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PRESSKI
T
Contents
Selected Candidates • pages 1, 2, 3
Nationalities Represented • page 4
Schedule of the competition week • page 5
Jury • page 6
Evaluation of career potential • page 7
Classical Variations • pages 8, 9
Contemporary Variations and Choreographers • pages 10, 11, 12
Prizes, networking forum • pages 13, 14
Partner Schools and Companies • pages 15, 16, 17
Coaches, Teachers, Musicians • page 18
Daily Dance Dialogues • page 19
Interlude performance • pages 20, 21
Budget • page 22
Sponsors, Patrons and Partners • pages 23, 24, 25, 26, 27, 28, 29
Live streaming and tweets • page 32
Press contact:
Stéphanie Cavallero
Catherine Kopitopoulos
Tél. +41 (0)21 643 24 08
Fax +41 (0)21 643 24 09
press@prixdelausanne.org
2015 PRIX DE LAUSANNE – 43rd COMPETITION
Selected candidates
2015 Prix de Lausanne: Selected candidates
Girls
First name
Last name
Nationality
School
Nika
Ji-Min
Afonina
Ahn
Ukraine
South Korea
Sierra
Nerea
Olivia
Rebecca
Alexandra
Taylor
Jordan
Teresa
Laura
Miko
Albane
Airi
Rina
Eunhye
Gayeong
Maria
Eriko
Anna
Jisoo
Seonmee
Alice
Armstrong
Barrondo
Betteridge
Blenkinsop
Burman
Ciampi
DePina
Dias
Fernandez
Fogarty
Fro
Igarashi
Kanehara
Lee
Lee
Martyanova
Nakajima
Ono
Park
Park
Pernão
United States
Spain
Australia
Australia
United States
United States
United States
Portugal
Switzerland
Switzerland
France
Japan
Japan
South Korea
South Korea
Finland
Japan
Japan
South Korea
South Korea
Portugal
Kiev State Ballet School, Kiev, Ukraine
Sunhwa Arts High School, Seoul, South Korea
University of North Carolina School of the Arts, Winston Salem, North Carolina
USA
Bolshoi Ballet Academy, Moscow, Russia
Tanya Pearson Classical Coaching Academy, St-Leonards, Australia
Victorian College of the Arts Secondary School, South Bank, Australia
The Art of Classical Ballet, Pompano Beach, Florida, USA
The Rock School for Dance Education, Philadelphia, Pennsylvania, USA
Long Beach Ballet, Long Beach, California, USA
Escola de Dança do Conservatório Nacional, Lisbon, Portugal
Tanz Akademie Zürich, Zürich, Switzerland
Indiana Ballet Conservatory, Carmel, Indiana, USA
Conservatoire National Supérieur de Musique et Danse, Paris, France
Reiko Yamamoto Ballet School, Ota, Japan
Princess Grace Academy, Monte-Carlo, Monaco
Korea National University of Arts, Seoul, South Korea
Vaganova Ballet Academy, St-Petersburg, Russia
Epris Ballet Studio, Kumagaya City, Japan
Yuri Sanada Ballet Studio, Sakai City, Japan
Seoul Art High School, Seoul, South Korea
1
2015 PRIX DE LAUSANNE - 43e COMPETITION
Selected candidates
Amber
First name
Naomi
Paula Rosa
Bianca
Miki
Elena
Lou Yaa
Gabriella
Minami
Chelsea
Victoria
Natasha
Madeline
Mina
Ray
Last name
Sano
Santana
Scudamore
Shibata
Solomianko
Spichtig
Stilo
Tanaka
Thronson
Vassos
Watson
Woo
Yamanishi
United States
Nationality
Australia
Brazil
Australia
Japan
Russia
Switzerland
United States
Japan
United States
Switzerland
United Kingdom
United States
Japan
Yuri Grigoriev School of Ballet, Los Angeles, California, USA
School
Sydney Ballet School, Sydney, Australia
Bale do Teatro Escola Basileu França, Goiânia, Brazil
Classical Coaching Australia, Brisbane, Australia
Yuriko Kawaguchi Ballet School, Tokyo, Japan
Tanz Akademie Zürich, Zürich, Switzerland
Orlando Ballet School, Orlando, Florida, USA
Etoile Ballet School, Ikeda, Japan
Ballet Coeur d'Alene, Cœur d'Alene, Idaho, USA
Staatliche Ballettschule Berlin, Berlin, Germany
Ballet West, Taynuilt, United Kingdom
V and T Classical Ballet Academy, Laguna Hills, California, USA
Acri Horimoto Ballet Academy, Tokyo, Japan
Boys
First name
Austen
Ugo
Bret
Tallison
Cooper
Jarod
Diogo
Marcelo
Oscar
Syvert Lorenz
Shogo
Taiyu
Last name
Acevedo
Cirri
Coppa
Costa
Cridland Hayes
Curley
de Oliveira
Ferreira
Frame
Garcia
Hayami
He
Nationality
United States
Switzerland
United States
Brazil
Australia
United States
Portugal
Brazil
United States
Norway
Japan
China
School
Orlando Ballet School, Orlando, Florida, USA
Kirov Academy of Ballet, Washington, DC, USA
Peninsula School of Performing Arts, Palos Verdes Estates, California, USA
Ballet Adriana Assaf, Sao Paulo, Brazil
Tanya Pearson Classical Coaching Academy, St-Leonards, Australia
Next Generation Ballet, Tampa, Florida, USA
Escola Domus Dança, Porto, Portugal
Ballet Adriana Assaf, Sao Paulo, Brazil
Kirov Academy of Ballet, Washington, DC, USA
Oslo National Academy of the Arts, Oslo, Norway
John Cranko Schule, Stuttgart, Germany
Liaoning Ballet School, Liaoning, China
2
Selected candidates
First name
Mitsuru
Pierre
Julien
Kristóf
Noel Ágoston
Sun Woo
Harrison
Chenqi
Julian
Suguru
Francisco
Miguel
Ivan
Jack
Navrin
Peter
Ze
Dmitry
Last name
Ito
Karbowiak
Keulen
Kovacs
Kovacs
Lee
Lee
Lu
MacKay
Otsuka
Patrício
Pinheiro
Spitale
Thomas
Turnbull
Weil
Wu
Zadorozhniy
Nationality
Japan
France
Netherlands
Hungary
Hungary
South Korea
Australia
China
United States
Japan
Portugal
Portugal
Italy
United States
Australia
United States
China
Russia
School
ESDC Rosella Hightower, Mougins France
Royal Conservatoire, The Hague, The Netherlands
Hungarian Dance Academy, Budapest, Hungary
Hungarian Dance Academy, Budapest, Hungary
Korea National University of Arts, Seoul, South Korea
The McDonald College of Performng Arts, Syndey, Australia
Secondary School of Beijing Dance Academy, Beijing, China
Bolshoi Ballet Academy, Moscow, Russia
K-Ballet School, Tokyo, Japan
Eko Dance School, Nichelino, Italy
Houston Ballet Academy, Houston, Texas, USA
Private Coaching by Maldon John Czislowski, Brisbane, Australia
Next Generation Ballet, Tampa, Florida, USA
Dance School attached to Shenyang Conservatory of Music, Shenyang, China
Candidates Selected at Danzamerica (Argentina):
First Name
Last Name
Victor
Caixeta Salles
Marcos Vinícius Silva
Nationality
School
Brazil
Brazil
Vortice Escola de Dancas, Uberlandia, Brazil
Centro Cultural Gustav Ritter, Goiânia, Brazil
Candidates Selected at Dresden (Germany):
First Name
Last Name
Nationality
School
Giuditta
Vitiello
Italy
Ecole Supérieure de Danse de Cannes Rosella Hightower, France
3
Nationalities Represented
Selected Candidates for the 2015 Prix de Lausanne
Nationality
Australia
Brazil
China
Finland
Girls
4
1
France
Hungary
Italy
Japan
Netherlands
Norway
Portugal
Russia
South Korea
Spain
Switzerland
Ukraine
United Kingdom
United States
Total
Boys
3
2
3
Total
7
3
3
1
1
2
1
3
1
1
3
1
1
2
2
1
10
1
1
5
2
6
1
5
1
1
15
67
1
1
7
2
1
5
1
4
1
1
8
37
1
7
30
Candidates selected at Danzamerica:
Nationality
Girls
Brazil
Candidates selected in Dresden :
Nationality
Girls
Italy
Boys
Total
2
2
Boys
Total
1
1
Nationalities represented: 18
Overall Total
38
32
4
70
2015 PRIX DE LAUSANNE – 43rd COMPETITION Schedule
Monday
2 February
Observation
Tuesday
3 February
Selections
10.00-13.45
Girls A
Girls B
Classical class with jury
9.15-13.00
Boys A
Girls B
10.15-13.45
Boys B
Boys A
Contemporary class
9.30-13.00
Girls A
Boys B
Contemporary class
11.00-11.45
Boys A
12.00-13.00
Girls A
13.45-15.15
Boys B
15.30-17.00
Girls B
Run-throuh of the
classical variation
9.00-17.20
Boys B
Boys A
Girls B
Girls A
Contemporary coaching
15.00-18.30
Boys A
Boys B
14.00-17.15
Boys A
Girls B
Contemporary class
14.45-16.15
Girls A
17.15-18.45
Girls B
Contemporary class
14.00-17.45
Girls A
Boys B
17.30-19.45
Classical and contemporary
class for local ballet schools
Candidates A: 15 & 16 years old
Wednesday
4 February
Selections
Thursday
5 February
Selections
8.00-11.45
Boys A and B
Girls A
Girls B
Classical Class
8.00-11.45
Girls A and B
Boys A
Boys B
Classical Class
9.30-12.45
Boys B
Boys A
Contemporary class with jury
9.30-13.00
Girls B
Girls A
Contemporary class with jury
9.30-19 :00
Boys A
Boys B
Girls A
Girls B
Classical coaching
9.30-13.45
Girls A
Girls B
Classical coaching
13.45-16.00
Boys A and B
Contemporary coaching with
jury
14.45-18.30
Boys A and B
Run-through of the
contemporary variations
17.00-18.00
Daily Dance Dialogue
Cynthia Harvey + Ethan Stiefel
14:00 -16.15
Girls A and B
Contemporary coaching with
jury
12.45-18.15
Boys A
Boys B
Classical coaching
15.00-19.00
Girls A and B
Run-through of the
contemporary variations
17.00-18.00
Daily Dance Dialogue
Chi Cao + Lisa-Maree Cullum
Friday
6 February
Selections
10.00-12.15
Girls and Boys A
Classical variation and
contemporary variation
with jury
Saturday
7 February
Finals
8.30-11.45
Networking forum
Classical class with non
selected candidates
13.00-14.00
Press Conference at the
Presbytère
13.30-17.00
Girls and boys B
Classical variation and
contemporary variation
with jury
18.00
Announcement of the results
(20 candidates chosen for
the finals)
14.00-14.30
Press Aperitif at the
Presbytère
14.20
Finalists
Warm up on stage
15.00-18.00
Finals in public
2 variations
Intermission
Interlude
Prize-giving ceremony
18.00
Farewell drink backstage
Candidates B: 17 & 18 years old
5
2015 PRIX DE LAUSANNE – 43rd COMPETITION Jury
Jury Members
The jury of the Prix de Lausanne is composed of nine persons, each of whom meets one or
several of the following criteria:
•
•
•
link with our Partner Schools
link with our Partner Companies
a prize winner of the Prix de Lausanne.
Further aspects are taken into consideration to compose the panel:
•
•
•
wide geographical representation
mix of youth and experience
representation of various styles of dance.
Ms Cynthia HARVEY
President of the jury.
International Guest Teacher. Principal Dancer of the American
Ballet Theater, New York and the Royal Ballet, London.
Ms Sylviane BAYARD
International Guest Teacher and coach.
Principal Dancer of the Stuttgart Ballet, Australian Ballet and
Theater Basel Ballet.
Prix de Lausanne prize winner in 1973
Mr Chi CAO
Principal Dancer of the Birmingham Royal Ballet. Played Li
Cunxin in the film “Mao’s Last Dancer”.
Ms Lisa-Maree CULLUM
Principal Dancer of the Bayerisches Staatsballett, Munich.
Ms Franco DE VITA
Artistic Director of the American Ballet Theatre Jacqueline
Kennedy Onassis School, and co-author of the ABT National
Training Curriculum.
Ms Simona NOJA
Director of the Wiener Staatsoper Ballet Academy. Principal
Dancer of the Wiener Staatsoper, Deutsche Oper Berlin,
Deutsche Oper am Rhein, and the Opera National Romana
Cluj-Napoca.
Ms Lidia SEGNI
Director of the Ballet of the Theatro Colon, Buenos Aires
Mr Ethan Stiefel
Former director of the Royal New Zealand Ballet. Principal
Dancer of the American Ballet Theater, New York.
Mr. György Szakaly
Rector of the Hungarian Dance Academy. Soloist of the
Hungarian National Ballet and First Soloist of the Bonn Opera
between 1988-1991.
6
Evaluation of career potential
Throughout the competition the jury will evaluate a candidate’s potential
to become a professional dancer by considering:
•
•
•
•
•
•
Artistry
Physical suitability
Courage and individuality
An imaginative and sensitive response to the music
A clear grasp in communicating differing movement dynamics
Technical facility, control, and coordination
While advanced technical skills will be taken into account, jurors’ primary focus will be on
the candidate's potential to succeed as a professional ballet dancer.
Each jury member will give one mark between 1 and 9 (9 being the best) for each of the
following rounds:
Value of the mark:
Selections:
1) ballet class
2) contemporary class
3) classical variation
4) contemporary variation
1/4
1/4
1/4
1/4
20 candidates are selected for the finals.
Finals:
1) classical variation
2) contemporary variation
1/2
1/2
Six to eight prize winners will receive scholarships. Results will be announced during the
ceremony following the interlude.
7
2015 PRIX DE LAUSANNE – 43rd COMPETITION Classical Variations
In order to participate in the competition week in Lausanne, candidates
must prepare two solos:
•
•
Classical variation
Contemporary variation
Candidates are required to prepare the version of their choice of one of the
following classical variations:
GIRLS (15 and 16 years old)
BOYS (15 and 16 years old)
Giselle
Peasant pas-de-deux solo, Act 1
Giselle
Peasant pas-de-deux, Act 1
Swan Lake
First solo from the pas-de-trois, Act 1
Swan Lake
Solo from pas-de-trois, Act 1
DonQuixote
Cupid from the dream
Napoli
First boy’s variation from the pas-de-six
Le Corsaire
Odalisque pas-de-trois – 2nd variation
Sleeping Beauty
Bluebird
La Bayadère
1st soloist variation, either Act 2 or Act 3
(Kingdom of the Shades)
La Fille mal gardée
Alexander Gorsky
La Bayadère
2nd soloist variation, either Act 2 or Act 3
La Sylphide
James Act 1
La Bayadère
3rd soloist variation, either Act 2 or Act 3
Coppelia
Franz Act 1
Sleeping Beauty
Woodland Glade Fairy variation from
Prologue
Coppelia
Franz Act 3
Sleeping Beauty
Lilac Fairy variation from Prologue
Les Sylphides
The Poet’s solo
Paquita
First girl’s variation from pas-de-trois,
Act 1
Harlequinade
Male variation
Paquita
Second girl’s variation from pas-de-trois
8
2015 PRIX DE LAUSANNE – 43rd COMPETITION Classical Variations
GIRLS (17 and 18 years old)
BOYS (17 and 18 years old)
Giselle
Variation from Giselle, Act 1
Giselle
Prince Albrecht Act 2
Sleeping Beauty
Aurora variation, Act 2
Sleeping Beauty
Prince Desiré Act 3
Sleeping Beauty
Aurora variation, Act 3
Don Quixote
Basilio variation from pas-de-deux
Don Quixote
Kitri variation from the pas-de-deux, Act 3
Le Corsaire
Variation from pas-de-deux
Don Quixote
Queen of the Dryads, Act 2
Nutcracker
Nutcracker Prince Act 2
Raymonda
Variation from Raymonda, Tableau du Rêve,
Act 1
La Sylphide
James Act 2, Bournonville (Lovenskjold),
La Bayadère
Gamsatti variation from the grand pas-dedeux
Paquita
Boy’s variation from the pas-de-trois
Paquita
Lead variation Act 2
La Bayadère
Solor variation
Swan Lake
Black Swan Siegfried Act 3
Grand Pas Classique
Men’s variation
9
2015 PRIX DE LAUSANNE – 43rd COMPETITION Contemporary Variations
Louise Deleur, Goyo Montero and Richard Wherlock
Candidates can choose among the
internationally-renowned choreographers:
works
of
the
following
Louise Deleur
Australian born Louise Deleur trained at the Australian Ballet School
and chose to dance with West Australian Ballet and Sydney Dance
Company. She later became a freelance dancer and choreographer
working on independent projects that included film, television,
theatre and opera. She has worked extensively as a coach in
classical and contemporary techniques including two years at
Taipei National University of the Arts.
Now based in Queensland, Louise has created several works for
Queensland Ballet Company as well as other companies and
independent projects throughout Australia along with three full
length works for her own company Lucid Dance Theatre.
Touch, Feel, Sense – solo for female candidates
Title : Touch, Feel, Sense
Composer: Hans Zimmer
Music: The final interview
Out of Breath – solo for male candidates
Title : Out of Breath
Composer: Ezio Bosso
Music: The Second Breath, Out of Breath
10
Goyo Montero (Prix de Lausanne prize winner in 1994)
Born in Madrid, Goyo Montero was trained by
Carmen Roche and completed his studies at the
School of the Ballet Nacional of Cuba. He was soloist
at the Oper Leipzig, Staatstheater Wiesbaden and the
Royal Ballet of Flanders and Principal at the Deutsche
Oper Berlin. As a choreographer he has created
pieces for many prestigious companies worldwide
and received numerous Ballet awards, amongst
them, in 2012, the Premio Nacional de Danza. Since
2008 Goyo Montero has been the Director of Ballet
and Principal Choreographer of the Staatstheater
Nürnberg Ballett.
Vasos Comunicantes - solo for female candidates
Commissioned by the Spanish Ministry of Culture, premiered in 2003 in San Sebastian
Title: “Vasos Comunicantes”
Composer: J.S. Bach
Music:,Sarabande, Suite N°1 für Cello BWV 1007. Piano: Albert Guinovart
Desde Otello (Amor dov’è la fe) - solo for male candidates
Created for Ballet Carmen Roche. Premiere during the International Dance Festival "Madrid
en Danza" in 2006. Winner of the award "Villa de Madrid".
Title: “Desde Otello” (Amor dov’è la fe)
Composer: Claudio Monteverdi
Music: "Amor dov'e la fe'" (Interpreters: John Potter, Stephen Stubbs, Maya Hornburger,
John Surman and Barry Guy). ECM Records/Verlag Edition Zeitgenössischer Musik GmbH
11
Richard Wherlock
Richard Wherlock has been Director and head Choreographer of
Ballett Basel since the 2001/2002 season, and Artistic Director
of the renowned festival «basel tanzt» since 2004. Richard
Wherlock was born in Bristol (GB). After studying at London’s
prestigious Ballet Rambert School, he joined their company as a
dancer. He was Ballet Director at Hagen Theatre in Germany
from 1991 to 1996, then spent three seasons as director of the
Lucerne Ballet before moving to Komische Oper Berlin as
Artistic Director and Choreographer of BerlinBallett. He worked
as Choreographer for many renowned companies and also
created a full-length ballet for Les Étoiles de l’Opéra National de
Paris.
In 2000, he received the Prix Italia for the award-winning dance
film «Passengers» produced by the Swiss broadcasting company DRS, RM Associates and
3SAT. His most recent film success «One bullet left» – also produced by Swiss
broadcasting company DRS – was awarded the Golden Rose of Montreux in 2003.
Le Sacre du printemps, solo for female candidates
Premiere: January 25th, 2002 – Theater Basel
Titel: “Le Sacre du printemps”
Composer: Igor Stravinsky
Music: Pétrouchka, Le Sacre du printemps, The Cleveland orchestra, Pierre Boulez,
Deutsche Grammophon.
A solo for Diego, solo for male candidates
Titel: “A solo for Diego”
Composer: Mikis Theodorakis
Music: Zorba’s Dance, Hungarian State Orchestra/ Theodorakis – Intuition, Schott Music
Ltd. London
During the week of the competition, the coaching of the contemporary
variations will take place under the supervision of Louise Deleur and
Goyo Montero for their own choreographies and Cynthia Labaronne
for Richard Wherlock’s variations.
12
2015 PRIX DE LAUSANNE – 43rd COMPETITION Prizes
“Prix de Lausanne Scholarships and Apprenticeships”
Winning a Prix de Lausanne scholarship enables a prize winner to gain free access
to the finest dance schools or to be accepted without an audition for an
apprenticeship with the most renowned ballet companies. It thus opens the door to
a year of top-level training and represents a fast track to the start of an international
career.
The jury of the Prix de Lausanne awards the following prizes:
•
Scholarships consisting in one year’s free tuition at one of the schools
mentioned on pages 16-18, and the sum of CHF 16,000.-, intended to cover
living expenses during the prize winner’s study year;
•
Apprenticeships reserved for finalists over 17 years of age, consisting in a oneyear apprenticeship spent with one of the companies mentioned on pages 16-18
and the sum of CHF 16,000.-, intended to cover living expenses during the prize
winner’s training year.
These prizes are offered by:
•
•
•
•
•
•
LEENAARDS FOUNDATION
BEAU-RIVAGE PALACE
ADVEQ
OAK FOUNDATION
COROMANDEL FOUNDATION
HARLEQUIN FLOORS
"Prix de Lausanne Contemporary Dance Prize"
This prize is awarded to the finalist who, through the interpretation of his/her contemporary
variation at the finals, shows exceptional potential in the area of contemporary dance. The
prize consists in a free contemporary dance summer course, including travel and
accommodation.
This prize is donated by:
•
MINERVA KUNSTSTIFTUNG
13
2015 PRIX DE LAUSANNE – 43rd COMPETITION Prizes
“Consolation prizes”
Finalists who have not been awarded any other prize will receive the sum of 1,000.- CHF.
This prize is offered by BOBST SA.
All finalists receive a diploma and a medal.
"Prize for the Best Swiss Candidate”
Awarded to the best Swiss finalist or resident that has been training in Switzerland for at
least three years before the competition
•
LEENAARDS FOUNDATION
Audience favourite
This prize reflects an “instant preference” that the audience has felt for one of the finalists
on the evening itself. Contrary to the prizes awarded by the jury based on an evaluation
system spanning several days (see page 18: Evaluation of career potential), the “Audience
Favourite” reflects the emotions of the moment. This prize rewards the finalist having
earned the most votes for his/her performance.
•
FOUNDATION IN FAVOUR OF CHOREOGRAPHIC ART
FOLLOW UP OF THE PRIZE WINNERS
The Prix de Lausanne is committed to its prize winners not only by giving them
scholarships, but by keeping in close contact with them during their year of training in order
to facilitate their choice of institution, help them with administrative questions and to be
sure that they adapt to their new school or company.
NETWORKING FORUM
The Prix de Lausanne organises a Networking Forum where young dancers who do not win
a scholarship during the competition can meet Prix de Lausanne Partner Schools and
Company directors interested in recruiting new talent. The Prix de Lausanne also arranges
a thorough follow-up of these candidates. In 2014, among the 46 candidates who received
an offer, 19 took the opportunity to continue their training in a new school or a new country.
14
2015 PRIX DE LAUSANNE – 43rd COMPETITION Partner Schools and Companies
A partnership between the Prix de Lausanne and some of the world’s finest ballet
schools and companies enables the competition prize winners to benefit from a
year’s training at no cost and without auditioning.
SCHOOLS
COMPANIES
Akademie des Tanzes
Mannheim, Germany, Dir. Birgit Keil
ABT's Studio Company
New York, NY, USA, Dir. Kate Lydon
American Ballet Theatre’s Jacqueline
Kennedy Onnasis School
New York, USA, Dir Franco de Vita
Ballet du Grand Théâtre
Geneva, Switzerland, Dir. Philippe Cohen
Ballett-Akademie an der Hochschule für
Musik und Theater München
Germany, Dir. Jan Broeckx
Ballettschule Theater Basel
Switzerland, Dir. Amanda Bennett
Canada’s National Ballet School
Toronto, Dir. Mavis Staines
Canada’s Royal Winnipeg Ballet School
Winnipeg, Dir. Arlene Minkhorst
Ballet Nacional Sodre
Montevideo, Uruguay, Dir. Julio Bocca
Ballett am Rhein
Dusseldorf/Duisburg, Germany
Dir. Martin Schläpfer
Ballett Zürich
Switzerland, Dir. Christian Spuck
Bayerisches Staatsballett
Munich, Germany, Dir. Ivan Liska
Central School of Ballet
London, GB, Dir. Sara Matthews
Bayerisches Staatsballett II – Junior
Company
Munich, Germany, Dir. Ivan Liska
Dutch National Ballet Academy
Amsterdam, NL, Dir. Jean-Yves Esquerre
Béjart Ballet Lausanne
Switzerland, Dir. Gil Roman
Ecole Nationale Supérieure de Danse de
Marseille
France, Dir. Paola Cantalupo
Birmingham Royal Ballet
GB, Dir. David Bintley
Ecole Supérieure de Danse de Cannes
Rosella Hightower,
France, Dir. Paola Cantalupo
English National Ballet School
Londres, GB, Dir. Samira Saidi
Hamburg Ballettschule – John Neumeier
Allemagne, Dir. John Neumeier
Houston Ballet Academy
TX, USA, Dir. Shelly Power
Bundesjugendballett/National Youth Ballet
Hamburg, Germany, Dir. John Neumeier
Compañia Nacional de Danza
Madrid, Spain, Dir. José Carlos Martinez
English National Ballet
London, GB, Dir. Tamara Rojo
Het National Ballet Junior Company
Amsterdam, NL, Dir. Ted Brandsen
Hong Kong Ballet
Hong Kong, Dir. Madeleine Onne
15
2014 PRIX DE LAUSANNE – 42nd COMPETITION Partner Schools and Companies
Hungarian Dance Academy
Budapest, Dir. György Szakàly
Houston Ballet II
Houston, TX, USA, Dir. Stanton Welch
John Cranko Schule
Stuttgart, Germany, Dir. Tadeusz Matacz
K-Ballet Company
Tokyo, Japan, Dir. Tetsuya Kumakawa
National Conservatory Dance School
Lisbonne, Portugal, Dir. Pedro Carneiro
Les Ballets de Monte-Carlo
Principauté de Monaco,
Dir. Jean-Christophe Maillot
New Zealand School of Dance
Wellington South, NZ, Dir. Garry Trinder
Palucca Hochschule für Tanz
Dresden, Germany, Dir. Jason Beechey
Perm State Choreographic College
Russia, Dir. Lyudmila Shevchenko
Royal Ballet School of Antwerp
Belgium, Dir. Nadia Deferm
Royal Conservatoire
The Hague, NL, Dir. Jan Linkens
Royal Danish Ballet School
Copenhagen, Denmark, Dir. Thomas Lund
National Ballet of Canada – YOU Dance
Toronto, Dir. Karen Kain
Nederlands Dans Theater II
The Hague, NL, Art. Dir. Gerald Tibbs
Pacific Northwest Ballet
Seattle, WA, USA, Dir. Peter Boal
Queensland Ballet
Brisbane, Australia, Dir. Li Cunxin
Royal Ballet of Flanders
Antwerp, Belgium
Royal Danish Ballet
Copenhagen, Dir. Nikolaj Hübbe
Royal Swedish Ballet School
Stockholm, Sweden, Art. Dir. Margareta
Lidström
Royal New Zealand Ballet
Wellington, Dir. Francesco Ventriglia
San Francisco Ballet School
CA, USA, Dir. Helgi Tomasson
Royal Swedish Ballet
Stockholm, Dir. Johannes Öhman
School of American Ballet
New York, NY, USA, Dir. Peter Martins
San Francisco Ballet Trainee Program
CA, USA, Dir. Helgi Tomasson
Scuola di Ballo del Teatro alla Scala
Milan, Italy, Dir. Frédéric Olivieri
Semperoper Ballett
Dresden, Germany, Dir. Aaron Watkin
Shanghai Dance School
China, Dir. Jia Nian Chen
Staatstheater Nürnberg Ballett
Germany, Dir. Goyo Montero
Tanz Akademie Zürich
Switzerland, Co-Dir. Steffi Scherzer & Oliver
Matz
Stuttgarter Ballett
Stuttgart, Germany, Dir. Reid Anderson
The Australian Ballet School
Melbourne, Victoria, Dir. Lisa Pavane
The Australian Ballet
Victoria, Australia, Dir. David McAllister
16
2014 PRIX DE LAUSANNE – 42nd COMPETITION Partner Schools and Companies
The Royal Ballet School
London, GB, Dir. Christopher Powney
The Royal Ballet
London, GB, Dir. Kevin O’Hare
University of North Carolina School of the
Arts
Winston-Salem, NC, USA, Dir. Susan Jaffe
West Australian Ballet
Maylands, Australia, Dir. Aurelian Scanella
Vaganova Ballet Academy
St.Petersbourg, RU, Dir. Nikolai Tsiskaridze
Contemporary Dance Summer Courses offered to the ‘Contemporary
Dance’ Prize Winner:
American Dance Festival, Durham, NC, USA
London Contemporary Dance School, London
NDT Summer Intensive, The Hague, Netherlands
Paul Taylor Dance Company's Summer Intensive, New York
Rambert Dance Company, London
Summer courses offered to all finalists:
American Ballet Theatre’s Jacqueline Kennedy Onnasis School, Summer Intensive,
New York
Boston Ballet Summer Dance Program, Boston
Ballet Academy East – New York
Central School of Ballet, London
Ecole Supérieure de Danse de Cannes Rosella Hightower
Henny Jurriëns Foundation, Amsterdam
Houston Ballet Academy, USA
International Dance Seminar, Brasilia, Brazil
NDT Summer Intensive, The Hague, Netherlands
17
2014 PRIX DE LAUSANNE – 42nd COMPETITION Coaches, Teachers, Musicians
One of the signature features of the Prix is that it is also a week of
classes and coaching for the candidates. They participate in daily ballet
and contemporary classes given by world renowned teachers. The
technical aspects, as well as the artistic interpretation of their classical
and contemporary variations, are coached on an individual basis by the
world's most respected professionals.
COACHES
Classical variations :
Ms Monique LOUDIERES
Etoile, Ballet de l’Opéra national de Paris, France
International freelance teacher and coach
Mr Patrick ARMAND
Etoile, Associate Director of the San Francisco Ballet School,
USA. Prix de Lausanne winner in 1980
Contemporary variations :
Ms Cinthia LABARONNE
Former Principal Dancer of the Teatro Colon, Buenos Aires.
Teacher of the Ballettschule Theater Basel and assistant to
Mr. Richar Wherlock.
Ms Louise DELEUR
Founder, Artistic Director and Choreographer of Lucid Dance
Theater, Brisbane Australia.
Mr Goyo MONTERO
Ballet Director and Choreographer of the Nurnberg State
Ballet, Germany. Prix de Lausanne winner in 1994
TEACHERS
Classical classes:
Ms Stefanie ARNDT
International freelance teacher and coach
Mr Patrick ARMAND
Etoile, Associate Director of the San Francisco Ballet School,
USA. Prix de Lausanne prize winner in 1980
Contemporary classes:
Mr Tamas MORICZ
Former Dancer of Ballet Frankfurt, director William Forsythe.
MUSICIANS
Ms Martine DORE
Mr Bruno RACO
Mr Lynn TABBERT
Pianist, Cannes, France
Pianist and composer, Basel, Switzerland
Musician and composer, Essen, Germany
18
2015 PRIX DE LAUSANNE – 43rd COMPETITION Daily Dance Dialogues
The Daily Dance Dialogues
An intimate discussion and question and answer session with some of the most prominent
figures in the world of dance.
Both Daily Dance Dialogues are moderated by Jason Beechey, Director of the Palucca
Hochschule für Tanz Dresden.
Wednesday, February 4th, 17:00 – 18:00
Cynthia HARVEY, president of the jury
Cynthia Harvey’s style marked her as one of ballet’s most versatile and valued artists. She
danced virtually every ballerina role with American Ballet Theatre and also had the
distinction of being invited by Sir Anthony Dowell to be a principal of the Royal Ballet.
Harvey performed as guest artist with Baryshnikov and Company, Nureyev and Friends and
numerous companies before retiring in 1995.
Ethan Stiefel, Prix de Lausanne prize winner in 1989
Ethan Stiefel is an internationally recognized Dancer, Instructor, Coach, Director and
Choreographer.
Stiefel served as the Artistic Director of the Royal New Zealand Ballet and Dean of the
School of Dance at the University of North Carolina School of the Arts (UNCSA).
At age 16, Stiefel joined the New York City Ballet where he quickly rose to the rank of
Principal Dancer. He was also a Principal Dancer with the Zürich Ballet and American Ballet
Theatre. He made numerous appearances as a guest artist, including the Royal Ballet and
the Mariinsky Ballet. Stiefel gave his final performance with ABT in July 2012.
Thursday, February 5th, 17:00 – 18:00
Chi CAO, Prix de Lausanne prize winner in 1994
Chi Cao studied dance at the Beijing Dance Academy and the Royal Ballet School. He was
a Prix de Lausanne prize winner in 1994 and joined the Birmingham Royal Ballet the
following year. In 1998, Chi Cao won the Gold Medal of the Varna international ballet
competition and soon after was named principal dancer at the Birmingham Royal Ballet in
2002. He was the star of the internationally acclaimed film Mao’s Last Dancer, which won
him a best actor’s nomination at the Australian inside Film award 2011. As well as dancing
with Birmingham Royal Ballet, Chi has danced all over the world with companies and
festivals, and when his schedule permits, Chi still does some film works in China.
Lisa-Maree CULLUM, Prix de Lausanne prize winner in 1988
Lisa-Maree Cullum was born in New Zealand. She studied in New Zealand, Sydney and
Monte Carlo. She started her career with the English National Ballet under the direction of
Peter Schaufuss. In 1990 she joined the Ballet of Deutsche Oper Berlin. She had eight
successful years with them until she in 1998 moved to Munich and the Bavarian State
Ballet. She has guest danced in St. Petersburg, Copenhagen, Stockholm, Rome, Milan and
New Zealand.
- 19 -
2015 PRIX DE LAUSANNE – 43rd COMPETITION Interlude performance
During the jury deliberations, the audience is treated to a short performance
by former prize winners or dancers from our partner institutions.
This year, the Prix de Lausanne is honoured to welcome two prize winners, Karen Azatyan,
Soloist of the Hamburg Ballet-John Neumeier, and Arsen Mehrabyan, Principal of the Royal
Swedish Ballet, along with Vahe Martirosyan, First Soloist of the the Royal Swedish Ballet.
We also have the pleasure to present a choreography performed by six dancers from the
Queensland Ballet Jette Parker Young Artist Program.
Serenity
Extract from “Forceful Feelings”
Choreographer : Arsen Mehrabyan
Music : Avedis 301 from Saragis Ghazarian and Carl Orff
Dancers :, Karen Azatyan, Arsen Mehrabyan, Vahe Martirosyan
“Forceful Feelings”, a professional Armenian ballet troupe, was founded in 2006 by a group of
young principal male dancers working in renowned ballet companies. In addition to sharing their
great experience with the Armenian community, as well as ballet students, artists and teachers;
they aspire to give something back to their nation. The project’s main goal is creating a better
future for the next generation. Today, many young talented Armenian dancers follow them and
even younger ones are inspired to work towards a brighter future.
20
2015 PRIX DE LAUSANNE – 43rd COMPETITION Interlude performance
Queensland Ballet Jette Parker Young Artist Program
The Queensland Ballet Jette Parker Young Artist Program presents a new twenty minutes ballet
choreographed especially for the 2015 Prix de Lausanne.
The Jette Parker Young Artist Program is an apprenticeship program which fosters the talents of
gifted young dancers at the start of their professional careers.
Glass Concerto
Director: Li Cunxin
Choreographer: Greg Horsman
Costumes: Noelene Hill
Lightdesign: Cameron Goerg
Music: Philip Glass First Violin Concerto
Dancers:
Neneka Yoshida – 2013 Prix de Lausanne finalist
Georgia Swan
Brydee Lyttle
Nathan Brook
D’Arcy Brazier
Ari Thompson
21
2015 PRIX DE LAUSANNE – 43rd COMPETITION Budget
BUDGET
Donations (direct operating costs)
CHF 1’203’000.-
In kind
CHF
Global Budget
CHF 2’103’000.-
900’000.-
The Prix de Lausanne receives financial support from the City of Lausanne, the Loterie
Romande and the Canton of Vaud, representing more than one third of its annual budget.
The remainder is funded by sponsors, patrons and donors.
While the annual budget for the 2015 competition amounts to CHF 1’203’000.-, an estimate
of various contributions and services in kind provided by sponsors and patrons shows a
global budget of over two million Swiss Francs. Among these services in kind, which
constitute an essential contribution, one should mention by way of example the free tuition
given by the schools providing scholarships and the invaluable assistance of many people
working on a voluntary basis.
Please note that funds must be raised each year to cover the budget of the competition.
Contribution by sponsors and patrons in relation to annual budget
With respect to the annual budget, the contributions of the various sponsors and patrons
are as follows:
City of Lausanne
Loterie Romande
Canton of Vaud
41%
Various sponsors and patrons
59%
100%
22
2015 PRIX DE LAUSANNE – 43rd COMPETITION Sponsors, Patrons and Partners
The Foundation of social and cultural support that distributes the profits of the Loterie
Romande for the Canton of Vaud, supports charitable institutions active in the social and
cultural sphere, but also in the field of research, tourism and environment.
The Foundation is delighted to provide support to the Prix de Lausanne, an internationally
renowned event and to contribute to the development of this great and unforgettable
educational experience that prepares the best talent in the world for their professional
career.
www.entraide.ch
www.loterie.ch

The Loterie Romande has provided significant financial support to our competition for
many years.
The Leenaards Foundation is proud to be able to look back over more than fifteen years of
supporting the Prix de Lausanne and in more general terms over its ongoing contribution to
the development of dance and the choreographic art at the highest level.
Now a major event in the dance world, this competition also promotes the cultural
reputation of the Lake Geneva region worldwide. Both demanding and prestigious by
nature, the Prix de Lausanne deserves the fervent loyalty of the public and justifies the
consistent backing of our Foundation.
Founded in 1980, The Leenaards Foundation seeks to stimulate creative dynamics in Lake
Geneva. It achieves this by providing support to individuals and institutions able to deploy
creativity and innovativeness. Cultural, age and society, and science projects are selected
for their innovative nature, quality and ambition to support a rapidly changing society.
In terms of culture, the Foundation is active on behalf of institutions, artists and public
events. While the forms of support vary, they all meet the criteria of high quality and general
interest established by the founders.
Honoured to be helping youthful talents bloom and express themselves, the Leenaards
Foundation is delighted to witness once again this gathering of the finest talents of their
generation.

The Leenaards Foundation offers a "Prix de Lausanne Scholarship" and the “Prize for
the best Swiss candidate”.
- 23 -
2015 PRIX DE LAUSANNE – 43
rd
COMPETITION
Located in 10 acres of private gardens on the banks of Lake Geneva, only 40 minutes from
Geneva Airport, the elegant Belle Epoque buildings of the Beau-Rivage Palace, a Leading
Hotels of The World, command breathtaking views across the lake and alps.
The 168 guest rooms and suites are richly appointed and offer the utmost in elegance and
comfort. Luxury 7 Executive suites were created to be different and unique in style.
The restaurants provide guests ample cuisine from which to choose. From the gastronomic
restaurant “Anne-Sophie Pic au Beau-Rivage Palace” to the “Café Beau-Rivage” and the
refined and stylish sushi restaurant “Miyako Lausanne”
The signature Cinq Mondes Spa, where you can discover the beauty rituals from all over the
world, offers pure relaxation on over 1,500 square meters. The Beau-Rivage Palace provides
impeccable service including a special kids program to make your stay truly unforgettable.

The Beau-Rivage Palace offers a “Prix de Lausanne Scholarship”.
For more than 40 years the Prix de Lausanne has opened doors for exceptionally talented
young dancers of all nationalities to the world's finest schools and companies. In selecting
the winners the organizers of the event have looked beyond short term career prospects by
promoting academic credentials and enforcing a strict health policy.
Joined in the common practice of rewarding those who passionately strive for excellence in
a thoughtful, responsible way, the Prix de Lausanne has been able to count on Adveq as a
key sponsor since 2007. The firm is pleased to again offer a scholarship to one of the prize
winners of the 2015 competition.
Adveq is a leading asset manager investing in private equity and real assets globally. The
firm’s client base comprises institutional investors such as pension funds, insurance
companies, family offices and other financial institutions located in Europe, North America
and the Asia-Pacific region. Adveq has offices in Zurich, Frankfurt, London, Jersey, New
York, Beijing, Shanghai, and Hong Kong.

Adveq offers a "Prix de Lausanne Scholarship".
- 24 -
rd
COMPETITION
As the Harlequin Floors team prepares for the 43rd Prix de Lausanne, which is taking place
from 1st to 8th February 2015, the company is delighted to continue its long standing
association through a package of sponsorship.
Sponsorship includes a Harlequin Liberty sprung dance floor and a scholarship award, as in
2013 and 2014. New for 2015 is live video streaming from the event via Prix de Lausanne
social networks and YouTube channel. This is replacing the video blog of previous years,
sponsored by Harlequin Floors.
Patrick Lesage of Luxembourg based Harlequin Europe explained the reason for the
company’s continued involvement with the Prix de Lausanne. “Supporting young talented
dancers and looking towards the future of dance is a cherished value of Harlequin Floors. In
recognition of the dance community and in memory of our friends and founders of Prix de
Lausanne, Elvire and Philippe Braunschweig, we want to continue to strengthen the
privileged links between both institutions and our support to the Prix de Lausanne, by once
again providing dance floors and giving this scholarship.”
The Prix de Lausanne is an international competition for young dancers, open to young
dancers of all nationalities aged 15 to 18 who are not yet professionals.
 Harlequin Floors offers a "Prix de Lausanne Scholarship".and contibutes to the financing
of the live-streaming.
Oak Foundation is pleased to support the Prix de Lausanne. Oak Foundation is a group of
philanthropic organisations, with its main administrative office in Geneva, Switzerland. It
commits its resources to address issues of global, social and environmental concern,
particularly those that have a major impact on the lives of the disadvantaged. Since its
establishment in 1983, Oak Foundation has given over 3,000 grants to not-for-profit
organisations around the world.
www.oakfnd.org

The Oak Foundation offers a "Prix de Lausanne Scholarship", contributes to the
financing of the contemporary classes and financially supports the health policy.
- 25 -
rd
COMPETITION
FONDATION COROMANDEL

The Coromandel Foundation offers a "Prix de Lausanne Scholarship"
CARIGEST SA, adviser of a donor

CARIGEST SA, adviser of a donor, contributes to the financing of the classical coaching,
the interlude performance and the networking forum during the competition week
It is with great pleasure that Chacott announces its continuing support to the Prix de
Lausanne. The organization of such an event, which brings together some of the most
outstanding young dancers from all over the world, is certainly an auspicious occasion on
which to promote cultural exchange and mutual understanding between its participating
candidates and the audience.
A number of worldwide top dancers and artists, such as Vladimir Malakhov, have passed
along their passion, knowledge, and love to Chacott over the years. And Chacott plans to
keep improving to the benefit of the many people who dedicate their energy to stage
performance and to dance. Chacott creates ideal environments in arts and sports as the
leading company of ballet and dance supplies in the world.
Chacott Co. Ltd. was established in 1950 as a manufacturer and retailer of Classic Ballet
products. Since then the range has been expanded to include more varieties of dance such
as Ballroom Dance, Rhythmic Gymnastics, Yoga, Stage Performances, Special Costumes,
Stage Cosmetics and more.
In 2010, on its 60th anniversary, Chacott announced its support for Save the Children to
encourage a bright future for children. In addition to this, through the partnership between
Chacott Co. Ltd. and Prix de Lausanne, Chacott is now the official licensing partner for the
Prix de Lausanne branded products and will continue to develop these valuable
opportunities in order to support young dancers and the art of ballet.

Chacott Co., Ltd makes a contribution to the financing of the competition
ARTEPHILA STIFTUNG

Artephila Stiftung makes a contribution to the financing of the competition.
- 26 -
rd
COMPETITION

The Inverni Foundation makes a contribution to finance the candidates in need and the
classical classes during the competition.
BOBST is the world’s leading supplier of machinery and services to packaging
manufacturers in the folding carton, corrugated board and flexible material industries.
Since 1890, the creativity and care devoted to research and to the production of ever more
flexible machinery has enabled the company to become a manufacturing standard of
reference in more than 160 countries. BOBST exports 97% of its production by supplying
simple or complicated machinery, according to the requirements of various markets.
The relationships established with the markets and clients have contributed to developing a
truly international corporate culture within the company and have had a profound influence
on the training of personnel.
Art and precision are constant factors in the research, development and production of
state-of-the-art equipment. Building on this experience, BOBST is delighted to be
associating its name with the blossoming of youthful talents in the world of dance.
BOBST wishes all of them the best of luck and hopes they will retain fond memories of their
experience at the Prix de Lausanne and their stay in Switzerland.

Bobst offers consolation prizes and numerous services in kind.
MINERVA KUNSTSTIFTUNG

Minerva Kunststiftung offers the “Contemporary Dance Prize”.
- 27 -
rd
COMPETITION

La Fondation de bienfaisance de la banque Pictet makes a contribution to finance the
candidates in need.

The Notaire André Rochat Foundation makes a contribution to finance the participation
of candidates in need.

The Rudolf Nureyev Foundation makes a contribution to the financing of the
competition.

Zurich Compagnie d’Assurances SA makes a contribution to finance a candidate in
need..

Atelier Yoshino makes a contribution to finance a candidate in need.
- 28 -
rd
COMPETITION
The Juchum Foundation

The Juchum Foundation makes a contribution to finance the contemporary coaching.
Live streaming partner:
Local partner:
Media partners:
- 29 -
rd
COMPETITION
Internet broadcasts
Daily live streaming and social media
Live broadcast on the Internet
We have the pleasure of announcing a new partnership with the prestigious ARTE television
channel who will cover the Selections on Friday February 6th and the Finals on Saturday
February 7th live on its web platform and on the Prix de Lausanne’s website. For the first
time ever, the dance fans the world over can watch each candidate’s classical and
contemporary variations live on the internet.
Daily live streaming
For the first time ever, the Prix de Lausanne is live streaming the competition’s daily
activities on our web site, thanks to the support of Harlequin Floors.
The dance fans can connect on our website from Monday February 2nd to Thursday
February 6th to watch one hour a day of live coverage direct from backstage at the Prix de
Lausanne.
Social media
Follow the tweets about the competition here: twitter.com/prixdelausanne.
Don’t miss our frequent posts on Facebook and Instagram:
facebook.com/PrixdeLausanne
instagram.com/prixdelausanne
30

Sponsors, Patrons and Partners

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