Paper Catalogue February 2015

Transcription

Paper Catalogue
February 2015
Paper is perhaps the most varied surface you can work on – from smooth to rough,
hard to soft, thin to thick. It is easy to cut, fold, pierce, join, and tear. Even good
paper is relatively inexpensive, providing a cheaper alternative to canvas for acrylic
and oil painters, as well as a perfect surface for all drawing media, printmaking, and
watercolour techniques.
Many people are unaware of the various properties different papers offer, so let’s
look at those:
Surface texture is immediately apparent just by looking. There are three main
categories: Rough (self-evident); Matte or Cold Press or NOT (as in NOT rough)
which has visible tooth but not to the degree of Rough; and Smooth or Hot Press
(pressed with hot rollers as the paper emerges still wet from the machine), which
has very little discernable tooth.
Each surface reacts differently to your drawing/painting media. Rough papers tend
to add an illusion of depth to painting, as varied thicknesses of pigment lay thinly
on the relief or deeper in the trough of the surface. Smooth papers produce flat
areas of paint but can show a surprising amount of tooth when used with graphite
or charcoal.
The weight of the paper is expressed in Grams per Square Metre (GSM). This often
coincides with the thickness, but a loosely formed paper may feel thicker than a
tightly compacted (calendared) paper of the same weight. Usually, a thick paper of
250 - 300gsm is more appropriate for painting, as it does not distort as it absorbs
moisture as much as a thinner paper. 600gsm papers hardly move at all, even with
very wet paint. Thinner papers are suited to dry media techniques, and papers
under 100gsm can easily be traced through.
The hardness or softness of a paper affects how paint is absorbed and its
resistance to erasing and bleeding. A hard paper will not “pill up” (pull paper off
the surface) when erasing or working with a brush, and will absorb paint more
slowly than a soft paper. Soft papers are ideal for printmaking or wet-in-wet
painting techniques when quick absorption is necessary.
The absorption of paint is also controlled by the sizing (an additive such as
gelatine) in a paper – internally sized papers are less absorbent than non-sized
papers, and surface sized papers are particularly valued by watercolourists for the
control of surface effects.
Non-archival paper degrades quickly when exposed to UV and moisture. Old
newspapers grow brittle and yellow when left in the sun. As well as suiting your
technique, a good art paper should resist the damaging effects of UV light and
humidity. Cotton (rag) is used to make the most durable papers, being naturally
archival and composed of long-chain alpha cellulose. Wood pulp in addition
contains lignin, which is an acidic compound that will degrade paper over a
relatively short period of time. To make good artist’s paper from wood pulp
therefore, this lignin is removed, and the resulting alpha-cellulose pulp is called
“wood-free”. Cheaper to make than cotton, “wood-free” pulp still makes a high
quality paper.
Dry media will go on most art papers. Interesting effects can be achieved drawing
on unusual papers, such as tracing paper or decorative papers. Water-based paints
can be used directly on paper, but oilpaint will damage paper unless you seal it first
with an acrylic size, which makes it an entirely suited and affordable support.
There are literally hundreds of different paper surfaces to use. Hahnemuhle and
Fabriano have both been making paper in Europe for over 400 years, so are
trustworthy brands, producing good, inexpensive papers. What a huge difference a
decent paper can make to your drawing/painting/printmaking practise! If you
haven’t already, discover the joy of mark-making on a beautiful surface.
HAHNEMüHLE
Hahnemuhle has been producing the finest printmaking, painting, and
bookmaking papers in Germany since 1584, using traditional cylinder mould
machines for genuine deckle-edged, watermarked, “hand-made” papers.
All Hahnemuhle’s papers are acid-free and lightfast, conforming to the strict
international standards of DIN-Norm 6738 that guarantees resistance to ageing
over one thousand years!
Painting Papers and Pads
200gsm Toscana
Acid-free, non-ageing painting paper made from pure 100% alpha-cellulose. The
surface, which is textured one side, smooth the other, is suitable for many drawing
& painting techniques, also for screen-printing, and it’s very economical too!
Handy-pack – 10 sheets with a backing board:
A4 $ 7.99
Loose sheets 610 x 860mm
$ 3.99
$ 1.99
A3 $ 12.99
300gsm Britannia
Britannia’s stability, strength and non-ageing alpha-cellulose composition make
this an extremely versatile paper, not only for watercolour, gouache, inks, and
acrylics, but also for many printmaking techniques including screen-printing and
lithography. It is available in both rough and matte surfaces and is our most
popular paper.
Handy-pack – 10 sheets with a backing board (matte surface only):
Britannia Matte A2 (420x594mm)
$ 39.99
$ 19.99
$ 9.99
$ 6.99
$ 4.99
(all available in either rough or matt surfaces)
$ 7.99
1250mm x 10m Britannia roll (matte or rough)
1250mm x 1m off the roll
$ 299.00
$ 29.99
300gsm Hahnemuhle 300
This high quality, traditionally mould-made watercolour paper was produced for
the 410th anniversary of the Hahnemuhle Paper factory and is of course acid-free
and highly resistant to ageing.
Hahnemuhle 300 features a genuine deckle-edge on all sides, is watermarked, and
is available in smooth, matte and rough surfaces. The rough surface has slightly
more surface sizing, allowing good control of white areas in traditional
watercolour techniques. Hahnemuhle 300 is an excellent paper for beginners and
professionals alike.
$ 7.99
300gsm William Turner
William Turner is a sophisticated mould-made paper - soft, matte, with a slightly
irregular surface structure. It’s great for wet-on-wet work and the small sheets are
the smallest size sheets with genuine deckle available, that look beautiful float
mounted! William Turner is a 100% rag, genuine deckle-edged and watermarked
paper for the experienced watercolourist.
$ 5.99
$ 13.99
600gsm Leonardo
An extra stable, thick, mould-made board with genuine deckle edges, the
Leonardo is suitable for all watercolour, acrylic, or you can seal it with Golden
GAC100 to turn it into a great oilpainting surface. Leonardo also makes a great
support for collage and mixed-media techniques. It’s available in both matte and
rough surfaces.
560 x 760mm Leonardo sheet
$ 19.99
Plate Bristol
Smooth as porcelain, Plate Bristol is renowned as a paper for ink drawing, and its
texture-free surface makes coloured pencil look like paint! It’s also perfect for silkscreen, gouache, and watercolour.
310gsm Bristol 650 x 1000mm
Handy Pack – 5 sheets with backing board
$ 9.99
A4 $ 7.99
A3 $ 14.99 A2 $ 24.99
$ 21.99
265gsm Bamboo Paper
Bamboo paper is a mixed media paper well suited for use with watercolour,
acrylic, pastel, inks and dry media, and even printmaking. It is a warm-toned white
made from highly renewable bamboo fibre and cotton rag, and – like all
Hahnemuhle papers - is extremely age-resistant.
Handy Pack – 5 sheets with backing board:
A4 $ 8.99
Bamboo Block 20 sheets 240x320mm
$ 45.99
$ 65.99
$ 89.99
Loose sheet 500 x 650mm
$ 5.99
A3 $ 15.99
Stella Paper
High quality, warm white drawing & painting paper, Stella has a hard surface that’s
perfect for pencil and ink work. It’s available in sheets and rolls for extra large
works.
Loose sheets 150gsm Stella 610 x 860mm
$ 4.99
Loose sheets 250gsm Stella 610 x 860mm
$ 8.99
Stella ROLLS
200gsm Stella 1480mm x 20m
per metre
$ 350.00
$ 21.50
Palette Blocks
30 sheet blocks of disposable palette paper for mixing acrylic and oilcolour.
Smooth to mix on and easy to wipe clean.
240 x 320mm Palette Block
320 x 420mm Palette Block
$ 27.50
$ 41.50
LANAquarelle GIANT Paper
Hot Pressed pure rag paper for drawing & painting, this is the largest flat sheet
paper we can find!
640gsm Lanaquarelle 1040 x 1520mm
Also available in standard size 560x760mm
$ 89.00
$ 24.99
300gsm Lanaquarelle 560x760mm
$ 11.99
Drawing & Pastel Papers and Pads
140gsm D&S Drawing Paper
This warm white, archival-grade, very economical cartridge paper is excellent for
pencil, aquarelle pencil, charcoal and drawing chalks, ink work and even
watercolour sketches. It is also perfect as pages for bookbinding.
A4 $ 5.99
$ 1.49
A3 $ 8.99
A2 $ 14.99
Sumi-e Paper
Sumi-e is a professional 80gsm Japanese painting paper for traditional (and nontraditional!) ink techniques and calligraphy. Many dramatic wet-on-wet effects can
be achieved by wetting this rice paper and smoothing it out onto a non-porous
surface before painting with ink, watercolour, gouache, or fluid acrylics.
Handy Packs – 5 sheets with backing board:
A4 $ 7.99
$ 4.50
A3 $ 12.99
Quattro Sketch Pad
Think INSIDE the square with these SQUARE format pads - 50 sheets of top quality,
non-ageing 170gsm paper for all drawing techniques. Not suitable for wet media.
250 x 250mm Quattro
300 x 300mm Quattro
400 x 400mm Quattro
$ 26.50
$ 32.50
$ 53.50
120gsm Sketch Pad “S”
High quality, wood-free sketching paper with a fine toothed to catch graphite,
charcoal, and pastel, while providing an optimum surface for blending and erasing.
A5 Sketch Pad “S” 50 sheets
$ 11.50
$ 17.99
$ 29.99
$ 59.50
Sketch Book “D & S”
The ultimate sketch book for dry media, ink, and watercolour sketching. 80 pages
of acid-free 140gsm paper with a slight irregular grain, in a black linen-covered
hard cover.
125 x 90mm “D&S” Sketch Book Landscape
A6 “D&S” Sketch Book Portrait
A6 “D&S” Sketch Book Landscape
$ 9.99
$ 17.99
$ 17.99
$ 24.99
$ 24.99
$ 36.99
$ 36.99
$ 64.99
$ 64.99
SQUARE:
140x140mm “D&S” Sketch Book
$ 18.99
$ 25.50
$ 39.00
Sketching Booklets
Soft cover, staple-bound, 20 pages, fantastic price for Made in Germany!
Black Cover 140gsm
A5 $ 5.99
A4 $ 9.99
Kraft Paper 120gsm
A5 $ 4.99
A4 $ 8.99
Hardcover Sketch Book
64 pages of acid-free 120gsm paper with a slight irregular grain, in a black linencovered hard cover.
A5 Sketch Book
A4 Sketch Book
A3 Sketch Book
$ 13.99
$ 23.99
$ 35.99
130gsm Bugra Paper Pads
Lightfast, acid-free, mould-made coloured papers with a coarse ribbed texture,
Bugra is an ideal paper for pastel, collage and bookmaking.
240 x 320mm Bugra Rainbow Pad 14 sheets
(7 asstd shades, tissue interleaved)
$ 27.99
$ 39.99
$ 64.99
Postcard Pad
20 sheets of blank 250gsm postcards, allowing you to send real art back to those
who couldn’t come on holiday with you!
Postcard Pad
$ 13.99
Postcard Box
Tin box with 30 blank 230gsm postcards for drawing & painting your own holiday
view for those at home.
Postcard tin
$ 24.99
Printmaking Papers
Hahnemuhle’s printmaking papers, made since 1584, are the finest quality
available in the world.
As with all Hahnemuhle papers, the printmaking papers are acid-free and highly
resistant to ageing for several centuries. Deckle-edged on all four sides and
watermarked, even with multiple colour applications the surface remains stable.
Samples are available for all substances.
150gsm Proofing Paper
780 x 1060mm warm white, matt surface, mould-made.
$ 6.50
230gsm Etching Paper
780 x 1060mm warm white, soft matt surface, mould-made
$ 10.99
300gsm Copperplate Paper
560 x 780mm white, matt surface, mould-made
$ 6.99
805 x 1200mm giant-size, white, matt rigid surface, mould-made
$ 13.99
805 x 1200mm Giant-size, white, matt rigid surface, mould-made
$ 18.50
350gsm Etching Paper on the roll
White, strongly textured, rigid surface, mould-made
1240mm x 20m Etching on the roll
1240mm x 1m Etching per metre
$ 645.00
$ 35.50
300gsm Blotting Paper
805 x 1200mm thick absorbent blotter
$ 15.99
680gsm Blotting Paper
805 x 1200mm thickest available blotting paper
$ 29.99
Plate Bristol
Plate Bristol is an extremely smooth, highly absorbent surface that makes it
superlative for screen-printing, and great for the layering of pencil, watercolour
and gouache. Bright white, lightfast and non-ageing.
$ 9.99
A4 $ 7.99
A3 $ 14.99 A2 $ 24.99
$ 21.99
LANA Royale
Highest quality, smooth paper for lithography and fine detail printmaking
techniques.
Lana Royale
250gsm
300gsm
560x780mm
$ 8.99
$ 9.99
780x1060mm
$ 16.50
$ 17.99
Specialist Papers & Boards
300gsm Mounting Board
A white, non-ageing board for production of archival folders, which is also suitable
as a painting surface.
860 x 1220mm Mounting Board
$ 9.99
380gsm Black Mounting Board
Black, acid-free and non-ageing board with a matt surface, suitable for mounting,
pastel and painting.
700 x 1000mm Black Mounting Board
$ 12.25
FABRIANO
th
Fabriano is Europe’s oldest paper mill, in production since the 13 Century, and
accordingly their papers are considered amongst the best in the world.
Fabriano Artistico
Fabriano Artistico watercolour paper is a genuine mould-made, 100% rag, archival
paper with four deckle edges. Artistico is renown for its performance and is ideal
not only for watercolour, but for gouache, acrylic, ink, and dry media. The
Traditional White is available in Hot Press, Cold Press, & Rough surfaces.
Traditional White
200gsm Artistico 560 x 760mm
$ 6.50
$ 9.50
$ 19.99
Roll Cold Press or Hot Press 1400mm x 10m
Or per metre
$ 330.00
$ 33.00
Fabriano 5
Fabriano 5 is a mixed-media paper made from 50% rag and pure alpha-cellulose,
archival, and is suitable for painting, drawing, and printmaking. It is deckle edged
on two sides.
210gsm Fabriano 5 Hot Press 700 x 1000mm
$ 7.50
300gsm Fabriano 5 Cold Press 700 x 1000mm
$ 9.99
$ 9.99
$ 11.50
Academia
Acid-free drawing paper with a slight grain to the surface, for sketching and
drawing techniques.
Roll 120gsm 1500mm x 10m
Roll 200gsm 1500mm x 10m
$ 39.99
$ 59.99
120gsm 700 x 1000mm
200gsm 700 x 1000mm
$ 1.99
$ 2.99
Study Papers
25% rag economy painting and drawing paper.
300gsm Watercolour Hot Press/Cold Press 500 x 700mm
400gsm Pittura rough 500 x 700mm
$ 3.50
$ 4.50
Printmaking
Fabriano papers are famed for their printmaking qualities. Although several of their
painting papers are suitable for printing techniques, the papers below will deliver
superb results.
Tiepolo
Mould-made and watermarked 100% rag paper for all printmaking techniques,
including etching, lithography, silkscreen, and block prints.
290gsm Tiepolo 700 x 1000mm
$ 11.99
Rosapina
A high quality 60% cotton paper for all printmaking techniques, with watermarks
and deckled edges on two sides.
220gsm Rosaspina 700 x 1000mm
285gsm Rosapina 700 x 1000mm
$ 6.99
$ 8.99
Fabriano 5
Fabriano 5 is a mixed-media paper made from 50% rag and pure alpha-cellulose,
archival, and is suitable for painting, drawing, and printmaking. It is deckle edged
on two sides.
$ 7.50
$ 9.99
$ 9.99
$ 11.50
CANSON ARCHES
Canson produces a large range of artistical papers of high quality,
drawing on over 200 years of experience.
Arches Aquarelle
Arches Aquarelle is a pure rag watercolour paper made on traditional cylindermould machine to produce the “hand-made” look with deckle-edges and
watermark. This premium paper is available in Hot Press, Fine Grain, and Rough in
185gsm and 300gsm weights, and Fine Grain and Rough in the 640gsm substance.
185gsm Arches Aquarelle 560 x 760mm
$ 9.99
$ 14.99
$ 31.99
(Cold Press and Rough surfaces only)
$ 64.99
Coloured Papers: Canson Mi-tientes
Popular acid-free, lightfast papers (except for black) available in over 50 colours.
More textured on one side than reverse, and suitable for drawing, painting, collage,
and bookbinding. Very popular as a pastel support. Colour charts available.
160gsm Canson Mi-tientes 500 x 650mm
$ 4.99
SAUNDERS WATERFORD
Pure rag watercolour papers made with deckled-edges and watermarked, these
top-quality papers are archival, and ideal for watercolour, with a reasonably soft
surface, making them perfect for working on location. Available in three surfaces:
Hot Press (smooth); Cold Press/NOT (fine); and Rough, except the 638gsm
substance in Cold Press and Rough only.
Sheets
190gsm Saunders Waterford 560 x 760mm
$ 9.50
$ 15.90
$ 19.50
$ 26.70
Sundry Sketching Papers & Pads
Newsprint
A1 594 x 841mm loose sheets
Pack 500 sheets
A2 420 x 594mm Pack 500 sheets
$ 0.30
$ 78.00
$ 44.99
Sugar Paper
600 x 840mm
(sugar black or rope brown)
Pack 100 sheets
$
0.99
$ 64.99
Royal Hi-Brite Cartridge
Economical cartridge for drawing, painting, and printmaking.
120gsm 640 x 900mm
$ 0.80
190gsm 640 x 900mm
$ 1.50
250gsm 640x 900mm
$ 2.00
Zeta Mattpost
Good quality, fine toothed 70gsm paper for graphite, charcoal, or pen. Available in
100 sheet pads.
A4 Zeta Pad
A3 Zeta Pad
A2 Zeta Pad
A1 Zeta Pad
$ 12.50
$ 21.99
$ 43.50
$ 81.99
120gsm Cartridge Pads
120gsm sketch paper suitable for drawing and studies in pencil, charcoal, and ink.
Available in 60 sheet pads.
A4 120gsm Cartridge Pad
$ 7.99
$ 12.50
$ 24.99
$ 44.50
Bank Pads
Lightweight (70gsm), economical sketch paper for roughs. Suitable for pencil and
charcoal. Available in 100 sheet pads.
A4 Bank Pad
A3 Bank Pad
A2 Bank Pad
A1 Bank Pad
$ 7.50
$ 12.50
$ 23.50
$ 44.50
PH 0-9-360-1238 FX 0-9-360-1239
info@studioart.co.nz www.studioart.co.nz
35 Crummer Road, Grey Lynn, Auckland 1021, Aotearoa/New Zealand
Open Monday to Friday 8:30am to 5:30pm
Saturday 9:00am to 4:00pm
On Facebook? Befriend Will Paynt.

Paper Catalogue February 2015

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