April 2013 - Nick Hern Books

Transcription

April 2013
Dear Friend,
Welcome to our spring supplement to the Guide to Plays for Performance. So nice to say
that it is finally spring! I really hope there!s something in here that might take your fancy.
I know a new Amanda Whittington play brings much excitement and The Thrill of Love (4f
1m) is no different. It tells the tragic story of Ruth Ellis, the last woman to be hanged in Britain.
Seen through the prism of her female companions, and infused with Amanda!s trademark
warmth and wit, this may be her best yet.
This month also sees the publication of Mike Bartlett!s Bull (1f 3m). This is a short sharp
shock of a play dealing with murky office politics as three candidates fight it out for only two
jobs.
We have two plays by Bruce Norris, writer of the smash hit Clybourne Park: Purple Heart (2f
1m plus 1 child) is a devastating tale of loss and grief set in post-Vietnam America whilst The
Low Road ( 6-12f 12-30m) is a wonderfully playful and satirical epic on the theme of
capitalism.
This month sees the acquisition of three family plays. Table (5-14f 4-9m) by Tanya Ronder
takes us through several generations of the same family, whilst Three Birds (3f 2m) by Janice
Okoh hones in on the close ties between three struggling siblings. Lastly Arinze Kene!s God!s
Property (1f 3m) deals with the emotional fallout between two estranged brothers.
Howard Brenton!s been pretty unstoppable lately and this month is no different. #aiww: The
Arrest of Ai Weiwei (9-12m) was recently live streamed across the world to approximately
15,000 viewers. Howard!s play tells the shocking story of the artist!s detainment for eighty-one
days at the hands of the Chinese authorities in 2011.
Following on from the success of The Kitchen Sink Hull writer Tom Wells tackles football,
friendship and love in his tender yet hilarious new play Jumpers for Goalposts (1f 4m).
Two plays from up-and-coming writers next: A Time to Reap (1f 2m) by Anna Wakulik looks at
abortion and the Catholic Church in her native Poland, whilst Forever House (3f 3m), the
debut play from Glenn Waldron, is a darkly comic play about leaving and returning home.
Finally, I!ve included David Haig!s My Boy Jack (2f 5-8m) which I know has been widely
performed in recent years. However, this play presents a wonderful chance for your group to
honour the centenary of the start of the Great War in 2014.
Check before rehearsals
Again, may I remind you that before rehearsals begin, you must check availability with me, as
inclusion in the Guide does not necessarily indicate that amateur rights have been released,
and some plays may be withdrawn later on without notice. If you have any further questions
about any of our plays, or would like to receive an additional folder to keep your Guide in
immaculate condition, just give me a call.
With warm regards,
Kate Brower – Performing Rights Manager (Maternity Cover)
Nick Hern Books, The Glasshouse, 49a Goldhawk Road, London W12 8QP
Tel: 020 8749 4953, Fax: 020 8735 0250, E-mail: info@nickhernbooks.co.uk
!
Small cast
& minimal
set
O F F I CE P OLI TI CS
BULL
by Mike Bartlett
Drama
Cast: 1f 3m
Set: Minimal requirements
A sharp new play from one of Britain!s most
exciting playwrights Mike Bartlett, author of Cock
which won the Olivier Award for Outstanding
Achievement in an Affiliate Theatre 2010.
Premiere: Crucible Theatre Studio, Sheffield 2013
Fee: £69, plus VAT, per performance
Scripts: ISBN 978 1 84842 280 3, £8.99
The Story
Two jobs. Three candidates. This would be a really bad time to have a stain on your shirt. As they
await the arrival of the boss, three young employees debate each other!s chances of survival. For
alpha male Tony and calculating Isobel it!s clear that Thomas is getting the chop, or are they just
playing mind games?
Reviews
"Short, slick and emotionally unflinching… delivers a decisive punch! The Stage
Extract:
TONY. Have you printed out your sales figures?
THOMAS. I…
No.
TONY. Okay.
THOMAS. What?
TONY. Nothing.
THOMAS. Have you?
TONY. Of course.
THOMAS. You think he!ll want sales figures?
TONY. Possible isn!t it, given the nature of the
meeting?
ISOBEL. Likely I!d say.
THOMAS. You as well?
ISOBEL. Absolutely. Why? What have you done?
THOMAS. I thought this was just a preliminary
chat?
ISOBEL. Did you?
TONY. Did you?
Look… Thomas.
We!ve both not only printed out our individual and
collective sales figures, but we!ve completed a
report on this first six months.
ISOBEL. See?
TONY. Haven!t you?
Try these plays set in the workplace:
!
Contractions by Mike Bartlett (2f)
!
The Complaint by Nick Whitby (2f 2m)
!
Protection by Fin Kennedy (7f 4m)
"
Apply to the Performing Rights Manager before rehearsals begin. Prices correct at 30/04/13
N I C K H E R N B O O K S , THE GLASSHOUSE, 49A GOLDHAWK ROAD, LONDON W12 8QP
TEL: 020 8749 4953 FAX: 020 8735 0250 E-MAIL: info@nickhernbooks.co.uk
www.nickhernbooks.co.uk
Series of
duologues
F RESH S TA RTS & B U RI ED S ECRETS
FOREVER HOUSE
by Glenn Waldron
Drama
Cast: 3f (23, two aged 28) 3m (young man, 39, 45)
Set: Single interior (living room)
A fantastic debut play from journalist Glenn
Waldron. A story of old wounds and new
beginnings, Forever House is a darkly comic
drama that asks the question: can you ever really
start again?
Premiere: The Drum Theatre, Plymouth 2013
Scripts: ISBN 978 1 84842 330 5, £9.99
The Story
In three linked scenes, all set in the same terraced house, three ill-matched pairs search for a new
beginning – but the past just won!t let them go. Teenager Richard is plotting his escape to art
college, just as lecturer Graham is settling in. Mum-to-be Laura has big plans for her forever home –
if only Becci will sell it to her. And in the middle of the night, marine expert Mark has an unexpected
visitor, a young woman with more than paddleworm samples on her mind…
Reviews
"Every character rings with credibility! Exeunt Magazine
Extract:
BECCI. (brightly). So. Who!s the lucky fella?
LAURA. Sorry?
BECCI. I mean, who – (Points at her belly.)
LAURA. Oh. Yes. (Laughs.) That!ll be Mark, my
husband. (Beat.) I think.
BECCI. You!re not sure?
LAURA. No, I – I am, Becci. That was a joke.
BECCI. Oh right. Ha! And what does Mark?
LAURA. He!s – an academic. A, er, marine
biologist.
BECCI. Is he, wow!
LAURA. He!s just got a post at the university.
That!s why we!ve…
BECCI. Ah okay. Why you!re moving back.
LAURA. Um, not really –
BECCI. Sorry?
LAURA. Not really – calling it that actually.
BECCI. What?
LAURA. "Moving back.!
BECCI. Oh.
LAURA. I mean, I guess it!s – maybe technically
but – but it!s not really… like [that].
BECCI. Okay.
Try these other plays with duologues:
!
No Romance by Nancy Harris (4f 2m plus 1 boy)
nd
!
2 May 1997 by Jack Thorne (2f 4m)
!
Sex with a Stranger by Stefan Golaszewski (2f 1m)
"
Good roles
for
teenagers
I NNER-CITY S TRIF E
GOD!S PROPERTY
by Arinze Kene
Drama
Cast: 1f (mid-teens) 3m (1 mid-teens, 2 aged late
twenties)
Set: Single interior (kitchen)
Set in Deptford in 1982, God!s Property tells the
story of two brothers torn apart by the prejudices
of the local community. Written by Arinze Kene,
winner of the Off West End Award for Most
Promising Playwright for Estate Walls.
Premiere: Soho Theatre, London 2013
Scripts: ISBN 978 1 84842 325 1, £9.99
The Story
When Chima returns home, he finds that his sixteen-year-old brother Onochie has become a
skinhead who no longer thinks of himself as black. Chima has been blamed for the death of a white
girl and the hostile world outside won!t rest until it delivers its rough justice. But will Onochie side
with the community he!s tried so hard to belong to, or stand by the brother he barely knows?
Reviews
"Raw, tender, funny and beautifully written… a little gem! Whatsonstage.com
Extract:
ONOCHIE. When!d yer get out anyway?
CHIMA. Some days ago.
ONOCHIE. Yer know I weren! actually gonna stab
yer?
CHIMA. Ay, I understand there!s a lot of hatred
towards me / cos of –
ONOCHIE. No no no. I don!t hate yer, Chima. I
don!t know yer, mate. But don!t expect me to
love yer either, cos I don't know yer.
CHIMA. You!re dressed like that for what?
ONOCHIE. Like !ow?
CHIMA. Like a racist.
ONOCHIE. A skinhead.
It!s a way of life.
CHIMA. I know what a skinhead is. Ten years ago
this was me.
ONOCHIE. Dressed like a racist, as yer so put it.
CHIMA. Didn!t know it at the time.
Wore stuff like what you!re wearing now. Bought
mine from the Barch Lever on the high street
there. Passed by it yesterday on my way to the
market getting all this – (Re: groceries.)
Somehow you!re dressed exactly like the white
mannequin in the shop window there.
Try these plays for teenagers:
!
Overspill by Ali Taylor (3m)
!
Christmas is Miles Away by Chloë Moss (1f 2m)
!
How to Curse by Ian McHugh (1f 2m)
"
Good
comic
roles
W A RM N O RTHERN C OM EDY
JUMPERS FOR
GOALPOSTS
by Tom Wells
Comic drama
Cast: 1f (37) 4m (19, 22, 25, 39)
Set: Single interior (changing room)
A hilarious and poignant new comedy from Hullborn writer Tom Wells, winner of the Critics! Circle
Most Promising Playwright Award for The Kitchen
Sink (2011).
Premiere: Watford Palace Theatre, 2013
Scripts: ISBN 978 1 84842 326 8, £9.99
The Story
Luke wants Danny, but Danny!s got a secret. Joe!s happy in goal but Geoff wants a headline gig. Viv
just wants to beat the lesbians to the league title. Game on. A hilarious and heart-warming comedy
about football, friendship and finding your way.
Reviews
"a stunning piece of writing – fresh, funny, painful, engaging! The Stage
Extract:
JOE. What!s this, Viv?
VIV holds the book up.
VIV. Luke found me it. Library.
JOE reads.
JOE. Coaching Junior Football Teams. For
Dummies.
DANNY. You!re coaching us now?
VIV. Thought I!d try.
GEOFF. Bit harsh isn!t it? The, the –
VIV. I said that. As if I!m a dummy.
GEOFF. I was thinking more –
VIV. I know exactly what you were thinking,
Beardy. But if you honestly believe sitting there
in your little hat you deserve to be treated as
anything other than a junior football team you!ve
got another thing coming. Shame they didn!t
have one for toddlers.
DANNY. Viv!s back.
VIV. No I didn!t… Just a sec.
VIV takes a deep breath.
Realised last week with you all I made a, I
made a mistake. I was frustrated cos I didn!t
think you were all, I know you can all. Hang on.
She checks the book.
What I want to do: I want to share with you my
"coaching philosophy!. Which I should!ve done
before we started apparently but I didn!t have
the book then. Anyway, coaching philosophy,
here it is:
Do. Your. Best.
Do your best.
Try these other tender comedies:
!
The Kitchen Sink by Tom Wells (2f 3m)
!
Perfect Days by Liz Lochhead (3f 3m)
!
Little Gem by Elaine Murphy (3f)
"
Large
mixed
cast
G RA ND S A TI RI CA L E PI C
THE LOW ROAD
by Bruce Norris
Drama
Cast: 6-12f 12-30m plus 1 child
Set: Various interior and exterior settings
An extraordinary new play, seen at the Royal
Court in a world premiere, by one of America!s
finest playwrights, Bruce Norris. A riotously funny
take on capitalism and its consequences for our
contemporary society.
Premiere: Royal Court Theatre, London 2013
Scripts: ISBN 978 1 84842 318 3, £9.99
The Story
A young entrepreneur sets out on a quest for wealth with a priceless ambition and a purse of gold in
th
18 century America. Chancing upon a few lines from Adam Smith!s The Wealth of Nations, young
upstart Jim Trumpett decides to rigidly follow his self-serving ambitions right to the end with
disastrous and often hilarious consequences.
Reviews
"What a play… rich, turbulent and satirical! Guardian
Extract:
SHIRLEY (Re: the baby.) And who!s this
obstreperous young lad?
MRS TRUMPETT. Erm –
SHIRLEY. One of the girls!, is it?
MRS TRUMPETT. He!s… erm – (turns to TIZZY.)
TIZZY (improvising). It!s called Jim.
MRS TRUMPETT (to TIZZY). Jim?
SHIRLEY. Jim, you say?
TIZZY. Jim.
SHIRLEY. Ah, Jim.
MRS TRUMPETT. (fondly, to the baby). Jim.
SHIRLEY. Prodigious lung capacity.
MRS TRUMPETT. Cuz he!s hungry.
SHIRLEY (to infant JIM). You denied me a full
night!s sleep, my boy.
MRS TRUMPETT (showing the baby to
SHIRLEY). But don!t he got the look of a gent
about him? I told him how he!s going to be a
proper gentleman one day.
SHIRLEY (dubious). Mmmyes.
MRS TRUMPETT. With a white horse and a
feather in his cap!
SHIRLEY. Not to put too fine a point – has he
property, then?
Try these other historical epics:
!
The Libertine by Stephen Jeffreys (5f 8m)
!
Anne Boleyn by Howard Brenton (4f 11m)
!
Pentecost by David Edgar (8f 13m)
"
Ideal for
2014
dafadsad
season
G REA T W A R D RA M A
MY BOY JACK
by David Haig
Historical Drama
Cast: 2f (19, mid-40s) 5-8m (age range 16-50s)
Set: Flexible staging
The tragic story of how Rudyard Kipling sent his
son to his death in the Great War. This acclaimed
play represents a wonderful opportunity for groups
to mark the centenary of the start of the Great War
in the 2014 season.
Premiere: Hampstead Theatre, London 1997
Scripts: ISBN 978 1 84842 583 6, £9.99
The Story
His storytelling delighted millions across the world, but his own story was full of anguish and
heartbreak. The year is 1913 and war with Germany is imminent. Rudyard Kipling!s determination to
send his severely short-sighted son to war triggers a bitter family conflict which leaves Britain!s
renowned patriot devastated by the warring of his own greatest passions: his love for children –
above all his own – and his devotion to King and Country.
Reviews
"Dramatises Kipling!s story beautifully. The family confrontations bristle with life.! Financial Times
Extract:
ELSIE. Father, that!s awful! You march up to one
of your powerful pals, who!s on the verge of
conking out, and…
RUDYARD. That!s enough!
ELSIE (furious). What was the point of those
examinations? All totally humiliating for you,
Jack, and they all said the same thing – your
eyesight isn!t good enough. It!s too dangerous.
Well frankly, Father, it!ll be your fault if Jack is
killed.
RUDYARD. Get out!
ELSIE. No, I won!t.
RUDYARD. GET OUT!
ELSIE. Mother, didn!t you try and stop him?
CARRIE. Yes, I did.
ELSIE. You did? But the men ploughed on
regardless, did they?
RUDYARD. This is intolerable.
ELSIE (to RUDYARD). Why did you do it?
RUDYARD (passionately). You don!t understand…
neither of you understand what is at stake.
ELSIE. Yes, we do.
RUDYARD. I don!t think so. What our country has
achieved in the last 150 years is unique. We
have built up, painstakingly built up, a family of
nations…
ELSIE. And to preserve that you would put your
son!s life at risk?
Try these other plays on the theme of war:
!
Bully Boy by Sandi Toksvig (2m)
!
Kindertransport by Diane Samuels (5f 1m)
!
Lilies on the Land by the Lions Part (4f doubling)
"
Good
leading
female
role
1
A CERB I C A M ERI CA N D RA M A
PURPLE HEART
by Bruce Norris
Drama
Cast: 2f (thirties, 65) 1m (twenties) plus 1 boy (12)
Set: Single interior (living room)
This is an early work from writer Bruce Norris whose
Clybourne Park was a smash hit in the West End
and is currently the only play to have won all four
major drama prizes for Best New Play – Pulitzer,
Tony, Olivier and Evening Standard.
UK Premiere: The Gate Theatre, London 2013
Scripts: ISBN 978 1 84842 308 4, £9.99
The Story
October 1972. In a city somewhere in the American Midwest, Carla is trying to rebuild her life. Her
husband is gone – killed in Vietnam. Now, under the watchful eye of her mother-in-law, she must
raise her young son whilst struggling to avoid the sympathy of her local community. But everything
changes with the unexpected arrival of a soldier on her doorstep. Punctuated with a sharp and often
painful wit, Purple Heart is a deeply moving meditation on love, loss and grief.
Reviews
"A cracking play! Time Out
Extract:
CARLA. I!m sorry I didn!t go, Grace. I had every
intention of going. I!m sorry.
GRACE. No apology necessary. Oh yes. Let!s see.
The Pastor wanted to know if tomorrow at two
would be a good time.
CARLA. Tomorrow?
GRACE. Or did you have plans?
CARLA. Not exactly.
GRACE. What are your plans?
CARLA. I don!t have plans.
GRACE. Don!t change them if you have them.
CARLA. I don!t have them.
GRACE. So two is all right then?
CARLA. What does he want to talk about?
GRACE. He!s interested in how you are doing.
CARLA. I spoke to him on the phone.
GRACE. Briefly.
CARLA. I told him I was fine.
GRACE. Wouldn!t a visit be that much more
pleasant?
CARLA. What time tomorrow?
GRACE. After the second service.
CARLA. I – I – I – I – I don!t –
GRACE. That way you!ll be able to speak freely.
CARLA. I!m supposed to speak freely?
Try these other dark family dramas:
!
Chalet Lines by Lee Mattinson (7f)
!
Happy Now? by Lucinda Coxon (3f 4m)
!
Our New Girl by Nancy Harris (2f 1m plus 1 child)
"
Strong
female
roles
G ENERA TI O N- S PA NNING D RA M A
TABLE
by Tanya Ronder
Drama
Cast: 5-14f 4-9m
Set: Minimal requirements (a table)
An epic tale of belonging, identity and the things
we pass on from Tanya Ronder, adaptor of Blood
Wedding (Almeida Theatre, 2005) and Vernon
God Little (Olivier Award nomination for Best New
Play).
Premiere: The Shed (National Theatre), London
2013
Scripts: ISBN 978 1 84842 328 2, £9.99
The Story
Six generations, twenty-three characters and one very special piece of furniture. Tanya Ronder!s
thrilling new play takes us through several generations of the same family, from Lichfield at the turn
of the century, to Tanganyika in the 1950s, to a hippie commune in Hertfordshire and finally to
present-day south London.
Reviews
"tremendous… richly textured! Guardian
Extract:
SU-LIN. I hate this table, or should I not say that?
GIDEON. It!s yours, you can say what you like.
SU-LIN. It!s not mine.
GIDEON. It will be.
SU-LIN. I don!t want it. I!m going to buy a big glass
one from Ikea.
GIDEON. What!ll you do with this?
SU-LIN. Freecycle? It!s mank.
GIDEON. Why?
SU-LIN. Look at it, it!s all cacked-up.
GIDEON. Who!s cacked it up, though?
SU-LIN. What do you mean?
GIDEON. Pick a cack-up, any cack-up.
SU-LIN. What?
GIDEON. Want to see a coffin scratch?
SU-LIN. Is that the big one?
GIDEON. It!s not, no, nobody knows how that one
happened.
SU-LIN. That one, then?
She points. He shakes his head.
GIDEON. Leopard claws.
SU-LIN. Not true.
GIDEON. True.
Try these other cross-generational dramas:
!
The Last of the Haussmans by Stephen Beresford (3f 3m)
!
Chalet Lines by Lee Mattinson (7f)
!
Love, Love, Love by Mike Bartlett (2f 3m)
"
Good roles
for younger
performers
B RU NTW O OD P RI Z E W INNER
THREE BIRDS
by Janice Okoh
Drama
Cast: 3f (9, 16, twenties) 2m (13, thirties)
Set: Single interior (council flat)
A jet black comic drama about childhood and
family. Winner of the 2011 Bruntwood Prize for
Playwriting, the biggest national playwriting
competition in Britain.
,
Premiere: Royal Exchange Theatre, Manchester,
then Bush Theatre, London 2013
Scripts: ISBN 978 1 84842 276 6, £9.99
The Story
Tiana, Tionne and Tanika have found themselves home alone. Tiana!s keeping it all together by
taking charge of the housework and homework. But Tionne!s experiments are getting stranger and
stranger, and Tanika!s starting to act up… As the outside world begins to press in, the three siblings
will do anything to keep their secret safe from the adults who come to call.
Reviews
"hovers, brilliantly suspended, between dark comedy, thriller and an expressive human sympathy
worthy of Tennessee Williams! The Times
Extract:
TANIKA. Chips.
TIANA. Okay I!ll do chips.
TANIKA. From McDonalds.
TIANA. Okay.
TANIKA. And Strawberry Millions. And
Cheesestrings.
TIANA. Gonna get you a fridge full of them.
TANIKA. How big?
TIANA. Like this big. And when you open it Akon
comes on.
TANIKA. Justin Bieber.
TIANA. Since when?
TANIKA. Since like for time.
TIANA goes over to TANIKA and they lie in
spoons on the sofa.
TIANA. And we!re gonna have, we!re gonna have
a garden and a swimming pool and a bedroom
and a toilet each with a shower you walk into.
TANIKA. What!s in the attic?
TIANA. The attic? Well, that!s the playroom, yeah,
where you play table tennis and Wii and watch
films.
TANIKA. And where the fridge is.
TIANA. Yeah and all your friends come round like
they do on MTV Teen Cribs cos you got the
best clothes and things.
Try these other Bruntwood prize winners:
!
Mogadishu by Vivienne Franzmann (4f 8m)
!
Pretend You Have Big Buildings by Ben Musgrave (3f 4m)
!
Salt by Fiona Peek (2f 2m)
"
Strong
Female
Roles
I NF A M O U S T RU E L IF E T A LE
THE THRILL OF
LOVE
by Amanda Whittington
Drama
Cast: 4f 1m
Set: Various interior and exterior settings
This new play from Amanda Whittington (Ladies!
Day, Be My Baby) dramatises the true story of
Ruth Ellis, the last woman to be hanged in Britain.
Premiere: New Vic, Stoke 2013, then West End
Scripts: ISBN 978 1 84842 316 9, £9.99
The Story
A divorcee with a young child to care for, Ruth Ellis works in the kind of nightclubs where there!s more
than just a drink on offer. The girls work hard, play hard and dream of a movie-star life. Then she
meets the wealthy, womanising David, a racing driver with whom she becomes obsessed. Fame
comes – but not in the way she imagines. Why does their relationship end in murder? Why does she
plead not guilty but offer no defence? Why does she show no remorse? And who is she trying to
protect?
Reviews
"Tense and engaging throughout… a triumph! The Stage
Extract:
DORIS. Who!s that at this hour?
RUTH. Help me.
DORIS. Ruth, no!
RUTH. He!ll see the light on. He!ll think someone!s
here.
DORIS. Someone is.
RUTH. He!ll think it!s a man.
DORIS. So?
RUTH. Help me!
The buzzer sounds again. RUTH moves to go but
DORIS stops her.
DORIS. Not for him.
RUTH. I have to see him.
DORIS. You don!t.
RUTH. He won!t hurt me, he!s come to make up.
DORIS. For what?
RUTH. We had a row, please? We fought.
DORIS. When?
RUTH. Tonight.
DORIS. With your fists?
RUTH. Doris –
DORIS. Did he hit you, Ruth?
Try these plays inspired by true stories:
!
Mary Shelley by Helen Edmundson (4-7f 2m)
!
Anne Boleyn by Howard Brenton (4f 11m)
!
Vincent in Brixton by Nicholas Wright (3f 2m)
"
Small cast
& minimal
set
M O RA L D ILEM M A
A TIME TO REAP
by Anna Wakulik, translated by Catherine
Grosvenor
Drama
Cast: 1f (25) 2m (25, 50)
Set: Minimal requirements
This award-winning play is written by one of
Poland!s brightest new talents, and was
developed at the Royal Court as part of the 2011
International Residency for Emerging Playwrights.
Premiere: Royal Court Theatre Upstairs, London
2013
Scripts: ISBN 978 1 84842 324 4, £9.99
The Story
From a forested Polish village to the blinding lights of London, A Time to Reap tells one woman!s
story against the backdrop of an evolving nation and through the lens of one of Poland!s hottest
political topics – abortion and the Catholic Church.
Reviews
"Extraordinary… takes a sharply ambivalent and provocative look at what has been gained and what
lost in post-Communist society… resoundingly recommended! Independent
Extract:
JAN. Hot today, isn!t it?
MARYSIA. Jan said, when I met him that summer,
seven years ago in Warsaw.
JAN. Actually, it was already winter.
MARYSIA. It was early autumn. And the summer
had been really good that year.
JAN. I was surprised to see her.
MARYSIA. I!d never seen a doctor!s surgery like it
in my life. In Niepokalanów, it!s all crumbling
plaster and peeling paint, and look at this – all
glass and plastic. Very nice.
JAN. I wanted to help her.
MARYSIA. I!m not embarrassed. I!ll never have to
see him again if I don!t want to. I wondered if
you might be able to help me, doctor.
JAN. Help you?
MARYSIA. That!s how I asked him. I felt so stupid.
You!re the only person I know here. All I have is
what I!m standing up in.
JAN. You!re all grown up. You were a lot smaller
the last time I saw you.
MARYSIA. And you hadn!t gone grey, doctor, and
your car had Warsaw licence plates and
everyone was jealous.
Try these plays on the theme of faith and religion:
!
Misterman by Enda Walsh (1m)
!
Low in the Dark by Marina Carr (3f 2m)
!
The Heresy of Love by Helen Edmundson (8f 7m)
"

April 2013 - Nick Hern Books

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