to see the magazine - University of Kentucky Bands
Transcription
to see the magazine - University of Kentucky Bands
Catch It! Winter 2012 Karen Ogden Studio celebrates four decades of INSIDE: southern success • KOS — Four Decades of Success Volume 53 Issue 1 • • • • • • • • Editor's Note Coaching at Both Ends of the Spectrum College Bowl Twirlers Jenni Webb: College Twirling Coordinator 2012 US Trials Athletes New USTA Coaches & Judges Show Team Event Info Department Updates Experience the Best! The besT ! Twirlers The besT faciliTies ! For more information visit The best competitions for www.ustwirling.com or call 321-206-3240. advanced / elite AND beginning / intermediate athletes! All in a family-friendly location with lots to see and do! NEW WITH THE CATCH IT! E-ZINE: Book your hotel for Nationals - page 13 Karen Ogden is a true southern belle, as demonstrated by her gentle spirit, exquisite manners and sweet southern drawl. But don’t let that southern softness fool you; underneath that ladylike exterior is an ironclad commitment to excellence that has made her one of the most successful baton twirling and dance coaches in southwest Louisiana for more than four decades. In 2012, Karen Ogden Studio will celebrate its 42nd year in business in Sulphur, LA, the small town where Ogden fell in love with twirling at age 13, when she started taking lessons from the local high school twirler, and later from Carl Dunn. “She really liked it,” said Ogden’s daughter, Kristi Ogden O’Quain. “Her mom would sell real estate half the year to make money for twirling. The other half of the year they would go to clinics and competitions.” Ogden went on to become the feature twirler at Texas Christian University, where she earned her degree in Spanish. She taught school in Texas for a while, where she met her husband, Don, but they soon made their way back to Sulphur. Not long after, Ogden was coaching in all the communities around Sulphur, as well as her own front yard. “I can remember being two or three years old and looking out our screen door and seeing her teaching in our driveway,” recalls O’Quain. Ogden stopped teaching school in 1968 and opened Karen Ogden Studio (KOS), where she began producing national individual and team champions, including her daughter, O’Quain, and later, her granddaughter, Keragan Ogden, as well as Amanda Book Guidroz and Lori Lewis Perkins, both of whom are now USTA judges, coaches and members of the KOS staff, along with O’Quain. Perkins is also a member of USTA’s Board of Directors. continued on page 7 Welcome to the new Catch It! “e-Zine” 18511 SR 501 Wapakoneta, OH 45895 Phone: 321-206-3242 Fax: 509-275-3242 Web site: www.ustwirling.com BOARD OF DIRECTORS Honorary Board John Kirkendall/MI Fred Miller/OH Bobbie Mae (deceased) George Walbridge (deceased) Nick Michalares/IN (deceased) Executive Board Lee Callicutt/MD John Chamberlain/FL Ed Daizovi/IN Diana Loomis/KS Secretary/Lori Perkins/TX Vice President/ Thomas Breuckman/OR President/Mark Nash/CA USTA DEPARTMENT DIRECTORS Communications/Anna Osborn Dolan Competitive Events/Koralea Slagle Education/Jackie Stewart Growth & Development/Kellie DonovanPerelman Member Services/Julie Jenkins Tabulation / Michelle Dawson USTA Webmaster/Gina Flores TECHNICAL ADVISORY GROUP Sandi Rios/U.S. Technical Advisor Kyle Keiser Karen Ogden Jackie Stewart Amby Taylor Dale White Winner's Issue Editor/Krystal Mignone e-Zine editor / Anna Osborn Dolan Graphic Designer/Tara Neff USTA News & Views is a monthly eNewsletter delivered via email. 2 Catch It! Fall 2011 Volume 52 Issue 3 ts United States Twirling Association USTA is pleased to launch the new Catch It! “e-Zine.” This new electronic format will allow us to produce Catch It! in a vibrant, full-color format that you can read anytime, anywhere, on your computer, iPad, netbook, notebook or even your smart phone. It will also save USTA thousands of dollars in printing and postage costs, that can be reinvested in other programs to serve our Winners' issue members. The Winners’ Issue of Catch It! will remain a printed, keepl su e sake issue, 2 01 1 National R highlighting all of the winners from the U.S. National Baton Twirling Championships, Festival of the Future, US PreTrials and International Cup Qualifier. USTA coach and master judge Krystal Mignone will continue as editor of the Winners’ Issue – a HUGE job – one that she has handled for many years with great dedication and attention to detail! USTA is very fortunate to have her at the helm of this important publication! Please send us your feedback on the new “e-Zine” format, along with your story ideas and other suggestions! We want to tell YOUR twirling stories! Sincerely, Anna Osborn Dolan Director of Communications e-Zine Editor Important Information for USTA members The newly-updated USTA Rule Book is available to USTA members in a downloadable format on the USTA website, www.ustwirling. com. Just log in to Members Only and click on Documents in the left hand menu. A “read only” copy of the Rule Book is available to everyone under About Us>Contest Info. The entry deadline for the U.S. PreTrials is Wednesday, April 4, 2012. Paper and online entry forms are available on the USTA website, www.ustwirling.com, under Events>PreTrials. The entry deadline for the U.S. National Baton Twirling Championships and Festival of the Future is Tuesday, May 1, 2012. Paper and online entry forms will be available SOON on the USTA website, www.ustwirling.com, under Events>National Championships. Schedule and hotel information is also available there. Coaching at Both Ends of the Spectrum By Kyle Keiser USTA Coach and Judge They come bubbling in the gym. Pint-sized twirlers, new baton in hand, ready for their instructions and just sure they already know how to do something special! First day of 3-year-old class is beginning. A wide new world awaits them. On any other day, the teenager walks in with bags, various shoes, powder to spin, tape for one of several batons, selections in music, food supply and icy hot! They know the process, prepare themselves for a few hours of drilling and face the coach. They know their mistakes, reflect on their competition, focus on their goals and push or are pushed. This is the life of a coach working in two different worlds. To be the coach of elite athletes is exhilarating, challenging and a history long in the making. But……. to make sure our sport continues, to find the next little twirler who may just love spinning a baton because he or she can, and to seek the champions of tomorrow, we must encourage, promote and Kyle with one of her older students, elite athlete Taylor Wiggins present the opportunity for new twirlers to walk in the door. It might as well be Venus and Mars. What the coach does with the beginning 3-year-old is an entirely different world than preparing a freestyle or detailing an advanced solo. The little ones are waiting wide-eyed and eager to have fun. The bigger ones each need to be fine-tuned in the method they best respond to. The 3-year-olds are cute phrases and names of movements, circle games, learning to Pointed toes are important from the very beginning! Kyle gets down on her students’ level during the very first lesson with a new group of three-yearolds! follow instruction, keeping their attention, learning how to skip and reward stickers. They are exhausting! The Elite athlete is a mental and emotional challenge. They are shaped by training and environment to rise above their challenges and find somewhere in themselves how to peak at the right moment. They are a puzzlement in mental, physical, emotional and academic challenges. What is the common denominator in all levels of instruction? Aiming for excellence! It is the knowledge that each child will rise to the appropriate level of demand when you expect the best. Having a passion for what you do and being tolerant of individual differences while addressing the needs of your students is paramount. Have standards for yourself and your clients with the ability to be gentle when needed and strong when necessary. Not every child will be a champion. But every champion was once a child. Give the sport of our lifetime to someone else………today! 3 College Twirlers go “Bowling!” Congratulations to the twirlers who performed at bowl games this season! Just look at the fun they had doing fabulous performances for thousands of cheering fans! They tell us what the bowl game experience was like! Alexis Abraham – University of Cincinnati Feature Twirler – Liberty Bowl "Twirling at the Liberty Bowl with the Cincinnati Bearcats twirling line was an amazing opportunity. Performing in the parade on Beale Street was my favorite part because the UC fans were so pumped to be there! I hope many twirlers get to experience the thrill of a bowl game!" Alexa Bourdage – University of Texas Feature Twirler – Holiday Bowl “This was my second trip to the Holiday Bowl and I could not have asked for a better - or more fun - way to finish my career as the University of Texas Feature Twirler! We visited a battleship, marched in the San Diego Big Bay Balloon Parade, took on the Cal Band in a spirited "Battle of the Bands", and even made an appearance the world-famous San Diego Zoo! I was lucky enough to get to twirl fire baton in Qualcomm Stadium not just once, but twice! What better way to finish off the trip than a Longhorn victory? Hook 'Em!” Danielle Cobb – Arizona State University Feature Twirler – Maaco Bowl “After four years of twirling for Arizona State University, we finally made it to a bowl game! I was so excited to be able to travel with the band to the Maaco Bowl in fabulous, Las Vegas. It was such a fun place to be for a game, and we had a lot of free time to go out and explore the strip. Everywhere we went there were ASU and Boise State fans reveling and getting caught up in the excitement. If you were wearing the ASU logo, people walking by would start yelling and giving the pitchfork hand gesture. We performed at several pep rallies during the days leading up to the big game. There was one performance that was particularly memorable when we had a battle of the bands at the Freemont Street Experience. There was a canopy of over 12 million LED lights that played clips from past Maaco Bowl games and some of ASU and Boise State’s best plays of the season. It was such a neat venue, and the ASU fans were very supportive of the band, dancers, and twirlers. Although the game did not turn out the way we hoped, it was still a blast twirling for pregame and halftime with Lauren Basile and Megan Husted in front of thousands of screaming ASU fans. The temperature for the game was in the low 40’s. This may not seem too extreme to twirlers from northern schools, but for us Arizona girls, it was an abrupt temperature shock. Our coldest game of the season was around 60 degrees, and yes, we are pretty spoiled. While we froze on the field in our costumes, we managed to stay fairly warm and bundled up in the stands. I’m so glad I had the opportunity to participate in a bowl game before I graduate in May. It was definitely one of the most exciting games I have ever experienced.” 4 Nicole Jensen – University of Georgia Feature Twirler – Outback Bowl “I am a freshman and I just completed my first season with the Redcoat Marching Band. On Jan. 2nd in Tampa Bay, Florida I performed at the Outback Bowl held at the Tampa Bay Buccaneers stadium. We performed at various events in the days leading up to the game including a beach pep rally in Clearwater Beach, a night time parade in Ybor City, a performance in Busch Gardens followed by a fun day in the park, and two pep rallies on game day. Georgia took on Michigan State and I had such a great time twirling for a brand new group of fans as well as my beloved Georgia Dawgs!” Chelsea Russell – University of Iowa Golden Girl – Insight Bowl “Five years of twirling at the collegiate level, four fantastic bowl games - I am so fortunate to have lived out every twirler's dream! This year is both my first year as a graduate student in the MAT English Education program at the University of Iowa and my final year as the Golden Girl with the Hawkeye Marching Band. Though our football team might not have reached their full potential, we were lucky enough to attend the Insight Bowl in Tempe, Arizona for the second year in a row! Going on a bowl trip is what every marching band hopes for each season, and the Insight Bowl is a truly wonderful experience for everyone involved. The weather was in the mid-70's and ASU's Sun Devil Stadium was absolutely PACKED with passionate Hawkeye fans. Because it was my last time taking the field as the Golden Girl, it was a truly memorable moment for me. Our halftime show was called "Dance Evolution" and I got to help choreograph sections of dancing for all 260 marching Hawkeyes - all of us got to do the chicken dance, the YMCA, the Hustle, and many more. My favorite part of the night was getting to do the Single Ladies dance with our Drum Major and our mascot, Herky! After five years of performances, I truly believe my final halftime was the best I've ever performed for the Hawkeyes. There's just something special about representing your team and your school in a new arena - I will never forget this Insight Bowl experience, because it was a great way to end my career. Go Hawks!” Haley Williams and Marleigh Noss – Western Michigan University Feature Twirlers – Little Ceasar’s Pizza Bowl Haley: “Performing at Ford Field for an audience of that size was exhilarating and an honor. It was awesome to be on the entertainment side of such a huge event.” Marleigh: "The Little Ceasar’s Pizza Bowl was one of my favorite performances of the season. Being able to spend a few days during my winter break with The Bronco Marching Band as well as performing was so memorable. It made me realize those are the performances I have worked my whole twirling career to achieve! Performing to an amazing 'Lady Gaga' show was so much fun, seeing the faces in the audience light up as we perform is what I twirl for! It was an amazing experience and I will cherish every moment I spent with the BMB as well as the color guard! GO BRONCOS!" 5 College Twirling Coordinator: Jenni Webb University of Kentucky Sweetheart Majorettes Any high school or college twirler knows that there is nothing like stepping out onto the football field for a halftime performance, to hear the crowd cheering for you and actively supporting your talents. I was a feature twirler for the University of Kentucky (1998-2000) and twirling for my college is something that I will cherish forever- the band trips, the roar of the crowd, the media spotlight, the friendships made- all of those memories will be with me for a lifetime. After I hung up my batons and stopped competing, I took eight years off before getting back into coaching. Being a part of USTA twirling again filled up a piece of my life that felt empty, and last April, when I heard the coordinator position for the UK Sweetheart Majorettes was being vacated, I jumped at the chance to once again be involved in the excitement of college twirling. Being a college twirling coordinator is a lot of work, but it's very rewarding. Getting to see your choreography performed beautifully and displayed for tens of thousands of people every week is a huge perk, as is watching another generation get to experience all of the thrills that come with being a college twirler. You make new friends, become close with the athletes and band, and get to see college athletics from a different, more intimate angle. There are times when it's tough - maybe the drill has to be changed a day before the performance, or those fire batons just won't stay lit - but those are few and far between. The things you focus on and hold dear are the excitement of a no-drop pre-game or halftime performance, watching fans come up to congratulate and take pictures with the twirlers, and that specific feeling of accomplished tiredness that comes after a long and productive practice. I feel very blessed too, as the band director here is supportive of the twirlers and the current line are all excellent athletes who were very well- 2011-2012 UK line members are: Tara Dauer, captain (MI) Jayna Kubuske (OH) Adrian McKinney (OH) Emma Morkemo (WI) Amber Holland (MI) prepared by their respective coaches. As a new coordinator, I have a lot of goals - to book more performances for the twirlers, to help establish scholarships for them, and to recruit a diverse and well-trained group of incoming twirlers. With funding for many music and arts programs receding at every level- from kindergarten to college - it's important to give support to local band members, color guards, and twirlers - they are an integral part of any athletic team's presence, but also an important part of history and individual success. I know "the Sweethearts" appreciate every cheer and clap, and love knowing that they are making their own mark on their school's history. When I asked them what they liked most about twirling at Kentucky, their overwhelming response was, "the fans, the school spirit, the performances!" I would encourage every baton twirler to consider trying out for a college twirling position, so they can share in that excitement and make memories of their own! USTA Professional Jenni Webb-Reynolds (Lexington, KY) is a coach at Cyndi's Studio in Ironton, OH and Bluegrass Dance Center in Richmond, KY. She is also an Ohio baton council member, a freelance writer and author. Remember: College twirler audition information is available at www.ustwirlng.com>College>College Tryouts. 6 KOS continued from page 1 “Karen is a world class coach,” said Perkins, who makes a six hour round trip from Houston to Sulphur twice a month so her own daughter can work with Ogden. (Emily Perkins won her first National Grand Championship, Juvenile 2-Baton, in 2011.) “Karen is able to break down any skill into a logical progression. She expects attention to detail and has the patience to work with each student to their maximum potential.” Perkins says Ogden never gives less than 100% of herself to her students and has high expectations for all of them. “Karen is tough - in more ways than one!” laughs Perkins. “She has rules and you are expected to follow those rules. Don’t even think about ordering French fries! From practice sheets to eating habits, her expectations are clear and enforced consistently.” Ogden was honored as “Coach of the Year” and Perkins (who shared the credit with O’Quain) was recognized as “Choreographer of the Year” at the 2011 Nationals in Little Rock, Arkansas, after KOS teams won the national Jr. Large Twirl Team, Jr. Large Dance Twirl Team, and Juv. Small Dance Twirl Team titles, as well as two second place awards. “I was really proud of those awards,” said O’Quain. “They recognized what a good staff we have and all the hard work the staff and students put in.” But Ogden is more than a successful coach and studio director. She is also a successful pageant director, contest director, recital director, gym teacher, community leader, wife, mother, grandmother, and experienced judge. “Karen is the most compassionate judge I know,” said Perkins. After 42 years in the business, Ogden shows no signs of slowing down. O’Quain says that’s not in her nature. “Her whole life she has always said she loves her job!” Congratulations to Karen Ogden and Karen Ogden Studio! Karen Ogden and her granddaughter Keragan at the 2011 U.S. National Baton Twirling Championships. The 2011 National Juvenile Small Dance Twirl Team Champions, KOS Deeper Well. “I’ve seen her tell complete strangers who have forgotten their routine on the floor to “do your roll section now”, or “don’t worry, just start over”. She smiles and cheers for you, and sends positive thoughts your way during every performance.” The 2011 National Junior Large Twirl Team Champions, KOS Black & White. “Karen Ogden has been my mentor and dear friend for as long as I can remember. She brought this wonderful sport into my life, and I couldn’t possibly thank her enough for the countless sacrifices she has made on my behalf. Thank you for taking Emily to a National Grand Championship. Thank you for making me into the coach/judge I am today. Thank you for giving of yourself so often. I love you.” - Lori Lewis Perkins Lori Lewis Perkins, 2011 Choreographer of the Year, with Karen Ogden, 2011 Coach of the Year, after receiving their awards at the 2011 U.S. National Baton Twirling Championships. 7 Introducing the 2012 U.S. Trials Athletes! The prestigious U.S. Trials Competition will be held March 30-31 in Stockton, California. The following athletes are vying for the opportunity to represent the U.S. in the 2012 World Baton Twirling Championships, to be held in August in Villebon-Sur-Yvette, France. We wish them the best of luck as they pursue one of the highest honors in the sport of baton twirling! Junior Women Adaline Bebo, 15, Noblesville, Indiana “I have worked extremely hard to develop the necessary skills and talent to represent the U.S. in the 2012 World Baton Twirling Championships. It has been a very humbling experience to train for such a prestigious event and has been my dream for six years. Twirling is my passion and I plan to demonstrate it through my routines. "How bad do you want it?" has been my motto for this training season. The answer is "bad enough to put my dedication, faith, and heart in it!" I hope that my performance at the U.S. Trials will allow me to be blessed with the honor of twirling for the U.S. this summer in Villebon-Sur-Yvette, France.” Julia Boss, 14, Deer Park, NY “This is the first year I am trying out for the U.S. World Team. The reason I would like to be on the World Team is because I want to represent the U.S. at the most prestigious elite competition. I look up to many of the competitors that have been on this team and my dream is to be able to follow in their footsteps. It has always, always been my goal to represent the U.S. at Worlds. It would be an incredible honor to get to represent the U.S. in France 2012.” 8 Trina Catterson, 11, Glendale, New York “It has always been a life time dream of mine to reach the highest level in the sport I love. I can only imagine how it would feel to have the honor of wearing the U.S.A warm up in the World Arena, knowing I am there to represent my country! I hope I get the opportunity to share this amazing experience with my coach Alaine Robbins and fellow teammates, Jack Giordano, Victoria Massey, and my pairs partner Toni Ann Cox and show the world my how much I love baton twirling and love the U.S.A!” Toni Ann Cox, 15, Deer Park, New York “It would be an honor for me to represent the U.S. in the 2012 World Baton Twirling Championships. It has always been a dream of mine to be a member of this team and follow in the foot steps of the athletes I admire.” Amelia DiPaola, 11, Fremont, California “I want to represent the U.S. at the 2012 World Baton Twirling Championships because I enjoy competing. Freestyle is the hardest event, but it is my favorite because I get to pick my own music, and show off all my skills and personality.” Madison Eis, 14, Amherst, Ohio “I would like to represent the U.S. because I love to twirl. I enjoy competing at this level. Twirling has given me many opportunities to travel and meet new friends.” Domenica Iocco, 15, Mount Airy, Maryland “I've been twirling since I was five years old. Through twirling a person learns determination and poise, teamwork, and respect for your coaches, parents and competitors. It's been my goal to represent the U.S.TA at the World Twirling Baton Championships, to serve as an ambassador highlighting our dedication to the sport of twirling, good sportsmanship, teamwork and individual growth.” Rachel Johnson, 16, Bluffton, Indiana ”I would like to represent the U.S. in the 2012 World Baton Twirling Championships and have the opportunity to compete against the top twirlers from across the world. Competing at International Cup was definitely an amazing experience, and I would love to have an opportunity like that again.” Hannah McCabe, 14, Saratoga, California “I would like to represent the U.S. in the World Competition because I am inspired by the international countries, and I hope to compete at one of these competitions in the near future.” Junior Pairs Gabriella Medvick, 16, Richfield, Ohio ”I hope to represent the U.S. in France as part of the 2012 World Team to have a chance to experience another culture and meet new people all while competing at a sport I love.” Savannah Miller, 15, Kansas City, Missouri “Getting the opportunity to participate in the 2012 World Baton Twirling Championships would be such an honor to me in several ways, but mostly not in the way you think. To me, it is not the excitement of traveling to a new land, twirling at a great venue or the chance to win a trophy, but to me it's the opportunity to meet twirlers from places I can't even pronounce. Even though we don't speak the same language, we communicate better than most through our shiny sticks--twirlers understand and respect each other. That's what WOWs me about the 2012 U.S. Trials." Alessandra Stone, 13, Fresno, California "I want to represent the U.S. because it's my ultimate goal in baton twirling. It carries the most prestigious honor in our sport. All of my focus has been towards achieving this goal." Courtney Suh, 14, San Jose, California “I wish to push myself to exceed my own expectations and goals in baton twirling, working to perform to my potential.” Trina Catterson, 11, Glendale, New York and Toni Ann Cox, 15, Deer Park, New York “Hard work and determination have brought U.S. together. We have fun training and always support each other. We would be honored to represent the U.S.A as the junior pairs if selected.” Molly Dick, 14, Owings, Maryland and Domenica Iocco, 15, Mount Airy, Maryland "To represent the U.S. at Worlds would be a dream. It would be an amazing opportunity to compete with some of the best twirlers in the world and create life long friendships through our sport." Madison Eis, 14, Amherst, Ohio and Gabriella Medvick, 16, Richfield, Ohio (Mad-Gab pairs) “We would like to be part of the U.S. Team in France. We will bring to the team a real desire to succeed. We both know it will take a lot of hours of hard work and practice to get there. Looking forward to seeing everyone in California.” Kiera Holloway, 15, Sacramento, California and Brooke Goldberg, 15, Baltimore, Maryland “This opportunity would be a dream come true, an honor to represent this mighty nation and partnership means working towards an extraordinary goal with a special friend.” Keragan Ogden, 13, Sulphur, Louisiana and Emily Perkins, 12, Houston, Texas “We want to be a part of Team U.S.A so that we can practice with and learn from the best of the best! We love our country and love our sport, so bringing home a gold medal for the U.S.A is our ultimate goal! Senior Women Aryn Bigler, 24, Roseville, CA Alexa Bourdage, 22, Austin, Texas My first World Championships as a U.S. Team Member was in Paris, France in 2001. I was the Jr. Women's Alternate. The alternates didn't get to do their music tests that year because we ran out of time at the arena. My coach, Kyle Keiser, promised me that we were going to go home and practice so that the following year I would get to perform. Since then, I have had the honor of representing the U.S. ten times in international competition. I want to represent the U.S. this summer at the World Championships because I want to help the U.S. reclaim the gold and because it's finally my turn to perform in that arena. Samantha Brown, 25, Tempe, Arizona Torri Cicchirillo, 19, Pembroke Pines, Florida Being given the opportunity to represent my country at the world baton twirling championships would be an enormous honor, privilege, and has always been a lifelong dream. It would give me an opportunity to create unforgettable experiences, memories and lasting bonds with other twirlers from around the country and world. 9 US Trials continued from page 7 Alyssa Go, 17, Los Gatos, California I am competing at Trials to continue to improve my baton twirling skills. This event will further challenge me to achieve my personal goals in the sport I love. Jenny Hannah, Adult, Chattanooga, Tennessee I would be honored to represent our country at the 2012 World Championships in Paris, France. World is the ultimate competitive event in our sport. I love to twirl and dream of pushing the boundaries of the sport and giving a personal best performance this summer. Monica Lee, 28, Los Angeles, California Representing your country at the World Championships is the highest honor that any athlete can have bestowed upon them, and it is an amazing opportunity for any one who is lucky enough to be able to experience it. Jennifer Marcus, 28, Orlando, Florida Twirling is my passion and what keeps me going everyday of my life. The opportunity to share this love on the world stage is what I have trained and hoped for my whole life. Victoria Massey, 19, Selden, New York Representing the U.S. at the World Championships has always been a dream of mine. It would be an honor to be competing with the best and most prestigious athletes from around the world. Earning the opportunity to compete in France this summer would prove that all the hours of practice and hard work have 10 paid off. Catherine Ramirez, 19, Ho-Ho-KU.S., New Jersey I want to represent the U.S. at Worlds because baton is my passion. I love twirling more than anything, and representing the U.S. at the World Championships is an unforgettable experience. I want the honor to compete for my country, and to be among other elite athletes who have the same passion for the sport as I do. Breanne Rowe, 18, Arnold, Maryland “I would love to represent the U.S. in the World Baton Twirling Championships because it would give me a chance to show what I have to offer to the competition. I have so much pride in my country and love watching to see how the other countries perform this sport.” Karrissa Wimberley, 25, Tallahassee, Florida "The U.S. Trials is one of the most highly anticipated competitions of the year in baton twirling. With the caliber of athletes we have in this country, earning a spot on the team and a chance to represent the U.S. is a feat not easily accomplished. I am excited for the opportunity to try and become a member of the U.S.A World Team, and represent our country proudly at the World Championships in France." Senior Men Emery Harriston, 49, Alexandria, Virginia I would like to represent the U.S. in the 2012 World Baton Twirling Championships because I enjoy the sport of baton twirling. It makes me happy and I would like to show my improvement of baton handling and performance skills in the short program and freestyle category. I want to put a smile on everyone's face and show them that "Age is really just a number". Smile :-) Richie Terwilliger, 19, Suffern, New York Representing the U.S. and competing with some of the best twirlers in the world would be a tremendous honor. To be part of the 2012 U.S. team would lend its way to a great learning experience as it would give me the opportunity to meet some inspirational twirlers. Drew Abramson, 22, Laytonsville, Maryland Jack Giordano, 19, Mattituck, New York “Representing the U.S. at the World Baton Twirling Championships is the greatest honor a twirler can have. It’s inspirational to be in a gym with hundreds of others who share the same passion for baton twirling. Between seeing all the countries come together, witnessing twirling at its highest potential and getting a chance to compete amongst the very best makes it a truly unique experience.” Sr. Pairs Samantha Brown, 25, Tempe, Arizona and Jennifer Marcus, 28, Orlando, Florida “There is nothing more special than representing our home country, family and friends at the World Championships in the sport we love. Having the opportunity to do this together after twirling for 11 years together would be our dream come true!” Jack Giordano, 19, Mattituck, New York and Victoria Massey, 19, Selden, New York Congratulations to these newly-certified USTA Coaches and Judges! New Level I Coaches Crystal Talmadge-AZ Britney Newman-TX Laura Sowers-OH Kathleen Hall-OH Gail Bordner-NC Kim Koch-NY Gina Stropkaj-PA Becky Pylate-Vancleave-MS Loretta Worsham-PA Tamara Miller-LA Amber Duke-FL Tanisha Conley-MI Kamberly Bebo-IN Kaylyn Ahrenstein-NY Breanna Diaz-NY Maya Clark-NY Payge Corazzini-NY Barbara Walters-SC Andrea Sloan-WV Melissa Cline-WV Dottie Eyler-PA New Level II Coaches Vance Vara-MD Stephanie Vara-MD Leslie Federick-NJ Crystal Talmadge-AZ Trudy Weeman-ME Courtenay Kinney-ME Meridith Salvas-ME Stephanie Fortier-ME New Judges Judge Level I Part I (Home study) Kathleen Hall-OH Judge Level II Christina Barnett-LA Ashley Roberson-LA Judge Level III Patti Wojtowicz-NJ Stephanie Vara-MD Alyse Gillman-TN PreTrials Judge Abby Scanlon-TX Master Judge Kellie Donovan-Perelman-CA Abby Scanlon-TX Q & A with Stephanie Vara, newly-certified Level II Coach and Level III Judge Q: Why do you continue to increase your certifications? A: I have really enjoyed all the coaches and judges workshops that I have been a part of over the past year or so. I continue to increase my certifications because I really enjoy the learning process of each workshop! No matter what, I always learn a new way to look at something whether it be how to piece together a routine or give more constructive feedback as a judge. All of the workshop leaders are so experienced and when I take them with other experienced judges or coaches, I feel that I am really able to take in a lot and make the most out of the time. Q: Is it worth the time and effort? A: It was DEFINITELY worth the time and effort! Just to absorb all the information takes time, but 8-12 hours learning about all this goes by really quickly when you love it as much as I do. I try to take advantage of workshops close by, but I have traveled up the east coast just to be a part of them because they are so valuable to my coaching and judging and I think every workshop (and judge's focus meeting) helps shape me into a better coach and judge. Stephanie Vara teaches a clinic in Denver, Colorado in November, after judging a local competition sponsored by the Colorado Baton Council. Q: What additional benefit does it give you, our organization and our sport? A: I think a personal benefit is that I am becoming a stronger coach and judge each time I get to interact with other judges and coaches, which hopefully spills over to my athletes as I coach them as well as the athletes I get to critique as a judge. No matter how experienced a coach or judge is, listening to others is going to help shape you a little more and the more and more interactions we all have, the stronger we can make the sport. I firmly believe you are never done learning, and when we adopt this attitude we are always open to new experiences which make us stronger as athletes, coaches, and judges in the world of baton twirling. 11 2012 U.S. National Baton Twirling Championships and Festival of the Future Experience the Best! The best ! twirlers The best facilitie s! Schedule, hotel and entry information available at www.ustwirling.com>Events>National Championships. Entry deadline Tuesday, May 1, 2012. Schedule of Events Monday, July 9, 2012 Wednesday, July 11, 2012 U.S. Pre-Trials Events: Compulsories, Short Program, Freestyle, Pairs & Teams International Cup Qualifier: Artistic Twirl, Artistic Pairs National Events: Solo & Pairs International Cup Qualifier: Solo National Finals Show / Athletes’ Party Tuesday, July 10, 2012 International Cup Qualifier: Groups & Teams National Group Competition: Parade Corps & Show Corps, Show Teams, Twirl Teams, Twirl Team Finals USTA General Assembly, Holiday Inn National Events: 2-Baton, 3-Baton, Strut, Flag & Rifle, Dance Twirl & Dance Twirl Pairs International Cup Qualifier: 2-Baton & 3-Baton Thursday, July 12, 2012 (The USTA General Assembly will be held after the competition, before the Professionals Dinner) Friday, July 13, 2012 National Group Competition: Dance Twirl Teams, Trios, Highest Scoring Corps Performances, Dance Twirl Team Finals Saturday, July 14, 2012 Festival of the Future: Basic, Military, Presentation, Dance Twirl, Dance Twirl Pairs, 2-Baton, 3-Baton, Strut, Solo & Pairs Help USTA keep National and Festival costs down... Stay at USTA host hotels! Negotiated hotel rates incorporate many benefits for you and USTA. In order to secure space at the hotels and convention center or arena, USTA must sign a contract with the host city and the hotels that guarantee that a specified number of rooms will be booked by our attendees. The number of rooms guaranteed is called the “room block”. As the amount of rooms in the room block increases, costs to USTA decrease. This helps USTA pass along lower costs to the attendees in the form of lower registration/entry fee prices. The hotel rates are negotiated based on the number of expected attendees required to comfortably accommodate them. The basis for negotiation with the hotel comes from statistics of the competitions in prior years. The contracts with the hotels then guarantees specific numbers of sleeping rooms will be used each night during the competition. A complex negotiation of meeting room space, functions and events (with food), and sleeping rooms provides the most value per dollar for the Nationals and those attending it. If attendees stay in the host hotels, USTA will fulfill its contractual obligation with the hotels. If attendees stay in other hotels, USTA faces the possibility that its room blocks will not be met, forcing us to pay severe attrition penalties, which may potentially run into thousands of dollars. The repercussions if the organization incurs attrition fees, means there will be reduction of member services, higher dues, and higher registration/entry fees in the future. “This has always been a real challenge for USTA,” said Sandi Wiemers, USTA’s Event Facilitator. “Most attendees don't understand that when USTA contracts for an event several years out, the hotels that are blocked set aside meeting space and rooms for us with a guaranteed room rate. It's a challenge for us to explain that we wouldn't necessarily have that meeting space or hotel rooms available when the time arrives if we didn't guarantee the rooms. USTA could opt to not contract sleeping rooms. However, we will pay more to stay at the nearby hotels, the Nationals will incur additional expenses for all rental fees, the hotels will not hold a block of rooms for us, and that may leave people staying quite a distance from the competition venue. In short, when the competition ends up with higher expenses, we all will pay a higher price for hotel rooms, and future competition registration fees will be pushed higher.” Many sports associations have gone to a “stay to play policy” which requires the participants to utilize the room blocks in order to register for the competition. USTA has not done that yet, and would prefer not to as long as the majority of our members understand the importance of this issue. Click on a hotel below to make your Nationals reservations quickly and easily! USTA Headquarters Hotel 2800 Presidential Drive, Fairborn, Ohio 45324 Phone: 937-426-7800 * Fax: 937-426-1284 Group Rate Code: BTC Special Group Rate: $99.00 $109.00 with Full Breakfast for Two 2550 Paramount Place, Fairborn, Ohio 45324 Phone: 937-429-5505 * Fax: 937-429-6828 Group Rate Code: UST – Special Group Rate: $104.00 2500 Paramount Place, Fairborn, Ohio 45324 Phone: 937-427-0800 * Fax: 937-427-0800 Special Group Rate: $99.00 Go to “Special Rates & Awards” and put in the following code in the group code field: NBTNBTN for Double Queen rooms NBTNBTK for King rooms 2750 Presidential Dr., Fairborn, Ohio 45324 Phone: 937-429-0600 * Fax: 937-429-6311 Group Rate Code: NBT Special Group Rate: $129.00 King Suite or Double Bed Suite / $229.00 Two Bedroom Suite 3055 Presidential Drive, Fairborn, OH 45324 Phone: 937-912-9350 * Fax: 937-912-9580 Special Group Rate: $ 104.00 Go to “Promotion Code” and put in the following code in the group code field: BAT102 3971 Colonel Glenn Highway, Fairborn, OH 45324 Phone: 937-429-2222 Fax: 937-427-2204 Special Group Rate: Single or Double $84.00 / Triple/Quad $94.00 Internet rate code: H-BATON Or Call and ask for group: 120707NBTC Show Teams In September 2011, USTA’s Board of Directors approved a new group event: Show Team! Here are the things you need to know about this exciting new event! (If you are doing a Show Team this season, please contact pr@ ustwirling.com. We’re looking for Show Teams to feature in a future story!) The sanctioned group events, including A and Open Class Show Teams, must be offered at all sanctioned USTA contests. All sanctioned events must be offered at USTA contests unless a waiver is submitted to USTA and approved in writing. Group Events Twirl Teams (beginner, intermediate [optional], advanced) Dance Twirl Teams (beginner, intermediate [optional], advanced) Trios (Beginner, Intermediate, [optional], Advanced) Parade Corps (A Class, Open Class) Show Corps (A Class, Open Class) Show Teams (A Class, Open Class) The above info can be found in Section 2 page 4 of the rule book. The following info on Show Teams can be found in the rulebook in Section 2 page 11. SHOW TEAMS Determining the Age Division: The process of establishing a show teams age division will be determined by the average age of the twirling members. Each group will have the option of competing in an older age division than its average age if there is at least one twirling member whose age is within that higher age division. When the average age has a decimal digit, drop the decimal and use only the number as the average age. Example: 14.9 = 14.0 14 AGE DIVISIONS: Primary Show Team – average age of twirling members is 9.99 or under. Juvenile Show Team – average age of twirling members is 10.0 -12.99. Junior Show Team – average age of twirling members is 13.0 -15.99. Senior Show Team – average age of twirling members is 16.0+. Auxiliary members’ ages (all nontwirling members) – No age requirement. Ages of auxiliary members are not figured in the average age. Auxiliary members must hold USTA membership. Those parents/coaches that assist with setting up the background scenery, props, costume changes, etc and do not perform as part of the Show Team are not considered auxiliary members and therefore do not require USTA membership. In order to compete in more than one age division or class, a show team must change at least 25% of its twirling members. The following info on Show Teams can be found in the rulebook in Section 4 page 12, 13 and 14. SHOW TEAMS Concept Summary: A Show Team is a group event that has a theme using props and possibly a back drop. The Show Team must use props such as flags, rifles, hoops, ribbons, etc. to create musical interpretation and visual effectiveness. Members’ responsibilities include: Synchronic twirling Exchange work Team work Staging (utilization of floor, design patterns, creating pictures to music with all props including batons) Precision and unison of all members with all props including batons Creative handling of all equipment chosen to be used as props Musical interpretations with all equipment chosen as props Skills developed include correct baton and body technique, continuity and form development, choreography with baton, uniformity of body position, speed in relation to music, teamwork, musical interpretation and visual musicality, utilization of time and space, mental and physical stamina, exchange execution, ambidexterity and recovery from error. Emphasis is to be placed on precision and unison by all throughout the entire program. Classification of Show Teams & Time Limits: Primary Show Team (A Class and Open Class) (Sm and Lg) 2-3 minutes Juvenile Show Team (A Class and Open Class) (Sm and Lg) 2-3 minutes Junior Show Team (A Class and Open Class) (Sm and Lg) 2-3 minutes Senior Show Team (A Class and Open Class) (Sm and Lg) 2-3 minutes 1:00 minute maximum to set up and 0:30 tear down Definitions of Classifications: Show Teams Small: 4-8 members Large: 9+ members Declaration of Class The two levels offered for Show Teams are: A Class – total score of 63.2 or below Open Class – total score of 63.3 or above A show team director must determine the classification of his/her unit prior to entering a USTA contest. This classification (A Class or Open Class) must be maintained as entered until the judges, through scoring, place the show team in a higher classification. Once a unit has declared its classification, it cannot move backwards to a lower class. This declaration is estab- lished upon the first entry of the unit into competition between September 1 and August 31. All show teams must compete in the class they hold as of May 1 through the completion of the National Competition. Example: if an A Class Show Team receives a score of 65 at a competition on May 15, that Show Team would remain A Class through the completion of the National contest. In order to re-classify, a show team must change 25% of its twirling members. Determining the Age Division: The process of establishing a show teams’ age division will be determined by the average age of the twirling members. Each group will have the option of competing in an older age division than its average age if there is at least one twirling member whose age is within that higher age division. When the average age has a decimal digit, drop the decimal and use only the number as the average age. Example: 14.99 = 14.0 2. A Show Team may not use any aid or equipment that leaves an effect or residue that will in any way delay or hinder the performance of another team. Penalty: disqualification. 3. Timing begins with the first note of music. Timing ends with the last note of the music. 4. All show teams will be given a 10 second leeway of allotted performance time. 5. Show Teams may start anywhere on the floor. Show Teams may finish anywhere on the floor. The show team has 30 seconds to exit the floor and remove their equipment after the last note of their music. Penalty: 2.0 points. 6. There are no boundary lines or boundary line penalties in Show Team. 7. Upon being announced a show team has a maximum of one minute to assemble for their performance. Penalty: 2.0 points. General Information: Judges will be required to record comments on a recording device for all USTA Show Team competitions. Show Teams are judged by three judges, each scoring the entire sheet: Twirling Content/Precision & Unison - 30 points Prop Content/Precision & Unison - 30 points General Effect - 40 points Penalties (to include timing penalties. No dropped baton or equipment penalties will be assessed.) Age Divisions (see Section 2): Competition Area: The competition area shall be the size of a college basketball court (50’x94’). There will be a minimum of five feet of unobstructed space outside the boundary lines around the 50’x94’ floor space for show teams. No full back drops allowed (meaning that back drops would not be as elaborate as Show Corps back drops, also understanding that show teams only have one minute to assemble and 30 seconds to exit the floor and remove their equipment). Requirements and Penalties: 1. An individual is permitted to compete in more than one show team as long as he/she does not compete in the same division (i.e. where the member is put in the position of competing against himself/ herself). 15 USTA Updates The United States Twirling Association has many dedicated people working on behalf of its members in several different departments and areas. Here are updates from four of them. Competitive Events Department Technical Advisory Group Department Director: Koralea Slagle, KS Department Director: Sandi Rios – U.S. Technical Advisor Department Members: Stepfanie Baddour, OH; Michelle Dawson, CO; Diana Guy, OR; Melissa Marcus Vicente, FL Department Members: Kyle Keiser, MI; Karen Ogden, LA; Amby Taylor, NC “Our department deals with any of the competitive events, music, contest structure, etc.” said Department Director Koralea Slagle. “Our recent accomplishments include adding the Trio event last season and the Show Team event for this season. The Show Team event is similar to Show Corps but on a smaller scale. (See Show Team information on page 15.) We are continually working on the Strut event to give it more its own identity.” Growth and Development Department Department Director: Kellie Donovan-Perelman, CA Department Members: Linda Boss, NY; Ellissa Eby, NY; Jenny Hannah, TN; Jennifer Marcus, FL; Casey McEndree, CA “Our department is responsible for helping grow our sport!” said Department Director Kellie Donovan-Perelman. “We just finished putting together a handbook for instructors getting ready to start a baton twirling program. We also are completing a DVD to go along with the handbook. We are also working on a DVD/write-up for instructors to be able to use as a marketing tool to promote baton twirling!” Watch for more information on those initiatives coming soon! Tabulation Director: Michelle Dawson Members: varies by event “We are updating the Nationals Tabulation program to handle the change in the Grand Champions round,” said Department Director Michelle Dawson. “We’re also planning a Tabulation Workshop, to be held sometime during nationals week, to enable local, state and regional contest directors and volunteers to learn how to use USTA’s Tabulation program.” The Tabulation Workshop time, date and location will be announced soon. 16 Dale White, OH – U.S. Judges Representative Jackie Stewart, TN – WBTF Judges Chair Special Projects: Bridgette Bartley, OH; Mike Harris, OH “The 2012 policy and procedure manuals that govern the U.S. Trials, U.S. PreTrials and International Cup Competitions have been updated and posted,” said U.S. Technical Advisor Sandi Rios. “U.S. Trials participants should download the U.S. Team Member Manual for important information.” Rios also noted that the U.S. PreTrials Content Restriction Chart was reviewed and revised and a more userfriendly chart was created to allow our athletes and coaches more development possibilities. It is available on the USTA website under Members Only>Documents. TAG is also pleased to announce that the U.S. World Team Training Camp will be offered spring 2012. Stay tuned for more details! The Technical Advisory Group is also pleased to announce the Regional PreTrials and Championships dates and locations: Northeast PreTrials – May 31 Regional Championships – June 1-3 Kutztown University, Kutztown, PA Regional PreTrials Director – Karen Cammer Regional Contest Director – Lee Callicutt Central PreTrials – June 8 Regional Championships – June 9-10 Flower Mound High School, Flower Mound, TX Regional PreTrials Director - Karen Ogden Regional Contest Director - Christina Barnett Southeast Pre-Trials – June 8 Regional Championships – June 9-10 Chattanooga, TN Regional PreTrials Director – Amby Taylor Regional Contest Director – Tracy Hughes Mideast June 15-16 Northside High School, Ft. Wayne, IN Regional PreTrials Director – Kyle Keiser Regional Contest Director – Jennifer Elsbury Western June 23 Fremont, CA (tentative location) Regional PreTrials Director – Krystal Mignone Regional Contest Director – Krystal Mignone
Similar documents
Meet the Members State of the Organization
Web site: www.ustwirling.com BOARD OF DIRECTORS Honorary Board John Kirkendall/MI Fred Miller/OH Bobbie Mae (deceased) George Walbridge (deceased) Nick Michalares/IN (deceased) Executive Board Kath...
More information