Documentation 5. FF - 7. Fotofestival Mannheim Ludwigshafen

5. FOTO –
FESTIVAL
MANNHEIM
LUDWIGSHAFEN
HEIDELBERG
D O C U M E N TAT I O N
2013
D O C U M E N TAT I O N
2013
MAJOR SUCCESS FOR
THE 5th FOTOFESTIVAL
MANNHEIM
LUDWIGSHAFEN
H E I D E L B E R G
From 14 September until 10 November 2013, the cities of Mannheim, Ludwigshafen and
Heidelberg, under the title GRENZGÄNGE. MAGNUM: TRANS-TERRITORIES, presented
one of Europe’s most important festivals of contemporary photography for the fifth time.
The more than 1300 works by 80 international photographers and artists met with a greater
resonance than ever before at all eight exhibition locations. A four-fold leap in visitor numbers
has been achieved during the period from 2007 to 2013. With nearly 43,000 visitors currently,
Fotofestival Mannheim-Ludwigshafen-Heidelberg, ten years after it relocated from the Ruhr
area, is one of the flagship cultural projects of the Rhine-Neckar metropolitan region.
With the focus on positions by photographers from the agency Magnum Photos, and a comprehensive supporting programme comprising more than 190 events, the Festival was widely
acclaimed by the press both within Germany and abroad. In addition to the Frankfurter
Allegemeine Zeitung and the Frankfurter Rundschau, the Sueddeutsche Zeitung, the Tageszeitung, and ZEIT, along with numerous specialist magazines (Art, Photo International, Sleek,
Monopol, Photonews, LFI, Fisheye Magazine, and many more), the international press also
reported on the Festival: publications included Der Standard and the Neue Zürcher Zeitung.
T H E C U R AT O R
The internationally engaged exhibition maker and current exhibition manager at Magnum Photos
Paris, Andréa Holzherr, (D/F) curated the 5th Fotofestival.
T H E P AT R O N
Thomas Hoepker (D/USA) – former Magnum President and, since 1989, member of Magnum
Photos – took on the patronage of the Festival.
9
exhibition venues
80
international artists
1.300
works
196
events
42.832
visitors
NETWORK
E X PA N S I O N
Existing international and regional co-operations were consolidated in 2013. In this its fifth
edition, too, the Fotofestival worked highly successfully with the French photography company La
Chambre from Strasbourg, as well as with the Internationales Festival für Performance, Live-Art
und Kunst Wunder der Prärie, which took place at the same time in Mannheim. The Fotofestival
forged links with other artistic spaces in the region as well in 2013: with Einraumhaus C/O and the
Stadtgalerie in Mannheim, and the Breidenbach Studios in Heidelberg.
For this year’s biennial, new partnerships with a total of three science faculties in Heidelberg
recognized the city’s standing as a place of science and education. Two projects were realized in
collaboration with Ruprechts-Karls-Universität Heidelberg. At a seminar on documentary photography, Art History students gained insights into journalistic work and compiled articles for the
Festival newspaper. Under the leadership of Prof. Cord Arendes, the Historical Seminar for Public
History offered a practical seminar on the history of photography in conjunction with a qualitative
visitor survey. In the Art faculty, the Pedagogical University Heidelberg held a practical photography
seminar that referred to the Festival project Insight/Out. The students’ works were exhibited in
parallel to the Fotofestival at the Breidenbach Studios in Heidelberg.
PHOTOGRAPHY
IN DIALOGUE
The new concept of involving 11 artistic positions in a dialogue (for example, by Veronika Veit at
the Wilhelm-Hack-Museum or Francis Alÿs and Sandra Schäfer at Kunstverein Heidelberg) went
into individual topics in greater detail, on the basis of exhibits from different artistic practices. This
extension of the curatorial programme was received highly positively and with great interest by
press and visitors alike.
FESTIVAL TOPIC 2013
GRENZGÄNGE.
MAGNUM:
TRANS-TERRITORIES
Inspired by the photo festival’s location in three cities, in two German federal states and at
various exhibition venues, this year’s Fotofestival presented photographic positions that dealt
with different territories and regions. The curator Andréa Holzherr discussed the Festival‘s
topic GRENZGÄNGE. MAGNUM: TRANS-TERRITORIES from different perspectives.
The exhibited works dealt, for example, with the concept of home, but also with its opposite:
with uprooting, exile and migration. They enabled a glimpse behind the walls of the excluded
and the locked-up in prisons, asylums and psychiatric institutions. The photographers showed
war and violent conflicts surrounding territories, but common ground, community and the
connectedness of communities of interest were equally present in their works.
The unification of the different photographic approaches made not only the enormous topical
diversity of the Magnum photographers apparent, but also their very different personal and formal
manners of approach. These were underlined by heterogeneous forms of presentation at the
respective shows: pinboard, object, image/sound installation, wallpaper, wall newspaper, or
vintage print.
9
Exhibition locations
7
topic categories
1
in-situ project
E X H I B I T I O N S IN MANNHEIM
KUNSTHALLE MANNHEIM
UPROOTED
EXIL
Under the title “Uprooted / Exil” the topical exhibition at Kunsthalle Mannheim dealt
with lack of a homeland, uprooting, exile and migration. A refugees’ tent, loaned by the
UNHCR, brought the topic of the century – “persecution and flight” – palpably to life.
The variously sized photos mounted on wooden blocks and set up on a long shelf could
also be picked up, rearranged and thus grasped in the truest sense of the word.
ZEPHYR
DEUTSCHLANDREISE
At the initiative of the photo agencies Magnum Photos (Paris) and Focus (Hamburg), the
four Magnum photographers Olivia Arthur, Peter van Agtmael, Paolo Pellegrin and Moises
Saman travelled the length and breadth of Germany in election year 2013, in order to render
their personal image of the country. ZEITmagazin dedicated a special edition to the project.
S TA D T G A L E R I E M A N N H E I M
INSIGHT OUT
KONVERSION
Stadtgalerie Mannheim was a venue for the Fotofestival for the first time in 2013.
With their photographic works, Alessandra Sanguinetti and Donovan Wylie reacted
to the withdrawal of the American soldiers stationed in Mannheim.
E X H I B I T I O N S IN LUDWIGSHAFEN
WILHELM-HACK-MUSEUM
NO PLACE LIKE HOME
ZUHAUSE
The exhibition “No Place like Home / Zuhause” dealt with our roots and with the concepts home,
family, and identity. The photographs told unspectacular stories: of word-famous photographers’
own families, of private living space in the world’s biggest slums, or of a love affair in icy
Greenland.
KUNSTVEREIN LUDWIGSHAFEN
COMMUNITY
Under the title “Community”, the topic of the exhibition at Kunstverein Ludwigshafen was youth
culture: Gangs, clans and communities of interest. A slide show comprising photographs by 45
Magnum photographs from six decades was shown on four large screens – music and original
soundtracks from the respective time of creation could be heard in synchrony to this.
E X H I B I T I O N S IN HEIDELBERG
HEIDELBERGER KUNSTVEREIN
B AT T L E G R O U N D
A FG H A N I S TA N
In the exhibition “Battleground / Afghanistan” the subject was disputed territories, war and
armed conflicts, drawing on the example of Afghanistan. Against the foil of the photo fresco
papered onto four walls, which enabled visitors to gain an overview of the country’s war history,
artistic contributions and anonymous war tapestries were presented, having been produced in
collaboration with prominent figures and artists from Afghanistan.
SAMMLUNG PRINZHORN
LOCKED UP
DIE ZELLE
Under the title “Locked up / Die Zelle” a number of photographic series were presented that
dealt with the topic of enclosure / exclusion. The photographic insights into the cells of psychiatric institutions and prisons were contrasted with the predominantly drawn and painted insights
and outlooks by institutional patients from the Sammlung Prinzhorn inventory. The focus of the
exhibition was formed by the walk-in reproduction of the artistically designed cell of psychiatric
patient Julius Klingenbiel.
HALLE 02
S O LO P R E S E N TAT I O N
LIU JI
M I G R A N T N AT I O N S
The exhibition showed works by the young Chinese photographer and Magnum Foundation
fellowship holder Liu Jie. His photographs thematized the change in family structures among
the Chinese population, which is characterized by labour migration from the countryside into
the expanding cities.
80 ARTISTS
SHOWED WORKS FROM
35 COUNTRIES
ABBAS, FRANCIS ALYS, CHRISTOPHER ANDERSON, EVE ARNOLD, OLIVIA ARTHUR,
MICHA BAR-AM, BRUNO BARBEY, JONAS BENDIKSEN, MARCO BISCHOF, WERNER
BISCHOF, ALIGHIERO BOETTI, ELFE BRANDENBURGER, RENÉ BURRI, CHIEN-CHI
CHANG, CORNELL CAPA, ROBERT CAPA, HENRI CARTIER-BRESSON, BRUCE DAVIDSON, RAYMOND DEPARDON, THOMAS DWORZAK, NIKOS ECONOMOPOULOS, ELLI-
OTT ERWITT, MARTINE FRANCK, STUART FRANKLIN, LEONARD FREED, PAUL FU-
SCO, CRISTINA GARCÍA RODERO, JEAN GAUMY, BRUCE GILDEN, BURT GLINN, JIM
GOLDBERG, PHILIP JONES GRIFFITHS, HARRY GRUYAERT, ERICH HARTMANN, DAVID
ALAN HARVEY, TIM HETHERINGTON, THOMAS HOEPKER, DAVID HURN, RICHARD
KALVAR, OLIVIER KOECHLIN, HIROJI KUBOTA, GUY LE QUERREC, HERBERT LIST,
ALEX MAJOLI, PETER MARLOW, STEVE MCCURRY, SUSAN MEISELAS, WAYNE MILLER, INGE MORATH, DOMINIC NAHR, LU NAN, TRENT PARKE, MARTIN PARR, PAOLO
PELLEGRIN, GUEORGUI PINKHASSOV, MARK POWER, ELI REED, AQUEELA REZAI,
MARC RIBOUD, GEORGE RODGER, SABA SAHAR, MOISES SAMAN, ALESSANDRA
SANGUINETTI, SANDRA SCHÄFER, JÉRÔME SESSINI, DAVID SEYMOUR, JACOB AUE
SOBOL, ALEC SOTH, CHRIS STEELE-PERKINS, DENNIS STOCK, MIKHAEL SUBOTZKY,
LARRY TOWELL, PETER VAN AGTMAEL, VERONIKA VEIT, JOHN VINK, AGNES LISA
WEGNER, JENS WIENAND, DONOVAN WYLIE, PATRICK ZACHMANN UND LIU JIE.
THE PHOTOGRAPHERS
HAD BEEN TRAVELLING
THE WORLD
A F G H A N I S TA N
München
County Clare
RUSSLAND
Kabul
Ostseeküste
County Kerry
Moskau
Dschalalabad
Kandahar
Khanabad
Khost
Kunar
Kunduz
Mazār-i Scharif
Nuristan
Pol-e Chomri
Tachar
Taloqan
AUSTRALIEN
Freemantle
New South Wales
ÄTHIOPIEN
Addis Abeba
BRASILIEN
Rio de Janeiro
CHINA
Ankang
Baishui Town
Beijing
Chengdu
Nordseeküste
Rostock
Ruhpolding
Rügen
Weimar
Haifa
Stuttgart
Welzow
Tianjin
Xunyang
DEUTSCHLAND
Berlin
Bremen
Bremerhaven
Bonn
Dachau
Duisburg
Essen
Frankfurt
Gelsenkirchen
Halle (Saale)
Hamburg
Isle of Skye
T A I WA N
Kaohsiung
ENGLAND
I TA L I E N
UNGARN
Bristol
Mailand
Birmingham
Cambridge
Croydon
Failsworth
Isle of Wight
Mablethorpe
Malvern
Manchester
Mousehole
West Bay
Tel Aviv
Cassino
Rom
Arizona
Turin
Venedig
J A PA N
Tokio
Weymouth
Jordan Valley
Île-de-France
Amman
KANADA
Ontario
Pont-l’Abbé
KENIA
GEORGIEN
LIBYEN
Rouen
Tiflis
GRIECHENLAND
Janina
GRÖNLAND
Tiniteqilaaq
INDIEN
Mumbai
INDONESIEN
Jakarta
IRLAND
Mannheim
Burren
Belfast
Budapest
USA
Palermo
JORDANIEN
Weston-super-mare
Istanbul
Neapel
West Bromwich
Köln
Leipzig
Jerusalem
SCHOTTLAND
TÜRKEI
Würzburg
Paris
Shenzhen
Be’er Scheva
Dagestan
Ramla
Wesel
Jiangsu
Meishan
Limerick
ISRAEL
FRANKREICH
Jingbian
Dublin
Schleswig-Holstein
Dingbian
Guizhou
County Cork
Nairobi
Bengasi
Tripolis
NEUSEELAND
Christchurch
ÖSTERREICH
Wien
PA K I S TA N
Peshawar
POLEN
Warschau
PORTUGAL
Lissabon
Alaska
Arkansas
Bethel
Brooklyn
Chicago
Colorado
Detroit
Fort Lauderdale
Fresno
Huntsville
Idaho
Kalifornien
Las Vegas
Los Angeles
Michigan
Milwaukee
New York City
Ohio
Oregon
San Antonio
San Francisco
West Helena
VENEZUELA
Caracas
VIETNAM
Hanoi
WEISSRUSSLAND
Minsk
F E S T I VA L C ATA LO G U E
The 256-page, abundantly illustrated, bilingual (de/en)
Festival catalogue reflects the exhibitions’ concept and expands the framework of reference through texts that go into
greater detail. As a compendium of different photographic
approaches, the publication additionally documents the
diversity of creativity within the photographic co-operative and could thus become a standard work in dealing with
Magnum Photos. The print run of 1500 copies was all but
sold out during the Festival.
F E S T I VA L C ATA L O G U E
T he catalogue is published by Kehrer Verlag and
w as designed by Frank Hoffmann and Susann El
S alamoni, Raum M annheim.
FESTIVALZEITUNG
Thanks to the voluntary dedication of young authors,
photographers, editors, copy editors, designers and the
great commitment of a number of co-operation partners
(including Ruprechts-Karls-Universität Heidelberg, the
Ostkreuz School of Photography, Pedagogical University
Heidelberg and Cewe Print GmbH) a 16-page Festival
newspaper in a print run of 6000 copies was published for
the first time. As an up-to-date medium published in step
with the Festival, it was a boost to active PR.
190 EVENTS
SUPPORTING PROGRAMME
The most extensive supporting programme in the Festival’s history so far, with 190 events, accompanied the Festival over its whole duration and often drew international visitors as well. Artist’s
talks, podium debates, lectures, excursions, performances, film programmes, workshops and the
Portfolio Review extended the exhibition programme specifically according to target group and
topic.
9
O P EN I N G S I N 3 CI TI ES
132
HIGHLIGHTS
TO U RS AT TH E
PA RTI CI PATI N G I N S TI TU TI O N S N
40
To mark the brilliant exhibition launch of the 5th Fotofestival Mannheim_Ludwigshafen_Heidelberg
at the Wilhelm-Hack-Museum, 16 Magnum photographers and Festival artists arrived to mingle with
a total of nearly 1,300 guests at the festive opening and follow-up party. 4,500 visitors were
counted on the opening weekend alone.
S P ECI A L EV EN TS
( A RTI S T’ S TA LK S , LECTU RES ,
P O D I U M D EBATES , PA RTN ERS H I P EV EN TS )
23
WO RK S H O P S
11
F I LM S H O WI N G S
1
AWA RD CEREM O N Y
F O R TH E D R. ERI CH S A LO M O N AWA RD BY TH E
G ERM A N P H O TO G RA P H I C S O CI ETY
1
2- D AY P O RTF O LI O REV I EW
WI TH 18 EX P ERTS F RO M TH EI N TERN ATI O N A L
P H O TO G RA P H Y S CEN E A N D 85 PA RTI CI PA N TS
P O D I U M D E B AT E S
A R T I S T ’ S TA L K S
L E CTURES
MAGNUMTIME
AFGHAN BOX CAMERA PROJECT
On the opening evening, Marco Bischof (MagnumTime), son of the late Magnum photographer
Werner Bischof, initiated and moderated an artist’s talk on the topic, “Magnum Photos – A
legend in transformation” with the Magnum photographers: Thomas Dworzak (D/FR),Thomas
Hoepker (D/USA), Susan Meiselas (USA) and Peter van Agtmael (USA).
Lecture and presentation by the travelling artist Lukas Birk on his artistic research project
about the wooden box cameras traditionally used in Afghanistan for instant portraits.
ÜBER GRENZEN (ACROSS BORDERS)
A podium debate, lecture and slide show with Sibylle Fendt, Annette Hauschild and
Heinrich Völkel (all from the Ostkreuz Photographers’ Agency) moderated by Annika
Wind (culture editor at the Mannheimer Morgen newspaper).
Z U FA L L U N D G E L E G E N H E I T ( C H A N C E A N D O P P O RT U N I T Y )
Dr. Reinhard Spieler (Wilhelm-Hack-Museum) spoke with the artist Veronika Veit.
BEWEGUNG UNTER SCHWIERIGEN BEDINGUNGEN
( M O V E M E N T U N D E R D I F F I C U LT C O N D I T I O N S )
Film about Afghanistan, moderated by Susanne Weiß (Heidelberger Kunstverein) in conversation
with the video artist and author Sandra Schäfer.
COLLECTING PHOTOGRAPHY
Podium debate with Simone Klein (Sotheby’s), Anne-Marie Beckmann (Art Collection
Deutsche Börse) and Dr. Norbert Moos (Forum für Fotografie).
A L I G H I E R O B O E T T I A N D A F G H A N I S TA N
Lecture by PF Dr. Caterina Maderna (Vice-Professor at the Institute of Classical Archaeology
at the University of Heidelberg).
CONFLICTS
Lecture and slide show by Abbas (Magnum Photos) on photography in regions of conflict
and war.
THE KLINGEBIEL CELL
I N T H E D I A L O G U E B E T W E E N A R T A N D P S Y C H I AT R Y
Lecture by Prof. Dr. med. Andreas Spengler (head of the Julius Klingebiel research project).
PROTECTING REFUGEES
Lecture by Rouven Brunnert (UNHCR Germany)
FILM PROGRAMME
EXCURSIONS
The film programme, comprising seven different films, went into aspects of the exhibition topic
“Trans-Territories” in greater detail. Shown were the films The Marriage Candidate (AF 1969),
Welcome (FR 2009), Restrepo (USA 2010), Le Havre (FIN/FR 2011), War Photographer (CH
2011), La Pirogue (FR/SEN/D 2012) and Motharama (AF 2012).
PERFORMANCE
IN MY EYES/IN MY BODY
Performance by Wolfgang Sautermeister on the topic of perception.
Together with a blind woman and her dog, the Mannheim-based artist explored the exhibitions
on the premises of Sammlung Prinhzhorn and the Wilhelm-Hack-Museum.
LOOKING INSIDE
Bus tour of the former US military compound with Larry Scavone (Director of Public
Works of the US Army, and others) and Dr. Konrad Hummel (commissioner of the
Conversion office of the City of Mannheim). The ensuing podium debate on aspects of
German/American cohabitation with Larone McCullom, Dr. Michael Schiffmann, Pablo
Rodriguez, Joseph Moore and Mathias Kohler was led by Cara Schwab. The Greg
Copeland Band played a concert to close the conversion-themed day.
T O U R D ’ A RT T R A N S F R O N TA L I E R
In partnership with La Chambre in Strasbourg, the Fotofestival organized a cross-border
excursion through the Mannheim and Ludwigshafen Festival exhibitions, which was rounded off with a visit to the opening of Retinal-Shift by the Magnum photographer Mikhael
Subotzky at the La Chambre gallery in Strasbourg.
WORKSHOPS
E X H I B I T I O N O F FAV O U R I T E S
The workshops with the Magnum photographers Chien-Chi Chang and Chris Steele-Perkins in
particular, which were on offer for the first time this year, drew many German and international
applicants – one participant travelled from Australia specially for the workshop. The wellattended public presentation of the workshop results on the Sunday evening formed the close of
the eventful opening weekend.
Once the portfolio reviews were over, the reviewers picked their favourites. The top three
favourites were presented as part of the 5th Fotofestival in a dedicated exhibition at Einraumhaus c/o in Mannheim..
PORTFOLIO REVIEW
The Portfolio Review on the opening weekend of the 5th Fotofestival offered 85 participants
the opportunity to conduct a concentrated and effective dialogue with selected photography experts. During individual consultations, art school graduates and freelance artists and photographers entered into an exciting dialogue with curators, publishers, gallery owners and art critics,
from whom they received feedback and new inspiration regarding their works.
2013 REVIEWERS
Abbas, Photographer, member of Magnum Photos, Paris
Alexa Becker, Acquisitions Editor at Kehrer Verlag, Heidelberg
Prof. Peter Bialobrzeski, Photographer and Professor of Photography, Bremen
Milena Carstens Picture Editor, head of the picture editing team at ZEITmagazin, Berlin
Marguy Conzémius, Curator of the Photography department at the CNA, Luxemburg
Sibylle Fendt, Photographer and lecturer at the Ostkreuz School of Photography, Berlin
Karen Fromm, Professor of Photojournalism and Documentary Photography, Hannover
Emmanuelle Hascoet, Exhibitions and Cultural Develop. Manager Magnum Photos, Paris
Thomas Hoepker, Photographer, member of Magnum Photos, New York
Liu Jie, Photographer, former fellowship holder of the Magnum Foundation, Beijing
Klaus Kehrer, Publisher and founder of Kehrer Verlag, Heidelberg
Bernhard Knaus, Gallery owner and collector, Frankfurt am Main
Dr. Christina Leber, Head of the DZ Bank Art Collection, Frankfurt am Main
Nadja Masri, Picture editor and lecturer at the Ostkreuz School of Photography, Berlin
Dr. Martina Mettner, Advisor to photographers, Aarbergen
Ute Noll, Photo Director at Du magazine, photo critic, curator, lecturer, Stuttgart
Thomas Schirmböck, Curator and managing director, ZEPHYR, Mannheim
Dr. Claude W. Sui, Head and curator of the Forum Internationale Photographie,
lecturer in photo history, Mannheim
Birte Kaufmann (D): The Travellers
Stephanie Steinkopf (D): Manhattan – Straße der Jugend
Kike Aspano (ES): Paris
DR. ERICH SALOMON AWARD
Within the context of the Fotofestival the German Photographic Society (DGPh) handed
the Dr. Erich Salomon Award to the Magnum photographer Paolo Pellegrin, a globally
prominent and dedicated picture journalist who has dedicated himself to the conditio
humana for around 25 years of photographic documentation.
RECORD VISITOR NUMBERS
AND ALL-ROUND
MEDIA ACCLAIM
MEDIA ACCLAIM 2013
The Fotofestival has grown continuously since its inception.
In 2007 it was attended by 10,800 people; in 2009, this figure stood at 27,000 and in 2011, at
37,000. This year, more than 42,800 visitors saw the Festival‘s exhibitions. They were a public
made up predominantly of photography and art enthusiasts, but also of experts: for example, art
collectors and professional photographers travelled to the relevant city because of the Festival.
Most photography enthusiasts who already knew MAGNUM well were also pleasantly surprised
by the diversity of the photos and photographers.
The media across Germany reported on Festival’s exhibitions and events, which also widely
featured in the media abroad (including Austria, Switzerland). More than 1000 press articles
were published on the 5th Fotofestival Mannheim_Ludwigshafen_Heidelberg. 60 million
readers were reached via print media alone. The equivalence value (equivalent commercial
value) of the reporting as a whole was 3 million Euro.
20.000
18.000
17588
Visitor numbers, Fotofestival 2007-2009-2011-2013
E VA LU AT I O N
16.000
14.000
3519
2498
2406
3652
2261
8.000
6333
3038
10.000
1537
12.000
V I S I T O R R E S P O N S E A N A LY S I S
6.000
4.000
2.000
0
Kunsthalle
Mannheim
Zepyhr
Mannheim
Stadtgalerie
Mannheim
Wilhem-Hack- Kunstverein
Museum
Ludwigshafen
Heidelberger
Kunstverein
Sammlung
Prinzhorn
Halle02
Sonstiges
2. Fotofestival 2007
3. Fotofestival 2009
4. Fotofestival 2011
5. Fotofestival 2013
Within the context of the 5th Fotofestival an internal visitor response analysis was performed
for the first time, with the support of the Culture office of Mannheim. 185 individual interviews
at seven exhibition locations permitted a survey of utilization of Festival offerings and how
visitors rated communication, service and the Festival programme. Individual questions were
aimed at visitors’ access to the topic of photography and at the Festival’s coverage. The findings
provide evidence of extensive interest and acceptance of the concept and topics among the
public. The findings will serve as a basis for organizing subsequent Festivals and are available
in printed summary form to those who are interested.
SELECTION
OF REPORTING
MEDIA
D A I LY A N D W E E K LY N E W S PA P E R S
Die Zeit, Frankfurter Allgemeine Zeitung, Die Tageszeitung, Frankfurter Rundschau, Stuttgarter Zeitung, Kölnische Rundschau, Der Standard, Mannheimer Morgen, Rhein-Neckar
Zeitung, Die Rheinpfalz, Südhessen, Odenwälder Zeitung, Fränkische Nachrichten, Bonner
Rundschau, Kieler Nachrichten, Staatsanzeiger, Schwetzinger Zeitung
M A G A Z I N E S ( A R T , P H O T O G R A P H Y, N E W S )
Art, Photo International, Monopol, Photonews, Zeitkunst, Photopresse, Leica Fotografie International, Foto Hits, Profifoto, Photo International, Digital Photo, foto Magazin, art kompakt,
Kunstzeitung, Kunstraum Metropol, Sleek, Fisheye Magazine, GEO, Bauwelt, ColorFoto, Page,
Artinvestor
RADIO / TV
SWR 2 Journal am Mittag, SWR Landesschau Baden-Württemberg, Artmetropol TV, FotoTV,
RNF, Deutsche Welle, Deutschlandradio, Rockland Radio, Radio Regenbogen
ONLINE
zeit.de, faz.net, sueddeutsche.de, focus.de, swr.de, bild.de, badische-zeitung.de, morgenweb.
de, rheinpfalz.de, rnz.de, rhein-zeitung.de, saarbruecker-zeitung.de, suedkurier.de, schwäbische.
de, swp.de, art-magazin.de, fotoii.com, photography-now.com, monopol-magazin.de, sleek-mag.
com, profifoto.de, art-in.de, kultur-online.net
WORLD WIDE WEB
During the 5th Fotofestival up to 650 hits per day followed the website www.fotofestival.info,
fully re-conceptualized and re-designed since March 2013. The website recorded 107,000 page
impressions per Festival month. The 5th Fotofestival successfully increased its presence in
the social media and on WEB 2.0 platforms compared with the preceding festivals: for example,
Facebook coverage was doubled with currently 1900 Likes, a Festival blog was set up, the
Twitter platform was utilized, and newsletter activity and online marketing was intensified and
greatly expanded
SELECTED
VISITOR VERDICTS
“It’s a huge task organizing an event like
this. The whole thing is impressive.“
( M A L E , 7 1 , S C I E N C E G R A D U AT E , P E N S I O N E R , F R O M B Ö B L I N G E N )
“The Festival makes a very modern
impression: the website, the media
publication (ZEIT), the event venues.
The topics are interesting, successfully
defined.”
( F E M A L E , 4 0 , A R T S C H O O L G R A D U AT E , I N D E P E N D E N T ,
FROM HAMBURG)
SELECTION
OF PRESS QUOTES
“For the fifth edition, the biennial-format “Fotofestival Mannheim, Ludwigshafen, Heidelberg” has invited the famous photo agency Magnum from New York – and found a strong
focus[...] The bewildering abundance of today’s visual worlds is countered by the makers
of ‘Grenzgänge. Magnum: Trans-Territories’ (curator: Andréa Holzherr), in three cities,
with a targeted, calculated abundance.“
F R A N K F U RT E R R U N D S C H A U O N 2 1 . 1 0 . 2 0 1 3
“So, is the whole of south-west Germany afflicted by photo festival extinction? Not at all!
For there is still Mannheim, Ludwigshafen and Heidelberg. The fifth eponymous Fotofestival
is currently running at several venues there, and it’s going splendidly.”
S T U T T G A RT E R Z E I T U N G O N 1 7 . 0 9 . 2 0 1 3 ; S . 2 7
“The Fotofestival of border crossings, as is made clear by the many exhibition locations, is
a curatorial and organizational feat alike, and, on a relatively small budget – main sponsor
BASF SE, without which this event would probably not exist, can be mentioned as an
example among the supporters – a singular event in Germany.”
P H O T O I N T E R N AT I O N A L I N N O V E M B E R / D E C E M B E R 6 / 2 0 1 3 ; P. 8 F F.
“... the Fotofestival is as fresh as can be, a great success, a surprising, well-done, pulsating,
horizon-expanding multimedia event, in short: an unparalleled success story.”
P H O T O N E W S 1 0 / 2 0 1 3 ; P. 3
“Andréa Holzherr brings works to light that have rarely been seen. In this manner she
creates topical focuses, within which well-known names such as Robert Capa and Elliott
Erwitt stand alongside those of younger Magnum photographers.”
F R A N K F U RT E R A L L G E M E I N E Z E I T U N G O N 1 6 . 0 9 . 1 3 ; P. 2 7
“There has never been a bigger Magnum show... The sheer size of the Festival with its
eight exhibition locations in three cities in two federal states is not the only thing, though,
that awakens curiosity. Rather, it presents many photos that so far have never, or have
rarely ever, been seen.”
S U E D D E U T S C H E . D E O N 6 . 11 . 1 3
“Located on the Rhine-Neckar metropolitan region, the FotoFestival is one of Europe’s
leading contemporary photography festivals, celebrating both the art form and the people
behind the camera, and is increasingly catching the photography-lover’s eye.”
SLEEK MAGAZINE ONLINE ON16.09.13
“.... And if you don‘t go there,
you‘ve only got yourself to blame...”
S T U T T G A RT E R Z E I T U N G O N 1 7 . 0 9 . 2 0 1 3
THE FESTIVAL
IN BULLET POINTS
Over five editions, Fotofestival Mannheim_Ludwigshafen_Heidelberg has firmly established itself
as one of the most important European festivals of contemporary photography and Europe’s
biggest curated photography event.
The Festival, which takes place every two years, is devised by internationally successful and
experienced guest curators, who are each appointed by experts from the global photography
scene and selected by a high-calibre jury.
Not only the major exhibition venues, but also smaller venues and art associations in the three
cities are involved. The individual presentations are tailored to the participating institutions and
take account of their specific profile and target public.
Through innovative co-operations and the intensive collaboration of cultural event organizers
and promoters throughout the Rhine-Neckar metropolitan region, Fotofestival Mannheim_
Ludwigshafen_Heidelberg sets a model standard Germany-wide.
BASF SE has been the Festival’s premium sponsor ever since 2005 and, with its financial contribution, laid the foundation for ensuring that the Festival found a new home after it relocated
from the Ruhr area to the Rhine-Neckar metropolitan region. Sponsors and supporters such as
MVV Energie and Cewe Color AG & Co. OHG have since followed the example of BASF and
likewise contribute to the Festival’s success..
IMPRINT
F E S T I VA L O R G A N I Z E R
Fotofestival Mannheim_Ludwigshafen_Heidelberg e.V.
E 4, 6 | 68159 Mannheim
Tel: + 49 (0) 621-122 73 12
Fax: + 49 (0) 621-122 73 80
www.fotofestival.info
info@fotofestival.info
BOARD WITH AUTHORITY TO REPRESENT
Dietrich Skibelski (Chairman of the Board)
Sabine Schirra (Deputy Chair)
Hans-Martin Mumm,
Michael Ebert
C U R AT O R
Andréa Holzherr
DIRECTORS
F E S T I VA L M A N A G E M E N T
Stefanie Kleinsorge for the 5th Fotofestival,
Carolin Ellwanger (on parental leave)
OFFICE
PORTFOLIO REVIEW MANAGEMENT
Sabine von Wussow
EXHIBITION MANAGEMENT
Heide Häusler
SUPPORTING PROGRAMME,
M A R K E T I N G , P U B L I C R E L AT I O N S
Annekathrin Müller
P R E S S A N D P U B L I C R E L AT I O N S ,
SOCIAL MEDIA, PICTURE EDITING
Anneke Guhn
PORTFOLIO REVIEW
ARTIST SUPPORT
Pauline Friesecke
EXHIBITION PRODUCTION
Anna Lebedeva, Camille Beckmann
P U B L I C R E L AT I O N S
A S S I S TA N C E
Rudgar Schuhmann
PHOTOGRAPHY
Annekathrin Müller, Anneke Guhn, Imageagency,
Marco Bischof, Raum Mannheim, Toni Montana Studios
DESIGN
www.raum-mannheim.com
PA R T N E R S A N D S P O N S O R S
MAIN SPONSOR
MAIN SPONSOR
O U R PAT R O N S
PA RT N E R S
C O - O P E R AT I O N PA RT N E R S
M E D I A PA RT N E R S