September 2013

artla
magazine
September 2013
The Los Angeles African Art Show
An Exclusive Exhibition of Rare
Antique African Artworks Coming to
JNA Gallery
September 26-29, 2013
Cover Photos: Jeffrey Kalban, MS-F, Polyurethane Paint on Aluminum, 144 x 108 inches
Contents
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The Los Angeles African Art Show
Jeffrey Kalban
Bergamot Station Celebrates 19 Years!
Francesca Bifulco
Luxury At Its Finest
Digital Fabrications
Art Calendar
Windpower and Aesthetics
It Takes A Village
Page 12
Page 20
Page 32
When I started ArtLA.com four years ago I was inspired by an
artist whom I considered to be stunningly brilliant, but was having
artist and within just a few months of utilizing what was then the
and well deserved heights, and laying the foundation for what is now
a successful art career. Fast-forward to 2013–the online art sales
scene has changed and evolved in ways that perfectly exemplify the
digital principle of Moore’s Law. For example, analysis by art insurers
at Hiscox reveals that 90% of galleries regularly sell to clients on
the basis of a digital image only, and that many customers become
the reasons that online art sales have been growing by over 20% a
art marketing; however, where does that leave the traditional gallery
setting, and how best can the two environments come together and
produce a melody of synergetic harmony in the 21st Century?
We would love to hear your thoughts. Please e-mail us at
contact@artla.com.
Kindly,
Heidi Gray
Co-founder
ArtLA.com, Inc.
CONTRIBUTORS
Tim Broughton
Valerie Wacker
David Katz
ART DIRECTOR
Arezoo Bharthania
The Los Angeles African Art Show 2013
An Exclusive Engagement of Rare African Art
O
ancient African pieces of art available anywhere in the world today. Presented in a top-tier gallery environment, visitors will be able to enjoy,
study, and purchase authentic African Art pieces of immense aesthetic appeal and considerable value.
special pieces, many of which have never before been made available for public display.
One of the many rare and highly desirable items available during this extraordinary exhibition is the Zoomorphic Mask of the Kore Society
stands 17 ¾ inches tall and is made from stained wood with evidence of libations and feathers, encrustation, and features epoxy from old
applied mirrors on the edges.
Friday, Sept 27: 10 am - 6 pm
Saturday, Sept 28: 10 am - 6 pm
Sunday, Sept 29: 10 am - 5 pm
Show Location:
We look forward to seeing you.
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Jeffrey Kalban is a name that anyone with even a passing
familiarity with the world of contemporary architecture will
recognize as an individual whose talent for structural design
has graced numerous locations with aesthetic enhancements
that meld form and function into practical fabrications that
exude intrigue, beauty, and artistic awareness with delicate
artla magazine
Jeffrey Kalban
FP-II, Acrylic on Canvas over Plywood, 59 x 48 inches
Although Kalban works with his company, Jeffrey M.
Kalban and Associates Architecture, Inc., to design urban
feel comfortable, then
good things happen. Our
wide range of friends and
focused…on the issues of our clients
and the aesthetic resolution of programs,
life and work that always
opens up new ideas and
lacking in his ability to effectively promote
In our exchange,
Kalban shared that one of
is an architect, and believes that the two disciplines are, and
always have been, so interwoven for him that he could be
considered a painter of buildings and a designer of art.
In describing the great pioneer of modern architecture
of societal thinking is the
apparent lack of real and
expressed appreciation in
Corbusier’s passion to ‘study for the reason of things’ and his
poetic compositions made him a total artist. His architecture,
profundity of thought was
also directed inwards with
Kalban’s admission that
his own creative process.
With a personality that could be considered
mathematically inclined, systematic, and focused, it is
evident that Kalban applies his natural disposition to a
creative process that, although seeded in a free-forming
imagination, is detailed by incisive application of geometric
discernment that results in designs of impeccable accuracy,
balance, and elegance.
Dedication to the task at hand is of paramount importance
even though he has undoubtedly reached
the most elevated pinnacles of achievement
in his character suggests a gentleness of
ego that is born out of realism and sincerity
as opposed to any kind of trend-centric
emotional commodity.
Finally, we asked Kalban if his life were
a movie, what would the title be? “It’s a
We have a sense that just like George
have touched many, many lives.
Path
Homeless, Hollywood
He replied, “It is always my current project. We take on
or the client, or the limitations imposed on it. As long as I am
was reiterated when we asked him if he could host a dinner
party with several individuals of his choice, who would he like
to be at the table? His simple answer, “I approach our dinner
parties the way I approach my architecture and art. As long
as the space is right, that no detail is ignored, and people
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Bergamot Station Celebrates
19 Years!
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On Saturday, September 7
th
California will celebrate its nineteenth year of being the largest and most active permanent
with a day of art, fun, and cultural entertainment that will be the highlight for many of Southern
special place.
One gallery that is pulling out all the stops on September 7, 2013, is the highly respected
a plethora of brilliant art by some of the world’s most recognized talents including Patrick
will also be in exhibition by Jeffrey Kalban, who although popularly known as an architect of
superlative talent and accomplishment, will be showing the pure artistic side of his creative
bent with some stunning works that beautifully blur the lines between art and design.
7th, and will feature some special added attractions as well as complimentary cocktails and
wine for the visitors. All the art will of course be available for enjoyment and purchase, and
Americana and Neon Collectibles, there will surely be something for everyone.
Please call JNA Gallery at 310-315-9502 for more information.
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CLA-Class Coupes
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Francesca Bifulco
UnReal Art
Francesca Bifulco: When I was little,
like everybody I guess. I studied a little in
conscious painting to have been made
in 2009. It was a painting of a crowd of
people. In 2011, I expanded the concept
In The
Crowd.
ArtLA Magazine: Did you get any
formal training in art?
Francesca Bifulco: In 2006, I moved to
who has
developed a style that is boldly entertaining,
striking, and memorable. In the past couple of
years she has raised many an eyebrow, and
triggered abundant smiles with her method of
is inspired by real-world scenes, but possesses a
of Fine Arts.
ArtLA Magazine: How does the art
scene compare in the US to Italy?
Francesca Bifulco: I started my career
here I brought my Crowds series in a
large and heavy tube. When I approached
galleries in Los Angeles, they didn’t ask
me who I was or why, they were interested
over footage, frame by frame, for use in liveof this style was seen in the 1985 A-Ha hit video
the opportunity to exhibit my works with
Angeles, I had an interview with a gallery
approach.
became clear that just like her art, her personality
is alluring, genuine, and slightly off-center, in a
most appealing way!
ArtLA Magazine: When did you start painting
or drawing?
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I was, and why I was traveling with such
a large tube, which in America seems to
inspire curiosity more than annoyance.
Finally, in the end they glanced at my
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were more interested in the artist than the
art itself, which wasn’t really in line with my
thinking. I feel an artist should be known
for their work, not the work being known for
the artist that made it. Also, it was a little
surprising that I was more welcome overseas
than where I was from. Although, recently
I’ve had works on display there, which gives
me hope for the emerging art scene in Italy.
ArtLA Magazine: What are your thoughts
about Los Angeles?
Francesca Bifulco: Los Angeles is where
the place where I am growing as a painter.
It’s an open-minded city that has been very
welcoming. I’m very comfortable in my place
in the heart of Silverlake.
ArtLA Magazine: How would you
describe your perfect day?
Francesca Bifulco: Last month I had my
the door of my place and had a blast! I
were there. My friends from LA too. New
people came to see my works, including a
ArtLA Magazine: What does art mean
to you?
Francesca Bifulco: It’s a chance to
the purposeful act of self-expression without
purpose. It must go beyond the obvious, be
imperfect and be the cause of great disorder.
Producing art is not a joke. It’s not that
one day you born and that’s it. It isn’t that
straightforward. It’s a long journey unto itself.
You’re born and you are responsible of what
you leave in the world. I would like to leave a
mark with my work. I am working hard to do
something that might inspire the society I live
in today.
artla magazine
In The Crowd #5, Acrylic on Cotton, 84 x 62 inches
ArtLA Magazine: Name three things on
your bucket list?
Francesca Bifulco: In no particular
old run-down movie theater, and paint for
.
can be viewed September 7 through October
Station Arts Center, 2525 Michigan Avenue,
on Saturday, September 7, from 3:00 p.m. to
be seen at:
http://www.artla.com/bifracchia/
dashboard/gallery
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Luxury At Its Finest
Mercedes S-Class
in the world; since those heady days of 1879, the
company that bears his name has been afforded
a generous helping of time with which to advance
Innovation You Never Imagined,
Craftsmanship We Will Never Forget.
Mercedes S-Class is the latest example of fourwheeled perfection to emerge from this illustrious
alone, it is yet another pinnacle of beautiful
mechanical engineering.
.
its iconic chrome grille, every generation of S-Class
has unveiled the future of the automobile with
groundbreaking engineering, from fuel injection
also shaped the future of its design, with advanced
aerodynamics, elegantly purposeful details, and
charisma.
Perfection to the last detail truly succeeds in
the seats or the air conditioning, the controls or
the design, the comfort and safety in the rear, or
new ideas, their painstaking realization, and the
best, every part underpins the high standards that
obsessive mindset of the Mercedes design
team when it comes to the fusion of comfort and
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design of every element, down to the central analog
timepiece. In all possible ways, an S-Class is crafted
to reward your every sense.
with the most advanced one offering rear seats that
recline to an angle of 43.5 degrees, offering calf
support and an extra comfort cushion. You can also
console all the way to the back, also offering thermocup holders.
Despite the slight increase in size for the 2014
model, the Mercedes S-Class is now up to 100
changes were possible through the extended use of
structure, being accompanied by ultra high strength
steel.
month later it will also come as the S550 4Matic.
For more information about the S-Class and
- Tim Broughton
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leading modern architects and artists are considered the
forerunners in this digital fabrication revolution. First is
an architectural studio called IwamotoScott Architecture
that has done some brilliant experimental work. Lisa
taught digital fabrication for a number of years. Her book,
Digital Fabrications: Architectural and Material Techniques,
provides great insights with fantastic visuals. In our
can be utilized in digital fabrication, including a method
dimensional piece to become a three-dimensional example,
One of my favorite works from IwamotoScott’s studio
an experimental prototype. With fantastically vibrant and
beautiful forms, the multiple layers of skin possess both
an organic and geometric feel. My personal appreciation
undersea coral, but with a dense transparency as well.
Another fabrication by IwamotoScott’
Digital Fabrications: A New Art Form
In recent years, a new art form has emerged called digital fabrication. Digital fabrication is
a process where architects, interior designers, and sculptors use complex computer software
to create a 3-D image, which is then fed to a manufacturing tool called a CNC milling
machine. CNC, or Computer Numerical Computing, often possesses a design pattern with
Top Photo:
Voussoir Cloud, Photo
Courtesy of
IwamotoScott Architecture
shapes into materials like metal, plastic, and wood to create new surfaces and designs. For
Next Page Photo:
entirely of wood, this visionary piece gives a glimpse of the
future of sculptures and buildings. Its repeated geometric
designs and archways are reminiscent of a cell, like being
on the inside of the thin skin of a plant. While completely
different in terms of material, tonality, and even concept, I
am reminded of Dale Chihuly’s immersive glass sculptures.
Another exceptional example of digital fabrication is
philosophically aims to create new kinds of architectural
experimental digital fabrication completed in 2007 titled
as three-dimensional as a building or sculpture. Alternatively, an additive process is used in
3-D printing, which is also gaining in popularity.
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IwamotoScott Architecture
response is to want to be inside—the work’s double-curved
geometric shapes are very intriguing. You get the feeling
of being in a world within a world. A world of illusion and
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magic, and perhaps a new paradigm for an architectural age in which
there need not be any edges, beginnings, or endings.
describes the potential of this process as opening up a broad range
language, his piece explores exciting new avenues for digital
to what we were really interested in: designing the visual and spatial
for Maximiliano, a Los Angeles restaurant. For part of their design
to an elegant mural; a red wall looks plush in between very thin
stretches the full length of the wall, breathtaking in scope. Opposite
this piece is another digital fabrication, namely panels brightly painted
describes it as a kind of 1970’s art piece, depicting how there are
very subtle patterns that shift as you move through the space. David
opinion, their best works lie ahead of them. I think their work is
phenomenal, and I can’t wait to see what they do next!
Our third example, located in the heart of industrial Los Angeles,
have been exhibited in some of the most prestigious museums in
the world including the MOCA, Museum of Modern Art, New York,
Guggenheim, and LACMA. As partners, they have created some very
interesting, award-winning pieces.
Having been privileged to actually tour the studio and meet with
machine that they invented which sprays pulped paper to make string and paper sculptures. Overall, you can
sense all the artistic research that goes into every project that the studio develops. Impressively owning their
own CNC machine, the studio prides itself on doing its work in-house.
Likely their most popular project fabricated is a sculpture called Cradle, which was commissioned by the city
of Santa Monica. Suspended off the side of a parking lot building on the 4th Street stretch, this sculpture has
approach with the latest array of technologies, research, and processes to create new innovative art and
extroverted and expressive Gaston was an experience in itself; he
other hand, is laid back and cerebral, but very passionate in regard
to their work. Surrounded by fabrication samples hanging on the wall
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are limitless.
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- David Katz
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unique and elegant picture frames
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Absolutely beautiful
Beverly hills - west hollywood
picture framing
gallery
9685 little santa monica blvd. Beverly hills, ca 90210
phone 310 . 278 . 4798 fax 310 . 278 . 4703
www.bhpictureframing.com
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ART CALENDAR
September 2013
Germany
Australia
Sydney, Australia
ART GALLERY OF NEW SOUTH WALES
Still Life
France
walls is mesmerizing enough to obliterate
the fact that many of them, in paint, pastel,
mosaics or even beans, do not have much
artistic value. Left, a view of the installation.
through chronological rooms of paintings
and etchings, and a long open gallery of
sculptures that echo the two-dimensional
works and can be seen from several angles.
and kitchen utensils. In later centuries, still
Swallow, which illustrates the riches of
France
is at the core of the show of 20 paintings
and works on paper by Australian artists.
Giverny, France
MUSÉE DES IMPRESSIONISMES
Hiramatsu, le Bassin aux Nymphéas:
Hommage à Monet
Brazil
PINACOTECA DO ESTADO DE SÃO
PAULO
Francis Alÿs: Fabiola
Do not expect to see Mr. Alys’s works.
Paris, France
CENTRE POMPIDOU
Roy Lichtenstein
struck by the serenity and poetry of the
place. From then on, working with gold,
silver and platinum leaves, he recreated,
in his own Japanese and contemporary
immediately recognizable for its primary
imagery — comics, advertisements and
popular culture. In later years, Lichtenstein
reinterpreted the works of classical and
modern masters, such as Picasso, Matisse
and Léger. At the end of his life, the artist
returned to classical nudes, Chinese-inspired
landscapes and still lifes. Left, the artist in his
Southhampton studio with, from left, “Mirror
garden. His poetic paintings are juxtaposed
with Monet’s Japanese prints and a few
works on loan from the Musée Marmottan
Monet in Paris. Left, “Motifs de Nymphéas
MARTIN-GROPIUS-BAU
Kapoor in Berlin
From early pigment works inspired by his
native India to recent motorized red wax
use of different media — pigments, stone,
mirrors, wax. He melts the borders between
architecture, sculpture and installation, and
challenges the audience’s imagination and
were created over the past 30 years, some
installed in the atrium of the museum.
Germany
Karlsruhe, Germany
ZKM |MUSEUM OF CONTEMPORARY
ART
Matthew Day Jackson: Total
Accomplishment
of copies, similar in pose and color, of a
famous, and now lost, 1885 portrait of
works in painting, sculpture and video, is
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ART CALENDAR
September 2013
based on his belief of a world order based
on destruction. Predominantly a sculptor
creates unusual works out of found artifacts
and high-tech materials that symbolize
destruction, such as “Axis Mundi, 2011,’’ the
pieces of clothing, epitomizes the curatorial
United Kingdom
statues and the work of 17 contemporary
artists. Works by Arte Povera artists, such
as Mr. Pistoletto and Janis Kounellis,
photographs by Mimmo Jodice and works
by lesser-known artists re-interpret, in
various media, the aesthetic values that
were attached to classical and ancient art:
beauty, harmony, perfection, measure and
Canada
TATE MODERN
Saloua Raouda Choucair
and a cube representing a certain volume of
THE ROYAL ONTARIO MUSEUM, ROM
Mesopotamia: Inventing our World
Ms. Choucair was resolutely more modern
Hong Kong
Hong Kong, Hong Kong
HONG KONG MUSEUM OF ART
Maritime Porcelain Road: Relics From
Guangdong, Hong Kong and Macao
Museums
With 170 artworks from the collections of
the three museums, the exhibition, which
opens Friday, documents the importance
and impact of Chinese export ceramics
the cradle of our civilization perdures.
Agriculture, irrigation, urbanization and
writing were born and developed in the
beliefs and achievements of successive
civilizations — Sumer, Assyria and
she studied under Fernand Léger in
Paris but her works, a combination of the
modular forms, lines and curves of Islamic
aestheticism with western abstraction,
were not well received when she returned
currently on show at the Louvre, where it
features 120 sculptures in metal, wood,
by about 170 artifacts on loan from the
of recent excavations at the legendary
are complemented by artifacts drawn from
Japan
in the 18th century, after a Jesuit priest
revealed Chinese manufacturing secrets.
Left, a celadon bowl with incised design,
American museums. Left, a ninth-century
Italy
from a temple in the ancient Assyrian city of
FORO ROMANO — PALATINO
Post Classici: La Ripresa dell’Antico
nell’Arte Contemporanea Italiana
It was salvaged from South China Sea.
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Nagoya, Japan
NAGOYA/BOSTON MUSEUM OF FINE
ARTS
Sisters in Art: Women Painters and
Designers
In the late 19th century, with a greater
independence, came the possibility for
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ART CALENDAR
September 2013
women to study and practice art. Some did
it independently, some thrived artistically
thanks to a supportive partnership, such
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THE METROPOLITAN MUSEUM OF ART
Everyday Epiphanies: Photography and
Daily Life Since 1969
United States
THE HOUSTON MUSEUM OF NATURAL
SCIENCE
Fabergé: A Brilliant Vision
On loan from the McFerrin Collection,
whose owners are prime collectors of
creations — cigarette cases, eggs, picture
frames, boxes and clocks — including the
or idea reveals its radiant meaning,
according to James Joyce. In a medium like
photography that mirrors reality, epiphanies
take a different meaning, as illustrated by
four decades of photographs and videos
Salle and Fischli & Weiss, among others.
of ordinary, intimate moments. Some even
carry the Joycian radiancy, such as Nan
Goldin’s 1953 photo of a heart-shaped
bruise on a woman’s thigh. Left, Stephen
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Be Our Guest...
Where the reader becomes the writer
Windpower and Aesthetics
The Art, My Friend, is
Blowing in the Wind
because of their larger ecological
of wind energy, which doesn’t consume fuel,
and emits zero air pollution. While becoming
more common, wind power facilities have, it
seems, always been met with some opposition.
How the public views wind turbines and wind
farms plays a huge role in determining the
extent to which this technology will be used. As
a result, the aesthetic impact of wind turbines is
an important concern of both the wind industry
and energy planners.
It is a point of great interest how our view of
And so we reach this ironic standoff
in the debate about wind farm proposals.
sense is shaped by the perception and
opposition feels that wind farms violate
of the Middle Ages for example, the forest
embodied savagery, darkness, and mystery.
I
to invest in alternatives. In just a few short decades, wind energy potential has matured
dramatically; due to technological advancements and economic drivers, it is now able to make
a cost-competitive contribution to the world’s growing energy needs. Wind turbines, massed in
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described developed lands as approaching a
form of aesthetic perfection. In contrast, today’s
realization that the growing world population
could exhaust the remaining wild lands and
resources has led many to strongly oppose
to any form of development and protect the
remaining natural landscape. In this sense, the
forces opposing wind farms consider them to
be ugly in an objective sense, because they
claim, such objects turn a beautiful natural
landscape into a perceivably unattractive
but with an opposing perspective. From their
angle, wind turbines are beautiful precisely
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the look of nature, the proponents like the
look of the wind farm because it expresses
ecological rationality, regardless of its
confusing because both sides are relating
their perceived beauty to nature and
ugliness to the degradation of nature. And
yet, they are having opposite experiences
and contradictory judgments. It’s practically
a paradox!
It is curious, the more you think about
it, that aesthetics is such a central issue
of course, non-aesthetic reasons to like
or dislike wind farms. For example, some
worry about the ways wind turbines could
harm migrating birds or local sea life, or
the ways it might harm a regional economy
because of its disruption of a tourist site.
People are often hesitant to place too
much weight on beauty, as it is completely
subjective, and aesthetic objections to
wind farms are often embedded in these
environmental or economic terms.
For me personally, there is something
satisfying about the idea of gathering
energy from a source as invisible and
represent something that is well-crafted,
and especially something that is wellbecause it is symbolic of an exciting,
modern age of clean, renewable energy. I
believe that many people share the opinion
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that there is a deeply intuitive connection
between beauty, function and purpose.
these modern aspects of a wind turbine’s
structure that others see as a 300-foot
ugly intrusion on a natural landscape.
untouched countryside or coast is a
colossal array of mechanical sculptures.
response to the proposed wind farm and I
have a lot of empathy for it.
So whose perception should we
wind farm is a small aesthetic price to pay, in comparison with future landscape destruction
on a global level.
and environmental concern. If we are going to respond to other environmental problems
with sustainable designs, the social acceptance of its green design will depend upon its
perceived aesthetic values. In these circumstances, it is our responsibility, as designers,
artists and viewers, to clearly identify what we want our world to look like, and understand
the relationship between the nature of beauty and the beauty of nature.
- Valerie Wacker
to answer this one. In Walden, he wrote:
“It is something to be able to paint a
particular picture, or to carve a statue,
and so to make a few objects beautiful;
but it is far more glorious to carve and
paint the very atmosphere and medium
through which we look, which morally we
can be used as renewable energy to
support our way of life.
Assuming that our reliance on
unsustainable forms of energy continues,
we will need to build more power plants
and transmission lines for harvesting and
transporting more oil, natural gas, and
uranium, all of which would exacerbate
the destruction of natural habitats
and landscapes, create pollution, and
increase the possibility of environmental
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It Takes A Village: How an Artist Is Creating Change in Africa
hundred years, if at all, and rarely even work.
And Paige knew from experience that it was
highly unlikely that Steven would get the 20
million dollars, but she didn’t give up hope.
She turned to her personal friend, Kathy
huge—the Cui Bono village alone is home to
12,000 people, and in the entire region the
roundtable meeting, Kathy pitched the project
this project to cost $1.5 million, one-twentieth
of the original price tag! It really was the
was a dream come true. For nine years of
dirt and desolation, the village people had
faith that someday a dam would be built and
improve their lifestyle. Steven believed that
if he made enough friends, the money would
reach; however, Steven and Paige continued
It all started with a simple conversation,
when Paige De Ponte asked Steven
in Steven, who she’d come to know as “just
September of last year, the two had been
talking with each other regularly, but it
wasn’t until four months later that Steven
revealed that he was from a Kenyan tribe
people, and in the entire region the project
will directly affect 80,000 people.
In the interim, the village had built roads
and planted about 500 trees to encourage the
fund-raising documentary, and tell his story.
She wanted to set up a kick-starter program
as well.
Paige gushed. She explained how little the
people knew about how fundraising worked,
who had come across Paige’s proposal at
uneducated, just naïve…and new to the world
It is incredible how Paige’s chance occurrence with Steven all of a sudden developed
into something so life-changing for an entire
region of Kenya. Like Paige, one common
message artists uphold, regardless of their
country or medium, is that we all can help to
improve the lives of those in need. It is well
known that art and popular culture plays an
extremely important role in humanitarian efraise awareness than virtually any other art
form. In a way, independent feature documentaries are currently the number one approach to inspire others to save the world.
Artists are more than businesses manufacturing a product; they are cultural messengers.
And as Paige De Ponte proves, the message
can have a global impact.
told Steven that she had traveled to Africa
writing books. Paige then learned that
fundraise for their projects.
After a few more exchanges, Paige
realized that Steven’s proposal was pretty
extensive—the Kenyan government had
approved to have plans drawn for a 20
million dollar dam. According to Paige,
these kinds of dams are known as “white
artla magazine
Now, Paige, Steven, and Patrick are at the
- Tim Broughton and Valerie Wacker
government dam project, and was asked to
assist him. At the time, Paige was too busy
to personally endorse his cause, but she
was able to connect him with the Creative
months later and presented to her a
sustainable dam system idea that he created
project will take a full year to complete; the
of an ecological tool kit, the implementation
of the dam would pay the villagers to
construct their own dam, provide tools made
the dam size, move it if needed, and build
schools to teach them the construction
methods. Lastly, and most importantly, it
would teach the village how to create their
water, as well as about sustainability,
sanitation, and distribution. Patrick anticipates
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dam site, then schools and sustainable
living shelters will be built, and after that
the villagers will follow the guidelines set
up by Patrick’s organization to establish
an offshoot of water businesses, farming
systems, and other ecological trades. During
as a documentary and promote the use
of Patrick’s new kind of sustainable dam
globally.
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Thanks for viewing
artla
magazine
For advertising enquiries:
email Tim Broughton
at tim@artla.com
or call 310.315.0282
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