with myself last Thurs day evening on whether t o s e e " S h a l 1 We D a n c e " a t RISD o r "Hiroshima Mon Amour" a t Brown. I knew my options w el l ; either t o wince and guffaw my way through a true s li ce of American moviedom from the good ol e days or to immerse myself i n what has been c a l l e d by some c r i t i c s one of the ten best films ever made. Partly be cause I had already once s e e n " H i r o s h i m a Mon Amour" but bostly because I knew I would be w r i t i n g t h i s b i t f or us and not them I decided to pay my s e v e n ty-five cents and see our fi l m. I am not sorry I did. As a cinem aticall y v i s u a l w o r k , " S h a l l We Dance" was a troc iou s. The e d iting , li tte re d with lackneyed gimmicks, spawned more than a few hearty b elly laughs from the audience. Transi tional dissolves from the photograph o f something to that something were numerous and redundant. The camera work was sim p le , unobtrusive and bor ing. I n short i t was a film not in i ts el f, but of Fred Astaire, Ginger Rogers, t he ir legs and their voices. Fred's legs, Fred's voice, Ginger's legs and Ginger's voice were however, not something t o g i g g l e a t . W hen F r e d Astaire dances outside the confines of the late movie's television screen, one can do l i t t l e but gaze in astonishment. T h e man w i t h t h e a m a z i n g legs is t r ul y an a r t i s t w i th hi s own movement . Ginger Rogers together with Fred Astaire are pure 1iquid grace. They danced, sang, and acted out th eir s i l l y p lot t o the music of George Gershwin. Al though often doused with some f r i v o l o us l y inane ly ri c s , the melodies were wonderful. "Shal1 we dance i s not a f i lm to be thought about seriously. I t was made as entertainment, and i t seemed a s i f th e sparse crowd last Thurs day night received i t happi1y as just that. Jagger each Monday i n Dean Davies' o ffi c e (1st floor C o l l e g e B u i Ii n dg.) ' At las t Monday's meet ing, Keith Mast-- head of CAC— presented a w r i t t e n s u m m a r y d i s c u s s i n g Campus Assistance Center. The board was asked to con sid er how i t would l i k e t o become involved w i t h CA C. A m o u ng t h e s u g g e s t ions was the idea t hat CAC l o o k i n t o a s e r i e s o f concerts and other possible entertainment. Also discussed were the budgets of the Film Society (asking for $1,000 fees fo r losses) and the RISD P ress (where a budget o f $7,000 was a pp rop ri at e d). A Carr House fund of $1,000 was also passed. Next *;eek Club appropreations w ill go before the Board, the Stu dents on the Board o f Trus tees wi ll give their re port and the energy cr i si s w i l l be discussed. I'Li |) ? I Ceramics The Ceramics Depart ment i s set up i n much the same way as other departments, with sophomore sculpture ma jors taking elective R1SD courses withing the department. They are provided with a fa i r l y large, but usually overcrowded communal work area. J unio r, Sen i o r , and Graduate Students are given individual work areas. Curriculum, with the exception of a re quired glaze formulation and calculati on course, for Juniors and F irs t Year Graduate Students, centers around methods and techniques involving the fabrication and fi rin q of ceramic ar ticles. There are two fac u l ty members, Pr of. Nor man Schulman and A s st . Prof. Jun Kanieko, and they are assisted by Joe Roebeck, the shop's technical assistant and Ric Hensley, a second year Graduate Student who teaches th e Glaze Calculation Course. I h e t a c i l 1 1 le s p r o vide an opportuntiy to work from with everything salted ware to Raku. Last year a l a r g e w o o d f i r i n g k i l n was bu i 11 a t the farm and jus t recently an eight hun dred cubic foot, eight burner, dual stack updraft k i l n was constu cted to accomodate the monumentally sized work of Mr. Kanieko, and to provide a more ef f i c i ent k i l n space. The Department is snal1 but the work and techniques used by in dividual students are highly diverse. Clay i s paid f o r and made by the student with the exception o f sophomores and e lec tiv es who pay a lab fee. Firing and glaze fees are incor porated into the cost of the materials avail able a t the RISD sup ply store. Demonstrations by v i s i t i n g potters and various trips, usually pa r ti a l l y financed by the Ceramics Club occur spasmatically during the yea r . 8 "When beggars d i e , there are no comets seen. The heavens themselves blaze for th the death of princes" Shak. >1 Little BitonKOHOUTEK In the past, brilliant Scientific Investigation Unusual Comet Discovery of Kohoutek by comets have inspired fas The unusual 1y long Comet Kohoutek i s the Dr. Kohoutek c i n a t i o n and t e r r o r among time (nine months) lead f i r s t comet i n the record New c o m e t s a r e n a m e d people and unfortunately time allows world scient ed h i s t o r y tha t w i l l come after their discoverors. have often been taken as ists to schedule an inten w i t h i n 13 m i l l i o n m il e s o f Comet (1 9 7 3 f), ( f omens o f d i s a s t e r . Names sive scientific invest the sun. I ts nucleus is indicates the s i x t h comet such as "Blazing Stars," igati on of Kohoutek. Op about 10 to 20 mile s in d i of 1973 discovered,) i s "Firebal1s flung by an t i c a l and radio telescopes ameter. After the comet no exception, i t was d i s angry god," "sword o f fire,'around the world are point- passes behind the sun on covered by a czech-born "Broom st ars, " etc. etc . ing at the comet. Dec. 28, i t heads back i n astronomer, Dr. Libos are given to these celest In the United States to deep space. A b r i l l Kohoutek of the Hamburg i a l nomads. NASA h a s s e t u p a s p e c i a l i a n t t a i 1 of 5 0 m i 1 1 i o n Observatory on Bergedort, According to the task fore, "Operation Koh mi 1es long wi11 s tretch West Germany, on the eve synchronicity concept of outek1.1 . to he lp prepare f o r to one six th across the ning of March I . While Dr. Carl J . Jung, special ev infrared, o p ti ca l, and u l evening sky between Jan Kohoutek was making photo ents up i n the heavens traviolet observation from and Feb 197^° The even graphic observations of mi must c orr elate w ith some a irc raft , spacecraft as ings from Jan 10 to 20 nor planets with the 32 thing on earth. A visitor well as ground observations should provide the best inch Schmidt camera te l e from outerspace with a tai1 o f Kohoutek . Most of viewing for astronomers scope,he accidentally 30 to 50 mill ion miles long the observations of Kohou in al l parts of the united found comet (1973f)1s im certainly will create a tek are designed to deterstates of america. Accord age on two o f the plates. prodigious event in the h e a - m i n e w h a t e l e m e n t s , r a d i c ing to the latest orbital He l a t e r found t h e same als and molecules are i n vens. This w ill at least calcutations of Dr. Brian comet on an e a r l i e r plat e keep the astronomers busy the comet, and how t he i r Marsden, Smithsonian that he took on Jan. 20. with their telescopes, as quantity, spatial distrib Astrophysica1 Observatory, At that time, the comet trologers with their pred utions change as the comet Kohoutek's path is parawas a dim o bject moving ictions, Christians with grows. Astronomers would bolic and belongs to the near the orbit of Jupiter, t he i r Bibles and Buddhists 1 ike to know the r at e o f long period comet type. against the background o f with their Lotus Sutra. rotation of the nucleus, I t s i n i t i a l period was se Constellation Hydra, The celesteal display of which might give inter veral mill ion years but the eea serpent. I t was a great comet is thus an pretation of the nongravidue to Ju pite r's great a b o u t 3 7 0 m i l l i o n m iles auspicious sign. We m a y tatio'nal effe ct s on comet gravitational pul1, its a w a y f r o m e a r t h a n d AA0 m i interpret i t as a sign o f mot ion. resulting period is about l l o i n m i l e s f r o m t h e sun. beauty as well as a warning The sky 1abl11 miss7 5 , 0 0 0 y e a r s , b u t s t i l1a M o r e t h a n 9 1 / 2 m o n t h s aw o f God's punishment. ion i s part icipat ing i n the very long time compared a y f r o m p e r i h e l i o n o r i t s Comets come and go in research of Kohoutek. Its with Halley's Comet,(due c l o s e s t d i s t a n c e f r o m t h e the solar system. There position i n the space has 1986) with 76 year return s u n . are nearly half a dozen enormous advantages rate. reported every year, but over the ground observations. Kohoutek's o r b i t pasone large enough to be v\The skylab astronauts ses quite close to the s\b\c to the naked rvaWed eye *3 \*W\ studv tv-ie comet with e "TV\^ or \ tg\r\ of c.otoe t. s. er\ different Instru T"317)3 / /IS 3 d&h>3 tab 1 e sub_j ec t ments, including a came ra among sc l en t i s t s . The main that detects the far ultra part o f a comet is the violet light that cannot nucleus. It is composed penetrate the earth's at r of frozen gas and dust earth's orbit plane p 1 arie about •\ L» a —.13 rapart: . a. t r o n o m e r , D r S t e p h e n P. Ma— ran claims Kohoutek proba b l y contains m a t e r i a l t h a t has been locked in the f o r m a t i o n o n Kohoutek, please let me know. Stephen Tong, Box 895 272-^276 AS B 3 0 2 p a r mosphere. The astronauts cold storage o f space since comet gives o f f w i l l take two spacewalks creation of the solar sys no 1ight i tse lf. It including one on Christ tem. This insight offers reflects l i t t l e sunlight mas day, to point instrum a clue to the mystery of when f a r away from the sun ents a t Kohoutek. The s : the birth of our solar but as i t gets close enough, spacecraft Mariner 10, system. the solar radiation causes heaking Mars and Venus, I S the nucleus's particles photographing the comet Comet Kohoutek's place t o evaporate and expands from various positions mil ment 111 d ark skies this winter, charted (or olt50°" i nt o a glowing halo or coma, li o n s of miles away from servers in 40* north lati tude. For each date, the S om e c o m e t s m i g h t f o r m o n e sun is 12* below the earth. I t s p icture s combhot iron: thus, the same COMET or more t a i l s as a result level of deep twilight ined with views from ground is represented, about an KOHOUTEK of more ice vaporizing. hour from sunrise or observatories w i ll give sundown. Also marked EVENING SKY Normally the t ai ls of, are rough predicted vis scientists their first ual magnitudes. comets always f a l l away three dimensional look of from the sun, due to so a comet. Countless radar, lar wind. I t is usually radio and s ci e n ti fi c i n st r most s tri kin g a fter perip20*" uments are monitoring Koh elion. Comets re volve a outek as i t s making a h is COMET KOHOUTEK round the sun i n highly et o r i c t r i p toward our Ru / MORNING SKY ccentric orbits in al1 1er. planes. So me a r e a l m o s t • 19 right angle to the plane 90° AZIMUTH 1.0° ,30. ,40° l20° of the solar system. Most 27<f comet's orbits are i nfl u August, 197), SKY AND TELESCOPE 93 enced both by the stars and planet's gravitational field +30° There are basically three forms of cometary paths: - +20» the elli pse, the parabola, + 10° and the hyperbola. The el lip s e types are permanent members, t h eir -10° return usually at short intervals of time, and can be predicted with ac curacy. The other two types are open curves, a f ter they swing around the sun once, They w i l l head The motion of Comet kohoutek among the constellations from July until next February is mainly eastward. December 28.1. back i n t o deep space, may is the date of pcuhehon, P, when the comet will be within a degree of the sun. o r may not r et u r n a f t e r mi1 1 ions of years. 92 SKY AND TE LESCOPE, August, 1973 ticles. A I I EI/ENTS THE ART ASSOCIATION OF NEWPORT EXHIBITIONS November SO - December 9 There w i l l be a reading by Wi11iam Meredith of his e arli e r and recent poems, Tuesday, Decem b e r 1 1 , i n CB 4 1 2 a t 4:30 pm. Meresith's most recent collection Earthwalk ( ( 1 9 7 0 ) w o n horn t h e V a n Klych Brooks Award i n May, 1971. His f i r s t book, Love Letters from from an Impossible L a n d T ~ 1 ~9 4 4 ) , w a s p u h lished i n the Yale Ser Series of Younger Poets with an introduction by Archibald MacLeish. Otherscollections incl Other collections in clude Ships and Other Figure s (1 948) ,The Open S ea a n d O t h e r Po ems ( 1 9 5 8 ) , and The Wreck of the Ihresher and Uther P o e ms ( 1 ~ 9 6 4 ) , w h i c h includes "On Looking Into Robert Frost in KanJi • B e s i d e s h i s o w n p oe m s he has done an edition of Shelley, an anthology o f 181h century poetry, and a 3 act opera called The Bott1 e Imp. He has developed programs for students from disadvan taged environments, teaches summers a t Bread Loaf in Vermont, and is a member o f the English S o m eo n e r e a l l y should suggest a better t i t l e fo r our magazine. But more important, hurry up and bring us some p r el i m i nar y (or finished) work before vacation. Here we a r e, desperately seeking "sequential art" for a m a g a z i n e t h a t w ?1 1 be published, and people keep te ll ing us, "Wei 1 , I rea11y don't d o c o m i c s . " We w a n t people to realize there are unlimited other ways our medium can be used, particularly b y G r a p h i c s , I 1l u s t r a t i on , and Photo people. Attempt i t , ehh? Cal1 Doug a t 272- 0234 with questions or contact "Fred" box 1047. November SO • December 22 ROGER WILLIAMS STUDENT exhibit Recent Works by the ART SCHOOL FACULTY 16th CENTURY ITALIAN DRAWINGS (facsimile prints) — collection of WILLIAM H. DRURY CHRISTMAS SALE of cards, decorations and children's books MEMBERS ARE CORDIALLY INVITED TO A RECEPTION ON FRIDAY, NOVEMBER 30, from 5 to 7 o'clock. "CHRISTMAS IN NEWPORT" OPEN HOUSE ON WEDNESDAY, DECEMBER 19, from 3 to 5 o'clock. "Visiting Pictures", the work of Members, are offered for rent and sale. The galleries are open weekdays from 10 to 5; Sundays and holidays from 2 to 5. AVON CI NEMA (401)331-6363 Dial the Rhode Island School of Design Information Line for current Student, Museum, Alumni and community activities. Mediator Coffeehouse presents Carlson and G a i 1m o o r . S a t u r d a y , December 8 t h , 9~11 pm. A piano-guitar duo. Donation - $1.00, At the Mediator 236 Wickenden St. Square Dance - RISD Aud i t o r i u m , 8 - 11 Sunday n i g h t , 75C m e m b e r s , a n d $1.25 non-toembers, p r o f i t s go t o the Foxpoint Day Ca r e C ente r . faculty at Connecticut Co 1 1ege. The Avon Cinema o n Thayer Street, announced that a new student discount p r i ce p olicy w i l l become effe c t ive on January 1 s t, 1974. Available to college stu dents i n Rhode I s l a n d , a special discount card w i l l e n ti tle the bearer to a $1.00 admission p ric e Mon day through Thursday even ings. The current box o f f i c e pr i ce a t the Avon i s $2.50. The special discount card wi11 be sold by mail only, at the cost of $1.00. The card w i l l be honored through Decem ber 31st, 1974, but is not v a l id weekends o r during any roadshow engagements. Anyone w ishing to obtain a student discount card should mail $1.00 t o the Avon Cinema, 260 Thayer Street, Providence P,. WOODSGERRY Featured a t the WoodsGerry G a l l e r y o f Rhode Island School o f Design from Dec. 5th through 11th w i l l be prin ts by A rthur B. Wood, photog raphy by Arno Minkkinen, and sculpture by George S t o n e . P r o f e s s o r Wood i s head of the texti1e design department a t RISD and Minkkinen and Stone are graduates students at the College. \ . 0230c JEWELRY & METALSMITHINC ANNUAL ope ning DEC 12 woods gerry gallery 8.-OC THE PROVIDENCE ART CLUB INVITES YOU TO ITS Annual Little Picture Sale OPENING SUNDAY, DECEMBER 9-THREE TO FIVE P.M. CONTINUING THRU DECEMBER 22 • MONDAY THRU SATURDAY, 10:00 to 4:00 SUNDAY, DECEMBER 16, 3:00 TO 5:00 OILS-WATERCOLORS-PRINTS • WILL MAKE IDEAL CHRISTMAS GIFTS RU HANI SA TS ANG, D I V I N E SC IE NCE OF T HE SOUL . Sun, Nov. 18th, 2:30 pm, Brown-- Lower Manning Cha^ pel. A representative w i l l speak on the teachings of the Living Master Saint, Saint Kirpal Sirigh Ji . Applications for the position of Resident Di rec t o r are now avai1able i n the Dean o f Students Office. Position open to sen ior or graduate stu dent. CALENDAR Friday, December 7 CB 515 CB 322 Upper Refectory Auditoriom Audi toriom Audi tori urn Career Seminar, Sculpture Career Seminar, Painting Career Seminar, Architecture Career Seminar, Miss Hawes Tae Kwon do Club SHOW: RISD Tappers Saturday, December 8 1 pm - 5 pm 8 pm - 12midnight t pm - 3 pm Faculty Lounge Refectory Sayles Gym(Pembroke) Graduate Seminar Dance and Party, India Imports Rl SD v olleybal1 Sunday, December 9 1t:30 am 7 pm St. Stephen's Church Upper Refectory College Episcopal Service Cathol1c Mass Monday, 4 pm 7:30 7:30 December 10 - 6 pm pm - 9:30 pm pm Auditorium Stage Auditorium Stage CB 331 Modern Dance, Vern Blair Tap Dancing, Brian Jones Textile Club slideshow Tuesday, 4:30 6:30 7:30 8:30 December 11 pm - 6 pm pm - 11pm pm pm - 9:30 pm CB 412 Upper Refectory CB 412 R. I. Tennis Club P0ERTY READING, Villiam Industrial Design Society Mr. Sprout's Film Class RISD Tennis CB 412 IT'S THE REAL THING Lecture,Mr. Kirschenbaum Tap Dancing, Brian Jones Textile Club Workshop 1 pm - 4 pm 2 pm - 5! pm 1:30 pm - 4 pm 9 am - 1 pm 6 pm - 8 pm 8 pm - 9:30 pm Wednesday, December 12 4:30 pm 7:30 pm 7:30 pm Auditorium CB 331 Thursday, December 13 11 am - 6 pm 7:30 pm - 1 am 7:30 pm Auditorium Refectory Auditorium Ceramics Sale Dinner Dance, Uncas Jewelry Film Society: Bardo Fol1ies, Fragments, Mass for Dakota Sioux Friday, December Ik \-AST D*X FOR C.VIS TX ME C A.RDS TO BE P MD DECEMBER 18 pm — ft pm ft \ tor \ . Kwon Do Club ARMY A NAVY SURPLUS DISCOUNT TVm Army-Navy Discount Stora that b a MUSEUM tool! dorrwar bookstore 10.4 THAVER STREET ' A j ESCAPE Apt. for immediate occupancy, three people $75., two people $112.50. Heat, electric included. Beautiful carpet, four rooms, huge kitchen and work area. Seven minutes from RISD, fireplace! too. Needed f or Dec. through the rest of the semester. Contact box 133 or cal1 CI a i r e Glannemore, 351-0211. THE ENERGY CRISIS Spend January snowshoeing and cross country skiing with Outward Bound in northern Maine. Write or call Hurricane Island Outward Bound School Box 429, Rockland, Maine 0 4 8 6 4 tel. 2 0 7 - 5 9 4 - 5 5 48 attention Mr. Williamson H EL P WA NTED : M o d e l s , actresses, and couples for student owned, operated and oriented f i l m company. Salary open. Send photo a n d r e s u m e t o BAKED F I L M S , P0 Box 601, Annex S ta ti on , Providence 02901 Does anyone know o f an apartment (walking d is tance o f RISD) becoming available anytime soon, or u n ti l February? I f so, pi ease cal1 Dale Chihuly at e x t . 238 o r A r t Wood a t e x t . 2 4 3 , NSd • Waird • Unusual • Interesting IManthrm1in June "Vogue" and "Mademoiselle" magazinet) Footiockcxs * Trunks * Canvas * Tarpaulins * Truck A Boat Covars • Ufa Rafts * UJ3. Army Down Sleeping Bags * Army Piald Jackets * 13 Button NaVy Wool Pants * Navy Bell-Bot tom Dungarees * Fish Nets * Nazi Helmets • Antiques * Ships' Wheels • Lights * Binoculars * Telescopes Quaint shopping area and restaurants nearfev (New Address) 262 Thames Street Newport, R. I. 02840 Telephone (401) 847-3073 Wanted - Roommate t o share house i n country w i t h 3 RISD students. 20 minutes from school, da'rkroom. $100. per month. Must have own car. Cal1 Jon, Gus, or Eric 949-3479. Wanted H om es f o r one to three beautiful housebroken kitt ens. Contact Rehle in the SAO. Refrigerator - dorm s ize. Woodgrain fin is h. Excellent condition, used only one semester, cost $90. great saving at $55. Call to see, at 331-8397. Chinese Girls exciting - attractive - loyal. Over 1600 n i c e g i r l s w a i t i n g . A1 1 ages. They want men now for friends, romance, love. Make b est com panions, finest wives. We h a v e r i g h t g i r l for you. Reply to the ' "Friends From Formosa" box 495. Pronto! Looking for a place to 1ive that is close to school and the refec tory. Well there are a few people who are w i 1 1n g t o g i v e u p their dorm rooms. Fe male and male. If interested, contact Steve, box 345 or c al l 621 - 9277, Steve or Bob. ***% i n » n im DEflLY'5 KITCHEN Christmas is draw ing near (despite al1 attempts to ignore the commercial push begun at Hallowe'en) and, of c o u r s e , t h a t m e a ns b a k ing lots of cookies and cakes. Here's a re c i pe from my best f r i e n d ' s mother (when I was 8 o r 9) cal1ed: Mrs. Kalck's Polish Jar Cakes 1 c . brown sugar £ lb. butter 1 egg 2 tbsp milk 1 c. flour 1 tsp van i l i a raisins and/or nuts Melt the butter and add the sugar t o i t . Add the egg and m i l k and beat. Add s i f t ed f l o u r and baking powder. Mix wel1. Sti r in the vani 1a and add the r ai si n s and/or nuts. Grease a square baking pan and dust with flour. Bake at 350 degrees for 25 to 30 minutes. Leave «in t h e p a n u n t i 1 c o o l , then cut ( lik e brownies) and dust wit h confectioners sugar. I n r e f e r e n c e t o my monologue on sandwiches last week, a couple of p e o p l e t o l d me t h a t c o o k e d vegetables are aldo good on sandwiches. I have t r i e d cooked vegetables a couple o f times and I real 1y d i d n ' t 1ike i t . Perhaps i t was my c hoice of vegetables o r maybe j us t my own t a s t e . Either way, I o f f e r the idea t o anyone who wishes to tr y i t . Speaking of trying things, i f you haven't done i t ye t, t r y having lunch at the "Athens Corner" downtown. I f o r g e t the name o f the street, but i t ' s just o f f the Mai 1. It's cafe style (seats about te n ) , inexpensive, and has great Greek food. The Underground Gourmet recommends i t h i g h l y . Two w e e k s a g o we ran some l e t t e r s c r i t ici zin g the two SagiP t a r r i who wr ite reviews for our paper. Last week, the editor chose to write a short note of rebuttal. However, none of these touched on the one thing that has bothered me: most o f the cr iticisms in the Double Take series seem t o border on extremism. That i s to say th at i f they 1ike a show they love i t and i f they d o n ' t 1 i k e a s h ow t h e y 1oathe i t . Some r e v i e w s seem t o be an attempt a t de i fi c a ti o n, and oth ers, crucifixtion. Per haps t h a t ' s good; i t shows a commitment of thought on the ir part (which i s , at least, a pleasant change from the stock " v e r y i n t e r e s t i n g " we a l l hear a l l too often). Perhaps i t ' s merely youth ful enthusiasm. Perhaps (and I think probably) i t ' s an attempt t o make pepple th ink about what works and what doesn't. Or j us t to make them think. Above the matter o f their being r ight or wrong.remains one's own opinion. I reserve the righ t t o applaud t he i r widdom in seeing things the way I do (as wi t h Dean Richardson's fan t a s t i c show) and t o condemn them f or w r i t i n g such unabashed Shit (that's with a capital "S") when I disagree (as in the almost cruel review of Joan Wat son and the " out-to-g ethettr" reviews o f McClanahan). However, I also must all ow them the r i gh t to say what they thinly. So, t o the two Sagatarii, keep on w r i t ing what you believe. To those who disagree, write a letter to the Press and say so. To those who don't ca re , watch for next week's column for a recipe for chocolate chip swirl cookies (better than regular chocolate chip cookies), KPHJr /"% 11 EXPERIMENTAL BARDO F O L I E S - B r u c e Landau 28 m inutes, s i l e n t . Awards at 1968 Yale, Berkeley, and Kenyon College Film Fes tivals. Some o f t h e most radical, super real and haunting im ages the cinema has ever given us. WATERSM ITH - W i l l H i n d l e 31 minutes. "The Chinese F i r e d r i l l " m an t a k e s s w i m mers i n an Olympic pool and moves them from realism through surrealism to total abstraction using "innumerab I e optica1 e f fects. MASS FOR TH E DA KOTA S I O U X - B r u c e B a i l li e 2 0 m i n utes. black and white. A f i l m mass, dedicated to that which is vigor ous, intelligent, lovelyt h e- b e s t - i n - MAN; t ha t which work suggests near 1y dead. FRAGMENTS - M i k e K u c h a r 10 minutes and more RISD Film Society Thursday, Dec. 13 7:30pm 75<t RISD Auditorium ITS THE REAL THING • I » T 3 LECTURES BY R.I.S.D. ART \ •,/ HISTORY DEPARTMENT WILL \v Qfc H ' MS*. 1 *3 " " ? BE PRESENTED AT 4:30 P.M., " y \ ^ i IN C.B.412 ON WEDNESDAY: HOUSE PRESENTS -BARRY MILLER- A CONCERT OF AVANTE GARDE MUSIC-SAX AND PERCUSSIONWITH ADDED BRASS ENSEMBLE SPECIAL GUEST APPEARANCE BY
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