Last Sunday in June
Transcription
Last Sunday in June
www.ExpressGayNews.com • July 21, 2003 Q1 Q_COVERstory Trés Jolie: Academy Award-Winner Angelina Jolie Actress Prepares for Jaw-Dropping Stunts in ‘Lara Croft’ Film By Tony Philips Special to The Express “There’s a carousel in some mall here, and we’re going to find it,” Angelina Jolie states with a determined resolve. And though the rest of her day contains a call to adventure somewhat more suburban than those usually entertained by globetrotting action heroine Lara Croft, one gets the feeling Jolie will seek it out as doggedly as Croft searches for Pandora’s Box in the upcoming Lara Croft Tomb Raider: The Cradle of Life. No doubt, her child, Maddox, has something to do with Jolie’s drive. But a 2-year-old son isn’t the only difference between her and the tomb raider, as the afternoon carousel ride demonstrates. “I’ll probably just sit there,” Jolie says with a laugh. “But Lara would be hanging off sidesaddle and spinning shotguns.” Probably not a welcome sight in most malls, yet one a dedicated fan base eagerly awaits. Before the global, six-month shoot, Jolie spent 2½ months of training for jawdropping stunts she would perform herself. “Every other day was spent practicing things like repelling 200 feet upside-down against slate rock,” Jolie remembers of Lara Croft boot camp. “It’s just weird the things you’re preparing to do.” Diving, gymnastics, bungee jumping, kick boxing and weapons training all went into the mix. “There’s this sort of underwater motorcycle in this one,” Jolie explains. “So that was part of the drill too. Then this time it was all new weapons. There was a rifle drill that took a very long time to learn. We even did Kendo stick fighting.” Her stunt work on the film is so varied that she can’t choose just one when it comes to highest degree of difficulty. “I’m not a water person,” Jolie allows. “And there’s a lot of stand up Jet Ski, which was difficult to do. I fell over many, many times.” But something as deceptively simple as horseback riding presented the shoot’s greatest challenge and its biggest reward. “We wanted her to ride a horse,” Jolie remembers. “And I thought she’d ride it kind of sidesaddle. And then we thought, when was the last time somebody spun a shotgun? I think Arnold Schwarzenegger did it once, but before that it was John Wayne. So let’s spin a shotgun to load it while riding really fast sidesaddle with a helicopter flying over and a horse that was scared of the gunshots so he had plugs in his ears. We had all this stuff going on, and then I was trying to shoot at targets. There were a few takes where I nearly hit myself with the shotgun. I had a shotgun shell in the eye. Everything you could imagine went wrong, but then it worked.” A post-feminist heroine galloping into Schwarzenegger/Wayne country? Sidesaddle? That had to be a match made in heaven for an actor who often comes across as ballsy in real life as she does on the screen. “At first, I didn’t really like the character,” Jolie counters. “I saw pictures of her and saw the game, and didn’t like her.” So what finally sold her on Croft? Dog sledding on a glacier in Iceland and visiting the unexplored ancient ruins of Angkor Wat didn’t hurt. “I want to be recruited into this army,” Jolie remembers her inner child calling out when the project was pitched. And then in the second film, “Just the idea of being on top of a live volcano; we were flown in by helicopter and then walked for 45 minutes around the edge of the crater. You could see the lava and smell it, and this is your job.” This globetrotting career surely requires some sensible shoes. “It’s not practical being in a dress and heels,” Jolie says about Croft’s look. “I don’t wear a lot of dresses because I can’t move in them. I like pants, you know? And I like boots.” Luckily, her own personal style makes the leap to Croft’s effortlessly. “The thing I like about her is she doesn’t dress girly because that’s not how she fights. You get these bad girl femme fatales in heels and a dress, and that’s their allure. I like that Lara doesn’t go there. She’s dirty and she’s in her work clothes. She happens to be a sexual person, but doesn’t necessarily use that. You never see her trying to look sexy.” Still, Croft’s lesbian fan base, second only to a certain warrior princess, isn’t hanging around because she’s not trying to look sexy. And though Jolie feels the character has streamlined into a “less voluptuous” model, she’s about to do for black bikinis what Ursula Andress did for white ones in Dr. No. Still, bombshell or not, people are happy to speculate on Croft’s sexual orientation. It’s one of the things Jolie likes about the role. “I always joke that you never actually see Lara with anybody,” she explains. “You get a sense in this one that she’s had a male lover, but she would absolutely love a woman as much as she would love a man.” It’s a question about character that can’t help getting personal. For Jolie, it’s not a question of marketing, but rather a reflection of her own life. “I don’t do things specifically for one fan base or the other, but my closest girlfriends are a married couple—married to each other—and I’ve loved a woman in my life,” she states. “Naturally, without thinking about it, I have a certain understanding, love, awareness and sensitivity to anything that relates to gay issues. I just personally do. So I’ve never had to think about it for somebody else. I actually think about it for me and my personal opinions and my personal feelings.” And those personal feelings recently led the L.A. native to become an ex-pat in the U.K. “I bought a home in London since my divorce,” she says. “I still have an apartment in New York City, but I keep working in London. My first husband was British, and I’ve shot both Tomb Raiders and another film there. For some reason in my life, I’ve been brought back there a lot.” But more than a shorter commute to Pinewood Studios, Jolie loves London’s proximity to the rest of the world. “I want to travel there and be more connected,” she explains. “It’s as close to New York as Africa. I like being more centrally connected to the world, and I feel that there.” And although the move is recent, the idea started percolating over three years ago when she first started traveling with the United Nations. Her involvement started as simply as stumbling over a refugee figure of 20 million in a book about the organization. “I just couldn’t fathom how there are 20 million people out there who were considered internally displaced. And there still are. I wanted to know what that was. So I went to Washington and met with the UN. A few weeks later, I was in Sierra Leone, and I’ve been traveling with them ever since. I’ve kept journals every time we’ve gone to different countries, and they’re actually going to be published with the proceeds going to the UN.” And though these seismic life changes cropped up in Jolie’s life post-divorce, she’s not been without a traveling companion. “I’m always going to bring my son everywhere,” she states, “or I’m not going to do a film. His passport is ridiculous; it’s so full. And he does know how to go directly to a minibar, but the reality is he’s a kid who was born in an orphanage in the middle of nowhere with no walls. He’s a tough kid. Some people said to me, you’re taking a baby into the middle of malaria country in Africa? But he spent his first seven months in an open building in malaria country. He’s pretty resilient.” And their life together between film locations is happily schedule-free. “I wake up whenever Maddox wakes up. Like today, I had the day off and we got up, had breakfast and then colored. I took him for a walk in the rain, and he’s napping now.” That idle pace will change soon as the second Tomb Raider installment opens in July, followed quickly by a sprawling, 12-year love and war epic with Clive Owen titled Beyond Borders and a part in the Gwyneth Paltrow and Jude Law sci-fi riff on the 1939 World’s Fair called World of Tomorrow. Before she takes her leave to find that carousel, Jolie begins to fret about all this talk of motherhood and charity. She has an Oscar now. The real life stunts give way to filmic ones. America’s favorite wild child is off to the mall. One can almost see the gears grinding as World of Tomorrow allows for an exit line. “I’m just in it a bit,” she deadpans, “but I’m in a lot of leather, so I’m happy.” Angelina Jolie as action heroine Lara Croft in the upcoming Lara Croft Tomb Raider: The Cradle of Life. Q2 www.ExpressGayNews.com • July 21, 2003 Q_THEATERreview Last Sunday in June: The Joke’s on Us Gay Play Plays It Straight By Mary Damiano Arts & Entertainment Editor The real star of The Last Sunday in June, the play about the lives of gay men, which is currently running at the Caldwell Theatre in Boca Raton, is scenic designer Tim Bennett. Bennett’s set for the play is detailed and stylish, comfy and lived in. He perfectly captures a Greenwich Village apartment and transplants it to the stage in Boca Raton. But the set is the only bit of reality in the production. The Last Sunday in June is a gay play for straight people. Playwright Jonathan Tolins rarely passes up an opportunity to perpetuate a stereotype, thereby playing to the straight community’s ideas about what gay people are all about. The play has nothing new to say about gay life or relationships. The Last Sunday in June enlists the standard collection of stock characters: Tom and Michael (Jeff Meacham and Nate Clark) are the adorable couple who have been together seven years and are in the process of buying a home in upstate New York; Joe (John Bixler) is the newly out actor transplanted from L.A.; Brad (Jack Garrity) Jeff Meacham, Steve Hayes, John Bixler, Jack Garrity and Nate Clark is the sarcastic, witty writer with AIDS; Charles (Steve Hayes) is the older opera queen who can teach the young bucks about the way gay life used to be. The story takes place on the day of the New York Gay Pride Parade, and Michael and Tom’s Christopher Street apartment is on the parade route, so everyone else stops by to watch from their window. Things heat up a bit when Michael’s old friend and former lover James (Tim Burke) stops by, and sparks fly when James announces that he’s giving up on the gay life and marrying a woman. James’ appearance is followed by a visit from shirtless hunk Scott (Dean Strange) and James’ fiancée Susan (Beth Bailey). The only time The Last Sunday in June comes close to real drama, tension or honesty is in the last 10 minutes, when Tom and Michael are forced to reexamine their relationship. This is the only time the play and the performers come close to real life. The performances are mannered and over the top. As James, Burke bears an uncomfortable resemblance to John Waters. And while Strange is no great actor, he’s the only performer who comes off as a real fleshand-blood person rather than a caricature. One of the most cringe-inducing devices in The Last Sunday in June is when the characters talk about how they have all the makings for a gay play, and talk about all the obligatory things they would need to have if this were a gay play. Of course, every cliché is fulfilled. Tolins thinks that by Dean Stange and Jack Garrity calling attention to these clichés and making fun of them he can get away with using them, but a better approach would have been to simply think of something fresh. Will The Last Sunday in June make you laugh? Probably. But when you look at what you’re laughing at, the joke doesn’t seem so funny. The Last Sunday in June runs through Aug. 3 at the Caldwell Theatre, 7873 N. Federal Hwy., Boca Raton. For more information, call 561.241.7432 or 877.245.7432. www.ExpressGayNews.com • July 21, 2003 Q3 Q_CULTURAL COCKTAIL By Mary Damiano Steamy Stories and Bisexual Babes Heat up the Week There’s Something for Everyone on the Entertainment Scene From a musical delving into the lives of drag queens to a magazine celebrating gay men to a couple of bodacious babes on the silver screen, there are all kinds of things heating up the summer scene. the third edition of “Not Your Average Bedtime Story,” at which local writers will read their steamiest stories. The two events last fall drew about 200 people combined, and a memorable time was had by all. Many writers even got a standing ovation for their work, if you know what I mean. I’ll be serving as mistress of ceremonies and will also be the last writer to take the stage. Don’t miss the fun. A Real Jem I had the pleasure of having lunch last month with Jem Jender, the creator of The Diva Diaries, which opens at the Broward Center for the Performing Arts this Thursday, July 24. It was one of the most delightful interviews I’ve conducted. Jem, you might remember, graced the cover of Q in the June 16 issue of The Express, and rode atop the Party 93.1 car in the Stonewall Parade. Jem is an allaround class act who exudes wit and androgyny and seemed amused whenever the waitress at the restaurant called him ma’am. The Diva Diaries is a musical look at three drag queens who reflect on their lives and careers on the closing night of their club, Pandora’s Box. While Jem isn’t in the production, he will be decked out in full regalia mingling with the audience in the lobby. For more information on The Diva Diaries, call 954.462.0222. Sex in Public Places If you’re looking for a way to heat up a hot summer night, come to the Pride Factory this Friday, July 25, at 8pm for Q4 www.ExpressGayNews.com • July 21, 2003 Gay Chorus Undergoes Name Change Jem Jender, the creator of The Diva Diaries, which opens at the Broward Center for the Performing Arts this Thursday, July 24 The Gay Men’s Chorus of South Florida has changed its name to the Fort Lauderdale Gay Men’s Chorus. The new name will reflect the chorus’ home base and core audience in Fort Lauderdale. And make plans to be in the stands for the Marlins game on Tuesday, Aug. 12, when the newly christened Fort Lauderdale Gay Men’s Chorus makes history by becoming the first gay chorus ever to sing the National Anthem at a Marlins game. Way to go, guys. will hit movie screens everywhere this Friday, July 25, playing Lara Croft in the latest Tomb Raider movie, but she’s not the only bisexual babe heating up cool theaters this summer. Adorable Drew Barrymore, who stars in Charlie’s Angels: Full Throttle, has recently come out about her love of women and numerous lesbian affairs. Perhaps as more people are open about their bisexuality, people will begin thinking of bisexuality as an orientation and not just a term for folks who can’t make up their minds. Gay Men and the Women Who Love Them Bust, the flip, flirty and ballsy mag for women who have something to get off their chests, celebrates its 10-year anniversary with a salute to all things gay. Ultimate gay icon Cher graces the cover of the summer issue, and the magazine boasts stories about fag hags, a daughter dealing with her gay dad, a chat with Todd Oldham and gal pal Amy Sedaris, a look at John Waters by friend Mary Vivian Bisexual Pearce as well as a spread on gay men women Summer love, including Pedro Almodovar, Harvey Luscious Angelina Jolie—I can’t even write her name without Milk, Rupert Everett and Paul Lynde. Pick my tongue swiping across my upper lip— it up now, and have a gay old time. Q_NAKED CURIOSITY By D. Scott Bush Let’s Hear It for the Girls I’m a Gay Man, But Women Play Vital Roles in My Life Their bodies moved to a decidedly rousing rhythm, even though they were seated. They both wore stylish dancing shoes. My focus on their feet made me think of the movie Footloose, and I found myself replaying the soundtrack in my mind. First, the title track, and then I settled into the bouncy “Let’s Hear It for the Boy.” “We didn’t stay at Wendell’s very long,” the frost-and-tipped young man told his friend. “There were women at the party.” “No!” the friend gasped, recoiling in horror. “What was he thinking?” “He must have been thinking he didn’t want José and I to stay very long,” the first guy replied. “Because there’s no way we were going to hang out all night with women.” “If I’d wanted to hang out with women, I’d have been straight,” the friend quipped, flexing his pecs as he laughed. I was sick. And not just from what brought me to the pharmacy in the first place. I hadn’t expected to hear such misogynistic chatter, while I was waiting for my prescription to be filled. The overheard exchange reminded me of an e-mail I’d gotten, a couple weeks ago. The sender was a gay entrepreneur who wanted to build on the idea of private men’s resorts by creating an entire community of nothing but gay men. There would be no women—neither lesbian nor straight—and, as such, would be a “utopia for men who love men and men who have sex with men,” according to the advertisement. I wonder how many excited responses the executive of exclusivity received? Surely, the men who patronize men-only resorts or who go on men-only cruises would have found the concept of a men-only community appealing, at least initially. Musing on the concept brought to mind visions of a society that would be sexually liberated and a hotbed of culture and creativity. But at what price would we have that little world of perpetual penis power? While I am certainly a man who loves men and a man who has sex with men, I am also a man who loves women. Three of my six best friends are women. My bonds with Susan, Jane and Nancy are strong and precious. Each one brings unique and wonderful things to our relationship. All three are creative, intelligent, funny and kindhearted. In short, they are exceptional women—exceptional people, regardless of gender—and I am a better person because of my friendships with them. Women play a vital role in my life, in general. Of course, my mother gets her due. And, in addition to Susan, Jane and Nancy, many of my other friends are also fabulous females. My mother-in-law, sisters-in-law and nieces are always good for delightful conversation or e-mail exchange. Deb, from my bowling team, is a dervish of hard work and humor. Diane and Steph are a speeddial button away, even though they are geographically across the country. There’s even a woman among our household service providers, and she’s not the one most people assume. Our cleaning people are gay men, but the yard is handled by our very capable lawn lesbian. Seventeen times each summer I gleefully surround myself with thousands of women who, like me, enthusiastically revel in the WNBA. I’ve been to NBA games and enjoy the sport in that form, as well. I’ve discovered, though, that the ladies play with more heart and the women’s crowd has a far more exuberant vibe than the negative energy of the folks in the arena at men’s games. We can’t forget the other estrogenic influences in our lives. Many of us owe a huge debt to the women who accompanied us to gay bars and boosted our self-esteem, early on. Call them fag hags, fruit flies or whatever you like. The point is, for many gay men, those women were the buddies, the buffers and, often, the bitches that got us through the transitional times and into the promised land where the rainbow flag proudly waves. Especially in urban areas with so-called gay ghettos, it’s too easy for us to segregate ourselves from other kinds of people, whether that separation is from straight people of both genders or women of our own same-sex subculture. An occasional boys’ night out or weekend at a men-only resort? Absolutely. But not as a matter of daily design. Women make that world richer and much more interesting. Take time to appreciate the ladies in your life. Let’s hear it for the girls! D. Scott-Bush’s work appears throughout the country. E-mail may be directed to NakedCuriosity@aol.com. www.ExpressGayNews.com • July 21, 2003 Q5 Q_CULTURALevents Tuesdays, Through July 29: Hispanic Immigrants Maintaining Their Culture Through Music and Dance—First- and second-generation Latin American immigrants are invited to discuss culture-related books and to learn and enjoy many types of Latin dancing. 6 - 7pm at the Hallandale Beach Branch Library, 300 S. Federal Highway, Hallandale Beach. 954.457.1750. Through Monday, Sept. 1: Bahamas Cruise Raffle—The Sunshine Cathedral is raffling a getaway cruise for two for four days and three nights to the Bahamas (call port, government and taxes included). Tickets are $10 each or three for $25 at the Sunshine Cathedral’s Great Hall after Sunday services, from one of the board of directors or online at www.SunshineCathedral.org. The winner will be selected at Sunshine Cathedral’s Sunshine Country Fair on Sept. 1. Wednesday, July 23: Design & Wine—Wine tasting and fashion and retail tour. Purchase a handpainted wine glass by 2 Frenz ($12), shop and receive complimentary wine refills at shops. Map and list provided. 6 – 9pm at Harrison Street Wine Gallery, 1916 Harrison Street in Downtown Hollywood. 954.921.3016. Friday, July 25: Not Your Average Bedtime Story—Come to this co-gender open mic where local writers read their sexiest stuff. Listen to the hottest writing in town or share your own work. Writers are accepted on a first come basis. Preregister at LWrites@mindspring.com. Free. 8pm at Pride Factory, 845 N. Federal Hwy., Fort Lauderdale, 954-845-6600. Saturday, July 26: Sunshine Cathedral’s Five-Star Rodeo—Traditional Rodeo events will be at the 5,000-seat Davie Arena. Doors open at 6:30pm. For information and detailed directions to the Arena, visit www.fivestarrodeo.com. Benefits Sunshine Cathedral programs. Sunday, July 27: WIN T-Dance—4 – 8pm at Endz-Up, 19 N. Federal Hwy., Dania Beach. Members/$10, Non-Members/$15. Sunday, Aug. 3: WIN Dog Show—1 – 4pm at the GLCC, 1717 N. Andrews Ave., Fort Laudale. Members/$7, Non-Members/$10, Entry Fee/$3. 954.961.7176. Saturday, Nov. 22: Expanding Horizons— Save the date for the Seventh Annual Recognition Dinner benefiting GLFSF (Gay and Lesbian Foundation of South Florida). Dr. John Graves, Marleine Bastien, and Damian Pardo will be honored. Special guest honoree to be announced. Central Performing Arts Center, 1770 Monroe St. in Hollywood. Free. 954.921.3404. Saturday, July 26: Willie Colón—The legendary “King of Salsa,” musician, composer and singer, brings his hot rhythms to the Broward Center for another evening of Tropical Nights. 8:30pm. 201 Southwest Fifth Ave. 954.462.0222. Saturday, July 26: Ziggy Marley—7pm at The Venu and Star Bar Patio, 100 SW 3rd Avenue, Fort Lauderdale. 954.727.0950. Saturday, July 26: Yiddish Folk Singers— Featuring Dolores Seiden. 8pm at The White-Willis Theatre, 7143 Pine Island Road, Tamarac. For information and reservations call 954.726.7898. Saturday, July 26: The Fabulones—Rock and Roll concert, 7:30 – 9pm at Montella Park, 901 N. 69th Way, Hollywood. Free. 954.921.3404. Sunday, July 27: There’s No Song Like an Old Song—Featuring Jerry Layton. 2pm at The White-Willis Theatre, 7143 Pine Island Road, Tamarac. For information and reservations call 954.726.7898. Tuesday, July 29: The Dead—With Bob Dylan & His Band. Special Guest Robert Hunter. 6pm at Office Depot Center, 2555 Panthers Dr., Sunrise. 954.835.8000. 6:30pm at the Westin Diplomat Resort & Spa, 3555 South Ocean Drive, Hollywood. $185 per person includes cocktail reception and dinner. For tickets and information, please call 305.572.1841 or visit www.glfsf.org. Live Theatre and Dance Advance Ticket Sales—The Sisterhood of Congregation Etz Chaim is now selling tickets to its 2003-2004 Broadway Season. Kiss Me Kate (Jan. 8); Thoroughly Modern Millie (Jan. 15); West Side Story (Feb. 8); Miami City Ballet Program IV (March 20); The Full Monty (April 1); Mamma Mia (April 15); and The Producers (May 13 and 16). For tickets and information call Joyce Edelson at 954.718.5800. Through Sunday, Aug. 3: Menopause the Musical—This joyful musical parody is set to 28 classic baby-boomer songs. $32. Stage Door’s 26th St. Theatre, 1444 N.E. 26th St. in Wilton Manors. 954.344.7765. Through Sunday, Aug. 3: The Affections of May—This comedy by Norm Foster is set at a bed and breakfast in New Hampshire. Stage Door Theatre, 8036 W. Sample Road, Coral Springs. 954.344.7765. Through Sunday, Aug. 3: Puttin’ on the Ritz—Please join us as we escort Mr. Berlin on his tuneful and toe-tapping journey from Ellis Island to the heights of Broadway and Hollywood. Friday and Saturday 8pm, Sunday 2pm at Fort Lauderdale Children’s Theatre, 640 Andrews Ave. Tickets are $20, $10 w/student ID. 954.427.0784. Through Sunday, Aug. 17: The Big Bang— Two comedic actors play all the roles recreating Adam & Eve, Attila the Hun, Nefertiti, Julius Caesar, Queen Isabella & Columbus, Napoleon & Josphine, Henry VIII and other lively historical figures as they sing and clown their way from creation to the present. The Big Bang is long on schtick and historical hilarity. Actors Playhouse, 280 Miracle Mile, Coral Gables. 305.444.9293. Through Sunday, Aug. 24: Sophisticated Ladies—The musical legacy of The Duke is celebrated in this stylish and brassy retrospective. Wednesday, Saturday, Sunday at 2pm and Thursday, Friday, Saturday at 8pm. Broward Stage Door Theatre, 8036 W. Sample Rd., Coral Springs, 954.344.7765. Wednesday - Friday, July 23 - 25: David Copperfield—Broward Center for the Performing Arts, 201 Southwest 5th Ave. For information and tickets call 954.462.0222 or 1.800.564.9539. Q6 www.ExpressGayNews.com • July 21, 2003 Thursday - Sunday, July 24 – Aug. 3: Diva Diaries—Diva Diaries combines the sounds of the ’70s, ’80s and ’90s with a new electrifying musical score, plenty of wigs, mascara and eye-popping production numbers to tell the story of three drag queens on the verge of a nervous breakdown. Broward Center for the Performing Arts, 201 Southwest Fifth Ave. For information and tickets call 954.462.0222 or 1.800.564.9539. Music Through Sunday, July 27: Florida International Music Festival—The London Symphony is the featured attraction at the first Florida International Music Festival, by far the most culturally ambitious festival in the Southeast. The festival is a 17-day, 70-concert event that you will always remember. Other performers include Arturo Sandoval, Miami String Quartet, LSO Harp Trio, The Flaming Idiots, Noche Flamence, Pascal Rioult Dance Theatre and the Dukes of Dixieland. Daytona Beach. For tickets and information visit www.fif-lso.org or call 386.257.7790. Tuesday, July 22: Symphony of the Americas—Featuring the Mendelssohn Chamber Orchestra from Hungary. 8 – 9pm at the Hollywood Radio The Norm Kent Show—Interviews and commentary with Norm Kent, weekday mornings at 8am on WFTL 1400 AM. The Call-In Line is 1.866.432.1400. www.NormKentShow.com Outright Radio—David Gilmore hosts this radio show about gay life in America. Saturdays at 3pm on WLRN 91.3 FM. Issues Over the Rainbow—MarkyG hosts this gay and lesbian early morning talk show. Sunday mornings at 7:25am on PARTY 93.1 FM. www.Party931.com. Bridging the Gap—Call-in talk radio show dedicated to creating a better understanding between the straight and gay communities, with host Rene Bray. Sundays from 6 – 8pm on WTAN 1340 AM. Live, worldwide broadcast at www.TampaBayGay.com/BTG. 1.800.263.8559. Michael Martini Hour— “Let’s stir the pot … and get to the bottom of the issues!” Gay talk radio, Thursdays, 6 – 7pm on WPBR 1340 AM or on the Internet at www.talk1340.com. Television SoFla Q TV—Television for the alternative lifestyle. For information call 305.534.3975 or visit www.soflaqtv.com. Maximum_Volume Pumping It Up with New Album Releases Ashanti: ‘Chapter II’ (Murder Inc.) Watch out! It’s the summer of the R&B/hip-hop girls, and they are coming after you. First Monica grabbed the top spot in the Billboard 200, only to be bumped by Beyonce, who has now been replaced by Ashanti. Ashanti storms the charts with her second solo effort, Chapter II. Ashanti sings sweetly and sultry, as she did with her prior hit album. The songs are the kind of hip-hop you can kick back to, nothing too rowdy here. Though somewhat formula-driven, Ashanti sticks to what she is good at—sweet R&B confections. Those who watched the latest Diva installment on VH1 were treated to special glimpses of her new material with fellow chart-topper Beyonce, both dressed and made up in all their pop-star glory. The first song, “Rock Wit U,” is a catchy ditty perfect for summer listening. The one thing Ashanti might want to watch out for is the numerous skits she has included on the album. They become gratuitous, self-indulgent and tedious by the end. This is about music, Ashanti, not a segment of Mad TV. Original Cast Recording: ‘Amour’ (Sh-k-boom Records) Okay folks, here is an obscure album for you, but perfect for Broadway and musical theater enthusiasts. Amour opened on Broadway on Oct. 20, 2002, at The Music Box Theater. For whatever reason, the show closed after only 31 previews and 17 performances. Despite closing early, the show garnered five Tony nominations, further proof that putting together a new musical not based on a film or a revival is now a virtually impossible task. The creators and original cast gathered for a bittersweet reunion six months later to record this album, a labor of love which shows their genuine love for musical theater. Set in Paris, Amour revolves around an ordinary Frenchman who suddenly finds himself blessed with extraordinary powers. Composer Michael Legrand is quoted in the CD booklet as stating he “wanted to write an opera-bouffe, an intimate evening with light, lyrical songs and delicate charm.” And that is exactly what Amour sounds like. Though wordy, the songs are endearing and gentle. It is definitely reminiscent of an operetta of the past. The cast, especially Broadway stalwart Melissa Errico and Michael Gets (known for his grumpy role on television’s Caroline in the City), bring charm and liveliness to the production. When listening to Amour, one can’t help but think of what a shame it is that Amour is but a remnant of Broadway trivia, an effort of blood, sweat and tears, cast aside in the junkyard of failed Broadway musicals. —Reviews by Andy Zeffer www.ExpressGayNews.com • July 21, 2003 Q7 Q8 www.ExpressGayNews.com • July 21, 2003