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SKULTUNA 1607 - THE ANCIENT TRADITION OF MODERNITY
For over 400 years the lustre of Skultuna brass has illuminated the world. With classic designs from the time of our founder King
Karl IX of Sweden, as well as with ground breaking antiquities of tomorrow by leading international designers like GamFratesi, Lara
Bohinc, Luca Nichetto, Monica Förster, Richard Hutten and Claesson Koivisto Rune to name a few.
And herein lies the formula to why today Skultuna can be found at leading department stores all around the world, has won a number
of international design awards and regularly exhibits at the leading international design fairs - we have always been, and will always be,
one part traditional craftsmanship and one part modernity. The result can be seen in the following pages and at skultuna.com
NEWS FALL 2016
BOUGIE PARFUMÉE / SCENTED CANDLES
WORDS FROM THE MANAGING DIRECTOR
For more than a decade I’ve had the privilege of heading this very unique company. Unique
in the sense that it’s one of the oldest corporations in the world. Unique in the sense that I
every day can witness a tradition of craftsmanship producing timeless pieces for selective
people all over the globe. And last but not least, unique in the sense that we have stuck to
our core, the captivating, gold shimmering brass, for more than four centuries. And that we
intend to continue doing. For at least another 400 years.
Welcome to Skultuna
Viktor Blomqvist
Managing Director, Skultuna 1607
THE PRODUCT
For over four centuries brass has been the core of
Skultuna. Brass is an alloy made of copper and
zinc. The most important production techniques
used to produce Skultuna products are sand casting, pressure die casting, turning and metal spinning. The surface is then worked worked upon until
a golden, mirror like finish is reached with techniques like blasting, sanding, grinding and brushing. On the Fashion Accessories a thin layer of gold
or silver plating is often put on top to keep them
from tarnishing.
SKULTUNA STORES
The Skultuna Concept Store opened in 2011 in the
centre of Stockholm. The store is designed by the
renown Swedish architect Thomas Sandell, the
goal of the shop design is to link the history and
the iconic material of Skultuna, to the present in a
classy and modern way. In the later half of 2015
the Skultuna Flagship Store opened at the foundry
in Skultuna, it is based on the same concept as the
store in Stockholm.
THE HISTORY OF SKULTUNA 1607
1607
1895
1922
1999
2014
Skultuna was founded by King Karl
Skultuna starts working with the
The original dated order to set up the
Skultuna changes owner to the pres-
The successful collaboration with the
London based jewellery designer Lara
Bohinc is launched.
IX of Sweden on the 11th of February
designer Carl Hjalmar Norrström, one
foundry on February 11th 1607 is found
ent one and starts the work with new
1607. This is the dated order to the local
of the most recognized designers at the
in the State Archives, the logotype is
design collaborations. Designers such
magistrate to set up the foundry.
time. The designs are made in the ruling
changed to Skultuna 1607.
as Olof Kolte, Claesson Koivisto Rune
and Thomas Sandell start working for
historical eclectic style.
Skultuna.
1950
1611
1671
The production starts. Until 1922 this
The first big fire hit Skultuna, it devas-
was believed to be the founding year,
therefore the logotype read Skultuna
1611 up until 1922.
tated most of the factory. There were
similar fires in 1780 and in 1913.
2002
1900
The Silversmith Pierre Forssell was
employed. He contributed with fabulous
The old and classic Crown cufflink is
Carl Hjalmar Norrström won the Gold
products during the 1950s, 60s, and 70s.
made in eight new colors, the start of
medal at the World Expo in Paris for a
His designs are very much character-
the Fashion Accessories collection.
magnificent baptizing font.
ized as Scandinavian of that time.
1818
with enamel patterns are launched.
2016
swept away most of the factory.
Skultuna launches s a number of the
1905
objects in the new style Art Nouveau
1980
The famous designer Sigvard Berna-
the chandelier in the Church of our
dotte designs a series of products for the
Lady in Enköping. The first master
dining table.
augurates a memorial over the founder
King Karl IX.
2016
braziers were Walloons who brought
1800
work was part of the craftsmanship. At
Skultuna launches a scented candle
series. Dry Vetiver & Black Wood are
1911
the end of 17th century, processes and
King Gustaf VI Adolf celebrates the
work methods were standardized. This
300-year anniversary (on the wrong date).
was the foundation of what we today
call industrial design.
brass.
Princess Victoria visits Skultuna and in-
The year of the oldest dated product;
In the 15th and 16th century, the design
home collection items in silver plated
Skultuna turns 400-years, Crown
Carl Hjalmar Norrström designs brass
1619
like chandeliers.
The new women´s fashion accessories
The extreme spring flood in 1818
2007
the technique how to make large objects
2015
2014
Skultuna wins the Wallpaper Design
Awards for the best product design.
the first two scents.
NEWS FALL 2016
BRERA MIRROR DESIGN PAOLO DELL’ELCE
No: 775
Ø: 60cm
DESIGN
PAOLO DELL’ELCE
Model A
No 781-A
H:32cm Ø:7cm
Model B
No 781-B
H:27cm Ø:8cm
Model C
No 781-C
H:25cm Ø:14cm
DESIGN
PAOLO DELL’ELCE
BRERA MIRROR DESIGN PAOLO DELL’ELCE
VIA FONDAZZA DESIGN PAOLO DELL’ELCE
The Brera mirror is a project by the Italian designer Paolo Dell’Elce.
The vase series Via Fondazza is a project by the Italian designer Paolo Dell’Elce. The work is inspired by the archetypal subjects
The idea of Brera mirror originates from the details of the eclectic period of Milanese architecture and in particular the rose window
represented in the still life paintings by the artist Giorgio Morandi whose work was based on a thorough research in the balance
of Santa Maria del Carmine church, located in Brera district, Milano and realized in 1880 by the architect Carlo Maciachini. The glass
between shapes and proportions. Via Fondazza is the name of the street in Bologna where the artist’s house and studio was based.
Designed 2014.
mirror and the highly-polished, curved brass frame interact creating an attractive and harmonious play of light and reflections, effortlessly bringing a sophisticated atmosphere to any environment. Designed 2016.
No 785-L-S
H:45cm
No 782-S
H: 12cm
No 782
H: 12cm
No 782-S & Vase V782
H: 12cm
No 782 & Vase V782
H: 12cm
No 785-M-S
H:36,5cm
No 785-S
H:28cm
DESIGN
RICHARD HUTTEN
No 785-L
H:45cm
No 785-M
H:36,5cm
No 785
H:28cm
DESIGN
RICHARD HUTTEN
THE LILY CANDLESTICK DESIGN IVAR ÅLENIUS BJÖRK
NATTLIGHT DESIGN RICHARD HUTTEN
Ivar Ålenius Björk (1905 – 1978) worked as a sculptor, mostly known for bust portraits. His public ornaments can be seen in many
Richard Hutten is one of the most internationally successful Dutch designers; a key exponent of “Droog Design”, in which he has been
involved since it’s inception in 1993. For Skultuna Richard Hutten has designed this elegant candlestick that comes in three sizes. Polished
brass and silver plated brass. Designed 2011.
Swedish towns. He also designed a series of brass candlesticks for a Swedish manufacturer called Ystad-Metall that closed down in
1969. The Lily candlestick was one of these products and it has become a modern design classic that has featured in many international
design magazines to this day. In agreement with the relatives of Ivar Ålenius Björk, Skultuna has now started the production of the
Lily candlestick again. Designed for the world fair in New York 1939. Polished brass and silver plated brass
NEWS FALL 2016
BOUGIE PARFUMÉE / SCENTED CANDLES
Black wood No 650-BW
H: 9cm, 300g
Dry Vetiver No 650-DV
H: 9cm, 300g
No 773-S
Small container
H: 4cm Ø:9cm
No 773-L
Large container
H: 9cm Ø:12cm
DESIGN
RICHARD HUTTEN
DESIGN
EMMA OLBERS
BOUGIE PARFUMÉE / SCENTED CANDLES
INK DESKTOP SERIES DESIGN EMMA OLBERS
The hand poured scented candle series is developed in collaboration with Elsa Andrén and Charlotte Lusiak, the Stockholm based
Emma Olbers was born and raised in Gothenburg. She moved in her twenties to Stockholm where she was educated first at Nyckelvikens art
school and then at Beckmans College of Design. In 1999 she founded her studio and Asplund and Ire furniture became major clients. The Ink
desktop series is the first collaboration with Skultuna and it consists of a pen holder and a small container. Designed 2015
founders of Candelize, a fine scented candles company. The aromas and fragrances in the scents are passionately designed by Candelize and created together with some of the world´s leading perfume houses in France and Switzerland. The first two scents are; Dry
Vetiver where fresh citrus, mint and pepper top notes combine perfectly with rich, woody vetiver on a moss and cedar base. Black
wood where intense, smoky cedarwood and spicy clove leaf is topped with sultry elements of rose and jasmine. Designed 2016
No 788
L:35cm
DESIGN
FOLKFORM
No 789-S
H:20cm Small
No 789-L
H:24cm Large
DESIGN
FOLKFORM
COLLAGE DESIGN FOLKFORM
BOOKEND DESIGN FOLKFORM
Swedish designers Anna Holmquist and Chandra Ahlsell began their partnership in 2005. The Stockholm-based studio is already
With its geometrical sharp shapes and the highly polished surface, the Bookend is a striking composition. Folkform consists of design-
represented in the Swedish National Art collection and the National Museum of Art, Architecture and Design in Oslo. For the candle
ers Anna Holmquist and Chandra Ahlsell that began their partnership in 2005. The Stockholm-based studio is already represented in the
collage simple tea light candles are placed side by side with pillar candles to create a landscape of candle typologies. Designed 2010.
Swedish National Art collection and the National Museum of Art, Architecture and Design in Oslo. Designed 2012.
NEWS FALL 2016
THE LONDON COLLECTION SILVER
DESIGN LARA BOHINC
Lunar Small, Silver
Celestial, Silver
Feather, Silver
Lunar Large, Silver
S795-XS
S795-S
S795-M
S795-L
H:7cm
H:11cm
H:14cm
H:17cm
DESIGN
LARA BOHINC
Lunar Small,brass
Celestial, Brass
Feather, Brass
Lunar Large, Brass
795-XS
795-S
795-M
795-L
H:7cm
H:11cm
H:14cm
H:17cm
Lunar Small, White
Celestial, White
Feather, White
Lunar Large, White
795-XS-W
795-S-W
795-M-W
795-L-W
H:7cm
H:11cm
H:14cm
H:17cm
Lunar Small, Black
Celestial, Black
Feather, Black
Lunar Large, Black
795-XS-BL
795-S-BL
795-M-BL
795-L-BL
H:7cm
H:11cm
H:14cm
H:17cm
Lunar Small, Copper 795-XS-C
795-S-C
Celestial, Copper
795-M-C
Feather, Copper
Lunar Large, Copper 795-L-C
H:7cm
H:11cm
H:14cm
H:17cm
THE LONDON COLLECTION SILVER DESIGN LARA BOHINC
THE LONDON COLLECTION DESIGN LARA BOHINC
The London Collection by Skultuna is designed by the internationally renowned jewellery designer Lara Bohinc. - It’s amazing to
The London Collection by Skultuna is designed by the internationally renowned jewellery designer Lara Bohinc. - It’s amazing to
make a collection in brass. I am fascinated by Sweden and Scandinavia. To be working with a renowned company such as Skul-
make a collection in brass. I am fascinated by Sweden and Scandinavia. To be working with a renowned company such as Skul-
tuna that stands for tradition, quality and timeless design goes hand in hand with my design and my visions, says Lara Bohinc.
tuna that stands for tradition, quality and timeless design goes hand in hand with my design and my visions, says Lara Bohinc.
Lara Bohinc is best known for her design language in elegant, timeless jewelry. The inspiration for The London Collection came from travels;
Lara Bohinc is best known for her design language in elegant, timeless jewelry. The inspiration for The London Collection came from travels;
the lines of the Lunar pattern is inspired by the highways in Japan, The Celestial is inspired by motions of the planets around the sun and the
the lines of the Lunar pattern is inspired by the highways in Japan, The Celestial is inspired by motions of the planets around the sun and the
Feather by the light wing strokes of birds. The first products are four candleholders and a bookend. Designed 2016.
Feather by the light wing strokes of birds. The first products are four candleholders and a bookend. Designed 2014.
No 797-FL
Large frame
L:17cm x H:23cm
No 797-FS
Small frame
L:9cm x H:12cm
No 797-PH
Pen holder
L:6,7cm H:8,5cm
No 797-LR
Letter rack
L:14cm H:7cm
No 797-SC
Small container
L:8cm H:8cm
DESIGN
LARA BOHINC
Bookend, Brass
no 796
No
h:20cm
H:20cm
Bookend, Black
no 796-BL
796-Bl
No
h:20cm
H:20cm
Bookend, White
no 796-W
No
h:20cm
H:20cm
DesiGn
DESIGN
lara BOHINC
Bohinc
LARA
THE WILKINSON DESKTOP SERIES DESIGN LARA BOHINC
the LONDON
lonDon COLLECTION
collection DESIGN
DesiGn LARA
lara BOHINC
Bohinc
THE
The Wilkinson desktop series is designed by the internationally renowned jewellery designer Lara Bohinc. It is made of semi etched brass
the London
london Collection
collection by Skultuna
skultuna is designed by the internationally renowned jewellery designer Lara
lara Bohinc. - It’s amazing to
The
plate and consist of two frames, a pen holder, a letter rack and a small container - The desktop series is named after the artist Norman Wilkinson,
make a collection in brass. I am fascinated by Sweden and Scandinavia. To be working with a renowned company such as Skul-
credited to inventing the dazzle pattern. The pattern is inspired by dazzle camouflage pattern, which is an unlikely form of camouflage as
lara Bohinc.
tuna that stands for tradition, quality and timeless design goes hand in hand with my design and my visions, says Lara
it draws attention to the object rather than hiding it, the purpose was confusion rather than concealment. Dazzle was partially inspired by
Lara Bohinc is best known for her design language in elegant, timeless jewelry. The inspiration for The London Collection came
cubism and Picasso. This series is also inspired by futurists Edward Wadsworth and David Bomberg with its fast, jaggered moving lines says
lara Bohinc
her pattern
design is
language
timelessinjewelry.
theCelestial
inspiration
for the by
london
collection
came
from
travels; is
thebest
linesknown
of thefor
Lunar
inspiredinbyelegant,
the highways
Japan, The
is inspired
motions
of the planets
Lara Bohinc. Designed 2015.
from travels;
of the lunar
is inspired
bybirds.
the highways
in Japan,are
thefour
celestial
is inspired
motionsDesigned
of the planets
around
the sunthe
andlines
the Feather
by thepattern
light wing
strokes of
The first products
candleholders
and abybookend.
2014.
around the sun and the Feather by the light wing strokes of birds. The first products are four candleholders and a bookend. Designed 2014.
NEWS FALL 2016
BOULE VASES SILVER
DESIGN OLIVIA HERMS
Brass
No 784-S
H:23cm
Brass
No 784-L
H:21cm
Silver plated
No S784-S
H:23cm
Silver plated
No S784-L
H:21cm
DESIGN
OLIVIA HERMS
No 787
H:5cm, Ø 9cm
DESIGN
OLIVIA HERMS
BOULE VASES DESIGN OLIVIA HERMS
PALLINA MAGNIFYING GLASS DESIGN OLIVIA HERMS
The French-German designer Olivia Herms is currently working for the world famous designer Konstantin Grcic, previously
The French-German designer Olivia Herms is currently working for the world famous designer Konstantin Grcic, previous-
she has worked for the internationally renowned design studio Claesson Koivisto Rune in Stockholm. Olivia Herms has now
ly she has worked for the internationally renown design studio Claesson Koivisto Rune in Stockholm. Olivia Herms has now
started to develop her own projects and the Boule vases is her second product for Skultuna. Designed 2015.
started to develop her own projects and the Pallina magnifying glass for Skultuna is one of the first products to be launched.
Designed 2014.
Small Ø:14cm
No C783-SB
Ink blue leather
Small Ø:14cm
No C783-SW
Ivory white leather
Small Ø:14cm
No C783-SG
Dark green leather
Small Ø:14cm
No 783-SB
Ink blue leather
Small Ø:14cm
No 783-SW
Ivory white leather
Small Ø:14cm
No 783-SG
Dark green leather
Medium Ø:24cm
No C783-MB
Ink blue leather
Medium Ø:24cm
No C783-MW
Ivory white leather
Medium Ø:24cm
No C783-MG
Dark green leather
Medium Ø:24cm
No 783-MB
Ink blue leather
Medium Ø:24cm
No 783-MW
Ivory white leather
Medium Ø:24cm
No 783-MG
Dark green leather
Large Ø:34cm
No C783-LB
Ink blue leather
Large Ø:34cm
No C783-LW
Ivory white leather
Large Ø:34cm
No C783-LG
Dark green leather
Large Ø:34cm
No 783-LB
Ink blue leather
Large Ø:34cm
No 783-LW
Ivory white leather
Large Ø:34cm
No 783-LG
Dark green leather
DESIGN
GAMFRATESI
DESIGN
GAMFRATESI
KARUI COPPER DESIGN GAMFRATESI
KARUI BRASS DESIGN GAMFRATESI
The Karui trays are designed by GamFratesi for Skultuna. The trays are made using metal spinning, a classic Skultuna production
The Karui trays are designed by GamFratesi for Skultuna. The trays are made using metal spinning, a classic Skultuna production
technique. The leather comes from the leading Swedish tannery Tärnsjö, famous for their high quality leather and located close to
technique. The leather comes from the leading Swedish tannery Tärnsjö, famous for their high quality leather and located close to
Skultuna in Sweden. The GamFratesi studio was founded in 2006 by the Danish architect Stine Gam and the Italian architect Enrico
Skultuna in Sweden. The GamFratesi studio was founded in 2006 by the Danish architect Stine Gam and the Italian architect Enrico
Fratesi. GamFratesi’s design takes its creative drive from a fusion of tradition and renewal and in an experimental approach to their
Fratesi. GamFratesi’s design takes its creative drive from a fusion of tradition and renewal and in an experimental approach to their
chosen materials and techniques. Designed 2015.
chosen materials and techniques. Designed 2015.
KIN TEALIGHT SERIES
DESIGN CLAESSON KOIVISTO RUNE
No 763-C-04
No 763-C-05
No 763-C-02
No 763-C-03
No 763-04
No 763-01
No 763-02
No 763-03
No 763-C-01
No 763-05
No 763-BL-04 No 763-BL-01 No 763-BL-02 No 763-BL-03 No 763-BL-05
No 763-S-04
No 763-S-01
No 763-S-02
No 763-S-03
No 763-S-05
DESIGN
CLAESSON KOIVISTO RUNE
No 763-R-02
No 763-R-03
No 763-R-01
No 763-R-05
No 763-R-04
No 763-W-03
No 763-W-04
No 763-W-01
No 763-W-02
No 763-W-05
No 763-M-02 No 763-M-01 No 763-M-04 No 763-M-05 No 763-M-03
KIN DESIGN CLAESSON KOIVISTO RUNE
Kin is a tea light candleholder series with five different shapes designed by the internationally successful design studio
Claesson Koivisto Rune. Kin is available as singles, set of 3 and set of 5. Kin comes in silver, brass, copper, black, white, mole´s grey
and red. Ø:4cm, H:4,5cm. Designed 2010.
Small No 764-1
H:3,5cm, Ø:10,5cm
Medium No 764-2
H:3,6cm, Ø:12,5cm
Large No 764-3
H:3,7cm, Ø:15,5cm
DESIGN
CLAESSON KOIVISTO
RUNE
No 762
H:11cm, Ø:8cm
DESIGN
CLAESSON KOIVISTO RUNE
BALLERINA DESIGN CLAESSON KOIVISTO RUNE
BELLE DESIGN CLAESSON KOIVISTO RUNE
Ballerina is a series of three small unstable bowls designed by the internationally successful designer studio
Belle is a jewelry box and ring holder designed by the internationally successful designer studio Claesson Koivisto Rune.
Claesson Koivisto Rune. Polished Brass. Designed 2011.
Polished Brass, felt on inside. Designed 2007.
No 765-S-01
No 765-01
No 765-S-02
No 765-XS
Mini, set of 3 pcs
Ø at tip 22mm
Length from wall 16mm
No 765-S
Small, set of 3 pcs
Ø at tip 41mm
Length from wall 20mm
No 765-S-03
Gul/Yellow
No 718-S1
No 765-02
No 765
Large, set of 3 pcs
Ø at tip 60mm
Length from wall 40mm
No 765-03
No 760
Ø:12cm
DESIGN
CLAESSON KOIVISTO
RUNE
WALL HANGERS DESIGN CLAESSON KOIVISTO RUNE
BASSO DESIGN CLAESSON KOIVISTO RUNE
Face is a series of three wall hangers with different shapes that comes in three sizes, designed by Claesson Koivisto Rune for Skultuna.
Basso is a self centering coaster for champagne and wine bottles designed by the internationally successfull swedish Design Studio
The wall hangers are cast in solid brass and highly polished to create an almost mirror like surface. The knobs are delivered with screws
Claesson Koivisto Rune. Polished brass. Designed 2005.
for wall use and for cabinets. Designed 2012.
NEWS FALL 2016
FLOWER POT SILVER
DESIGN MONICA FÖRSTER
No 790-ES
Extra Small & Polished
H:11,5cm, Ø:15cm
No 790-ESB
Extra Small & Brushed
H:11,5cm, Ø:15cm
No S790-S
Flower Pot, Small,
Silver Plated H:14cm, Ø:19cm
DESIGN
MONICA FÖRSTER
No C790-ES
Flower Pot, Extra Small,
Copper H:11,5cm, Ø:15cm
No 790-S
Small & Polished
H:14cm, Ø:19,2cm
No 790-SB
Small & Brushed
H:14cm, Ø:19,2cm
No C790-S
Flower Pot, Small,
Copper H:14cm, Ø:19,2cm
No 790-M
Medium & Polished
H:21cm, Ø:26,6cm
No 790-L
Large & Polished
H:30cm, Ø:40cm
No 790-MB
Medium & Brushed
H:21cm, Ø:26,6cm
No 790-LB
Large & Brushed
H:30cm, Ø:40cm
No C790-M
Flower Pot, Medium,
Copper H:21cm, Ø:26,6cm
No C790-L
Flower Pot, Large,
Copper H:30cm, Ø:40cm
DESIGN
MONICA FÖRSTER
FLOWER POT SILVER DESIGN MONICA FÖRSTER
FLOWER POTS DESIGN MONICA FÖRSTER
Staying true to the historic production methods of Skultuna, Monica Förster and her design studio came up with a series of Flower
Staying true to the historic production methods of Skultuna, Monica Förster and her design studio came up with a series of Flower
Pots made in the very old method of metal spinning. Metal spinning is a production method that has been in constant use during the
Pots made in the very old method of metal spinning. Metal spinning is a production method that has been in constant use during the
last centuries in Skultuna and makes it possible to make large round three dimensional objects out of sheet metal. The Flower Pots
last centuries in Skultuna and makes it possible to make large round three dimensional objects out of sheet metal. The Flower Pots
resemble classical pots made of terracotta with a small inclination in the lower part. This version is made from silver plated brass.
resemble classical pots made of terracotta with a small inclination in the lower part. Designed 2013.
Designed 2013.
No 790-H
Herb Pot, shiny
H:10cm, Ø:12.5cm
No C790-H
Herb Pot, copper
H:10cm, Ø:12.5cm
No 790-HB
Herb Pot, brushed
H:10cm, Ø:12.5cm
DESIGN
MONICA FÖRSTER
No 780
Ø:8,5cm H:4,8cm
DESIGN
LUCA NICHETTO
HERB POTS DESIGN MONICA FÖRSTER
TIMELINE DESIGN LUCA NICHETTO
Staying true to the historic production methods of Skultuna, Monica Förster and her design studio came up with a series of Flower Pots
The Italian designer Luca Nichetto has designed Timeline that recalls the very old tradition of polishing away the oxidation that ac-
made in the very old method of metal spinning. Metal spinning is a production method that has been in constant use during the last
cumulates over time on the surface of the traditional bronze doorhandles of Venetian doors. Even after a good polishing, these objects,
centuries in Skultuna and makes it possible to make large round three dimensional objects out of sheet metal. The Flower Pots resemble
which can assume a myriad of different forms, usually retain the darker areas of oxidation in the interstices that the polisher’s cloth or
classical pots made of terracotta with a small inclination in the lower part. Designed 2013, the Herb Pots version 2015.
brush cannot reach. Inspired by this, Timeline’s decorative character is created precisely through the process of oxidation, which generates a pattern of circular grooves on the objects’ brass surface over time, in other words Timelines. Designed 2010.
No 786
L:16,5cm H:24cm
DESIGN
OBJECTHOOD
No 786-L
L:42cm W:20cm
DESIGN
OBJECTHOOD
LAND’S END TRIVET DESIGN OBJECTHOOD
DEW TRIVET DESIGN OBJECTHOOD
The Land’s End trivet is designed by the Swedish design studio Objecthood. The trivet is sand cast of solid brass, with a polished
The Dew trivet is designed by the Swedish design studio Objecthood. The trivet is sand cast of solid brass, with a polished surface and
surface and a natural, untreated underside. Inspired by 20th century Art Deco, a style characterized by elegance and exclusiveness.
a natural, untreated underside. Inspired by floral patterns from 20th century Art Deco, a style characterized by elegance and exclusive-
Designed 2014.
ness. Designed 2015.
THE DESIGNER PIERRE FORSSELL
DESIGN WORKS FOR SKULTUNA 1955 – 1986
AN EXHIBITION BY BUKOWSKIS AUCTIONS
Pierre Forsell worked for Skultuna between 1955 to 1986, a period for over thirty years. Pierre Forssell was one of
the designers who helped to give Skultuna a new status in modern design with his modernist design. Pierre Forssell
succeeded the legendary Erik Fleming at Skultuna as the house designer.
Pierre Forssell began his studies at the Art Academy in painting (where the famous Bengt Lindström was his
classmate), soon after he moved to the silversmith department where he was later a teacher of silverware (at the
age of twenty six). It was at the H55 exhibition in Helsingborg his typical design first aroused great attention. Pierre
Forssell also designed a wide range of objects over the years, here are some of the iconic products that have become
very popular in the later years among collectors of modernist design objects. Today Skultuna have three Pierre
Forssell designs in production, they can be seen on the next page.
No 82-0 (Set of 3pcs)
H:19, 21, 23cm
DESIGN
PIERRE FORSSELL
No 71
H:50cm
No 79
H:38cm
DESIGN
PIERRE FORSSELL
THE TULIP CANDLESTICK DESIGN PIERRE FORSSELL
SCONCE PENDEL DESIGN
PIERRE FORSSELL
SCONCE REFLEX DESIGN
PIERRE FORSSELL
The candlestick with its straight modern design is a good example on the silversmith Pierre Forssell’s work from the 1970s with the
The famous silversmith and designer Pierre Forssell who was
The designer and silversmith Pierre Forssell designed the
spirit of distant Scandinavian purity. Polished brass. Designed 1970s.
working at Skultuna Brass Foundry between 1955-86, designed
sconce “ Reflex”. The sconce is an ingenious design, which
the scone Pendel which has become an iconic Skultuna product.
reflect the shining light from the candle. Polished Brass.
Designed 1970s.
Polished Brass. Designed 1955.
Brass
Gul/Yellow
No 718-1
Orange/Orange
No 718-2
Vit/White
No 718-3
Turkos/Turquoise
No 718-4
Svart/Black
No 718-5
Lila/Purple
No 718-6
Ek/Oak
No 718-7
Orange/Orange
No 718- S2
Vit/White
No 718-S3
Turkos/Turquoise
No 718-S4
Svart/Black
No 718-S5
Lila/Purple
No 718-S6
Ek/Oak
No 718-S7
Silver plated
Gul/Yellow
No 718-S1
RING MY BELL DESIGN OLOF KOLTE
The dinner bell ”Ring my Bell” is a modern version of the classic school bell from the early 19th century. A colorful addition to the
board room or to the wedding table that comes in six different colors. H:18cm. Designed 2001.
Small Bowl Ø:8cm, H:4cm
Purple
No 715-L
White
No 715-V
Red
No 715-R
Black
No 715-S
White
No 716-V
Red
No 716-R
Black
No 716-S
Large Bowl Ø:12cm, H:7,5cm
Purple
No 716-L
DESIGN
OLOF KOLTE
No 711
H: 30.5cm
DESIGN
OLOF KOLTE
BOWL DESIGN OLOF KOLTE
CANDLESTICK DESIGN OLOF KOLTE
The swedish designer olof Kolte has designed an elegant bowl in polished brass that comes in two sizes and four different colors of
The Swedish designer Olof Kolte designed this candlestick for Skultuna in 2001 and it has since then become a modern
powder coating. Designed; Large 2002, Small 2008.
classic and has won a number of design awards. Polished brass. Designed 2001.
No 770
L:10,5cm, B:6cm
DESIGN
THOMAS SANDELL
No 772
H:6cm, Ø:1 1cm
DESIGN
THOMAS SANDELL
BARBARA BOTTLE OPENER DESIGN THOMAS SANDELL
THE THEATER CANDLESTICK DESIGN THOMAS SANDELL
The bottle opener Barbara is designed by Thomas Sandell, one Sweden’s most successful designers. The bottle opener is inspired by
A new product from the internationally renowned Stockholm based designer Thomas Sandell. The Theater candlestick was developed
the fictional character Barbapapa. Designed 2004.
for the legendary Stockholm restaurant “Teatergrillen”. The candlestick can be seen in the restaurant from now on. Polished brass.
Designed 2009.
NO. 733
H: 4CM, 5,5CM, 7CM
Set of three
No X046
Green marble
30x30cm
No X045
Green marble
15x15cm
No X056
White Carrara marble
30x30cm
No X055
White Carrara marble
15x15cm
No X040
Green marble
L:42cm, W:11cm
TRIPP TRAPP TRULL CANDLEHOLDERS
SKULTUNA PLUS
The Tripp Trapp Trull candleholders is a set of three and was designed by the Swedish designer Michael Kurpatow in 1999. It can be used
with both tea lights and regular candles. Polished brass. Designed 2005.
This is a new series of products that originally were meant for displaying Skultuna products; strong demand from shops and customers
has lead to the product release. Green marble and White Carrara marble. Engraved brass plaque with the Skultuna logotype.
No 113-1
Black marble
No 114-1
Carrara marble
No 112-1
Porphyry
Limited 100 pairs
DESIGN
PEDER LAMM
The technique to manufacture chandeliers was brought by the Walloon immigrants from Europe to Skultuna.
Chandeliers were the first products manufactured at Skultuna along with Copper wire. The oldest known surviving Chandelier is from 1619. This Chandelier is made ofthe highest quality brass and has 5 arms. Designed
modeled on the church chandeliers from the 18th century. The candelabra is rococo inspired and made for five
candles. Polished Brass. Designed 1900s.
1600s.
CHANDELIER
This is a statement, a Skultuna Master piece designed by Foundry Master B. Johansson. The Candelabra was
No 205
H: 48cm, D: 45cm
The Jubilee Candlestick was developed for the 400-year anniversary together with the Swedish antiques
expert Peder Lamm. Four different middle parts. H:24cm. Designed 2007.
JUBILEE CANDLESTICK DESIGN PEDER LAMM
No 110-1
Brass
CANDELABRA 5-ARMS
No 105
H:42cm
The perfect wine cooler for hot summer days. The inset is of aluminum. The air gap between the inset and
casing provide insulation. The cooler can also serve as a centerpiece with flower arrangements. Polished
Brass. Designed 2001.
CHAMPAGNE & WINECOOLER
No 250
H:23cm
HEARTS
The hearts is always a popular gift and can be used as a paper weight. Polished Brass. Designed 1998.
Napkin rings is a must-have for every elegant dinner table. Polished Brass. Designed 1988.
No 802-B
Large
L:6.5cm, W:6.5cm
NAPKIN RINGS
No 801-B
Medium
L:5.0cm, W:5.5cm
The office candlestick is very characteristic of Skultuna and it has been in production uninterrupted since the
foundation of Skultuna in the early 17-th century. Polished Brass. Designed 1630s.
No 252
Ø:4,5cm
THE OFFICE CANDLESTICK
No 68
H:11cm
The Guardian Angel from Skultuna was designed by Carl-Einar Borgström during the 1940s. Carl-Einar
Borgström (1914-1981) was a sculptor trained at the Royal Art Academy in Stockholm, he designed a wide
range of products, mainly for Ystad Metall. The guardian angel is gold plated and needs only to be wiped with
a damp cloth every once in a while to keep its luster through the ages. Designed 1940s.
Gold-plated
Medium No 24
H:14cm
THE GUARDIAN ANGEL
Gold-plated
Small No 23
H:9cm
EMPIRE
No S948-1
PLUME
No S948-2
TIDE
No S948-3
CHARLESTON
No S948-4
BOW TIE
No S948-5
PEAK
No S948-6
EMPIRE
No 948-1
PLUME
No 948-2
TIDE
No 948-3
CHARLESTON
No 948-4
BOW TIE
No 948-5
PEAK
No 948-6
DESIGN
RICHARD HUTTEN
No 785-57
L: 26cm
CHRISTMAS MOBILES DESIGN OBJECTHOOD
DESIGN
OBJECTHOOD
DESIGN
RICHARD HUTTEN
ADVENTS NATTLIGHT DESIGN RICHARD HUTTEN
The Christmas mobiles are designed by the Swedish design studio Objecthood. The mobiles are etched from brass sheet and from
Richard Hutten is one of the most internationally successful Dutch designers; a key exponent of “Droog Design”, in which he has been
nickel silver Inspired by 20th century Art Deco, a style characterized by elegance and exclusiveness. Ø:9cm – Ø:11cm.
involved since it’s inception in 1993. For Skultuna Richard Hutten has designed this elegant advents candlestick. Polished brass.
Designed 2014.
Designed 2016.
FLAG SHIP STORE
CONCEPT STORE
FACTORY & OFFICE
HEAD OFFICE
Bruksgatan 8, 726 31 Skultuna, Sweden
Grev Turegatan 18, 114 46 Stockholm, Sweden
Bruksgatan 8, 726 31 Skultuna, Sweden
Grev Turegatan 12A, 114 46 Stockholm, Sweden
info@skultuna.com www.skultuna.com