KOKA BOOTH

Transcription

KOKA BOOTH

Koka Booth
Amphitheatre
entertainment...naturally
concerts festivals summerfest movies
letter
summerfest series presenter
from the mayor
Dear Koka Booth Patron,
Welcome to Koka Booth Amphitheatre! We’re happy you’re celebrating
the Amphitheatre’s 10th season with us. As the summer home of the
North Carolina Symphony, this wonderful facility hosted its first concert
on June 9, 2001. Since then, over1,000,000 patrons have enjoyed some of
the finest concerts, festivals and entertainment at over 500 events.
Families have enjoyed our Movies by Moonlight, while colorful festivals
such as Diwali have highlighted the richness of our community. In addition
to our renowned Symphony, the Amphitheatre has hosted a dazzling lineup
of national talents including over 30 Grammy Award-winners, such as
Bob Dylan, John Mayer, Norah Jones, Zac Brown and the Kings of Leon.
Given that its architecture has been nationally recognized with numerous
awards, Booth Amphitheatre is well-suited to host such award-winning artists.
We hope you accept our personal invitation to join the thousands of us
who regularly retreat each April through October to enjoy the extraordinary events and spectacular surroundings at Booth Amphitheatre. We look
forward to your participation in our special 10th season.
Entertainment – naturally!
Sincerely,
Food & Drink Guide
Tickets & Services
North Carolina Symphony Summerfest
Outback Concerts
Movies by Moonlight
Festivals
Things to Know
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Booth Amphitheatre Season 2010 • 919-462-2025, admin • 919-462-2052, box office • www.boothamphitheatre.com
table of contents
Harold Weinbrecht, Mayor
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food & drink guide
food & drink guide
Booth Amphitheatre Season 2010• 919-462-2025, admin • 919-462-2052, box office • www.boothamphitheatre.com
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tickets & servicestickets & services
tickets & services
TICKETS
Tickets to Booth Amphitheatre events can be
purchased in person at the Amphitheatre box
office. The Amphitheatre box office is located next
to the main entrance at the Amphitheatre and is
open Tuesday to Friday from NOON to 6pm and
Saturdays from 10am to 1pm.
Tickets can also be purchased using Ticketmaster’s
charge-by-phone service (1-800-745-3000) or
Ticketmaster’s online service, and in person at
approved Ticketmaster outlets.
SUMMERFEST TICKETS
BY PHONE: To purchase tickets in advance by
phone, call the North Carolina Symphony Box
Office at 919-733-2750, 10am-5pm, Mon-Fri.
ONLINE: www.ncsymphony.org
IN PERSON: At the Booth Amphitheatre’s Box
Office during normal Box Office hours, as well as
the night of the event starting at 5pm.
Children 12 and under are free for all concerts
excluding the VIP Crescent.
Gates open at 5pm, except:
• July 10 for The Wizard of Oz. Gates open at 6pm.
The concert begins at 8:30pm.
PARKING
Parking is located adjacent to the Amphitheatre
and is free of charge. The Rex Express Care Lane
is also available for patrons who want to park up
front. The fee to park in the Rex Express Care
Parking Lot is $10 per car.
The Courtesy Shuttle is back again this year!
The Courtesy Shuttle is available at most events
to assist those patrons needing extra help getting
from the parking lots to the entrance gates.
WEATHER
All events take place rain or shine.
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GUESTS WITH DISABILITIES
Booth Amphitheatre offers special seating areas,
assisted listening devices and interpreters’ services.
Visit our Accessibilities page at
www.boothamphitheatre.com for more details.
ATM
Two ATMs are available at the venue for your
convenience; one is located in the Cobblestone
Courtyard and the other is located in the
Crescent Cafe. American Express, Discover,
MasterCard and Visa are accepted at all of our
concession windows.
MEDICAL SERVICES
Rex Healthcare Emergency Response Team Members are on site for each Amphitheatre event and
prepared to handle medical emergencies. These
specially trained professionals can be found
behind the Crescent Café.
GUEST SERVICES/LOST & FOUND
The Guest Services Tent and volunteers are on site
to assist you with any questions you may have about
the Amphitheatre and/or Cary. They will also be
happy to rent a lawn chair to you for $5.
SMOKING AREA
Smoking is allowed on the Pine Needle Pub Patio
and the greenway by the lake. Smoking is strictly
prohibited in ANY & ALL seating areas.
BOOTH AMPHITHEATRE
E-NEWSLETTER
Stay up-to-date on everything going on at Booth
Amphitheatre! Register for our e-newsletter to
receive weekly updates on concerts, festivals,
movies and more –
visit www.boothamphitheatre.com
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north carolina symphony
conductors
Grant Llewellyn,
Music Director
The Maxine and Benjamin
Swalin Chair
Grant Llewellyn is renowned
all over the world for his
exceptional charisma, energy
and easy authority in music of
all styles and periods. Born in Tenby, South Wales,
Llewellyn won a conducting fellowship to the
Tanglewood Music Center in Massachusetts in
1985, where he worked with such major artists as
Bernstein, Ozawa, Masur and Previn. As Assistant
Conductor of the Boston Symphony Orchestra he
conducted concerts at the Tanglewood Festival and
the Boston Subscription Series, as well as concerts
with the Boston Pops.
To date, Llewellyn has held positions with three
European orchestras: Principal Conductor of
the Royal Flanders Philharmonic, Principal Guest
Conductor of the Stavanger Symphony Orchestra
and Associate Guest Conductor with the BBC
National Orchestra of Wales. In addition, he was
Artistic Director and then Principal Conductor of
the Handel and Haydn Society in Boston. Notable
recent European guest engagements have included
the Frankfurt Radio Symphony Orchestra, the
City of Birmingham Symphony, the SWR Radio
Symphony Orchestra Stuttgart and the Helsinki
Philharmonic. He has also conducted the Johannesburg (South Africa) Symphony Orchestra.
He retains close links with the BBC Symphony
Orchestra and the BBC National Orchestra of
Wales, with whom he continues to undertake
numerous television, radio and recording projects.
Two recent recordings with the North Carolina
Symphony for the Swedish label BIS have been
released to critical acclaim. The first features
American music with saxophonist Branford Marsalis.
The second CD features pianist Yevgeny Sudbin
performing works by Medtner and Rachmaninoff.
William Henry Curry,
Resident Conductor
and Summerfest
Artistic Director
The Governor and Mrs. J. Melville
Broughton Chair
William Henry Curry starts
his 15th season with the North
Carolina Symphony in fall 2010. He came to the
North Carolina Symphony by way of New Orleans
where he served as Resident Conductor of the
New Orleans Symphony. Maestro Curry serves as
the Artistic Director for Summerfest and all North
Carolina Symphony summer programs.
A native of Pittsburgh, Curry started conducting
and composing music at age 14. His first major
appointment was at age 21, when he was named
Assistant Conductor of the Richmond Chamber
Orchestra. He also served as Resident Conductor with the Baltimore Symphony and with the
St. Paul Chamber Orchestra. Maestro Curry was
appointed Associate Conductor of the Indianapolis
Symphony in 1983, a post he held until 1988, the
same year he was named winner of the Leopold
Stokowski Conducting Competition and performed
in Carnegie Hall. He currently serves as Music
Director of the Durham Symphony.
Sarah Hicks,
Associate Conductor
The Lucy Moore Ruffin Chair
Sarah Hicks began her tenure
as North Carolina Symphony
Associate Conductor in the
2009-10 season. Noted in The
New York Times as part of
“a new wave of female conductors in their late 20s
through early 40s,” her versatile and vibrant musicianship has secured her place in “the next generation of up-and-coming American conductors.” She
joined the Minnesota Orchestra as Assistant Conductor beginning in the 2006-07 season and is now
Principal Conductor of Pops and Presentations,
as well as conductor of the innovative “Inside the
Classics” series. She concurrently holds the position of Staff Conductor at the Curtis Institute of
Music. Throughout her career she has collaborated
with diverse soloists, from Hilary Hahn and Nigel
Kennedy to Ben Folds and Chris Botti.
Hicks’s past positions include Associate Conductor
of the Richmond Symphony Orchestra, Resident
Conductor of the Florida Philharmonic, Assistant
Conductor of the Reading Symphony Orchestra and Assistant Conductor of the Philadelphia
Singers, the chorus of the Philadelphia Orchestra,
whom she has led in radio broadcasts heard
nationwide. She has also been Music Director of
the Hawaii Symphony, an ensemble she founded in
1991 in her hometown of Honolulu, which she led
for five seasons.
A committed proponent of the performance of new
music, Hicks regularly leads the Curtis Symphony
Orchestra in readings, recordings and performances
of contemporary works. In November 2008, she led
Curtis’s Ensemble 20/21 in a series of concerts in
both Philadelphia and Washington, DC. She has also
conducted performances with Composers in the
Shape of a Pear (Cleveland), premiering avant-garde
works, and has been a guest conductor of the Aspen
Contemporary Ensemble.
summerfest series partners
Maestro Curry has conducted over forty
orchestras, including appearances with the Chicago,
Cleveland, Houston and Atlanta symphonies,
the Los Angeles Philharmonic, Israel Camerata
Jerusalem Orchestra, among many others. Opera
engagements include the Houston Grand Opera,
Chicago Opera Theater and New York City Opera.
Grant Llewellyn lives in Cardiff with his wife
Charlotte and their four children.
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Sat, May 29
| 7:30pm
Tchaikovsky and
Beethoven Featuring
Play with the Pros
William Henry Curry, Resident Conductor
and Summerfest Artistic Director
Felix Chen, violin
program
Piotr Ilyich Tchaikovsky
Concerto in D Major for Violin and Orchestra, Op. 35 Mvt I. Allegro moderato
Felix Chen, violin
Nikolai Rimsky-Korsakov
Cortège (Procession of the Nobles) from Mlada
Franz von Suppé
Light Cavalry Overture Jean Sibelius Finlandia, Op. 26 Intermission
Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92
I. Poco sostenuto —Vivace
II. Allegretto
III. Presto
IV. Allegro con brio
biography
felix chen, violin A recent graduate of
the University of North Carolina School of the
Arts, Felix Chen began playing piano at the age
of four and studying violin at the age of eight. He
made his first solo orchestra debut with the Taipei
Philharmonic Orchestra at 13 years old and has since
performed with the Philharmonia Moment Musical,
Taipei Century Symphony and the Taiwan Strings
Academy. Previously a student of Kevin Lawrence,
Hui-Chen Lin, Yang Song, Li-Na Yu, Todor Pelev and
Ann Setzer, he won the senior division of the North
Carolina Symphony’s Kathleen Price and Joseph M.
Bryan Youth Concerto Competition in 2009. Wins
in the ASTA-North Carolina Competition, UNC
School of the Arts Concerto Competition, Fischoff
National Chamber Music Competition and Taiwan
National Violin Competition are also included
among his many honors. Chen will attend the New
England Conservatory of Music this fall.
in partnership with
Series presenter
the town
of Cary
Summerfest Partners
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Red, white and blue tour presenter
sat, june 5
| 7:30pm
Red, White and Blue:
A Salute to America’s Armed Forces
Grant Llewellyn, Music Director
Sgt. Christal Sanders Rheams, vocalist
Presenting sponsor
program
John Stafford Smith/ arr. Damrosch/Sousa
The Star-Spangled Banner
Aaron Copland
Fanfare for the Common Man
Morton Gould American Salute
Redd Evans & John Jacob Loeb/arr. Kessler
“Rosie the Riveter”
Sgt. Christal Sanders Rheams
Ron Raye & Hughie Prince/arr. Kessler
“Boogie Woogie Bugle Boy”
Sir Edward Elgar Pomp and Circumstance, Military March
Op. 39, No. 1 in D Major
Walter Kent & Nat Burton/arr. Haring “(There’ll Be Bluebirds Over) The White Cliffs of Dover”
Steven ErranteThe Battleship North Carolina March
INTERMISSION
Antonin Dvořák
Mvt. IV: Allegro con fuoco from Symphony No. 9 in E minor,
“From the New World”
John Philip SousaThe Liberty Bell March
W.C. Handy/arr. Holcombe
St. Louis Blues
Traditional/arr. Bates
“Shenandoah”
Ferde Grofé
Mvt. IV: Mardi Gras from Mississippi Suite
Arr. Robert Wendel
From Sea to Shining Sea
biography
Sgt. Christal SANDERS Rheams,
vocalist
Alto Christal Sanders Rheams is a native of Raleigh
and has shared the stage with Wayne Newton,
Ricky Martin and Trisha Yearwood. In addition, she
has had the pleasure of singing backup for many
pop, country and R&B superstars. She attended the
University of North Carolina at Greensboro and is
a prominent vocalist with the United States Army
Band (Pershing’s Own). She can also be seen as a
featured vocalist in the Washington DC metropolitan area music scene.
in partnership with
Series presenter
the town
of Cary
Summerfest Partners
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biography
sat, june 12
Tiempo Libre Two-time Grammy-nominated
Tiempo Libre is one the hottest young Latin bands
today. Equally at home in concert halls, jazz clubs
and dance venues, the members of the Miami-based
band are true modern heirs to the rich tradition of
the music of their native Cuba.
| 7:30pm
Tiempo Libre
Tiempo Libre
program
Jaime Texidor
Amparito Roca Ernesto Lecuona/orch. Gould
Andalucia
Traditional/arr. Jorge Gomez and Raul Murciano
“Cha-Cha-Cha” Medley Traditional/arr. Jorge Gomez and Raul Murciano “Sones” Medley
Tiempo Libre
Nikolai Rimsky-Korsakov Capriccio espagnol
Intermission
Ricardo Lorenz
Rumba Sinfónica
Tiempo Libre
Ernesto Lecuona/orch. Gould
Malagueña
Tiempo Libre’s members were all classically trained at
La ENA, Cuba’s premier conservatory, during a time
when it was illegal to listen to American songs on the
radio. Seven extraordinary musicians came together
to realize their collective musical dream: to create
the first authentic all-Cuban timba band in the United
States. In Summer 2002, at their Ravinia Festival debut,
Tiempo Libre dazzled a crowd of more than 12,000
people. In Summer 2003, they shared a bill with
Aretha Franklin, performing before an enthusiastic
crowd of 20,000. Summer 2003 also included performances at the new Heineken Jazz Festival in Hua Hin,
Thailand. Return trips to Asia have included sold-out
shows in Hong Kong, Malaysia and Indonesia. Since that
time, the group’s busy touring schedule in the United
States has included performances at festivals and
venues in Miami, Oakland, New York, New Orleans,
Rochester, Houston, New Haven and Interlochen.
August 2005 brought Tiempo Libre’s European debut.
Among the highlights of that tour was Tiempo Libre’s
performance at the closing concert of the new Tuscan
Sun Festival in Cortona, Italy, where the band wowed a
sold-out house. Subsequent tours have brought soldout houses in Italy, Greece and Turkey.
In Spring 2007, Tiempo Libre embarked upon
another exciting project, the creation of a new work
– Rumba Sinfónica – for symphony orchestra and
Cuban band. The composition, a collaboration with
the highly respected Venezuelan classical composer
Ricardo Lorenz, was commissioned by the Minnesota Orchestra, Detroit Symphony, Ravinia Festival
and Festival of the Arts Boca. Since the premiere in
Minneapolis in November 2007, Tiempo Libre has
performed Rumba Sinfónica in Ottawa, Dallas, San
Antonio, Syracuse, Philadelphia, Princeton, Atlanta,
Malibu and Charlotte, to mention just a handful.
In addition to their performing and recording
careers, the members of Tiempo Libre are
particularly committed to the sharing of their rich
musical traditions through outreach and educational
activities. Tiempo Libre has been part of the
artist-in-residence program at Michigan State
University and Interlochen Academy. The group has
also become known for its inspiring classes on rumba, Latin jazz and traditional Cuban music, designed
to reach audiences of all ages and backgrounds.
After a brief pause, Tiempo Libre will announce additional selections from the stage.
in partnership with
Series presenter
the town
of Cary
Summerfest Partners
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biography
SAT, June 19
| 7:30pm
Ten Seasons at Koka Booth Amphitheatre
Concert Singers of Cary
Lawrence Speakman, Director
program
Felix Mendelssohn Wedding March from A Midsummer Night’s Dream
Otto Nicolai Overture to The Merry Wives of Windsor
Richard Wagner Prelude to Act III and Bridal Chorus from Lohengrin
Concert Singers of Cary Giuseppe Verdi Triumphal March and Ballet from Aïda
Intermission
Concert Singers of Cary,
Lawrence Speakman, Director
Founded in 1991, the Concert Singers of Cary is a
volunteer choral organization that provides a professional experience for musicians and audiences
alike. For nearly twenty years the organization has
been challenging assumptions of what a vocational
performing organization can accomplish. Under the
leadership of co-founder, conductor and artistic director Lawrence Speakman, the Concert Singers of
Cary operates a 130-voice symphonic chorus, vocal
chamber ensemble and two youth choirs. Known
for innovative programming, the Concert Singers
perform music from diverse traditions as well as
new and groundbreaking works such as Richard Einhorn’s Voices of Light, composed in 1995 and performed simultaneously with the 1928 silent film The
Passion of Joan of Arc, and William Grant Still’s And
They Lynched Him on a Tree, composed in 1939.
Lawrence Speakman is a graduate of Westminster Choir College of Rider University, where he
received a Bachelor’s of Music in Voice and Music
Education, and East Carolina University, where he
received a Master’s of Music in Choral and Orchestral Conducting. While at Westminster, he studied
conducting with Dennis Shrock and Joseph Flummerfelt and studied with Daniel Bara and Jorge
Richter at East Carolina. Speakman has had a rich
singing career, beginning at Westminster, where
he was a member and soloist in the 40-member
Westminster Choir and internationally renowned
Philadelphia Singers, a 30-voice all-professional
choir. He has prepared numerous programs for the
North Carolina Symphony and is a frequent guest
conductor with the Raleigh Symphony. In addition
to his duties as artistic director and conductor of
the Concert Singers of Cary, he maintains a private
voice studio and serves as director of music ministries at Watts Street Baptist Church in Durham. He
has served as chorus master for the Opera Company of North Carolina and continues his singing
career as a member of the Vocal Arts Ensemble of
Durham and The North Carolina Baroque Choir.
Roy Harris Mvt.VII: Johnny Comes Marching Home from
Symphony No. 4, “Folksong Symphony”
George Gershwin/arr. Bennett Selections from Porgy and Bess
Samuel A. Bates & “America the Beautiful”
Katherine Lee Bates/arr. Dragon Concert Singers of Cary
Piotr Ilyich Tchaikovsky Overture 1812, Op. 49 (Ouverture solennelle)
in partnership with
Series presenter
the town
of Cary
Summerfest Partners
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summerfest concert sponsor
SAT, June 26
| 7:30pm
The Ahn Trio
William Henry Curry, Resident Conductor and Summerfest Artistic Director
Lucia Ahn, piano | Angella Ahn, violin | Maria Ahn, cello
concert sponsor
program
BIOGRAPHY
George Whitefield Chadwick
Jubliee from Symphonic Sketches Scott Joplin/arr. CacavasThe Entertainer
Eric Coates Rhythm (20th Century) from Four Centuries Suite
The Doors/arr. Rataj Riders on the Storm
The Ahn Trio
Kenji Bunch Backstep from danceband
The Ahn Trio
Howard Hanson
Mvt. III: Allegro con brio from Symphony No. 2, Op. 30, “Romantic”
THE Ahn Trio Born in Seoul, Korea, and educated
at The Juilliard School in New York City, the members
of the Ahn Trio – sisters Maria (cello), Lucia (piano) and
Angella (violin) – are redefining the art and architecture
of chamber music, breathing new life into the standard
piano trio literature with commissioned works from
visionary composers like Pat Metheny, Kenji Bunch,
Maurice Jarre, Nikolai Kapustin and Michael Nyman.
Lucia, Angella and Maria thrive on dissolving the
barriers between art forms. They have fused
their work with that of dancers, pop singers, DJs,
electronic music artists, painters, installation artists,
photographers, lighting designers, ecologists and even
kite makers and received critical acclaim for their
collaborative project with the David Parsons Dance
Company. The Ahns were the only classical group to
be invited to perform at the iTunes LIVE Festival in
London, where Michael Nyman was a surprise guest
performing with the delighted Ahns (the live recordings are available on iTunes UK). The success of
their live performance at the Czech Grammys with
the Tata Bojs, an award-winning Czech rock band,
led to the Ahns’ recording a collaborative album,
Smetana, with the Tata Bojs, followed by a sold-out
CD-release tour in the Czech Republic.
Intermission
George Gershwin/arr. Paul Strike Up the Band
Terry Mizesko Appalachian Lament from Highland Suite
Kenji Bunch
Hardware Concerto I. Moderate, steady
II. Slowly unfolding
III. With a strict groove
The Ahn Trio John Williams
The Cowboys Overture
in partnership with
Series presenter
the town
of Cary
Summerfest Partners
The Ahns performed a China premiere of Kenji
Bunch’s “Hardware Concerto” (a triple concerto
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written for them) with the China National Symphony Orchestra. They also performed the Chinese and
Korean premieres of Pat Metheny’s “Yu-Ryung,”
a work Metheny wrote for the trio. Next year, the
Ahns will premiere Mark O’Conner’s Triple Concerto as well as Nikolai Kapustin’s second trio (Kapustin
wrote his first and only trio for the Ahns).
Possessing an enviable combination of talent and style,
they have long been natural subjects for the international press. They made their magazine premiere in
Time’s cover story “Asian American Whiz Kids.” They
have gone on to frequent fashion pages in the likes
of Vogue and GQ. In 2003, they were named three of
People Magazine’s 50 Most Beautiful People.Their first
recording of Ravel and Villa-Lobos trios brought raves,
such as Audio Magazine’s “this is one of Ravel’s best
and never better played,” and the next, an EMI recording of Dvořák, Suk and Shostakovich, won Germany’s
prestigious ECHO Award.
The Ahn Trio is in high demand, performing and
leading master classes and workshops across the
United States and around the world. Wherever the
Ahns go, they share their innovative spirit and everevolving vision of music. It is precisely this vitality and
commitment to innovation that has the Ahn Trio
continually drawing new audiences to classical music.
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free!
SUN, July 4
| 7:30pm
independence day
Sarah Hicks, Associate Conductor
program
Richard Hayman Servicemen on Parade John Stafford Smith / arr. Damrosch/SousaThe Star-Spangled Banner Morton Gould American Salute Charles Ives/orch. Schuman Variations on “America”
Henry Mancini/arr. Hermann Moon River
George Gershwin/arr. Bennett Selections from Porgy and Bess
INTERMISSION
John Williams Liberty Fanfare
John Philip SousaThe Washington Post March
Kenneth J. Alford Colonel Bogey March Aaron Copland Variations on a Shaker Melody Leonard Bernstein/arr. Mason Selections from West Side Story
arr. James Stephenson Patriotic Sing-Along in partnership with
Series presenter
the town
of Cary
Summerfest Partners
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sat, JuLY 10
| 8:30pm
The Wizard of Oz
Constantine Kitsopoulos, conductor
The Wizard of Oz was a technical marvel for MGM
in the late 1930s. Today, the studio has stunningly
re-mastered the timeless classic. Brilliantly restored
images are accompanied by full symphony orchestra playing new transcriptions of Harold Arlen’s
brilliant lost scores. Judy Garland’s original 1939
studio recordings, backed by lush, live orchestration, will transport children and adults alike over
the rainbow.
With this version of The Wizard of Oz on the big
screen, moviegoers will be treated to the Oscar-
winning film as it has never been seen and heard
before. In summer of 2005, the program premiered
to sold-out crowds at Wolf Trap and the Ravinia
Festival. “It was an exciting evening, and the grander
message of this event was truly something I found
in my own backyard,” wrote Claire Marie Blaustein
in The Washington Post. “The five children sitting
next to me…had never seen the movie before.
They were as enraptured at their first sights of the
Emerald City as I was seeing it with new eyes.”
This program will be performed with one intermission.
biography
Constantine Kitsopoulos,
conductor
Constantine Kitsopoulos is in his fourth year as
music director of the Queens Symphony Orchestra and continues as general director of Chatham
Opera, which he founded in 2005. Highlights from
his previous seasons include appearances with the
symphony orchestras of Baltimore, Detroit, Houston, Pittsburgh and San Francisco, among others, and
a complete performance of Stravinsky’s L’Histoire du
Soldat with members of the Philadelphia Orchestra.
In 2008, Kitsopoulos was conductor and musical
director of the Tony-nominated musical A Catered
Affair. In 2007, he conducted the Tony-nominated
musical Coram Boy. He has also served as music director and principal conductor of Baz Luhrmann’s
highly acclaimed production of Puccini’s La Bohème,
music director of Frank Wildhorn’s Dracula and Les
Misérables and Matthew Bourne’s Broadway production of Tchaikovsky’s Swan Lake.
in partnership with
Series presenter
the town
of Cary
Summerfest Partners
22
july 17
| 7:30pm
Beethoven’s Emperor and
Saint-Saëns’s Organ Symphony
William Henry Curry, Resident Conductor and Summerfest Artistic Director
Antonio Pompa-Baldi, piano
BIOGRAPHY
PROGRAM
eorg Frideric Handel/ed. Baines & Mackerras
G
La Réjouissance and Menuets I & II from
Music for the Royal Fireworks
Ludwig van Beethoven
Piano Concerto No. 5 in E-flat Major, Op. 72, “Emperor”
I. Allegro
II. Adagio un poco mosso
III. Rondo: Allegro
Antonio Pompa-Baldi, piano
INTERMISSION
Camille Saint-Saëns
Symphony No. 3 in C minor, Op. 78, “Organ Symphony”
I. Adagio— Allegro moderato — Poco adagio
II. Allegro moderato — Presto — Maestoso
in partnership with
Series presenter
the town
of Cary
Summerfest Partners
24
Antonio Pompa-Baldi, piano Born and
raised in Foggia, Italy, Antonio Pompa-Baldi moved
to the U.S. with his wife, Italian pianist Emanuela
Friscioni, after winning the Cleveland International
Piano Competition in 1999. A top prize winner at
the 1998 Marguerite Long-Jacques Thibaud Competition in Paris, Pompa-Baldi also won a silver medal
at the 2001 Van Cliburn International Piano Competition, as well as the award for Best Performance
of a New Work.
Pompa-Baldi has toured extensively in four continents, bringing his assured touch on the keyboard
to some of the world’s major concert venues, including Cleveland’s Severance Hall, Milan’s Sala Verdi,
Naples’s Teatro Diana, New York’s Lincoln Center
and Carnegie Hall, Boston’s Symphony Hall and Paris’s Salle Cortot, Salle Gaveau, Salle Pleyel, Theatre
des Champs-Elysees and Théâtre du Châtelet. After
a recital in the Forbidden City Concert Hall and
master classes at the China National Conservatory,
he was named honorary guest professor of that
institution. Pompa-Baldi also made orchestral and
solo debuts at Carnegie Hall and has collaborated
with numerous leading conductors. A passionate
chamber musician, Pompa-Baldi is a frequent guest
at chamber music festivals, collaborating with such
ensembles as the Takacs String Quartet, Avalon
String Quartet, Cavani String Quartet and distinguished colleagues including violinist Elmar Oliveira.
He has served as president of the jury for the ninth
International Russian Music Piano Competition in
San Jose and conducts his annual international workshop at the Napolinova Academy in Napoli, Italy.
Pompa-Baldi appeared in a PBS documentary on
the Eleventh Van Cliburn International Piano Competition, “Playing on the Edge,” which premiered in
October 2001 in the United States and Canada. He
appeared again on PBS in the documentary “Concerto: A Sense of Self,” featuring his performance of
Prokofiev’s Concerto No. 3 with the Fort Worth
Symphony Orchestra and James Conlon.This performance was also seen on French National Television
in May 2003 to commemorate the 50th anniversary
of Prokofiev’s death, as well as throughout Europe.
Antonio Pompa-Baldi is a Steinway Artist. He serves
as distinguished professor of piano at the Cleveland Institute of Music and gives master classes
around the world, both in conjunction with his performing engagements and at summer festivals. He
helped found the Academia Manuel Rueda in Santo
Domingo, where he also gives regular master classes.
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orchestra personnel
Grant Llewellyn, Music Director
The Maxine and Benjamin Swalin Chair
& Summerfest Artistic Director
The Governor and Mrs. J. Melville Broughton Chair
Sarah Hicks, Associate Conductor
The Lucy Moore Ruffin Chair
Violin I
Marshall Johnson
Double Bass
Bassoon
Suzanne Kelly
Leonid Finkelshteyn, Principal
John Pederson, Principal
Dennis Kordell
Oskar Ozolinch
Jeremy Winslow Preston
Bonnie Stoughton
The Martha and Peyton Woodson Chair
Robert K. Anderson, Associate Principal
The Dr. and Mrs. Preston H. Gada Chair
The Mr. and Mrs. Fitzgerald S. Hudson Chair
Victor Benedict, Assistant Principal
The Beethoven Chair
Craig Brown
The Mark W. McClure Foundation Chair
French Horn
Erik Dyke
Brian Blanchard, Principal
Viola
The Harllee H. and Pauline G. Jobe Chair
Anton Jivaev, Principal
Bruce Ridge
The Mary T. McCurdy Chair
Kimberly Van Pelt, Associate Principal
The John C. and Margaret P. Parker Chair
The Annabelle Lundy Fetterman Chair
The Florence and Charles Jacob Cate and Alma Yondorf and Sylvan Hirschberg Chair
Dovid Friedlander, Associate Concertmaster
David Marschall, Associate Principal
Flute
The Roger Colson and Bobbi Lyon Hackett Chair
Anne Whaley Laney, Principal
Rachel Niketopoulos
Brian Reagin, Concertmaster
Christopher Caudill
The Assad Meymandi and Family Chair
The Betty Ellen Madry Chair
Rebekah Binford, Assistant Concertmaster
Christopher Fischer, Assistant Principal
The Mr. and Mrs. George M. Stephens Chair
The Anne Heartt Gregory Chair
Paul Malcolm
Mary Boone, Assistant Principal
Karen Strittmatter Galvin,
Assistant Concertmaster
Christine Martin
Maria Evola
Paul Goldsberry
The Richard and Joy Cook Chair
Udo Hildebrandt
The Tom and Mary Mac Bradshaw Chair
So Yun Kim
The Governor James B. Hunt, Jr. Chair
Marilyn Kouba
The Phyllis (“Pat”) Conrad Wells Chair
Jess Isaiah Levin
Jeffry Moyer
Karen Patterson
Sandra Schwarcz
The Samuel H. and Anne Latham Johnson Viola Chair
Phyllis Wiens Whitlow
The J. Sidney Kirk Chair
Cello
Bonnie Thron, Principal
The Herman and Marga Roberg Chair
The J. Felix Arnold Chair
Elizabeth Beilman, Associate Principal
Eric McCracken
Michael Stoughton, Assistant Principal
The James C. Byrd and Family Chair
The Herbert Family Chair
Eileen Wynne
Peng Li, Assistant Principal
The James Marion Poyner Chair
The Dr. and Mrs. Shaler Stidham, Jr. Chair
The Paul R. Villard and Gabriel Wolf Chair
To Be Filled
The Mary Susan Kirk Fulghum Chair
Elizabeth Anderton Lunsford
The Jack and Sing Boddie Chair
Trumpet
Paul Randall, Principal
Piccolo
The George Smedes Poyner Chair
Elizabeth Anderton Lunsford
Timothy Stewart, Associate Principal
The Jean Dunn Williams Chair
The Henry and Martha Zaytoun and Family Chair
Don Eagle
Oboe
Anonymously Endowed
Melanie Wilsden, Principal
The Hardison and Stoltze Chair
Trombone
Michael P. Schultz, Associate Principal
John Ilika, Principal
The Lizette T. Dunham Chair
Sandra Posch
The Clarence and Alice Aycock Poe Chair
The Thomas Warwick Steed, Jr. Family Chair
To Be Filled
The Frances Armour Bryant Chair
The Harvey At-Large Chair
Anonymously Endowed
English Horn
Bass Trombone
To Be Filled
Susan Gardner
Michael P. Schultz
Terry Mizesko
The Jessie Wyatt Ethridge Chair
Anonymously Endowed
The Bruce and Margaret King Chair
Anonymously Endowed
John McClellan
Violin II
Paul Gorski, Principal
The Nancy Finch Wallace Chair
Jacqueline Saed Wolborsky, Associate Principal
The Blanche Martin Shaw Chair
David Kilbride, Assistant Principal
Janet Gayer Hall
26
The William Charles Rankin Chair
Clarinet
Gerald W. Nelson
Jimmy Gilmore, Principal
The Secretary of Cultural Resources
Betty Ray McCain Chair
Lisa Howard Shaughnessy
The Sara Wilson Hodgkins Chair
Leonid Zilper
The Nell Hirschberg Chair
The Mr. and Mrs. J. Christopher Walker II Chair
Tuba
David G. Lewis, Principal
The Governor and Mrs. James G. Martin Chair
Michael E. Cyzewski, Assistant Principal
The Kathryn Powell & Green Flavie Cooper Chair
Harp
Anita Burroughs-Price
The Ron and Janie Kupferman Chair
27
orchestra personnel continued...
Timpani
Personnel Manager
John Feddersen, Principal
David G. Lewis
The Patricia R., Steven T. and George F. Hackney III Chair
Stage Manager
Percussion
Granville H. Spry III
Richard Motylinski, Principal
The Margery and Earl Johnson, Jr. Chair
Kenneth Whitlow, Assistant Principal
Assistant Stage Manager
The Abram and Frances Pascher Kanof Chair
James Travis Creed
Organ
Stage Crew/Truck Driver
To Be Filled
Bo Osborne
The Albert and Susan Jenkins and Family Organ Chair
________________________________________
Principal Orchestra Librarian
All string players rotate stands on a periodic basis in each
section with the exception of titled players (Principals,
Associate and Assistant Principals).
Deborah Nelson
The Mary Colvert and Banks C. Talley Chair
Assistant Librarians
Eric Ennis
The North Carolina Symphony is a member of the League of
American Orchestras, the Association of Symphony Orchestras
of North Carolina, Inc., and the International Conference of
Symphony and Opera Musicians.
Janice McLaughlin
28
SEPT
2nd
AUG
15th
REO Speedwagon
Sheryl Crow
& Colbie Caillat
MAY
7th
John Prine
a new concert
experience
APR
30th
My Morning Jacket
Phoenix
JUNE
11th
Behind the scenes at the region’s most popular
amphitheatre are two powerful names in entertainment that bring the Town of Cary’s vision for
this venue to fruition. When you attend a show at
Booth Amphitheatre you experience service that
is second to none and leave with memories that
will last a lifetime. This combination of world-class
talent and service is no coincidence and SMG
and Outback Concerts are two of the biggest
reasons why. This powerful combination of talent
and service promises concert-goers an experience
second to none!
SMG is the world leader in facility management,
marketing and development. With more than 29
years experience in successful facility management
SMG takes pride in providing the most positive customer experience for the venues that they manage.
This philosophy has always worked well with the
Town of Cary’s on-going commitment to service.
30
Founded in 1997 Outback Concerts has climbed
to the top of industry charts with accolades that
include being named one of the Top Three Independent Concert Promotion Companies per Pollstar Magazine; Top Ten of Concert Companies in
the world and consistently ranked in the Top Five
Concert Companies in the United States to name
a few. In addition, Outback has been nominated for
Top Billboard Independent Promoter of the Year in
2006, 2007 and 2008.
In just a few years time Booth Amphitheatre has
received local and regional awards and been nominated nationally by Pollstar Magazine as one of the
top small venues in the country.
31
movies
all movies start at dusk
gates open 7pm
32
DATE FILM
June 6th
Adults $3
Kids 12 & under frweeed!
Picnic baskets allo
Sherlock Holmes - PG 13
June 10th
The Blind Side - PG 13
June 17th
Cloudy with a Chance of Meatballs - PG
June 24th
Casablanca - Not Rated
July 1st
Christmas Vacation
(National Lampoon) - PG 13
July 8th
Dirty Dancing - PG 13
July 15th
Couples Retreat - PG 13
July 22nd
The Sting - PG
2012 - PG 13
July 29th
August 5th
Taming of the Shrew - PG
August 12th
New Moon - PG 13
August 19th
How to Train Your Dragon - PG
33
festivals
festivals
festivals
36
CHOOSE CELITO.
things to know
A SPECIAL THANKS
• Venue is owned by the Town of Cary and operated by SMG.
• Booth Amphitheatre is celebrating its 10th Season this year!
• Built in 2001 as the summer home of the North Carolina Symphony the venue is
situated next to Symphony Lake and can accommodate 7,000 patrons.
• Best place to buy tickets is the Amphitheatre Box Office where there is no facility fee! Box office phone number is: 919.462.2052. Box office hours are: Monday ‑ Friday,
Noon ‑ 6pm and 10am ‑ 1pm on Saturday.
• Booth Amphitheatre has hosted more than 500 events and played before 1,000,000 people. Acts include: Bob Dylan, Norah Jones, Allison Krauss, Kings of Leon,
Harry Connick Jr., Tracy Chapman, Black Eyed Peas and more.
• Best place to sit, honestly, anywhere. For most shows there is reserved seating close to the stage. For those who want to stretch out there is more room on the lawn and for those who prefer wait staff consider a table on the crescent deck.
Booth Amphitheatre Wishes to Thank Our
We are gaining loyal fans throughout
Sponsors
ForbyTheir
Generous
Support!
the Triangle
offering
leading technology
solutions including IT support and blazing
fast internet service for business.
Call 919.268.4902 or
visit celito.net/kokabooth
Celito is proud to be the IT, High-Speed Internet and
Voice Services Provider for Cary’s Koka Booth Amphitheatre.
©2010 Celito Communications
• Booth Amphitheatre is a public park and visitors may come in at any time on
non-show days to enjoy the beautiful setting!
• Venue is available for private rentals for a variety of functions.
advertisers index
Ashworth Drugs www.ashworthdrugs.com...................................39
Beer, Bourbon & BBQ Festival www.beerandbourbon.com..........34
BOOTH AMPHITHEATRE
MINI-PACK
Provides maximum value
and entertainment!
Glenaire Retirement Community www.glenaire.org.....................17
John Montgomery www.montgomeryviolins.com..........................20
Nowell’s Furniture www.nowellsfurniture.com.............................20
The Philharmonic Association .....................................................14
www.philharmonic-association.org
Springmoor www.springmoor.org..................................................21
The Booth Amphitheatre Mini-Pack puts you in charge of your summer entertainment schedule. Spread them out over several shows or use the whole pack
to entertain friends! Quantities are limited so purchase your pack today!
10 Pack: $250 ($25 per lawn ticket)
20 Pack: $450 ($22.50 per lawn ticket)
30 Pack: $600 ($20.00 per lawn ticket)
Includes the option to buy a reserved VIP parking space for $100 (while supplies last) and
access to the exclusive VIP Café where the view of the stage is fantastic!
Volvo of Cary www.volvocary.com................................................ BC
Weaver Brothers Volvo www.weaverbrothersvolvo.com.............. BC
If you would like to advertise
in the Koka Booth Amphitheatre
Season Program, please contact
Amy Scott at 919.834.9441 or
amys@opus1inc.com.
For more information call (919)462-2025 or email us at vip@boothamphitheatre.com.
38
39

KOKA BOOTH

Transcription

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