master classes - AKADEMIE für ALTE MUSIK
Transcription
master classes - AKADEMIE für ALTE MUSIK
Bruneck | South Tyrol | Italy Akademie für Alte Musik Accademia di Musica Antica Academy for Ancient Music MASTER CLASSES 2013 January – April – October A The cademy for Ancient Music in Bruneck is a traditional music event, targeting the historically informed performance of Baroque and Classical music. The course is open to young talented musicians and will include individual lessons from well known teachers and soloists performing on period instruments, as well as chamber music tuition and the final concert, providing a chance to play with fellow students and teachers. www.alte-musik-bruneck.it In 2013, Academy for Ancient Music will offer three sessions: “Lo stile italiano” January 22nd – 26th, 2013 Violin Enrico Onofri Violoncello Stefano Veggetti “Bach – Solo, Sonatas and Partitas Obligato Sonatas, Chamber music” April 8th – 12th, 2013 Violin Rachel Podger Violoncello Stefano Veggetti “The classical style” October 28th – November 3rd, 2013 (5 days of lessons within this period) Violin Erich Höbarth Violoncello Stefano Veggetti Oboe Andreas Helm Clarinet Robert Oberaigner www.alte-musik-bruneck.it Lessons & admission performance The classes are thought for students with period instruments. The lessons will take place daily from 9:30 to 18:30 and will be divided into individual lessons and chamber music tuition. The stage will end with a public concert. The stage foresees a limited number of participants: 8 for each instrument. At the end of the stage all participants will receive a certificate of attendance. Passive participants are welcomed to attend all sessions. The students who will be admitted as active participant , will be selected by the teachers and the Academy on the following basis: | complete CV including academic, teaching, and professional musical experience. | music reference, normally written by someone who can comment on the candidate's musical abilities, for example their current principal study teacher. | recording of a personal Baroque music piece execution. We need to receive the original reference document with the referee's signature, contact details, and the date it was written. All references must be provided in English; if the referee cannot write in English please include the original signed reference document and a translation. The audition audio may not exceed 10 minutes’ duration and should include 2 or 3 short instrumental Baroque pieces. Please select your repertoire to demonstrate the full range of your technical and artistic abilities. You may make cut to fit your audition repertoire within the time limit. Please note that your personal dates will be held in accordance with the regulations governing the Data Protection Act and used only for the purpose of the Academy. Application material must be received by the following application deadline for January Masterclass : November 30, 2012 for April Masterclass : February 28, 2013 for October Masterclass : September 30, 2013 at the postal address: Verein Cordia Academy for Ancient Music Seeböckhaus – Schlossweg, 1 I-39031 Bruneck (BZ) or through eMail: info@cordia.it Subject : Academy for Ancient Music www.alte-musik-bruneck.it Course fee For one stage : 250,00 € For those who enroll in all three sessions : 600,00 € The course fees are comprehensive of 10€ membership fee (Association Cordia). By inscription to the masterclass the students become members of the Cordia Verein | Association. The course fee must be paid in full before the start of your course on the following bank account: CORDIA – RAIFFEISEN BRUNECK IBAN: IT 30 Z 08035 58242 000300 241482 – SWIFT – BIC: RZSBIT21005 Whilst every effort is made to avoid changes to our programmes, the Academy reserves the right to withdraw any course at any time. If for any reason ICE cancels a course, all course fees will be returned in full. Accomodation The scholarship has been provided and it is meant to cover the accomodation costs in Bruneck for the master classes periods. Course fee, travelling costs and board | food are not covered by the scholarship. Organisation Verein Cordia , St. Martin 70b, I-39030 St. Lorenzen (BZ) www.alte-musik-bruneck.it www.cordia.it Information : info@cordia.it Tel.: +39 348 928 39 41 www.alte-musik-bruneck.it Bruneck, January 22 – 26, 2013 The master class will be focused mainly on the Italian repertoire, from the great contemporaries of Monteverdi (Cima, Castello, Marini, Uccellini, Fontana, etc..) to the virtuosos of the late Baroque (Vivaldi, Veracini, Tartini, Geminiani), with particular emphasis on Corelli. MASTER CLASS Il virtuosismo italiano dagli albori del Barocco a Tartini Italian virtuosity from the dawn of the Baroque to Tartini Enrico Onofri, Violin Stefano Veggetti, Violoncello Enrico Onofri was born in Ravenna, Italy. While still a student he was invited by J.Savall as concertmaster of La Capella Reial, and also performed with such ensembles as Concentus Musicus Wien, Ensemble Mosaïques, and Concerto Italiano. He has been concertmaster and solo violinist of Il Giardino Armonico since 1987.Since 2002 Enrico Onofri has also appeared with great success as a conductor, receivinginvitations from orchestras and festivals throughout Europe and in Japan. In 2005 he becameprincipal conductor of Divino Sospiro (the resident Baroque orchestra at CCB in Lisbon). In 2000he founded the chamber ensemble Imaginarium. E.Onofri has performed in the world’s foremost concert halls alongside such artists as N.Harnoncourt, G.Leonhardt, C.Coin, C.Bartoli, K.&M.Labèque. Many titles in his extensive discography (Teldec, Decca, Naive, Zig Zag, Winter&Winter, Opus111, etc.) have received the most prestigious international prizes. Since 2000 he has taught Baroque violin and Baroque performing practice at the Conservatorio Bellini in Palermo. He is regularly invited to give masterclasses elsewhere in Europe and Japan; in 2011 the Juilliard School invited him to teach a masterclassin New York. http://www.enricoonofri.com Stefano Veggetti obtained his diploma as violoncellist at the Conservatory of L’ Aquila with David Cole. He subsequently won a scholarship to continue his studies in Philadelphia with Orlando Cole. After returning to Europe, fascinated by the sound of period instruments, he attended master-classes with Anner Bijlsma and has since then played as a soloist and in chamber music ensembles with musicians who are specialized in period instruments (A. Bijlsma, A. Bernardini, S. Ritchie, O. Dantone, l’ Archibudelli, l’ Astrée, G. Cooper, Oberlinger) in Europe, Mexico, Canada and the USA. He has appeared on both radio and television (RAI, Italy; RDF, Germany; RDP Antena2 Portogal) and has recorded for Nuova Era (Italy) and Opus 111 (France). Since the year 2000, along with his Cordia Ensemble, he has worked on newly discovered chamber and orchestra music from the Baroque and Classic periods, which are recorded by the label Brilliant. Stefano Veggetti teaches baroque cello at the Conservatory in Verona and at various masterclasses across Europe and plays on the violoncello Nicola Gagliano (1737) ex Oblach, which is kindly provided to him by the courtesy of Baronessa Mariuccia Zerilli-Marimo. http://www.cordia.it www.alte-musik-bruneck.it Bruneck, April 8 – 12, 2013 MASTER CLASS “Bach Solo, Sonatas and Partitas Obligato Sonatas, Chamber music” Rachel Podger, Violin Stefano Veggetti, Violoncello Rachel Podger is one of the most creative talents to emerge in the field of period performance over the last decade, establishing herself as a leading interpreter of the music of the Baroque and Classical periods. She was educated in Germany and in England at the Guildhall School of Music and Drama where she studied with David Takeno and Michaela Comberti. After beginnings with The Palladian Ensemble and Florilegium, she was leader of The English Concert from 1997 to 2002. Since then she has been in demand as a soloist and guest director all over the Baroque music world and has enjoyed meeting orchestras from all over the globe incuding Arte dei Sounatori (Poland), Santa Fe Pro Musica and Musica Angelica (USA), Capriccio Basel and the Holland Baroque Society. A regular collaboration with the Orchestra of the Age of Enlightenment began in 2004 with a Brandenburg Concerto tour to the USA and the last five years have seen tours to Europe and the USA exploring not just Baroque repertoire but also Haydn, Mozart and CPE Bach Concertos and Sinfonies. One of the highlights was a televised concert at the BBC Proms in 2007. "Podger's youth and Baroque experience combine to bring a charm and freshness of approach which suit these delightful pieces perfectly." Stefano Veggetti obtained his diploma as violoncellist at the Conservatory of L’ Aquila with David Cole. He subsequently won a scholarship to continue his studies in Philadelphia with Orlando Cole. After returning to Europe, fascinated by the sound of period instruments, he attended master-classes with Anner Bijlsma and has since then played as a soloist and in chamber music ensembles with musicians who are specialized in period instruments (A. Bijlsma, A. Bernardini, S. Ritchie, O. Dantone, l’ Archibudelli, l’ Astrée, G. Cooper, Oberlinger) in Europe, Mexico, Canada and the USA. He has appeared on both radio and television (RAI, Italy; RDF, Germany; RDP Antena2 Portogal) and has recorded for Nuova Era (Italy) and Opus 111 (France). Since the year 2000, along with his Cordia Ensemble, he has worked on newly discovered chamber and orchestra music from the Baroque and Classic periods, which are recorded by the label Brilliant. Stefano Veggetti teaches baroque cello at the Conservatory in Verona and at various masterclasses across Europe and plays on the violoncello Nicola Gagliano (1737) ex Oblach, which is kindly provided to him by the courtesy of Baronessa Mariuccia Zerilli-Marimo. http://www.cordia.it www.alte-musik-bruneck.it Bruneck, October 28 – November 3, 2013 MASTER CLASS “The classical Style” Erich Höbarth, Violin Stefano Veggetti, Violoncello Erich Höbarth, born in 1956 in Vienna studied with Grete Biedermann at the Wiener Konservatorium, Franz Samohyl at the Wiener Musikhochschule and with Sandor Végh at the Salzburger Mozarteum becoming than his assistant and member of the legendary VeghQuartet. From 1980 to 1987 he was leader of the Wiener Symphoniker and soon after he was appointed as leader of Concentus Musicus Wien directed by Nikolaus Harnoncourt. He founded the Wiener Streichsextett, and in 1987 the Quatuor Mosaïques one of the most renowned and successful period instrument string quartet. Erich Höbarth appears as leader and soloist with Camerata Academica Salzburg, the Wiener Kammerorchester, the Chapelle Royal Paris, the Baltischen Philharmonie, RSO Wien, den Wiener Symphonikern throughout Europe, Usa, Asia. He is leader in Andreas Schiff’s Camerata Bern. Many of his recordings are price-winning. He was appointed Guest Professor in the Musikhochschule Graz, chamber music teacher in the Wiener Musikhochschule and Guest Professor at the Graz University. Since 2001 Erich Höbarth is Artistic Director of the Camerata Bern. Stefano Veggetti obtained his diploma as violoncellist at the Conservatory of L’ Aquila with David Cole. He subsequently won a scholarship to continue his studies in Philadelphia with Orlando Cole. After returning to Europe, fascinated by the sound of period instruments, he attended master-classes with Anner Bijlsma and has since then played as a soloist and in chamber music ensembles with musicians who are specialized in period instruments (A. Bijlsma, A. Bernardini, S. Ritchie, O. Dantone, l’ Archibudelli, l’ Astrée, G. Cooper, Oberlinger) in Europe, Mexico, Canada and the USA. He has appeared on both radio and television (RAI, Italy; RDF, Germany; RDP Antena2 Portogal) and has recorded for Nuova Era (Italy) and Opus 111 (France). Since the year 2000, along with his Cordia Ensemble, he has worked on newly discovered chamber and orchestra music from the Baroque and Classic periods, which are recorded by the label Brilliant. Stefano Veggetti teaches baroque cello at the Conservatory in Verona and at various masterclasses across Europe and plays on the violoncello Nicola Gagliano (1737) ex Oblach, which is kindly provided to him by the courtesy of Baronessa Mariuccia Zerilli-Marimo. http://www.cordia.it www.alte-musik-bruneck.it Bruneck, October 28 – November 3, 2013 MASTER CLASS “The classical Style” Andreas Helm, Oboe Robert Oberaigner, Clarinet Andreas Helm received his education in recorder, oboe and instrumental pedagogy at Linz Bruckner-Konservatorium with Carin van Heerden. Having completed his degree in 1999, he went to Amsterdam where he took his concert diploma after studying with Alfredo Bernardini for three years. As an oboist and player of the recorder, he worked with L’Orfeo Barockorchester, Wiener Akademie, Freiburger Barockorchester, Concentus Musicus Wien, Concerto Köln, the Irish Baroque Orchestra and Les Talens Lyriques; Andreas is also a member of the recorder trio tricorders, the Rossi Piceno Baroque Ensemble and the ensemble Schikaneders Jugend. For the seasons 2001 and 2002/03 he was invited by the European Union Baroque Orchestra to perform as first oboist and recorder soloist. In 2004, he founded Orchester Barucco together with conductor Heinz Ferlesch. Not only as a chamber musician, but also as a soloist he won prizes at a large number of competitions (among others Gradus ad Parnassum, Premio Bonporti). Concert tours took him through many European countries as well as to China, Japan, Mexico, Singapore and South Africa. Recordings on CPO, harmonia mundi, Capriccio, Cavalli, ORF, Carus and others. Andreas Helm teaches baroque oboe and chamber music at the Aestas Musica Summer School of Baroque Music in Varaždin, Croatia and at Burghausen’s Early Music festival in Germany. Since 2007, he has been assistant lecturer for baroque oboe at Graz University of Music. Robert Oberaigner was born in the Austrian Tirol. He studied with Horst Hajek, Johann Hindler and with Sabine Meyer in the Conservatory in Lübeck. He won first prize in "Prima la musica" competition and won the "Musica juventutis" prize twice resulting in a many appearances as a soloist including a debut in the Konzerthaus in Vienna. At the age of 17 he began performing as a substitute with the Vienna Philharmonic and in the Vienna State Opera. Since 1999 he performs with the Camerata Academica Salzburg, with whom he has given concerts in Europe and the USA, and performed in Festivals such as the BBC Proms, Salzburger Festspielen and the Luzern Festival. In 2003 Robert Oberaigner took the position of Principal Clarinettist with the GürzenichOrchester in Cologne, with whom he has often appeared as a soloist. He is in demand as Principal Clarinettist with leading orchestras such as the Berlin Philharmonic, Munich Philharmonic, the Staatskapelle Dresden and the "Super World Orchestra" in Japan. www.alte-musik-bruneck.it