November 2014 - Rochester Theatre Organ Society
Transcription
November 2014 - Rochester Theatre Organ Society
The Lloyd E. Klos Legacy For the May 1974 RTOS concert program, Lloyd wrote the article below about the great organ that is installed in the former Wanamaker’s store (now Macy’s) in Philadelphia. Notable Theater Organ Installations No.9: Wanamaker Store, Philadelphia An organ which is not strictly a theatre -style instrument, has been heard by millions since its installation in the Wanamaker Store in Philadelphia in 1911. The nucleus of the Wanamaker organ was built by the Los Angeles Art Organ Co. and was installed in Festival Hall on the Louisiana Purchase Exposition grounds in St. Louis in 1904. When the exposition closed, the organ was placed in storage until it was purchased for the Waamaker Store. Thirteen freight cars were needed to transport it to Philadelphia. Rodman Wanamaker was determined to enlarge the 10,059 -pipe instrument until it would "combine the grandeur of a great organ with the tone colors and beauty of a great symphony orchestra." After successive additions, the present 6-manual, 2-1/2 ton console was installed in 1930. It has 729 color-coded stop tablets, 168 keyboard pistons and 42 foot controls, involving 28,500 pipes in eleven divisions. Wind pressure varies from 5 to 25 inches of water. Mr. Wanamaker died in 1928, thus being deprived of hearing the completed instrument. Some of the greats in the organ profession have played this behemoth: Charls Courboin, Pietro Yon, Marcel Dupre, Marco Bossi, Alfred Hollins, Lois Vileni, Fernando Germani and Virgil Fox. The Mormon Tabernacle choir performed in concert here. Former house organists were Dr. Irvin J. Morgan, Mary Vogt (appointed by Mr. Wanamaker when she was 16), and Keith Chapman. The current organist is Peter Richard Conte who succeeded Keith Chapman following his untimely death in 1989. The organ is played during store hours two times daily-- at noon and closing. Special concerts and tours of the organ are also presented throughout the year. Further information about it is obtainable from the: Friends of the Wanamaker Organ at Macy's Philadelphia, 13th and Market Sts., Philadelphia, Pa. 19101. An attractive booklet is available along with several CDs of the organ. Visit them on the web at: http://www.wanamakerorgan.com/index.php Note: Text in italics contains corrections/additions to Lloyd's original article. - ed. Front cover design and historical text by Russ Shaner The Rochester Theater Organ Society Proudly Presents Donnie Rankin Auditorium Theatre Sunday, November 9, 2014 - 2:30 pm Celebrating 50 Yearss , 1964 - 2014 THE RTOS STORY A Chronological History of the Rochester Theater Organ Society 1995 The resurgence of theatre organs in the US had begun in the mid to late 1950s with the advent of ‘high fidelity’ and stereo LPs by George Wright, Dick Liebert and other. Survivors of the ‘golden age’, when nearly every theatre had one (and those who played them were considered superstars), began re-emerging and slowly but surely enthusiasts breathed new life into these instruments either in their original locations or in glitzy pizza parlors, high schools, elaborate private homes and other public or private venues. Likewise many of the organists who had played them in the 1920s were coaxed from retirement or other professions to once again make the long silent pipes speak to the audiences that were flocking to hear them. Interest peaked in the 1980s but by the mid nineties leveled off and began to decline. Slowly the original artists slipped back into retirement and began to pass away. Fortunately a new generation of artists and enthusiasts were emerging to take their place in the spotlight. Young artists populated the organ equipped pizza restaurants and with encouragement from the owners many became the new superstars of theatre organ. In Rochester, RTOS had become immensely popular over its 30 years of existence and had regularly drawn audiences of 1300 - 1500 for its monthly concerts. However, by 1995, it too was experiencing a slow by steady decline in membership and audience size. Membership, which had peaked at around 1800, had dropped to under 1100 families. Average concert attendance had slipped from 1400 in 1987 just over 800 in 1995. Another significant statistic was that in 1995 all but one of our artists were of the ‘new’ generation. All of our 1995 artists except one (Jeff Weiler) were returning artists and Arnold “Hot Socks” Loxam from the UK was our only holdover from the ‘old days’ of theatre organ. Lance Luce led off in January, his fifth time here and Patti Simon made her second appearance in February. Jeff Weiler played his only RTOS concert in March as he accompanied the silent film classic “Queen Kelly” starring Gloria Swanson. Dennis James was here in April for his ninth appearance. During this concert Dennis performed several numbers on the Glass Armonica as David Peckham accompanied him on the organ. Arnold Loxam performed two programs at the Eisenhart in May to close the 94-95 season. David Peckham was back in September to kick-off the 95-96 series. October saw the encore visit of young Jelani Eddington who had first appeared here in 1991 at the age of 17. In November, RTOS favorite Robert Wolfe crossed the pond from England for his seventh visit to RTOS and for December, Fr. Jim Miller put us all in a holiday mood for his fourth and final appearance at the Auditorium, although he would return once more in Continued on page 3 1997 to play at the Eisenhart. THE RTOS STORY Continued from page 2 Our honorary members for 1995 were Rollo and Alyce Clark. Hugh Ratigan, our longest continuous serving President (six years) ‘retired’ at the end of 1995 and Russ Shaner became president for the next four years. 1995 was also the first year that RTOS began presenting concerts on Sunday afternoons duringthe winter months. In the winter and early spring of 1995 considerable activity involving both organs began. The first round of ‘tonal’ work involved repair and reregulation/voicing of the pipes of both organs by Clark Wilson Associates was completed and the 4/22 console wiring was modified in preparation of its planned journey to Indianapolis for refurbishing. Originally scheduled for the summer of 1995, this project was delayed until 1996 - 1997. TODAY’S ARTIST—DONNIE RANKIN It is a pleasure to welcome Donnie Rankin, returning for his second RTOS concert. Dommie first took an interest in the theatre organ at the tender age of three when he first heard the sounds of the Mighty Wurlitzer at the Civic Theatre in Akron, Ohio. Following that initial introduction to the King of Instruments, he frequently played on his greatgrandfather’s home organ. In 2000, Donnie acquired an instrument and began taking formal lessons. Classical piano training followed in 2005, and his budding talent quickly blossomed into first rate musicianship. Of note, he studied with organist Jelani Eddington from September 2007 to March 2012. Since 2007, Donnie has performed for theatre organ audiences across the world. He resides in Ravenna, Ohio and is a staff organist at the Civic Theatre in nearby Akron - playing the very same organ he first heard when he was three years old! Donnie was also recently elected to the ATOS Board of Directors. Kick-off the holiday season at the Auditorium Theatre on Sunday, Sunday, Dec. 7th at 2:30 PM RTOS Presents Donna Parker Visit us online at: WWW.RTOSonline.org