New York TV Star Brings Cult Hit to the Style Network
Transcription
New York TV Star Brings Cult Hit to the Style Network
www.ExpressGayNews.com • January 19, 2004 Q1 Q_COVERstory Brini Maxwell: Retro Queen of All Things Stylish New York TV Star Brings Cult Hit to the Style Network By Mary Damiano Arts & Entertainment Editor Brini Maxwell never dreamed that a fabulous Salvation Army store find of a vintage set of nesting bowls from the 1950s would lead her down a new career path and land her a TV show on the Style Network. But these were not your typical nesting bowls, just as Brini Maxwell is not your typical television style doyenne. Maxwell, a.k.a. gender-bender Ben Sander, is an expert on the style and pop culture of a very specific era—1958 to 1974—and has managed to incorporate that appreciation into every aspect of her life. Everything visible in her Chelsea apartment is from that era. Her wardrobe is a mix of pieces she’s made and vintage finds. She also espouses what she calls the optimism of that time period, an optimism she feels lacking in the world today. All of these elements come together in Maxwell’s look and attitude, as well as her philosophy: “Add style to your life and life to your style.” That outlook is the focus of The Brini Maxwell Show, which premieres on the Style Network Friday, Jan. 23, at 10:30 p.m. The first episode, “A Womb with a View,” gives tips and ideas on how to make your home a cozy haven. Thirteen episodes are already in the can, and show topics include creating a stylish home office, demystifying art and incorporating art into one’s home and life, bringing the outdoors indoors, and making a seasonal rental home or apartment uniquely yours for the time you’re there. But what exactly was it about those nesting bowls—for the uninitiated, nesting bowls are mixing bowls of various sizes that fit inside each other for easy storage—that started Maxwell’s journey to TV stardom? “They have little figures of farmers on the sides—just adorable,” Maxwell says. “They were $15 for the entire set— these are vintage 1950s, and collectors pay a lot more, so I bought them.” Maxwell was so thrilled with her find and about how they complemented the décor of her kitchen that she thought it would be awful if no one saw them, since they were for food preparation, not for serving. So she did what anyone with a sense of style and adventure would do— she leased space on cable and produced her own lifestyle show, right from her apartment. Maxwell had been working in the fashion industry but was unhappy in her job. Her therapist encouraged her to change career paths and explore something more interesting. Q2 “I’ve always thought television was an exciting medium,” she says. “One of the things I like about is that you reach so many people yet you have no idea who you’re reaching. You create in a cocoon, and you put what you’ve created out there to these people. You put it out there and people find it.” The Brini Maxwell Show premiered in New York City on Jan. 1, 1998, and ran until November 2003. Maxwell’s mother was her producer and camerawoman as well as a recurring character. Other characters included Maxwell’s friends and neighbors, who dropped by as Maxwell presented her tips for decorating, cooking, entertaining and living an all-around stylish life. Word spread and Maxwell’s unique show became a cult hit. “I wasn’t sure where it would go or how it would be received, but people really picked up on it,” Maxwell says. “It made me feel like I had something to offer.” Two years ago, Amy Briamonte, a producer with Termite Art Productions, was nursing morning sickness and watching TV, when she caught an episode of The Brini Maxwell Show. She contacted Maxwell and the two set off on a mission to bring Brini Maxwell to the masses. Briamonte contacted the Style Network, and Heather Moran, vice president of programming for the network, liked the show enough to sign Maxwell. Of course, Maxwell is not the first stylish gal to host a lifestyle show. Maxwell has nothing but respect for style guru Martha Stewart. “I think Martha Stewart is remarkable,” she says. “She’s created such an incredible empire for herself. And what I find so interesting about her is that she started out as the kind of person I would be talking to—a single working girl in New York City. She was a model. She really took that somewhere and built something out of that desire to create a personal space for herself.” Maxwell would like to build her own style empire—she already sells note cards, recipe cards and T-shirts through her Web site, BriniMaxwell.com. In Maxwell’s typical can-do style, she created the items herself with her home computer. “I have lots of ideas for products, home products and things like that,” she says. And you can bet that whatever Maxwell designs, the products will be reminiscent of her favorite era. “That period created a fertile ground for the development of the style that came out of,” she says. “It was a wonderful time for design, in clothing and interiors, and industrial design as well. Even everyday objects were exciting to look at.” In addition to the designs of the era, www.ExpressGayNews.com • January 19, 2004 Brini Maxwell sews things up on her show Maxwell also loves the pop culture, especially movies and TV. She cites The Mary Tyler Moore Show, That Girl and The Doris Day Show as some of her favorite shows from that time. She especially likes the strong female characters on those shows and believes the time is right for the comeback of female characters. “I used to describe myself as a hybrid between Sue Ann Nivens, the Happy Homemaker from The Mary Tyler Moore Show, Auntie Mame and Pussy Galore, from James Bond,” Maxwell says. “But now, Auntie Mame, Mary Tyler Moore’s Mary Richards and her Laura Petrie are the characters I feel a kinship with. As time goes by, I’m not quite as much Pussy Galore, although I might like to be.” The Brini Maxwell Show premieres Friday, Jan. 23, at 10:30 p.m. on the Style Network. Brini Maxwell’s Tips for Adding Style to Your Life Home Style Don’t be afraid of color. So many people think that if they have a dark room and paint it white, it will be lighter, but what you get is a white room that’s dark. Use color to brighten a room. And I love the use of accent walls. Pick a wall and paint that one wall a bright color, and it creates a focal point. Create a personal space with interesting items found at second-hand stores. It’s always more interesting to find things that are not made in bulk. If you walk into a room that someone has furnished at Crate & Barrel, you recognize it as Crate & Barrel. But if you find a great mixer for your kitchen on ebay or at a thrift store rather than buying one at Bed, Bath & Beyond, then it’s something unexpected. Personal Style The key is to shop at place like The Gap and Banana Republic or Club Monaco for the basics, then add to them fun pieces that you’ve made yourself or found in a vintage store. Then you create a look all your own, but that has a very current feel, the latest silhouette. The integration of unique pieces, whether they’re vintage or they’re made by craftsmen who make only one, a scarf or a piece of jewelry, for example, can add to your cache. It makes you interesting to people and creates a conversational opener. People can come up to you and say, “Oh, I love that scarf, where did you get that?” Q_THEATER preview America’s Favorite TV Mom Steps into the Spotlight The Florida Follies Marks Latest Chapter in Florence Henderson’s Career By Mary Damiano Arts & Entertainment Editor At one point in The Florida Follies, the new variety show at Parker Playhouse in Fort Lauderdale, Florence Henderson croons “Young at Heart” as a tribute to George Burns. That song could be the theme for The Florida Follies, in which the performers range in age from 53 to 81. “I’m blown away by the talent in this show,” says Henderson, who turns 70 on Valentine’s Day. “It’s one of the best casts I’ve ever been involved with. We have an 81year-old who does splits.” The Florida Follies could be summed up as vaudeville meets Vegas, a patriotic, oldfashioned revue with a bill that includes comedian Norm Crosby, ventriloquist Sammy King, sister and dog act The Amazing Darnells, plus singers and dancers dressed to the nines in skimpy costumes and elaborate headdresses. “People can expect really pure entertainment,” Henderson says. “They can expect to leave the theatre happy, hopeful and inspired.” Henderson is the centerpiece of The Florida Follies, serving as both mistress of ceremonies and part of the ensemble cast. She sings, dances, tells jokes and engages in a few surprisingly bawdy numbers. She also chats casually with the audience, telling stories about her life and showing why she’s one of America’s most enduring and beloved entertainers. Florence Henderson Ringmaster of an ensemble cast is a familiar role for Henderson, who rose to fame as Carol Brady on The Brady Bunch. Since the show’s debut in 1969, it has never been off the air and has played in 122 countries. While Carol Brady might be Henderson’s most famous role, the sitcom was not the beginning of her career. As a teenager she performed in national touring companies of Oklahoma! and other big musicals. Stints on Broadway, at Lincoln Center and on TV as a Today show girl followed. She was the first woman to host The Tonight Show. She hosted her own cooking show, Country Kitchen, for nine years on the Nashville Network. Always interested in health issues, she is a certified hypnotherapist, and currently hosts Speaking of Women’s Health, an informational show on Lifetime. “I see myself as the ringmaster, but I do But Henderson is best known as Carol entertain throughout the show,” Henderson Brady, and unlike some performers who try to says. distance themselves from successful characters, she has embraced the role and the fans who still think of her as America’s mom. “It seems to mean so much to people,” Henderson says. “I think that whatever your past is, you have to remember it, come to terms with it and embrace it, and that’s what I’ve done.” In some ways, the Brady kids are like Henderson’s second family. She keeps in touch with the former child stars, and shares a warm bond with them. She also shared a strong friendship with late actor Robert Reed, who played her TV husband Mike Brady. It was Henderson, in fact, who realized during the shooting of the pilot for The Brady Bunch why Reed was uncomfortable during their kissing scenes. “I thought, ‘Bob’s gay,’” she recalls. “I’ve always been able to sense those things.” Henderson helped make Reed comfortable with the scene. Henderson says that Reed’s orientation was never a topic of discussion, and that all the kids on the set knew from a young age. “Bob was such a reserved, proud person,” she says. “It didn’t matter to us, but it did to Bob. He was the father of America, and he was gay. Having to protect that, and live that way, I know it was very hard for him.” Reed’s homosexuality was a sort of open secret on the set, never publicly discussed at the time. But Henderson spoke out when Reed died in 1992, and a tabloid printed his death certificate on the front page showing that HIV had contributed to his death from colon cancer. “I felt that was the cruelest thing I’d ever seen,” she says. She and the Brady kids then did lots of interviews about what a wonderful man Reed was and how much he meant to them. Henderson received one of the nicest tributes from Reed, by way of his daughter, who is now compiling a book about her father. “She said, ‘My father told me that he wanted to marry you,’” Henderson says. “We would have made a good team.” Although homosexuality was not a topic for The Brady Bunch, Henderson’s says that she knows how Carol Brady would have reacted if one of her brood were gay. “I would say, ‘What can I do to make you feel better? What can I do to help you? What can I do to let you know that I love you?’” Henderson has done concerts with gay men’s choruses and has been touched by the men who have told her how much the presence of one of the great TV moms meant to them, because their own parents don’t speak to them. “I don’t understand people who are intolerant,” she says. “You just cannot be judgmental of anyone unless you walk in their shoes.” While The Brady Bunch will always live in Henderson’s heart, and she’s loved the films and other shows she’s done, she still prefers the thrill of performing live, which is one reason her work in The Florida Follies is so exciting for her. “If I can make an audience laugh or cry, or feel something,” she says, “that’s by far the most satisfying.” The Florida Follies runs through March 21 at Parker Playhouse, 707 NE 8 St., Fort Lauderdale. Comedian Norm Crosby headlines through Jan. 25; singer Carol Lawrence stars Jan. 28-Feb. 16; and comedian Jack Carter performs Feb. 18-March 21. For tickets and more information, call 954.763.2444. www.ExpressGayNews.com • January 19, 2004 Q3 Q_CULTURAL COCKTAIL By Mary Damiano Florence Henderson: Kitten with a Whip? ‘Florida Follies’ Shows Brady Mom in a Different Light Pop Goes the MOCA The Museum of Contemporary Art (MOCA) is going all out for their new fundraiser, Pop Soup. The event, which takes place Saturday, Jan. 24, from 8-11 p.m., is inspired by the creative fabulousness of artist Andy Warhol, and will feature imaginative cuisine, cocktails, a silent auction and dancing and music by DJ Le Spam. Guests are encouraged to dress glam, drag or anything in between. Upon arriving, guests will receive a soup can—a kitschy homage to Warhol’s iconic art—which they can exchange for a gift, which could be anything from tickets to an upcoming event to designer clothing. Guests will also have the opportunity to win a MiniCooper. Pop Soup benefits MOCA’s Permanent Collection Acquisition Fund. Tickets are $125 in advance and $150 at the door. Honorary chairs of Pop Soup include Jane Holzer, who was a member of Warhol’s Factory, and Belkys Nerey, of Deco Drive. MOCA is located at 770 NE 125 St., North Miami. For more information, call 305.893.6211 or visit www.mocanomi.org. ‘Florida Follies’ Is Great Fun You haven’t lived until you’ve seen Florence Henderson, TV mom to the Brady brood, decked out in a black patent leather dominatrix get-up, wielding a cat o’nine tails and singing Chicago’s “When You’re Good to Mama.” That was just one of many unexpected treats in The Florida Follies, a modern vaudeville show that opened Wednesday night, Jan. 14, at Parker Playhouse in Fort Q4 Lauderdale. This is a big splashy revue, with enough flag-waving, old-time fun, sex and sizzle that you could almost see George M. Cohan, Florenz Ziegfeld and Bob Fosse cheering from the wings. This show has everything—singing, dancing, bawdy comedy, a ventriloquist and even an amazing pack of performing poodles. The kicker is that the performers in the show range in age from 53 to 81. Of course, you would never know it to look at the showgirls, who sport legs for days and carry off Vegasstyle skimpy costumes and headdresses with poise and pizzazz. Norm Crosby, the master of the malaprop, had the audience rolling in the aisles with his rants on the disease sweeping the country—dumbness—and his topical humor. Sammy King, the ventriloquist who works with a stuffed Mexican parrot, was terrific. Pianist Rio Clemente played the heck out of “Rhapsody in Blue.” And if you only know Lorene Yarnell as a mime, you’re in for a real surprise. At 59, Yarnell is a high-energy dazzler, tapping, dancing and singing, and at times channeling Liza Minnelli in her prime. But the star of the show is Florence Henderson, who shows why she’s remained one of America’s most beloved stars. Henderson is pure class all the way, a gracious lady who invites the audience into her world and makes them feel right at home. Henderson sings, dances, tells jokes and serves as host of The Florida Follies, and shows off the body of a woman half her age in elegant gowns and costumes. We should all have as much energy and look so good a www.ExpressGayNews.com • January 19, 2004 month away from 70. The Florida Follies is a terrific show, full of kitsch and old-fashioned fun. It has a really long run at Parker Playhouse, until March 21, with a succession of headliners, including Carole Lawrence and Jack Carter, so there’s no reason to miss it. For more info and to purchase tickets, call 305.919.3731 or visit Parker Playhouse’s box office. Florence Henderson and the cast of the Florida Follies get ready to take a bow. smash about the gay porn industry, starring actual gay porn star Matthew Rush. Making There are plenty of new offerings at Porn runs Feb. 4-29 at Cinema Paradiso in local theatres this week, including a touring downtown Fort Lauderdale. production of Jesus Christ Superstar, which runs Jan. 20-25 at the Jackie Gleason Theatre Entertainment to Spare in Miami Beach. This year is a leap year, and although The Mosaic Theatre in Plantation we only get one Feb. 29 every four years, presents the South Florida premiere of the this year there’s enough entertainment going Pulitzer Prize-winning play Topdog/ on that day to fill a couple extra leap days. Underdog, about two brothers involved with And sure, Feb. 29 may be over a month away, three-card monty on Thursday, Jan. 22. but you’re going to need that long to decide Friday brings the opening of A Hotel on which event you want to do. First, there’s Marvin Gardens at the Actor’s Playhouse in the Oscars, debuting on ABC in its new Coral Gables, West Side Story at the 26th earlier-in-the-season date. Then there’s the Street Theatre in Wilton Manors and Six second Bette Midler concert for the divine Degrees of Separation at the Edge Miss M’s “Kiss My Brass” tour, rolling into Theatre in Miami. By the way, the Edge the Office Depot Center in Sunrise. And has moved from its Piccadilly Gardens now Broward Center for the Performing Arts location to a new home just a few blocks has gotten into the act with its 1970s dance away at 3627 NE 1st Court. extravaganza, Disco Inferno, starring Chic On Saturday, the Public Theatre opens with Nile Rodgers, Thelma Houston, The its second play of the season, The Fist, at Trammps, and Rose Royce. Hmm, the the Soref Jewish Community Center in glamour of the Oscars, the glitz of Bette Sunrise. Looking ahead, make plans now to Midler or the gaudiness of disco—how is a attend Making Porn, the off-Broadway gay boy or girl to choose? On Stage Q_THEATER REVIEW Stop Kiss Is a Winner Sol Theatre Shines with its Finest Production to Date By Mary Damiano Arts & Entertainment Editor Since the Sol Theatre Project began three years ago, artistic director Robert Hooker’s idea has been to create a place where a troupe of actors could work and evolve together in the development of their craft. In turn, the audience at the cozy lounge theatre would get to see edgy plays that would reach beyond the usual fare at other venues, and experience theatre, as Hooker puts it, to engage the mind. Though it has taken the Sol a while to find its audience, they have consistently grown over the past few seasons, and developed a reputation for hip, insightful productions. With their latest production, Stop Kiss, not only has the Sol grown, but they’ve found their audience. Stop Kiss tells the story of two women: Callie is a rambunctious New Yorker, a traffic reporter for a radio station whose life revolves around friends, dinner out and a sometime boyfriend she sleeps with when neither is involved with anyone else. Sara is fresh from St. Louis, a third-grade teacher who’s left her fiancé and family to teach kids in the Bronx. Sara is as enthusiastic as Callie is jaded, as fearless as Callie is hesitant. The two meet and become fast friends, both experiencing an unspoken attraction to the other. When Callie and Sara finally act on this attraction, they are attacked. Sara ends up in the hospital, while Callie is left to deal with the guilt and new labels thrust on her by media and society. Stop Kiss is a complex production, charging Hooker and the cast with the task of presenting 23 scenes in barely 90 minutes, and telling a story in two timelines, one leading up to a tragic event and one in the event’s aftermath. It sounds complicated, and it’s to the Sol’s credit that it comes across with such cohesion. All the elements come together in just the right way, making Stop Kiss the Sol’s finest production to date. Callie’s apartment, the main set, is warm, inviting and realistic, the kind of single-girl-in-the-city pad Mary Richards or Carrie Bradshaw would covet. The other two sets, a police interrogation room and a hospital room, are efficient and slightly surreal in their austerity, which illustrates the stark way in which Callie and Sara’s world changes. Hooker has also selected Alanis Morrissette and Beth Hart songs to bridge the blackouts, and the songs give added dimension to the story. And although the ensemble cast is excellent, the centerpiece of the play is the performances of Julia Clearwood and Sharon Stern as Callie and Sara. The two actresses have undeniable chemistry, making the journey their characters take believable. Clearwood is especially effecting, as she is the one required to switch gears the most between hilarity and heartbreak, often at a moment’s notice. She is raw and vulnerable as she deals with confusion over her attraction to Sara, her inability to act on those feelings and then her guilt about the incident that has left Sara near death. Stop Kiss is a moving, insightful piece, and a milestone in the Sol Theatre’s short history. Don’t miss it. Set Designer Shines at Caldwell Theatre But ‘Déjà Vu’ is a Real Farce—in More Ways Than One By Mary Damiano Arts & Entertainment Editor There was more than a little déjà vu going on for me while watching the Caldwell Theatre’s latest production, Déjà Vu. Just like with their production of The Last Sunday in June last summer, the star of Déjà Vu is set designer Tim Bennett. For The Last Sunday in June, Bennett created a cozy, detailed, Greenwich Village apartment. For Déjà Vu, Bennett has applied his talents to create a sumptuous Parisian living room, tres sophisticated and tres elegant, done in green and ivory and gold filigree accents that scream old world money and class. And just like with Last Sunday in June, the Caldwell has attempted a comedy with gay themes that is mired in outdated ideas and stereotypes. Déjà Vu is a farce that deals with an ambitious French politician, his fiancée, his son, their Swedish maid and an American colonel, who reveals a family secret that threatens to ruin everyone’s lives. The play is fraught with sexual situations, couplings, mistaken identities, covert connections and wild stories concocted to cover up the big secret. If all this sounds convoluted, it is. The only thing that saves Déjà Vu, other than Bennett’s gorgeous set, is a rapid-fire second act—which sharply contrasts the plodding nature of the first half—and the performances of talented cast members. Lisa Bansavage plays her society matron to the hilt, and Bob Rogerson is appropriately hapless and befuddled as the politician, a big change from his recent gut-wrenching performance as a man in love with a goat in GableStage’s The Goat or Who Is Sylvia. But despite a couple of sparkling performances, and a mouthwatering set, Déjà Vu is an only-if-you’re-bored kind of show. Déjà Vu runs through Feb. 15 at the Caldwell Theatre, 7873 N. Federal Hwy., Boca Raton. For tickets and information, call 561.241.7432 or visit www.CaldwellTheatre.org. Stop Kiss runs through Feb. 1 at the Sol Theatre, 1140 NE Flagler Dr., Fort Lauderdale. Showtimes are Thursday through Saturday, 8 p.m., Sunday, 6 p.m. For more information and to make reservations, call 954.525.6555 or visit www.SolTheatre.com. www.ExpressGayNews.com • January 19, 2004 Q5 Q_CULTURALevents January: Auditions—Theatrix needs male singer/actors who can move, ages 20 to 45, for a new musical revue called Cruise Control. Non-equity, 16 paid performances in Fort Lauderdale (3/13/03 - 4/18/ 04). Auditions are by appointment. Call Rikki Caroll at 954.390.7610 or 954.695.8288. January and February: French Language Classes—Alliance Francaise de Fort Lauderdale is now taking registration for current and winter sessions of French language classes to be held in Fort Lauderdale and Boca Raton. For class fees and schedules and for cultural activity information, please call 954.523.9052 or go to 705 S.E. Second Court, Fort Lauderdale, Monday - Friday from 1 - 6 p.m. Wednesday, Jan. 21: Design and Wine: All About Fashion—Enjoy samples of wine as you stroll through historic downtown and visit designated shops and galleries. Map and list are included in the $12 fee. 6 – 9 p.m. at New Art Café, 1820 S. Young Circle, Hollywood. 954.921.3016 ext. 19. Wednesday, Jan. 21: Loving Che—Ana Menendez, will talk about her novel, Loving Che, an intimate portrait of revolutionary Cuba as witnessed by an elderly woman recalling her secret love affair with Ernesto “Che” Guevera. 7:30 p.m. in the Bienes Center at the Broward County Main Library, 100 S. Andrews Ave., Fort Lauderdale. Reservations are required. Call 954-357-7401. Friday – Sunday, Jan. 23 – 25: Miami National Antiques Show and Sale—Friday, noon – 9 p.m.; Saturday, noon – 8 p.m. and Sunday, noon – 6 p.m. Admission is $10. Radisson Centre, 777 N.W. 72nd Ave., Miami. www.DolphiinFairs.com. Saturday, Jan. 24: Outlawz Anniversary Party—The Outlawz invite you to their First Anniversary Party. Enjoy the unique camaraderie of true social dancing. All are welcome: Outlawz aren’t just cowboys anymore! There will be gifts (while supplies last), singers, dancers and the Sun Dancers dance team of Southern Country South Florida. Free dance lessons 7 - 8 p.m. No cover charge. 7 p.m. midnight at Manhattan South, 6890 N. Powerline Road, Peachtree Plaza, Fort Lauderdale. www.theoutlawz.biz. Saturday, Jan. 24: Building Bridges Workshop I—UC Florida PAC presents free political empowerment and community leadership training. Includes registration, training, lunch and certificate of completion. Workshops are “Issues and proposals that affect minorities in Florida” / “Temas que afectan las Heard It Through the Gayvine B y ffer Ze dy An Queers, Quotes and Quips of Interest Rush to the Theater Making Porn is returning to South Florida. After two wildly successful sold-out runs in 1998 and 2000, the lusty off-Broadway cult hit is coming back for a limited four-week run at Cinema Paradiso in Fort Lauderdale starting Feb. 4. Matthew Rush, the biggest star of gay porn today, will be starring as Jack Hawk, straight actor who turns to gay porn. Also co-starring will be sexy newcomer Rob Romoni. I had the pleasure of seeing Matthew Rush perform in a Boston run of the play this past summer, and must say he did a great job. At one point in the production, Rush walks into the audience and gives a few lap dances, leaving a few lucky viewers the thrill of a lifetime. If he does the same in Fort Lauderdale, they’ll be a few especially happy folks down here as well. Boy George Spoke True Taboo A few weeks ago “Gayvine” reported on Boy George blabbing at SBNY (Splash Bar New York) about the inevitable close of his Broadway show Taboo. Sure enough, last week producer Rosie O’Donnell announced that Feb. 8 would be the musical’s last performance. O’Donnell invested $10 million into the production, which was panned by critics and failed to catch on with audiences. “Taboo was by far the most fulfilling experience of my career,” O’Donnell said in a statement. “Many lessons were learned, and so it goes. For this experience I am profoundly grateful and have no regrets.” Despite the failure of Taboo, Rosie intends to go forward with a new Broadway project she will star in, the autobiographical Find Me. For that project she will collaborate with another pop star, Cyndi Lauper. Gay on the Range According to Variety, up-and-coming Hollywood actors Jake Gyllenhaal and Heath Ledger are in negotiations to play cowboy lovers in the film Brokeback Mountain, based on the short story by Annie Proulx. The film, which is to de directed by Ang Lee (Sense and Sensibility) and written by Larry McMurty (Lonesome Dove), follows the intense relationship of a rodeo cowboy and ranch hand who meet in the summer of 1961. Their love survives intolerance and prejudice, but eventually ends in tragedy. Other actors who had been rumored to play the leading roles include Colin Farrell, Josh Hartnett and Billy Crudup. The script for Brokeback Mountain has been floating around for some time. Back in 1998, I was working at United Talent Agency in Los Angeles, who represented such huge stars as J-Lo and Jim Carrey at the time. When I was bored the agent assistants would give me scripts to read. I overheard one assistant grumbling about how a certain project would never get made because of its gay content. I asked if I could read it, and sure enough, it was the script for Brokeback Mountain. The story was incredibly touching and affected me deeply. Now that it is finally being made, it proves how far gay-themed entertainment has come. Mistress Mary Makes Eastsider The Eastsider interviewed Express Arts & Entertainment Editor Mary Damiano for her involvement with the “Not Your Average Bedtime Story” event in their Jan. 15 issue. Damiano serves as mistress of ceremonies for the event, which features readings of erotic stories. The gay and lesbian writing group Lavender Writes puts on the show. “I am known for my gay boy porn,” Damiano is quoted as saying. “I have an affinity for writing sex stories about gay men.” Welcome to Fort Lauderdale Juan Be sure to stop by Ruff Riders at Symbology, Juan Pisani’s new menswear store in Hub Plaza. Juan is well known for his “Ruff Riders” shirts, which symbolize the spirit of living free and being strong through life. Juan also owns the popular menswear store Symbology in Provincetown, and folks who have been there will recognize hunky sales guy Sean. Q6 www.ExpressGayNews.com • January 19, 2004 minorias de la Florida” and “Working across cultures, sexual orientation and ethnicities” / “Enlazando culturas, orientacion sexual y etnicidad.” 9 a.m. - 4 p.m. at Unity Coalition’s Offices, 111 S.W. Fifth Ave., Suite 205, Miami. 305.324.6393. (Workshops II and III are in February and March.) Saturday, Jan. 24 and 31: Happy New You and More in 2004!—An annual lifestyle change seminar focusing on self-renewal, self-healing and developing inner strength to endure the coming new year. Part I: Change Seminar, a program that helps participants break the habit chain of anxiety, fear, worry and helplessness through C.H.A.N.G.E. (Choose, How, Act, Now, Grow, Evolve) and Part II: Sit Seminar, which concentrates on freeing ones soul through S.I.T. (Silencing Inner Turmoil). Benisa Forté, owner of Ethnotricity Dance Studio in Fort Lauderdale, presents both seminars. 10 a.m. - 1 p.m. at the African-American Research Library and Cultural Center, 2650 Sistrunk Blvd., Fort Lauderdale. For more information on this free event, call 954.357.7464. Saturday, March 13: The Crystal Ball—Save the date for Caldwell Theatre Company’s annual fundraiser. Billed as one of the most elegant and theatrical events of the season, the ball benefits Caldwell and its community outreach programs including Theater for Schools. 7 p.m. at the Boca Raton Resort and Club. Tickets are $250. For more information, call Bruce Herman: 561.995.2323. Live Theatre and Dance Through Sunday, Feb. 1: Menopause, the Musical—Actors Playhouse, 280 Miracle Mile, Coral Gables. 305.444.9293. Through Sunday, Feb. 22: Mamaleh! —A new version of the off-Broadway hit musical tells of the lifelong friendship between Jewish-American women of different generations. The Broadway Theater, 1455 S.E. 17th St. Causeway, Fort Lauderdale. 954.522.0274. Through Sunday, March 21: Florida Follies— Seasoned performers who forever yearn to be onstage redefine the idea of staying young in this spectacular musical revue. Starring Florence Henderson, with Norm Crosby (Jan. 8 – 25), Carol Lawrence (Jan. 28 – Feb. 15) and Jack Carter (Feb. 18 – March 21). Wednesday – Saturday at 8 p.m.; Wednesday, Saturday and Sunday at 2 p.m. at Parker Playhouse, 707 N.E. Eighth St., Fort Lauderdale. 800.233.3123. Tuesday, Jan. 20: Norma—This one-of-a-kind staged-concert version of Vincenzo Bellini’s opera is being given its national debut in Miami Beach and Fort Lauderdale. Headed by soprano Maria Guleghina, quite possibly the prima donna of dramatic opera roles, Norma conveys the tragic love affair of its title character, embracing love, romance and betrayal in an unforgettable night of opera. 8 p.m. at the Broward Center, 201 S.W. Fifth Ave. 954.462.0222. Wednesday, Jan. 21 – Sunday, Feb. 15: A Hotel on Marvin Gardens—A comedy by Nagle Jackson. Come play a casual game of Monopoly with an eccentric gaggle of friends. The fun rolls when the game gets down and dirty in this provocative comedy of wavering devotion and unwavering resolve. Actors Playhouse, 280 Miracle Mile, Coral Gables. 305.444.9293. Thursday, Jan. 22 – Sunday, Feb. 8: Top Dog / Underdog—Suzan-Lori Park’s darkly comic fable is the story of two brothers, Lincoln and Booth, who share in an all-consuming obsession with the street card con game Three-Card Monte. Mosaic Theatre, 12200 W. Broward Blvd., Plantation. 954.577.8243. Friday and Saturday, Jan. 23 and 24: Urban Ballet Theater—From New York Artistic Director Daniel Catanach. Classical and contemporary dance with inner-city influences. $15/$13/$12. 8 p.m. at Hollywood Central Performing Arts Center, 1770 Monroe St., Hollywood. 954.924.8175. Tuesday, Feb. 10: Garrison Keillor—Your favorite characters and more from A Prairie Home Companion. 8 p.m. at Mizner Park Amphitheater, 590 Plaza Real, Boca Raton. 561.962.4109. Fridays and Saturdays: Just the Funny— Whose Line is it Anyway? meets Saturday Night Live. Performances are Friday and Saturday nights at 9 p.m. at the Miami Museum of Science and Planetarium, 3280 South Miami Ave., Miami. Tickets are $10. For information call 305.69.FUNNY or visit www.justthefunny.com. Music Thursday, Jan. 22: Body and Soul: Lainie Kazan In Concert—Presented by American Red Magen David for Israel. See and hear this exclusive appearance of the multi-award winning singer/actress, star of film, stage and television. VIP tickets, including a post show dessert reception, are available for $125.00. 7:30 p.m. at the Broward Center, 201 S.W. Fifth Ave. 954.462.0222. Tuesday, Jan. 20: U.S. Army Signal Corps Band—Featuring an 80-member band performing marches, jazz and show tunes. 7:30 p.m. – 9 p.m. at Hollywood Beach Theater, Johnson Street and the Broadwalk. For information call 706.791.4856. Friday, Jan. 23: George Winston— Experience your favorite time of the year through music with Grammy Award winning pianist George Winston. Appearing in a highly anticipated solo concert, Winston performs his impressionist compositions of the seasons, “Autumn,” “Summer,” “Winter Into Spring” and “December.” Winston continues to enthrall audiences with his versatile musicianship, offering a variety of treats from his contemporary arrangements to music from The Doors. Please join us in support of the Daily Bread Food Bank Fort Lauderdale by bringing a donation of canned food to the concert. 8:30 p.m. at the Broward Center, 201 S.W. Fifth Ave. 954.462.0222. Saturday, Jan. 24: Tom Rush—Singer/ songwriter Tom Rush, a pioneer of the folk rock movement, is credited with launching the careers of Joni Mitchell, James Taylor and Jackson Browne. Rush’s music is filled with healthy doses of both folk and blues influences with a repertoire that includes favorites “Merrimac County” and “Circle Game.” 8:30 p.m at the Broward Center, 201 S.W. Fifth Ave. 954.462.0222. Saturday, Feb. 28: Bette Midler—Tickets are on sale now. Office Depot Center, 2555 Panthers Dr., Sunrise. 954.835.8000. Exhibitions Through Sunday, Feb. 15: Visas for Life: The Righteous and Honorable Diplomats—Featuring photographs and archival materials chronicling the history of Holocaust survivors and their rescuers. Tuesday – Saturday, 10 a.m. – 5 p.m.; Thursday, 10 a.m. – 8 p.m.; Sunday, 1 – 4 p.m. $5/sdults; $3/students and seniors; free/ 13 and younger with adult. Art and Culture Center, 1650 Harrison St., Hollywood, 954.921.3274. Through Tuesday, March 16: Pop-up Book Exhibit—Paper Engineering: The Pop-up Book Structures of Vojtech Kubasta, Robert Sabuda and Andrew Binder will be on exhibit in the Bienes Center for the Literary Arts at the Main Library, 100 S. Andrews Ave., Fort Lauderdale. The free exhibition will showcase a sampling of about 50 titles by the three artists. For more information call 954.357.8692. Radio The Norm Kent Show—Live from the Floridian Restaurant on E. Las Olas Blvd., interviews and commentary with Norm Kent. Weekday mornings, 8 – 9 a.m. on WFTL 1400 AM. The Call-In Line is 1.866.432.1400. www.NormKentShow.com. Bridging the Gap—Call-in talk radio show dedicated to creating a better understanding between the straight and gay communities, with host Rene Bray. Sundays from 6 – 8 p.m. on WTAN 1340 AM. Live, worldwide broadcast at www.TampaBayGay.com/BTG. 1.800.263.8559. Issues Over the Rainbow—MarkyG hosts this gay and lesbian early morning talk show. Sunday mornings at 8 a.m. on PARTY 93.1 FM. www.Party931.com. Maximum_Volume Pumping It Up with New Album Releases Alicia Keys: ‘The Diary of Alicia Keys’ (J Records) Yes, it has been out since early December. But The Diary of Alicia Keys is worthy of mention more than a month later. Sumptuous and lush, Keys has written or co-written most of the songs on the album. These songs are written far more intelligently than that of most of Keys’ contemporaries. Her soulful sound and easy grooves are a throw back to the ’70s soul of Isaac Hayes and Roberta Flack. The first single, “If I Was Your Woman/Walk on By,” is representative of the rest of the album. Keys writes about love and relationships, not about “gangstas” and “bling bling.” The orchestrations and production is extraordinarily lush throughout the 15-track CD. “Dragon Days,” which is written solely by Keys, demonstrates her vivid imagination with her comparisons of modern-day love to the days of princesses and dungeons. Hats off to the woman known for her funky fedoras, she has made a brilliant follow-up to her breakthrough album Songs in A Minor. For those looking for a sumptuous escape, here is your ticket. —Andy Zeffer Ani DiFranco: ‘Educated Guess’ (Righteous Babe Records) On Educated Guess, DiFranco is a one-woman show, writing all the songs, playing all the instruments, singing all the lead and back-up vocals and doing all the recording and mixing. The result is a collection that resonates and illustrates DiFranco’s unique talent and view of the world. And as usual, the CD package is stunning, featuring a gorgeous booklet with all the song lyrics, plus sketches and artwork. It’s more like a poetry book, really, but then again, DiFranco’s lyrics have always been more like poetry put to music. The opener, “Platforms,” is a short, sultry spoken word piece that hits home. “The Story of What Was” is also a powerful spoken word rant, accompanied only by bits of sounds and Ani’s own voice backing her up. “Grand Canyon” is also excellent, a gorgeous unsung song about rights and politics and social change. When Ani speaks, it’s best to close your eyes, relax and let the meaning of her words and the rhythm of her voice roll into your mind and imagination. “Origami” is another standout, a refreshing take on relationships, with some terrific guitar work. Like Ani DiFranco’s previous CDs, Educated Guess is an intimate exploration of what’s on Ani’s mind right now, or at least what was on her mind when she wrote and recorded it. And since Ani is always ahead of her time, she’s right in sync with things that are going on now. Her questions and insights become food for thought; her music soothing and inspirational for her listeners. —Mary Damiano www.ExpressGayNews.com • January 19, 2004 Q7 Q8 www.ExpressGayNews.com • January 19, 2004