Onyx 1620i
Transcription
Onyx 1620i
Onyx 1620i PREMIUM PRODUCTION MIXER WITH FIREWIRE Onyx 1620i The Onyx 1620i features eight full mono mic/line channels (each with 4-band dual sweep Perkins EQ), four stereo channels (each with 3-band Perkins EQ), four aux sends on all channels with pre/post capability and a powerful master section. The Onyx 1620i is equipped with 16x2 FireWire capability, allowing all channels, aux sends and main L/R to be routed to any desired DAW, including Pro Tools® 9 and M-Powered™ 8. The FireWire output from the computer may be brought back straight into a channel strip for easy mix integration. FireWire aggregation allows multiple Onyx 1620i mixers to be connected. Each mono channel has an Onyx mic preamp, phantom power, an input Gain control with 60 dB of gain, a sharp 18 dB/octave, 75 Hz Low Cut filter, Pan, Mute, Solo, a 60mm fader and a Channel Insert jack for connecting an external processor. FEATURES: ■ 16-channel premium analog mixer with integrated 24-bit / 96 kHz FireWire I/O ■ Eight Onyx boutique quality mic preamps There are built-in DIs on the first two channels for direct connection of guitars or bass and a dedicated talkback section for easy communication with band members on stage or during recording sessions. ■ 4-band Perkins EQ with sweepable mids on mic/line channels Other features include a stereo tape input and output, a 1/4-inch stereo headphone jack, stereo 12-segment LED meters and XLR and TRS stereo output jacks. ■ 16x2 FireWire routing, including aux sends, main L/R and pre/post EQ assignment for all channels The Control Room/Phones section has its own level control, outputs and input matrix for selecting any combination of Main Mix, Tape In and Alt 3-4. Despite its large channel count, the Onyx 1620i is compact and rack mountable. Plus, it’s a Mackie which means it is “Built-Like-A-Tank” and will survive years of abuse. ■ 3-band Perkins EQ on stereo line channels ■ Compatible with most major DAWs • Pro Tools® 9 / M-Powered™ 8 • Logic® • SONAR™ • Cubase® • Ableton® Live • Final Cut Pro® • ...and more ■ Four aux sends with pre/post assignment ■ Smooth 60mm channel and master faders ■ Built-in DI on first two channels for direct connection of guitars, bass, etc. ■ Individual 48V phantom power switches on all mic inputs ■ Talkback section with built in mic and flexible routing APPLICATIONS Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, multitrack studio and field recording, video post-production, multimedia applications, broadcast, and many, many more. ■ “Planet-Earth” switching power supply for worldwide use ■ Optional rack kit available ■ Includes Tracktion 3™ Music Production Software for Mac or PC 1/7 PAGES Onyx 1620i PREMIUM PRODUCTION MIXER WITH FIREWIRE Onyx 1620i SPECIFICATIONS Noise Characteristics Attenuation and Crosstalk Equivalent Input Noise (EIN) (mic input at insert, 150 source impedance, 20 Hz to 20 kHz) 60 dB (max) gain: –127 dBu 40 dB gain: –126.5 dBu Main Mix knob down, 1 kHz –85 dBu Channel Alt/Mute switch engaged, 1 kHz –88 dBu Channel Level knob down, 1 kHz –87 dBu Equivalent Input Noise (EIN) (mic input at insert, 50 source impedance, A-weighted) 60 dB (max) gain: –130.5 dBu 40 dB gain: –130 dBu Output Noise (1/4" Main out, all channels assigned to main, Gain knobs at unity, 20 Hz to 20 kHz) Main Mix knob down, channel Level knobs down: –102 dBu (–106 dB SNR, ref +4 dBu) Main Mix knob unity, channel Level knobs down: –92 dBu (–96 dB SNR, ref +4 dBu) Main Mix knob unity, channel Level knobs unity: –88 dBu (–92 dB SNR, ref +4 dBu) FireWire Through (Record + Playback) Dynamic Range (0 dBu in, mic input to FireWire send, returned to Control Room, all gain stages at unity, 20 Hz to 20 kHz) 44.1 kHz sample rate: –104 dB 96 kHz sample rate: –106.5 dB Mic input to insert, max gain, 1 kHz –60 dB Maximum Input Levels Mic input, gain at min (0 dB) +22 dBu Mic input, gain at max (60 dB) –38 dBu Line input, gain at –20 dB +22 dBu Instrument input, gain at –20 dB +22 dBu Tape input +12 dBu Aux return +22 dBu Maximum Output Levels Frequency Response All outputs Mic input to any output (all gain stages at unity, +0 / –0.5 dB) 20 Hz to 20 kHz Stereo channel line input to any output (all gain stages at unity, +0 / –0.5 dB) 20 Hz to 20 kHz FireWire in and out (mic input to FireWire send, returned to Control Room, all gain stages at unity): 44.1 kHz sample rate (+/–0.5 dB) 20 Hz to 20 kHz –3 dB at 21 kHz 96 kHz sample rate (+/–0.5 dB) 20 Hz to 20 kHz –3 dB at 45 kHz Distortion (THD+N) (20 Hz to 20 kHz bandwidth) Mic input at insert (+4 dBu in, 0 dB gain, +4 dBu out) Common Mode Rejection Ratio (CMRR) +22 dBu Equalization Mono Channels Low Lo-Mid frequency Lo-Mid gain Hi-Mid frequency Hi-Mid gain High ±15 dB @ 80 Hz 100 Hz to 2 kHz ±15 dB 400 Hz to 8 kHz ±15 dB ±15 dB @ 12 kHz Stereo Channels Low Mid High ±15 dB @ 80 Hz ±15 dB @ 2.5 kHz ±15 dB @ 12 kHz 0.0057% Mic input at insert (–36 dBu in, +40 dB gain, +4 dBu out) 0.017% Stereo channel line input to any output (+4 dBu in, all gain stages at unity, +4 dBu out) 0.005% FireWire in and out (+4 dBu in, mic input to FireWire send, returned to Control Room, all gain stages at unity) 44.1 kHz sample rate: 0.01%, (20 Hz to 2 kHz) 0.02%, (2 kHz to 20 kHz) 96 kHz sample rate: 0.01%, (10 Hz to 1 kHz) 0.03%, (1 kHz to 47 kHz) FireWire Sample Rates 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz Buffer Size 32 (44.1 kHz and 48 kHz only), 64, 128, 256, 512, 1024, 2048 samples Resolution 24-bit 2/7 PAGES Onyx 1620i PREMIUM PRODUCTION MIXER WITH FIREWIRE Onyx 1620i SPECIFICATIONS continued... Meters 2-segment pre-fader channel meters 12-segment pre-fader Control Room meters Physical Properties (packaged product) OL (+18 dBu), –20 dBu OL (+20 dBu), +15, +10, +6, +3, 0, –2, –4, –7, –10, –20, –30 (0 dB = 0 dBu) Height 10.0 in / 254 mm Width 22.5 in / 572 mm Depth 23.0 in / 584 mm Shipping Weight 24.5 lb / 11.1 kg Input Impedance Mic input 2.8 k balanced Hi-Z input 1M Mono channel line input 30 k balanced 15 k unbalanced Stereo channel line input unbalanced 20 k balanced 10 k unbalanced 100 balanced Phones output 25 unbalanced Channel Inserts 150 unbalanced 2k unbalanced Tape Output All other outputs Height 19.1 in / 485 mm Width 16.6 in / 422 mm Depth 4.3 in / 110 mm Net Weight 20.0 lb / 9.1 kg Options Output Impedance Main XLR output Physical Properties (product) 300 balanced Rackmount Kit Mixer Bag 0031911-00 0032347 Ordering Information Onyx 1620i 16-Channel Premium Mixer with FireWire, US P/N 0031077-00 AC Power Requirements Power Consumption Universal AC Power Supply Operating Temperature 40 watts Onyx 1620i 16-Channel Premium Mixer with FireWire, EU P/N 0031077-01 100 – 240 VAC, 50 – 60 Hz 0˚ – 40˚C 32˚ – 104˚F 3/7 PAGES Onyx 1620i PREMIUM PRODUCTION MIXER WITH FIREWIRE Onyx 1620i DIMENSIONS 1. WEIGHT APPROX. 20.0 lb [9.1 kg]. 2. SHIPPING WEIGHT APPROX. 24.5 lb [11.1 kg]. 4.3 [110.2] 4.3 [110.2] 19.1 [485.0] 16.6 [422.0] 1.9 [47.7] 18.6 [471.5] 19.0 [482.6] 4/7 PAGES (Ch.15-16 only) To FW Pre EQ, Pre Insert Post EQ, Post Insert FW Tap 2.5K MID 2.5K MID To FW 80 LO 80 LO mod2 mod2 12K HI 12K HI Level MID HI Talkback PK -20 Level Level mod2 to Aux1-4 mod3 Pan Level Talkback Assign to C-R to FW out Post EQ, Post Insert Pre EQ, Pre Insert FW Tap 3-Band EQ mod1 Aux Returns 2 and 4 are identical -20 ~ +20dB Gain 75 Hz HPF MID 80 100~2K 400~8K 12K LO Main L/R Alt 3/4 Main L/R Alt 3/4 solo to Main L/R to Aux 1 Aux sends solo mod3 Aux sends Level Pan NOTE: Switches are shown in the default (out) position. NOTE: Modifications (marked MOD above) must be undertaken by authorized LOUD service centers only Internal Talkback Mic R Aux Return 3 L Aux Return 1 R Line FW Mic: 0 ~ +60dB Line: -20 ~ +40dB 4-Band EQ Insert pre post Aux 4 pre post Aux 3 pre post Aux 2 pre post Aux 1 afl R sum pfl sum afl L sum R (+10dB) CD/Tape in L Alt R/4 sum Alt L/3 sum R sum L sum afl pfl solo logic C/R R C/R L RUDE SOLO LED C/R Source off C/R to Main Main CD/Tape Alt 3/4 Main level FW 14 FW 13 Firewire outputs Aux Masters 1-2 to FW 13-14 Channels 13-14 to FW inputs 13-14 Aux 4 level Aux 3 level Aux 2 level Aux 1 level 16 Main Mix FW2 to Ch 16 FW1 to Ch 15 Control Room level Phones level off Firewire to C/R C/R dim Meter +4dBu Mic level Left Left Phones Aux 4 out Aux 3 out Aux 2 out Aux 1 out L-R mix to FW inputs 15-16 Channels 15-16 to FW inputs 15-16 Firewire I/O Right Control Room out Tape Left/3 Alt out Right/4 Right Line Bal Main out Bal Line Tape Onyx 1620i BLOCK DIAGRAM L Line Hi-Z + - Gain + - bypass Low Cut logic pfl afl R afl L aux 4 (post) aux 4 (pre) aux 3 (post) aux 3 (pre) aux 2 (post) aux 2 (pre) aux 1 (post) aux 1 (pre) Alt R/4 L/3 R Main L From FW ch. 2 Stereo Channels 9-16 R L From FW ch. 1 Line Hi-Z Ch 1-2 Line Mic Mono Channels 48V PK -20 Onyx 1620i PREMIUM PRODUCTION MIXER WITH FIREWIRE logic pfl afl R afl L aux 4 (post) aux 4 (pre) aux 3 (post) aux 3 (pre) aux 2 (post) aux 2 (pre) aux 1 (post) aux 1 (pre) R/4 Alt L/3 R L Main 5/7 PAGES Onyx 1620i PREMIUM PRODUCTION MIXER WITH FIREWIRE Onyx 1620i FRONT PANEL 48V 48V 48V 48V 48V 48V 48V 48V PREMIUM FIREWIRE RECORDING MIXER MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO 6/7 PAGES Onyx 1620i PREMIUM PRODUCTION MIXER WITH FIREWIRE Onyx 1620i REAR PANEL 48V 48V 48V 48V 48V 48V 48V 48V PREMIUM FIREWIRE RECORDING MIXER Electronic files for this product are available at: www.mackie.com Specification Sheet Onyx1620i_SS.PDF Owner’s Manual Onyx1620i_OM.PDF www.mackie.com 16220 Wood-Red Road NE Woodinville, WA 98072 USA 800-898-3211, Fax 425-487-4337, sales@mackie.com Since we are always striving to make our products better by incorporating new and improved materials, components, and manufacturing methods, we reserve the right to change these specifications at any time without notice. “Mackie” and the “Running Man” figure are registered trademarks of LOUD Technologies Inc. All other brand names mentioned are trademarks or registered trademarks of their respective holders, and are hereby acknowledged. Part No. SW0884 Rev. A 06/11 ©2011 LOUD Technologies Inc. All Rights Reserved. 7/7 PAGES MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE