reweaving - AIA Wisconsin
Transcription
reweaving - AIA Wisconsin
REWEAVING REWEAVING T H E N E I G H B O R H O O D FA B R I C How Modular Housing Can Build Affordable and Dignified Communities REWEAVING T H E N E I G H B O R H O O D FA B R I C How Modular Housing Can Build Affordable and Dignified Communities i ACKNOWLEDGEMENT & INVITATION REWEAVING I have always considered our initiative, to weave modular housing into urban neighborhoods, as an open ended proposition. There is no end date in mind. I have envisioned a sustained process that evolves with the communities it serves, thoughtfully filling as many gaps on as many city blocks as possible. To realize such an ambitious goal, our team must now engage willing partners, stakeholders, and policymakers. We seek an audience with these community leaders, to share our proposal for dignified affordable housing. This publication is a collection of research, lessons and ideas which we have gathered since beginning our work in August 2005. Support has come from sponsors and volunteers, in the form of financial and material contributions, and commitments of time, talent, and even patience. 2 Motivating us out of the gate has been the national component of the American Institute of Architects. Creators of the Blueprint for America, our own professional organization has challenged us and equipped us the greatest. Thank you. In addition to training, resources, and encouragement, the AIA has awarded us a Blueprint Supplemental Grant, providing us with the necessary funding to advance our initiative. A big thank you also goes to our dedicated collaborator, The University of WisconsinMilwaukee, School of Architecture and Urban Planning, especially Dean Robert Greenstreet, former Chair of Architecture Brian Wishne, and Professor Chris Cornelius. With your leadership, we matched a talented group of students to our community design process. Thank you Jasenko Badic, Erin Lawrence, Bryan Finnegan, Ryan O’Connor, and Melanie Taylor of Team FOM, Alex Getson, Mike Mireau, Kevin Porter, Sara Rogers, and Erik Walsh of Team SKEAM, and Jon Brown, Erik Hancock, Isaac Wallace, Abby White, and John Wroblewski of Team RHSC. These students excelled and endured in every way possible, and their award-winning studio work brings life to the pages of this book. Next, I wish to thank our neighborhood partners, with whom our initiative has become an enriching shared vision. To Milwaukee’s Bob Greene of the Merrill Park Neighborhood Association, who embraced our concept with enthusiasm and optimism, I express my gratitude. You are a true advocate. INVITATION “An enriching shared vision...” To Dominick Martinelli and Rachel Westergren of Neighborhood Housing Services of Southeast Wisconsin, thank you for your warm welcome, support, and commitment to our initiative in Racine. Your tireless dedication to affordable housing is unequaled. In conjunction with these partners in Milwaukee and Racine, we have forged a relationship with the cities as well. I am thankful to all at the City of Milwaukee and the City of Racine who have given us their time and expertise, providing us assistance, and residential sites on which to reweave the neighborhood fabric. Another key collaborator on our initiative has been our modular housing partner, Terrace Homes. I cannot express enough thanks to this team of expert modular home builders, especially firm leader Sarah Manternach-Wiedmeyer, and Jim Stommel. Whether sharing knowledge and timely information with our student designers, attending reviews and town hall meetings, developing cost estimates and working drawings, Sarah and Jim have given us undivided attention and consideration. This dedication is not taken for granted. Based 150 miles away in Friendship, Wisconsin, they have logged much time and many miles to meet with us. Finally, through the ups and downs of this lengthy process, the greatest gift from them may be their patience. Jim has since moved on to other endeavors, offering his assistance whenever we need it, while Sarah and Terrace Homes remain steadfast in their commitment. Thank you so much. Next, I extend my gratitude to the Wisconsin Preservation Fund, a non-profit organization which has donated generously and served as our secure fundraising repository, ensuring that other sponsors of our initiative receive tax deductible benefits, and peace of mind. I thank our growing list of sponsors whose generous support has strengthened our cause. Special thanks to AIA Wisconsin for encouragement, knowledge and financial resources. To Bill Babcock, Brenda Taylor, Mary Orello, and Tracy Drinkwater, you have led by example in embracing the Blueprint for America, and your partnership is very much appreciated. I am truly grateful for the camaraderie and collaboration with my AIA150 colleagues Marty Sell of AIA Wisconsin and Kelly Thompson-Frater of AIA Southwest Wisconsin. You have both inspired me to give my absolute best. 3 “An open-ended proposition...” Thanks also to the folks at Kahler Slater Architects, Berghammer Construction, Riley Construction, Mortenson Construction, Delta Electric, and the Plunkett Foundation. Special thanks to the Kohler Company, which has donated box loads of water-conserving plumbing fixtures and faucets for our completed modular housing. Your generosity confirms that quality will be built into every aspect of these homes. REWEAVING Another key sponsor of this initiative has been Plunkett Raysich Architects, where I have enjoyed the opportunity to grow my career as an architect and community advocate since arriving in 2001. Without the enduring trust and support of this firm, I would not have been able to lead this effort. For their understanding and flexibility with my work schedule, their hospitality to host meetings, and for their considerable financial contribution and endorsement of my work with AIA150, I extend my deepest gratitude. 4 Finally, I thank the people that have made up our AIA150 Executive Team and those that offered assistance over the past three and a half years. You have done the collective thinking, writing, and lifting for this initiative. Thank you, Chris Kronser, Joe Lawton, Karen Plunkett-Muenster, Mike Bahr, Michael Wallace, and Amy Allendorf, for a commitment that truly shines. Thank you, Ben Kossow, Matt Prince, Henry Kosarzycki, Paul Griger, Darrin Richert, Paul Greszczak, Paul Klein, Mark Rapant, Scott Davis, Devin Kack, Chad O’Donnel, Nic Pryor and Pauline Kleinke for a contribution of time and talent that is greatly appreciated. Thank you, Jeremy Belot, Brent Oglesby, Paul Handle, Sally Peltz, Tom Hirsch, Pam Anderson, John Cleary, Leo Ries, Beth Dufek, Chris Rute, Maria Prioletta, Dan Casanova, Brian O’Connell, Mayor Tom Barrett and Alderman Robert Bauman, for giving us time and direction. You have helped us in a multitude of ways. Lastly, I give special thanks to Erik Hancock, with whom I entrusted the documentation of our initiative in this book. His extraordinary talents as an architectural designer and writer have come together on these one-hundred pages. This long list of individuals speaks to the depth of our affordable housing initiative, as each contribution adds to the collective and indelible vision we are sharing with our community. Together, with our neighborhood partners, sponsors and team members, we have assembled a thoughtful body of work, to share with new partners and advance the dialogue with existing partners. Consider this book as an invitation to sustain our initiative, and build thoughtfully-designed affordable housing, one by one, block by block. Together we can reweave the neighborhood fabric. John Holz, AIA AIA150 Director AIA Milwaukee i Acknowledgement & Invitation 2 1 Identifying a Need 6 2 Guiding Principles 8 3 Synthesis: Collaboration + Research + Design 12 4 The AIA 150 Studio: A Collaboration of Practice and Education 24 5 Analysis: Site Strategies + Master Planning 28 6 Studio Work: Individual Prototypes 34 7 Modular: Understanding the Manufacturer 50 8 Fitting In: Defining Contextual Modernism 54 9 Final Designs: Group Prototypes 60 10 Advocacy: Getting the Word Out 78 11 Lessons Learned: Challenges, Compromises & Benefits 88 12 Moving Forward: A Full Spectrum Effort 94 CONTENTS CONTENTS 5 1 IDENTIFYING A NEED John Holz, AIA REWEAVING As part of the AIA’s 150th anniversary celebration, architects and communities in Wisconsin are working together to find ways of designing a better future. This initiative seeks to bring exquisitely designed, affordable, sustainable, and accessible modular infill housing to three neighborhoods in the largest population centers of southeastern Wisconsin, where such dignified housing has become extremely scarce. With 2,000 vacant residential lots in Milwaukee alone, a sense of community in many neighborhoods struggles to take root. Gaps in the fabric become lifeless no man’s land, perpetuating further disinvestment and blight. We aim to reweave these neighborhoods, planting the gaps with real vitality. 6 Milwaukee’s Merrill Park Neighborhood and Racine’s Towerview Neighborhood will each receive housing units intended as catalysts for future infill units in the same neighborhoods, knitting them together one by one. The new housing in Milwaukee will also include a Community Center. This neighborhood hub will be the place for design and construction meetings for future housing opportunities, other pro-bono architectural services, as well as workshops and functions to benefit and inspire the community. Everything from CPR training to first-time homebuyer consultations and job skills seminars will take place. All age groups will be represented. Coordinating the programs will be the Merrill Park Neighborhood Association whose office will be located here. Additionally, the Community Center will serves as the ‘storefront’ office for AIA Milwaukee. Our regional chapter remains one of the largest un-staffed components in the United States. By creating an integrated ‘storefront’ and meeting space, we endeavor to raise the profile of AIA architects as advocates for the community. “The City of Milwaukee owns 2,000 vacant lots.” - Alderman Robert Bauman 7 INTRODUCTION 2 GUIDING PRINCIPLES PROCESS Collaboration Create an environment of cooperation where all players have a seat at the decision-making table. Design decisions are made with the full participation and knowledge of all team members. This starts with the early and ongoing involvement of the entire 40+ member team of architects, engineers, construction managers, UW-Milwaukee School of Architecture and Urban Planning instructors and students. This collaborative environment serves to uncover and resolve areas of disagreement and provides a forum in which all parties can contribute to the discussion. REWEAVING Interface 8 Establish early relationships with dozens of policy-makers, neighborhood organizations and stake-holders. An effort such as this never succeeds without help. Enlist non-profit organizations, charitable foundations, suppliers, housing manufacturers, builders, and media outlets. By communicating news and information about the progress- trials and tribulations- of the effort, all of these various groups become a larger community with a vested interest in the successful completion of the project. PROCESS Community Benefit The primary goal of this initiative is to leave the community in a better state than before. This is accomplished here by filling in blighted gaps in the neighborhood fabric with dignified affordable housing. The proposal is further enhanced by the design for a community meeting space for skills training and AIA-led pro-bono design services. Visioning and Consensus Building Become acquainted with neighborhood leaders. Present to city officials- this is most effective if the presentations are attended by elected officials, planners, directors, and staff. Conduct Town Hall meetings; introduce the initiative to neighborhood groups without preconceived designs. By encouraging dialogue, architects build a foundation of trust among the community that the design will be appropriate and thoughtful. Design presentations should be conducted at all key phases, including concept, design development, and construction documentation. Establish an Environment of Community Advocacy Maintain relationships with key parties involved in the collaboration, interface, and visioning process. Continued and active engagement will raise the profile of architects as uniquely qualified to lead their communities toward realizing a shared vision. 9 PRODUCT Infill Sites Design to fill gaps in the street wall between existing houses. Architects should work with the community to identify appropriate sites throughout the neighborhood. An infill site carries several important benefits; first of all, in most cases the infrastructure (water, sewer, electrical) is already present, saving significant expense. As these empty sites are often eyesores on the block, there is usually great incentive in the community to fill them, smoothing what can be a contentious path to construction with city officials and neighborhood groups. Modular Modular construction techniques are not only cost saving but also result in a home that is built to last longer. Because the framing is done indoors, no internal material is ever exposed to rain, snow, or temperature fluctuations as is often the case in stick-built construction. Furthermore, modules must withstand the vibrations of transport on a flatbed truck and are therefore given sturdier framing. REWEAVING Affordable 10 It is important to engage the need for homes that are in line with the surrounding property values. This prevents the possibility of gentrification, where new construction changes the economic climate of the area, driving out existing homeowners. In this case, affordability translates to a final cost less than $100 per square foot. PRODUCT Sustainable Sustainability is defined not only in terms of energy efficiency and responsible use of materials, but also in terms of enhancing the life of the community and supporting regional businesses. By proposing the improvement of local infrastructure, the master planning component of the Reweaving initiative sows the seeds for future growth. Accessible As more people choose to live out their days in their own homes rather than in an institution, architects need to consider issues of accessibility in residential design. Simple details like door widths and appropriate clear space in bathrooms are provided in the initial design. Provisions for future adaptation include first floor bedrooms and closets vertically stacked between floors to allow for installation of a residential elevator. Contextually Modern By analyzing and transforming familiar housing typologies, designers can produce homes that are visually consistent with their neighborhoods while taking advantage of modern features. 11 REWEAVING 3 12 SYNTHESIS COLLABORATION + RESEARCH + DESIGN Right Diagramming typical urban housing patterns. SYNTHESIS IMPLEMENTING THE PROCESS Develop the Team Create a collaboration between practice and education. The partnership between innovative thought in academic institutions and the hands-on knowledge and experience of architects, manufacturers, and contractors combines the best elements of both worlds. The resulting project becomes a balance between idealism and practicality. Develop the Budget Work with real numbers from the beginning. Community organizations and governmental officials are more likely to take you seriously if you understand the costs of completing construction and preparing a site. The lengthy process of finding donors and financing can also begin once these numbers are established. The initial budget for this project included three 1,400+ square foot homes at $132,000 and one 900 square foot community room at $90,000. While the numbers shifted several times during development, being able to answer quantitative questions concretely from the beginning gave the team credibility. Pictured, from left to right Virge Temme, AIA Northeast Wisconsin; Kelly Thompson-Frater, AIA Southwest Wisconsin; Marty Sell, AIA Wisconsin; John Holz, AIA Southeast Wisconsin (now AIA Milwaukee); Rod Cox, AIA Northwest Wisconsin Develop the Timeline As with the budget, it is important to establish hard figures for each phase of the development process. When target dates slip it is most often due to delays in official approvals or financing as opposed to design issues. By setting concrete deadlines, the design team has some means of putting pressure on partners to move more quickly. Without such a gauge, there is no incentive for local government or community development organizations to consider your project a priority. The initial plans for this project were to complete design in December 2006 with construction to be finished in spring 2007. The latest timeline seeks construction in 2009. 13 Research and Tour Modular Housing Manufacturers The decision to engage a modular housing manufacturer was made very early in the development process The numerous advantages of modular construction and the presence of several successful manufacturers in the region made this method particularly attractive. Initially, three modular manufacturers were considered and the final selection was based not only on cost but on the willingness to work with the goals of the community and the student designers. Eventually, this decision would influence the visual expression and organization of the homes themselves as students sought to celebrate the nature of modular construction. Engage Media Don’t think that the news will come to you just because you are doing something nice for the community. Advocating for the project means staying in constant contact with local media organizations. The news cycle is unpredictable and many good stories go unreported; reporters, editors, and columnists are always being assaulted with suggestions. It takes repetition and persistence to break through the sea of potential stories on anyone’s desk. Get used to long delays and be ready for last-minute opportunities. Media outlets are accustomed to ignoring a story for a while and suddenly swooping in with reporters and camera crews. Establish Fundraising Goal and Plan REWEAVING We developed a budget of $150,000 to fund construction of the community center, offset site contingencies for all properties, and support marketing and publication efforts, including the production and printing of this book. To date, $21,500 in cash donations has been raised, and over $10,000 in water-conserving plumbing fixtures have been donated by the Kohler Company. 14 Right Example budget from Milwaukee student design team. SYNTHESIS Above Racine’s Tower View Neighborhood. “We are searching for some kind of harmony between two intangibles: a form which we have not yet designed and a context which we cannot properly describe.” Ch ris t o p h e r A l e x ander 15 -43 to Green Bay 118 m es ac uL dd on oF 5t y4 Hw 67 les mi 12 mi. Milwaukee, Wisconsin 9 mi. 43°03’00’’N, 87°57’00’’W County : Milwaukee Mayor : Tom Barrett Area - City 96.9 mi2 - Land 95.7 mi2 - Water 0.8 mi2 Population - City (2008) 628,000 - Density 6216/mi2 - Metro 1,753,355 Time zone CST (UTC-6) 6 mi. 3 mi. I-94 to Madison 80 miles 1 mi Wisconsin Milwaukee County City of Milwaukee airport Milwaukee Metro REWEAVING 16 va ne e eG North I-4 o 3t k La -94 to Ch cago 94 m es s ile m 54 Racine Metro Milwaukee S SITE SITE SELECTION Lake Michigan The Merrill Park neighborhood is located west of Milwaukee’s downtown and just north of the industrial Menomonee River valley area. It was named for the original landowner, Sherburn S. Merrill, an official with the Chicago, Milwaukee, and St. Paul Railroad. Originally settled by German and Irish immigrants working for the nearby breweries, Merrill Park has become one of the most ethnically diverse neighborhoods in the city. Characterized by traditional late 19th- and early 20th-century singlefamily and duplex housing, the neighborhood is stylistically rooted in the Georgian Revival and Queen Anne periods. Unfortunately, this area has become challenged by substandard rental units, empty lots, and a general lack of community gathering space. Above Diagram depicting Merrill Park as a network of circulation and nodes. 17 et tre th s 28 Above Diagram showing mid-block site in Merrill Park on 28th Street. REWEAVING rn Clybou 18 reet t s h t 29 Above Diagram showing corner site in Merrill Park on Clybourn and 29th. 19 MILWAUKEE Milwaukee Racine The city of Racine is in the process of reinventing itself. Historically a manufacturing center, it continues to be the headquarters for companies like S.C. Johnson & Son, maker of products like Windex and Pledge. During the 1980s and 1990s, however, many manufacturing jobs left the community. The unemployment rate according to the Bureau of Labor Statistics (Dec. 2008) hovers around 7.0%, above the state average. Racine Most residents of Racine’s Towerview neighborhood, site of the proposed prototype home, continue to draw their incomes from manufacturing jobs and therefore are especially affected by the economic downturn. Consequently, there is very little home ownership and the neighborhood suffers from deteriorating, un-insulated rental housing. Kenosha This affordable housing initiative is one part of a larger plan of economic recovery, workforce training, and selective redevelopment that seeks to improve the built environment and quality of life for area residents. Waukegan REWEAVING Chicago 20 21 RACINE WORKING WITH(IN) THE COMMUNITY Initial Meetings Before the start of the design studio, AIA150 team members held a series of preliminary meetings with key members of the community, presenting the initiative and establishing alliances. By laying this groundwork of cooperation and active listening from the outset, the future work of the studio and other team members is made more productive. Neighborhood Organizations We are forging positive relationships with the leadership of community organizations and neighborhood associations to understand their needs, goals, and concerns. We are also forming partnerships with non-profit organizations and foundations. Charitable giving in the form of monetary and in-kind donations forms a major component of this initiative’s success. Community Leaders REWEAVING This effort relies on a productive dialogue with and commitment from an array of policy makers, community organizations, non-profits, and stakeholders. Making a compelling presentation to each city’s mayor, director of planning, housing authority, or all three, was a key step that is proving beneficial. Typically, we are asking these cities to donate or help us obtain land, rezone parcels, qualify residents, relax restrictions on creative housing, or all of the above. Without their consideration and partnership, our efforts cannot move forward. 22 Above St. Catherine’s Church Racine,WI. COMMUNITY Above Images of neighborhood details. Erin Lawrence 23 4 THE AIA150 STUDIO A COLLABORATION OF PRACTICE AND EDUCATION The AIA150 studio took place in the fall of 2006. Comprised of fifteen undergraduate and graduate architecture students, the studio was led by Professor Chris Cornelius. Students were divided into three teams representing the three home sites. Working with local politicians, suppliers, and manufacturers, the students developed design drawings for each neighborhood. REWEAVING The studio timeline was split into three segments,an analysis project that culminated in a master planning proposal, an individual prototype proposal presented by each student, and a final group prototype representing a synthesis of the individual work. The end result of this studio was not only a buildable set of working drawings, but a model process for future affordable housing projects. 24 Right Examples of housing in Milwukee’s Merrill Park Neighborhood. “Architecture has to be greater than just architecture. It has to address social values, as well as technical and aesthetic values. On top of that, the one true gift that an architect has is his or her imagination. We take something ordinary and elevate it to something extraordinary.” Samuel Mockbee STUDIO Right University of WisconsinMilwaukee School of Architecture and Urban Planning. 25 The students worked with clients and local politicians and neighborhood associations. They made several presentations during the semester to gather community input as well as to meet the design goals of the neighborhoods that these homes will be placed within. The community responded positively to the students’ designs and were extremely pleased with the level of thought and considerations that was given to their individual neighborhoods. The students were also exposed to the process of preparing construction documents for modular homes. They worked with a local modular manufacturer in order to meet the building standards and quality required for pre-fabricated housing. Finally, students were required to prepare cost estimates for their projects. This involved developing detailed construction sections and constantly keeping track of square footage from foundation to walls and windows. Where possible, real numbers were obtained from the manufacturer. In other cases, cost estimating guides were used to generate numbers for on-site labor and materials. This attention to detail allowed students to even keep track of the cost impacts of changing roof pitches. REWEAVING The hands-on experience of working with real clients, real projects, and real budgets prepared students for future practice in ways that few traditional architectural programs could. As a result, students gained a true appreciation for the creative problem solving skills required to construct a real building. 26 Above Students present to community, faculty members and modular housing manufacturers, October 2006. STUDIO Above Merrill Park master plan presentation boards. 27 5 ANALYSIS Housing Values (2000 Census Data) $700,000 + SITE STRATEGIES + MASTER PLANNING $600,000 $700,000 $500,000 $600,000 $400,000 $500,000 In order to best understand the communities in which they were working, student teams undertook an extensive analytical and master planning exercise. This involved the mining of data like census numbers, climate studies, and research of local history. As a complement to this analysis, students developed a series of proposals into a master plan for each neighborhood. These master plans included ideas for lighting, signage, and community building projects. There were also policy-based proposals regarding sustainability, future development, and financing. $300,000 $400,000 $200,000 $300,000 $150,000 $200,000 $90,000 $150,000 $60,000 $90,000 Overall View $30,000 $60,000 $10,000 $30,000 $0 $10,000 REWEAVING This research culminated in presentations to community leaders. While the planning proposals were primarily theoretical in nature, this exercise in speculation proved valuable to both the students and communities. Student designers gained a real insight into the complexities of building affordable housing in existing neighborhoods. Rather than simply being handed a series of requirements for a house, students learned what factors determined the final construction cost, why their sites were selected, and who the neighbors would be. 28 Community members and leaders received an analysis and proposals unfettered by hidden agendas or marketing language intended to sell planning services. In the end, this exercise also served to build a degree of trust between community and students. While some members of the community remained skeptical throughout the process, the extensive efforts of students to understand the context paid dividends in later presentations. Above Spatial diagram indicating range of housing values in Racine, WI. ANALYSIS STREET SECTION Above Street section showing areas of the streetscape and typical dimensions. Compelling Diagrams One of the major goals for this part of the studio was to understand the power of the diagram as a communication tool. Diagrams are often filled with redundant, misleading, or unnecessary information that actually hinders their legibility. Teams were encouraged to have more than just the right research; to tell the story of the figures in a way that provided a clear and lasting impression on the viewer. 29 Below Simple, bold graphics and reduction of visual clutter help the viewer easily make connections between the many different expressions of similar facades. housing REWEAVING CONTEXT 30 408 410 North 31st Street 3013 West St. Paul Avenue 431 North 29th Street HOUSING Above and Right Examples of unsuccessful integration into the existing neighborhood context. One product of the housing analysis was the identification of recently built houses that violated key principles of the built environment. Overly suburban treatments of site, including street setback, immediately stick out within the progression of homes. Newer homes often failed to acknowledge the fairly steep roof pitch of the area (8:12 or 10:12), opting for a shallower 4:12 pitch. Another common error involved the placement and proportioning of windows in the facade. While most homes in both Milwaukee and Racine neighborhoods have a primarily skinny, vertical appearance, the newer interlopers tend to have fatter, almost square windows. Many of the new homes have little or no porch to speak of, while older homes have a porch that consumes at least half of the lower story on the front elevation. Identifying and applying these and other conventions became an important part of developing a method that allowed students to design modern homes in a historical context. “Is it possible to communicate not by ‘making known,’ but by ‘making understood how little we know’? If we can recognize that we know so little, a method for finding out how little we know will become clear as well.” Ke n y a Ha r a 31 REWEAVING Above 32 Rendering of a proposal to reclaim green space next to an electrical substation in Milwaukee’s Merrill Park Neighborhood. Also visible is a series of wind turbines envisioned for the generation of renewable energy. MASTER PLAN Top Proposed farmers market pavilion for empty site in Racine’s Towerview Neighborhood. Bottom Proposed community center at corner of a park in Racine’s Towerview Neighborhood. 33 6 STUDIO WORK INDIVIDUAL PROTOTYPES Once the analysis and master planning was completed, each student designed a full prototype for their assigned site. Students were asked to consider the basic program, square footage and accessibility requirements. Each designer was also asked to take a stance on the idea of contextual modernism and its relationship to modular methods of construction. The student responses were highly varied and well thought-out, ranging from the relatively conservative to the more radical. Nonetheless, every design sought to address elements of the surrounding context and provide a gracious living space within a modest budget and size. Some designs focused heavily upon issues of sustainability, making use of rainwater harvesting technologies and green roofs while others made innovative use of space with built-in storage. Still others created unexpected visual and spatial effects using partitions and screen walls. REWEAVING In the end, contributions from every student designer were incorporated into their team’s final design. This recognition of worthy ideas from every member of each team resulted in a stronger end result. What follows is a selection of work from the individual student prototypes demonstrating the breadth of responses from the structural to the phenomenological. 34 “My house is my refuge, an emotional piece of architecture, not a cold piece of convenience.” Lui s Ba r r a g an PROTOTYPES JASENKO BADIC Team FOM, Milwaukee Site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A8 81 +=/7/8> #990 81 !:>398 FG $23816/= !:>398 FG /7,<+8/ <990 81 A F<//81<3.G !:>398 FG /7,<+8/ <990381 A F<//81< .G 9<<?1+>/. 7/>+6 </-C-6/. ><+8=6?-/8> :6+=> !& $$* #$% !!# " G $ % " BRYAN FINNEGAN E G !#!! ! %)% Team FOM, Milwaukee Site 37 REWEAVING 38 RYAN O’CONNOR Team FOM, Milwaukee Site PROTOTYPES MELANIE TAYLOR Team FOM, Milwaukee Site 39 REWEAVING 40 SARA ROGERS Team SKEAM, Milwaukee Site PROTOTYPES KEVIN PORTER Team SKEAM, Milwaukee Site 41 E L E VAT I O N SOUTH EAST E L E VAT I O N E L E VAT I O N NORTH E L E VAT I O N WEST LO CATED IN THE MER R LL PARK NE GH BORHOOD OF MILWAU KEE THE U FOLD PROTOTYPE WAS INSPR ED BY THE SURRUOND ING HOUSE VERNACULAR IN RESPONSE TO THE NE GHBORING BUILDINGS AND LAND SCAPE PARTICULAR ATTENTION WAS DIRECTED TO THE FUTURE S TE OF THE MERRILL PARK COMMUNITY ROOM LOCATED AT THE SOUTH EAST CORNER OF 28TH AND CLYBOURN AS THE COMMUNITY ROOM W LL FUNCTION AS A PUBLIC SPACE THE DRIV NG FORCE OF THE AFFORDABLE MODULAR HOME DESIGN WAS CREAT ING A SENSE OF PRIVACY IN CONSIDERING THE ADJANCY OF THE COMMUNITY ROOM AND THE STREET TRAFFIC OF CLYBOURN THE FOLDING OF THE GREEN BLANKET WAS FORMED TO ACT AS THE PRIVACY SCREEN THE FOLDING PLANE W LL CONS ST OF THE GREEN SPACE FOR THE COMMUNITY SITE THE VERT CAL GREEN WALL AND GREEN ROOF OF THE MODULAR HOME THE VAR OUS OPT ONS FOR THE FOLD NG PLANE ON OTHER MODULAR HOMES CAN VARY FROM HAV NG NO PLANE TO PANELITE PANELS TO SMARTWRAP A BU LD NG ENVELOPE CURRENTLY BEING DEVELOPED T S MADE UP OF SEVERAL LAYERS NCLUD NG A SUBSTRATE PR NTED AND LAM NATED LAYERS ALL OF WHICH ARE ROLL COATED INTO A SINGLE COMPOSITE FILM TOGETHER THEY HAVE THE CAPACITY OF PROV D NG SHELTER CL MATE CONTROL L GHT NG AND NFORMAT ON DISPLAY AND POWER PEOPLE W LL BE ABLE CUSTOM ZE THE R OWN DES GN OF A SMARTWRAP WALL PROM NENT FEATURES OF MOST ALL MERR LL PARK HOMES ARE THE PORCH THE UFOLD S MPLE IN FORM HAS 3 EXTER OR PORCHES ACTING AS THE SUBTRACTION OF THE FORM THE 1400 SQ FEET HOME WAS DESIGNED FOR MAXIUMUM EFFICIENCY W TH AN OPEN PLAN FOR FLEX BLE MODERN L VING THE MA N STAIRS WHICH PROTRUDES THROUGH THE FOLDING PLANE ACTS AS A STACK FOR NATU RAL VENT LAT ON SOURCE OF NATRUAL DAYL GHT AS WELL AS AN EXTER OR L GHT BEACON GLOW NG IN THE DARKNESS OF NIGHT OTHER SUSTA NALBE FEATURES INCLUDE SOLAR ENERGY / HOTWATER PV PANELS HARDIPLANK RAINSCREEN EXTERIOR CLADING NATURAL DAYL GHTING GREY WATER COLLEC TION ENVIRONMENTALLY SOUND NTER OR FINISHES WH CH NCLUDE BAMBOO AND MED TE II SUBSTRATE LOW FLOW PLUMBING AND ENERGY STAR APPL ANCES # ) ( #+ &# ,,*! -#, REWEAVING 42 ERIK WALSH Team SKEAM, Milwaukee Site PROTOTYPES -!2#" 2 2&# !-0,#0 -$ 2& ," *7 -30, ', 2&# #00'** 0) ,#'%& -0&--" 2&# 1'2# 1 !-+ .-1#" -$ 5&2 '1 -0'%',**7 "#1'%,2#" 1 1',%*# *-2 &'1 .0-.-1* !-,2',3#1 3,"#0 2&# 1 13+.2'-, 2&2 2&'1 *-2 5-3*" # "'4'"#" ',2- $-30 *-21 2&2 5-3*" +'+'! 2&# "'+#,1'-,1 -$ 2&# 1300-3,"',% 0# &# !-0,#0 *-2 5-3*" &-31# 2&# !-++3, 27 !#,2#0 &# #6'12',% %0"#, 5-3*" # .*!#" #&'," 2&'1 3'*"',% 5 2& *-5 *7',% %0"#, 5** 1300-3," ,% '2 &'1 %0"#, 5-3*" #!-+# 2&# !-++3,'271 .0-.#027 ," 3.)##. 5-3*" # 1#" -, 2&#'0 .02'! .2 -, &# 0-2-27.# 1'21 -, 2&# 1'2# (312 1-32& -$ 2&# !-++3,'27 !#,2#0 &'1 &-+# '1 1/30# $--2 1',%*# $+'*7 0#1 "#,!# 5'2& 2&0## #"0--+1 ," 25- $3** 2&1 &# .*, '1 -0' #,2#" 120-,%*7 2-50"1 2&# 1-32& 2- +6'+'8# .-2#,2'* .11'4# 1-*0 * %&2',% &# $'012 $*--0 !-,1'121 -$ 1#04'!# 0 &-31',% 2&# 12 01 $3** 2&0--+ ," ) 2!&#, ** -$ 2&# *'4',% 1.!#1 ' # 2&# #,207 *'4',% 0--+ ," "',',% 0--+ !-+.-1# 2&# 1#!-," *0%#0 0 &'1 0 '1 , -.#, .*, 5'2& %*8',% -!!3.7 ,% 2&# +(-0'27 -$ 2&# 5** 0# &# 5',"-51 5-3*" # -.#0 *# 5& !& 5-3*" **-5 '0 2- !'0!3*2# ', 2&0-3%& 2&# 12#0, $!"# ," -32 2&0-3%& 2&# #12 &# -.#, $*--0 .*, *1- **-51 $-0 ,3+ #0 -$ "'$$#0#,2 $30,'230# *7-32 -.2'-,1 $-0 #!& ,"'4'"3* $+'*7 # 01 5&'*# *1- 1#.02',% 1#04'!# $0-+ * 4',% !*#0*7 "#*',#2# #25##, 2&# 25- +-"3*#1 2&2 +)# 3. 2&# $'012 $*--0 &# )'2!&#, &1 0--+ $-0 0#$0'%#02-0 "-3 *# 1 ,) ," 0,%# 1 5#** 1 0--+ $-0 .*#,27 -$ ! 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In particular, Sarah Manternach-Wiedmeyer and Jim Stommel provided invaluable information and support to the students and instructors involved with the AIA150 Studio. Prefabrication and modularity has a long and interesting history in architecture. Designers and builders have always struggled with the issues of protecting building materials from water and temperature during the construction process. Site built homes are especially vulnerable to damage as they are primarily light frame wood structures. Plywood and dimensional lumber exposed to rain, snow, and extremes of heat and cold for even limited amounts of time can experience warping and splitting. Furthermore, if a wall is sealed before it has fully dried, mold can form and spread throughout the insulation rendering a home unlivable. REWEAVING One solution to this problem is prefabrication- if components or even whole sections of a home can be built off site and indoors, none of these weather related concerns will be an issue. Prefabrication also allows a home to be constructed just as easily during the middle of winter as in June- not so with site-built homes. Many variations of modular construction have been proposed over the years, from Buckminster Fuller’s geodesic domes to Albert Frey’s Aluminaire House. 50 None of these prototypes has ever been as successful as the mobile or trailer homemuch to the dismay of architects. Despite its shortcomings, it is cheap, easy to build and is designed precisely to be transported over roadways. Unfortunately, the mobile home has become associated with poverty, a last resort for those who cannot afford a “normal” home. Some manufacturers have sought to shed this stigma by using the efficiencies of modular construction to produce homes that look just like any other house in a neighborhood at reduced cost. Above Modular homes under construction. courtesy US Department of Housing and Urban Development maximum width 16’-0” MODULAR Instead of retaining their wheels once they arrive to a site, they are craned into their final position and seamed together with other modules to create multistory buildings. Plumbing connections are made using an ingenious system of flexible pipes that can even be connected and inspected before the home is delivered to the site. Interiors arrive completely finished and only minimal exterior work is required, allowing homes to be occupied within a day or two of delivery. Since the modules must be able to withstand the vibrations of transport, they are given extra structural reinforcement resulting in a home that is not only more durable but literally road tested. The modular manufacturing process, however, has some special requirements that must be taken into account by the designer. First of all, each module must be transported to the site by a flatbed semi truck. Due to the length of the bed, the width of highway lanes, and height of overhead obstructions, certain dimensional limitations apply. There are also different regulations from state to state and even from one community to another. Manufacturers have become skilled at figuring out how to cut up a plan with these restrictions, but it is much easier to start with the requirements as a given condition. maximum length 40’-0” maximum height 13’-6” “Nothing is as dangerous in architecture as dealing with separated problems. If we split life into separated problems we split the possibilities to make good building art at the same time.” A lva r A a l t o 51 A Happy Marriage Another interesting artifact of modular construction is the “mate” or “marriage” wall. Because modules must be transported separately, they must be structurally independent and be able to stand on their own. Even large open spaces that occur across modules must have temporary framing across the opening while in transit. Inevitably, this results in a double-thick wall and a double thick floor plate wherever modules meet. Planning for and even exploiting these conditions became a key issue for the architecture students. Above Plan showing highlighted mate wall. Process Innovation REWEAVING Rather than simply taking traditional on-site, stick-built construction methods into a indoors, modular manufacturers have sought to improve the process. On-site construction typically progresses from the outside in, focusing on getting the building weather-tight first. This requires multiple stages of electrical work, plumbing, and finish carpentry because all of the trades need to work from the same side of the wall. 52 Modular builders, having no weather concerns, can work from the inside out, saving the sheathing of the frame for last. This allows multiple trades to work simultaneously from both sides of the wall. Walking through a modular manufacturing facility, one sees the unusual sight of framed houses with drywall and electrical but no exterior. Below Images of modular construction and transport. MODULAR Convenience and Security Without having to secure or strike a work site at the end of each day, workers can maximize their productivity. A carpenter arrives at the beginning of the day, rain or shine, works for eight hours without ever having to wait for materials to arrive. They never need to wait for other trades to finish and the process is so well coordinated that workers simply move from one module to the next with very little interruption. Finally, at the end of the day, they all set their tool belts down wherever they are, picking up again the following morning. A Machine for Building In This whole operation takes place in a carefully choreographed sequence. This sequence begins with rough framing at one end of the warehouse and continues with the modules being delivered to each stage of construction rather than having workers constantly travelling between workstations. The modules are built on large tables elevated to about waist height, alleviating back strain from bending down. The steel frames of these tables are transported all over the warehouse by a series of overhead cranes. The build process is laid out so that all of the finished modules end up at the loading doors where they are placed on flatbed trucks for delivery. As a result of all these efficiencies, the entire process of completing a home is accomplished, on average, in a staggering two weeks! Top, Middle and Left Sequence showing the setting of a module for a house in Milwaukee. 53 8 FITTING IN DEFINING CONTEXTUAL MODERNISM “Buildings should be good neighbors.” REWEAVING Pa u l T hi r y 54 Bluff Homes by Vetter Denk Erik Hancock, MArch ‘08 CONTEXT Urban Infill 02 by Johnsen Schmaling Architects Is there such a thing as “Contextual Modernism”? Proponents and detractors alike would argue that such a term is at best misleading. For those who reject its basic tenets, modernism implies a fundamental disregard for context. In fairness, the original idea of an “International Style” requires a certain lack of site-specificity in order to be universally applicable. Apologists claim that modernism is simply the logical elevation of function and structural clarity and not necessarily a visual style. In this line of reasoning, modern buildings are no more or less contextual than buildings in any other style- it depends on the skill and intention of the designer. Still others hold to the principle of zeitgeist, a belief that design should always be of its time, expressing the style of the present moment. In other words, an architect should never take into account pre-existing conditions and only respond to the current trends. In practice, however, we know that reality lies somewhere between these extremes. Frank Lloyd Wright’s Johnson Wax Building, located several blocks from the Racine home site We know there are certainly many modern buildings that stand violently opposed to their context; pure, minimalist boxes of glass and steel can be difficult to reconcile with blocks of nineteenth-century brick buildings. Nonetheless, there are also exemplary buildings that retain their modern identity while carefully integrating themselves into the surrounding fabric. Issues of integration become magnified when one considers the residential sector, where architects infrequently tread. The majority of homes (exceeding 75% according to the AIA [footnote]) are designed with little or no input from architects. Developers tend to drive design; profit and reproducible formulas are their most important criteria. As a result, the residential market remains stylistically conservative, favoring designs that offend the least number of potential buyers and, of equal or greater importance, their neighbors. As designers this leaves us with a significant challenge; create a home that is neither a historical pastiche nor an insensitive thorn. We must identify some basic rules for playing nicely with Colonial, Victorian and Bungalow style homes without abandoning our modern principles. Bear in mind that almost no one (except architects) will be sold on modernism in his neighborhood for the sake of progress. Instead, architects should advocate for modern design based on the very real benefits it provides. This also means mercilessly examining modern design and separating that which is functionally progressive from that which is merely visual pretense. With that in mind, what follows is a list of modern principles, pretenses, and contextual rules. This list is not intended to be comprehensive but rather to serve as a good starting point for contextually modern designs that offer tangible improvements over traditionally styled houses. 55 Contextual Rule: Old and New Temper the expression of modern detailing and finishes with the visual evidence of existing context. In short, if you are going to use a panelized rainscreen cladding, balance it with some use of clapboard siding. The visual variety of the design will benefit and non-architects will be more likely to accept the end result. Modern Pretense: Flat Roofs Architect need to let go of the idea that a modern home has a flat roof. Pitched roofs are exceedingly functional, especially in colder climates. They’re great not just for shedding snow, but also shedding community complaints. Our experience in meeting with neighbors and city officials alike reveals roof pitch as one of the biggest factors in contextual sensitivity. We found that people will accept a surprisingly modern design as long as it is pointy at the top. Modern Principle: Materials - Palette REWEAVING Traditional homes are limited in the palette of available finish and construction materials. As a result, many advancements in waterproofing, insulation, and energy efficiency are off limits until manufacturers figure out how to imitate the size, proportion and textures of traditional building materials. 56 Modern design has no such limitations. This allows for the incorporation of metals, advanced polymers, and cementitious materials without having to resort to expensive finishes that imitate the appearance of wood or stone. Identify the predominant proportioning of surrounding buildings. If the homes in the area display a tripartite base-middle-top scheme, a designer would do well to adhere to a similar rule. There is great flexibility within this rule as long as some nod to the basic elevation of other homes is made. RULES Contextual Rule: Proportioning Modern Principle: Layout - Served vs. Service The number of service functions of even the simplest contemporary home is staggering. The size and complexity of bathrooms and laundry facilities, heating and cooling, electrical, plumbing, cable, and telephone services continues to increase. As a result, the modern principle of separating service areas from living areas is useful, especially when dealing with limited space. “Always design a thing by considering it in its next larger context - a chair in a room, a room in a house, a house in an environment, an environment in a city plan.” Ee ro Saarinen Contextual Rule: Reinterpretation Find ways of taking traditional elements and reinterpreting them in a modern vein. This does not mean resorting to post-modern parody. It means accepting the necessity of certain conventions of traditional home design and creatively transforming them. For example, an attic vent is not only a functional element but it also visually breaks up the large triangular area of the gable end. This functional element can potentially become a modern detail integrated with a panel cladding while providing a visual link to surrounding homes by its size and positioning. 57 Modern Principle: Materials - Panelized Cladding Modern materials are available in larger dimensions, covering more area than traditional clapboard siding. This reduces the number of fasteners required, increases the speed of construction, and minimizes the number of joints for moisture repellency. Modern Pretense: Horizontal Glass As heartbreaking as this may be to many modernists, a ribbon window is no more functional or rational than a vertical one, especially in an urban neighborhood where expansive views of the horizon are nonexistent. Vertically oriented windows work just as well as horizontal ones and they look like windows in the rest of the neighborhood. Contextual Rule: Heights and Pitches REWEAVING Study the rooflines and building heights of everything in the surrounding area. If you can be sensitive to these two elements, neighbors will be receptive to many other consciously modern design elements. 58 RULES Modern Principle: Layout - Open Plan By adopting an open plan layout, designers recognize the realities of our modern lives. The traditional living rooms, dining rooms, and dens of previous eras are largely irrelevant forms. On a day-to-day basis, there is very little formal separation between the acts of food preparation, consumption, entertainment, and relaxation. These activities tend to flow together and as such a contemporary open plan arrangement is the most suitable option. It offers the flexibility to change patterns of use for reasons of family size, cultural or personal preference. Modern Principle: Detailing - Simple and Clean Intricate and extensive trim details incur additional costs. Traditional colonial style homes, however, tend to look unfinished or cheap when such details are omitted. A home in the modern style, by contrast, is meant to be simply detailed. When treated as an aesthetic rather than a purely cost saving measure, the appearance of a home does not suffer. Modern Principle: Structural Expression By celebrating the nature of construction methods, we can avoid costly finishing details that are necessary to hide those methods and take advantage of their unique characteristics. In the case of modular construction, this might mean expressing the seams between modules, eliminating the need to delay cladding the exterior until the house is completely assembled. 59 9 FINAL DESIGNS GROUP PROTOTYPES Collaborative Process Having completed the analytical and individual design phases of the project, students reconvened as teams of five. They were asked to draw upon their individual designs and come up with a series of characteristics that represented their best ideas. In sketch and written form, these ideas became the seeds of the three final group prototypes. In this collaborative process, no single student project was chosen as the basis for a final design. Instead, all of the best ideas were combined and developed as a work owned by the entire team. One student from each team was selected by the studio professor as the job captain. While the mark of that student’s individual work tended to be reflected more heavily in their team’s prototype, the job captains did not dominate the process. Students learned to trust each other’s judgment and as team members began to specialize in various areas of the project, the natural process of delegation ensured that everyone had a voice. REWEAVING The following section presents each team’s work- three prototype houses and a community center/AIA Storefront. 60 Left University of Wisconsin-Milwaukee School of Architecture and Urban Planning. FINAL DESIGNS Above Racine site model showing neighborhood context. 61 mod 2 TEAM SKEAM - Milwaukee, WI Above Sara Rogers Kevin Porter Erik Walsh Alex Getson Michael Mireau Street view of mod2 house. Modern Module REWEAVING Located in the Merrill Park neighborhood of Milwaukee the mod2 house combines traditional context and modern modularity to create a dynamic composition. The driving force of the affordable modular home design was creating a sense of privacy. 62 The house (along with the Community Center) is meant to fit into the surrounding urban fabric. The house is lifted 4’ off the ground to make up for the height difference between its site and the adjacent ones. The addition of a front porch also aligns the home with the neighborhood buildings. Below Elevation drawings. FINAL DESIGNS First Floor Plan Second Floor Plan The plan layout is a served/service composition. The service bar is set to the north and includes the bathrooms, circulation and storage spaces. In turn, the served bar is located to the south and includes the kitchen, living and dining areas along with all three bedrooms on the second floor. The 1,536 sq. ft. home was designed for maximum efficiency with an open plan for flexible modern living. Above Cross section through living space. 63 Left REWEAVING View from second floor corridor. 64 The interior features a large piece of millwork that serves as a storage area for both the first and second floors. On the first floor, this piece climbs vertically with the stair, acting both as an interior finish and storage. The woodwork climbs up the stair and continues down the second floor corridor, finally terminating at the office where it serves as a desk. This whole system is typical of the many modular systems that make up this house. FINAL DESIGNS Above Interior perspective of living space. 65 COM TEAM SKEAM - Milwaukee, WI REWEAVING Community Center 66 On a site adjacent to the mod2 residence, and directly on the corner of 29th and Clybourn sits the Community Center. This building will compliment the house in introducing the residents of Merrill Park to modern, affordable design. The given program required us to develop an enclosed gathering space that could be used for future community meetings. The building will also house the Milwaukee chapter of the AIA within, so an office and a conference room is also provided. Ideally, this building would be maintained by the residents of the mod2 house. Above Street view of community center with mod2 house beyond. FINAL DESIGNS PASSAGE COATS CONFERENCE COMMUN TY ROOM UNISEX KITCHENETTE MECHANICAL STORAGE OFFICE The plan consists of a solid, a void, and a spine. The solid is the service area, housing the kitchenette, storage space, office, conference room, mechanical space and unisex bathroom. The void makes up the main gathering space. Within this area, the walls are coated with a material allowing for the display of video and computer presentations. The walls are also tackable surfaces. The spine serves as the connection between these two areas and also as the main corridor for circulation. These three pieces make up the 1,200 square foot building. Like its housing counterpart, the Community Center strives to address the street corner it sits on. The hope is that with the addition of this building, Clybourn can begin to revitalize itself as a strong commercial center for Merrill Park. 67 PHOTOVOLTAIC PANELS GREEN ROOF REWEAVING SIPS PANELS 68 RAIN WATER HARVESTING SYSTEMS Above Street view of community center with mod2 house beyond. FINAL DESIGNS With this building serving as an introduction to modern design for the residents of Merrill Park, it was clear from the beginning that it needed to be sustainable. Therefore many active systems are to be incorporated. With the south facing rooftop the addition of photovoltaic panels was an obvious choice. The panels could be adjusted atop the sloped roof so they would sit at the most efficient angle to the sun. Along with PV panels, the roof would also be green. This system consists of pans of seedum plants that are attached directly to the roof system. The roof along with all of the exterior walls are to be Structurally Insulated Panels (SIPs). This kind of construction creates a more airtight building, thus a more efficient building to heat and cool. While the initial cost is slightly greater than that of a stick-built building, SIPs make up the difference in savings from heating and cooling costs. The last system to be implemented would be the rain barrels. This system allows for rain water harvesting. Simply put, this stops excess water from running into the storm sewer and allows for additional use of the water for irrigation. 69 DOUBLE PORCH FENESTRATION VEIL HOUSE TEAM FOM - Milwaukee, WI Jasenko Badic Erin Lawrence Bryan Finnegan Ryan O’Connor Melanie Taylor REWEAVING Modularity and affordability are terms not usually associated with the modern aesthetic. This house design seeks to unite the efficiency of modularity, the mass marketability gained by affordability, and the modern aesthetic. A mating of these concepts with the local context and historical framework produce a complex and dynamic whole. The Veil House takes its name directly from an obvious physical attribute, the veil long the southern wall, but also indirectly from a literal interpretation of ‘veil’- one that suggests a fineness and beauty, a fabric to hide and reveal or a controllable, ephemeral surface - qualities we feel that contribute to the eventual use, appearance and neighborhood integration that this house offers. 70 MULTIPLE MATERIALS Below Elevation drawings. second floor plan 0 2 6 FINAL DESIGNS The house uses an efficient organization in plan and expands this reserved presence through the material usage and site orientation. The width of the site is significantly larger than typical mid-block sites within Merrill Park which allows the house to push to the northern edge of the site and take advantage of southern exposure. This southern exposure is expressed through an increase in the number of glazed surfaces on this elevation and also in the placement of the staircase - the double height nature of stairs allows light to bleed further into the first floor living spaces. Material usage reinforces these larger organizational moves and creates a unique and expanded presence along the street. The southern wall collects all three types of exterior materials used in the project: HardiPlank siding, HardiPanels, and a Trex rail system to make the veil, which overlap and layer to reveal interior organizations and help integrate the essential front porch. A standing seam metal roof completes the material quartet reinforcing the issues of sustainability by extending the lifespan of the roof over thirty years, shedding cleaner water for collection, and using a recycled material. 14 first floor plan Right Interior perspective. The modern trend toward respecting the natural systems and flows, called “sustainable” or “green” design, are integral to the design concepts of the Veil House. Photovoltaic cells could potentially use the large surface area of the southern facing roof to generate electricity or heat for the home The roof sheds water into gutters and then into rain barrels for a slow release back into the ground. It can also be used outdoors for watering plants and washing cars. Interior materials and systems would be selected for sustainable attributes. Examples include bamboo flooring, recycled wood doors, and a ‘smart’ HVAC system that could monitor use of spaces and living patterns, adapting to users’ lifestyles producing a maximum energy savings. These sustainable features along with the organization of plan and material manipulation add up to a complex whole, encompassing affordability, modular technology and a modern aesthetic, situated in an historical context experiencing a 21st century revival. 71 REWEAVING 72 Above Main living area. FINAL DESIGNS Left Top Cross section through circulation space. Left Bottom Street-level view. Above Exploded assembly of design elements. 73 Left Street level perspective. VILLA HOUSE TEAM RHSC - Racine, WI Jon Brown Erik Hancock Isaac Wallace Abby White John Wroblewski served + service sh fting the modules two stor s ace new + old materials screen REWEAVING The location of this house on Villa Street prompted student designers to make a playful reference to the tendency of architects to refer to their homes as villas. The apparently redundant name of this project belies its intent as a prototype. This design is centered around the idea of openness. This sense of openness is reflected in plan as well as in section and interior detailing. The home is initially configured with two bedrooms, allowing for the front bedroom to be partitioned at a later time. A living/dining/kitchen area provides for flexible use of what would otherwise be three small rooms in an already small house. While this concept of openness makes for efficient use of space, it also provides an element of passive sustainability. Since the stairwell is the only two-story space in a house of this size, it has been positioned along a southfacing window wall to allow for light to flood the space year round. On the first floor, the stair circulation area is separated from the living space by an open workstation/storage unit that divides the space without closing it off 74 east elevation scale 1/4” 1’ 0” north elevat on scale 1/4” 1’ 0” west elevation scale 1/4” 1’ 0” s u elevation scale 1/4” 1’ 0” FINAL DESIGNS Above Top and Bottom First and second floor plans. Kitchen and main stairwell. 75 REWEAVING 76 Above Cross section through circulation space. FINAL DESIGNS Right The stairwell doubles as a light well, gathering southern light. Left Top Rendering of backyard showing rear deck and overhanging bedroom. Left Middle Looking into the open living area from main entry. Left Bottom Open plan living area consisting of living, dining, and kitchen. 77 10 ADVOCACY GETTING THE WORD OUT National Architecture Week April 2007 Cities of Milwaukee and Racine In celebration of the 150th anniversary of The American Institute of Architects, the cities of Milwaukee and Racine declared the week of April 9th-14th to be National Architecture Week. These proclamations were a recognition of contributions of the architectural profession to the improvement of the built environment. Furthermore, the proclamations call attention to the efforts of the joint University of WisconsinMilwaukee - AIA initiative to bring affordable housing to the area. REWEAVING As part of this declaration, special banners were created for display in the neighborhoods where the student-designed homes are to be built. 78 Much of the success of this initiative could not have been possible without the constant efforts of AIA 150 team leaders to promote the work both inside and outside the studio. Persistence and elbow grease kept this project fresh in the minds of community leaders and neighbors. These are just a few of the headlines featuring the Reweaving the Neighborhood Fabric initiative. AIA to provide affordable housing A grant to Southeast Wisconsin chapter is being used to build three modular houses. Joe Grundle [excerpt from original article] Next year is the 150th anniversary of the American Institute of Architects, and AIA Southeast Wisconsin is getting in on the party. ADVOCACY The Daily Reporter July 7, 2006 AIA - which is celebrating the event by providing $2 million to fund up to 200 grants to its regional components for specific community programs called Blueprint for America - awarded its first 60 grants on May 19. AIA Southeast Wisconsin received $7,500 for its initiative that strives to knit together inner-city neighborhoods by infusing creatively designed affordable housing in the blighted gaps between existing housing. “Rather than make a big cake and eat it, we wanted to do something for our community and show people that not just lawyers and developers get involved in helping neighborhood, but architects as well,” said John Holz, vice president of AIA Southeast Wisconsin and senior project designer for Plunkett-Raysich Architects, Milwaukee. WUWM Milwaukee Public Radio March 14, 2007 Affordable Good Design Jane Hampden, Lake Effect “John Holz is an Associate with Plunkett Raysich Architects and President of the Milwaukee chapter of The American Institute of Architects. Erik Hancock is a grad student at UW-Milwaukee’s School of Architecture and Urban Planning and an intern at Plunkett-Raysich Architects. Sara Rogers is also a graduate student at UWM’s School of Architecture and a project assistant at Eppstein Uhen Architects. The American Institute of Architects is celebrating its 150th anniversary with the Blueprint for America design initiative, which addresses many design and community issues.” [listen to the full interview at: http://wuwm.com/programs/lake_effect/view_le.php?articleid=148] 79 Northshore Magazine April 2007 Good Neighbor My Cause: John Holz Judith Steininger [excerpt from original article] During the late ‘90s, young John Holz thought sitting in Brett Favre’s locker at Lambeau Field was a big deal. As an architect working for the national firm Ellerbe Beckett in Kansas City, he had designed the facade for Lambeau Field, hence his access to the locker room. In 2000, he was working on another cathedral, a real one, St. Mary’s Catholic Church in Hales Corners, and he had an epiphany talking with parish volunteers. “I thought, ‘Here I am, a well-paid architect listening to volunteers dedicated to their church. What am I doing?’” That introspection has led him to an ongoing project in Milwaukee, the end result of which will be architecturally designed houses in blighted central city neighborhoods. Urban Land Magazine July 2007 Building Blocks of Housing Affordability Patricia L. Kirk REWEAVING [excerpt from original article] 80 The project title is “Reweaving the Neighborhood Fabric: How Modular Housing can Build Affordable and Dignified Communities.” Holz’s day job is as a senior project designer at Plunkett Raysich Architects in Milwaukee, but this effort is an all-volunteer one, with Holz in the lead. He’s working with a committee of 40 volunteers, including city planners, developers, students and contractors. Plunking down houses into a neighborhood has many ramifications, hence the breadth of the effort. “As architects, we should not do ‘to’ a neighborhood, but ‘for’ or ‘with’ it,” Holz says. The architects in this case are UW-Milwaukee seniors and graduate students. UWM is Holz’s alma mater, both in graduate and undergraduate degrees. He says this volunteer work will be beneficial to students because their project is not an abstraction. “My thesis project was a design for a new terminal at Milwaukee’s Mitchell Airport. It is beautiful, but it will never be built. These houses will be. Our long-range goal is to have four or five designs to choose from.” Meanwhile, the Southeast Wisconsin AIA is underway on a community service program aimed at demonstrating how modular housing can be used to reweave the fabric of deteriorating neighborhoods and create dignified inner-city housing, explains Milwaukee-based architect John Holz, AIA Southeast Wisconsin vice president, who heads the program. Part of the national AIA Blueprint for America 150th anniversary observance, the regional program encompasses three projects— in Milwaukee, Racine, and Waukesha, Wisconsin—which are south and west of Milwaukee respectively. The University of Wisconsin–Milwaukee School of Architecture agreed to design home prototypes, and a $7,500 grant from AIA150 and $21,500 in donations launched the effort. The initiative will provide each community one dwelling intended to serve as a catalyst for building a neighborhood of secure and sustainable housing in existing communities suffering from financial disinvestment. Homes are designed to fit on 30- to 35-foot- (9.1- to 11-m-) wide, odd-shaped lots, says Holz, noting that the two-story structures are about 22 feet (6.7 m) wide and are thoughtfully designed to “live bigger” than their actual size of 1,500 square feet (139 sq m) and encourage social interaction and revival of community, with large front porches and welcoming facades. ADVOCACY Milwaukee Journal Sentinel July 17, 2006 Architects show modest budgets don’t require modest design Whitney Gould [excerpt from original article] When a weed-choked vacant lot in one of the city’s poorer neighborhoods finally sprouts a house, it seems frivolous to quibble about the design. Who cares if the roof pitch isn’t quite right, or if the windows are too small and the detailing is clumsy, so long as a deserving family finally has a decent home? OK. Now let me put it a different way: Why do people of modest means have to settle for second- or third-rate design? The short answer is that it is cheaper to build the same old-same old over and over again than something distinctive. Now, however, the design community is finally beginning to push for innovation in infill housing (dwellings on vacant urban lots). Progress is in tiny increments. But if this mini-movement spreads, it could add value to tattered neighborhoods and raise the bar for housing design elsewhere. One hopeful sign is a partnership between the southeast chapter of AIA Wisconsin (a Society of The American Institute of Architects) and architecture students at the University of Wisconsin-Milwaukee. The students will design three affordable modernist homes for empty lots in central city neighborhoods: one in Milwaukee’s Merrill Park, to be built next spring, the others later that year, in Racine and Waukesha. Each will be around 1,400 square feet and sell for about $150,000. Above Award-winning infill housing by Johnsen Schmaling Architects. Photograph by Gary Porter 81 AIA National Convention May 3, 2007 AIA150 In Wisconsin A Blueprint for Urban Revitalization John Holz, Kelly Thompson-Frater, Marty Sell San Antonio, TX 4 ? <D 6 ; 4 / 2 F< ; 1 82 P\[cR[aV\[ $ REWEAVING T_RR[ In May of 2007, Reweaving the Neighborhood Fabric took the national stage during a presentation to the annual AIA Convention in San Antonio, Texas. In their presentation to the assembled architects, students, educators, and industry professionals, AIA Milwaukee President John Holz and his colleagues described the initiatives and how they could become models for urban revitalization across the country. :Nf ²" @N[ .[a\[V\ ?246@A2? <;96;2 .A DDD.6.0<;C2;A6<;0<: From Left to Right George Miller, FAIA; Anthony Costello, FAIA; Kelly Thompson-Frater, AIA - President, AIA Southwest Wisconsin; Marty Sell, AIA - President, AIA Wisconsin (2007); John Holz, AIA - President, AIA Milwaukee (2007). ADVOCACY AIAS FORUM December 29, 2007 AIA150 Studio A Collaboration of Practice and Education John Holz and Ryan O’Connor Milwaukee, WI Milwaukee was the 2007 host for The American Institute of Architecture Students (AIAS) FORUM, a global gathering of architecture students. Despite a massive snowstorm, the city was flooded with future architects from all over the world. On the first day of the conference, John Holz and UW-Milwaukee student Ryan O’Connor presented the NCARB-prize winning AIA150 Studio project. Above AIA Milwaukee President, John Holz, AIA. 83 waukesha | wisconsin A l s gnage don ted and p in ed by M A Mort nson Comp ny L t d h h B i Th fl l t t Th l df l h Afi th fi l b h k b t t Ak d t t d M th d b th f l th h b th k h d t ’ t b d h b ll th h d fl F b 9 4 t th b d t b f d d t l d t l t t f S l t Ml “M l k Th l l l h t dN b >>> “ M lwaukee which he h s done so much to ado n and beaut fy is a las ing monument o he a sthe ic ta te and a chi ectu al sk ll >>> Bi R i t d dM l T H t i l h S hE tW d W k h d t l t L f dT d Mi W Ed walter s chandler house >>> edward townsend mix A l s gnage don ted and pr n ed by M A Mort nson Comp ny >>> Th d P i hfl ” t t Ml k t t dt b th P l h B C t t d d d hh t t A d ll 36 d 45 t N Y k C t H t d d ht t N Y k ffi d 1 55 tt h Th f l h dt Ml k h h t l b lt l d d t H t t ht f W ( 64 8 7) t d d d l Ml k ( 67 8 2) d f 1 82 t 1 89 t h hMl k ht W t A H b k matthew keenan house >>> edward townsend mix d “ Th l 1 6 f K h N i t b Ed h h ht t walter s. chandler house >>> edward townsend mix matthew keenan house >>> edward townsend mix w milwaukee | wisconsin Wd l k h h t h N h t M d d th t b d Ml k l d h M H l A d fM ) ( 6 ) h I l k 1 6 ) l k t H ( 6 ) th M t h b ld 8 8) h Ch b C b d ( 8 0) d h Ch Ml k d S P d t 1 8 ) H l h G ll th W f d d h h d t d d t t f h L t At ( 8 8 H b l t f l t df 8 8t 8 0 d t f A t t lL t t f >>> h t s ee e e a on e a |d o de i | on do r k f t d C l f R t l f Th lk b d l t l h h d tfi dl h 1 9fl t t >>> t l Ml P l h h th l d l t Th h P l f l h d df d t l t t t b t df b k b tt h l H t t fl ” Th t h d d R th k ” h t M f h b t Th b b t 1 00 9 0 f L t d d d h t l t t th b t t t d t R th d f l t “ l l d l b lt h d t t th h t “B Ml t d d h t t l t d t th P l h th t th b t t b t t t k ” h e al p r h l m w w m i 1857 1858 1859 1860 1871 1872 1873 1874 1875 1876 1877 1878 1879 1880 i Celebrating the Past, Designing the Future April 2007 AIA150 Exhibition Gallery of Architecture and Urbanism University of Wisconsin-Milwaukee 1933 Home Show Winner Henry William Plunkett t d t R “B t Ml home show winner >>> henry ph l ip plunkett greendale | wisconsin >>> green belt city >>> u s government G t t th Oh I t t l k ” h Ad )T d h h d t h d t t t t d th D h d h k d f t REWEAVING dh t b t h d d t l t t h h h f h l th f l d h Ml k H h b ” f kl d d l d b d l bl l k t l b h t d T I h d t t t h h b h h f h h l t d k d b d t k t f h l d t df l b h 3 00 t l t f h “G th t t d t h l t l df b d b w k r ou h hom h d th t t ffi 9 8 g r en om s d l l d l db h t h t tt d h f f l f l l h t ld l d h l b b t Th f t l d d h h $ 2 0t 2 00 l h d l b t fi l t l l l h t d t bl f l f l bl l t Wh h f f l h d th h d t t th l t c n ex p o o t t d t i | on e t y t f b F k Ll W ht d th M D dd h t h tW Fl d h d h Th h h d t M L k h t h h t b h h b kt t 1 5 ’ G h >> d h l d f All ignage dona ed and pr nted by M A Mo tenson Company japanese snow flower >>> john randall mcdonald >>> >> t k fi t Th 5 2l t h d 3 6b d h h l df M 1 9 8 N l ll t t f h d “H ”A h h d t f d t t ( t f d ) l k ll d h l t h tl l t h l f A t t t h fi df d l d f lt t k h l f b t Th fi t fl fi h d h h t l 2 / ” t l b t db t t t Th d fl 7 8” k l Th l h d b d l f8 h d th h d fl h fl b t l fi h d l t t t f d l home show winner + greendale, wisconsin d l f d d lM D d b ld l t h R ht t M D d d h h “J S l ” J fl b d t h t f h h l d h d l d Th t h bl d f h P d t t l f t t th t d t d d t t f f on t u i n )T )T h h h racine | wisconsin Th h h R h h R b b b h d b A l s gnage don ted and p in ed by M A Mort nson Comp ny >>> d l h d t b 9 6 h h S D t A t b t t f h h G b tt B d G d l th t G b t M l d dG h l k t f M t t ”S f A H 0 6 l b R d t t t d R C t “ When people ca led him the poor man’s Frank Lloyd W ight he retorted I prefer o think of Wright as he rich man’s ohn Randal Mcdonald Whi ney Gould M lwauk e ourn l Sen inel japanese snow flower >>> john randall mcdonald f L h fi t t l h P ll h db d h b t t t “ milwaukee | wisconsin Th 9 3 H h Wi t t Ml k t b d l f th I t t S l A ht H Pl k t d l db t Al d C E h l h Cl d t l h b b f h k b t t h hl d t American System Built Homes (1915-17) Urban Infill 01 (2005) Frank Lloyd Wright Johnsen Schmaling Architects mod l f h me 1931 1932 1933 1934 1935 1936 1937 1938 1939 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949 1950 84 1901 190 I 9 1 M h W h H t th f t b d t h t l “Th A t d C ft h ht tl d h f ff d l t d h th h dh t t d f h k dl b t A american system-bu lt homes >>> frank lloyd wright n ed n d nd p n d b >>> h s 6 h t e t fl t e s v l ge a e s v ag fla e s v l ge at a t i a e fl t Houses were often moved from another loca ion and set atop a b ick sem basement to crea e the Pol sh flat “ “ s u h i e p l h fl t polish flat >>> vernacular architecture >>> f W d h d t h d t t H t l t d dt k l dt d 00 k d th t bt d f th F T Ll d W o en on united s ates of america sears catalog home mp n ht P a f ur u l x s > > > >>> up x 0 d pe 0 v ew om e st milwaukee | wisconsin >> F B t 9 5 d 9 7W td d f t d d d“ t b t h k t d th A S t B H ”B “ t b ” h dd t b t ff t b t h t h t l d t h l b d h l l f t h b th t h t f l Th t t lf t W ht d k h f A 9 8 1 40 S R b k dC d h 00 0 h h th l d H O h tt S d 4 7dff th t l f h b t t t I h th t l tF hd d t l d t h l G d d h h d t h d b h t f t C t d h h t th d d lt t db d t M d S t t h d S t d l f l f l h d b t h h dd d d t f f h d h d d t b t t I d d l d d th h d b t h bl t t S h h l th h ff h t t dfi t d t l t h h ll t t l M d H t h d h f d t b l th d h dS h l d l th d h h t t d df l fi Th d t d t ff S fd h M d O t th l fi l l S t S h b H l d t M d H t l fh f t H l St d d B l C t t f h Ml k D hb h d M l k d l f h l t fh h f t l l B l t fi t t th ’ bl d d l t h t t t th t Th l l bl f bl k h d t B t 8 0 d t d df t b th h d h f h t t bl k b t th l t t E t fl h d th f t f d A f f t th t A h dt d l W I l h d bl k f lf t h t d f t t f d l t t h d l th l f d k ’ l t d h th d h d l l f h 1 80 ll h b l 1 25 h f t bl t d O l t f h l d T” d L” fi t t h t tf t t d d t W d th t d d h f Ml h t t h 8 0 e s v ag hom k D l th h b t f d d t t ht t t t t B l E hT d C l R l l d l t l D l b lt h t d ft W d W I t l t l d d f t h k h d l h d f f t Bl h h t fi t lt l b S J t t d d t t d 4 /8 h t tt t d d h l d d tH lt t A d d h t f t d d ( k f fl d d t d f l k l d S ’ t l l t th St d d B l h b f l t th d d t t h t Th S l S t l th l t d l d S l h f l l l f d d lf t d l h l A >>> Th M l t l Q A H b Th h f t dh d 1 22 1 24 f t t f Ml k l b h hN t Ml k l d h t l d l dl t D t fA ht t h t fl Th d fi t t l h h l db l fl t t f fl t d l t ’ t All ignage dona ed and pr nted by M A Mo tenson Company milwaukee duplex >>> va ious architec s Th d l b t h h b t 8 0 d h 1 0’ A t d f t h h d d f t t h t d b h H S l ’ d fi d l t t “ h t t b t d b h Ml k d l t h t th t fl t dd l ) Al t d t l ht t db d f h 1 90 1 2 d d b l d l F H h l F d G G hl dG Z l d l b ld h N h t d ht t fi d d B D k H M L h t dG h dC dB h h t f h t t “B t Ml k ” a t v a e ho es e a >>> up x 0 02 1903 1904 1905 1906 1907 1908 1909 1910 1911 1912 1913 1914 1915 1916 1917 1918 1919 1920 1921 1922 1923 1924 1925 1926 1927 1928 1929 1930 ADVOCACY milwaukee | wisconsin A l s gnage don ted and p in ed by M A Mort nson Comp ny sears catolog home + milwaukee duplex polish flat >>> vernacular architectu e american system-built homes >>> frank l oyd wright m lwaukee | wisconsin To offer a thoughtful view of what we can design together, AIA Milwaukee presented this gallery of the three affordable modular housing prototypes, within the context of the past 150 years of residential architecture in Milwaukee and Southeast Wisconsin. Attendees enjoyed a glimpse of fifteen other contributions to our residential fabric. One to two different homes or housing types were chosen to represent each decade since the beginning of the AIA in 1857 - no small task. Some decades were better blessed than others, and many miles were logged searching for inspired architecture to fit those decades. The projects presented did not begin to cover the extensive amount of residential architecture in Milwaukee and Southeast Wisconsin. Instead, the homes presented were offered as an exemplary representation of what was being designed in each decade. We chose examples from all seven counties in the AIA Milwaukee region, including Kenosha, Milwaukee, Ozaukee, Racine, Walworth, Washington, and Waukesha Counties. Worthy of a firsthand view, most have maps and addresses. While a sampling of them exhibits historically significant work by the area’s notable architects, equal attention was placed on affordable, urban and innovative housing. These smaller but dignified dwellings were attainable by folks of modest means. In celebrating these past contributions, we must renew our commitment to designing a future where affordable and dignified housing is attainable by all. milwaukee | wisconsin All ignage donat d and pri ted by M A Mor enson Company champion residence >>> vetter denk architectu e U b I fil 1 h fi t f d t h f bl t d b ll k ’ t l t Th d dt b ff l d dfl l l f l d t t l f l d l U b I fi 01 h fi t b fi d d l t 3 ’ d b h f th C t f 3 00 h h t h f d t t ff f h d d f I 0 0 h A d f h W f l t f t W i id h t l Th h d th d f b l fi d t l th d t t d t d >>> b t l t h h l d b d t l b l l f h d I t t l t l ht d l th f t h “R ” t bl d l l t l b d d t b ht t th h d t t l A t i i t ro d h t H ht t d i f I t t A h t t A A) fV t >>> >>> D kA ht t “ The house doesn’t compete wi h na ure or the ur ounding farm bui d ngs b ck f ou e + h champion residence >>> vetter denk architecture b th b th h t t t th t I t d t “ b N t d h h h l h t l d t t All ignage dona ed and pr nted by M A Mo tenson Company urban infill 01 >>> johnsen schmal ing a chitec s >>> t f k h l t db d t d d l b ld d h t l k t d l db f h t d t l l t b b df t d d d t d ll l f t 1 0 SF f l d t t t l f th h dt t f t d f t d d ll I th d l th t t d th b f b h th h t l 6f t d d h t h f t d l h d b fi l d h b ld h d l d fi t t l d t d t l t fl l h l h l l d ll d d d tl h t d O h l l d t d t l th t t t b h l t f h h hb h d t t S l l h f h hb h d b d l f h t t t h t th b d b t d d t t l l dt t l t d t d d l l b t f h tt d t t d h l d b t d Ub I fi 01 d t t h d t l b d t t b d t b tt t t fi h h b t f b f l t d hb h d b d d h t t C l d l 2 05 h t N i l IA H i D i A th t th fi t h t f d t l t W f t t f h S h ll A t t “ urban infill 01 demonstra es how a modest low-budget project can become a confident new urban con ti uent “ I fl t t l t Ml d t l t ht f t t t t t t h t h l hb h d t t d b d urban infill 01 >>> johnsen schma ling architects hartford | wisconsin de i | e l ed o r y r 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 nei r de a | t e t a a e >>> celebrating the past des gning the future 85 11 LESSONS LEARNED CHALLENGES, COMPROMISES & BENEFITS REWEAVING As part of the formal review of the AIA150 Reweaving the Neighborhood Fabric initiative, leaders were asked to complete a questionnaire detailing the lessons learned during the process. What follows is an excerpt of that document. 86 How is your component’s initiative meeting the How is your initiative focusing on issues that are Blueprint For America (BFA) criteria? community-driven or generated? The implementation of our BFA initiative is meeting our criteria of community engagement and collaboration through its comprehensive visioning and design process. Our most successful effort has been the integration of a college design studio with the community-based visioning process. This approach yielded prototype housing and a community center, complete with construction documents and budgets with the full engagement of community stakeholders. This collaboration among many - neighborhood groups, city leaders and policy-makers, non-profits, modular housing manufacturers, architecture students, faculty, and our AIA Milwaukee team - exceeded our expectations by receiving local and national media attention in print, audio, and video, as well as a 2007 NCARB Prize. While our visioning process has demonstrated a direct, community-wide benefit, the implementation of our hard work is yet to be realized. A large part of the direct community-wide benefit is the actual construction of our prototypes and community center. There are two main reasons for this phase not being accomplished. The first reason is the reluctance of the City of Milwaukee to adopt our forward-thinking design solutions without major exterior modification. The second, and much more impactful, is the collapse of the housing market, especially in the areas of low-income housing. Through the implementation of our BFA Initiative, we learned to adapt to differing affordable housing issues between Racine and Milwaukee. Gaining importance in Racine was desire for affordable housing that closely matched market rate housing in terms of amenities, while still meeting the lower square footage and price-point for first time home buyers in a subsidized program. We made these adjustments to improve the attraction of the housing to potential candidates, with only marginal budget increases. In Milwaukee, our prototypes were challenged by the alderman of the district for being too small for the neighborhood. We quickly learned that the type of housing desired in our chosen Merrill Park Neighborhood was “work-force” housing, priced above “extremely low income” housing. We subsequently enlarged each design by 200 square feet. We would still be designing for first-time home buyers, well below the median income level, meeting the criteria for our initiative. Another issue that arose during the process impacting its direction was reluctance to adopt the concepts. Milwaukee is conservative, and the alderman of the district encouraged traditional exterior fenestration. We made extensive changes to the facades and resubmitted to the City of Milwaukee Design Review Team which applauded and approved them. LESSONS What strong public benefits have emerged or are What have been the successes (or failures) associ- emerging from your initiative? ated with the initiatives component of community partnerships? The strongest public benefits that have thus far emerged from our BFA Initiative is that neighborhood stakeholders can play an important role in the visioning and design process, and that good design is not just for paying clients, but for everyone who lives in the community. Our neighborhood community groups are learning that architects care about the neighborhood fabric, enough to put in great deals of time, expertise, and sweat equity without the requirement of compensation. They were frankly astounded that we had no ulterior motive to capitalize on the process. A strong relationship built on trust and collaboration has been established between the architectural community and each neighborhood group. This emerging public benefit will be strengthened when the neighborhood stakeholders see construction taking place, fulfilling the objectives and goals of their involvement in the visioning process. A clear benefit that has emerged even without the construction of the housing, has been the lasting impact that this process has had on the architecture students who have participated in the AIA150 Studio. They are now practicing in the profession, incorporating their experiences into new projects, for both paying customers and in pro-bono efforts. Our partnership with the City of Racine, the Neighborhood Housing Services (NHS) and the Towerview Neighborhood has been successful. Working with these groups to gain a site for our project, reach a common understanding to design and implement quality affordable housing, and conduct a meaningful town hall meeting with the neighborhood stakeholders have exceeded our expectations. We have fallen short in that NHS has decided not to build our housing prototype ‘on speculation’, but instead will wait for a candidate that meets the criteria of their housing program. Funds are in short supply, as the affordable housing market struggles to rebound. In Milwaukee, our partnership with The Merrill Park Neighborhood Association has been successful. They are a willing and energetic partner. We have struggled in our partnership with Milwaukee. Each party has had differing expectations in the process and its implementation, and we are learning to amend our approach to meet the explicit and implicit criteria of Milwaukee’s review and approval process. Still, we see that this partnership will be fruitful and long-term. The City’s promise of residential sites, approval of the community center, and approval of revised plans for our housing prototypes, is a strong indication of their commitment. 87 REWEAVING 88 How were schools of architecture engaged in the Has a clear strategy for sustained implementation process? beyond 2007 been implemented? The University of Wisconsin – Milwaukee, School of Architecture and Urban Planning was integrally involved in our initiative. No other schools or academic disciplines were involved. AIA150 Champion Holz engaged Dean Robert Greenstreet, and Professor Chris Cornelius to develop an AIA150 Studio, comprised of mostly graduate students divided into three teams of five. The teams interacted collaboratively with all aspects of the process. With Professor Cornelius, the students toured modular housing manufacturing facilities in Wausau and Friendship, Wisconsin. Terrace Homes of Friendship became the key collaborator, working with the students and AIA150 committee throughout the fall 2006 Semester and beyond. The students’ work included site analyses, demographic studies, computer and wood models, renderings and construction drawings with budgets developed using Means Cost Data. They produced PowerPoint Presentations and a dedicated website displaying individual housing designs, the three group housing designs and community center design. After the students completed their semester in December 2007, several remained active in the initiative. The UWM Chapter of AIAS became involved in 2007 to participate in a gallery display of both the students’ work and 150 years of housing examples throughout the region of AIA Milwaukee. AIAS also collaborated on an AIA150 seminar at Forum 2007. Since our initiative began, a thoughtful dialogue is taking place between community leaders, city leaders and developers. Developers are engaging in higher quality dignified design, which is becoming viewed as a fundamental of sustained home ownership and neighborhood pride. Before the housing crisis hit, we began to work with the Legacy Redevelopment Corporation, which is rebuilding a depressed neighborhood in Milwaukee. While this development is yet to begin, its approach to making a livable community is evident. One of our prototypes will be built in the development. Similarly, our engagement with The Merrill Park Neighborhood Association has brought a change to how that neighborhood will accept new housing proposals, to ensure that the proposals truly reweave the neighborhood fabric and instill pride in the community. The neighborhood’s current residents will participate in the process. Working with the City of Milwaukee, our prototypes will be added to a pre-approved compendium of suitable home plans for vacant lots. In Racine, proposals by Habitat for Humanity and other organizations are being met with greater scrutiny by NHS and the City Development Office to ensure that plans are not just affordable, but meet the standards of good design, accessibility and sustainability. Our fundraising totals thus far have not matched what we have aimed to accomplish in our initiative. It was our aim to raise $150,000 in cash toward the construction of the community center and to offset contingencies and improve sustainable design features for each of the three prototype designs. We have exceeded our goals for each of the three housing prototypes, but must raise additional funds for the community center. We have begun creating marketing materials, complete with graphics and renderings of the proposed community center, to enhance our fund-raising efforts. When one considers in-kind contributions of products, resources and time, we have done well. We have raised $19,000 in cash to date, not counting the $2,500 that remains on our AIA Supplemental Grant. In-kind donations include a commitment by the Kohler Company to provide all plumbing fixtures for all three prototypes and the community center. We have received the fixtures for one of the prototypes thus far, at a value of approximately $8,000. This contribution is truly an unplanned and pleasant surprise. An in-kind donation from Riley Construction during actual ground breaking has been committed, estimated at approximately $10,000. None of the aforementioned dollars and in-kind donations have been implemented, as we have yet to begin construction. For our gallery display during National Architecture Week in April of 2007, Mortenson Construction donated all printing and mounting costs of our display boards, valued at over $1,000. AIA Wisconsin provided all AIA150 banners, stands, and mounting hardware, at over $2,000, while Riley Construction and Delta Electric installed and removed them from street poles in Racine. LESSONS Has your budget planning from fund-raising to expenditures proved to be credible and manageable? AIA Milwaukee has contributed a budget of $800, $500, and $300 each of the last three years to cover various food events, permits, parking fees, mileage reimbursements, and the like. The contribution of time, expertise and resources by UWM’s School of Architecture and Urban Planning has been outstanding, and immeasurable. Similarly, the contribution of time, expertise and resources by Terrace Homes has been considerable and beyond our expectations. 89 Has your original written proposal as set forth in your supplemental grant application been an effective REWEAVING road-map in guiding your initiative? 90 Our efforts have followed our proposed process to a great extent, yet we have adapted the process to account for significant challenges. First, because of miscalculations regarding the acceptable deliverables for the City of Milwaukee, we have made considerable changes to the prototype housing designs. This turn of events has pushed us to rethink the process. We did not meet with the alderman of the Merrill Park Neighborhood early enough in the initiative. This was a critical misstep that we are documenting. Second, poor economic conditions have placed the construction component of our initiative in a holding pattern. In these tough economic times, developers tend to gravitate toward tested and proven models. Modular, affordable, sustainable, modern housing is a leap of faith that many find difficult to make. Because of these factors, the amount of time to implement our built projects continues to increase. We have been slow to respond to these significant challenges, in part because our team has shrunk drastically since we began three years ago, most of the students have moved on, and continued setbacks have sapped us of our energy. Still, there is new resolve to fully complete this already successful initiative. AIA Milwaukee remains committed with annual financial resources and support. AIA150 Champion Holz is in the process of rebuilding the team, and has added a marketing expert from a local construction management firm, Berghammer Construction, to promote the prototypes and community center. To reach consensus on design updates, a meeting with Alderman Bauman and Merrill Park Neighborhood Association Director, Bob Greene, has taken place. Plans have been finalized and resubmitted to the Design Review Team, which enthusiastically approved them. As of this writing, Terrace Homes is re-pricing the final designs. As we are now moving forward, we endeavor to complete the full intent of our initiative, honor the contribution of our sponsors, and realize our ultimate goal to reweave the neighborhood fabric with modular, affordable and dignified housing. LESSONS Above NCARB Prize Entry Boards. National Recognition: AIA150 Studio Wins 2007 NCARB Prize Jury Comments “Strong points of the project are the work with modular manufacturers and firms, its willingness to take on a variety of issues including sustainability, integration into the neighborhoods and material selection, and the emphasis on the process of building particularly over a critical time frame. This is a solid, well-done project that does not look like modular housing and that looked at practice in a new way. The boards clearly presented the project process.” 91 12 MOVING FORWARD A FULL SPECTRUM EFFORT REWEAVING Despite setbacks financial and political in nature, the AIA150 team continues to push forward with its initiative to get these affordable, accessible, modern homes built in their community long after final studio grades have been issued. Given the current economic climate, affordable housing becomes an even more important issue for the people of the Milwaukee metro area. When funding for the effort came into question, the team came up with a smaller floor plan for the Racine house. A second revision modified the house to be constructed as a Habitat for Humanity project, using volunteer labor to finish the raw modules as delivered by the manufacturer. 92 FORWARD Concerns over the housing market and the prototypes’ exterior fenestration have slowed efforts in the Merrill Park Neighborhood. Nonetheless, area residents and the neighborhood development organization remain enthusiastic about the student designs. Facade alterations have been approved by the district’s alderman, and the team is optimistic that the homes will be built as soon as the economy stabilizes and buyers are qualified. At this time, the AIA-funded community center project appears to be on the fast track for construction. The design has met with neighborhood and city approval- all that remains is additional funding, and the Merrill Park Neighborhood Association will immediately own and operate the center, avoiding the extra step of finding a buyer, as with the housing. These issues highlight perhaps one of the most important lessons to be learned from this process. While sometimes disheartening, the process of getting a real project built requires persistence, flexibility, and above all patience. The best intentions and most talented designers in the world would mean nothing without the tireless dedication of industry professionals, educators, students, and community leaders to see the project through. This unintended dose of reality has taught students that doing probono work can be a difficult and messy process. After seeing the breadth of need in our communities, however, we cannot simply give up and ignore the problem. Our profession must continue to engage these issues in order to be truly relevant for more than society’s elite. That is the best lesson of all. 93 STUDENT OPPORTUNITY Developer expresses interest in modERNA 150 REWEAVING After seeing a website of the AIA150 studio’s work, Paul Handle- a modernist residential designer and founder of Go Modern homes- contacted the project team with interest in one of the individual student prototypes. Bryan Finnegan’s modERNA 150 house represented a perfect fit for the modern aesthetic of Paul Handle is bringing to The Legacy, a new development of 50 homes on Milwaukee’s north side. Working with modular builder Terrace Homes, the original prototype was modified and enlarged to meet the developer’s specifications. This level of interest speaks to the potential and broad appeal of these modern sustainable student designs. 94 Above Street view of modERNA 150. Above Below Section through living space. Plan showing development sites. FORWARD Above Revised elevation and plan drawings for The Legacy development. The modern expression of glass on the street facade brings forth greater visual access to neighborhood happenings outside and is viewed as an illuminated lantern of activity from the exterior. Visual intrigue to the roof level reveals rooftop access with usable social space and the implementation of a green roof system, helping to mediate interior temperatures. Multiple elements bring the idea of sustainability to the neighborhood such as window placement to facilitate passive ventilation in the summer and solar heat gain in the winter, potential photovoltaic panels and rainwater for irrigation, and the use of a porous driveway paving limiting surface run-off. Along with a double story entry/living space, the interior concept developed with two primary design elements. The first is an open stair leading up and around a seemingly free standing wall plane offering a palette for artistic expression allowed to be seen by the outside world. The second is a floating translucent cube at the top of the main stair. The volume elegantly sits above the living space and sits shy of touching the front facade. Silhouettes of objects and activities develop from the spaces beyond when illuminated. 95 Above MERRILL PARK UPDATE REWEAVING AIA submits revised elevations to city 96 After meeting initial resistance to the appearance of housing prototypes with regard to the historical character of the Merrill Park neighborhood, the AIA150 team went back to the drawing board to produce an alternative that would be more palatable to decision makers at the city level. While some of the modern character and detailing has admittedly been lost, the homes retain the intelligent layout, energy efficiency, and respect for the nature of modular construction. More importantly, these revisions keep alive the promise of filling empty urban lots with well-designed, affordable housing. Revised designs for Veil House prototype. FORWARD Above Revised street elevations. Two new variations of the Veil House elevations were produced with the intention of occupying adjacent lots. The railings were altered to follow a conventional vertical orientation. Window proportioning was also changed to fit better with the surrounding historical precedent, though the playfulness of the original prototype in terms of window positioning was maintained. A vibrant color palette resonates with the character of Victorian-era homes in the area- this is a marked departure from the relatively bland color schemes of more recent homes. Subtle differences between the size and proportion of windows on the adjacent homes demonstrates variation from one house to the next. “Type and Transformation: One without the other is boring.” Ro ber t A.M . Stern 97 PARTNERSHIPS AIA Forges New Relationships REWEAVING In January 2009, architect John Holz met with a representative from Layton Boulevard West Neighbors (LBWN), a community organization committed to the positive development of a once depressed neighborhood. Using the designs, pricing, and manufacturer commitments from the AIA150 studio, this group hopes to bring one or more of the prototypes to their community. Using funds from the federally-funded Neighborhood Stabilization Program (NSP), LBWN hopes to build one of the student designs on a vacant city lot. 98 In addition to the LBWN partnership, the AIA continues to work closely with the Merrill Park neighborhood association, The Legacy development corporation, Cooperating Congregations of Waukesha County, Neighborhood Housing Services of Southeast Wisconsin, and the City of Milwaukee Department of City Development (MKEDCD). Above Town hall meeting in Racine, WI. DIAMOND PLATINUM GOLD SILVER BRONZE ($10,000 +) ($5,000-$9,999) ($2,000-$4,999) ($1,000-$1,999) ($500-$999) University of WisconsinMilwaukee School of Architecture and Urban Planning, Dean Robert Greenstreet, Brian Wishne The Kohler Company, Kohler, WI Deborah Richter American Institute of Architects Mortenson Construction Director of Operations Timothy Maag AIA Milwaukee Chapter of the American Institute of Architects Berghammer Construction President Leif A. Nesheim The Plunkett Foundation RECOGNITION DONOR RECOGNITION Kahler-Slater Architects AIA Wisconsin Chapter of the American Institute of Architects Plunkett-Raysich Architects Managing Partner David Raysich Riley Construction Company, Inc. President Dave Riley Wisconsin Preservation Fund Bruce T. Block, Chuck Engberg, AIA Reweaving the Neighborhood Fabric and the AIA150 Studio at UW-Milwaukee were made possible through the generous donations, both monetary and in-kind, of many partners. The project team leaders, educators, and students would like to extend their thanks to all of our donors at every level. With your support we can continue to improve the built environment for all. 99 A APPENDIX RESOURCES + REFERENCES American Institute of Architects www.aia.org The City of Milwaukee. Built in Milwaukee: an architectural view of the city. Milwaukee: City of Milwaukee, 1980, 1983. American Institute of Architecture Students www.aias.org Dean, Andrea Oppenheimer. Samuel Mockbee and an architecture of decency. New York: Princeton Architectural Press, 2002. City of Milwaukee Department of City Development www.mkedcd.org The Freeman Staff. “Architects’ group plans ‘affordable housing’ project,” The Freeman, July 8, 2006. Cooperating Congregations of Waukesha County www.ccwc.org Gould, Whitney. “Architects show modest budgets don’t require modest design,” The Milwaukee Journal Sentinel, July 17, 2006. Grundle, Joe. “AIA to provide affordable housing,” The Daily Reporter, July 7, 2006: 108-132. James Hardie International www.jameshardie.com Layton Boulevard West Neighbors www.lbwn.org Neighborhood Housing Services of Southeast Wisconsin www.nhswi.org Terrace Homes www.terracehomes.com U.S. Census Bureau www.census.gov Grundle, Joe. “Students work with pros to build house,” The Daily Reporter, December 19, 2006: 108-246. Hampden, Jane. “Affordable good design,” Lake Effect, Milwaukee Public Radio. WUWM, Milwaukee. March 14, 2007. Hara, Kenya. Designing Design. Baden: Lars Muller Publishers, 2007. Holz, John and O’Connor, Ryan. “AIA 150 studio: a collaboration of practice and education,” presented at AIAS FORUM, Milwaukee, WI, December 29, 2007. Holz, John. “AIA 150 in Wisconsin: a blueprint for urban revitalization,” presented at AIA National Conference, San Antonio, TX, May 3, 2007. Kirk, Patricia L. “Building blocks of housing affordability,” Urban Land Magazine, July 2007. REWEAVING The American Institute of Architects. Livability 101. Washington, D.C.: American Institute of Architects, 2005. 100 The American Institute of Architects. Communities by Design. Washington, D.C.: American Institute of Architects, 2001. Architecture for Humanity, ed. Design Like You Give a Damn. New York: Metropolis Books, 2006. The National Council of Architectural Registration Boards. NCARB Prize for creative integration of practice and education in the academy. Washington, D.C.: National Council of Architectural Registration Boards, 2007.