Summer 2015 - Sphinx Organization
Transcription
Summer 2015 - Sphinx Organization
q The Quarter Note Summer 2015 Vol. 16, No. 3 Aaron P. Dworkin Founder Passing the Baton: A Celebration of Past and Future Sphinx’s Passing the Baton event honored the legacy of Sphinx Founder Aaron Dworkin and celebrated Sphinx’s bright future under the leadership of Afa Dworkin. Joined by many wonderful friends and members of the deeply valued, always growing Sphinx family, we enjoyed remarks from Aaron and Afa as well as fantastic performances by some incredible Sphinx alumni, and a special spoken-word performance by the Founder himself. 1. 4. 3. 5. 2. 1. Afa Dworkin speaks at the event; 2. Sphinx alumni Melissa White and Gabriel Cabezas perform; 3. Aaron Dworkin performed a spoken-word piece accompanied by pianist Damien Sneed and cellist Jeffrey Zeigler; 4. Aaron thanks the many Sphinx supporters; 5. Sphinx alum Ade Williams performed and congratulated Aaron. Photos: Brian Surguine Sphinx Virtuosi: 2015 National Tour The Sphinx Virtuosi will embark on their 8th National Tour this fall. The 2015 program, INSPIRING WOMEN, will offer a collection of works written by women composers along with those inspired by great women. The theme pays tribute to composers throughout history whose works merit awareness and recognition, along with repertoire already well loved by audiences. As one of the nation’s most dynamic professional chamber orchestras, the ensemble will conduct numerous performances and residencies across the country, including appearances in the following cities: Photo: Nan Melville Would you like to welcome the Sphinx Virtuosi to your area? If you are interested in presenting the ensemble in 2016, please be in touch with California Artists Management www.calartists.com September 23: September 25: September 27: September 29: October 1: October 3: October 4: October 8: October 10: October 12-17: October 14: October 16: October 18: October 21: October 25: December 7: Western Michigan University (Kalamazoo, MI) James Lumber Center (Grayslake, IL) University Musical Society (Ann Arbor, MI) New World Center (Miami Beach, FL) Arts & Science Council (Charlotte, NC) Kidznotes (Durham, NC) Chamber Music Raleigh (Raleigh, NC) Houston Symphony (Houston, TX) The Berman Center for the Performing Arts (West Bloomfield, MI) Columbia University Residency (New York, NY) Carnegie Hall (New York, NY) The Red House (Syracuse, NY) San Francisco Conservatory (San Francisco, CA) San Jose State University (San Jose State, CA) Fallbrook Music Society (Fallbrook, CA) Harris Theater (Chicago, IL) PRESIDENT’S NOTE Editor: Therese Goussy Contributors: Andre Dowell, Afa Dworkin, Abigayl Venman, Xavier Verna Design & Layout: Julie Renfro Dear Friends, It is with great honor and excitement that I share my first address in my new role as President & Artistic Director! Aaron P. Dworkin Last month, Sphinx celebrated the remarkable legacy of our Founder, Aaron P. Dworkin, at our Passing the Baton event. We were deeply touched to have friends from all over the world present to honor Aaron’s vision, congratulate him on his new post as the new Dean of the University of Michigan’s School of Music, Theatre & Dance, and look ahead to Sphinx’s promising future. Founder Special Artistic Advisor Yo-Yo Ma Honorary Committee Branford Marsalis, Chair Glenn Dicterow David Finckel Nikki Giovanni Wu Han Ida Kavafian Ani Kavafian Nigel Kennedy Jaime Laredo Tania Leon Yo-Yo E. Ma Mark O’Connor Christopher O’Riley Itzhak Perlman Toby Perlman André Previn Awadagin Pratt Bright Sheng Leonard Slatkin Nadja Salerno-Sonnenberg Arnold Steinhardt Michael Tilson Thomas George Walker Jeffrey Zeigler Board of Directors William H. Carson, Chair Anne L. Taylor, Vice Chair Anthony Glover, Treasurer Deidre Lambert-Bounds, Secretary Rachel Barton Pine Martha Darling Afa S. Dworkin Kenneth Fischer Sandra Gibson Norman Herbert Howard Hertz Andrea Hoffman Marianne Lockwood Majorie Pearsall Vivian Pickard Sally Stegeman DiCarlo Kathy Weaver Beverly Willis Shaun Wilson We have proudly continued on our journey, with our Sphinx Performance Academy at Roosevelt University and Oberlin College preparing the next generation of young artists. This year’s students, immersed in chamber music, intensive lessons and performance regimen with our outstanding faculty, did a wonderful job. As we head into fall, we will be embarking on an exciting 15-city tour of the Sphinx Virtuosi, during which we will premiere our “Inspiring Women” program. This year’s program seeks to illuminate important contributions to chamber music literature by women composers, women performers and legendary heroines who have inspired great works! I invite you to check out the schedule and join this dynamic ensemble in a city near you. We are particularly thrilled to, as a major first, have three tour stops in our home state of Michigan: in Kalamazoo, Ann Arbor, and West Bloomfield. As always, one of the most anticipated aspects of our Sphinx Virtuosi tour is the Carnegie Hall performance and gala. Taking place on October 14th, 2015, this event is truly not to be missed. We hope you will save the date and participate in celebrating artistic excellence and diversity, and transforming lives through the power of diversity in the arts! With warm gratitude, Afa “ I am Aaron P. Dworkin Founder Sphinx Medals of Excellence is my favorite event. The winners represent the best of young artists. I look forward to these awards becoming perpetual.” - Dr. William Carson, Sphinx Board Chair and President/CEO of Otsuka Pharmaceutical Development & Commercialization, Inc. Sphinx Competition Presenter The Andrew W. Mellon Foundation © 2015 Sphinx Organization 400 Renaissance Center, Ste 2550 Detroit, MI 48243 313-877-9100 info@SphinxMusic.org www.SphinxMusic.org www.53.com Stella & Frederick Loeb Charitable Trust ADMINISTERED BY Congratulations to the 2015 Sphinx Performance Academy Students! The Sphinx Performance Academy (SPA) wrapped up its 13th year of programming! Hosted by Roosevelt University and Oberlin College, SPA invited 64 Black and Latino string players, ages 12-17, to learn from some of the top Sphinx Competition alumni who comprise our Resident Faculty as well as Sphinx’s premier ensemble, the Catalyst Quartet. The daily schedule included focused practice regimes, private lessons, quartet rehearsals with faculty coachings, and daily exposure to live performances. Some highlights from this year included master classes with Rachel Barton Pine (Sphinx Board Member and violin virtuoso), Gabriel Cabezas ( Jr. and Sr. division winner of the Sphinx Competition), Brian Thornton (cellist for the Cleveland Orchestra), Jinjoo Cho (violin faculty at Oberlin Conservatory), and an improvisation workshop led by Gwen Laster and her Creative Improvisers Orchestra. Additionally, students got to see some exciting live concerts given by the Catalyst Quartet, Chicago Symphony Orchestra, and The Cleveland Orchestra. Congratulations to the 2014-2015 Overture Students! Our Overture program had a smooth ending this year. Having only picked up their violins for the first time in October of 2014, our Sphinx Overture students ended the year on a high note at their recitals. Each class played three songs each, including Michael Jackson’s Smooth Criminal. We’re so proud of each and every one of our students for their commitment and passion for learning music. Sphinx Overture provides free violins and lessons to elementary school students in Detroit and Flint, Michigan. This past year, we reached over 1,000 students through violin instruction, guest artist visits, multiple live performances, and performance opportunities. We look forward to another great year of Overture beginning in fall 2015! Our final student recitals were outstanding and the faculty could not be prouder of the progress each of these students made. If you want to learn more about SPA, please visit our SPA blog at www.SphinxPerformanceAcademy.WordPress.com. One of SPA’s student quartets: L to R, Julissa, Caleb, August, and Ethan Photo: Hector Hernandez SPHINX NEWS Sphinx alum Caleb Washington recently won the gold medal at the NAACP ACT-SO Competition in the classical music division in Philadelphia. Brandon Foster, SPA Oberlin ‘13 and Northwestern ‘14, is studying viola performance and pre-med on merit scholarship at Carnegie Mellon University. Hadiya Knight, SPA Northwestern ’14, is attending Michigan State University for Violin Performance. Guillermo Lambright, SPA Northwestern ’13, has been accepted into the Oberlin Conservatory and College as a dual degree major in Technology in Music and Related Arts (TIMARA). 2011 Sphinx Competition Jury member and Cellist Astrid Schween, an alumna of The Juilliard School, will join the Juilliard String Quartet beginning in September 2016. She will also become a member of Juilliard’s cello faculty beginning with the fall 2016 semester. 2010 and 2011 junior semi-finalist Sphinx Competition alum, Mariana Cottier-Bucco, has won the Dallas Symphony violin position. Sphinx alum Victor Holmes has won Principal String Bass and Electric Bass with the United States Air Force Band in Washington, D.C. Sphinx alum Bryan Hernandez-Luch has won an orchestra job with the New Jersey Symphony as Section Violin. Send us your news and updates: QuarterNote@SphinxMusic.org IMPORTANT DATES! 19th Annual Sphinx Competition: Call for Entries Application Materials Due Tuesday, November 10, 11:59PM EST SphinxCon 2016: Ignite to Action Save the date: February 5-7, 2016 Overture students perform during their final recital with instuctors Dennis Carter (L) and James Greer (R). Please join Sphinx for the Sphinx Virtuosi at Carnegie Hall: A celebration of artistic excellence and diversity on one of the world's greatest stages October 14th, 2015 Six o’clock PM – Afterglow to follow Isaac Stern Auditorium/Perelman Stage at Carnegie Hall v Choice Box Seating for One: Performance Only - $250 v Allegro Level: Box Seat and Afterglow Admission for One - $1,000 v Sonata Sponsor: Box Seat and Afterglow Admission for Two - $2,000 v Crescendo Club: Box Seat and Afterglow Admission for Four; Twenty General Admission; and additional special benefits - $5,000 v Encore Circle: Box Seat and Afterglow Admission for Eight; Thirty General Admission; and additional special benefits - $10,000 Crescendo Club and Encore Circle include additional benefits, which are listed at SphinxMusic.org For more information or for Box Seat/Gala tickets, contact Therese Goussy at Therese@SphinxMusic.org or 313-877-9100 x713 To purchase General Admission tickets, visit carnegiehall.org, call CarnegieCharge at 212-247-7800, or visit the Carnegie Hall Box Office at 57th Street and 7th Avenue. Use the Friends of Sphinx promotional code to receive a 40% discount on tickets: FOS22294. Aaron P. Dworkin Founder 400 Renaissance Center Suite 2550 Detroit MI 48243 Something to Ponder: “The world is a complicated place, and there’s a lot of division between people. The performing arts tend to unify people in a way nothing else does.” - David Rubenstein Leslie teaching Overture students. Photo: Amy Kuhl Q & A with Leslie DeShazor The Quarter Note caught up with Leslie DeShazor, who has been teaching with Sphinx Overture for seven years. Sphinx Overture provides free violins and lessons to elementary school students in Detroit and Flint, Michigan. Quarter Note: What drives you to teach year after year? Leslie DeShazor: Each year seems to come with a new set of challenges; however, the one thing that never changes is the power of music to impact lives. I enjoy interacting with and developing meaningful relationships with my students. Teaching them to play the violin is just one part of what I look forward to every year; the students are constantly teaching me also and helping me to grow. QN: What do your Overture students experience during the year? LD: They learn the basics of violin technique and music theory. More importantly, they develop character-building principles such as perseverance, patience, discipline and vision. They also experience joy and a lot of laughter, because I’m a bit of a clown. I try to make it as fun as possible so they leave with great memories and if possible return the next year or go on to other programs. QN: What are some of your most memorable moments during Overture? LD: There are so many, but this year my favorite moment was when Malik, a student who struggled in the beginning, played “Ode To Joy” with me as a duet. I was very proud of him. Knowing where he came from and seeing how he grew gave me such a feeling of satisfaction. As a teacher, these are the moments that help you to feel reassured that your students are truly learning. QN: During the recital this year, your students played Michael Jackson’s “Smooth Criminal.” How were they able to do that in less than a year of practicing the violin? LD: Every year we choose a “bonus” piece that the students choose, usually from the “pop” world. The first thing we do is listen to it as a class many times so that the rhythm is in them before we begin playing it. Then I break it down by teaching very small increments at a time. Sometimes we start with the more difficult parts, which might mean starting in the middle or even at the end of the song. QN: Why is Overture so important for the community of Detroit? LD: Overture provides opportunity in communities where opportunity may not be readily available. By giving students free instruction and an instrument, the Sphinx Organization is lifting those limitations that so often make it impossible for lower income families and schools districts to give children a music education.
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