press kit - Collection de l`Art Brut
Transcription
press kit - Collection de l`Art Brut
PRESS KIT Guided tour (preview) for the press Thursday, 30 June 2016, 11 am Registration : Sophie Guyot, press attaché sophie.guyot@lausanne.ch COLLECTION DE L’ART BRUT LAUSANNE Avenue des Bergières 11, CH-1004 Lausanne +41 21 315 25 70 – art.brut@lausanne.ch – www.artbrut.ch COLLECTION DE L’ART BRUT PEOPLE The very title of this exhibition seems to run counter to the anonymity valued by the creators of Art Brut: men and women little inclined to seek celebrity. These self-taught persons, for the most part unknown to the public, enjoy depicting movie stars, musicians, singers, athletes and political figures in their works. The fame of such people holds a certain fascination for many producers of Art Brut. Today's widespread "people press" is akin to a collective iconography that has become part and parcel of the visual culture of all sectors of society, including the creators of Art Brut. When Jean Dubuffet first declared Art Brut to be "unscathed by society," he was alluding to culture in an academic and official sense. He would later admit that both cultural virginity and total acculturation are inexistent. The exhibition presents a gallery of portraits all belonging to the museum holdings. It comprises a great number of celebrities such as Gary Cooper, Marilyn Monroe and Sharon Stone; Elvis Presley and Johnny Hallyday; the French cyclist Bernard Hinault and champions in other categories; or even Abraham Lincoln and Aung San Suu Kyi, together with Prince Charles and Camilla! Frequently, these works are images of images: they have been created by copying from photographs or movies. Nevertheless, the works by such creators are unaffected by the cultural codes governing the reproductions to which they resort. Instead, they adapt fragments representing our society on their own terms, integrating them into a world of their own. They suffer no constraints and can even, at times, handle their subjects rather irreverently. Art Brut creators who attend art workshops use magazine and book illustrations only as a starting point for their work. Indeed, often the identity of the glossy page persons they copy is totally unimportant to them. Revisiting or reinventing such persons in their own highly personal style tends to almost demythologize the figures depicted. The great creativity that shows through Art Brut works affects all those who view them. David Bowie is one among many of the celebrities to have felt the intensity they convey: "Switzerland also enabled me to discover Art Brut, which made a strong impression on me, on my creative activity. I remember bringing along Brian Eno to the Lausanne museum, and spending hours with him admiring the works on display, thinking about the creative process and the boundaries artists are ready to cross in their quest..." Exhibition curator: Anic Zanzi, Curator at the Collection de l'Art Brut PEOPLE 03.07. – 13.11.2016 COLLECTION DE L’ART BRUT Curzio di Giovanni, Sharon Stone, 2010, lead pencil, colored pencil and ballpoint pen, 34 × 24 cm Photo : Sarah Baehler, Atelier de numérisation - Ville de Lausanne, Collection de l’Art Brut, Lausanne PEOPLE 03.07. – 13.11.2016 COLLECTION DE L’ART BRUT PUBLICATION Produced in the form of a magazine, this publication brings together essays by the journalists Michel Audétat of Le Matin Dimanche, Jean-Blaise Besençon of L’Illustré, Luc Debraine of L’Hebdo, the art critic and freelance journalist Edward M. Gómez, New York, and Florence Millioud Henriques of 24 heures. People, curated by Anic Zanzi, Lausanne : Collection de l’Art Brut, 2016, 38 pages. With the support of the Association of the Friends of Art Brut (AAAB). PEOPLE 03.07. – 13.11.2016 COLLECTION DE L’ART BRUT A FEW EXCERPTS La représentation des célébrités, un attrait pour certains auteurs d’Art Brut. [Depicting Celebrities Appeals to Certain Art Brut Creators] By Edward M. Gómez, freelance journalist, NY Very often, works by authors of Art Brut are highly personal: they explore an inner world. Nonetheless, and like artists in an academic vein, the creators of Art Brut can also pay heed to the outside world, to the society in which they live and the people surrounding them. Their depiction of celebrities can be considered an obvious example of the effort they make to enter into contact with the rest of the world. Les stars en plans serrés. Travelling sur la non-différence. [Close-ups of stars. Travelling shot of non-difference.] By Florence Millioud-Henriques, 24Heures Marilyn ahead of them all, Shirley and Humphrey in her wake or else Gary, Gina, and Tyrone...all Hollywood hangs from the Art Brut walls. A real "walk of fame"! Yet to the creators here – enthused by the fiery force of the faces and enthralled by the incandescence of their inner selves – these portraits are but a parade of archetypes. Like a parade of humanities to depict... and re-depict. These are no stars to be worshipped. No "people" figures. No models to envy, but simply faces to explore. Stylo solo. [Solo Style] By Jean-Blaise Besençon, l’Illustré The American creator Gene Merritt never did really explain why, one day in 1997, at the age of 56, he took up drawing with such a passion. But one thing is sure: it was after having sold his guitar. Sold it to buy himself some beer. To pay the next ones, perhaps the drawings may have served to settle the cost. Having lost his instrument, a mere ballpoint pen and a sheet of paper provided a new means of expression. Invisibles et visibles. By Michel Audétat, le Matin Dimanche By working on images taken from glossy magazines, Art Brut creators reflect a view of this war on behalf of visibility, yet in an often paradoxical fashion. What first strikes us as we look at these works, is our not recognizing the famous people depicted. Pour le sport. [For sports] By Luc Debraine, L’Hebdo Sports are the art of freeing ourselves of our constraints, our limits. Isn't that just what the creators of Art Brut also seek? To free themselves of their condition through the compulsive exercise of drawing, painting, assembling scrap pieces? Projecting themselves into those gods of trajectory, from ball games to bicycling, as the reverse image thereof. PEOPLE 03.07. – 13.11.2016 COLLECTION DE L’ART BRUT WHAT “PEOPLE” HAVE SAID ABOUT THE COLLECTION DE L’ART BRUT I was excited to finally come here. It has surpassed my expectations. This is truly the best gallery I have ever visited. Thank you. Thom Yorke (Radiohead), Visitors’ Book, 15.08.2006 When I was studying art at college, this collection had a profound effect on me. Now I have seen it for myself. It surpassed all my expectations. I was almost moved to tears. Which never happens to me in museums [...] Honestly, go and see it if you are in the area. It will change you. Thom Yorke (Radiohead), 24heures, 17.08.2006 Switzerland also enabled me to discover Art Brut, which made a strong impression on me, on my creative activity. I remember bringing along Brian Eno to the Lausanne museum, and spending hours with him admiring the works on display, thinking about the creative process and the boundaries artists are ready to cross in their quest... David Bowie, L’Hebdo, 06.06.2002 With my heartfelt appreciation. Henri Cartier-Bresson, Visitors’ Book, 1979 Fascinating. Jacqueline Picasso, Visitors’ Book, 1982 I have a real passion for Art Brut. I feed off it; I pick out lots of things from it and make them my own... Precisely for its use of poor materials, trivial, discarded or unloved objects, marginalised forms of expression such as sewing or embroidery. And the great thing about it is that it is not dated, it is timeless. Annette Messager, 24heures, 27.07.2005 Art Brut has always fascinated me. I remember an embroidered dress that one of the solitary artists kept hidden under her bed. That impressed me more than anything you can see at the Louvre. Christian Lacroix, Le Temps, 12.07.2008 Perhaps the most beautiful museum I know of. Jean-Louis Trintignant, Visitors’ Book, March 1995 Thanks for everything. See you again soon! Géraldine Chaplin, Visitors’ Book, 1995 In Lausanne, you have one of the most magical venues in the world, the Collection de l'Art Brut. Yolande Moreau, 24Heures, 10.12.2013 I'm crazy about the Collection de l'Art Brut in Lausanne. It's where I get to see Aloïse Corbaz, an artist who fascinates me because she created a world beyond everything. Isabelle Huppert, Le Temps, 4.06.2011 PEOPLE 03.07. – 13.11.2016 COLLECTION DE L’ART BRUT IMAGES AVAILABLE TO THE MEDIA All images: Atelier de numérisation – Ville de Lausanne (AN) Collection de l’Art Brut, Lausanne Curzio di Giovanni Philip Glass, 2010 Lead pencil and colored pencil on paper 34 x 24 cm Photo : Caroline Smyrliadis, (AN) Collection de l’Art Brut, Lausanne Curzio di Giovanni Sharon Stone, 2010 Lead pencil, colored pencil and ballpoint pen on paperboard 34 x 24 cm Photo : Sarah Baehler, (AN) Collection de l’Art Brut, Lausanne Yves-Jules Fleuri Carla, c’est Nicolas leur tendre complicité etc., 2008 Acrylic paint and black felt tip pen on paperboard 55,1 x 72,3 cm Photo : Caroline Smyrliadis, (AN) Collection de l’Art Brut, Lausanne Yves-Jules Fleuri Charles en Camilla cen l'uniek staatslroeks!, 2005 Acrylic paint and black felt tip pen on paperboard 73 x 54.9 cm Photo : Michael Legentil, (AN) Collection de l’Art Brut, Lausanne PEOPLE 03.07. – 13.11.2016 COLLECTION DE L’ART BRUT Gene Merritt [-'Clark-Gabeles'-] 1995 Ballpoint pen and pencil on paper 25,5 x 35.5 cm Photo : Claudine Garcia, (AN) Collection de l’Art Brut, Lausanne Gene Merritt [-'ElviS-PrESley'-], between 1995 and 1996 Black ink on paper, 28 x 21.2 cm Photo : Morgane Détraz, (AN) Collection de l’Art Brut, Lausanne Dominique Hérion Sylvie Vartan, s.d Pastels on paper 33 x 22 cm Photo : Olivier Laffely, (AN) Collection de l’Art Brut, Lausanne Théo Willi Brandt, 1981 Colored felt tip pen and black pencil on paper 25 x 37,5 cm Photo : Olivier Laffely, (AN) Collection de l’Art Brut, Lausanne PEOPLE 03.07. – 13.11.2016 COLLECTION DE L’ART BRUT LA COLLECTION DE L’ART BRUT : OUR FORTIETH ANNIVERSARY ! Throughout the year 2016, the museum will be celebrating the occasion with Art Brut-related events. LES VISITES DE MONSIEUR JEAN [Mister John's visits] Guided tours of the Permanent Collection (40 min.) by Romain Daroles, an actor graduate of La Manufacture (Haute Ecole de Théâtre de la Suisse Romande). Staging: Nicolas Zlatoff. Sunday 9 October 2016 Sunday 20 November 2016 2:30pm 4pm No entry fee, no advance booking. MEETING WITH The Collection de l’Art Brut will be inviting key figures in the cultural realm—artists, musicians, writers, filmmakers—to spend an evening sharing their discovery of Art Brut and the Lausanne museum with the public. The meetings will all be held at the Collection de l’Art Brut, Lausanne. 24 June at 7pm Kiyoko Lerner and Mark Stokes, on Henry Darger Screening and discussion A meeting centered on the American creator of Art Brut Henry Darger, whose works are on display at the Collection de l’Art Brut, as well as at several major international institutions (notably, MoMA, NY; American Folk Art Museum, NY; Musée d’art moderne de la Ville de Paris). Screening of the documentary Revolutions of the Night: The Enigma of Henry Darger (by Mark Stokes, USA, 2012, 1’44, in Eng. with subtitles) and a meeting with Kiyoko Lerner, Darger's former landlady who, with her husband, is also heir to Darger's oeuvre, which she donated to, notably, the Collection de l’Art Brut. No entry fee, prior booking advisable at: art.brut@lausanne.ch by telephone : + 41 21 315 25 70 or at the Collection de l’Art Brut site, www.artbrut.ch, "agenda" page PEOPLE 03.07. – 13.11.2016 COLLECTION DE L’ART BRUT th THE ART BRUT GARDENS – 4 EDITION – CONCERT AND SCREENING 6pm: The doors open 6:30 to 11pm: Refreshments, food trucks 8:30pm: Albin de la Simone concert, accompanied by two musicians 10pm: Presentation and screening of the film André et les martiens by Philippe Lespinasse, C-P Productions, 2015, 66 min. With the film director in attendance. In case of rain: the event will take place at Salle Paderewski, Allée Ernest-Ansermet 3, 1003 Lausanne. Information as of Wednesday, June 29th, at 021/ 315 25 70 or www.artbrut.ch PEOPLE 03.07. – 13.11.2016 COLLECTION DE L’ART BRUT EVENTS Guided tour (preview) for the press Thursday 30 June 2016, 11am by Anic Zanzi, Curator, Collection de l’Art Brut, Lausanne Bookings: sophie.guyot@lausanne.ch Official opening Saturday 2 July 2016, 6pm, at Collection de l’Art Brut, Lausanne Free guided tour Saturday 10 September at 2:15pm No entry fee on September 10th and 11th European Heritage days Young persons workshops Saturday 10 September at 2pm (ages 6 to 10) Saturday 8 October at 2pm Duration : 1h45 Fee : 10.-/ child Guided tours For classes (from age 4) and groups, in French, German, English and Italian. Upon request Class visits Advance booking required Tuesdays, Wednesdays and Fridays 11am to 6pm Thursdays from 9am to 6pm Contact and booking for all tours and at www.artbrut.ch > agenda or 021/ 315 25 70 workshops on a first come first served basis PEOPLE 03.07. – 13.11.2016 COLLECTION DE L’ART BRUT PRACTICAL INFORMATION Press material Illustrations and press kit can be downloaded at www.artbrut.ch under: media > dossiers de presse. Media contact Sophie Guyot Tel. +41 21 315 25 84 (Tuesdays, Wednesday mornings, Thursdays) sophie.guyot@lausanne.ch Address Collection de l'Art Brut Avenue des Bergières 11 CH – 1004 Lausanne www.artbrut.ch Tel. +41 21 315 25 70 Fax +41 21 315 25 71 art.brut@lausanne.ch Opening hours Tuesday through Sunday, 11am to 6pm Open on holidays, Monday August 1 and Federal Monday of Fasting Open every day in July and August No entry fee the first Saturday of every month Entry fee Fr. 10.Reduced fee: Fr. 5.– Groups of 6: Fr. 5.– The unemployed and youngsters up to 16: no entry fee Accessibility By bus From St-François : bus line 2, Beaulieu-Jomini stop. From train station: bus lines 3 and 21, Beaulieu-Jomini stop. By foot: 25 min. from the train station; 10 min. from La Riponne Square. By car: Highway, Lausanne-Blécherette exit, follow Palais de Beaulieu. Parking de Beaulieu. Reduced mobility: The People exhibition is partially available to persons with reduced mobility. LA COLLECTION DE L’ART BRUT THANKS THE FOLLOWING FOR THEIR SUPPORT: IN PARTNERSHIP WITH: PEOPLE 03.07. – 13.11.2016