tailhook witch-hunt - Discover the Networks
Transcription
tailhook witch-hunt - Discover the Networks
TAILHOOK WITCH-HUNT A ccording to Navy Lieutenant Paula Coughlin, a helicopter pilot and aide to Rear Admiral John W. Snyder, she had no idea that she would be walking into sexual hell around midnight on September 6, 1991, when she went up to the third floor of the Las Vegas Hilton to visit the hospitality suites at the Tailhook Association's annual convention. But as she entered the hallway of the hotel, she immediately found herself in a sea of leery male faces swollen with sexual energy. A taunting chant arose, "Admiral's aide! Admiral's aide!" A man bumped her from behind, grabbing both of her buttocks and lifting her up off the ground. Then, as she spun to confront this attacker, someone else grabbed her from behind. She felt hands going down the front of her blouse. Paula Coughlin was not the only victim of this bacchanal. Ensign Elizabeth Warnick said that she entered a hotel room after an invitation and was immediately jumped by three naval aviators who grabbed and blindfolded her, threw her on the bed and began ripping her clothes off. With heroic effort she managed to kick at the men, get herself free and escape from the room. The scandal known as "Tailhook" which erupted two years ago, after Paula Coughlin told her story about what happened that night in Las Vegas, would eventually shake the American military and the culture that supports it more than any event since the trial of Lieutenant Calley for the My Lai massacre two decades ago. Just as Calley's trial became a symbolic event for a military haunted by losing the war in Vietnam, so the Tailhook scandal was a symbolic moment for a profession still trying to accommodate to the requirements of a gender-integrated force. These requirements had already created a revolution INSIDE inside the military, yet critics claimed that women still were "second class" participants, restricted from combat and thus from the careers that conferred the highest rank and esteem. When Tailhook, the annual bash of the Navy's and Marine Corps' elite "top guns," seemed to have turned into an orgy of wholesale sexual harassment and assault it also appeared to have proven everything the critics said, presenting a picture of the male military culture which was not only resistant to change, but morally degenerate and out of control. When Navy brass instituted a "cover-up" in the wake of the revelations of Coughlin and other victims of Tailhook, it was taken as proof by politicians and the public at large of the existence of an Old Boy Network that would stop at nothing to protect its own. Critics of the military like Representative Patricia Schroeder said that heads would roll, and roll they did. Two years and many military careers later, these images of sexual barbarism and cover-up are still firmly fixed in the American mind. Perhaps they always will be. But as the Tailhook investigations have been completed and the trials and court-martials of alleged criminals have begun, a very different picture of what took place that fall weekend is beginning to emerge. That the late evening hours of Friday and Saturday nights on the third floor of the Las Vegas Hilton constituted a mob scene which to some extent was out of control is beyond dispute. That some $23,000 worth of damage was done (albeit most of it the result of stains on carpets) cannot be doubted. That there was in fact public lewdness and sexuality, some drunken brawling, and a general groping of females by intoxicated military personnel has been proven. Some civilian women who strayed into the third floor party unsuspectingly were indeed verbally and physically abused and there were perhaps one or two cases of real sexual assault. All this notwithstanding, however, the Pentagon investigation, conducted by civilian federal agents and involving several thousand interviews with witnesses and detailed reports on the night's activities in every single one of the 26 hospitality suites, shows something else Turn to page 10 THE NEWS FROM GILLIGAN'S ISLAND BIG GIRLS DON'T CRY by BARBARA RHOADES-ELLIS BILL & HILLARY GO TO THE MOVIES TRANSSEXUALS vs. LESBIANS: The Last Battle In The Erogenous Zone PC NOVEL AND THE BAND PLAYED ON AND ON AND ON... T ment, and the work of Carol Gilligan is now a fast-selling book, Meeting at the Crossroads: Women's Psychology and Girls' Development, coauthored by Lyn Mikel Brown. Even Kathleen Parker, a funny and usually sensible life-style columnist, was impressed by Gilligan's apercu when she read about it in People magazine. "Girls have it tougher," Parker wrote. "So say researchers who already knew this, inasmuch as they are women, but apparently felt they had to prove it statistically so that others—and we know who they are—would believe it." Actually, had Parker even skimmed the book itself, she would have been hard put to find any statistics, let alone statistical proof of anything. That's one of the problems: in the current inflamed atmosphere of feminism, on the cutting edge of grievance, Quindlen opinion—especially about grievances— wrote this three years ago. Today the is accorded the status of sober fact. dolorous subject of what happens to girls The splash that Meeting at the when they become women in Western Crossroads is making—well beyond the Culture is getting the full feminist treat- o celebrate her daughter's second birthday, columnist Anna Quindlen threw a temper tantrum on the pages of The New York Times: "My daughter is ready to leap into the world, as though life were chicken soup and she a delighted noodle. The work of Prof. Carol Gilligan of Harvard [Graduate School of Education] suggests that sometime after the age of 11 this will change, that this lively little girl will pull back, shrink, that her constant refrain will become 'I don't know.' Professor Gilligan says the culture sends the message: 'Keep silent and notice the absence of women and say nothing.'" Always inbred circles of academic feminism—can be partly credited to the success of Gilligan's earlier (1982) book In a Different Voice, which certified her as a feminist icon. There Gilligan challenged a current theory that men make moral decisions at a higher, more abstract plane than women. Leaving intact the dubious notion that the sexes differ morally, she claimed instead that the difference had been wrongly assessed by male standards which devalued feminine morality, and that we should instead say that men adhere to an "ethic of rights," women to an "ethic of caring." Fire came from all directions. Traditional feminists were alarmed at the boost her theory gave to the stereotypes about women that they had been battling for decades. Some thought her interview sample of 25 Harvard-Radcliffe undergraduates to be too narrow to support such sweeping conclusions. Others said she massaged the data and doubted that what her subjects said about hypothetical situations had much to do Turn to page 8 PAGE 2 OCTOBER 1993 Why you idiotic, white supremacist, "conservative" bigots continue to send me copies of your appalling, and frankly nauseating publication, is beyond me. You make me sick!!! I HATE YOU I HATE YOU I HATE YOU!!! I'm politically correct and proud. I don't need you insulting and questioning my beliefs all the time. My goal is to destroy your publication and everything you stand for! Ima Dyke A sample copy of the September issue of Heterodoxy arrived in my mailbox yesterday, and I spend an interesting part of an evening reading it. I have to confess that the style and quality of the writing did not indicate to me a high degree of credibility; however, I am highly sympathetic to the viewpoint of your organization so I hope many read it. In any case, it served to increase the level of ire in my life against certain forces in society. Most specifically, the article on the back page angered me in regards to the crisis in the court rooms —the story of violinist Carla Vindicaro and her family is a landmark travesty of justice, and she is just as guilty. I want to know — did that really happen in all its details, or is the story embellished, or is it pure fiction? Please answer this for me, as I am assuming it is true and am showing it to anyone who will listen as an example of the extremes of stupidity in the legal system. David Clark Eden Prairie, MN Remove my name from your mailing list immediately. I am a conservative, not a radical. Violet Borne Scottsbluff, NE Your flippant and ill-considered rag is a huge handicap to those of us who stand for diversity, against rape and against the repressive idiocies of PC. We stand for diversity with academic and civil freedom, with tolerance and mutual compassion, a diversity which realizes that not every pain can become a prosecution, a diversity not afraid of academic quality. For our pains, we are run over by repressive alliances of administration and the PC, and are labeled rightwingers in the process. Your rag lends credibility to such fears and undermines our every effort to restore forgiveness, compassion, laughter and academic quality to social progress, undermines our efforts even to be included in the relevant committees. Cool, balanced, articulate reporting is what is needed, and the rejection of vile, racist letters of the sort printed in several of your issues. Grow up. Kenneth H. Lockridge Department of History The University of Montana Missoula, MT Heterodoxy is indubitably a sanctuary of candor and fortitude among the noxious swamps of political correctness. As a new subscriber, I must admit that your journal delivers what American society is in dire need of: unyielding exposure and excoriation of the radical left's follies (and the malicious hatreds which underlay them). As an example of Heterodoxy's on-target critiques and scathing wit, Douglas Fowler's review of "American Feminist Thought At Century's End" should be cited (September). His cogent and courageous analysis, while a no-nonsense, wholly tenable piece of writing to anyone with an uncorrupted intellect, nevertheless stands out as fresh and invigorating in a world cankered with hypocrisy. Unfortunately, the odious specter of racial and gender ideology looms heavy over American liberty. Heterodoxy is surely the bane of those firmly ensconsed in the arms of PC illogic. Keep up the righteous onslaughts! John Azzolini New York, NY Once again, I find myself in the "counterculture"—only this time I am a conservative. Some may call me "fanatical," "right-wing," and "Republican," among other insulting epithets. But that's okay — as long as I can get my Heterodoxy fix once a month. Great magazine. Love the "Letters" section and liberals howling in outrage. Always gives me a good laugh. Boy, you really get under their skin, don't you? Keep up the good work. Mary Moss I am a graduate of State University of New York at Farmingdale. Because of this, I can relate to what Michael Hethmon endured at the Afrocentric Exposition {Heterodoxy, September 1993, "Afro-Facism On The Rise"). During the last leg of my 4 1/2 years at this liberal college, my school newspaper has been inundated by PC BS artists and Eurobashers that oozed their way in because Farmingdale University (FU, as I call it) had accidentally lured this new fifth column in with its low tuition to match their low selfesteem. I'd like to thank both Heterodoxy, Ward Parks, and Michael Hethmon for their courage in the face of being labeled racist. Let the multicultural elite perish from their own PC. Death to the left. Chuck Watson West Babylon, New York Thank you for publishing the articles about Peter Duesberg and the controversy currently surrounding AIDS, HIV and AZT. We are on the side of exposing the truth, as our young Judith Schumann Weizner's article in the September 1993 Heterodoxy ("Landmark Legal Ruling Reverses Bad Luck daughter is HIV+. After two years we took our daughter off AZT because she For Violinist) was brilliant. A tour de force. This is to was suffering severe side effects, which are common in advise you of my impending lawsuit: by writing in such a many AZT users. As the debate continues, we are finding witty, erudite and generally scintillating fashion, you have out how few media sources are minding the business of caused me to feel like an utter failure. As a writer, thinker, even—yes, I have to say it—as a human being. reporting the truth. During the period of time it took us to make up our minds Needless to say, this is having a highly negative effect on my to remove our daughter from AZT, we simply studied the marriage. My husband tries to understand, but being genderfacts at hand. And if anyone chooses, he may find these impaired, poor thing, is doomed to abject failure. The children, dog, even the cars are showing the strain. Things are facts at any medical library. For us, the debate is over, and we are going about our simply not what they were. business — the business of being the parents of our fine And you, Ms. Weizner, yes, you, are responsible. And for this, you must pay. young daughter. I look forward to a telling mediocratisation of your output in Steve & Cheryl Nagel the future. Brooklyn Park, MN Alison Bernhoft Editors Peter Collier David Horowitz Managing Editor Bill Cerveny Literary Editor John Ellis Staff Writer K.L. Billingsley Art Director Laura Hubbard After reading Judith Schumann Weizner's story on the violinist Vindicaro, I think that you have been had. Perhaps they are trying to wreck your paper. The story states that the court has found three parties to be responsible for the violinist's tendonitis: the violin dealer, the Julliard School of Music, and the heirs of the violin maker who died a hundred years ago. Have the courts gone beserk? For anyone to believe this story, you need to cite or reference the cases, dates, courts, and judges. Otherwise, the story is yellow journalism. Allan E. Hokanson I am writing in regard to your article on the back of the September issue of Heterodoxy which was sent to my home. Being violin makers and owning a violin shop, it really had us worried and we were about to send copies to other violin makers in the American Federation of Violin and Bow Makers and the International Association of Violin and Bow makers, of which my husband is a member. There was no disclaimer stating that this article was not true and I would not have known, had I not called your office. Others have seen this article and have brought it to our attention also. This scenario seems far-fetched, but considering the crazy things that are going on today it is not completely unbelievable and could actually give some "sue-crazy" individual ideas. I think you owe your readers an apology for publishing misleading articles and I hope that you will let readers know from now on if an article is fiction or non-fiction. Nancy Benning Studio City Music Studio City, CA As a lawyer who makes a hobby of following outrageous lawsuits and judgements, I read with interest Judith Schumann Weizner's article in the September 1.993 issue of Heterodoxy concerning the Vindicaro case. My attempt to relate this story to others is met with some incredulity, and I have to agree that the facts of this case stand out as highly unusual. I would appreciate it if you would cite to me the relevant court orders and findings in Vindicaro v. Gagliano, as well as any other related cases or, if feasible, send me a copy. I greatly admire your courage in publishing your paper. Joshua Davidson Editor's Note: We live in a time when fact is stranger than fiction which is why Judith Weizner's imaginative pieces always confuse readers. Operations Director Judd Magilnick Copy Editor John Penninger Circulation Manager Lisa Maguire HETERODOXY (ISSN: 1069-7268) is published by the Center for the Study of Popular Culture. The Center is a California 501(c) 3. Editorial: (916)265-9306. Fax: (916)265-3119. Subscription: 12 issues $25. Send checks to Center for the Study of Popular Culture, 12400 Ventura Blvd., Suite 304, Studio City, California 91604. Visa and MasterCard accepted. Inquiries: 800-752-6562 Heterodoxy is distributed to newsstands and bookstores by Bernhard B. DeBoer, 113 East Centre Street, Nutley, NJ 07110 HETERODOXY PAGE 3 E D I T O R I A L S T A T E M E N T S REDUCTIO AD ABSURDUM PORNOGRAPHICALLY CORRECT: From Mother Jones, September '93: "It's eight o'clock on a balmy Wednesday at the University of California at Berkeley, and Women's Studies 39, 'Literature and the Question of Pornography,' is about to begin...Today's discussion involved a previous guest speaker, feminist-socialist porn star Nina Hartley. The professor asks what insights the students gained from Hartley's talk. They respond: "She's free with her sexuality...I liked when she said, 'I like to fuck my friends'...No body-image problem... She's dependent in that relationship..." Where is Andrea Dworkin when we need her? TOUGH LOVE: In the recent trial of the four youths accused of beating truck driver Reginald Denny, defense attorney Earl Broady said that his client was, in reality, trying to protect Denny. According to Broady, when the videotape is closely examined, one can see that his client "put (his) foot gingerly on the neck...and he was doing something to protect Mr. Denny from further assault." Broady continues by saying that his client was not at the intersection that day to "harm or rob people," rather he was merely upset with the injustice linked with the King case. topless women took to the campus mall to protest the laws forbidding women to show their nipples in public. Before being arrested, the women became extremely upset as playful onlookers shot them in the breasts with squirt-guns. One protester commented that the men wielding the water-guns just "can't see past [their] fucking pea-brain testosterone." ONE REASON WHY THERE SHOULD BE A VOUCHER PLAN: In an item in our last issue we told about the teacher at Walter Johnson High School in Bethesda, Maryland, who took his World History students on an all day hike on the Appalachian Trail to simulate Mao Tse Tung's Long March. Well, it was worse than we thought. Not only the March itself, in which these high school students were required to read Mao's Red Book, and practice self-criticism "to get to TATTOO YOU: John Baldetta, a 28 year old nursing assistant in Seattle, was recently fired from his job for refusing to conceal a tattoo on his left forearm that read: HIV POSITIVE. It was not long before the EEOC became involved, ruling that the hospital was breaking the Americans with Disabilities Act, which covers people infected with the AIDS virus. Baldetta was quoted as saying "I want this to be a good teaching experience for Harborview and other employers that ignorance and hate...won't be tolerated any longer." NASTY WORK BUT SOMEONE HAS TO DO IT: William W. Kerrigan, an English professor at the University of Massachusetts at Amherst, defended sexual relations between professors and students in a recent interview with Harper's magazine. Kerrigan says that "there is a kind of student I've come across in my career who was working through something that only a professor could help her with. I'm talking about a female student, who for one reason or another had unnaturally prolonged her virginity. There have been times when this virginity has been presented to me as something that I, not quite another man, half an authority figure can handle—a thing whose preciousness I realize." the other side of what Mao did [it is called genocide]," but the rest of the class. The teacher at Walter Johnson High who assigned the March to his students, 25 year old Chris Garran, is (needless to say) a self-described "devout believer in multi-culturalism." In the classroom, Garran is as cutting-edge as he is on the hiking trail. He told the Bethesda Gazette, "I want students to take an increasing amount of ownership in class. They can BLACK ROLE MODELS: Representative Kweisi decide test dates, some of the topics we study, how a Mfume, the head of the Congressional Black Caucus, certain discussion can go and even lead discussions." has recently drawn fire from his hometown newspaper. And the crowning irony is that Garran has just been The Baltimore Messenger writes that Mfume "comes named one of the 100 best first year teachers in the U.S. from Baltimore's west side, where he dropped out of by the Student Loan Marketing Association, receiving a school, took on a series of meaningless jobs and fathered check for $1,000. five children by three women before deciding which direction he wanted his life to take." POURING TESTOSTERONE ON TROUBLED NIPPLES: Queer Nation recently staged a "tit-in" at the University of Arizona. As the name suggests, a bevy of ANOTHER REASON WHY THERE SHOULD BE A VOUCHER PLAN: In Washington, D.C., area schools a new Afrocentric curriculum has been implemented. On one bulletin board in a fifth grade classroom, the students' silhouettes line the wall next to the words: "We are the sons and daughters of The Most High. We are the princes and princesses of African kings and queens. We are the descendants of our Black ancestors. We are Black and we are proud." In the same classroom, "Brother Ah," one of the school's "music consultants," tells the children, "When they brought us here there were kings and queens. We were the first royalty before other cultures, before England...They told me in school that Africa was small. You can put the entire United States of America, including Hawaii and Alaska, in the middle of the Sahara Desert." SOMETHING QUEER IS GOING ON AT CORNELL: A report in the Cornell University English Department Newsletter notes with concern that there is currently no introductory course at the University in Queer Theory (a term preferred "because it is less cumbersome than Gay, Lesbian and Bisexual Studies and more accurate than Gay Theory, which usually implies men only"). The report goes on to note that in a recent survey of English department graduate students, 87% of the respondents "identified the need for an English Department hiring in the field of Lesbian/Gay/ Bisexual Studies." The English Department has made a start by adding this field to the list of possible minors in the graduate program. This means that students will be able to work with the "near-canonical texts" of theorists such as Eve Sedgwick and Adrienne Rich. Makes you wish for the good old days when black radicals with rifles took over buildings, doesn't it? FOR ELIZABETH WITH LOVE AND SQUALOR: Someone named Elizabeth A. Meese has apparently published a very embarrassing book entitled (Sem)erotics: Theorizing Lesbian: Writing (New York University Press, 1992). Somebody named Susan J. Leonardi of the University of Maryland (College Park) has just written a very embarrassing review of this embarrassing book in the South Atlantic Review, The review, couched as a love letter, begins "Dear Elizabeth." It contains sentences like the following: "You, a lesbian writer, write about lesbian writing (and, of course, about lesbians writing) and so produce lesbian writing, some of it 'life writing,' some the life writing erotic writing. I, a lesbian writing (reviewing), write about your lesbian writing and so about you, a lesbian writing, and your life, including your erotic life, and so, in some sense at least, about my life, including my erotic life." Hold on, it gets worse: "You've taken me to your bed. You've made love to me. (Is this the same as fucking the reader?) I have to admit that I wasn't altogether comfortable about that. I don't usually finish reading critical material with sweaty palms and crotch." And so on. The love that dare not speak its name now clatters on with brain-dead smuttiness in the critical journals of the land. PAGE 4 OCTOBER 1993 DAVE AND BILL: The President As Film Fan by RICHARD GRENIER Hillary Rodham Clinton, co-believer with Michael Lerner in a "politics of meaning," recently elevated Dave, Hollywood's political film of the season, to the summit of her summer enjoyment as a "really fun movie." The story of a presidential look-alike who brings kindness and compassion to the White House by taking the place of a very nasty fellow who somehow managed to get himself elected President of the United States, Dave, in Mrs. Clinton's view, is perhaps a "movie of meaning" mirroring contemporary history. Hillary has said that one of the thrilling things about being in the White House is that the building has its own little movie theatre, and that she and Bill are delighted at being able to see whatever and as many movies as they like (furnished free by the Motion Picture Association of America and the various film companies). After the Tomahawk missile strike on Baghdad in retaliation for the plot to assassinate George Bush, Mr. and Mrs. Clinton saw a movie, after which the President, it was reported, had a good night's sleep, whether because of the missile attack or the movie we don't know. The Clintons are seeing movies with only the very highest grosses at U.S. box offices, which puts them, on this point at least, in full accord with the American people, which, unlike American elites, have long displayed a conspicuous lack of interest in foreign cinema. Popcorn is served in the White House screening room, which holds 45 people, and the Clinton's taste in movies places them very much in the popcorn set. With Mr. Clinton's special attitude toward the Vietnam War, one might think he'd have wanted to see France's hugely successful Indochine, which deals with the French war in Indo-China and won this year's Academy Award for best foreign film as well as a coveted nomination for best actress for its star, Catherine Deneuve. But he didn't. Nor, with Mexico and the North American Free Trade Agreement a major national issue, did the Clintons seek insight into the Hispanic world by seeing the most successful Spanish-language film in U.S. history, Mexico's Like Water for Chocolate. Highly praised "art" films were of no interest to the White House either, and the Clintons saw neither Kenneth Branagh's new film adaptation of Shakespeare'S MUCH Ado About Nothing, nor Britain's much lauded adaptation of Virginia Woolf's Orlando, nor the most interesting film out of People's China in some years, The Story of Qiu Ju—a major success running for four months on the U.S. art movie circuit and of key political significance in Peking. One of the leading "black" movies of the season was Janet Jackson's Poetic Justice with poetry by Mr. Clinton's inaugural poet, Maya Angelou ("Alone, all alone/ Nobody, but nobody /Can make it out here alone."). For a time in early summer Poetic Justice was the number one film in the entire country, but as of late August the Clintons hadn't after a short period getting used to the job, is insubordinate. His kindheartedness comes to the fore and the film becomes an experiment in the politics of meaning. No more lust for power in the world's most powerful political leader. No more greed. No more corruption, neither of the flesh nor of the spirit. Dave's first encounter with government hard-heartedness is the planned closing of some shelters for the homeless. He tenderly visits one, the Helping Hand Shelter for children. Why must such humane institutions as shelters for homeless children be closed? For lack of a "lousy 650 million dollars," we're told. So Dave telephones his accountant friend, Charles Grodin, and Grodin discreetly visits the White House one night, pores over the federal budget for a few hours, and finds the millions necessary to keep the shelters open. So shines a good deed in this naughty world. Dave's crucial second encounter with government coldheartedness is over joblessness, and here his presidential innovation comes almost out of the blue. He calls a sudden press conference to declare emotionally that the most dispiriting thing about our situation in America today is that we feel we can't do anything to change things. But we can change things. A person's human dignity, explains Dave, requires that he or she have a job. And Dave thereupon announces a truly epoch-making program. "The responsibility of this government," Dave proclaims resoundingly, "is to find a job for every American who wants one!" The country goes wild over what the media suddenly cry up as the President's "Comprehensive Full Employment Program." The government will guarantee a job to every American. Now why didn't someone think of that before? Karl Marx, of course, not only thought of it but envisioned a system—no longer in fashion—which would accomplish this very end. He's not credited in the movie. In fact, the Dave of Dave is not at all forthcoming on the minutiae of his Comprehensive Full Employment Program, actually giving no details of it at all. The only point he posits unequivocally is that "the government" should bring about full employment. The program's inception is the film's key sequence. For, having bequeathed unto the nation his Comprehensive Full Employment Program, and assured himself that the "boy-scout" vice-president who succeeds him will carry on his good work, Dave "dies." That is, he simulates a stroke, there is a body switch, and for Dave is substituted the body of the real President he's been impersonating and who's been in a coma in the basement of the White House. Happy at this great good he has done his country, and without a whisper of regret at leaving behind the grandeur and accoutrements of high office, Dave then returns serenely to his obscure earlier life. On thinking it over, however, having learned the wonderful things that can be achieved by a government run by agents of change, Dave decides to run for Congress. On which magic upbeat the film ends. One wonders what is to be learned from this fairy tale—other than that its authors have an absolutely extraordinary faith in the power of government to cure society's ills. I suspect that in his dreams, through the laughter and through the tears with which he must have seen this film, President Clinton is just such a lovely person as Dave. Possibly he feels, as the authors of the movie Dave most movingly feel, that in a chief executive what counts more than anything else is old-fashioned kindheartedness. It's an open secret in Hollywood that bauxite miners will be unusually critical of a film on bauxite mining, and hog farmers will be unusually critical of a film on hog farming. But the people who live in the White House think that Dave, a film about the U.S. presidency, is a marvelous, joyful, and even salubrious movie. It's been said of future statesmen that the great political thinkers they're required to read at university tell one far less about them than the books, movies, and television series they consume for personal enjoyment in their relaxed moments. This perception, if accurate, leaves us with a White House in the spiritual embrace of a childish fantasy. And, interestingly enough, a statist fantasy at that. seen it either. Instead, the Clintons watched such popcorn movies as Dave and every other "summer" movie deliberately designed by Hollywood for out-of-school teenagers: Jurassic Park, Rookie of the Year, Arnold Schwarzenegger's Last Action Hero, Sylvester Stallone's Cliffhanger, Harrison Ford's The Fugitive, and the latest Clint Eastwood film, In The Line of Fire, The Clintons even saw Lost in Yonkers, which in point of fact actually brought in far less money at U.S. box offices than either Shakespeare's Much Ado About Nothing, Mexico's Like Water for Chocolate, or the Janet Jackson-Maya Angelou Poetic Justice. The fact mat both Clintons are graduates of the Yale School and Bill Clinton was a Rhodes Scholar at Oxford has spread the notion that the Clintons are sophisticated, cosmopolitan people. But their taste in movies suggests that the worldliness of Oxford and Yale just washed right over them and left them the provincials that they began as. And the fact that Dave really won their hearts tells us a lot. Dave (played by Kevin Kline) is not only a really fun guy, he has a whole larger dimension in that he feels the pain of the world's unfortunates. We first find Dave exercising his profession, running a temporary employment agency. In an early scene we see Dave—kind, compassionate, all heart—literally begging an accountant friend (Charles Grodin) to take on a temporary employee the accountant friend plainly doesn't want. But the woman has three children, her husband is diabetic, and since Grodin too is all heart he finally takes on the unwanted "temp." Meanwhile, compassionate Dave has an unusual sideline, which is imitating the president of the United States at Chevrolet car lots. His resemblance to the President is so striking that he is spotted by the Secret Service and brought to the White House for employment as a presidential decoy. We have already met the President himself, who, since he's played by the same actor, is unsurprisingly the spitting image of Dave. But whereas Dave is gentle and kind, the President is bracingly cold and hard-hearted. He is not, in fact, a nice person, and even the film's First Lady (Sigourney Weaver) dislikes him at least partly for humanitarian reasons. This President, we swiftly learn, cares not one wit for the homeless and the unemployed. Moreover, his chief of staff (Frank Langella) is as cold and hard-hearted as he is. But divine Providence intervenes and the President is felled by a stroke in the act of engaging in sexual relations with a White House secretary. And Dave becomes President. Or, if not exactly President, close enough to President so that his true identity is known to only a few trusted people. The whole point of the subterfuge, we are told, is that the Vice-President (Ben Kingsley) is a "boy scout," he earlier Hollywood movie with which Dave has which is to say still another disgustingly kind and compasbeen glowingly compared by critics is Frank Capra's sionate person. The White House "power" people, particuMr. Smith Goes to Washington. But this is a mislarly Chief of Staff Langella, can't stand to have such a dogooder succeed to the Presidency and prefer to retain their match. As film historian Elliott Stein points out, "What presidential impersonator—under tight control. But Dave, continues to amaze is the durable folly of the received opinion of Capra as some sort of New Deal liberal." Statement after statement from Capra expressed his abso- T HETERODOXY lute abhorrence of Roosevelt and, if less consistently, of the New Deal itself. [FOOTNOTE: See Frank Capra, The Catastrophe of Success by Joseph McBride. Touchstone Books, Simon and Schuster. Capra voted without fail for the Republican opposition. The point of departure of Mr. Smith Goes to Washington (1939) has much in common with Dave. There is no subterfuge or impersonation, but Mr. Smith (Jimmy Stewart) is a kindhearted, idealistic state leader of the "Boy Rangers" (Boy Scouts). After the surprise death of one of his state's U.S. senators, Mr. Smith, with no political experience—and with the expectation that he will be obedient to the orders of the state's political machine much as Dave is expected to be obedient to the orders of the White House chief of staff—is appointed to represent an unnamed political party and an unnamed state (originally Montana) in the U.S. Senate. But here Mr. Smith Goes to Washington begins to diverge sharply from Dave. On arrival in Washington, Jefferson Smith discovers that it is a very corrupt place, but what he finds most corrupt is that log rolling ("pork" as it is called today) has won for his state, under conditions of "deficiency" financing, a quite unneeded dam—which will perhaps bring a fortune in federal money into his state but is tainted with "graft." Mr. Smith's own pet legislative project is the creation in his state of a boy's summer camp which will teach American ideals to the boys of America, but which— and this is emphasized repeatedly—will not consume on penny of taxpayers' money but rather be paid for by the "nickels and dimes" of America's youth. In attempting to bring Smith around, his state's senior senator (Claude Rains) tells him that by shrewd politicking their state has obtained the country's highest level of federal grants, as well as—and this is in the middle of the Great Depression—its lowest level of unemployment. But this impresses Jefferson Smith not one bit. The unneeded dam, associated with back home profiteering of a conflict-of-interest sort ("graft"), is to him morally corrupt, and he declares indignantly that Washington needs more common sense and fewer laws. But the dam legislation looks as if it will go through and Smith's boys' camp project seems dead. In deep disillusionment, sitting on the steps of the Lincoln Memorial, Jefferson Smith decides to take action. In the Senate he conducts a one-man filibuster both for his boys' camp and against the dam that will bring a bonanza of federal funding into his state. Other senators attack him for preventing "public works" from going forward, for denying "food and shelter" to the poor, and for denying to the unemployed "relief (the period's word for welfare). But Smith stands firm, shooting back, "What this country needs is permanent relief from crooked men riding their backs!" He reads the Declaration of Independence during his filibuster. He reads the Constitution. Claude Rains, responsible for this deficit-financing "pork," suddenly (and somewhat implausibly) repents, attempts suicide, says, "I'm not fit to live!" and confesses to the world his corrupt ways. Jimmy Stewart and his secretary (Jean Arthur) are enveloped in a warm cloud of love, and the country is perhaps cured forever of pork-barrel politics. Like Dave, it should be clear, Mr. Smith Goes to Washington is not a very realistic movie. But the two films' respective ideologies could hardly be more contradictory. According to strict Keynesian theory, if government were literally to hire men to dig holes in the ground (an example Keynes specifically offers in his General Theory of Employment, Interest, and Money) it would flush money into the economy and have a beneficial effect. So, according to Keynes, with an economy in grave recession, a public works project like the building of an unneeded dam would be an excellent idea. And there is little reason to believe, with a portion of the funding violating conflict-of-interest rules, that such a dam would necessarily have lost Lord Keynes's support, as even "graft" flushes money into the economy: So Mr. Smith Goes to Washington is plainly not a pro-New Deal movie but rather—although its "message" is clouded by sentimentality—an anti-New Deal movie. The distance between Mr. Smith Goes to Washington, in which government intervention in the economy is at the very best dubious, and Dave, in which government can seemingly solve the country's most intractable economic problems, is large indeed. Capra may have intended to subvert FDR's New Deal, but the producers of Dave plainly intend to support Clinton's Raw Deal. What President Clinton thinks of Mr. Smith Goes to Washington we don't know. But, on another sort of movie, we learned from enthusiastic statements the President made on television's Larry King Live that he absolutely adores PAGE 5 Unforgiven, in which Clint Eastwood performs acts of almost ritual contrition for all the feats of manly bravery he performed in his "spaghetti Western" and Dirty Harry days. In Unforgiven the Eastwood character explains remorsefully that he was drunk during all the fearless, violent acts of his gunslinger days and pathetically seeks forgiveness. He and every other "good" person in the movie espouse a new creed of honor, which looks a lot like plain cowardice. President Clinton was so admiring of Unforgiven that the night before Deputy White House Counsel Vincent Foster committed suicide he called him on the telephone to invite him, along with Little Rock law-firm colleague Warren Hubbell (now a senior official of the Justice Department) to come to the White House to see the "new Eastwood's" latest film, In The Line of Fire. After a 20 minute conversation, the late Mr. Foster declined. Mr. Clinton saw and greatly enjoyed In The Line of Fire, in which Eastwood recovers his manliness as a Secret Service agent willing to give his life to defend the President of the United States—a manly purpose disapproval of which by the President would be to say the least ungracious. During what was supposed to be an hour and a half appearance on Larry King Live the following night, after expressing his enthusiasm for In The Line of Fire, Mr. Clinton learned that his friend Vincent Foster was dead. N Thomasons. Ms. Bloodworth-Thomason reciprocated by introducing the President to a new hairdresser, Cristophe (he of the $200 haircut), and Mr. Thomason by detonating the White House travel-office scandal. Bill Clinton's appointment as new chairman of the National Endowment for the Arts of Jane Alexander, a star of Broadway and Hollywood—the first time an actor or actress has ever held such a position—was perhaps to be expected, acting being clearly the President's favorite art. Miss Alexander's vigorous advocacy of a "nuclear freeze" in the early 1980s and known opposition to "content restrictions" for NEA grants cannot be unknown to the President, and are hardly an indication that the Endowment will abandon its support for "cutting edge" politics. But the most dizzying Washington ascent of all these show business people has been that of Barbra Streisand, whose name is at the top of every celebrity list of Bill Clinton's Hollywood. The ascent is piquant, in a way, as Miss Streisand's personal reputation in Hollywood is that of a most odious person. Miss Streisand, be it said, has long nourished the belief that she has a gift for the conduct of world affairs, but before seducing the Clintons her greatest political conquest had been former Congresswoman Bella Abzug, for whom she campaigned most recently—if with no success—in Yonkers, New York. One wonders if the Clintons even remember Bella Abzug. They certainly remember Franklin D. Roosevelt (and, during the HitlerStalin "Non-Aggression" Pact, Bella Abzug signed a telegram to Roosevelt raging at his support of Britain and warning him in the name of "American workers" to stay out of the capitalist war then underway between those two capitalists Adolf Hitler and Winston Churchill.) Miss Abzug seems deservedly headed for the dustbin of history and is only worth recalling at the present because Bella Abzug's politics are Barbra Streisand's politics. For some time now Hollywood has been seized by delusions of political understanding—the Clintons and the major figures of today's Hollywood, in fact, experiencing their ecstatic political awakening at much the same period in the late 1960s. But that a U.S. President should be awed to this extent by the glitter of show business is quite new. And what brings Bill Clinton into Hollywood's orbit is not simply that Barbra Streisand raised a million dollars for his campaign. Something about Hollywood reaches out to him. In the land of the Wizard of Oz he seems to sense a glimmering goodness much like the glimmering goodness in Dave and presumably in himself. Entertainers have a childlike quality. Bill Clinton has a childlike quality. Entertainers are narcissistic. Bill Clinton is narcissistic. It's certainly a childish trait to be so star-struck in the presence of movie stars. For those who have never witnessed the spectacle, famous figures from the magic land of the cinema are themselves regularly star-struck in the presence of people from the magic land of politics. Since Plato, writers and thinkers have been pointing out similarities between the actor and the politician; both self-centered, both showmen, both required by their profession to appeal to large audiences. In this regard it is quite misleading that Ronald Reagan as president had a distinctly untheatrical inner personality. In the film industry he was at best a mediocre actor. (One still hears in the mind the old Hollywood mogul's distressed cry: "No, no! Jimmy Stewart for Governor of California! Ronald Reagan for best friend!") Far from being at the mercy of his audience—the entertainer's usual psychological condition—Ronald Reagan had a limited number of political beliefs he held deeply, and to which he stuck come hell or high water. Bill Clinton, by contrast, goes from position to position, and from glib improvised rationale to glib improvised rationale, with no more guilt or bad conscience than an actor in the theatre laying aside one role to take up another. And what with his adolescent "fan" quality, he manages to fuse a contemporary modishness with the quality of a total hayseed. He also has a traditional American gregariousness and amiability, but seemingly without much moral content. When Hollywood speaks something in Bill Clinton stirs. We could say that deep inside Bill Clinton something stirs, but one sometimes wonders if deep inside Bill Clinton there is a deep inside. ow it's not exactly a secret (although David Gergen has tried to shroud this somewhat) that this is the most star-struck White House in American history. The expression "star-struck" has been applied countless times by the U.S. media (see/me, August 16) and Bill Clinton has been openly denigrated on network television as "our first groupie president." Heretofore, American chiefs of state have been wary of forming too close an association with glitzy professional entertainers. On rare occasions FDR would invite a large body of Hollywood stars to pose with him at the White House for a charity cause. Mary Martin sang "I'm in Love With A Wonderful Guy" for Dwight Eisenhower. Marilyn Monroe sang "Happy Birthday, Mister President" for Jack Kennedy, who skated closer to the line than most presidents (but was at some pains to keep it quiet). Ronald Reagan, though coming from Hollywood himself, made rather sparse use of his old friends Jimmy Stewart and Charlton Heston, as later of Sylvester Stallone and Arnold Schwarzenegger. The country has never seen anything like the Hollywood invasion that hit Washington with the inauguration of Bill Clinton, official guests at the Clinton White House so far including: Barbra Streisand, Judy Collins (these two sleeping over in the Lincoln bedroom), Jack Nicholson, Paul Newman, Joanne Woodward, Warren Beatty, Annette Bening, Goldie Hawn, Billy Crystal, Sally Field, Liza Minnelli, Michael Douglas, Sharon Stone (twice), Richard Dreyfuss, Ron Silver, Richard Gere, Christopher Reeve, John Ritter, Sam Waterson, Christine Lahti, Markie Post (of TV's Heart Afire). The list includes Hollywood "power" people as well: MCA President Sidney Sheinberg, TriStar Chairman Mike Medavoy, HBO Chairman Michael Fuchs, Robert Redford Sundance Institute Executive Vice-President Gary Beer, and of course the President's most prominent and vociferous Hollywood supporters, Linda BloodworthThomason and Harry Thomason, authors of TV's Designing Women, Hearts Afire, and Evening Shade. Press columns keeping count of the Clintons' Hollywood connections reported that the Thomasons were such frequent visitors to the White House that they had "the run of the place" and that Harry Thomason had a White House identity card giving him access to the Clintons' private quarters. (It was withdrawn after the post office scandal.) The list of White House show business favorites goes on and on, with Bill and Hillary Clinton—supposedly such sophisticated people—fawning on these Hollywood celebrities like a couple of yokels. President Clinton dined with Sharon Stone at Lincoln Center. President Clinton arranged for his friend Barbra Streisand to dine with Attorney General Janet Reno. Thanks to President Clinton, his friend Barbra Streisand chatted with Chairman of the Joint Chiefs Colin Powell. At the inauguration-day White House tea ceremony, Richard Grenier is a columnist with the Washington Times. when the outgoing U.S. President traditionally offers tea to His most recent book is Capturing the Culture: Film, Art, the incoming U.S. President for the only intimate moment and Politics. that they will ever have together, Bill Clinton discourteously trampled on precedent by crashing George Bush's gracious tea party with his Hollywood chums the PAGE 6 OCTOBER 1993 The Academic Asherfeld by DAVID BERLIN SKI The story so far... Richard Montague, professor of philosophy at a prestigious Bay Area university, has been found dead under suspicious circumstances. Detective Aaron Asherfeld has been summoned by university authorities. His investigation has taken him through the university demi monde of strange sexual and political styles. Among his collection of incompatible clues is Asherfeld's discovery that a federal investigation into Montague's affairs has been blocked on affirmative action grounds and that Montague has obtained a NSF grant by representing himself as African-American. In the last installment, Asherfeld's investigation took him to the hills outside Palo Alto where millionaire Odo Onto runs a workshop of NOMAS, the National Organization of Men Against Sexism. The Dean was on the telephone to me at seven fifteen the next morning. "Asherfeld," he said, "glad I got you." I sat up and rubbed my eyes and looked at my bedside clock. "Not much chance you'd miss me at seven in the morning." "That's why I called early," he said. "Can you make a ten o'clock?" I said sure thing and hung up the telephone and rolled over and tried to get back into the dream I had just left. It didn't do any good; it never does. After a while I took my coffee over to the living room window and looked out over the Bay. When I first came to California I met a tax assessor named Alanbogen at a party on Potrero Hill. He pointed out toward the Bay with his drink and said: "Sometimes I can feel the water calling my name." His wife left him for another man later that year. Alanbogen called me from a pay phone in Golden Gate Park. "I'm going to jump," he said defiantly. One man out of a hundred survives the drop. Alanbogen not only survived the drop in robust good health, but he was able to swim to the shore by himself. The newspapers ran pictures of him clambering sheepishly up the little beach by the base of the bridge. From time to time I see him around. He never talks about jumping anymore. I don't know if the water is still calling his name. I got to the Dean's office on the quadrangle at a little after ten. The Dean himself bounded out of his office when I knocked. He had his jacket on; he was clutching a leather briefcase. He looked ample and rumpled and sweaty. "Come on, Asherfeld," he said. "Meeting's in the President's office." He began walking very briskly, breathing with (he peculiar jerkiness of men who never take exercise. "Thing with Montague's totally out of control," he said. "President is livid." He didn't say anything else until we reached the other side of the quadrangle. The Dean opened the heavy walnut door to the President's suite slowly and let me walk ahead of him; he elbow-guided me down a darkened carpeted hallway and across another hallway. The conference room was at the end of the second hallway. The Dean punched an access code into the computer lock by the door and the door swung open silently, turning on the recessed overhead lights inside. It was one of those rooms that are designed to wow whoever is sitting in it; the Joint Chiefs of Staff would have been impressed. The great elliptical conference table, a gigantic vase with elaborate artificial flowers at its center, had been polished with enough elbow grease to light up a small city. The chairs around the table were all reclining jobs with chrome arms and deep red plush pads. A little kit on the table in front of each chair had a pad of expensive looking paper, a nifty German fountain pen, and an exotic Hewlitt-Packard calculator. The Dean bustled around the table and sat himself down at the far end of the table in front of a control panel that looked as if it might have come from a Boeing 747; he spread his papers on the polished wood in front of him; I sat at the other end of the table and played with the German fountain pen. After a little while, the door swung open again and a small man rolled into the room in a wheelchair. He had a thin pained face and a wasted torso with a little pot belly. The Dean stood up and walked over to the door and shook hands with him gratefully. "Mole," he said. "Hell of a thing." The man in the wheelchair said in a calm, authoritative voice: "Now, now, let's not cross our bridges before we come to them." The Dean nodded, standing awkwardly by the wheelchair. "Aaron Asherfeld," he said, "Mole Anbisol, Special Counsel to the President." Mole Anbisol nodded precisely toward me; there was something spiderish about his movements and his manner. He rolled himself to the far side of the elliptical table and cocked his head; the Dean returned to his seat. One of the three lights above the door glowed red. "The President is on his way," said Anbisol. The conference door opened noiselessly again and the President of the University poked his head into the room; I recognized him from television news shows that had shown him sweating before various congressional committees. He had a trim, absolutely uninflected face. He was wearing gold aviator glasses. "Mr. President," said Anbisol reverently. "Mole," said the President. He nodded quickly toward the Dean and then toward me. "Nice to see you again," he said to me with a sudden toothy smile. Then he said: "I want to be deniable on this, Mole." "Of course, sir," said Anbisol. "Don't leave me standing out there my dick in the wind." "No, sir," said Anbisol. "I won't let that happen." The President said: "Good, good," and nodded again to the three of us; then he withdrew his head from the room, the door closing silently behind him. The Dean let out a great wheeze; I realized that he had been holding his breath. "Asherfeld," he said, "you coming up with anything on your end?" "Can you get the board down?" I asked the Dean. "Sure thing," he said, fumbling with the panels at his desk. A gleaming green blackboard descended quietly from the ceiling. I got up from my chair and stood before the board, feeling unaccountably professorial. "Montague discovered a wonderful scheme," I said. "He used Federal research money to set up a dummy corporation. I wrote CSR on the board, using the fat yellow chalk from the blackboard's metal tray. "And he used affirmative action to make the thing disappear." I wiped the letters CSR off the board with the back of my hand. "How did he accomplish this?" asked Mole Anbisol. "It wasn't hard. I'm guessing he had his graduate student, kid named UB Goode, go over to contract compliance and swear he was Montague." "Go on," said the Dean grimly. "There's not much more," I said. I told Mole Anbisol and the Dean about Violet and the coachhouse and Dottenberry and my visit to Odo Omo's ranch; I didn't mention his gay friends. I figured that was his business. "This Odo Omo is a man who likes his privacy," I said. "Not a crime, Asherfeld," said the Dean. "You're probably right," I said. Then I added: "I'm pretty sure that Montague wasn't in on CSR alone." "Why is that, Asherfeld?" asked Mole Anbisol. "I don't think he had the nerve," I said carefully. "I don't think he had the nerve to do something like that alone." "Any idea who else be involved in this?" asked the Dean. "Not yet,"I said. "Montague, Dottenberry, and Bulton Limbish used to ride together, kind of a club, playing at being tough." The Dean nodded indifferently. "What about the other stuff, Asherfeld?" he asked, his face reddening. I spread my hands apart at the board. "Lot of rumors on campus," I said delicately. Mole Anbisol said: "I'm concerned to keep the President deniable, gentlemen. So far, I've heard nothing that worries me excessively." "Mole, you haven't heard the latest," said the Dean. "Now, now," said Anbisol. "It couldn't be as bad as all that." "We're being blackmailed," said the Dean explosively. "These guys out there want more than half a million dollars from us." "Probably a parent," I said. "Just got his tuition bill." Mole Anbisol snickered gently. The Dean bent over to withdraw a miniature tape deck from the tattered leather briefcase he had placed between his feet; he fussed with the thing for a moment so that it was evenly aligned with the edges of the desk. "Listen to this," he said. "Came yesterday morning." The cheap tape-deck hissed momentarily and then an odd metallic voice began speaking: "Pay attention," the bizarre voice said, "this is not a joke." The voice continued: "If we do not receive five hundred thousand dollars, videotapes of Richard Montague's final moments will be made available to selected news media. Do not do anything foolish. Otherwise..." The voice became unintelligible. The Dean switched off the tape deck. "That could mean anything," Anbisol observed. "What I thought, too, Mole," said the Dean. "Today I get a telephone call, I'm telling you these guys are serious." I said, "Whoever's talking to you used a security scrambler. Makes the voice untraceable. It doesn't matter. What they say?" "They said they have a video of Montague's death. They said it's not the sort of thing the university would be proud of." "They're probably suggesting," I said, "that Montague died in some sort of S&M ritual that went a little too far." "Looks that way to me, Mole," said the Dean. "Sort of thing gets out we are going to see 93-94 Fund Drive dry up so fast your head will spin." "Look on the bright side," I said. "You can make the video the centerpiece of this new Gay and Lesbian Studies program." The Dean frowned deeply and was about to say something censorious when Mole Anbisol snickered. "What do you think, Mr. Asherfeld?" I thought things over for a moment; then I said: "I don't think someone's putting the arm on the University, Anbisol." The Dean sputtered: "What're you talking about Asherfeld? I'm telling you, these guys are threatening to blow us out of the water with this thing." "You probably right about that part of it," I said. "On the other hand, CSR could have run up some real debts that Montague didn't cover. I think someone's out there trying to collect They're using whatever leverage they've got. I don't think they've got much." "Why is that, Mr. Asherfeld?" said Mole Anbisol in his seductive soft way. "They're asking you to take too much on faith. If they had an embarrassing video, why didn't they send a copy? I think if you ignore them, they'll go away." "I'm inclined to agree with you," said Mole Anbisol. The Dean looked tense and fretful, but he didn't say anything more. I had lunch at the student cafeteria that afternoon. The thing was housed inside the Union. I remembered student cafeterias as the sort of place where a woman who looked like Godzilla would heap a pile of fries on your plate along with a grey slab of something called Salisbury steak. If you were still hungry after that you got to order a slice of rubbery angel food cake with yellow frosting and sprinkles. This place was divided into ethnic counters. You could get tacos or rice and beans at one counter, and Chinese food at another. There was a stand selling soul food and a stand marked Vegen Only! The last stand had hamburgers. I got one, along with some fries and a Coke. The radiant young woman at the cash register said: "I knew you'd be ordering European." "Why's that?" "You look European, you know, white and sort of middle-aged and all." I took my European chow out to the terrace and ate HETERODOXY PAGE 7 about half of it; whoever had been busy in the kitchen hadn't The next day someone named Dee Dee Frobenmyer A small sly smile played across his face. He bent over quite gotten the hang of European cooking. called me there. He had a smooth, round, plummy voice. to line up another shot. I reached over and put my hand on I wanted to catch up with Bulton Limbish; Violet had "There are some things I might be able to tell you about his cue. said that he could generally be found outside the bookstore. RM, sir," he said, carefully, using Montague's initials. "You can play pool later, Sonny.' He snapped up Limbish was there all right, manning a table covered "I'm all ears." immediately. "You're right, sir," he said. "I'm sorry, sir, with a white tablecloth. There was a large framed picture "Actually, it would be easier if we could talk here, sir." but actually you are sort of involved in this whole thing." of a stout-looking Stalin on the table and copies of newspa"Here?" “How so?” pers called The Official International Journal of the Maoist "At the House. The Alpha Tau Alpha House. We'd be "The business with the WCC isn't all fun and games, International Movement. The graphic legend on the upper more comfortable and all. You'll have to walk through a sir. They've filed a sexual harassment complaint and right corner of the paper showed a worker in black profile, demonstration, though." claimed we're in violation of the Speech Code." "Hard to a cloth cap on his head, his fist in the air. Next to the I left Mike Dottenberry's office at a little after noon, believe." newspapers there was a pile of books. The fattest book was just as the quadrangle flooded with students. I walked to the "Three violations and Alpha Tau Alpha goes on called Theories of Ideology, It looked like must reading. Alpha Tau Alpha House, which was about the size of the automatic suspension. My dad was Alpha Tau. He's going The little book next to it was called Always Historicise! I White House. It took up the northwest section of the block to kill me if he finds out we're on suspension." "Tough figured it was kind of an after dinner chaser. You knock at the corner of Middlebury and University. Frobenmyer was break." back the fat book, you take the thin book to even out the right about the demonstration. A parade of young women "We've already done Sensitivity twice." flow. was marching in front of the well kept lawn. They were "Sensitivity?" Limbish had a copy of the newspaper in his hand; chanting, "Hey, hey, ho, ho, Heteropatriarchy has got to go." "You get together and learn to be sensitive to other every so often he would shout "Official Journal of the I watched them a while. Two Women were manning a people's needs." Maoist International Movement!" to the empty space be- table set up at the far end of the sidewalk, just before the "I can see all that training really took." I said. "But I'm yond his table. The walkway beyond his stand was thronged street. The sign mounted on their table said, Pissed Off not exactly on campus to mediate fraternity disputes." with students, but no one paid him the slightest attention. Women. Someone had illustrated the sign with a large "I appreciate that, sir," Dee Dee said. "But you are here I took one of the newspapers and glanced at the front cartoon. It showed a muscular, grim-faced woman deliver- to sort out things about Richard Montague." I nodded. page while I looked sideways at Limbish. He was a ing a blow to the solar plexus of a pudgy oafDee wearing Dee stoodan his pool cue upright. "There was this graduate assistant he compact, tense-looking man, dressed in a work shirt, jeans, Alpha Tau Alpha sweatshirt. POW! was printed alongside had, UB Good, tall spade. Strictly Arf Arf." and heavy work boots. He had thick black hair and an the woman's fist "Arf Arf?" enormous walrus moustache; his face had the kind of "Affirmative Action." skin that suggests that a layer of "So?" epidermal muscle ran just beneath its "He was dealing, man. I want to tell surface. you that." "Dealing what?" "Pot, The lead article in the newspaper harsh, mainly LSD." "A lot of guys was a complicated defense of Stalin and deal." "He wasn't dealing with his Mao; the only criticism that it had to offer money, sir. of Stalin's policies was that he hadn't "How do you know this?" "UB told killed enough people. us." I nodded at the large framed picture I leaned over the table and patted of Stalin. one of the shiny balls to the opposite "Still a big man on campus?" I cushion with my fingertips. The ball said. made a pleasant thudding sound as it Limbish glared at me in a fierce hit. short-sighted way. Finally he said: "What do you think I'm going to "What would you have done, fascists do with this information, Dee Dee?" and Hitlerites on every side, class "Nothing, sir. I'm volunteering it. enemies at home?" I think its important that the university "Me? I'd have killed sixty million not be embarrassed any more than it people, too. No question about it. Hell, has to be. I mean this place has been I'm generally in favor of killing sixty caught with its pants down so many million people even without fascists times it isn't even funny anymore. The and Hitlerites on every side. Especially Speech Code. Killing Western Civ. here in California. Think what 101 be That really ticked off the alumni. Now like without sixty million class news that some professor's been "What would you have done, fascists and Hitlerites on every side, class enemies at home?" enemies. No lines Sunday morning for bankrolling a campus laboratory, that Dim Sum. Be great." would be terrible, sir. Probably be the straw that breaks the Limbish regarded me scornfully for a moment. Then camel's back." I walked up the walkway to the large white doors of the he turned his head toward the campus and resumed his The small sly smile had returned to Dee Dee's face. fraternity house. monotonous chant. "The sort of thing the Dean ought to know, don't you think, A small black man in a butler's uniform let me in. The After a while I said, "Violet tells me that you and sir?" Richard Montague were pretty close, shared a lot of class house itself seemed to be vibrating to the thudding bass of a "You want to blackmail the Dean into going easy on very powerful stereo system; I couldn't hear the music at all. interests and all." your fraternity?" "Mr. Frobenmyer be down in the billiard room," said That got his attention. Limbish lowered his arm and "I didn't say that, sir." put his newspaper on the table and looked at me full in the the butler, pointing vaguely toward the back of the house. "You didn't have to. Why should I say anything to the face. I could see that he was weighing his options. It was "I'd take you down only I'm suppose stay by the door in case Dean?" any them women they try and bust in." clear that deliberating was not what Limbish did best. "Well, it's something you know now, sir. You can't "You stay right there," I said. "That's where you're unknow it. Sooner or later, you'll have to mention it." "Who are you?" he finally asked. needed." "Aaron Asherfeld." I reached over the table and flicked one of the billiard Dee Dee Frobenmyer was standing by an expensive balls toward the side pocket. "The guy Donald Dindle said we didn't have to talk pool table in the basement. He gave me a blazing smile and to." "You're a little weasel, Dee Dee," I said. "Oh, I shook my hand suavely. "That must be me." know it, sir. Absolutely." "By the way, what are you "I'm really glad you could come, sir," he said. "Can I studying here?" I asked. "Pre law, sir," Dee Dee gave me "Then I don't have to talk to you," said Limbish get you a wine cooler?" triumphantly. his large smile. "I'm pre law." I shook my head. "Lot of angry women out there," I "You're right. You don't have to say a word." I don't know why I even asked. said. We stood there like that, two grown men flaring at To be continued... Frobenmyer rubbed a chalk square across the tip of his each other in the brilliant spring sun. I took a card from my cue. "Angry isn't the word." wallet. "You get to feeling otherwise, give me a call." DAVID BERLINSKI is a Bay Area writer. Less Than Meets "What's got them in an uproar?" "Why should I?" Limbish said truculently. The Eye (as The Academic Asherfeld will be titled in book Frobenmyer leaned over the table to line up a shot. He form) will be available from St. Martin's Press later in "Confession is good for the soul." I tapped the pile of newspapers with pictures of Stalin and Mao. "It says so ran the pool stick through his braced fingers a few times and 1993. His last Asherfeld novel, A Clean Sweep, was pubthen delicately sank one of the balls into the side pocket. right here." lished this year by St. Martin's Press. His non-fiction work, "Some of the brothers put out a little booklet," he said. A Tour Of The Calculus, is to be published by Random "What's it called, this book?" n Wednesday, I called the student newspaper from House later in the year. "A Guide to the Women's Coalition for Change," he my apartment and had them run a small ad in their smirked. personal section. It was the soul of discretion; it said "What you do, rank the women by butt size?" only that I would be willing to speak with anyone who knew "Sort of." Richard Montague. I gave Dottenberry's office number. "That's very interesting, Dee Dee," I said. But that's not why you called me," O PAGE 8 OCTOBER 1993 GILLIGAN CONTINUED FROM PAGE 1 with how they would behave in real life. But the hint that women were not just equal but morally superior to men proved irresistible to most feminists, and so, despite its flaws and controversy, In a Different Voice launched Gilligan's career like a rocket Just as college deans have to scramble to meet affirmative action hiring goals, the keepers of the sparse feminist canon were only too happy to embrace this new work, which is now in its 32nd printing. In 1984 Gloria Steinem's MS. magazine anointed Gilligan as "Woman of the Year," complete with a cover photo and five page spread. Today Gilligan is immensely influential and regularly quoted with respect, even reverence, in the mainstream press. Thus the hushed respect with which Meeting at the Crossroads has been greeted. Because of Gilligan's stature, her theory about how girls develop has the potential to become conventional wisdom in education departments and in the practical world of school teachers and counselors. It is simple and pernicious, and goes something like this: mothers, female teachers, and other "good women" of Western Culture (if they are white and middle class) are victims of the patriarchy which forces them to cover up their own feelings, and then victimize the next generation of girls by imposing the "injunction to be 'nice' as a way to control their expression of feelings and thoughts" and to "keep them from saying too much or speaking too loudly." This often causes girls, at adolescence, to lose their resilience, vitality, their immunity to depression, and their sense of self. (Biology is virtually absent from the Gilligan/Brown world view. Down with nature, up with nurture!) Meeting at the Crossroads, which the authors call "a journey of discovery," is based on a five-year study at the Laurel School in Cleveland, a private dayschool for girls. "At the heart of our narrative are the voices of nearly one hundred girls between the ages of seven and eighteen." Most are middle or uppermiddle class, but about 20 percent are from working class families and on scholarships. Fourteen percent are "of color." Gilligan and Brown descended upon the school with an interviewing team to find out why and how little girls (honest, open, rambunctious, "authentic") turn into big girls (conforming, reticent, insecure, believing they have to be "nice" and therefore ripe for abuse by males). They wanted "to understand more about girls' response to a dominant culture that is out of tune with girls' voices and for the most part uninterested in girls' experiences, which objectifies and idealizes young women and at the same time trivializes and denigrates them...." The fact that the authors don't understand that this is a deeply held prejudice on their part, rather than a theory capable of sustaining scientific observation, fatally infects all the work that followed. Despite all the busy talk about empiricism and putting together a team approach to the problem, after their first year on the job, Gilligan/Brown have managed to put together almost no real research—that is, objective data-gathering. Almost at once the project was bedeviled by its own methodology. The kids (bless their hearts) resisted, compared notes, and clammed up, causing the research team to have doubts about the study design, which initially, at least, had some semblance of established research practice. The authors claim that they worried about the effects they themselves were having on the girls: "We became another reason for girls to feel bad or feel judged [for being unresponsive to the interviewers]." At first they repressed their unease: "We overrode our own feelings. As women we found this easy to do." In other words, they saw themselves in their research. (You can almost hear a catch in their throats.) Soon they decided that their initial hard-nosed standards for psychological interviewing had to go if they were to get the results they wanted. "Unwittingly we [had] set into motion a method of psychological inquiry appropriated from this very [male centered] system....As Audrey Lorde [martyred saint of radical feminism] warns us, 'The master's tools will never dismantle the master's house.'" To deconstruct the house of maleness, they needed "to create a practice of psychology that was something more like a practice of relationship." Science, it would seem, is a Guy Thing—which must come as a shock to the countless women who do real research. This insult to women is made worse by special pleading: "We know that women, in particular, often speak in indirect discourse, in voices deeply encoded, deliberately or unwittingly opaque. As white, heterosexual women living in the context of twentieth-century North America—as women whose families in childhood were working class and Jewish, respectively—we know from our own experience about...capitulation—about complicity and accommodation." If traditional research techniques had to be jettisoned, the shackling language of traditional psychology, in which "androcentricity" is "deeply rooted," was next to go. "We draw on language used by women poets and novelists who write about girls' and women's lives, at times we draw from music a language of voices, counterpoint, and theme." They tout their "Listener's Guide" to the girls' voices which is CAROL GILLIGAN "responsive to the harmonics of psychic life, the nonlinear, recursive, nontransparent play, interplay, and orchestration of feelings and thoughts, the polyphonic nature of any utterance, and the symbolic nature not only of what is said but also of what is not said." Had the authors spent less time honing this neo-psychobabble and more time in the design of the study, the final result might have been better. The girls' narratives, selected and annotated to serve the authors' purposes, portray a rogues' gallery of masculine awfulness: bullying neighborhood boys, spoiled, sadistic brothers (one is a voyeur), self-absorbed, drunken and violent fathers, a smothering, possessive boyfriend. It stretches credulity that the authors did not stumble upon even one girl's narrative that portrayed an affectionate, uncomplicated relationship with a dad, uncle, or brother. Clearly, Meeting at the Crossroads cannot be taken seriously as a research study because its "data" are hopelessly biased. But what about Gilligan and Brown's thesis: are they onto something in spite of themselves? To decide, one needs to learn how the authors make their case. The social climate of the Laurel School should dispel anyone's fantasies about the moral superiority of female society. Snobbery, cliques, telling secrets, conformism, obsession with popularity, the tyranny of the Popular Girl— they all flourish there, impervious to those "silencing voices" of mothers, female teachers, and other "good women" whom Gilligan and Brown accuse of acting as gender fifth columnists admonishing girls to be "nice." This realistic group picture of the girls of Laurel clashes with the authors' romanticized portraits of them as individuals: the youngest (not yet ground down by Western Culture) are for Gilligan and Brown little Noble Savages who "speak out to those with whom they are in relationship about bad or hurt feelings, anger...as well as feelings of love, fondness, and loyalty." Appreciative of differences, they are willing to "grow to like someone," and (unlike boys) in play will change the rules of the game rather than argue over differences. "And yet," the authors assure us, "this is not to say these girls will back away from open disagreement." But already (the authors tell us) these seven and eight yearolds are anticipating the reactions of adults, and they begin to monitor each other and report on "nice behavior." Here the careening train of the argument tumbles over a precipice: "The demand for nice and kind can be oppressive, a means of controlling and being controlled. 'Whispering,' 'telling secrets,' 'making fun of,' and 'laughing at' others are ways to prevent girls from risking too much or acting in ways that are too threatening, too different." The authors seem to be telling us that the rotten things girls often do to one another are really the fault of mothers and female teachers urging them not to do rotten things to one another. To Gilligan and Brown, "nice" means little more than middle-class decorum, hypocrisy, and superficial relationships. They never consider the fact that only adults can teach children civility and humanity—they certainly would not learn it from one another—and that this "niceness" allows human society to function. Someone should lend them a copy of Lord of the Flies. It is hardly news that girls, like boys, can be cruel, tyrannical, and intolerant of differences. But the notion that they would be less so—or emotionally better off—-if encouraged by adults to squabble and say whatever pops into their heads, even when angry, carries an eerie echo of one of the more destructive injunctions of the Sixties: "Let it all hang out" Part of growing up is learning not only how but also when to speak one's mind—and discovering how to judge situations and to examine the validity of one's own thoughts and emotions. It is learning to just say no—to one's own worse instincts and psychological barbarities. Gilligan and Brown's dime store Rousseauism doesn't allow them to consider this possibility. That their thesis is not only simplistic and derivative, but also unsupported and irresponsible, is revealed in their commentary and analyses of the girls' narratives. An example: "Lauren," age 9, tells the following story: "I had this project and I didn't turn it in on time. And I was in trouble because it was on a Sunday and it was due the next day and it was time for my bedtime and...I told my sister and she told my mom and that got me in trouble that my mom wanted to yell and scream at me. So I started to work on it but..I couldn't really, I just didn't want to do it right at that moment, because I was really tired and it was really hard for me to tell her why I didn't do it over the weekend." Lauren would like to tell her teacher that she thinks it is a "really dumb assignment" and that she is so busy that she might turn in something late. But she knows that meeting the deadline means she "won't get a bad grade,"her parents will be proud of her, and she'll get to go somewhere of her own choice, "like to Burger King or Wendy's." Lauren's admirable grasp on reality does not impress the authors: "No one seems to notice that Lauren doesn't say what she wants....Burying her feelings about the 'dumb' assignment and also her growing 'rage' at her sister for telling her mother, Lauren describes a reality in which... selflessness pays." Selflessness! Opting for a good grade, pleased parents, and a hamburger with fries sounds more like enlightened self-interest One has to shudder at the kind of school the authors might design, where legitimate authority—feminine authority at that—can be flouted and assignments can be late—or ignored entirely—because the child doesn't feel like doing them and pronounces them dumb. The authors repeatedly offer similarly outlandish interpretations but give the nonplussed reader no real argument for them—nor against more obvious and sensible interpretations of the "facts" they present. As if working through divine revelation, Gilligan and Brown simply assert; the reader must take it or leave it They seem not to know that a genuine study must look at other possible interpretations of its data in order to make the case that its own interpretation is the most compelling. Doubtless Gilligan and Brown would see all this as another "male" requirement, but the fact is that neither men nor women can expect anyone to take seriously their claims to offer new knowledge without this rigorous use of argument Note too in these examples the authors' gullibility about the girls' stories. They are skeptical only when they HETERODOXY PAGE 9 decide that a girl is suppressing her "true feelings." It never occurs to them that the girls might be saying what they believe the interviewers want to hear, or that their accounts are trimmed to present themselves in their best light, or simply that most kids are masters of hyperbole: "dumb" homework, for example, often means "homework I can't be bothered to do." "Judy," age 13, talks about a friend who "goes out with guys" and "goes further than most people would." This is behavior she finds disturbing: "... I mean, we are like thirteen, but still you want to be romantic....That just made me, if I had done something like that, I would feel like total dirt and totally worthless and she's so proud of it. I just can't know how she did that. No one else would ever do that, because they don't—that's not romantic, that's just plain disgusting." Judy's prose may not be stylish, but her attitudes are what most parents would like to see in their thirteen year olds. She would like to have a boyfriend but believes she is too young to be sexually active. Reasonable enough. But it's thumbs down from Gilligan and Brown: Judy is "losing her mind" to the voices [of others]" and covering over "bodily desires and sexual feelings with romantic ideals.... Wanting romance without sexuality.. Judy feels the pressure of norms and conventions inside her brain, particularly those of feminine goodness, which, taken in, are creating ideas of reality that are at odds with her experience of living as a feeling mind/body." The authors never speak of the real-life consequences of their Flower Child views, but wading through this psychobabble one has to conclude that sexual activity among thirteen year-olds doesn't bother them. They even frown on Judy for saying that promiscuity at this age bothers her. And they criticize meddling mothers who have the gall to try to pass on some of their adult wisdom and experience—not to speak of values—to their daughters. (Another Sixties slogan can be heard murmuring in the background of this work: "Never trust anyone over thirty") Not to put too fine a point on it: here is a Harvard professor, lionized by feminists, using the prestige of her position to imply to teachers and mothers (and ultimately children) that it is OK for girls to sleep around—at age 13! "Edie," age 11, tells how her mother sometimes won't let her "go to a party, a sleep-over, maybe...because she doesn't trust the people or something." Initially Edie was angry, she says, but later realizes that her mother does this because she cares about her, doesn't want her "to get hurt." More crepe-hanging from Gilligan and Brown when they come to their version of a Dear Abby gloss on this position: "Edie's struggle to name unfairness and to stay with her feelings and thoughts about being overruled by her mother is overshadowed by her mother's seemingly selfless love and concern." No explanation is offered as to why this mother's love and concern should be doubted, or why, with no knowledge of the details, the authors think they can second-guess her judgment of the actual situation. As usual, the "good woman" is the culprit. Does any Laurel girl win the Gilligan/Brown seal of approval? "Sonia," who is black, does. (The authors smile upon anyone who is minority or working class.) Had they not told us, we would never guess Sonia's race—her thoughts and complaints sound much like those of the other girls. It is amusing to watch Gilligan and Brown grubbing through Sonia's narrative to find any clue that she is suffering because she is black. The best they can come up with is a story Sonia tells about a teacher who wouldn't let her read a book of her own choice, insisting instead that she read a book that had won an award. Assuming (as always) that this "good woman's" decision had no validity, the authors' imaginations soar into PC hyperspace. "Though Sonia does not tell her interviewer what book she did not want to read or why, her resistance seems healthy, even admirable given that awards and prizes in this culture are more often handed out by those to those who would reflect and sustain the privileged status quo." Imagine: here are educators recommending that children be encouraged to ignore their teachers' opinions about what they should read because the kids' choices are likely to be better! The authors cannot resist a footnote enlightening the reader about how very few children's books are written by black authors. Even when a black interviewer is assigned to her, Sonia doesn't speak of race or exclusion. The authors gush anyway about "palpable communication" and "shared knowledge," about how "Sonia and her interviewer are moved by each other, by familiar language and experience." By the way, Sonia is thriving socially and academically, and it never occurs to Gilligan and Brown that perhaps this elite, middle-class school deserves some of the credit. "Noura," age 11, who is Syrian, sets the authors' hearts aflutter when she hatches a plan to deal with the strife between her treacherous and gossiping gang of friends. She makes the family leave the house so that her friends can make a lot of noise, say "what really bothers" them and what they "don't like about each other." Catch that musky whiff of the Sixties again? Remember encounter groups? The authors lap it up, unperturbed by the emotional damage such a free-for-all might cause girls less outspoken and secure than Noura. But the coveted In-your-face Award goes to the teenaged "Anna", the author's favorite at Laurel School. Working class (her father and brothers are prone to "violent outbursts") and on scholarship, she is a top student who says whatever she thinks and feels, knowing she is "disruptive and disturbing." She fantasizes about giving a senior speech that will shock people, and asks pointed questions of her classmates "about God and about violence and about privilege." Anna wants (in the authors' words) "to get underneath this patina of niceness and piety," and is not sure she wants to join the "normal, elite" world to which her education will give her entry. She speaks instead of getting a Ph.D. and then living at the bottom of a mountain in Montana, being "just one of those weird people," having a chicken farm: "I'll just write books or something." Most good parents of egghead daughters learn to view such whimsies with affectionate skepticism. But Gilligan and Brown, in a swoon of PAGE 10 OCTOBER 1993 GILLIGAN CONTINUED FROM PAGE 9 ecstasy, see great significance in Anna's musings, comparing them to Virginia Woolf's suggestion in Three Guineas that women gain a university education, enter the professions, and then form a "Society of Outsiders." Anna questions the "inconsistencies in her school's position on economic differences—where money is available, for what reasons and for whom, and where it isn't— and the limits of the meritocracy which is espoused." The authors' ill-concealed delight with Anna's tales of sticking it to everyone at Laurel leaves a bad taste, given the five years of hospitality and help this school gave to the team of Harvard "experts." The author's conclusions are predictably grim: "Women's psychological development within patriarchal societies and male-voiced cultures is inherently traumatic," and "Girls, we thought, were undergoing a kind of psychological foot- binding." (Carolyn Heilbrun, writing effusively about the book in The New York Times Book Review, upped the ante by going beyond foot-binding to genital mutilation for a comparison.) In the final chapter, Gilligan and Brown allow us a peek at the mischief they can make in real people's lives. A number of Laurel teachers, joined by Gilligan and Brown, attended three retreats. One participant rhapsodizes about the sanctuary of the retreat which "allowed us to understand our knowledge and feelings with a clarity not possible in hierarchical work settings." (A Harvard professor buzzes into town to enlighten these benighted "good women": this is not hierarchy?) The same woman describes the group's "sense of shock and deep, knowing sadness" for having failed so miserably as teachers: "...We listened to the voices of the girls tell us that it was the adult women in their lives that provided the models for silencing themselves and behaving like 'good little girls.' We wept." Embarrassing, isn't it? One reformed teacher proudly reports that she permitted a loud, personal argument between two girls in her classroom. (No one seems to worry about the precedent this scene will set for future class discussions.) But girlish glasnost can be treacherous. A student announces that she prefers men teachers because "they treat us like people" and "bring themselves into their teaching." Gasps all around. Other girls agree and dismiss one teacher's game explanation of this embarrassing news: girls, she says, are often in conflict with their mothers and project that conflict onto their female teachers. A vintage Gilligan/Brown pronouncement breaks this awkward impasse: "For women to bring themselves into their teaching and be in genuine relationship with girls...is far more disruptive and radical than for men. It means changing their practice as teachers and thus changing education." Why? No justification is offered for this far from obvious claim. Gilligan and Brown mean to "initiate societal and cultural change." How? Through the sale of their book, of course, in Women's Studies and education courses. And through retreats where teachers can "think and feel with other women"—in other words, academic feminism's favorite cash cow, workshops! But much as the authors wish it were so, they cannot build Utopia by tearing down the connection between generations, letting kids raise themselves and make their own rules. America's inner cities have become an unintended laboratory demonstrating what happens when children are denied the guidance of parents and adult mentors. Absent fathers, teenage mothers, non-functioning parents, and schools that barely work have produced the despair and virtual social collapse of the underclass. But the minds of Gilligan and Brown are so numbed by radical feminist ideology and Sixties primitivism that they apparently don't see this, or, if they see it, just don't get it So like vandals they blithely hack away at the trust and respect between "good women" and their daughters and students. Thanks, ladies. BARBARA RHOADES-ELLIS is a Santa Cruz writer and housewife. TAILHOOK CONTINUED FROM PAGE 1 as well: that many victims who were identified as victims in the press and even who are identified as victims in the Pentagon report, do not consider themselves victims; that many who do consider themselves victims, including the chief accuser, Paula Coughlin, were willing collaborators in the sexual frivolities that spilled over into the abuse of innocents; that when the party was over, and Coughlin and her cohorts appeared to advance a cause, it was not the cause of duty, honor, country, but a gender cause that sees the military as an enemy to be defeated by a war of social attrition. F rom the beginning the Tailhook scandal had the air of a public burning rather than a dispassionate inquiry into the facts of the case. Before a single participant in Tailhook was given his day in court, the Secretary of the Navy and six admirals, including the commander in charge of the Navy's own investigation, had been sacked and had their careers terminated, 4,000 Navy and Marine Corps promotions were held up, and the entire male enlisted corps was required to attend a million hours of sensitivity training. The tangled chronology of investigation began with Paula Coughlin. She did not report her assault to the Hilton security staff or to the police the night it allegedly occurred, but the next morning she did file a complaint with Admiral Snyder. After reading it, Snyder did not regard the complaint as warranting any action (a judgment that would cost him his career). After several weeks without a response to her complaint, Coughlin wrote to Vice Admiral Richard M. Dunleavy and Dunleavy notified his superior, Admiral Jerome Johnson, the Vice Chief of Naval Operations. On October 11, 1991, the head of the Tailhook Association sent a letter to squadron officers who had attended the bacchanal rebuking them for the excesses at the Hilton. "Let me relate just a few specifics to show how far across the line of responsible behavior we went," his letter said ".... We narrowly avoided a disaster when a 'pressed ham' [naked buttocks] pushed out an eighth floor window...Finally, and definitely the most serious, was 'the Gauntlet' on the third floor. I have five separate reports of young ladies, several of whom had nothing to do with Tailhook, who were verbally abused, had drinks thrown on them, were physically abused and were sexually molested." This letter was leaked to the San Diego Union on October 29, triggering a full-scale inquiry by the Naval Investigative Service (NIS) and producing the national scandal that has determined the dynamics and shaped the meaning of the case ever since. Two thousand one hundred witnesses were summoned for questioning about Tailhook by agents of the NIS — 100 more in fact than the number of those actually registered for the convention. Many were subjected to mandatory lie detector tests and other star chamber meth- ods of interrogation that would not have been allowed under a civil investigation. And when this exhaustive dragnet identified only 26 assault victims, the small number was taken as a sign of the Navy's willingness to "whitewash" the problem. A clamor went up from gender radicals demanding a larger body count. If 4,000 men attended Tailhook, the reasoning went, there had to be more culprits. Summoning the Joint Chiefs before the House Armed Services Committee, longtime foe of the military Patricia Schroeder interrogated them in a voice dripping with sarcasm: "Is the bottom line [that] most of you think you could do without women?" As a result of the pressure, the head of the Naval Investigative Service, Rear Admiral Duval Williams, was removed from his command. According to the subsequent Pentagon report, one of the admiral's sins was to comment, according to his female special assistant Marybel Batjer, "That, in his opinion, men simply do not want women in the military." His other two sins, according to the report, were his reluctance to interview admirals who had attended Tailhook and "his repeatedly expressed desire to terminate the investigation." A key testimony to this allegation was a female agent's claim that "Admiral Williams said that NIS did not have 'a fart's chance in a whirlwind' of solving this investigation." Two days after the submission of the initial Navy Investigative Services Report, the Secretary of the Navy, whom the Navy report had failed to place at Tailhook even though he had been present on the third floor, was summarily cashiered. Embarrassed by the Tailhook publicity and feeling itself vulnerable to increased budget cuts and the downsizing policy of the Bush Administration, the Pentagon brass simply capitulated to the pressure of powerful legislators, like Schroeder, who controlled its purse strings. On June 24, 1992, a second investigation was ordered, this time by the Pentagon. Federal agents normally accustomed to tracking white collar crimes were dispatched by the Inspector General's office of the Defense Department to investigate not only the Tailhook convention but the naval investigation itself. Their bottomline assignment was clear: to produce a more satisfactory result. In this second effort, 22,000 man-hours were allotted to the investigation of the first investigation alone. Instead of being criticized, the star chamber methods of the failed Navy investigation were intensified. Eight hundred more witnesses were interrogated. Immunity was given freely in exchange for incriminating testimony. At least one senior Marine officer was put on notice by . investigators that if he did not cooperate he would be audited by the IRS (and subsequently was). Other officers were told if they did not comply, their names would be given to the media. These techniques of intimidation paid off. This time 90 assault cases were identified, including 83 women and 7 men. (The male assaults were the result of brawls.) Penalties assessed for these and other charges ranged from fines to dismissal from the service to possible prison terms. These ongoing inquiries have adversely affected more careers than any similar investigations since the 1950s. Like the McCarthy hearings of that era, they have created their own drama with their own heroes and villains. And as was the case then, the morality play also has a political text. T he heroine the media came to fix on was Lieutenant Paula Coughlin, aide to Rear Admiral John W. Snyder. Coughlin's complaint that she was sexually assaulted during the Saturday night revelries at the Las Vegas Hilton, was the smoking gun that led to the investigations and the incident that dramatized the public scandal surrounding them. On the same day that the Pentagon began its investigation, Coughlin herself surfaced on a television show, revealing herself ready and eager to step into the role of a military Anita Hill, and to play her part in the unfolding "rights" drama. In fact, the Hill-Thomas hearings had begun the very month of the Tailhook party and Anita Hill was — by Coughlin's own account -— her role model and inspiration as she cast herself as scourge of the Navy. For its part, the press was more than willing to facilitate her new career as an icon of feminist courage and progress. Coughlin's name was soon enshrined in Women of the Year stories in the national media and canonized in feminist political circles. Commander Rosemary Mariner, a prominent feminist naval officer (and herself a lifetime member of the Tailhook Association) compared Coughlin to Rosa Parks, the pioneer of the black civil rights movement: "When one individual has the courage not to accept something that's wrong, it inspires other people to have the courage to stand up." But like Anita Hill's story, Coughlin's has proven problematic, to say the least; a story whose hasty stitching begins to unravel under close scrutiny. In the same way that Hill's presentation of herself at the time of the hearings as a Bork conservative with no hidden political agendas has been effectively refuted by David Brock in The Real Anita Hill, Coughlin's presentation of herself as a morally outraged whistle blower with no ulterior motives in making her charge has been undermined by the testimony (including her own) given to government interviewers. Far from being an unsuspecting bystander who stumbled into the raunchy, raucous, intoxicated, and sometimes sexually explicit atmosphere on the Hilton's the third floor on the night of September 6, Coughlin was returning to a scene with which she was already familiar. She knew that the wild party was part of a tradition that went back more than a decade and she had been to HETERODOXY PAGE 11 Tailhook, herself, six years earlier, in 1985. The sexual the most notorious Tailhook ritual. The earliest reported aggression she encountered this time was neither new nor existence of the "Gauntlet" was contained in a Navy hallway was transformed from "a quiet place with 20 unexpected. According to the Pentagon report: "Throughcommander's testimony that he heard the term in the early people" to "an absolute mob scene." On the other hand, the out the investigation, officers told us that Tailhook 91 was Pentagon report on this mob scene states: not significantly different from earlier conventions with 1980s when it referred to the hallway outside the hospital"Our investigation revealed that many women freely respect to outrageous behavior." The report lists the ity suites as it filled with drunken officers who had and knowingly participated in Gauntlet activities. A sigTailhook traditions that "deviated from the standards of overflowed the rooms. Another officer thought "the pracnificant number of witnesses reported that women went behavior the nation expects of its military officers" in- tice started in 1983 but was not termed a Gauntlet until through the Gauntlet and seemed to enjoy the attention and cluding the Gauntlet, ball walking (exposing the testicles), 1986." At this time Tailhook conventions were mainly "sharking" (biting the buttocks), leg-shaving, mooning, stag affairs and as women walked through the hallway, interaction with the aviators. Those witnesses, both men and officers would call out ratings of the women who passed women, generally stated they could tell the women were streaking and lewd sexual conduct. enjoying themselves because, despite being grabbed and Lieutenant Paula Coughlin pushed along through the crowd, they was an active participant in at were smiling and giggling. Some of the least two of these traditions — women were observed going the Gauntlet and leg-shaving. repeatedly through the Gauntlet. Many Leg-shaving is described in the women who went through the Gauntlet Pentagon report in these terms: told us they did so willingly and were "Most of the leg shaving activity at not offended by the men touching Tailhook 91 occurred in the them." VAW-110 suite. A banner meaPaula Coughlin was one woman suring approximately 10 feet long who claimed to be offended, and 2 feet wide reading, FREE enough to go to her superiors and LEG SHAVES! was posted on eventually the public, and whip up a the sliding doors of the VAWnational outrage against her male 110 suite in plain sight of large comrades in arms. Yet, as an attendee portions of the pool patio. Acat Tailhook previously, she knew cording to the witnesses and the beforehand what the ritual entailed. officers involved, the leg shaving Moreover, the evidence shows that she was a rather elaborate ritual that purposefully showed up on the third included the use of hot towels floor of the Hilton when the and baby oil, as well as the masdangerous hours had begun. saging of the women's legs and That Saturday morning, feet. The entire process took beCoughlin attended a Tailhook symtween 30 and 45 minutes per posium at the Hilton, as Admiral shave. Other activities often acSnyder's aide. That evening, she went to companied leg shaving. For exthe group's banquet wearing what she ample, officers in the VR-57 suite described to investigators as "a snazzy reportedly licked the females' legs red silk dress" she had bought from with their tongues to ensure 'quality control.' Several Nieman Marcus: After dinner, LIEUTENANT PAULA COUGHLIN witnesses observed nudity in conjunction with leg shaving. according to her own testimony, she left the Hilton, went Three instances were reported where women exposed their back to her own hotel (the Paddle Wheel), changed into a breasts while being shaved in the VAW-110 suite. through. A large proportion of the women who attended tube top, short denim skirt and "little black cowboy boots," Witnesses related that some women wore only underwear the earlier Tailhook conventions were groupies and pros- and went back to the Hilton and up to the third floor where the or bikinis during leg shaving, or pulled up their shorts or titutes. Wives generally did not attend and the Las Vegas hospitality suites were located and where sometime around underwear to expose the areas they wanted shaved." setting was treated as a port of call away from home. The 11:30 PM, when she claims to have been assaulted, the Some of the women volunteers were strippers who Pentagon report notes that this was the first Tailhook after Gauntlet was reaching its frenzied pitch. bared their breasts and then demanded money to remove the Gulf War and was treated as a kind of victory celebraIt is hard to believe that Paula Coughlin strayed into their underpants. "One uncorroborated witness reported tion by the aviators. the hallway carnival unsuspectingly, or that she did not seeing a female naval officer having her legs shaved while have a hidden agenda in putting herself into a situation wearing her whites." That woman, according to one of the One rationale for the Tailhook behavior, states the where she knew she was going to be "harassed." Tailhook defendants, was Lieutenant Paula Coughlin. report, "that of returning heroes, emphasizes that naval According to Coughlin, as she entered the hallway, the This accusation was made to the Pentagon team aviation is among the most dangerous and stressful men started chanting "Admiral's aide! Admiral's aide!" (which suppressed it) and to the press by Lieutenant occupations in the world. During Desert Storm, for and Marine Corps Captain Gregory J. Bonam bumped Rolando Diaz, a Puerto Rican E-2C Hawkeye pilot. A example, the US Navy suffered six fatalities, all of into her from behind. "He grabbed both my buttocks and sixteen year veteran, Diaz had been recently selected for whom were aviation officers...Over 30 officers died in the lifted me off the ground almost," she testified. She spun promotion to Lieutenant Commander. Diaz had previ- one-year period following Tailhook 91 as a result of around and their faces were within six inches of each other. ously attended Tailhook 90 where he performed leg shav- military aviation related accidents. Others were found to "What the fuck are you doing?" she asked him. She ing without incident. For his 1991 leg shaving (he gave a have died in nonmilitary plane accidents, in vehicle crashes immediately noticed his eyes and his burnt orange shirt with the "bikini cut"), Diaz has been charged by a courts-martial and, in at least one incident by suicide." monogram "Boner" across the chest she testified. Then with disobeying the order of a superior commissioned As women were recruited to the armed services and somebody else grabbed her from behind, and Bonam forced officer who allegedly ordered him not to shave above the became more of a presence at Tailhook, the behavior his hands down the front of her blouse and squeezed her mid-thigh. He has also been charged with conduct unbebegan to change and become even more sexual. Accord- breasts. When Bonam let go, she turned and faced him. "He had coming an officer. ing to the official report, touching was for the most part his hands across his chest," she testified, "with his chest out Diaz told the Pentagon investigators and the press consensual and the women involved were "aware of and proud and he smiled." At the trial, Bonam denied assaulting that he shaved Coughlin's legs twice during Tailhook 91 tolerant of the consequences of walking through a hall- Coughlin and testified that he had spent most of the evening in the VAW-110 suite. On Friday, September 6, Diaz way lined with drunken male aviators." The aviators out of the hallway in a suite nicknamed the "Rhino Room" in claims he shaved Coughlin while in uniform, and the next would loudly call out either "clear deck," "wave off," honor of his squadron's mascot. His attorney produced a photoday — i.e., the day of her harassment— while she was in civilian clothes. Diaz did not ask any money for his "foul deck" or "bolter," indicating the approach respec- graph taken that night showing Bonam dressed in a green service but requested that customers sign his banner. Diaz tively of attractive females, unattractive ones, senior "Raging Rhino" shirt—not the orange shirt that Coughlin remembered. says that Coughlin signed the banner thus: "You make me naval officers or security personnel. Any approaching females not turned away by these Paula Coughlin was not the only "victim" with see God. The Paulster." The banner is now official evidence held by the loud and raucous ratings would be warned of what lay problems in sustaining her testimony in the legal proceedInspector General's Office. Diaz's attorney, Colonel Robert ahead by another of the rituals associated with the antics ings. Ensign Elizabeth Warnick had accused Navy LieuRae has said that if needed, he will call in handwriting of the Gauntlet — men pounding on the walls and chant- tenant Cole Cowden of holding her "down on a bed, ing on their approach. Moreover, the dangers of a walk on pulling off her underwear, kissing her thighs and touching experts to identify Coughlin's script. Diaz had reported this incident during his official this wild side were well known. According to the Penta- her pubic area," and attempting with two other officers to interview with Pentagon investigator Special Agent gon report, "indecent assaults" dated back to at least the gang rape her. Giving more detail, Warnick told the Pentagon Patricia Call. This part of his testimony was not included in 1988 Tailhook convention. These assaults included breast, Call's report. Similar omissions from the investigators' crotch and buttocks feels and efforts to put squadron investigators that she had a dinner date with Lieutenant stickers on the "tail" areas of the women. reports, damning to the male participants and protective of Cowden and arrived at his room at 7:00 PM. The door was By 1991, these activities had clearly gotten out of ajar, so she knocked and entered. As she stepped into the female participants were widespread, according to hand. One female Navy lieutenant told the investigators dimly lit room, three men grabbed and blindfolded her, officers who were interviewed. Paula Coughlin also participated in the Gauntlet, that her squadron mates had warned her, "...Don't be on threw her on the bed and began to take her clothes off. But the third floor after 11:00 PM." Apparently she disregarded their advice, because she told the investigators that between 10 PM and 10:30 PM on Saturday night the PAGE 12 OCTOBER 1993 she was able to kick one of them off and fight her way free from the other two and flee the room. She did not report the incident or talk about it to anyone. The reason that she kept silent was that the story was made up, or embellished so as to transform its meaning. Under repeated interrogations, Warnick changed her story considerably. In the new version, she sat down on the bed with Cowden who began to kiss her. She responded and they moved to more heated necking and she helped him take off her stockings. While they were on the bed she felt the presence of a second man and they began a 2 v. 1 (fighter lingo for a threesome). For a while, according to Warnick, it "felt good." Then she became uncomfortable and kicked Cowden off the bed and fled the room. As it worked out, even this version of the story was false. Warnick's motive in lying, as she admitted under oath, was to deceive her fiancée and prevent him from knowing that she had cheated on him at Tailhook. Warnick had told investigators that she was disgusted with Tailhook after her experience at the previous convention. But under oath she admitted she had engaged in leg-shaving and allowed Cowden and others to drink "belly shots" of liquor out of her navel and had had sex three times with a Lieutenant Commander (whom she also falsely accused of sexually harassing her). Excerpts from the transcript are revealing: woman on the pool patio when she was "grabbed on the buttocks." The report then states: "The woman verbally confronted her attacker but the security officer, at the woman's request, took no action." Defense Atty: That first statement by Ms. M., who wrote that? Agent Black: I did, sir. Defense Atty: Did she tell you that she didn't consider that an assault? Agent Black: Yes, sir. Defense Atty: Did she tell you that she didn't appreciate the government telling her whether or not she's been assaulted? Agent Black: That I don't remember, sir. Defense Atty: You explained it to her that it was an assault whether or not she considered it to be an assault Correct? Agent Black: That's correct sir. Defense Atty: Now, you indicated already that you lied on your initial account of having been assaulted? Warnick: Yes, sir. Defense Atty: You also indicated you lied about having sex with Lieutenant Commander X? Warnick: Yes, sir. Defense Atty: Initially you denied having consensual sex with Lt. Cowden at Tailhook '90? Warnick: Yes, sir. Def. Atty: Is that a fair summary of your testimony? Warnick: Yes, sir. As a result of the exposure of Warnick's perjury, all charges against Cowden were dropped. F ar from being unique, the complicity of "victims" like Warnick and Coughlin were the rule at the Tailhook bacchanal, marking the ideological fault lines of the ensuing scandal as a witch-hunt driven by political agendas. The initial hysteria whipped by the politically correct winds of the time allowed vague accusations of "sexual harassment" to become imprinted as facts of "sexual assault" on the nation's pliant consciousness. But as the investigations have moved into various military courts, the flimsy evidentiary base has crumbled, producing a dissonance not unlike that which arose when Senator Joseph McCarthy would emerge from a Senate cloakroom claiming that there were 247 or 81 or 23 Communist agents in the State Department, depending on who was asking and with how much specific knowledge. Thus press accounts of Tailhook will mention 175 or 140 or 83 officers as having been involved in "assault" or "sexual misconduct" or "conduct unbecoming" during the Las Vegas party, while the bottom line is — after nearly two years and $4 million of investigations — the Pentagon has felt on solid enough ground to bring only 3 charges of assault. There are really no surprises in this result, as the Pentagon's official report makes clear. There were, for example, 100 Hilton security guards on duty during Tailhook and 12 present and patrolling on the third floor during the Gauntlet revelries where the scandal-making incidents occurred. The exhaustive summary of the Pentagon investigation lists and describes each intervention by the Hilton staff. The security officers "stopped three aviators from carrying off a wall lamp they had torn from a wall;" they "broke up a large crowd of aviators who were chanting at a woman in an attempt to encourage the woman to expose her breasts;" they stopped an intoxicated naked male who had walked out of room onto the pool patio and returned him to his room; they responded to "incidents involving public urination, physical altercations and aviators expectorating ignited alcohol." In another incident, a security officer was walking with a acking a real criminal dimension, the only way Tailhook could be made to appear an epochmaking scandal was to use the strictly military charge of "conduct unbecoming an officer" to inflate the number of total offenses into "140 acts of assault and indecent conduct." But eventually, when it came time to prosecute, this method of raising the body count did not hold up in court. Thus Lieutenant Cowden, alleged attacker of Ensign Warnick, was charged with "conduct unbecoming" on the basis of a picture the Inspector General's office found of him with his face pressed against a woman's breast. His tongue was sticking out and her hand was behind his neck, apparently pushing his head down. IG agent Peter Black tracked the woman down and interviewed her in Las Vegas. During the interview, the woman told agent Black that she did not consider herself to be a victim or to have been assaulted. She told Black that she did not want Cowden to get in trouble for the picture. Ignoring the woman's expressed views, Agent Black had her sign a statement that he wrote to include all the elements that would make a sexual assault case. The cross examination at Cowden's courtmartial proceedings revealed the lengths to which the government agents were prepared to go in order to produce culprits: COMMANDER ROBERT STUMPF The Pentagon summary then describes "the most significant incident reported by a security guard." Hearing a commotion the security guards approached a crowd of men in the hallway and "witnessed a pair of pants being thrown up in the air." On closer examination they saw an intoxicated woman naked from the waist down lying on the floor of the hallway. The security officers assisted her and reported the incident to the Executive Director of the Tailhook Association, "warning him that improper conduct by attendees had to cease or the hotel would be forced to close down all activities in the hallway." There was, in addition, an assault reported by two women who also reported the matter to the Las Vegas police. The police had referred them back to hotel security because the women refused to return to the third floor and attempt to identify their attackers. This was the only report of an assault made that night by any alleged victim either to hotel security or to the Las Vegas police: "The security officers told us that, excluding the aforementioned incidents, no women reported being assaulted nor did any of the security officers witness any assaults." Later, under pressure from Navy and Pentagon investigators many participants at Tailhook claimed to have witnessed "indecent assaults," which were not reported at the time. In a section of the report entitled "Victims," the claim is made that in the four days of Tailhook "at least 90 people were victims of some form of indecent assault," including 83 women and 7 men. According to the report, 68 of the assaults took place on Saturday evening, and, except for one, all of those took place on the Third Floor. The report adds the astonishing fact that 10 of the women were assaulted at previous Tailhook conventions, 8 were assaulted more than once, 4 on more than one occasion that evening, and that 9 "did not consider themselves to be a 'victim,' even though they had been subjected to indecent assault." In an intriguing footnote the report explains, "We have used the term 'victim' to describe any individual who was subjected to a nonconsensual indecent assault," even when the victim does not consider themselves victimized. The Defense Attorney, Lieutenant Commander Jeffrey Good, then turned to the woman's own statement, producing an even more chilling look at the mentality of the government's agents: Defense Atty: Have you read her subsequent statement that she- provided? Agent Black: Yes, sir. Defense Atty: It's a lot different than her first statement. Agent Black: Yes, sir. Defense Atty: So, the statement that you wrote out [made it seem that Cowden's behavior] constituted an assault even though the woman clearly told you that she had not been assaulted? Agent Black: Yes, sir. Defense Atty: Now, looking at the second statement, it's pretty clear that she hasn't been assaulted. Correct? Agent Black: In her view, yes, sir. Defense Atty: Whose view is important here, the view of the victim or the view of you? Agent Black: Well, I would answer that question, sir, by saying that... Defense Atty: No, the question was whose view is important. If you're talking about an assault, a woman has been assaulted, whose view is important? Agent Black: In this instance, the government['s]. Thus, in the Tailhook investigation, it appears, the United States government has taken the position immortalized by Lavrenti Beria, the head of Stalin's secret police, who said "You bring me the man, I'll find the crime." This of course is merely a particularly brutal way of expressing what has become the cardinal principle of the new feminist jurisprudence, which maintains that where gender is concerned, the crime is in the eye of the accuser, and, when the accuser won't accuse because of false consciousness or some other defect, it is in the eye of the government. Almost as illuminating as the government's prosecution of Lieutenant Cowden was its failure to charge Lieutenant Diaz with "conduct unbecoming" for shaving the legs of Lieutenant Coughlin, an infraction he freely admits. HETERODOXY PAGE 13 Diaz is indeed facing a court-martial for leg-shaving but on a different legal ground. As the San Diego Union reported the story, "Rather than charge Diaz with conduct unbecoming an officer — a charge that might also have been made against Coughlin and the two other female officers identified by the Pentagon inspector general as having had their legs shaved — the Navy took a different tack. Diaz was charged with disobeying an order from a Navy commander instructing him not to shave a woman's legs above the knees." What the Union failed to add was that if such an order had indeed been given (Diaz denies that it was) it would itself have been an illegal order, since it had no bearing on military duties, and military orders must relate to military purposes. (You can't be ordered to mow a superior's lawn, let alone shave a leg below the thigh.) Thus the charges based on "conduct unbecoming" reveal the political nature of the entire Tailhook prosecution. No charges of "conduct unbecoming" have been leveled at any females, even though culpable activities like leg-shaving, bellyshots and public sex could not have taken place without the willing participation of female officers. Lieutenant Elizabeth Warnick has not been charged with perjury nor faced with any disciplinary measures for lying under oath, let alone with any "conduct unbecoming" charges for her participation in belly shots and the "lewd behavior" which made her male partners culpable. Nor has Lieutenant Coughlin. Nor has any other female been faced with disciplinary action for levelling false charges or (as in the case of one female Navy lawyer) parading around the entire evening topless. "The agenda of the Pentagon Inspector General did not include looking at the misconduct of women," a senior naval officer told San Diego Union reporter Greg Vistica, the journalist who broke the Tailhook story. "It was a conscious decision," the officer added, "to punish male aviators for misconduct. That was the direction, and investigators were not going to get sidetracked by the misconduct of women." The Navy brass was going to try to appease the feminist attack by showing the nation that it would prosecute sexist men. As Acting Navy Secretary Sean O'Keefe said in unveiling the Pentagon report at a press conference on September 24: "I need to emphasize a very, very important message. We get it. We know that the larger issue is a cultural problem which has allowed demeaning behavior and attitudes toward women to exist within the Navy Department. Over the past two and a half months, the Navy Department has pursued an aggressive campaign to address this issue." To prosecute the women involved in the Tailhook party would have been to puncture a fatal hole in the feminist myth driving the investigations in the first place — that all women on the third floor were victims. Before the appearance of the final report, Elaine Donnelly, a former Pentagon official and head of the Center for Military Readiness, complained to the then Navy Secretary Dalton about the selective prosecution of male officers but received no redress. She later commented, "The apparent double standard at work here is both demoralizing to Navy men and demeaning to military women __ I am disappointed...that you apparently have no intention of issuing a general statement of principle that prosecutions must be conducted fairly, without regard to rank or sex of the person who allegedly engaged in improper conduct at the Tailhook convention." The reason for the Pentagon's disregard for the doctrine of fairness lies in the origins of the second investigation by the Pentagon's Inspector General, which was specifically tasked with finding out why the first Navy investigation didn't come up with the requisite number of criminals. Barbara Pope, an Assistant Secretary of the Navy, threatened to resign in the middle of the 1992 presidential election campaign unless all of the command- ing and executive officers of squadrons who attended Tailhook were fired. Rather than stand up to this latter-day McCarthyism in which the officers would be assumed guilty before trial, Secretary of Defense Cheney acquiesced to the Inspector General's witch-hunt, which would increase the body count of the Navy probe. "I have been a Navy prosecutor, and I worked in the state's attorney office. I've been on both sides, but I have never seen the likes of this ever, anywhere," commented LIEUTENANT COLE COWDEN Defense counsel Robert Rae of the suppression of evidence and extralegal methods used by the government investigators in their attempts to come up with a "body count" that would appease feminists like Pope and Pat Schroeder. "People are charged with felony offense-level charges with no evidence or evidence patently insufficient and totally without any credible testimony." Commander Jeffrey Good, the lawyer for Lt. Cowden, concurred. "The reports of interview are shoddy and can't be relied on," he told The Washington Times. "I think Tailhook is a mountain out of a molehill from what I have seen. There certainly was some misconduct there, but I think it's been blown out of proportion and I think the Navy is overreacting with these prosecutions." W This debate was in the air in Las Vegas in September, 1991. According to the testimony of one Navy commander, Lieutenant Paula Coughlin became embroiled in an argument with him on Friday night of Tailhook over just this subject. Coughlin, it was well known, was chafing under the restrictions that prevented her from piloting a combat helicopter. During the argument about women in combat, Coughlin angrily told the commander that "a woman getting pregnant was no different than a man breaking a leg." Five weeks before Tailhook, Paula Coughlin herself was lobbying on Capitol Hill for a repeal of the restriction on women in combat. If Coughlin felt she didn't get the best of the argument on that Friday evening in Las Vegas, the subsequent scandal which her actions triggered changed the dynamics dramatically. In her new persona as a national heroine she told the Los Angeles Times: "I look at many of these guys — who still don't get it — and I think to myself: 'It was their Navy. It's soon going to be my generation's Navy.'" Nor was the issue of women in combat only on Coughlin's mind at Tailhook, although she may have been the only one there who acted on her convictions. The conflict over the policy recently proposed by Congresswoman Schroeder and others to breach the wall barring women from combat by allowing them to fly combat aircraft was, according to the Pentagon investigation, "the single, most talked about topic" at the convention. At the "Red Flag Panel" of the convention where the issue of women flying combat aircraft was discussed, the issue "elicited strong reactions from attendees." These included cheers and applause when one male officer forcibly stated his personal objections to women in combat and complaints from the women when a male Vice Admiral failed to provide "sufficient support" for their position. One female aviator complained to Pentagon investigators that immediately following the Flag Panel, she was "verbally harassed by male aviators who expressed to her their belief that women should not be employed in naval aviation. They also accused her of having sexual relations with senior officers while deployed on carrier assignment." Instead of allowing this dispute to work itself out within the military community, with the possibility of restoring single standards for both genders and thereby eliminating much of the male resentment, the Tailhook scandal tipped the scales in favor of the feminists. In the wake of Tailhook, and the Clinton electoral victory, women were allowed to fly combat planes by an executive order of the new Secretary of Defense, a victory achieved by scandal rather than by demonstrated competence. Meanwhile the trials continue. Symbolic of the tragedy of Tailhook is the case of Commander Robert Stumpf. An 18-year veteran in the military's most dangerous and demanding profession, he has been Commander of the Blue Angels, the Navy's elite flight demonstration team. An F-18 pilot and Gulf war hero, Stumpf received the Distinguished Flying Cross for his heroism in Desert Storm. He came to Tailhook to receive the Estocin Award for the best fleet FA-18 squadron in the Navy. But he found himself removed from his command without a single charge being filed against him. His crime was to have been in a private room (not on the third floor) in which, after he left, a stripper performed fellatio on an aviator. Commander Stumpf is like the thousands of victims of the witch-hunt that scarred our country several decades past. But there is one difference. The vast majority of those who lost their jobs because of McCarthyism were supporters of a police state which was their country's enemy. The crime of Commander Stumpf was to serve his country and risk his life, as a male, to defend it. hat Tailhook really represents is another skirmish — along with the clash over gays in the military — on the most important battlefield of the new diversity. Until now, the military has been the only institution to remain immune from the malevolent influences of radical social reevaluations. But all that is changing. The Pentagon report is fully aware of the culture war that enveloped its investigation. The report notes that the 1991 Tailhook convention was affected by the victory in the Gulf War, the downsizing of the military which would most affect the junior officers involved in the Tailhook excesses, and the growing debate initiated by ranking Armed Services Committee member Pat Schroeder about women in combat. A GAO report, not mentioned in the Tailhook summary, estimated that 90% of the "sexual harassment" charges in the military as a whole stemmed from resentment over double standards and the role of women in previously male preserves. The double standards present in the Tailhook investigations are, in fact, merely extensions of the double standards that have come to pervade the military in the last decade, as a result of pressure from feminists like Schroeder. These range from double standards in performance tests at all the military academies except the Marines' to double by David Horowitz & Michael Kitchen. standards in facing death. Women failed to be ready for Michael Kitchen is a former Navy officer and is currently battle at a rate three to four times that of men during Desert the editor of The Gauntlet. Storm (mainly as a result of pregnancy) and, in one notorious instance, 10% of the female sailors aboard the Navy ship Arcadia became pregnant after leaving port in California for the Gulf, thus avoiding the risks of actual combat. Not one of these women was court-martialed. PAGE 14 OCTOBER 1993 How Ronald Reagan Spread AIDS has a character played by singer Phil Collins utter the same line. But in a raucous debate over those dens, one person in the movie shouts, "This is another Reagan trick to shove us back in the closet!" Thus, the movie audience is made to feel that had a kinder, gentler, less homophobic president been sitting in the White House, the bathhouses would have shut their doors. We are also urged to sympathize with the homosexual community leader who declares, "Banning homosexuals from giving blood won't protect the blood supply. What it will do is stigmatize them." And there you have it. Movie of the Week revisionism. Reagan not only caused the AIDS epidemic by not providing research funding, he was also responsible for the continued usage of the bathhouses by gays and for the contamination of the blood supply by gay blood donors. In the early part of the century, Clarence Darrow propagated the idea that society was at fault for criminals' behavior, not the criminals themselves. Massacres by communist forces during and after the Vietnam War were blamed on U.S. bombing, which allegedly turned nice people into brutes eager to slaughter their brethren. Likewise the rhetoric of the AIDS establishment over most of the last decade, reflected nicely in And the Band Played On, is that even though AIDS is spread almost entirely through voluntary At the same time that it demonizes the Reagan administration, And the Band Played On sanitizes homosexuals’ sexual practices. By the time the director finished with the film, Jerry Falwell's congregation could have seen it. Shilts was not so prudish. For example, he described legislative representative Bill Kraus's lover's first experience in a bathhouse. Kico believes he's seeing a man with an amputated arm pressing his stump against another man's rear, only to discover to his dismay that the man actually And The Band Played On. has his fist up the other man's rectum all the way to the An HBO production. Co-Produced by elbow. In the first cut of the movie, Kico is shown kissing Kraus full on the lips. By the final cut, this is reduced to a hug. Midge Sanford and Sarah Pillsbury. Shilts did not hold back while describing the activities in Directed by Roger Spottiswoode. bathhouses. He wrote of men having sex through mere holes in the walls of the bathhouse; how sticking one's tongue Reviewed by Michael Fumento. in another's anus was alternatively considered a political statement and a gourmet treat; how men would lie on their flash fromHBO! There is now definitive stomachs with their naked buttocks in the air and a can of proof that the consensus in the medical Crisco at their side. community that AIDS is caused by the There are no cans of Crisco in this movie, no whips or chains. The bathhouse scene is represented by a Human Immunodeficiency Virus, or HIV, is glimpse of one man in a towel putting his arm around another wrong. As the recent television docudrama And as they go through a door into another room. Even at that, the Band Played On revealed, the real cause of the scene is preceded by Bill Kraus admonishing the CDC the AIDS epidemic was.... the Reagan researchers (and us), "I don't want you to come away from a tour of the bathhouses thinking that's the way all gay men Administration! live." This line apparently drew a big laugh And the Band Played On is currently when the movie was previewed for a airing on HBO, the network that picked up the homosexual audience in San Francisco. (Later option on Randy Shilts's best-selling book of Kraus informs us, "The vast majority of gay men the same name when NBC dropped it after its are in stable, monogamous relationships.") Rock Hudson movie, which bombed in the This bathhouse scene is then immediately ratings. The movie is a slick piece of work, followed by San Francisco Health Department well-acted and at times emotional. It was also official Selma Dritz, played by Lily Tomlin, clearly a love of labor for many of the actors and admonishing a puzzled CDC researcher that if a the actresses, some of whom are admitted hoPenthouse pet were under that towel, he too mosexuals, while others are widely considered to would probably gladly walk into that bathhouse be. It is a movie, but it is something more: the room. This line never appeared in the book. industry being "courageous." The HBO version Rather, the Selma Dritz of the book spoke proof And the Band Played On sometimes feels phetically of the bathhouses shortly before the like one of those black tie nights where first AIDS cases came to light: "Too much is everybody comes with a red ribbon. It is in to be being transmitted. We've got all these diseases homophiliac. going unchecked. There are so many opportuniWhat probably propelled Shilts's work ties for transmission that, when something new onto the best-seller list was the story of Canagets loose here, we're going to have hell to pay." dian airline steward Gatan Dugas, who went In the movie, AIDS "poster boy" Bobbi from bathhouse to bathhouse infecting man Campbell makes an impassioned plea at a public after man, telling them, "I've got gay cancer. meeting: "If the gay community doesn't starting I'm going to die and so are you." His reasoning raising hell, do you think the Reagan administrawas that since somebody gave it to him, it was tion is going to do a damned thing?" But Randy okay to give it to others. A clever publicist at St. Shilts tells us in his book that after Campbell Martin's Press then revealed Dugas to the media discovered that what he had was infectious he as "The Man Who Brought AIDS to continued to go to the bathhouses, albeit with the America." Actually, nowhere in Shilts's book dubious insistence that he didn't engage in sex. does he make any such claim for Dugas. Dugas Also toned down to a point of sheer fiction was the was remarkable merely in that he apparently depiction the San Francisco homosexual parade. directly infected a large number of men and Gone were the intentionally sacrilegious showed at the inception of the disease what has depictions of Christ and Mary, gone were the been shown exponentially since: just how leather men, gone were the Dykes on Bikes. quickly anal intercourse could spread AIDS. Nothing but Wally and the Beav types. Indeed, The movie follows the line of an earlier the only mention of specific homosexual sex book, The Truth About AIDS, which also reDr. Donald Francis (Matthew Modine) and Selma Dritz (Lily Tomlin) acts in the movie was that of Dr. Mary Guinan, ferred to Dugas, although not by name. In that played by Glenn Headly, touting the AIDScomfort Bill Kraus (Ian McKellen) in And The Band Played On. work, the steward did not know that he had a disease doesn't-discriminate line: "If [the virus] is in nor that he was spreading it. The movie also leaves semen, it shouldn't matter whether it's in the anus or the open the question of whether Dugas continued to have sex commission of a "specific activity, it is the fault of the vagina." As we now know, it turned out to matter a great deal. even after being informed that what he had was probably government. Anal sex doesn't spread AIDS, Reaganism infectious. does. Why should you stop going to a bathhouse or sex bar One rationale given for the film's bowdlerizing of the book But whatever sensationalism the movie forgoes is or start using condoms when the real answer to your prob- is that this is Hollywood homophobia at work: the prudes in charge don't want an appreciative portrayal of gay love. In more than made up in its damning of the Reagan Adminis- lems is in Washington? fact, there is no more homophiliac piece of real estate in the tration. The link between Reagan and the epidemic is quickly It is now 13 years since the homosexual population established at the onset of the film. His victory announce- became aware of AIDS and about that long since it began to world than Hollywood. Nobody has worked harder to portray ment in January 1981 is shown on a television which, when realize it was probably sexually transmitted, although many AIDS as everybody's disease worthy of vast amounts of the camera pulls back, is revealed to be in the room of a gay activists struggled against this notion until doing so put medical funding than the activists of the motion picture and patient suffering from AIDS. Later, the federal Center for them in the same intellectual bag as the flat-earthers. The TV industry. Nobody has worked harder at presenting homoDisease Control (CDC) Task Force Director James Curran average time from infection to full-blown AIDS, prior to the sexuals as people just like the 96% (or so) from whom they are tells another doctor to scratch the word "homosexual" from new case definition which went into effect this year, was different. It is true that some Hollywood producers would a report on AIDS, telling him that such a subterfuge is about 10 years. The new case definition shortens that some- dearly love to show homosexuals kissing and some actors and necessary if they are to hope to get any funding from the new what. Thus, the great majority of AIDS cases being diag- actresses would love to come out of the closet, but all are inhibited not by homophobia but by the knowledge that their administration. A news report describing Reagan cuts in the nosed in 1993 are in people who knew what they were risking overwhelmingly heterosexual audience would be horrified. health care budget is juxtaposed with a clip in which the by risky behavior and took the risk anyway. Does that mean By cutting the kissing scene, for instance, HBO kept from president pledges to increase the defense budget. Shilts did not take such cheap shots in his book. He that they don't deserve compassion, or that AIDS doesn't losing a chunk out of its audience. The other side of the coin deserve research or other funding? No, no more that we was that it upheld the myth of homosexuals as the boys and pinned some blame on the gay community, quoting one venal owner of a gay bathhouse (where the virus was incu- should cut off compassion or research funding for lung girls next door. Certainly Shilts' book had plenty of vitriol for the bated) talking to CDC epidemiologist Dr. Donald Francis, cancer even though probably 90 percent of its victims knew "We're both in it for the same thing. Money. We make they were risking the disease when they insisted on smoking. Reagan administration, but then it was full of vitriol for money at one end when they come to the baths. You make But those lung cancer victims who have tried to blame everybody. Shilts was an angry young man with a machine cigarette companies and the government for their illnesses gun that swept 360 degrees. The movie confines itself to money on the other end when they come here." The movie about half that range. After token shots fired over the heads have been rightly rebuffed by the courts. A HETERODOXY PAGE 15 REVI EWS of homosexual activists, bathhouses, and the San Francisco health department, the film's full fury is aimed squarely at the President, the blood bank owners, and especially Robert Gallo of the National Institute of Health, whose portrayal is almost as gratuitously vicious as that of Ronald Reagan. Played by Alan Alda, Gallo is irredeemably evil. Asked to investigate the cause of HIV, he immediately turns down the opportunity, saying he's just not interested. Only when his vanity is appealed to does he take up the search for the pathogen and when he fails in his scientific quest, he steals all the credit from the French research team that truly made the discovery. Gallo has been described by many as arrogant and egotistical; He may have wrongly taken the credit for the French discovery, which would be an immoral and illegal act, but Gallo is also a dedicated researcher whose efforts have been spurred on by the memory of his sister who died of cancer at a young age. His work in discovering the first human retrovirus set the stage for the French discovery of HIV. Moreover, the French were unable to keep the HIV cell line alive. That was the success of Gallo's lab. There would have been no HIV antibody test introduced in 1985 but for Bob Gallo and many thousands of Americans and others around the world have been infected through blood transfusions but for his work. Such a man does not deserve to be portrayed as Adolf Hitler in a lab coat. B ut for its penny ante revisionism, clearly the most distinguishing aspect of And the Band Played On are HBO's teasers which assure us that the production presents "the true story that didn't have to happen." Randy Shilts's book made no such nonsensical claim. Yes, in retrospect it can be said that the epidemic got far less attention and funding early on than it should have gotten. And yes, a fractional part of this inertia may have been caused by the fact that this disease was predominantly affecting those who, at that time, had little political clout and in general received little sympathy. But there is a far better explanation for what happened, although it does not flatter the vulgar demonology of the AIDS establishment. With most diseases, the number of cases approximates the number of victims. In the early years of the AIDS epidemic nobody had any idea that for every case identified there were thousands waiting to happen. Had someone told President Reagan not that there were a few hundred people suffering a mysterious and sometimes terminal illness but that there were hundreds of thousands incubating (and spreading by risky behavior) an always fatal disease, his administration's response may have been quite different And let's bear in mind that even in the enlightened, post-Reagan year of 1993 there is nothing even approaching a cure for the disease despite massive AIDS research funding for the past half decade. A moonshot approach to AIDS early on could not have made much of a difference. All the money in the Treasury could not bring back this unfortunate loss of hundreds of thousands of young men. What is clear—although not part of the problem that movies such as this one wish to take under their purview—is that hundreds of thousands of persons have been infected in the time since the modes of AIDS transmission were well established. Since the disease is spread through very specific behaviors, its spread should be reducible through reduction of those behaviors. Yet, since 1987 (when Reagan was still in office) the federal government has joined with the organized homosexual groups and an assortment of other strange bedfellows to target AIDS messages at that part of the population least at risk of getting the disease—middle class heterosexuals, children, women, and persons in rural areas. A message box at the end of this movie continues to propagate this myth. Meanwhile those who truly are at high risk continue to become infected. The bathhouses that Shilts inveighed against have reopened their doors and infection rates among young homosexuals are going up. Why? As Shilts himself has often said: politics. Truly the band does play on. It is particularly sad for me to see Randy Shilts's name attached to such foolishness as this film. Back in 1987, when I first began researching the risk of AIDS to heterosexuals, the second person I talked, to was Shilts. (The first, who referred me to him, was the editor of this magazine.) Shilts, at that time putting the final touches on And The Band Played On, told me that he had already written material for his newspaper, the San Francisco Chronicle, to the effect that the alleged heterosexual breakout was nonsense. That gave me the confidence that my thesis was correct and launched my strange odyssey that would eventually bring me into contact with many of the characters who play a role in both the book and movie version of And the Band Played On. On numerous occasions, when homosexual activists were accusing me of every form of vileness for having proved that the breakout of AIDS into the heterosexual community was a fantasy, Randy Shilts surprised the hosts of television shows we appeared on by bravely declaring that I was right. Shilts's courage was especially brought home when it was revealed that he had AIDS last year, and that he had long known he had been infected. How easy it would have been for him to lie along with all the rest about the heterosexual epidemic to come in the hopes of pumping up research funds for AIDS . But his integrity was too much for that. To realize that this specious and mendacious movie will be an important part of his testament is painful indeed. Michael Fumento is author of The Myth of Heterosexual AIDS, to be published in a second edition by RegneryGateway in November. I THE REAL NUMBERS n an information block at the end or the movie And The Band Flayed On, we are informed that; "Women, children and adolescents are now the fastest growing segment of the population to have HIV." Not that we really needed to hear that, since it's a matter of common knowledge. But like so much of the common knowledge propagated by the media, it just isn't so. For the last two years in a row, cases among those between 13 and 24 have actually declined, compared both to the number of cases in that category and as a percentage of all cases. These cases represent one out of 27,063 people in those age categories. By comparison, there were 12,000 auto fatalities among those age 15-24 in the United States last year, or one in 3,051. Perhaps half that number might be living today if they had thought a little more about wearing seat belts and a little less about wearing condoms. These are cases, not HIV infections. But a dozen years into the epidemic, these figures make if clear that the much vaunted "breakout of AIDS into our youth" just isn't occurring. Studies of actual HIV infection, such as those among applicants to the military, show similar results. The report which the federal CDC released last year found that, "For both men and women, infection is most prevalent in persons in their late twenties and early thirties." Likewise; the plague of AIDS babies once predicted with millenarian hysteria has amounted to all of 771 pediatric cases last year, eleven less than in 1990, Female cases are increasing as a percentage of the epidemic, though they remain only about 12 percent of the total. But this is merely because the yearly rise in male cases has practically ground to a halt—or had before the new expanded case definition kicked in this year and brought a rash of new diagnoses. Female cases merely lag a couple of years behind male ones and will thus plateau later. Last year, female cases increased only 14 percent compared to 17 percent the year before and compared to jumps of more than 100 percent per year early in the epidemic. A similar trend is evident among heterosexual cases as a whole. These dropped from a 21 percent increase in 1991 to a 17 percent increase last year, down from increases of over 100 percent early in the epidemic. Despite these figures, the AIDS fear game, just like the Energizer Bunny, just keeps on going and going. PAGE 16 OCTOBER 1993 FI NAL ANALYSIS Doctor Vindicated in Second Malpractice Trial by JUDITH SCHUMANN WEIZNER It was reported early this morning that Dr. Steven Artzt, a gastroenterologist at the New President of the Gotham Medical Administration School of found himself and exonerated Dr. Artzt. Medicine, of which Dr, Artzt is a graduate, as the sole Behind this decision was a history that flowed directly witness for Dr. Artzt. from the passage of the Omnibus Medical Reform Act of York Westside Medical Administration HosDr. Mediziner's testimony, summarized below, left no1993 which created the Medical Administration and brought pital, has been cleared of malpractice in the retrial doubt that Dr. Artzt's treatment of Mr. Stau conformed to sweeping changes to the medical profession, making health of a Case that sets a new Standard of responsibility Medical Administration standards. care universal, redefining the relationship between doctor Dr. Mediziner explained that the post-Spock genera- and patient, codifying treatments, regulating fees and rein the doctor-patient relationship. tion has difficulty accepting the doctor as an authority and structuring the medical school curriculum. The The verdict in Stau vs. Artzt was announced today as that when such patients are given orders they tend not to obey radically redesigned outcome-based Medical Administration picketers in hospital gowns paraded in front of the Civil them. Affording patients a greater measure of control over curriculum eliminates such traditional drudgeries as Court building with placards reading "Whatever Happened their treatment has resulted in a much higher level of compli- anatomy and basic surgical techniques, supplanting them to Marcus Welby?" and "We Want Outcome-Based Sur- ance. gery!" Nearly every phase of this closelywith instructional materials like Hooked on Anatomy watched trial has broken new ground, providing and Suture Self, which enable each student to learn at a fascinating look at recent changes in the his own pace. nation's medical schools. Medical Administration mandates have also When the case was first tried last spring a improved the emotional climate in medicine, eliminating the paralyzing fear of humiliation that finding of negligence on the part of Dr. Artzt formerly oppressed young doctors making their seemed a foregone conclusion. Testimony revealed that the patient Mr. clinical rounds. Students now make their rounds in a Stau had consulted Dr. Artzt complaining of respectful atmosphere conducive to the development chronic intestinal bloating. Mr. Stau's responses of self-esteem. Once each student has stated his on his Medical Administration Uniform Paobservations and drawn his conclusions about patients, tient History Questionnaire indicated that his the group votes on the best treatment, prescribing a diet consisted mainly of bagels and cream treatment only after it has received unanimous support. cheese, varied occasionally by white bread and Thus no student is ever humiliated by a resident for having given a "wrong" answer. Each medical school peanut butter. Following Medical Administramust also provide a broad range of support services, tion Diagnostic Guidelines, Dr. Artzt ordered including psychological counselors and translators for several tests, all of which showed that Mr. Stau students who speak English below sixth grade level. appeared to be constipated. The Omnibus Medical Reform Act virtually In accordance with the M.A. Procedural Alternative Regulations, Dr. Artzt presented guarantees that doctors will be sensitive to any Mr. Stau with three treatment options, one of community that receives their services. It mandates which was surgery. Mr. Stau chose to have the one year's study of African, Asian, Caribbean, surgery and it was performed at the Westside Hispanic, Native American and Islamic cultures, and SURGEON STEVEN ARTZT AWAITING HIS NEXT PATIENT M.A. Hospital. Following the operation, Mr. proficiency in one Native American language as well Stau lapsed into a coma in the recovery room and as the student's own language and Spanish. Because remained comatose for three days. Specialists called in to studies have shown that people are not likely to pursue Today's young doctors are taught to involve their consult were stymied until a retired anesthesiologist patients in the exploration process and to approach them in follow-up treatment if they have been offended, particular observed that the anesthesia drip had not been removed a sensitive, oblique way, eschewing traditional, sometimes attention is given to the nuances of everyday speech. For from Mr. Stau's IV. Shortly after the tube was disconnected offensively direct questions. Formerly, diagnostic technique example, if a doctor suspects that a patient's injury occurred Mr. Stau awoke from the coma and immediately called his followed the old "masculine," linear approach, in which a during a religious rite, he must be careful to say nothing that lawyer who filed charges against Dr. Artzt, doctor might pursue a direct line of observations such as might indicate contempt for or even skepticism of the pracanesthesiologist Dr. Rip V.W. Lethe, and the Westside "The patient complains of a sore throat. Are his glands tice in question. Medical Administration Hospital. Admission standards for Medical Administration swollen? Has he a fever? Has he a cough?" But the postThe jury quickly found in Mr. Stau's favor, awarding modern approach is multidirectional, a "surrounding" and schools have been revised to assure complete fairness in the him and his descendents Lifetime Priority Medical Admin- gradual working-out of a problem somewhat akin to eating selection process. Formerly filled by an aggressive winnowistration Benefits. a bowl of oatmeal from the edges in—an intellectual nib- ing of applicants based on highly competitive criteria, places In the celebratory crush immediately following the bling that permits doctor and patient to savor various pos- in medical schools are now filled by lottery, with selections trial Mr. Stau was heard to remark to a friend that in his initial sible solutions while seeking the best one. adjusted to reflect the racial, ethnic and gender makeup of consultation with Dr. Artzt he had failed to mention his By engaging in a sustained dialogue, patient and the country according to the most recent census, thereby propensity for putting American cheese on his peanut-butter doctor arrive at a diagnosis together, affording the patient a assuring people of being able to find a doctor, who looks like and white bread sandwiches. Dr. Artzt's attorney immedi- feeling of empowerment. The doctor then presents the pa- them. This afternoon, immediately following the announceately petitioned the court to reopen the case on grounds of tient with a menu of possible treatment modalities, thereby newly discovered evidence, arguing that by withholding demonstrating respect for the patient's judgment and intel- ment of the verdict, Dr. Artzt, speaking through his attorney, information about the cheese, Mr. Stau had forced his client ligence. expressed his intention to file a three million dollar malpracto proceed with incomplete data. Dr. Mediziner's testimony showed conclusively that tice suit against Mr. Stau, since Mr. Stau has now been Mr. Stau's attorney argued that Dr. Artzt ought to have Mr. Stau failed at this point in the process: by choosing shown to have withheld crucial information resulting in his been able to infer from what he already knew that Mr. Stau surgery over less radical therapy, he placed himself in own near death, thereby endangering Dr. Artzt's profescould have benefited from the introduction of prunes into his danger and was himself responsible for having fallen into a sional reputation and standing in the community. Dr. Lethe diet and that surgery should never even have been suggested. coma. and the Westside Medical Administration Hospital are exThe judge ruled, however, that Mr. Stau, by not informing After a mere fifteen minutes of deliberation the jury, pected to follow suit. the doctor about the American cheese, had concealed facts which had listened raptly during Dr. Mediziner's entire two critical to proper diagnosis and ordered a new trial. and a half days of testimony, found Mr. Stau completely Judith Schumann Weizner's last piece apIn his opening statement at the recently completed responsible for the predicament in which he subsequently peared in our September issue. second trial Dr. Artzt's attorney explained that an understanding of the new relationship between doctor and patient was crucial to his client's case. He called Dr. Ira Mediziner,