Onyx 1620i

Transcription

Onyx 1620i
Onyx 1620i
PREMIUM PRODUCTION
MIXER WITH FIREWIRE
Onyx 1620i
The Onyx 1620i features eight full mono mic/line channels
(each with 4-band dual sweep Perkins EQ), four stereo channels (each with 3-band Perkins EQ), four aux sends on
all channels with pre/post capability and a powerful master
section.
The Onyx 1620i is equipped with 16x2 FireWire capability,
allowing all channels, aux sends and main L/R to be routed
to any desired DAW, including Pro Tools® 9 and M-Powered™
8. The FireWire output from the computer may be brought
back straight into a channel strip for easy mix integration.
FireWire aggregation allows multiple Onyx 1620i mixers to
be connected.
Each mono channel has an Onyx mic preamp, phantom
power, an input Gain control with 60 dB of gain, a sharp 18
dB/octave, 75 Hz Low Cut filter, Pan, Mute, Solo, a 60mm
fader and a Channel Insert jack for connecting an external
processor.
FEATURES:
■ 16-channel premium analog mixer with integrated 24-bit / 96 kHz FireWire I/O
■ Eight Onyx boutique quality mic preamps
There are built-in DIs on the first two channels for direct connection of guitars or bass and a dedicated talkback section for easy communication with band members on
stage or during recording sessions.
■ 4-band Perkins EQ with sweepable mids on mic/line channels
Other features include a stereo tape input and output, a 1/4-inch stereo headphone jack, stereo 12-segment LED
meters and XLR and TRS stereo output jacks.
■ 16x2 FireWire routing, including aux sends, main L/R and pre/post EQ assignment for all channels
The Control Room/Phones section has its own level control,
outputs and input matrix for selecting any combination of
Main Mix, Tape In and Alt 3-4.
Despite its large channel count, the Onyx 1620i is compact and rack mountable. Plus, it’s a Mackie which
means it is “Built-Like-A-Tank” and will survive years of
abuse.
■ 3-band Perkins EQ on stereo line channels
■ Compatible with most major DAWs
• Pro Tools® 9 / M-Powered™ 8
• Logic®
• SONAR™
• Cubase®
• Ableton® Live
• Final Cut Pro®
• ...and more
■ Four aux sends with pre/post assignment
■ Smooth 60mm channel and master faders
■ Built-in DI on first two channels for direct connection of guitars, bass, etc.
■ Individual 48V phantom power switches on all mic inputs
■ Talkback section with built in mic and flexible routing
APPLICATIONS
Live sound mixing, houses of worship, clubs, gymnasiums,
banquet halls, conference rooms, boardrooms, multitrack
studio and field recording, video post-production, multimedia applications, broadcast, and many, many more.
■ “Planet-Earth” switching power supply for worldwide use
■ Optional rack kit available
■ Includes Tracktion 3™ Music Production Software for Mac or PC
1/7 PAGES
Onyx 1620i
PREMIUM PRODUCTION
MIXER WITH FIREWIRE
Onyx 1620i SPECIFICATIONS
Noise Characteristics
Attenuation and Crosstalk
Equivalent Input Noise (EIN)
(mic input at insert, 150 source impedance, 20 Hz to 20 kHz)
60 dB (max) gain:
–127 dBu
40 dB gain:
–126.5 dBu
Main Mix knob down, 1 kHz
–85 dBu
Channel Alt/Mute switch engaged, 1 kHz
–88 dBu
Channel Level knob down, 1 kHz
–87 dBu
Equivalent Input Noise (EIN)
(mic input at insert, 50 source impedance, A-weighted)
60 dB (max) gain:
–130.5 dBu
40 dB gain:
–130 dBu
Output Noise
(1/4" Main out, all channels assigned to main, Gain knobs at unity,
20 Hz to 20 kHz)
Main Mix knob down, channel Level knobs down:
–102 dBu (–106 dB SNR, ref +4 dBu)
Main Mix knob unity, channel Level knobs down:
–92 dBu (–96 dB SNR, ref +4 dBu)
Main Mix knob unity, channel Level knobs unity:
–88 dBu (–92 dB SNR, ref +4 dBu)
FireWire Through (Record + Playback) Dynamic Range
(0 dBu in, mic input to FireWire send, returned to Control Room, all
gain stages at unity, 20 Hz to 20 kHz)
44.1 kHz sample rate:
–104 dB
96 kHz sample rate:
–106.5 dB
Mic input to insert, max gain, 1 kHz
–60 dB
Maximum Input Levels
Mic input, gain at min (0 dB)
+22 dBu
Mic input, gain at max (60 dB)
–38 dBu
Line input, gain at –20 dB
+22 dBu
Instrument input, gain at –20 dB
+22 dBu
Tape input
+12 dBu
Aux return
+22 dBu
Maximum Output Levels
Frequency Response
All outputs
Mic input to any output
(all gain stages at unity, +0 / –0.5 dB)
20 Hz to 20 kHz
Stereo channel line input to any output
(all gain stages at unity, +0 / –0.5 dB)
20 Hz to 20 kHz
FireWire in and out (mic input to FireWire send, returned to Control
Room, all gain stages at unity):
44.1 kHz sample rate (+/–0.5 dB)
20 Hz to 20 kHz
–3 dB at 21 kHz
96 kHz sample rate (+/–0.5 dB)
20 Hz to 20 kHz
–3 dB at 45 kHz
Distortion (THD+N)
(20 Hz to 20 kHz bandwidth)
Mic input at insert
(+4 dBu in, 0 dB gain, +4 dBu out)
Common Mode Rejection Ratio (CMRR)
+22 dBu
Equalization
Mono Channels
Low
Lo-Mid frequency
Lo-Mid gain
Hi-Mid frequency
Hi-Mid gain
High
±15 dB @ 80 Hz
100 Hz to 2 kHz
±15 dB
400 Hz to 8 kHz
±15 dB
±15 dB @ 12 kHz
Stereo Channels
Low
Mid
High
±15 dB @ 80 Hz
±15 dB @ 2.5 kHz
±15 dB @ 12 kHz
0.0057%
Mic input at insert
(–36 dBu in, +40 dB gain, +4 dBu out)
0.017%
Stereo channel line input to any output
(+4 dBu in, all gain stages at unity, +4 dBu out)
0.005%
FireWire in and out
(+4 dBu in, mic input to FireWire send, returned to Control Room, all
gain stages at unity)
44.1 kHz sample rate:
0.01%, (20 Hz to 2 kHz)
0.02%, (2 kHz to 20 kHz)
96 kHz sample rate:
0.01%, (10 Hz to 1 kHz)
0.03%, (1 kHz to 47 kHz)
FireWire
Sample Rates
44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz
Buffer Size
32 (44.1 kHz and 48 kHz only), 64,
128, 256, 512, 1024, 2048 samples
Resolution
24-bit
2/7 PAGES
Onyx 1620i
PREMIUM PRODUCTION
MIXER WITH FIREWIRE
Onyx 1620i SPECIFICATIONS continued...
Meters
2-segment pre-fader channel meters
12-segment pre-fader
Control Room meters
Physical Properties (packaged product)
OL (+18 dBu), –20 dBu
OL (+20 dBu), +15, +10,
+6, +3, 0, –2, –4, –7, –10,
–20, –30 (0 dB = 0 dBu)
Height
10.0 in / 254 mm
Width
22.5 in / 572 mm
Depth
23.0 in / 584 mm
Shipping Weight
24.5 lb / 11.1 kg
Input Impedance
Mic input
2.8 k
balanced
Hi-Z input
1M
Mono channel line input
30 k balanced
15 k unbalanced
Stereo channel line input
unbalanced
20 k balanced
10 k unbalanced
100
balanced
Phones output
25
unbalanced
Channel Inserts
150
unbalanced
2k
unbalanced
Tape Output
All other outputs
Height
19.1 in / 485 mm
Width
16.6 in / 422 mm
Depth
4.3 in / 110 mm
Net Weight
20.0 lb / 9.1 kg
Options
Output Impedance
Main XLR output
Physical Properties (product)
300
balanced
Rackmount Kit
Mixer Bag
0031911-00
0032347
Ordering Information
Onyx 1620i 16-Channel Premium Mixer with FireWire, US
P/N 0031077-00
AC Power Requirements
Power Consumption
Universal AC Power Supply
Operating Temperature
40 watts
Onyx 1620i 16-Channel Premium Mixer with FireWire, EU
P/N 0031077-01
100 – 240 VAC,
50 – 60 Hz
0˚ – 40˚C
32˚ – 104˚F
3/7 PAGES
Onyx 1620i
PREMIUM PRODUCTION
MIXER WITH FIREWIRE
Onyx 1620i DIMENSIONS
1. WEIGHT APPROX. 20.0 lb [9.1 kg].
2. SHIPPING WEIGHT APPROX. 24.5 lb [11.1 kg].
4.3
[110.2]
4.3
[110.2]
19.1
[485.0]
16.6
[422.0]
1.9
[47.7]
18.6
[471.5]
19.0
[482.6]
4/7 PAGES
(Ch.15-16
only)
To FW
Pre EQ, Pre Insert
Post EQ, Post Insert
FW Tap
2.5K
MID
2.5K
MID
To FW
80
LO
80
LO
mod2
mod2
12K
HI
12K
HI
Level
MID
HI
Talkback
PK
-20
Level
Level
mod2
to Aux1-4
mod3
Pan
Level
Talkback Assign
to C-R
to FW out
Post EQ, Post Insert
Pre EQ, Pre Insert
FW Tap
3-Band EQ
mod1
Aux Returns 2 and 4 are identical
-20 ~ +20dB
Gain
75 Hz
HPF
MID
80 100~2K 400~8K 12K
LO
Main L/R
Alt 3/4
Main L/R
Alt 3/4
solo
to Main L/R
to Aux 1
Aux
sends
solo
mod3
Aux
sends
Level
Pan
NOTE: Switches are shown in the default (out) position.
NOTE: Modifications (marked MOD above) must be undertaken by authorized LOUD service centers only
Internal
Talkback
Mic
R
Aux Return 3
L
Aux Return 1
R
Line
FW
Mic: 0 ~ +60dB
Line: -20 ~ +40dB
4-Band EQ
Insert
pre
post
Aux 4
pre
post
Aux 3
pre
post
Aux 2
pre
post
Aux 1
afl R sum
pfl sum
afl L sum
R
(+10dB)
CD/Tape in
L
Alt R/4 sum
Alt L/3 sum
R sum
L sum
afl
pfl
solo logic
C/R
R
C/R
L
RUDE
SOLO
LED
C/R Source
off
C/R to Main
Main
CD/Tape
Alt 3/4
Main level
FW 14
FW 13
Firewire
outputs
Aux Masters 1-2 to FW 13-14
Channels 13-14 to FW inputs 13-14
Aux 4 level
Aux 3 level
Aux 2 level
Aux 1 level
16
Main Mix
FW2 to Ch 16
FW1 to Ch 15
Control
Room
level
Phones level
off
Firewire to C/R
C/R
dim
Meter
+4dBu
Mic level
Left
Left
Phones
Aux 4 out
Aux 3 out
Aux 2 out
Aux 1 out
L-R mix to FW inputs 15-16
Channels 15-16 to FW inputs 15-16
Firewire
I/O
Right
Control Room out
Tape
Left/3
Alt out
Right/4
Right
Line
Bal
Main out
Bal
Line
Tape
Onyx 1620i BLOCK DIAGRAM
L
Line
Hi-Z
+
-
Gain
+
-
bypass
Low Cut
logic
pfl
afl R
afl L
aux 4 (post)
aux 4 (pre)
aux 3 (post)
aux 3 (pre)
aux 2 (post)
aux 2 (pre)
aux 1 (post)
aux 1 (pre)
Alt R/4
L/3
R
Main L
From FW ch. 2
Stereo
Channels
9-16
R
L
From FW ch. 1
Line
Hi-Z
Ch 1-2
Line
Mic
Mono Channels
48V
PK
-20
Onyx 1620i
PREMIUM PRODUCTION
MIXER WITH FIREWIRE
logic
pfl
afl R
afl L
aux 4 (post)
aux 4 (pre)
aux 3 (post)
aux 3 (pre)
aux 2 (post)
aux 2 (pre)
aux 1 (post)
aux 1 (pre)
R/4 Alt
L/3
R
L Main
5/7 PAGES
Onyx 1620i
PREMIUM PRODUCTION
MIXER WITH FIREWIRE
Onyx 1620i FRONT PANEL
48V
48V
48V
48V
48V
48V
48V
48V
PREMIUM FIREWIRE RECORDING MIXER
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
6/7 PAGES
Onyx 1620i
PREMIUM PRODUCTION
MIXER WITH FIREWIRE
Onyx 1620i REAR PANEL
48V
48V
48V
48V
48V
48V
48V
48V
PREMIUM FIREWIRE RECORDING MIXER
Electronic files for this product are available at:
www.mackie.com
Specification Sheet
Onyx1620i_SS.PDF
Owner’s Manual
Onyx1620i_OM.PDF
www.mackie.com
16220 Wood-Red Road NE
Woodinville, WA 98072 USA
800-898-3211, Fax 425-487-4337, sales@mackie.com
Since we are always striving to make our products better by incorporating new and improved materials, components, and manufacturing methods, we reserve the right to change these specifications at any time without notice. “Mackie” and the “Running
Man” figure are registered trademarks of LOUD Technologies Inc.
All other brand names mentioned are trademarks or registered trademarks of their respective holders, and are hereby acknowledged.
Part No. SW0884 Rev. A 06/11
©2011 LOUD Technologies Inc. All Rights Reserved.
7/7 PAGES
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE
MUTE