Back to Bhutan, with Amy Tan, Lou DeMattei, Ken Kamler. 1/6

Back to Bhutan, with Amy Tan, Lou DeMattei, Ken Kamler. 1/6

11/25 11:15:15 001 n27°36.898' e91°29.810'
f5.60 1/800s 200mm
11:15:15 002
f5.60 1/640s 200mm
11:15:29 003
f5.60 1/1000s 180mm
11:15:29 004
f5.60 1/1000s 180mm
11:15:29 005
f5.60 1/1000s 180mm
11:15:30 006
f5.60 1/1000s 180mm
11:15:31 007
f5.60 1/1000s 180mm
11:15:32 008
f5.60 1/640s 300mm
11:15:33 009
f5.60 1/800s 300mm
11:16:25 010
f5.60 1/400s 28mm
11:18:03 011
f5.60 1/160s 28mm
11:18:36 012
f5.60 1/160s 120mm
11:19:02 013
f5.60 1/250s 120mm
11:19:02 014
f5.60 1/250s 120mm
11:19:02 015
f5.60 1/250s 120mm
11:19:07 016
f5.60 1/500s 120mm
11:19:10 017
f5.60 1/500s 105mm
11:19:10 018
f5.60 1/500s 105mm
11:19:14 019
f5.60 1/400s 80mm
11:19:19 020
f5.60 1/200s 280mm
11:19:27 021
f5.60 1/250s 280mm
11:19:29 022
f5.60 1/400s 280mm
11:19:29 023
f5.60 1/400s 280mm
11:19:34 024
f5.60 1/200s 280mm
11:19:36 025
f5.60 1/200s 280mm
11:19:38 026
f5.60 1/200s 250mm
11:19:40 027
f5.60 1/250s 250mm
11:19:52 028
f5.60 1/400s 250mm
11:19:52 029
f5.60 1/400s 250mm
11:19:53 030
f5.60 1/400s 250mm
11:20:00 031
f5.60 1/400s 250mm
11:20:05 032
f5.60 1/400s 250mm
11:20:12 033
f5.60 1/320s 250mm
11:20:13 034
f5.60 1/320s 250mm
11:20:14 035
f5.60 1/320s 250mm
11:20:15 036
f5.60 1/320s 250mm
04/11/25 © Michael Hawley, 2004.
Trashi Yangtse Tsechu, the old dzong
Back to Bhutan, with Amy Tan, Lou DeMattei, Ken Kamler. 1/6
11:20:15 037
f5.60 1/320s 250mm
11:20:29 038
f5.60 1/200s 250mm
11:20:39 039
f5.60 1/800s 28mm
11:20:39 040
f5.60 1/800s 28mm
11:29:24 041
f5.60 1/800s 28mm
11:29:27 042
f5.60 1/500s 160mm
11:29:34 043
f5.60 1/400s 300mm
11:29:35 044
f5.60 1/400s 300mm
11:29:41 045
f5.60 1/500s 300mm
11:29:52 046
f5.60 1/400s 300mm
11:29:52 047
f5.60 1/400s 300mm
11:29:53 048
f5.60 1/400s 300mm
11:29:55 049
f5.60 1/400s 300mm
11:30:01 050
f5.60 1/320s 300mm
11:30:01 051
f5.60 1/320s 300mm
11:30:27 052
f5.60 1/400s 300mm
11:30:36 053
f5.60 1/250s 300mm
11:30:53 054
f5.60 1/250s 300mm
11:30:55 055
f5.60 1/500s 200mm
11:30:55 056
f5.60 1/500s 200mm
11:30:56 057
f5.60 1/500s 200mm
11:30:56 058
f5.60 1/500s 200mm
11:30:57 059
f5.60 1/500s 200mm
11:30:57 060
f5.60 1/500s 200mm
11:31:00 061
f5.60 1/500s 300mm
11:31:16 062
f5.60 1/320s 300mm
11:31:22 063
f5.60 1/500s 300mm
11:31:26 064
f5.60 1/320s 300mm
11:31:29 065
f5.60 1/320s 300mm
11:31:30 066
f5.60 1/500s 300mm
11:40:26 067
f5.60 1/13s 16mm
11:41:28 068
f10 1/6s 16mm
11:42:11 069
f10 1.6000s 16mm
11:42:57 070
f10 1/15s 16mm
11:52:22 071
f10 1/3s 28mm
11:52:50 072
f10 1/2s 28mm
04/11/25 © Michael Hawley, 2004.
Trashi Yangtse Tsechu, the old dzong
Back to Bhutan, with Amy Tan, Lou DeMattei, Ken Kamler. 2/6
11:53:44 073
f10 1/2s 40mm
11:55:27 074
f10 1s 50mm
11:56:23 075
f10 1.3000s 100mm
12:03:27 076
f10 1/200s 35mm
12:03:27 077
f10 1/200s 35mm
12:03:31 078
f10 1/160s 80mm
12:03:35 079
f10 1/200s 170mm
12:03:45 080
f10 1/160s 90mm
12:04:02 081
f10 1/250s 300mm
12:04:02 082
f10 1/320s 300mm
12:04:46 083
f10 1/160s 28mm
12:04:48 084
f10 1/200s 70mm
12:04:50 085
f10 1/250s 70mm
12:04:52 086
f10 1/200s 85mm
12:04:57 087
f10 1/200s 85mm
12:05:36 088
f10 1/250s 50mm
12:05:36 089
f10 1/250s 50mm
12:05:44 090
f10 1/200s 70mm
12:05:46 091
f10 1/200s 70mm
12:05:48 092
f10 1/200s 70mm
12:05:50 093
f10 1/200s 105mm
12:05:55 094
f10 1/200s 105mm
12:05:57 095
f10 1/250s 160mm
12:05:58 096
f10 1/320s 160mm
12:06:13 097
f5.60 1/1000s 135mm
12:06:13 098
f5.60 1/1000s 135mm
12:06:14 099
f5.60 1/1250s 135mm
12:06:40 100
f5.60 1/500s 300mm
12:06:42 101
f5.60 1/500s 300mm
12:06:45 102
f5.60 1/400s 300mm
12:07:03 103 n27°36.897' e91°29.788'
f5.60 1/500s 40mm Dzong Entrance
12:07:05 104
f5.60 1/400s 100mm
12:07:09 105
f5.60 1/500s 300mm
12:07:12 106
f5.60 1/500s 300mm
12:07:16 107 n27°36.901' e91°29.778'
f5.60 1/500s 85mm
12:08:09 108 n27°36.898' e91°29.778'
f5.60 1/500s 28mm
04/11/25 © Michael Hawley, 2004.
Trashi Yangtse Tsechu, the old dzong
Back to Bhutan, with Amy Tan, Lou DeMattei, Ken Kamler. 3/6
12:08:13 109
f5.60 1/500s 135mm
12:08:17 110
f5.60 1/400s 275mm
12:08:21 111
f5.60 1/500s 170mm
12:08:38 112 n27°36.907' e91°29.772'
f5.60 1/500s 300mm
12:08:49 113
f5.60 1/400s 300mm
12:08:51 114
f5.60 1/400s 300mm
12:09:59 115 n27°36.906' e91°29.768'
f5.60 1/500s 160mm
12:10:29 116
f5.60 1/500s 300mm
12:10:43 117
f5.60 1/250s 300mm
12:10:46 118
f5.60 1/500s 300mm
12:10:47 119
f5.60 1/320s 300mm
12:10:48 120
f5.60 1/200s 300mm
12:10:51 121
f5.60 1/500s 300mm
12:10:52 122
f5.60 1/250s 300mm
12:11:17 123
f5.60 1/320s 160mm
12:11:19 124
f5.60 1/400s 160mm
12:11:22 125
f5.60 1/400s 160mm
12:11:22 126
f5.60 1/400s 160mm
12:11:22 127
f5.60 1/400s 160mm
12:11:51 128
f5.60 1/500s 110mm
12:12:04 129
f5.60 1/500s 110mm
12:12:04 130
f5.60 1/500s 110mm
12:12:07 131
f5.60 1/500s 300mm
12:12:07 132
f5.60 1/500s 300mm
12:12:09 133
f5.60 1/500s 300mm
12:12:16 134
f5.60 1/500s 300mm
12:12:38 135
f5.60 1/250s 300mm
12:13:14 136
f5.60 1/500s 60mm
12:13:23 137
f5.60 1/1000s 60mm
12:13:48 138
f5.60 1/400s 300mm
12:13:49 139
f5.60 1/400s 300mm
12:13:50 140
f5.60 1/320s 300mm
12:14:23 141
f5.60 1/400s 300mm
12:14:23 142
f5.60 1/400s 300mm
12:14:23 143
f5.60 1/400s 300mm
12:14:24 144
f5.60 1/400s 300mm
04/11/25 © Michael Hawley, 2004.
Trashi Yangtse Tsechu, the old dzong
Back to Bhutan, with Amy Tan, Lou DeMattei, Ken Kamler. 4/6
12:14:49 145
f5.60 1/320s 28mm
12:14:55 146
f5.60 1/500s 28mm
12:14:55 147
f5.60 1/500s 28mm
12:15:31 148
f5.60 1/400s 80mm
12:16:00 149
f5.60 1/250s 80mm
12:16:20 150
f5.60 1/250s 300mm
12:16:24 151
f5.60 1/250s 300mm
12:16:48 152
f5.60 1/60s 300mm
12:17:05 153
f5.60 1/200s 300mm
12:17:58 154
f5.60 1/200s 85mm
12:18:00 155
f5.60 1/640s 150mm
12:18:00 156
f5.60 1/640s 150mm
12:18:02 157
f5.60 1/200s 150mm
12:18:03 158
f5.60 1/400s 150mm
12:18:03 159
f5.60 1/400s 150mm
12:18:04 160
f5.60 1/400s 150mm
12:18:05 161
f5.60 1/400s 150mm
12:18:06 162
f5.60 1/400s 150mm
12:42:52 163
f5.60 1/320s 28mm
12:42:56 164
f5.60 1/400s 28mm
12:43:00 165
f5.60 1/400s 28mm
12:43:00 166
f5.60 1/400s 28mm
12:43:01 167
f5.60 1/500s 28mm
12:43:02 168
f5.60 1/500s 28mm
12:44:16 169 n27°36.897' e91°29.792'
f5.60 1/800s 28mm New Dzong
13:55:58 170 n27°35.119' e91°29.593'
f5.60 1/640s 28mm Parking
13:56:08 171 n27°35.123' e91°29.596'
f5.60 1/320s 300mm
13:56:08 172
f5.60 1/320s 300mm
13:56:29 173
f5.60 1/500s 28mm
13:56:35 174
f5.60 1/500s 28mm
13:56:45 175
f5.60 1/320s 28mm
13:56:48 176 n27°35.118' e91°29.596'
f5.60 1/200s 105mm
13:56:51 177
f5.60 1/250s 180mm
13:58:00 178 n27°35.115' e91°29.597'
f5.60 1/200s 28mm
13:58:06 179
f5.60 1/250s 40mm
13:59:04 180 n27°35.111' e91°29.601'
f5.60 1/250s 40mm
04/11/25 © Michael Hawley, 2004.
Trashi Yangtse Tsechu, the old dzong
Back to Bhutan, with Amy Tan, Lou DeMattei, Ken Kamler. 5/6
14:00:11 181 n27°35.089' e91°29.616'
f5.60 1/200s 28mm Courtyard
14:08:23 182 n27°35.068' e91°29.625'
f5.60 1/80s 28mm
14:08:44 183
f5.60 1/400s 28mm
14:13:32 184 n27°35.047' e91°29.631'
f5.60 1/3s 28mm Dzong
14:13:32 185
f5.60 1/3s 28mm
14:13:44 186
f5.60 1/10s 28mm
14:13:44 187
f5.60 1/10s 28mm
14:13:56 188
f5.60 1/6s 28mm
14:14:57 189
f5.60 2s 28mm
14:15:08 190
f5.60 1/4s 28mm
14:15:11 191
f5.60 1/5s 28mm
14:16:46 192
f5.60 1/6s 28mm
14:20:57 193
f5.60 1/800s 180mm
14:21:03 194 n27°35.068' e91°29.643'
f5.60 1/800s 210mm Courtyard
14:21:05 195
f5.60 1/800s 210mm
14:21:24 196 n27°35.074' e91°29.634'
f5.60 1/500s 285mm
14:21:27 197
f5.60 1/500s 285mm
14:21:29 198
f5.60 1/800s 300mm
14:21:36 199
f5.60 1/100s 300mm
14:21:36 200
f5.60 1/100s 300mm
14:21:37 201
f5.60 1/100s 300mm
14:21:38 202
f5.60 1/125s 300mm
14:21:39 203 n27°35.075' e91°29.636'
f5.60 1/125s 300mm
14:26:25 204 n27°35.086' e91°29.618'
f5.60 1/500s 28mm
14:26:31 205
f5.60 1/640s 28mm
14:27:43 206 n27°35.102' e91°29.604'
f5.60 1/500s 28mm Parking
14:27:46 207
f5.60 1/250s 105mm
14:27:50 208
f5.60 1/250s 105mm
14:29:00 209 n27°35.117' e91°29.596'
f5.60 1/80s 300mm
14:29:01 210 n27°35.118' e91°29.596'
f5.60 1/80s 300mm
14:29:04 211
f5.60 1/60s 300mm
14:29:04 212
f5.60 1/60s 300mm
14:29:06 213
f5.60 1/60s 300mm
14:29:06 214
f5.60 1/100s 300mm
04/11/25 © Michael Hawley, 2004.
Trashi Yangtse Tsechu, the old dzong
Back to Bhutan, with Amy Tan, Lou DeMattei, Ken Kamler. 6/6