NEO CAMPARI ASKES YOU TO PLEASE BUY THIS CHECK LIST
Transcription
NEO CAMPARI ASKES YOU TO PLEASE BUY THIS CHECK LIST
VICTOR BOULLET’S CHECK LIST And a new instalment in the literary feuilleton “Mona”! Written by Stian Gabrielsen Password: monet http://ilovemonetmore.tumblr.com NEO CAMPARI ASKES YOU TO PLEASE BUY THIS CHECK LIST ONLINE @ FRENETIC HAPPINESS.com IT’S ONLY 5 EURO SO SORRY THAT THIS IS NOT A FREEBIE PLEASE FORGIVE NEO CAMPARI THE MONEY WILL SUPPORT AN ARTIST TO BE ABLE TO MAKE ANOTHER FANZINE OR A CHECK LIST. NEO CAMPARI.COM Provenance, from the French provenir, "to come from", refers to the chronology of the ownership, custody or location of a historical object.[1] The term was originally mostly used in relation to works of art, but is now used in similar senses in a wide range of fields, including archaeology, paleontology, archives, manuscripts, printed books, and science and computing. The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody, and places of storage. The practice has a particular value in helping authenticate objects. Comparative techniques, expert opinions, and the results of scientific tests may also be used to these ends, but establishing provenance is essentially a matter of documentation. In archaeology (particularly North American archaeology and anthropological archaeology throughout the world), the term provenience is used in related but a subtly different sense to provenance. Archaeological researchers use provenience to refer to the three-dimensional location of an artifact or feature within an archaeological site, whereas provenance covers an object's complete documented history. Provenience can be used more broadly (e.g. the name of valley or estate),[clarification needed] especially when an artifact was found by a private party and its specific position not recorded. Any given antiquity may therefore have both a provenience (where it was found) and a provenance (where it has been since it was found). In rare cases, e.g. known artisanship or original ownership, an antiquity's provenance may include facts that predate its entry into the archaeological record, as well as those relating to its history after rediscovery. NEO CAMPARI ASKES YOU TO PLEASE BUY THIS CHECK LIST ONLINE @ FRENETIC HAPPINESS.com IT’S ONLY 5 EURO SO SORRY THAT THIS IS NOT A FREEBIE PLEASE FORGIVE NEO CAMPARI THE MONEY WILL SUPPORT AN ARTIST TO BE ABLE TO MAKE ANOTHER FANZINE OR A CHECK LIST. Untitled (The Coming Together of Opposites) 2014 C-print on Kodak Endura paper /mounted on aluminium /framed / 110 x 140 cm / 43.3 x 55.1" 140 x 110 cm / 55.12 x 43.31" 1/3 + 1AP / SOTR/PH 2007-001/1 Victor Boullet LUNCHEON NAPKIN MONET: PRINTEMPS A GIVERNY Monet Servittes trapped under original plastic SIZE 8F / 36 X 48cm 2013 This series contains five works where the artist has pushed a stupied napkin up into the plastic that protects the canvas. This work serves no purpose and it’s rubbish. NEO CAMPARI ASKES YOU TO PLEASE BUY THIS CHECK LIST ONLIN @ FRENETIC HAPPINESS.com IT’S ONLY 5 EURO SO SORRY THAT THIS IS NOT A FREEBIE PLEASE FORGIVE NEO CAMPARI Victor Boullet Untitled (Rodin, Andouillette & Yellow Pong # 15) Oil on canvas, 38 X 46cm, 2012 MY name is Victor BOullet I like Gustave Caillebotte - I mean REALLY LIKE! as part of the 2013 tour of – Critique of Pure Rubbish Reevaluating Rather Then Redefining The Post Conceptual Art Discourse of Recirculating Material THE USE OF THE USEFUL from Rules of Cynical Trash. As Mona said, "I look at the Third Symphony of Brahms, and I feel like a pygmy. THE MONEY WILL SUPPORT AN ARTIST TO BE ABLE TO MAKE ANOTHER FANZINE OR A CHECK LIS Victor Boullet Untitled (Rodin, Andouillette & Yellow Pong # 15) Oil on canvas, 38 X 46cm, 2012 Water Lilies Haystacks Poplars Patrons Gustave Caillebotte, Ernest Hoschedé, Georges Clemenceau Influenced by Eugène Boudin, Johan Jongkind, Gustave Courbet Claude Monet (French: [klod mɔnɛ] or [mɔne]; 14 November 1840 – 5 December 1926) was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement’s philosophy of expressing one’s perceptions before nature, especially as applied to plein-air landscape painting.[1][2] The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, soleil levant). Water Lilies Haystacks Poplars Patrons Gustave Caillebotte, Ernest Hoschedé, Georges Clemenceau Influenced by Eugène Boudin, Johan Jongkind, Gustave Courbet Claude Monet (French: [klod mɔnɛ] or [mɔne]; 14 November 1840 – 5 December 1926) was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement’s philosophy of expressing one’s Provenance Ottoman-French Jewish art collectors Musée Nissim de Camondo By the French government’s count, there are 1,008 of these works at the Louvre alone. There’s Boucher’s stormy “La Fôret” (MNR 894), a Chardin still life (MNR 716), and a tempera-on-wood “Annunciation” by Solario (MNR 256). Unlike so many other collections owned by Jews, thisRubens one remained In aoftwist of fate, (MNR the 411) was The golden-hued triptychuntouched. “The Erection the Cross” family donated it to France before the war, and so itLinz, was where incorporated into the same of museums recovered from it had been stored in union preparation for Hitler’s museas the Louvre. This saved the extraordinary artare inside, yetDelacroix could not dancers protect the Camondos. um. There ecstatic (MNR 143) andAa memorimournful Géricault al plaque outside the museum tells lion of the family members at Auschwitz. (MNR 137), whosekilled owners, like all the others, have never been found. Perhaps the most hauntingly beautiful museum in all of Paris is the Musée Musée Nissim de Camondo Nissim de Camondo <http://travel.nytimes.com/travel/guides/europe/france/ paris/25333/musee-nissim-de-camondo/attraction-detail.html?inline=nyt-classifier> , the former home of a family of Ottoman-French Jewish art collectors. NEO CAMPARI ASKES YOU TO LEASE BUY THIS CHECK LIST ONLINE @ FRENETIC HAPPINESS.com T’S ONLY 5 EURO O SORRY THAT THIS IS NOT A REEBIE PLEASE FORGIVE NEO CAMPARI HE MONEY WILL SUPPORT N ARTIST TO BE ABLE TO MAKE NOTHER FANZINE OR A CHECK LIST. Untitled (The Coming Together of Opposites) 2014 C-print on Kodak Endura paper /mounted on aluminium /framed / 110 x 140 cm / 43.3 x 55.1" 140 x 110 cm / 55.12 x 43.31" 1/3 + 1AP / SOTR/PH 2007-001/1 Not to be confused with Édouard Manet, another painter of the same era. “Monet” redirects here. For MONET, see Multiwavelength optical networking. For database management, see MonetDB. Claude Monet Claude Monet, photo by Nadar, 1899. Birth name Oscar-Claude Monet Born 14 November 1840 Paris, France Died 5 December 1926 (aged 86) Giverny, France NationalityFrench FieldPainter MovementImpressionism Works Impression, Sunrise Rouen Cathedral series London Parliament series Water Lilies NEO CAMPARI ASKES YOU TO PLEASE BUY THIS CHECK LIST ONLINE @ FRENETIC HAPPINESS.com IT’S ONLY 5 EURO SO SORRY THAT THIS IS NOT A FREEBIE PLEASE FORGIVE NEO CAMPARI Eet Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm Eet Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm Eet Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm et Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm Eet Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm Eet Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm et Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm Eet Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm Eet Fuk Explorer 2012 THE MONEY WILL SUPPORT AN ARTIST TO BE ABLE TO MAKE ANOTHER FANZINE OR A CHECK LIST. et Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm Eet Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm Eet Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm plein-air landscape painting. plein-air landscape painting. plein-air landscape painting. plein-air landscape painting. Victor Boullet EET FUK Explorer # 16 Waxed tablecloth, 80 X 120cm, 2012 THE ESSAY by MONA FIND IT THE LEFT HAND SIDE CHURCH WALL / OUTSIDE Church of Saint-Denys of the Holy Sacrament 68 Rue de Turenne 75003 Paris O CAMPARI ASKES YOU TO ASE BUY THIS CHECK LIST ONLINE FRENETIC HAPPINESS.com ONLY 5 EURO SORRY THAT THIS IS NOT A PLEASE READ EBIE PLEASE FORGIVE PLEASE READ PLEASE READ O CAMPARI MONEY WILL SUPPORT ARTIST TO BE ABLE TO MAKE OTHER FANZINE OR A CHECK LIST. read Private ROOM by STIAN GabRIELSEN. E Untitled (The Coming Together of Opposites) 2014 C-print on Kodak Endura paper /mounted on aluminium /framed / 110 x 140 cm / 43.3 x 55.1" 140 x 110 cm / 55.12 x 43.31" 1/3 + 1AP / SOTR/PH 2007-001/1 Eet Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm Eet Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm Eet Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm et Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm Eet Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm Eet Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm NEO CAMPARI ASKES YOU TO PLEASE BUY THIS CHECK ONLINE Oil LIST on CanvAs @ FRENETIC HAPPINESS.com IT’S ONLY 5 EURO SO SORRY THAT THIS IS NOT A FREEBIE PLEASE FORGIVE NEO CAMPARI Oil on CanvAs Oil on CanvAs Oil on CanvAs Oil on CanvAs Oil on CanvAs Oil on CanvAs Oil on CanvAs et Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm Eet Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm Eet Fuk Explorer 2012 Marker pen on Wax Table cloth 90 X 120cm THE MONEY WILL SUPPORT AN ARTIST TO BE ABLE TO MAKE ANOTHER FANZINE OR A CHECK LIST. EET FUK EXPLORER BLAH BL EET FUK EXPLORER BLAH BLA EET FUK EXPLORER BLAH BL EET FUK EXPLORER BLAH BL EET FUK EXPLORER BLAH B EET FUK EXPLORER BLAH B EET EET FUK FUK EXPLORER EXPLORER BLAH BLAH BL B EET FUK EXPLORER BLAH B EET FUK EXPLORER BLAH BLA EET FUK EXPLORER BLAH BL EET FUK EXPLORER BLAH BL PLEASE BUY THIS CHECK LIST O @ FRENETIC HAPPINESS.com IT’S ONLY 5 EURO SO SORRY THAT THIS IS NOT A FREEBIE PLEASE FORGIVE NEO CAMPARI Les Tissus FrancaIS Les Tissus FrancaIS And a new instalments in the literary feuilleton 17 rue “Mona”! du Pont aux Chox, 17 rue du Pont aux Chox, Written by 75003 Paris 75003 Paris Stian Gabrielsen Password: monet http://ilovemonetmore.tumblr.com CANOPY PLASTIC WORK IN WINDOW! SOON IN PARIS THE MONEY WILL SUPPORT AN ARTIST TO BE ABLE TO MAK ANOTHER FANZINE OR A CHEC Les Tissus FrancaIS 17 rue du Pont aux Chox, 75003 Paris CANOPY Untitled (The Coming Together of Opposites) 2014 C-print on Kodak Endura paper /mounted on aluminium /framed / 110 x 140 cm / 43.3 x 55.1" 140 x 110 cm / 55.12 x 43.31" 1/3 + 1AP / SOTR/PH 2007-001/1 ONLINE A Tor Hoff DEBRIS - RUBBISH Oslo Malmø Oslo Paris by a courrier from HELL! NICE COURRIER, NICE COURRIER CD639344913NO CD640110836NO Package has been handed in to post office 2013-06-18 09:25, 0411 OSLO - read Private ROOM by STIAN GabRIELSEN. CANOPY PLASTIC WORK IN WINDOW! PARIS! CANOPY PLASTIC WORK IN WINDOW! PARIS! CANOPY PLASTIC WORK IN WINDOW! PARIS! CANOPY PLASTIC WORK IN WINDOW! PARIS! CANOPY PLASTIC WORK IN WINDOW! PARIS! NEO CAMPARI ASKES YOU TO PLEASE BUY THIS CHECK LIST ONLINE KE @ FRENETIC HAPPINESS.com CK LIST. IT’S ONLY 5 EURO SO SORRY THAT THIS IS NOT A FREEBIE PLEASE FORGIVE NEO CAMPARI as part of the 2013 tour of – Critique of Pure Rubbish Reevaluating Rather Then Redefining The Post Conceptual Art Discourse of Recirculating Material THE USE OF THE USEFUL from Rules of Cynical Trash. CANOPY PLASTICVictor WORK INBoullet WINDOW! PARIS! 2013 LUNCHEON NAPKIN MONET: PRINTEMPS A GIVERNY Monet Servittes trapped under original plastic SIZE 8F / 36 X 48cm NeoCampari Proudly Presents Monday 24th June 2013 Places to be confirmed! ... Chine Store (Supermarket) 23 Rue au Maire 75003 Paris THE MONEY WILL SUPPORT AN ARTIST TO BE ABLE TO MAKE ANOTHER FANZINE OR A CHECK LIST. Private Room / The Essay / The Check List by Victor Boullet And 3 new instalments in the literary feuilleton “Mona”! Written by Stian Gabrielsen as part of the 2013 tour of – Critique of Pure Rubbish Reevaluating Rather Then Redefining The Post Conceptual Art Discourse of Recirculating Material THE USE OF THE USEFUL from Rules of Cynical Trash. Drinks will be served For more information please wait in line. K Kahn, if you can understand this, I DO NOT LIKE THIS DESIGN, IT’S HORRIBLE please change everything, I will not go for this. UNDERSTAND? Victor BONUS Frenetic Happiness producing for The Middle of a Societal Hierarchy Victor Boullet would like to thank the following. Gustave Caillebotte is fantastic, he is missed by the Frenetic Happiness staff every day, and that is why we let Victor Boullet makes this superCheckList as part of our new superstructure. Design by He is an Idiot (.com) / Cairo / J K Kahn / he was paid because he has nothing. Printed in PARIS by AdHoc / Mr Pierre. Wake up and smell the friCking Frenetic Happiness / 2013 For this you have to pay €5,- please do so with pleasure and love, because you just supported an artist. Monday 24 – Friday 28 June 09:00 www.fanzine.frenetichappiness.com www.frenetichappiness.com PRIVATE ROOM by Victor Boullet NEO CAMPARI ASKES YOU TO PLEASE BUY THIS CHECK LIST ONLINE @ FRENETIC HAPPINESS.com IT’S ONLY 5 EURO NEO CAMPARI ASKE O CAMPARI ASKES YOU TO SO SORRY THAT THIS IS NOT A PLEASE BUY THIS CH ASEFREEBIE BUY THIS CHECK LIST ONLINE PLEASE FORGIVE @ FRENETIC HAPPIN RENETIC HAPPINESS.com NEO CAMPARI IT’S ONLY 5 EURO ONLY 5 EURO SO SORRY THAT THIS SORRY THAT THIS IS NOT A THE MONEY WILL SUPPORT FREEBIE PLEASE FOR EBIE PLEASE FORGIVE AN ARTIST TO BE ABLE TO MAKE NEO CAMPARI O CAMPARI ANOTHER FANZINE OR A CHECK LIST. Chez Nenesse 17 Rue de Saintonge, 75003 Paris 12:00 –14:30, 20:00 –22:15 Chine Store (Chinese Supermarket) 23 Rue au Maire 75003 Paris Mustafa the Tailor / La Retouch 10 rue du Pont aux Choux, 75003 Paris Les Tissus Francais 17 rue du Pont aux Choux, 75003 Paris The Essay by Mona Church of Saint-Denys of the Holy Sacrament 68 Rue de Turenne 75003 Paris MONEY WILL SUPPORT THE MONEY WILL SU AN ARTIST TO BE AB ARTIST TO BE ABLE TO MAKE ANOTHER FANZINE O OTHER FANZINE OR A CHECK LIST. AS PART OF THE Critique of Pure Rubbish Reevaluating Rather Then Redefining The Post Conceptual Art Discourse of Recirculating Material THE USE OF THE USEFUL from Rules of Cynical Trash.