Printable PDF - Syracuse Stage

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Printable PDF - Syracuse Stage
Study Guide Contents
3.) Production Information
4.)Introduction
5.) Letter from the Director
6.)Synopsis
7.) About the Author and Playwright
8.) Sherlock Holmes and Joseph Bell
9.) Sherlock Holmes Canon
10.) Sherlock on Screen & Stage
11.) Elements of Teaching Theatre
13.) Topics for Discussion and Resources
15.)References
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SYRACUSE STAGE EDUCATION
Director of Educational Outreach
Lauren Unbekant
(315) 443-1150
Manager of Educational Outreach
Kate Laissle
(315) 442-7755
Group Sales & Student Matinees
Tracey White
(315) 443-9844
Box Office
(315) 443-3275
Ken Ludwig’s
Timothy Bond
Producing Artistic Director
Diana C. Coles
Interim Managing Director
BASKERVILLE:
A SHERLOCK HOLMES MYSTERY
PRESENTING SPONSORS
BASED ON A NOVEL BY
Arthur Conan Doyle
DIRECTED BY
Peter Amster
SPONSORS
ORIGINAL MUSIC &
MEDIA SPONSORS
SCENIC DESIGNER
COSTUME DESIGNER
LIGHTING DESIGNER
SOUND DESIGN
Adam Koch
Tracy Dorman
Thomas C. Hase
Victoria Deiorio
HAIR, WIG &
PROJECTION
MAKEUP DESIGNER
DESIGNER
DIALECT COACH
FIGHT DIRECTOR
Dave Bova
Mike Tutaj
Celia Madeoy
Felix Ivanov
PRODUCTION
SEASON SPONSOR
STAGE MANAGER
CASTING
Stuart Plymesser
Harriet Bass
Baskerville: A Sherlock Holmes Mystery (Ludwig)
is presented by special arrangement with Samuel French, Inc.
The video and/or audio recording of this performance by any means whatsoever are strictly prohibited.
May 11 - 29, 2016
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welcome!
A FEW REMINDERS...
audience etiquette
BE PROMPT
Give your students plenty of time to arrive,
find their seats, and get situated. Have them
visit the restrooms before the show begins.
RESPECT OTHERS
Please remind your students that their behavior
and responses affect the quality of the performance and the enjoyment of the production for
the entire audience. Live theatre means the actors
and the audience are in the same room, and just
as the audience can see and hear the performers,
the performers can see and hear the audience.
Please ask your students to avoid disturbing those
around them. Please no talking or unnecessary or
disruptive movement during the performance. Also,
please remind students that cellphones should be
switched off completely. No texting or tweeting,
please. When students give their full attention to
the action on the stage, they will be rewarded
with the best performance possible.
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As you take your students on the exciting journey into the
world of live theatre we hope that you’ll take a moment to
help prepare them to make the most of their experience.
Unlike movies or television, live theatre offers the thrill of
unpredictability.
GOOD NOISE, BAD NOISE
Instead of instructing students to remain totally
silent, please discuss the difference between
appropriate responses (laughter, applause,
participation when requested) and inappropriate
noise (talking, cell phones, etc).
With the actors present on stage, the audience response
becomes an integral part of the performance and the overall
experience: the more involved and attentive the audience, the
better the show. Please remind your students that they play
an important part in the success of the performance.
STAY WITH US
Please do not leave or allow students to leave
during the performance except in absolute
emergencies. Again, reminding them to use
the restrooms before the performance will help
eliminate unnecessary disruption.
SYRACUSE STAGE EDUCATION
Dear Educator,
Live theatre is a place for people to gather and experience the joys,
triumphs, and sorrows life has to offer.
The Syracuse Stage education department is committed to providing
the tools to make learning in and through the arts possible to address
varied learning styles and to make connections to curricula and life itself. It is our goal in the education department to maximize the theatre
experience for our education partners with experiential learning and
in-depth arts programming. Thank you for your interest and support.
Sincerely,
Lauren Unbekant
Director of Educational Outreach
2015/2016 EDUCATIONAL OUTREACH SPONSORS
Syracuse Stage is committed to providing students with rich theatre experiences that explore and examine what it is to be human.
Research shows that children who participate in or are exposed to the arts show higher academic achievement, stronger self-esteem, and
improved ability to plan and work toward a future goal.
Many students in our community have their first taste of live theatre through Syracuse Stage’s outreach programs. Last season more than
15,500 students from across New York State attended or participated in the Bank of America Children’s Tour, artsEmerging, the Young
Playwrights Festival, the Franklin Project, Young Adult Council, and our Student Matinee Program.
We gratefully acknowledge the corporations and foundations who support our commitment to in-depth arts education for our comunity.
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SYNOPSIS
Ken Ludwig’s Baskerville, while faithful to the characters
and plot of Sir Arthur Conan Doyle’s The Hound of the
Baskervilles is a comedy/mystery using five actors to
play more than forty characters.
Dr John Mortimer comes to Sherlock Holmes’s flat at
221B Baker Street to ask the great detective and his
faithful friend Dr. Watson for help. Sir Charles Baskerville of Dartmoor is dead. He may have fallen victim to
a family curse: to be torn apart by a demonic dog that
roams the moor. Soon the American Baskerville heir,
Sir Henry Baskerville, arrives from Texas. He has received a letter warning him from taking possession of
Baskerville Hall, but scoffs at the threat and the curse.
Watson accompanies him to the family estate where
they meet a spurious-looking group: The Barrymores,
the housekeepers; the naturalist Jack Stapleton and his
beautiful sister, Beryl Stapleton; the convict Selden; and
the mysterious lady, Mrs. Lyons. When Holmes arrives,
the sleuths and their client have a frightening encounter with the ghostly hound. Along the way, we meet
up with several old friends from the Holmesian world,
including landlady Mrs Hudson, Inspector Lestrade, Jabez Wilson, and street urchin Cartwright of the Baker
Street Irregulars.
“When you have eliminated the impossible, whatever remains, however improbable, must be the
truth.”
- Sherlock Holmes
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SIR ARTHUR CONAN DOYLE
ABOUT
Arthur Conan Doyle was born on May 22, 1859 in Edinburgh, Scotland of Irish Catholic parents. He received his medical degree from the University of Edinburgh. While at university, he also published his first
short stories.
Lacking funds to continue his studies, he signed on as ship’s surgeon for a British whaler sailing in the
Arctic circle. After returning to school and receiving his degree, he worked as a doctor on a steamship in
Africa, then returned to practice first in Plymouth, England and then London.
In 1886, he completed a mystery novella, A Tangled Skein, featuring a detective with amazing powers of
observation and a physician narrator. Renamed A Study in Scarlet, it was published in Beeton’s Christmas Annual. Sherlock Holmes had been born.
After the death of his first wife in 1906, Conan Doyle, who had renounced the Catholic faith, found solace
in spiritualism, which was already an interest. In his later years, his passionate belief in spiritualism caused
well-publicized rift in his friendship with magician and anti-spiritualist Harry Houdini.
In 1902, Conan Doyle received knighthood for a pamphlet defending Britain’s position in the Boer War. It’s
suspected that King Edward VII was really rewarding him as the creator of Sherlock Holmes.
Arthur Conan Doyle was a prolific writer. Besides the sixty stories about Holmes, he also authored many
historical novels, non-fiction, science fiction and fantasy, most notably The Lost World (1912). He also selfpublished a two-volume book about spiritualism. In 1924, he published his autobiography, Mysteries and
Adventures.
Sir Arthur Conan Doyle died July 7, 1930.
The Playwright - Ken Ludwig
Ken Ludwig has had six shows on Broadway and seven
in London’s West End, and his plays and musicals have
been performed in more than 30 countries in over
20 languages. His first play on Broadway, Lend Me A
Tenor, which the Washington Post called “one of the
classic comedies of the 20th century,” won two Tony
Awards and was nominated for seven. He has also
won two Laurence Olivier Awards (England’s highest
theater honor), the Charles MacArthur Award, two
Helen Hayes Awards, the Edgar Award for Best Mystery from The Mystery Writers of America, the SETC
Distinguished Career Award, and the Edwin Forrest
Award for Services to the American Theatre. His plays
have been commissioned by the Royal Shakespeare
Company and the Bristol Old Vic. He has written 22
plays and musicals, including Crazy for You (5 years on
Broadway and the West End, Tony and Olivier Award
Winner for Best Musical), Moon Over Buffalo (Broadway
and West End), The Adventures of Tom Sawyer (Broadway), Treasure Island (West End), Twentieth Century
(Broadway), Leading Ladies, Shakespeare in Hollywood,The
Game’s Afoot,The Fox on the Fairway,The Three Musketeers
and The Beaux’ Stratagem. His most recent plays include
Baskerville, A Comedy of Tenors, and Tiny Tim’s Christmas
Carol (2015 Helen Hayes Award nominee for Outstanding Play). His newest book, How to Teach Your Children
Shakespeare, (winner of the Falstaff Award for Best
Shakespeare Book of 2014) is published by Random
House. His plays have starred Alec Baldwin, Carol
Burnett, Lynn Redgrave, Mickey Rooney, Hal Holbrook,
Dixie Carter, Tony Shalhoub, Anne Heche, Joan Collins, and Kristin Bell. His work is published by the Yale
Review, and he is a Sallie B. Goodman Fellow of the
McCarter Theatre, Princeton. He holds degrees from
Harvard, where he studied music with Leonard Bernstein, Haverford College and Cambridge University.
from www.kenludwig.com
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Sherlock Holmes and Joseph Bell
In his medical studies at the University of Edinburgh, Conan Doyle
made the acquaintance of surgeon and lecturer, Dr. Joseph Bell, who
was already famous for his use of detail and observation as diagnostic tools. It is said Dr. Bell could tell where a sailor had sailed
from his tattoos. A look at a patient’s hand could tell him what the
person’s occupation was. A perusal of someone’s face could show
whether the subject was a drinker. There is some evidence that he
may have consulted on the Jack the Ripper murders and even named
a suspect, but his notes have been lost. After reading A Study in Scarlet, one of Bell’s many admirers, author Rudyard Kipling, asked about
Holmes, “Isn’t that my old friend Dr. Joe?” In Sidney Paget’s famed illustrations, Sherlock Holmes shares Bell’s appearance and avocations.
Even the long cape and deerstalker hat are affectations that Joseph
Bell favored.
JOSEPH BELL
Dr. Watson
MARTIN FREEMAN AS DR. JOHN
WATSON IN SHERLOCK
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Arthur Conan Doyle created Watson as the narrator of the story
and Holmes’s biographer. The first book, A Study in Scarlet is subtitled “Being a reprint from the reminiscences of John H. Watson,
M.D.” In the early stories, Watson is the detective’s flat-mate, but
in The Sign of the Four he is engaged to Mary Morstan, a governess.
In The Adventure of the Empty House, it is implied that his wife has died.
Soon, Watson has moved back to 221B Baker Street. However, in
the later The Adventure of the Blanched Soldier, one of two stories narrated by Holmes himself, he states that, “Watson had at that time
deserted me for a wife.” She is never named or identified.
The Great Detective’s Methods
Where would the science geek gumshoes of TV’s CSI and Bones
be without the pioneering crime solving methods of Sherlock
Holmes? The fictional detective called his method deduction,
although it is really induction, inferences made through observation. Aside from observation, Holmes was an early expert at
finger examination, analysis of typewritten documents, chemical
analysis, and handwriting analysis. He made close examination
of footprints, and was fascinated by cryptology. Holmes was also
a master of disguise. He even studied the behavior of dogs.
The Sherlock Holmes Canon
Conan Doyle wrote four Sherlock Holmes novels: A Study in Scarlet
(1887), The Sign of the Four (890), The Hound of the Baskervilles, (serialized
1901–1902 in The Strand), and The Valley of Fear (serialized 1914-1915).
There are fifty-six short stories, collected in five volumes: The Adventures
of Sherlock Holmes (1892), The Memoirs of Sherlock Holmes (1894), The
Return of Sherlock Holmes (1905), His Last Bow (1917), and The Casebook of
Sherlock Holmes (1927).
Although all the Holmes short stories are engaging, a handful are essential
to the creation of the character. Three essential Sherlock Holmes stories
are:
• A Scandal in Bohemia - the first to feature illustrations by Sidney Paget,
which set the image of Holmes. The story also introduces American
opera singer Irene Adler, who often appears as a romantic interest for
Holmes in films and plays.
• The Adventure of the Speckled Band - Conan Doyle’s favorite Holmes
story, which has the great detective investigating the mysterious death
of Julia Stoner, whose last words were, “The Speckled Band!”
• The Final Problem - Sherlock Holmes dies! Well, maybe.
Killing Off a Hero
In 1893, Conan Doyle decided to kill off Holmes so he could spend more time
writing about and studying spiritualism. In “The Final Problem,” the saddened
Dr. Watson reports that Holmes and his arch-enemy Professor Moriarty
tumbled together off Reichenbach Falls, presumably to their deaths. Holmes
proved to be more resilient. The public clamored for more Sherlock Holmes,
so like a modern soap opera hero, he re-emerged in 1901 in The Hound of the
Baskervilles, which is presented as taking place before his fatal fall. In 1903’s
“The Adventure of the Empty House” Holmes was resurrected formally. He
explains to Watson that only Moriarty had fallen to his death.
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Sherlock on Screen
There have been 226 films featuring Conan Doyle’s super sleuth. Notable screen portrayals include William Gillette, the originator of the
role; John Barrymore; Basil Rathbone; Peter Cushing; Nicol Williamson;
and Robert Downy Jr, who turned Holmes into an action hero in director Guy Ritchie’s popular films.
Television Holmeses include Peter Cushing, former Dr.Who Tom Baker,
and memorably Jeremy Brett, who re-energized the sleuth’s popularity
in the 1980s. Most recently, we’ve seen Hugh Laurie (as Dr. Gregory
House, based on Holmes), Benedict Cumberbatch (Sherlock, Masterpiece Mystery) and Johnny Lee Miller (Elementary), three series that
place our hero in the twenty-first century.
The Hound of the Baskervilles has been adapted for film and television over twenty-five times, beginning with the German Der Hund von
Baskerville (1914).
Some interesting Sherlock Holmes films include:
The Hound of the Baskervilles (1939, first in a series of films starring Basil
Rathbone as Holmes and Nigel Bruce as Watson)
A Study in Terror (1965, Holmes faces Jack the Ripper.)
The Private Life of Sherlock Holmes (1970)
The Seven Percent Solution (1976, Holmes and Sigmund Freud solve a
mystery together.)
Murder by Decree (1978)
Young Sherlock Holmes (1985, He’s a university student.)
The Great Mouse Detective ( 1986, Disney animation with a rodent hero)
Sherlock Holmes (2009)
Sherlock Holmes: A Game of Shadows (2011)
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THE GREAT MOUSE DETECTIVE (1986)
Sherlock holmes onstage
The Sherlock Holmes stories and their characters are now in public domain,
which means that there are very many incarnations of the character on stage,
film, television and even in video games. The first stage version of Sherlock
Holmes did as much to set the public’s vision of the detective as did Conan
Doyle and illustrator Sidney Paget. Written in 1899, the play Sherlock Holmes,
by Conan Doyle and American actor/playwright/manager William Gillette,
incorporates new material as well as draw from A Scandal in Bohemia, A Study
in Scarlet, and The Final Problem. Gillette himself, playing Holmes, was the
first actor to use the signature curved pipe and utter, “Elementary, my dear
Watson,” which is never said in the stories. Holmes became William Gillette’s
signature role, and he played the sleuth until 1923. He also appeared in a 1916
silent film production. In 1922, the play was filmed again, this time with John
Barrymore wearing the deerstalker cap.
Interestingly, one of Sherlock Holmes’s earliest performances dates was in
Syracuse in 1899, before the show was brought to Broadway, where it enjoyed
enormous success.
elements of drama
PLOT
What is the story line? What happened before the
play started? What do the characters want? What do
they do to achieve their goals? What do they stand to
gain/lose?
THEME
What ideas are wrestled with in the play? What questions does the play pose? Does it present an opinion?
CHARACTER
Who are the people in the story? What are their relationships? Why do they do what they do? How does
age/status/etc. affect them?
LANGUAGE
What do the characters say? How do they say it?
When do they say it?
MUSIC
How do music and sound help to tell the story?
SPECTACLE
How do the elements come together to create the
whole performance?
Other Elements: Conflict/Resolution, Action, Improvisation,
Non-verbal communication, Staging, Humor, Realism and
other styles, Metaphor, Language, Tone, Pattern & Repetition,
Emotion, Point of view.
Any piece of theatre comprises multiple art forms.
As you explore this production with your students,
examine the use of:
WRITING
VISUAL
ART/DESIGN
MUSIC/SOUND
DANCE/MOVEMENT
ACTIVITY
At its core, drama is about characters working toward
goals and overcoming obstacles. Ask students to use
their bodies and voices to create characters who are:
very old, very young, very strong, very weak, very
tired, very energetic, very cold, very warm. Have their
characters interact with others. Give them an objective
to fulfill despite environmental obstacles. Later,
recap by asking how these obstacles affected their
characters and the pursuit of their objectives.
INQUIRY
How are each of these art forms used
in this production? Why are they used?
How do they help to tell the story?
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elements of design
LINE can have length, width, texture, direction, and
curve. There are 5 basic varieties: vertical, horizontal, diagonal, curved, and zig-zag.
SHAPE is two-dimensional and encloses space.
It can be geometric (e.g. squares and circles),
man-made, or free-form.
FORM is three-dimensional. It encloses space
and fills space. It can be geometric (e.g. cubes
and cylinders), man-made, or free-form.
COLOR has three basic properties:
HUE is the name of the color (e.g. red, blue,
green), INTENSITY is the strength of the color
(bright or dull), VALUE is the range of lightness to
darkness.
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TEXTURE refers to the “feel” of an
object’s surface. It can be smooth,
rough, soft, etc. Textures may be
ACTUAL (able to be felt) or IMPLIED (suggested visually through
the artist’s technique).
SPACE is defined and determined
by shapes and forms. Positive space
is enclosed by shapes and forms,
while negative space exists around
them.
Is Holmes’s use of observation plausible? The current Sherlock and Elementary place him in a modern setting.
Consider how this modifies his method?
Baskerville starts off as a ghost story. How is the supernatural treated? The novel and the play hook us with the
story of Sir Charles and the spectral hound. What are some local scary stories or urban legends in your area?
What is the role of Dr. Watson in Baskerville? Imagine the play without him. How would it change?
Ken Ludwig’s Baskerville is a comedy/mystery. How do the comic antics affect the overall impact of the play?
How does the use of five actors to portray a huge cast of characters change your understanding of the play?
Does the playwright stay true to your vision of Sherlock Holmes?
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Clue! Using the game as a springboard for writing
Using the familiar board game Clue!, divide the class into teams corresponding to the number of
allowable players. Then, play the game to determine the who, where, and with what weapon of the classic game (eg. Colonel Mustard in the library with the rope.) Then the four teams meet to
develop short stories that explain what happened. Within the groups, one student writes a story from the perspective of the detective, another becomes a Dr. Watson-style narrator, and the others become witnesses or the killer.
The observation game
Before students arrive for class, the instructor subtly changes details of the classroom (perhaps remove or replace a poster, change position of objects on the desk, etc.) and his/her personal appearance (two different socks, mismatched shoes, etc.) Perhaps there is an enigmatic message on the blackboard. Group—discover the changes, individuals students write a story explaining the changes.
Local Legends
Baskerville uses the legend of the hound on the moors as a springboard. The class identifies some local ghost stories or urban legends, and then students use those tales to inspire a story. The writ
ten pieces can take the form of short stories, oral storytelling, or plays.
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REFERENCES:
Sources and Resources
Sir Arthur Conan Doyle
http://www.victorianweb.org/authors/doyle/bio.html
William Gillette, the First Holmes:
https://en.wikipedia.org/wiki/William_Gillette
William Gillette: Five Ways He Transformed How Holmes looks and Talks
http://www.bbc.com/news/magazine-30932322
Sherlock Everywhere: Stage, Film, TV
http://sherlockholmesonstage.com/sherlock-everywhere/
http://bakerstreet.wikia.com/wiki/List_of_Sherlock_Holmes_Adaptations:_Films
Joseph Bell
http://www.sherlockian-sherlock.com/dr-joseph-bell-the-real-sherlock-holmes.php
Ranking the Stories
http://www.bestofsherlock.com/story/storyhm.htm
The Hound of the Baskervilles
https://en.wikipedia.org/wiki/The_Hound_of_the_Baskervilles
The Hound of the Baskervilles Complete Text
https://www.gutenberg.org/files/2852/2852-h/2852-h.htm
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Sherlock Holmes’s Methods
http://sherlockspy.blogspot.com/p/methods-of-detection.html
http://blog.oup.com/2013/09/six-methods-forensic-detection-sherlock-holmes/
http://www.wikihow.com/Develop-the-’Sherlock-Holmes’-Intuition
Useful Video
Ken Ludwig on Baskerville: A Sherlock Holmes Mystery
https://www.youtube.com/watch?v=Lo-Y7FJaXWQ
The Hound of the Baskervilles (1939, Basil Rathbone)
https://www.youtube.com/watch?v=NgaU-W2mZ0E
Sherlock Holmes in A Study in Scarlet (Peter Cushing)
https://www.youtube.com/watch?v=bD2LT5dRCKM
The Best Ever Sherlock Holmes Quotes
https://www.youtube.com/watch?v=3UOTIW83oXs
Twelve Mysterious Facts about Sherlock Holmes
https://www.youtube.com/watch?v=Rt9rvrtvsHM
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There have been many adaptations ands sequels to Peter Pan. Of special interest are:
Barry, Dave and Ridley Pearson. Peter and the Starcatchers. Hyperion Books: 2004.
The first in the Starcatchers series, an unauthorized and hilarious prequel to Peter Pan.
McCaughrean, Geraldine. Peter Pan in Scarlet. Oxford University Press, Oxford: 2006.
The authorized sequel to Peter Pan brings the Darling children and the Lost Boys back to Neverland after World War I.
Notable film versions:
Peter Pan (1924) directed by Herbert Brenon, starring Betty Bronson as Pan. A silent film, it’s the only film produced during
Barrie’s lifetime. Long thought lost, it’s now available free online:
https://archive.org/details/PeterPan1924.
Peter Pan, animated from Walt Disney 1953, featuring the voice of Bobby Driscoll. Notable for its stereotypical version of
the Indians.
Peter Pan, The 1960 color recording of the Mary Martin stage version is available on video.
Hook, (1991) directed by Stephen Spielberg, with Dustin Hoffman as Hook and Robin Williams as a grown-up Pan. Available on video.
Peter Pan (2003) directed by P.J.Hogan, with Jeremy Sumpter as Peter. Available on video.
Pan (2015) directed by Joe Wright, an origin story with Levi Miller as Peter, Garrett Hedlund as Hook, and Hugh Jackman
as Blackbeard.
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SEASON
15.16
THE UNDERPANTS
STUPID
F***ING BIRD
OCTOBER 21 – NOVEMBER 8
JANUARY 20 – FEBRUARY 7
PETER PAN
TO KILL A
MOCKINGBIRD
STEVE MARTIN’S
BY STEVE MARTIN
ADAPTED FROM
CARL STERNHEIM
LYRICS BY CAROLYN LEIGH
MUSIC BY MORRIS "MOOSE" CHARLAP
ADDITIONAL LYRICS
BY BETTY COMDEN
AND ADOLPH GREEN
ADDITIONAL MUSIC
BY JULE STYNE
BASED ON THE PLAY
BY SIR JAMES M. BARRIE
FLYING EFFECTS PROVIDED
BY ZFX, INC.
CO-PRODUCED WITH SU DRAMA
NOVEMBER 28 – JANUARY 3
THE SANTALAND
DIARIES
BY DAVID SEDARIS
ADAPTED BY JOE MANTELLO
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SYRACUSE STAGE EDUCATION
BY AARON POSNER
SORT OF ADAPTED FROM
CHEKHOV’S THE SEAGULL
ADAPTED BY CHRISTOPHER SERGEL
FROM THE NOVEL BY HARPER LEE
FEBRUARY 24 – MARCH 26
THE CHRISTIANS
BY LUCAS HNATH
APRIL 6 – 24
KEN LUDWIG’S
BASKERVILLE:
A SHERLOCK HOLMES
MYSTERY
BASED ON A NOVEL
BY ARTHUR CONAN DOYLE
DECEMBER 9 – JANUARY 3
MAY 11 – 29
Lila Coogan, Aurelia Williams,
and Mary DiGangi in Hairspray.
Marc Safran Photography.
SE AS ON SPONS OR: