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jrp|ringier program 2016 #1 Program 2016 #1 HIGHLIGHTS Contemporary Art Art Basel | Year 46ISBN 978-3-03764-448-5 Contemporary Art John Stezaker: Unassisted Readymade Contemporary Art Xanti Schawinsky: The AlbumISBN 978-3-03764-451-5 Anthologies The Playground ProjectISBN 978-3-03764-454-6 Contemporary Art Matt Mullican: RubbingsISBN 978-3-03764-461-4 ISBN 978-3-03764-449-2 NEW TITLES Contemporary Art Guillaume BijlISBN 978-3-03764-468-3 David Hominal (English) ISBN 978-3-03764-463-8 (French) ISBN 978-3-03764-464-5 Eva Kotátková: Pictorial Atlas of a Girl Who ...ISBN 978-3-03764-361-7 Shirana Shahbazi: Tehran NorthISBN 978-3-03764-467-6 Franz West: Galerie Eva Presenhuber, 95–15ISBN 978-3-03764-427-0 Graphic Design ECAL Graphic DesignISBN 978-3-03764-455-3 Positions Walead Beshty: 33 Texts: 93,614 Words: 581,035 CharactersISBN 978-3-03764-442-3 Hapax 8, rue Saint-Bon (Paris) Alfredo Aceto John Armleder: Out! (Out!) ISBN 978-3-03764-450-8 ISBN 978-3-03764-445-4 ISBN 978-3-03764-439-3 Anthologies Art Handling: Partituren der Logistik Kiör 4: Kunst macht Stadt Resistance Performed ISBN 978-3-03764-414-0 ISBN 978-3-03764-453-9 ISBN 978-3-03764-446-1 Catalogues Nestlé Art Collection ISBN 978-3-03764-038-8 Lectures Maison Rouge Huber Damisch, Jean Dubuffet: Entrée en matière ISBN 978-3-03764-452-2 DVDs by BDV Sonsbeek (1971, 1986) ISBN 978-3-03764-447-8 E-BOOKS Hapax Vern Blosum (iTunes, Barnes & Nobles, Kobo) ISBN 978-3-03764-465-2 (Kindle) ISBN 978-3-03764-466-9 REPRINTS Documents Hans Ulrich Obrist: A Brief History of New Music (2nd ed.)ISBN 978-3-03764-190-3 Hapax Scott King, Anxiety & Depression (3rd ed.) ISBN 978-3-905829-95-2 Sylvia Sleigh Ericka Beckman ISBN 978-3-03764-332-7 ISBN 978-3-03764-421-8 PREVIOUSLY ANNOUNCED Contemporary Art CONTEMPORARY ART Art Basel Basel || Year Year 46 46 Art One One year year in in the the art art world world Program Program Catalogues, Biennales & Collections Catalogues, Biennales & Collections ______________________________________ Art Basel’s official annual publication continues to capture and Art Basel’sthe official publication continues to capture andgoes document showsannual in Basel, Miami Beach, and Hong Kong, and document the featuring shows in interviews, Basel, Miami Beach, Hong Kong, and goes beyond them, essays on and contemporary art, and beyond them, featuring essayscollectors, on contemporary art, and personal highlights from interviews, artists, curators, and museum personal highlights from artists, curators, collectors, and museum directors. directors. Designed by Gavillet & Cie (Geneva), the publication has an A-to-Z Designed bymaps Gavillet Cie (Geneva), thealongside publication has an A-to-Z format that the & world of Art Basel profiles spotlighting format maps galleries the worldwhich of Artparticipated Basel alongside spotlighting each ofthat the 500+ acrossprofiles the three shows in each ofIt the 500+works galleries participated across the three shows in 2015. features fromwhich all sectors of the different shows, 2015. It features works fromoffering all sectors the different shows, on highlights events and talks, vivid of and varied perspectives highlights events and talks,through offeringthe vivid and perspectives the global artworld as seen eyes of varied Art Basel. Giving art on world experts, curators, and through collectors platform forBasel. sharing their art the global artworld as seen thea eyes of Art Giving expertise, the publication provides an insightful andfor immersive world experts, curators, and collectors a platform sharingart their experience for publication the reader. provides an insightful and immersive art expertise, the experience for the reader. Interviewees and contributors include Sheikha Hoor Al Qasimi, Stéphane Aquin, Manuela Ammer, Camilla include Barella, Sheikha Monica Bonvicini, Ute Meta Interviewees and contributors Hoor Al Qasimi, Stéphane Bauer, Harry Bellet, Heman Chong, Suzanne Cotter, Cao Fei,Ute Sylvie Aquin, Manuela Ammer, Camilla Barella, Monica Bonvicini, Meta Fleury, Glass-Kantor, MatthewSuzanne Higgs, Max Hollein, Bauer, Alexie Harry Bellet, Heman Chong, Cotter, CaoChristian Fei, Sylvie Jankowski, Omar Kholeif, Li Zhenhua, Lind, Robin Fleury, Alexie Glass-Kantor, MatthewWilliam Higgs, Lim, Max Maria Hollein, Christian Meier, HeikeOmar Munder, Matthias Mühling,William Glenn Lim, Phillips, Philippe Pirotte, Jankowski, Kholeif, Li Zhenhua, Maria Lind, Robin Patrizia Sandretto Re Rebaudengo, Allan Schwartzman, Spirito, Meier, Heike Munder, Matthias Mühling, Glenn Phillips,Mari Philippe Pirotte, Luisa Strina, RirkritRe Tiravanija, Jochen Volz, Danh Vo, KenMari Wong, Patrizia Sandretto Rebaudengo, Allan Schwartzman, Spirito, Samson Young, Marc-Olivier Wahler, andVolz, manyDanh others work Luisa Strina, Rirkrit Tiravanija, Jochen Vo,whose Ken Wong, contributed this Marc-Olivier year to the fairs on alland three continents. Samson Young, Wahler, many others whose work ______________________________________ Edited by Edited Lionel by Bovier Lionel Bovier Marc Spiegler Marc Spiegler ______________________________________ ______________________________________ Authors Authors Suzanne Cotter Suzanne Cao Fei Cotter Alexie Cao Fei Glass-Kantor JitishGlass-Kantor Kallat Alexie Omar Kallat Kholeif Jitish Ute Meta Bauer Omar Kholeif Heike Munder Ute Meta Bauer Seth Munder Price Heike Rirkrit Tiravanija Seth Price Li Zhenhua Rirkrit Tiravanija Li______________________________________ Zhenhua ______________________________________ Edition English Edition April 2016 English ISBN: 978-3-03764-448-5 April 2016 Hardcover, 210 x 295 mm ISBN: 978-3-03764-448-5 784 pages Hardcover, 210 x 295 mm Images 450 color / 530 b/w 784 pages CHF 70 / EUR 57 / £ 44 / US 80 Images 450 color / 530 b/w ______________________________________ CHF 70 / EUR 57 / £ 44 / US 80 ______________________________________ contributed this year to the fairs on all three continents. Published with Art Basel. Published with Art Basel. Available for purchase at the three Art Basel shows and at selected art bookstores across Europe, the United States and Asia as of April 2016. Available for purchase at the three Art Basel shows and at selected art bookstores across Europe, the United States and Asia as of April 2016. CONTEMPORARY ART Artist's book John Stezaker Unassisted Readymade John Stezaker's work reexamines reexamines the the various various relationships relationships to to the the Program Monographs & Artists’ Books ______________________________________ Edited by Markus Bosshard Jürg Trösch ______________________________________ ______________________________________ Authors Authors David Campany Campany David ______________________________________ ______________________________________ Edition Edition English // German German English Available Available ISBN: 978-3-03764-449-2 978-3-03764-449-2 ISBN: Hardcover, 245 245 xx 345 345 mm mm Hardcover, 144 pages pages 144 Images 68 68 color color Images CHF 68 68 // EUR EUR 54 54 // £ £ 42 42 // US US 75 CHF 75 ______________________________________ ______________________________________ photographic image: as documentation documentation of of truth, truth, purveyor purveyor of of memory, memory, and symbol of modern culture. In his his collages, collages, Stezaker Stezaker appropriates appropriates images found in books, magazines, magazines, and and postcards, postcards, and and uses uses them them as as "readymades." Through his elegant elegant juxtapositions, juxtapositions, Stezaker Stezaker adopts adopts the the content and contexts of the original original images images to to convey convey his his own own witty witty and and poignant meanings. In this new book, book, he he started started with with found found images—resorting stylistically to Hollywood’s Hollywood’s golden golden era—which era—which find find aa new life on these pages, as much much as as aa new new meaning, meaning, ifif not not aura. aura. As As photography photography critic critic and and curator curator David David Campany Campany writes writes in in his his essay: essay: "His "His is is an an art art that that returns returns seemingly seemingly banal banal imagery imagery to to its its essential essential freedom. freedom. ... ... in in working working to to set set loose loose the the most most enchained enchained of of images, images, Stezaker's Stezaker's work work offers offers the the viewer viewer an an occasion, occasion, at at least, least, to to experience experience what what image image freedom freedom might might feel feel like, like, what what it it might might imply, imply, and and what what itit tells tells us us about about the the fears fears that that bind bind images images and and the the desires desires that that loosen loosen them." them." Published Published with with Codax Codax Publishers, Publishers, Zurich. Zurich. CONTEMPORARY ART Xanti Schawinsky The Album Program Monographs & Artists’ Books ______________________________________ Edited by Lionel Bovier Daniel Schawinsky ______________________________________ Authors Torsten Blume ______________________________________ Edition English Available ISBN: 978-3-03764-451-5 Hardcover, 450 x 270 mm 96 pages Images 72 color / 51 b/w CHF 98 / EUR 80 / £ 60 / US 100 ______________________________________ A Bauhaus sourcebook The work of the late Swiss artist "Xanti" (Alexander) Schawinsky (1904–1979) was until recently almost inaccessible. In his lifetime, Schawinsky was mainly known for his work in the theater department at the Bauhaus. In the late 1930s, while teaching at Black Mountain College, a legendary art college in North Carolina that provided refuge for many European emigrants during the Nazi era, Schawinsky, building on his Bauhaus work, developed his dramatic theory known as "Spectodrama," happenings of a sort, which would later be made famous by another affiliate of the same institution, John Cage. This publication is based on the albums the artist conceived during his tenure at the Bauhaus, and presents, for the first time, photographs and documents, personal as much as artistic, on this key moment of the modern period, all commented by scientific researcher and curator at Bauhaus Dessau Foundation, Torsten Blume. This is the first opportunity to discover this primary material, in a format reproducing the original album. Published in a limited edition of a 1,000 copies, in collaboration with the Estate of Xanti Schawinsky, and with the generous support of Volkart Stiftung, Pro Helvetia - Swiss Arts Council, and Ernst und Olga Gubler-Hablützel Stiftung. ANTHOLOGIES The Playground Playground The Project Project Program Program Anthologies & Art Theory Anthologies & Art Theory ______________________________________ ______________________________________ Edited by Edited by Burkhalter Gabriela Gabriela Burkhalter ______________________________________ ______________________________________ Authors Authors Daniel Baumann Daniel Baumann Gabriela Burkhalter Gabriela Xavier deBurkhalter la Salle Xavier deRomagny la Salle Vincent Vincent SreejataRomagny Roy Sreejata Roy ______________________________________ ______________________________________ Edition Edition English / German English / German Available Available ISBN: 978-3-03764-454-6 ISBN: 978-3-03764-454-6 Softcover, 203 x 262 mm Softcover, 256 pages203 x 262 mm 256 pages Images 152 color / 111 b/w Images color 111 CHF 48152 / EUR 40 / £ 30 b/w / US 49.95 ______________________________________ CHF 48 / EUR 40 / £ 30 / US 49.95 ______________________________________ An An anthology anthology on on play play Until the 1980s—and in rare cases until today—playgrounds were Until the 1980s—and in rare cases until today—playgrounds were places for social experiments, risky projects, and spectacular places for social experiments, risky projects, and spectacular sculptures. Architects, urban planners, artists, parents, and children sculptures. Architects, urban planners, artists, parents, and children were invited to leave their comfort zone and to venture into something were "The invited to leave their comfort zone andoftothese venture into something new. Playground Project" brings many exemplary, but new. "The Playground Project" brings many of these exemplary, but nowadays forgotten initiatives, pioneering acts, and adventures back. nowadays forgotten initiatives, pioneering acts, and adventures Examples from Europe, the USA, Japan, and India are discussed inback. depth Examples from Europe, the USA, Japan, and are comprehensive discussed in depth and illustrated with numerous images. This is India the first and illustrated images. This as is the comprehensive overview of thiswith kindnumerous and addresses laymen wellfirst as experts who want overview of this kind and addresses laymen as well as experts who want to do more than just seesaw and swing. to do more than just seesaw and swing. The publication includes works by artists, architects, and landscape The publication works byJoseph artists,Brown, architects, and Dalisi, landscape architects, suchincludes as Marjory Allen, Riccardo architects, such Aldo as Marjory Allen, Brown, Riccardo Dalisi, Richard Dattner, van Eyck, M. Joseph Paul Friedberg, Group Ludic (Xavier Richard Dattner, van David Eyck, Roditi), M. PaulAlfred Friedberg, Groupand Ludic (Xavier de la Salle, SimonAldo Koszel, Ledermann Alfred de la Salle, Simon Koszel, David Roditi), Alfred Ledermann and Alfred Trachsel, Palle Nielsen, Egon Møller-Nielsen, Isamu Noguchi, Joseph Trachsel, Palle Nielsen, Isamu Noguchi, Schagerl, Mitsuru Senda,Egon and Møller-Nielsen, Carl Theodor Sørensen. It bringsJoseph together Schagerl, Mitsuru and Carl Theodor Sørensen. It brings an introduction by Senda, Daniel Baumann, a comprehensive text on the together an introduction by Daniel Baumann, a comprehensive on the historical development of the playground and its most text important historical development the playground and its most designers by the urban of planner Gabriela Burkhalter, andimportant essays by designers by the urban planner Gabriela Burkhalter, essays by French sociologist and artist Xavier de la Salle; Indianand artist Sreejata French and artistand Xavier de laVincent Salle; Indian artist Sreejata Roy; andsociologist French philosopher curator Romagny. Roy; and French philosopher and curator Vincent Romagny. Published with the Kunsthalle Zürich. Published with the Kunsthalle Zürich. CONTEMPORARY ART Matt Mullican Mullican Matt Rubbings Rubbings Program Program Monographs && Artists’ Artists’ Books Books Monographs ______________________________________ ______________________________________ Edited by by Edited Dieter Schwarz Schwarz Dieter ______________________________________ ______________________________________ Authors Authors Dieter Schwarz Dieter Schwarz ______________________________________ ______________________________________ Edition Edition English / German English / German June 2016 June 2016 ISBN: 978-3-03764-461-4 ISBN: 978-3-03764-461-4 Hardcover, 175 x 235 mm Hardcover, 175 x 235 mm 336 pages 336 pages Images 300 color / 20 b/w Images 300 color / 20 b/w CHF 60 / EUR 50 / £ 38 / US 65 CHF 60 / EUR 50 / £ 38 / US 65 ______________________________________ ______________________________________ Complete Complete catalogue catalogue (1984–2015) (1984–2015) One One of of Matt Matt Mullican's Mullican's central central and and most most consequential consequentialinventions, inventions,the the so-called "Rubbings," are a kind of "frottages," a technique so-called "Rubbings," are a kind of "frottages," a techniquethe theartist artist uses uses to to produce produce specific specific pictures. pictures. From From the the beginning beginning of of his his career, career, Mullican Mullican looked lookedfor forpictures picturesthat that would would not not be be paintings; paintings; thus, thus, he he used used banners, banners, the thetraditional traditionalcarriers carriers of of signs, signs, posters, posters, and, and, in in 1984, 1984, he he realized realized his his first first"Rubbing." "Rubbing."He Heused used a a cardboard cardboard plate plate on on which which the the canvas canvas was was placed; placed;by byrubbing rubbingwith withan an oil oil stick stick the the cardboard cardboard reliefs, reliefs, forms forms became became visible visibleon onthe thecanvas. canvas.This This way, Mullican was able to transfer complex representations onto canvas; way, Mullican was able to transfer complex representations onto canvas; the result is a picture of something that is not present, it is a form of the result is a picture of something that is not present, it is a form of copy. The cardboard plates may be used for other works and so the copy. The cardboard plates may be used for other works and so the imagery can reappear in different configurations. Each "Rubbing" is a imagery can reappear in different configurations. Each "Rubbing" is a single work and at the same time a reproduction, like a print, part of a single work and at the same time a reproduction, like a print, part of a sequence which contains picture elements from different sources. sequence which contains picture elements from different sources. Following the "Rubbings" from 1984 to recent times, it becomes visible Following the "Rubbings" from 1984 to recent times, it becomes visible that they represent the motives and themes the artist worked with over that they represent the motives and themes the artist worked with over the years. The sequence of the "Rubbings" appears therefore like a the years. The sequence of the "Rubbings" appears therefore like a diary of Mullican's work. diary of Mullican's work. The forthcoming book presents a catalogue of the "Rubbings" on The forthcoming book presents a catalogue of the "Rubbings" on canvas from 1984 to 2015. It comprises ca. 400 works, documented by canvas and fromcatalogue 1984 to 2015. It comprises ca. 400 works, by images entries. The book also contains andocumented essay by Dieter images and catalogue entries. The book also contains an essay by Dieter Schwarz. Schwarz. Published in collaboration with Kunstmuseum Winterthur. Published in collaboration with Kunstmuseum Winterthur. CONTEMPORARY ART Guillaume Bijl Bijl Guillaume Reference Reference monograph monograph Program Program Monographs && Artists’ Artists’ Books Books Monographs Self-taught Self-taught artist artist Guillaume Guillaume Bijl Bijl (b. (b. 1946, 1946, Antwerp), Antwerp),isismostly mostlyrecognized recognized for his alternative take on conceptual art, his desire to for his alternative take on conceptual art, his desire todirectly directlyengage engage the the viewer, viewer, and and his his "Transformation "Transformation Installations" Installations"started startedininthe thelate late 1970s. 1970s. In In these these works works he he realizes realizes meticulous meticulous imitations imitationsof ofeveryday everyday realities realities in in galleries galleries and and museums, museums, mainly mainly focusing focusingon ontrade tradeand and exchange exchange locations—whether locations—whether in in commodities, commodities, information, information,or orskills. skills.One One of his most famous pieces is his groundbreaking "Lustrerie Media" of his most famous pieces is his groundbreaking "Lustrerie Media" installation installation shown shown in in Art Art Basel Basel in in June June 1984 1984 for forwhich whichhe hetransformed transformed the entire booth of his gallery into a light shop. the entire booth of his gallery into a light shop. ______________________________________ ______________________________________ Edited by by Edited Clément Dirié Dirié Clément ______________________________________ ______________________________________ Authors Authors John C. Welchman John C. Welchman ______________________________________ ______________________________________ Edition Edition English English May 2016 May 2016 ISBN: 978-3-03764-468-3 ISBN: 978-3-03764-468-3 Softcover, 237 x 286 mm Softcover, 237 x 286 mm 160 pages 160 pages Images 120 color / 20 b/w Images 120 color / 20 b/w CHF 50 / EUR 40 / £ 30 / US 55 CHF 50 / EUR 40 / £ 30 / US 55 ______________________________________ ______________________________________ Bijl’s practice is however much richer and more diverse and largely goes Bijl’s practice is however much richer and more diverse and largely goes beyond this landmark series. This reference monograph thus reveals the beyond this landmark series. This reference monograph thus reveals the scope of his thinking and art during the last four decades. Built around scope of his thinking and art during the last four decades. Built around a comprehensive essay by John C. Welchman entitled "Jumps of the Cat: a comprehensive essay by John C. Welchman entitled "Jumps of the Cat: Guillaume Bijl’s Simulation Therapy," the book spans the early Guillaume Bijl’s Simulation Therapy," the book spans the early "Treatments" (1975–1978) to the on-going "Transformation "Treatments" (1975–1978) to the on-going "Transformation Installations," "Situation Installations," "Compositions Trouvées," and Installations," "Situation Installations," "Compositions Trouvées," and "Sorry" bodies of work. Grounded in and marked by a number of "Sorry" bodies of work. Grounded in and marked by a number of economic, social, and cultural conditions, Bijl’s works are a stimulating economic, social, and cultural conditions, Bijl’s works are a stimulating reflection and synthesis of our current times. As John C. Welchman reflection and synthesis of our current times. As John C. Welchman writes: "Bijl's work made important contributions to many of the issues writes: "Bijl's work made important contributions to many issues addressed by the Western neo-avant-garde art world from of thethe 1970s to addressed by theabout Western neo-avant-garde art worldelitism from the now—questions performativity and spectacle; and 1970s to now—questions aboutand performativity spectacle; elitism and "lowness"; simulation "commodityand art"; life-scaled corporeality and "lowness"; simulation and "commodity art"; corporeality the uncanny; appropriation, archives and thelife-scaled postmodern readymade;and the uncanny;with appropriation, archives and the postmodern readymade; negotiations selfhood and artifice; and the tension between work negotiations selfhood and and the tension between work situated in artwith institutional and artifice; public spaces." situated in art institutional and public spaces." Among other shows, Guillaume Bijl has participated in the Venice Among other shows, Bijl has IX participated the Venice Biennial in 1988 and Guillaume 2009, documenta (Kassel) in in 1992, the Istanbul Biennial in 1988 and 2009, documenta IX (Kassel) in 1992, Biennial in 2013, and Münster Skulptur Projekte in 2007. Hethe willIstanbul Biennial in 2013, and Münster Skulptur Projekte2016. in 2007. He will participate in Manifesta 11 in Zurich in Summer participate in Manifesta 11 in Zurich in Summer 2016. A specialist in the Californian art scene, on Paul McCarthy, and Mike A specialist the Californian arthescene, onJohn Paul C. McCarthy, and Kelley (whoseincomplete writings edited), Welchman is Mike a Kelley (whose complete writings he edited), John theoretician, C. Welchman and is a a modern and contemporary art historian, a critical modern and contemporary historian, a critical theoretician, curator. He is Professor ofart Modern Art History in the Visual Artsand a curator. He is of Modern Art History in the Visual Arts Department at Professor the University of California, San Diego. Department at the University of California, San Diego. Published with Cultuurcentrum Mechelen, Mechelen. Published with Cultuurcentrum Mechelen, Mechelen. CONTEMPORARY ART David Hominal First monograph Program Monographs & Artists’ Books Since the mid-2000s, David Hominal has been one of the most original and vigorous voices of the contemporary art scene. Working primarily with painting—principally in series—he also explores sculpture, drawing, film, printmaking, performance, and installation. His multifaceted work is the offspring of an exceptionally intense relationship with the world. It is a place where images drawn from both personal and everyday sources interact; where disciplines such as dance, music, and the visual arts converge. ______________________________________ Edited by Laurence Schmidlin ______________________________________ Authors Stéphanie Moisdon Laurence Schmidlin ______________________________________ Edition English April 2016 ISBN: 978-3-03764-463-8 Hardcover, 205 x 286 mm 64 pages Images 50 color CHF 32 / EUR 25 / £ 19 / US 35 ______________________________________ Edition French April 2016 ISBN: 978-3-03764-464-5 ______________________________________ This first monograph on his oeuvre offers an overview of his practice, underlining his engagement in representation, expression of the Self, and the traditions of art and art history. As French art critic and curator Stéphanie Moisdon states in her commissioned essay: "Hominal's oeuvre stands firm in the middle of the contemporary tumult, neither reveals nor conceals any hidden part. It stands there, in the entire coarseness of its appearance. No tongue-in-cheek humor, no false flooring, illusion or trickery. His painting expresses only what it shows, diverting the endeavors, as tiring as they are many, to clarify and reveal. In his work there is a constant oscillation between homage and dismantling, between too much and too little, between the elimination (of sources, of contexts) and the appropriation (of sensations, of intensities), from which bare forms arise." A second essay by Laurence Schmidlin, Musée Jenisch Deputy Director and Head of the Cabinet cantonal des estampes, analyses Hominal's practice and relationship to printmaking in the global context of his work. David Hominal was born in 1976 in Evian (France). He graduated from ECAL (Lausanne) and is now based in Berlin. He exhibited recently at Helmhaus, Zurich; Centre d’art contemporain, Geneva; Kunsthalle Bern, Bern; and the Swiss Institute, New York. 2016's exhibitions include a solo show at Le Consortium, Dijon, and at Musée Jenisch Vevey on the occasion of which this volume is published. Published with Musée Jenisch, Vevey. CONTEMPORARY ART Artist's book Eva Kotátková Pictorial Atlas of a Girl "Pictorial Atlas of a Girl Who Cut a Library into Pieces," Eva Kotátková's Who Cut a Library into most ambitious publication to date, reflects her obsession with reshaping and hijacking pre-existing photographic images. Divided in Pieces two volumes, the first volume of this publication presents 300 recently Program Monographs & Artists’ Books ______________________________________ Edited by Vít Havránek Eva Kotátková ______________________________________ Authors Eva Kotatkova ______________________________________ Edition Czech / English Available ISBN: 978-3-03764-361-7 Softcover, 170 x 240 mm 703 pages Images 433 color CHF 42 / EUR 35 / £ 28 / US 49.95 ______________________________________ realized drawings and collages, a new body of work that has been compiled from an imaginary schoolbook from the 1980s (when the artist was growing up under the totalitarian Communist regime). The second volume, the textual part of the book, is the outcome of three years of research through archives: 22 sets of regulations issued by public institutions (psychiatric hospitals, special-needs schools, house rules, cemeteries, orphanages, etc.) from the 1970s through to the end of the 1980s in Communist Czechoslovakia. These sources reflect the politics of the authoritarian regime and raise educational and social issues. Eva Kotátková (b. 1982, Prague) studied at the Prague Academy of Fine Arts, the Prague Academy of Applied Arts, the San Francisco Art Institute, and the Akademie Bildende Kunst Wien between 2002 and 2007. In 2007, at the age of 25, she became the youngest person to be awarded the Jindrich Chalupecky Award for young artists in the Czech Republic. Kotátková exhibits extensively internationally and in the Czech Republic, and her work is included in numerous private and public collections. Published within the context of the "tranzit" series edited by Vít Havránek, focusing on Central and Eastern European artists. CONTEMPORARY ART Shirana Shahbazi Tehran North Program Monographs & Artists’ Books ______________________________________ Edited by Manuel Krebs Shirana Shahbazi ______________________________________ Edition English Available ISBN: 978-3-03764-467-6 Hardcover, 199 x 300 mm 96 pages Images 96 b/w CHF 32 / EUR 25 / £ 19 / US 35 ______________________________________ Tehran by night "Tehran North," Shirana Shahbazi's latest photo-project from October 2015, is a subjective road movie captured from a car driving through the Iranian capital at night. Designed by NORM (Zurich), it offers a black and white kaleidoscopic vision of Tehran's urban landscape. "Camera Austria" publisher and director Reinhard Braun characterizes it as "a film noir traversing a megacity that, although remote and unknown to many, seems to be as common as others." He continues: "Housing areas, illuminated shops and billboards, highways, facades vanish either in darkness either in bright light, slipping away from any decisive representation. Uncanny encounters clash with everyday banality. The mysterious is at the same time forced and undermined, suppressing any exoticism. Beauty is shaking knowledge, as fascination is shaking distant objectiveness, and vice versa. Both an inventory and a construction, highly artificial and generic, Tehran North ends with nearly unidentifiable shapes and almost slides into darkness. But this is not a statement of finishing; it is an introduction to all the other possible images to follow up." "Shahbazi's work cannot be pinned down to any specific visual context, genre, technique, or aesthetics. Her path from documentary to seemingly abstract images and studio photography nevertheless revolves around a coherent engagement with what might be called an equality of appearance. She demonstrates how it is possible to bridge apparent contradictions within ostensible disparate regimes of photography thanks to a montage that constellates photographs that might otherwise not be associated. Avoiding an understanding of photography driven by separating one image in contrast to the other she seems instead to constantly track one picture within another." Born in Tehran in 1974, Shirana Shahbazi moved to Germany at the age of 11. She studied photography in Dortmund and Zurich, where she lives and works today. She took part in the 50th Venice Biennale (2003) and has had exhibitions in notable museums including Kunsthalle Bern (2014); The Museum of Modern Art, New York (2012/2013); Fotomuseum Winterthur (2011); New Museum, New York (2011); the Hammer Museum, Los Angeles (2008). CONTEMPORARY ART Franz West Galerie Eva Presenhuber, 95–15 Program Monographs & Artists’ Books ______________________________________ Edited by Eva Presenhuber ______________________________________ Authors Max Wechsler ______________________________________ Edition English / German May 2016 ISBN: 978-3-03764-427-0 Hardcover, 200 x 300 mm 224 pages Images 135 color / 9 b/w CHF 50 / EUR 40 / £ 30 / US 55 ______________________________________ A model relationship between an artist and his gallerist A tribute to the long collaboration between Franz West and Galerie Eva Presenhuber, this volume offers a comprehensive yet singular overview of the artist's oeuvre. Gathering together extensive documentation and rare archive material on the numerous exhibitions they organized together since 1995, the book is designed by NORM (Zurich) and introduced by art theoretician and friend of the artist Max Wechsler, who followed the work of Franz West closely for many years. His illuminating foreword starts: "Without doubt, he was an odd bird, a gifted idler, a Vienna man sui generis and eccentric par excellence." The relationship between Franz West and Eva Presenhuber began 20 years ago in Zurich. In 1995 West exhibited at the Galerie Walcheturm—"Franz West mit eine Geste von Raymond Hains. Telefonskulpturen. Sitz– und Liegegelegenheiten"—of which Eva Presenhuber was the owner from 1989 to 1997. This first collaboration was followed by many others, including "Vom Feinsten" in 1999, "Aussenskulptur" in 2002, and after the foundation of Galerie Eva Presenhuber in 2002, "Modelle U.A." and "Drei Skulpturen im Aussenraum Zürich" (both 2006), and "Der Definierte Raum" (2011). After West’s death in 2012 Galerie Eva Presenhuber presented the shows "Franz West" (2015) and "Möbelskulpturen" (2015–2016) in cooperation with the Franz West Privatstiftung. This publication underlines the importance of the gallery space as an artistic laboratory, and highlights this particular relationship between an artist and his gallerist, especially when this one is a long-lasting and fruitful dialogue. Born in Vienna in 1947, Franz West was active as an artist since 1970 and exhibited extensively worldwide. In Fall 2018 a retrospective will open at Centre Pompidou, Paris, travelling to Tate Modern, London, in 2019. Published with Galerie Eva Presenhuber, Zurich, in cooperation with Franz West Privatstiftung, Vienna. GRAPHIC DESIGN ECAL Graphic Design Graphic design in the 2010s Program Anthologies & Art Theory A sourcebook of graphic design by one of the leading European art schools, the ECAL/University of Art and Design Lausanne, headed by Alexis Georgacopoulos. Designed and art directed by Gilles Gavillet, this volume aims to show the variety of productions dealing with publishing, digital interfaces, and interactive devices, as well as to highlight the wealth of typographic practices in the field of contemporary design. ______________________________________ Edited by Angelo Benedetto Lionel Bovier Vincent Devaud Gilles Gavillet Alexis Georgacopoulos ______________________________________ Authors Angelo Benedetto Alexis Georgacopoulos François Rappo ______________________________________ Edition English / French March 2016 ISBN: 978-3-03764-455-3 Hardcover, 225 x 295 mm 160 pages Images 128 color CHF 48 / EUR 40 / £ 30 / US 49.95 ______________________________________ As François Rappo writes in this volume, "our everyday experience of graphic spaces, to use a generic term, is constantly expanding; spaces, whether static or dynamic and interactive—architecture, interfaces, posters, pages, packaging, screens—now form a new, continuous, optical landscape ... Following the logo-centric models inspired by semiotics, or drawing directly on the Conceptual art of the 1970s, today's graphic design has seen renewed interest in the sensory dimension of the visual experience, in terms of its qualities, modalities, and potential for modelization … The ECAL graphic design work showcased in the present publication—and today's design agenda—reveals the search for a synthesis, or rather a remix, of a certain fascination for the experiential nature of media, foregrounded as an innovative exploratory quality that in itself justifies the project, together with a focus on the contextual reality of the message and its social implications. This is a synthetic vision that is still on a quest for its own explicit models and that may dream of abolishing the figure of the author, a hangover from the 2000s, in favor of a broadly conceived perceptual community." Published with ECAL, University of Art and Design, Lausanne. POSITIONS Walead Beshty 33 Texts: 93,614 Words: 581,035 Characters Selected Writings (2003–2015) Program Positions Series ______________________________________ Edited by Lionel Bovier ______________________________________ Authors George Baker Walead Beshty ______________________________________ Edition English Available ISBN: 978-3-03764-442-3 Softcover, 150 x 210 mm 336 pages Images 24 b/w CHF 25 / EUR 20 / £ 16 / US 29.95 ______________________________________ Artist’s writings Walead Beshty has written on a variety of media, including essays on cinema, painting, sculpture, and photography. In addition, he has authored many monographic texts on artists such as Jay DeFeo, Sharon Lockhart, Kelley Walker, Luisa Lambri, Annette Kelm, and Michael Asher, among others. This book gathers together a selection of these essays, partially reedited, and often hard to find, as they were published as much in books as in various magazines. Together these texts appear as a parallel production to Beshty's own artistic practice: they reflect on the conditions of realization and circulation of images, they undermine essentialist distinctions of mediums, abstraction, and figuration, as well as proposing a true aesthetic of reception for the works examined. As the artist puts it, one of his ambitions might be to reveal that, "Art itself has the potential to democratize aesthetics and reimagine aesthetic production as communal, available, and nonhierarchical. I like the idea of demystifying aesthetics by communicating that we can all make aesthetic objects; it is not simply for those with capital or power." Walead Beshty earned a Bachelor of Arts from Bard College in 1999, and a Master of Fine Arts from Yale University School of Art in 2002. He is an Associate Professor in the Graduate Art Department at Art Center College of Design, Pasadena, and has taught at numerous schools including the University of California, Los Angeles; University of California, Irvine; the California Institute of the Arts; School of the Art Institute of Chicago; and the MFA Program at Bard College. Beshty has exhibited widely in numerous institutions and galleries around the world. This book is part of the "Positions" series, co-published with Les presses du réel and dedicated to artists' writings. HAPAX 8, rue Saint-Bon (Paris) Program Hapax Series ______________________________________ Edited by Lionel Bovier Clément Dirié ______________________________________ Authors Lionel Bovier Clément Dirié ______________________________________ Edition French Available ISBN: 978-3-03764-450-8 Softcover, 105 x 165 mm 64 pages Images 24 color CHF 12 / EUR 10 / £ 7 / US 15 ______________________________________ An independent art space in Paris A documentation of the art space located in the center of Paris and programed by Lionel Bovier and Clément Dirié. Over the last four years it has developed an out-of-the-ordinary identity, partly because it is associated with JRP|Ringier, Les presses du réel, and Anna Sanders productions. Artists such as John M Armleder, Yto Barrada, Gianfranco Baruchello, Ericka Beckman, Walead Beshty, Ronan & Erwan Bouroullec, Sylvie Fleury (with Charlotte Posenenske's work), Sheila Hicks, Scott King, Ana Jotta, Lucy McKenzie & Beca Lipscombe (with Marc Camille Chaimowicz), David Noonan, Paulina Olowska, and Mai-Thu Perret, have exhibited there and crossed paths with Guy de Cointet, Lettrism, the Japanese avant-garde, Black Panther posters, and many other printed matter-focused projects. HAPAX Alfredo Aceto First publication Program Hapax Series Alfredo Aceto (b. 1991) is an artist working in painting, sculpture, drawing, and sound. Aceto has a singular approach, mixing personal anecdotes and art historical references. His obsessional relationship with French artist Sophie Calle, for instance, ended with her signature tattooed on his arm. Such stories lay the groundwork for many of his projects that deal with obsession, time, memory, identity, and death. ______________________________________ Edited by Andrea Bellini ______________________________________ Authors Alfredo Aceto Andrea Bellini ______________________________________ Edition English Available ISBN: 978-3-03764-445-4 Softcover, 105 x 165 mm 64 pages Images 32 color CHF 12 / EUR 10 / £ 7 / US 15 ______________________________________ Aceto graduated from ECAL in 2014. He lives and works in Lausanne. His work has been shown at Centre d’Art Contemporain, Geneva; Musée Jenisch, Vevey; Kunsthaus Glarus; Cosmic Galerie (Bugada & Cargnel), Paris; Museo del 900, Milan; Peep-Hole, Milan. In 2015 he won the Kiefer Hablitzel National Prize. This first book on his work is published with the Centre d’Art Contemporain, Geneva. HAPAX John Armleder Out! (Out!) Program Hapax Series ______________________________________ Edited by Lionel Bovier ______________________________________ Authors John Armleder Mai-Thu Perret ______________________________________ Edition English Available ISBN: 978-3-03764-439-3 Softcover, 105 x 165 mm 64 pages Images 40 color CHF 12 / EUR 10 / £ 7 / US 15 ______________________________________ A new series of works Louis Thomas Jérôme Auzoux (1797–1880), a French doctor and naturalist, invented anatomical (and botanical) papier-mâché models that were widely distributed in the 19th and 20th centuries. This book presents a series of works by John Armleder based on these models, which he acquired partly by accident, and somewhat mischievously. In an interview with Mai-Thu Perret included in this volume, we come to understand that it is not so much the educational or iconographical dimension of these objects that the artist wished to reproduce, but rather the cascade of references to questions, technical as much as abstract or material, and also linked to figuration. Armleder therefore addresses questions of reproduction, displacement, and meaning, always in their multiple shifts, contradictions, and bifurcations. ANTHOLOGIES A handbook for museums Art Handling Partituren der Logistik The term "art handling" describes aspects of the (professional) art Program Anthologies & Art Theory ______________________________________ Edited by Lucie Kolb Christoph Lang Wolfgang Ullrich Judith Welter ______________________________________ Authors Monika Domman Christoph Lang Rachel Mader Simone Miller Peter Schneemann Wolfgang Ullrich Tobias Vogt Judith Welter Beat Wyss ______________________________________ Edition German Available ISBN: 978-3-03764-414-0 Softcover, 160 x 230 mm 128 pages Images 25 color / 2 b/w CHF 30 / EUR 28 / £ 19 / US 35 ______________________________________ scene that often remain invisible: installation and de-installation, technical and conservation-related documentation, storage, transport, and legal issues. Discussions around materiality reveal that infrastructure and logistics are of constitutive significance to the production and presentation of artworks. Over the course of the professionalization of the global art scene, the requirements relating to installation-based, ephemeral, and performative artworks, and how these are handled by the institutions, have continually become stricter, and issues of documentation have accordingly become more complex. On the one hand, new work concepts or works are changing the requirements for the "infrastructure" of museums. On the other hand, such "infrastructures" that now exist in many places are also directly stimulating the emergence of certain art forms. The publication includes contributions by Monika Dommann, Peter J. Schneemann, Tobias Vogt, Beat Wyss, among others, as well as a conversation between Sonia Kacem, Franziska Koch, Judith Welter, Monika Schori, and Christoph Lang. The reader "Art Handling" was initiated as a result of the symposium of the same name held at the Migros Museum für Gegenwartskunst in 2014, and covers central aspects of this topic in essays and in a round-table discussion. Published with Migros Museum für Gegenwartskunst, Zurich, and Hochschule Luzern – Design & Kunst, Lucerne. ANTHOLOGIES Kunst macht Stadt Eine Gebrauchsanweisung zu partizipativem Vorgehen Program Anthologies & Art Theory ______________________________________ Edited by Gabriela Christen Christoph Doswald Martin Heller ______________________________________ Authors Gabriela Christen Christoph Doswald Rachel Mader ______________________________________ Edition German June 2016 ISBN: 978-3-03764-453-9 Softcover, 168 x 235 mm 128 pages Images 96 color / 2 b/w CHF 35 / EUR 25 / £ 19 / US 35 ______________________________________ A manual Since the turn of the millennium, Zurich has been undergoing a radical urban transformation: former industrial areas have been transformed into residential neighborhoods in order to accommodate the growing population. In 2006 Zurich's City Council founded a strategic committee to establish a public art program related to the city's development. The Arbeitsgruppe für Kunst im öffentlichen Raum (Working Group for Public Art) has established many projects and initiatives and, among others, in 2011 it launched a research project to discuss the different forms that public art can take. With the support of the Federal Commission for Technology and Innovation (CT), a unique collaborative think tank drawn from the Lucerne School of Art Design, the Zurich University of the Arts, the City of Zurich, the City of Lucerne, and Heller Enterprise, as well as young Swiss artists, explored various ideas. This volume offers support to communal public art projects by proposing guidelines for good practice, and functions as a manual on how to plan, launch, finance, realize, document, and evaluate a project. Reference examples document the research process and illustrate artists' proposals: projects such as Superkilen, Ecobox, Quatschmobil, and The Center for Urban Pedagogy, located in Zurich and Lucerne, as well as abroad, are presented in detail to give insight in the circumstances, the specific features of the public space in which the project took place, which groups were addressed and involved, whether the project succeeded, and the public's feedback. The publication offers a global catalogue of public art projects realized in the recent years, as well as an extensive bibliography on this major area of contemporary urban planning. This book is the fourth volume of a series started in 2011, and is published with the City of Zurich (AG KiöR), Heller Enterprises, Institut für Gegenwartskunst (ZHdK), and with the City of Lucerne, Hochschule Luzern – Design & Kunst. ANTHOLOGIES Resistance Performed Program Anthologies & Art Theory ______________________________________ Edited by Heike Munder ______________________________________ Authors Rodrigo Alonso Cornelia Huth Miguel A. López Heike Munder Tobias Peper Nelly Richard Cristiana Tejo Stefanie Wenger ______________________________________ Edition English Available ISBN: 978-3-03764-446-1 Hardcover, 208 x 275 mm 220 pages Images 205 b/w CHF 58 / EUR 48 / £ 37 / US 59.95 ______________________________________ An anthology on aesthetic strategies under repressive regimes in Latin America The publication addresses performative artistic strategies as a lived practice of resistance in Latin American countries such as Argentina, Brazil, and Chile. At the core of this reflection are historical positions that have borne witness to the way people have resisted repressive and dictatorial political systems in Latin America since the 1960s, often jeopardizing their own lives. The intention is to conduct a fresh exploration of the idea of resistance through a dialogue with contemporary positions. Performative strategies have regained significance in contemporary artistic practice in recent years, raising the question of whether these are still viable strategies to undermine hierarchical structures or even change political systems today? The publication includes essays by Rodrigo Alonso, Miguel A. López, Heike Munder, Nelly Richard, and Cristiana Tejo, and reflects on topics such as Argentina and its sociopolitical and interventional aspect; gender issues; collective memory and the notion of body trauma in Latin America; the dictatorship in Chile; and ephemeral art, more specifically Mail art. The publication includes works by 3Nós3, Elías Adasme, Sonia Andrade, Martha Araújo, Lenora de Barros, Paulo Bruscky, CADA (Colectivo Acciones de Arte), Luis Camnitzer, Graciela Carnevale, Antonio Caro, Antonio Dias, Eugenio Dittborn, León Ferrari, Nicolás Franco, Anna Bella Geiger, Grupo de Arte Callejero, Graciela Gutiérrez Marx, Voluspa Jarpa, Gastão de Magalhães, Anna Maria Maiolino, Antonio Manuel, Cildo Meireles, Marta Minujin, Carlos Motta, Letícia Parente, Luis Pazos, Pedro Reyes, Lotty Rosenfeld, Yeguas del Apocalipsis, Horacio Zabala, and Sergio Zevallos. Published with the Migros Museum für Gegenwartskunst, Zürich. CATALOGUES Nestlé Art Collection Revealing Nestlé’s Art Collection Program Monographs & Artists’ Books This lavish publication presents Nestlé's corporate art collection, which is located in Vevey and nestled in the landmark building created by Jean Tschumi in the late 1950s. Published on the occasion of the company's 150th anniversary, it brings together more than 100 works, a specially commissioned photo-reportage by Christian Riis Ruggaber on in situ pieces, several interviews with figures who were, at one point or another, associated with the collection, and a unique archive of realized and unrealized projects by Bruce Nauman, Sol LeWitt, Ulrich Rückriem, Per Kirkeby, and Ellsworth Kelly. Julie Enckell Julliard, the current curator, also traces the history of the acquisitions and compares its politics to those of other private structures, while Bernard Tschumi offers insights on how and why his father's construction was probably the first artwork of the Collection. ______________________________________ Edited by Julie Enckell Julliard ______________________________________ Authors Peter Brabeck-Letmathe Paul Bulcke Julie Enckell Julliard Claudia Jolles Kasper König Stéphanie Serra Bernard Tschumi ______________________________________ Edition English / French / German April 2016 ISBN: 978-3-03764-038-8 Hardcover, 240 x 320 mm 296 pages Images 150 color / 40 b/w CHF 74 / EUR 60 / £ 48 / US 80 ______________________________________ With works ranging from Ferdinand Hodler to contemporary artists such as Ante Timmermans, Ulla von Branderburg, as well as Olivier Mosset, Guy de Cointet, and Fischli/Weiss, the Collection displays a trope of quality, formal decisiveness, and spans centuries as if they were only decades. Published with Nestlé S.A., Vevey. LECTURES MAISON ROUGE Hubert Damisch Jean Dubuffet Entrée en matière Program Anthologies & Art Theory ______________________________________ Edited by Sophie Berrebi ______________________________________ Authors Sophie Berrebi Hubert Damisch Jean Dubuffet ______________________________________ Edition French Available ISBN: 978-3-03764-452-2 Softcover, 145 x 225 mm 240 pages Images 45 b/w CHF 25 / EUR 19.5 / £ 17 / US 29.95 ______________________________________ Friendship and exegesis French artist Jean Dubuffet and French art historian Hubert Damisch shared a long friendship between 1961—the year Damisch published his first essay on Dubuffet—and 1985—when the latter died. "Entrée en matière" gathers together all the texts written by Damisch on Dubuffet as well as a selection of their correspondence: one is able to follow how the thinking on a living artist could be inspired by a close relationship with him, but also by philosophy, human sciences, and other artists' oeuvres; and how in addition this thinking could evolve once the dialogue becomes a tribute monologue after the artist's death. Jean Dubuffet (1901–1985) is one of the main figures of postwar art, famous for his radical experimentation with form and material from the 1940s to the mid-1960s, his landmark bodies of later works such as "L’Hourloupe" (1962–1974) and "Coucou Bazar" (1973), his provocative thinking about high and low culture, and his advocacy for Art Brut artists. A philosopher specialized in aesthetics and art history, Hubert Damisch (b. 1928) is known for his essays on perspective, the theory of painting, and architecture. He edited the complete writings of Jean Dubuffet in four volumes between 1967 and 1985. Illustrated by Dubuffet' artworks and facsimiles of his correspondence, the volume is introduced and edited by art historian and curator Sophie Berrebi, a member of the editorial board of the academic journal "Stedelijk Studies," which publishes widely on contemporary art. This volume is the sixth title of the "Lectures maison rouge" series, directed by Patricia Falguières and co-published with La maison rouge, Paris. BDV/DVD Sonsbeek (1971, 1986) Program DVDs by BDV ______________________________________ Edited by Yves Aupetitallot ______________________________________ Authors Yves Aupetitallot Jef Cornelis ______________________________________ Edition English / French July 2016 ISBN: 978-3-03764-447-8 DVD, 135 x 190 mm 24 pages Images 10 b/w CHF 38 / EUR 25 / £ 17 / US 35 ______________________________________ A New Standard for Outdoor Exhibitions Expanding its mapping of landmark exhibitions and curatorial history from the 1960s to today, the "Archives" series dedicates its fifth DVD to Sonsbeek, an art manifestation held in 1971 and 1986 in and around Arnhem (Netherlands). Mainly showcasing large installations and sculptures in natural surroundings, these two events are crucial to the history of outdoor exhibitions, shifting the boundaries of traditional sculpture. Held six years before the first Sculpture Projects Münster (1977), "Sonsbeek 1971," curated by Wim Beeren, questioned the traditional concept of sculpture and exhibition, introducing film and video, and environmental art—notably through the now canonical examples of Robert Smithson, Panamarenko, and Claes Oldenburg. Fifteen years later, "Sonsbeek 1986," curated by Saskia Bos, proposed another rethinking of the exhibition by offering the visitor a "scaterred experience." The artworks were exhibited in specially designed glass pavilions throughout Sonsbeek park. Presenting the actuality of "new sculpture," the show brought together works by Katharina Fritsch, Michael Asher, Luciano Fabro, Ettore Spalletti, Thomas Schütte, Jan Vercruysse, Reinhard Mucha, Mario Merz, Hidetoshi, and James Casebere. Filmed by Jef Cornelis with his habitually acute sense of dramaturgy and his provocative mise-en-scène of theoterical conflicts, "Sonsbeek Buiten de Perken" (1971) and "Spaziergaenger mit Hund–Sonsbeek" (1986) constitute a unique moving image documentation of those pioneering art events that renewed the exhibition format. Jef Cornelis mainly worked for VRT, the Flemish Belgian national television. He realized more than 200 films, especially on architecture, literature, and the arts. Yves Aupetitallot is an art historian, curator, and art critic, and director of Le Magasin–Centre National d’Art Contemporain, Grenoble. His illustrated essay in the booklet offers essential reference points that elucidate the context and debates of these pivotal outdoor exhibitions. Published with Argos–Center for Art and Media, Brussels. DVD Multizone, PAL/SECAM, 76 minutes. E-BOOKS / HAPAX Vern Blosum e-book Program Hapax Series ______________________________________ Edited by Lionel Bovier ______________________________________ Authors Lionel Bovier Fabrice Stroun ______________________________________ Edition English (Kindle) ISBN: 978-3-03764-466-9 ______________________________________ Edition English (iTunes, Barnes & Nobles, and Kobo) Available ISBN: 978-3-03764-465-2 64 pages Images 24 color / 7 b/w ______________________________________ A rediscovery Vern Blosum does not exist. The story can be told in just a few lines: in 1961 an artist paints five canvases inspired by pages in a horticulture book; then came parking meters bearing temporal commentaries, water hydrants, and animals. Some of them were shown at Leo Castelli Gallery, sold to collectors and public institutions, included in seminal exhibitions or books on Pop art: a seemingly normal progression in an artist's career, were it not for a rumor that emerged regarding his true identity. Alfred H. Barr, the director of MoMA, started to worry about it in 1964 and, after extensive inquiries, came to the conclusion that Vern Blosum did not exist. His paintings were taken down or sent back to storage, and the artist's name fell into oblivion. Vern Blosum does not exist, but his work does. And that is precisely what this book aims to reveal. Published with the Kunsthalle Bern. Available from iTunes, Barnes & Nobles, Kobo, and Kindle. REPRINTS / DOCUMENTS Hans Ulrich Obrist A Brief History of New Music Program Documents Series ______________________________________ Edited by Lionel Bovier Hans Ulrich Obrist ______________________________________ Authors Robert Ashley Elliott Carter Brian Eno Kraftwerk Hans Ulrich Obrist Yoko Ono Steve Reich Terry Riley Karlheinz Stockhausen Iannis Xenakis ______________________________________ Edition English Available ISBN: 978-3-03764-190-3 Softcover, 150 x 210 mm 302 pages CHF 27.5 / EUR 20 / £ 15 / US 29.95 ______________________________________ An anthology on new musical forms in the 20th century Following the success of "A Brief History of Curating" (now available in nine different languages, in its sixth reprint, and as an e-book), this publication gathers together interviews with pioneering musicians of the 1950s to the 1980s. The book thus brings together avant-garde composers such as Elliott Carter, Pierre Boulez, and Karlheinz Stockhausen; originators of electro-acoustic music such as François Bayle, Pauline Oliveros, Iannis Xenakis, Robert Ashley, and Peter Zinovieff; Minimalist and Fluxus-inspired artists such as Tony Conrad, Phill Niblock, Yoko Ono, Steve Reich, and Terry Riley; as well as figures such as Brian Eno, Kraftwerk, Arto Lindsay, and Caetano Veloso. Their contributions map the evolution of the musical field, from early experiments in concrete and abstract music, to the electronic development and the hybridization between Pop and avant-garde culture. Hans Ulrich Obrist (*May 1968) joined the Serpentine Gallery (London) as Co-Director of International Exhibitions and Programmes and Director of International Projects in 2006. The book is part of the Documents series, co-published with Les presses du réel and dedicated to critical writings. Second edition. REPRINTS / HAPAX Scott King Anxiety & Depression Program Hapax Series ______________________________________ Authors Scott King ______________________________________ Edition English Available ISBN: 978-3-905829-95-2 Softcover, 105 x 165 mm 64 pages CHF 18 / EUR 10 / £ 7 / US 15 ______________________________________ An unusual self-help manual "I suggest you burn this copy of 'Anxiety & Depression.' I believe it is a dangerous and revelatory book, this fuck-you manual for the terminally deranged, that describes, in some unflinching detail, to many of us, the way we live now. You see those people, making their shameful early morning pilgrimages to the corner shop, rolling around in dog shit in the cemetery grass, or furtively jiggling the pub doors at ten thirty in the morning. These are their stories. They are lonely, depressed, and need a drink. After reading about them, so do I." —David L Hayles, author of "The Suicide Kit" Third edition. PREVIOUSLY ANNOUNCED / CONTEMPORARY ART Sylvia Sleigh Retrospective monograph Program Monographs & Artists’ Books Although often overlooked in contemporary art, Welsh-born Sylvia Sleigh (1916–2010) became an important part of New York's feminist art scene in the 1960s and beyond. She was particularly well known for her explicit paintings of male nudes, which challenged the art historical tradition of male artists painting female subjects as objects of desire. ______________________________________ Edited by Giovanni Carmine Alexis Vaillant ______________________________________ Authors Giovanni Carmine Andrew Hottle Francesco Manacorda Linda Nochlin Mats Stjernstedt Alexis Vaillant ______________________________________ Edition English September 2016 ISBN: 978-3-03764-332-7 Hardcover, 280 x 272 mm 144 pages Images 100 color / 20 b/w CHF 74 / EUR 60 / £ 48 / US 80 ______________________________________ Sleigh trained in painting at Brighton School of Art at a time when female art students were, as she recalled, "treated in a second-rate fashion." Despite having a solo exhibition at Kensington Art Gallery in 1953, she received little public recognition until her move to New York in the 1960s. There she and her husband, the art critic and Guggenheim curator Lawrence Alloway, created a home that welcomed artists, writers, and musicians, many of whom Sleigh painted. These works radiate a sense of friendship and emotional attachment between the artist and her sitters, in addition to presenting an array of significant cultural figures of the time, such as Eleanor Antin, Nancy Spero, Agnes Denes, and Mary Beth Edelson. The paintings of Sylvia Sleigh testify of the couple's embrace of the local scene. Represented dressed or unclothed, both men and women are seen absorbed in immersive environments and described by an acid-pastel palette. From the end of the 1960s until her death, Sleigh participated in almost every large-scale American exhibition of feminist art, and showed at the women-run A.I.R. Gallery and SoHo 20 in New York, which she co-founded. This book is Sleigh's first retrospective monograph. Including texts by Linda Nochlin and curators of the first overview exhibition of her work, in 2012–2013, it also provides a complete biography and numerous reproductions of her paintings. It is published with Tate Liverpool, Stiftelsen Kunstnernes Hus, Kunst Halle Sankt Gallen, CAPC Musée d’Art Contemporain de Bordeaux, and the support of FSEA. PREVIOUSLY ANNOUNCED / CONTEMPORARY ART Ericka Beckman Retrospective monograph Program Monographs & Artists’ Books Ericka Beckman makes films without plots in a conventional sense, constituting them rather from themes: socialization, acculturation, competition, and the organization of thoughts and memory. Since they are largely structured like games, they do not have characters; they have players. Like everything else about the films—the scenery, the props, the animation—the players are representatives, stand-ins contributing to Beckman's abstract ruminations on culture in a time-based medium. ______________________________________ Edited by Fabrice Stroun Geraldine Tedder ______________________________________ Authors John Beeson Lionel Bovier Vera Dika Jeanne Graff Fabrice Stroun Eric Zimmerman ______________________________________ Edition English May 2016 ISBN: 978-3-03764-421-8 Hardcover, 280 x 272 mm 144 pages Images 120 color CHF 74 / EUR 60 / £ 48 / US 80 ______________________________________ This lavishly illustrated reference monographs documents every film Ericka Beckman has made since her days as a CalArts graduate in the 1970s, and includes storyboards, production stills and notes, the librettos of her musicals, as well as a thorough photo-documentation of her multimedia installations. Together with an anthology of critical writing on the artist's work, the publication features an interview encompassing the artist's entire career by Lionel Bovier and Fabrice Stroun, as well as new contributions by Vera Dika, John Beeson, Jeanne Graff, and renowned game theorist Eric Zimmerman. Published with the Kunsthalle Bern. 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