Uzumaki - Jardins de Métis

Uzumaki
T he garden illustrates the multi-dimensional layers of convergence
between man and nature through a series of intersections of their
representations. Here, nature is embodied through a spiral path and man
is represented through polygonal geometric patterns.
The primary intersection is the irony of how the representations are
formed. The spiral path is not produced organically - it is formed by man
to look like such; the polygonal geometric patterns are just borders - what
fill them are the organic forms of plants and soil. This vertex represents
the interdependence of the two in terms of their responsibilities and roles
toward each other.
The secondary vertices are the physical points where the spiral and
polygonal geometries meet. This, on the other hand, signifies the disjoint
of each that results in conflict through the termination of both elements’
geometries.
The final intersection is formed through experiencing the garden by
following the spiral that opens different views of the polygonal geometries
of the planters. These vertices represents the indefinite results of their
coexistence.
0 1 fl oor pla n, 1 :7 0 m s c a l e
0 2 bl ow- u p s t r uc t ur a l c o n c ep t o f p r o men a d e
0 3 3d-print e d s oil p a t t e r n d i v i d er c o n c ep t
i
ii
iii
iv
c al en dula o f f icinalis
lav an dula o f f icinalis
thy mus v ul gar is
hy p er icum p er fo r at um
01
02
03
i
ii
iii
iv
0 4 study mode l
0 5 pers pe c t iv e
0 6 section , 1 :7 0 m s c a le
04
05
06