Sale 2779B January 23, 2015 Boston

Transcription

Fine
Paintings &
Sculpture
Sale 2779B
January 23, 2015
Boston
Fine
Paintings &
Sculpture
Specialists
Robin S.R. Starr
Elizabeth C. Haff
Michelle Lamunière
Department Director
508.970.3259
508.970.3258
508.970.3264
Department Inquiries: 508.970.3206
Auction Information
Auction 2779B
Preview
Absentee Bidding
Friday, January 23
4PM
preceded by Fine Prints
& Photographs at 12PM
Wednesday, January 21
12 to 5PM
T: 617.874.4318
F: 617.350.5429
63 Park Plaza
Boston, MA
Thursday, January 22
12 to 8PM
Friday, January 23
9 to 10AM
General Inquiries:
617.350.5400
SkinnerLive!:
skinnerinc.com
View all lots online at www.skinnerinc.com
cover : 538 ; frontispiece : 399 ; back cover : 495
American & European Works of Art
Auction 2704B
02/07/2014 4:00 PM EST
Lot 632 Of 689 - Alexander Calder (American, 1898-1976) Red Circus Horse
M Y AC T IVIT Y
AU C T IO N LO G O U T
Audio may be subject to delay!
Follow the bid button and message center.
Estimate:
Current bid:
Report Problems
LIVE NOW!!
SK2148
$40,000 - $60,000
$110,000

Message Center
Click on left/ right side of image to see
previous/ next image
Play sounds
$110,000 Floor Bidder
$90,000 Internet Bidder SK2149
Online bidder SK2149 requests bid of $90,000 on lot 632
Bid online with SkinnerLive!
www.skinnerinc.com
• online@skinnerinc.com
2
+1 508.970.3279
Table of Contents
1
Auction & Specialist Information
2
Web Site & Online Bidding
5
Provenance
6
Glossary of Terms
7
Lots 300–623
184
Artist Index
186
Conditions of Sale
187
Absentee Bid Form
188
Company Directors & Specialty Departments
189
Administrative Staff & Client Services
190
Map & Driving Directions
191
Subscription Form
Please Note: All lots sold subject to our Conditions of Sale.
Please refer to page 186 of this catalog for the full terms and conditions governing your purchase.
Copyright © Skinner, Inc. 2015
All rights reserved
MA/Lic. #2304
4
Provenance
The estate of Sir Alasdair Munro of Lindertis, BT
The family of Frank Weston Benson (Massachusetts, 1862-1951)
Estates in Massachusetts
Property sold to benefit the Worcester Art Museum, Worcester, Massachusetts
Private collections in New Mexico, Vermont, Rhode Island, Maine, Illinois, New York,
Hawaii, and Massachusetts
Property of Ann and Graham Gund, Massachusetts. The Gunds are major collectors of
contemporary art and avid supporters of the visual and performing arts in the Boston
area. The Gund Partnership, the architectural firm founded by Graham Gund in 1971,
is noted for its building and historic redevelopment projects.
Trustees of the Salem Public Library, Salem, Massachusetts
Smith College Museum of Art, Northampton, Massachusetts
5
Glossary of Terms
All items in this catalog are described according to the following table of terminology.
Please note that all statements in this catalog as to Authorship, Period, and Origin, are
qualified statements subject to the Conditions of Sale.
Authorship will be described in the following ways:
John Joseph Enneking
In our judgment, the work is by the artist.
Attributed to John Joseph Enneking
In our judgment, the work may be ascribed to the artist on the basis of style, but leaves some
question as to actual authorship.
School of John Joseph Enneking
In our judgment, a work of an unknown follower executed in the style of the artist and
contemporary in period.
Manner of John Joseph Enneking
In our judgment, a work executed in the style of the artist by an unknown hand and probably from
a later period.
After John Joseph Enneking
In our judgment, an intended copy of the work of the artist.
American School, 19th Century
In our judgment, the work of an unknown hand that can only be identified as to period and
culture.
Other terms:
Bears signature
In our judgment, the signature not of the artist. This term is generally used separately, or together
with a description of the work as “attributed to,” “school of,” “manner of,” or “after” the artist.
Measurements are given as height x width and refer to the size of the support unless otherwise
indicated.
6
300
300
Attributed to Adriaen Isenbrant (Flemish,
1490-1551)
Madonna and Child in an Interior
Unsigned.
Oil on panel, 6 3/4 x 7 in. (17.0 x 17.8 cm),
framed.
Condition: Scattered retouch, fine craquelure,
pentimenti, minor surface grime.
Provenance: From a private Maine collection.
$25,000-35,000
Online bidding at www.skinnerinc.com
7
301
302
302
Italian School, Late 16th Century
Two Drawings: A Double-sided Drawing
with a Standing Male Nude on the Recto
and Adoring Male Saint
Unsigned, Saint inscribed “Timoteo Viti” in
pencil l.c.
Charcoal on watermarked laid paper, sizes to
15 3/4 x 10 3/4 in. (40.0 x 27.4 cm), matted,
unframed.
Condition: Staining, soiling, creasing, areas of
thinning, hinged to the back mat in two places
on the reverse.
N.B. The reverse of Standing Male Nude
bears a later drawing showing two cloaked
figures in conversation, which might be after a
work by Pontormo.
$400-600
303
301
After Tiziano Vecelli, called Titan (Italian, c.
1485-1576)
Portrait Head of Charles V at Battle of
Muehlberg
Unsigned, inscribed “Buccleugh” on a label on
the stretcher, inscribed “Charles V. Emperor/of
Germany.” in a later hand on the stretcher.
Oil on canvas, 18 3/4 x 17 3/16 in. (47.5 x
43.5 cm), framed.
Condition: Lined, retouch, skinning,
craquelure, surface grime.
$2,000-3,000
8
Additional information and photos at www.skinnerinc.com
303
Flemish School, 17th Century
Portrait of a Man Holding Papers
Unsigned.
Oil on canvas, 29 1/8 x 24 in. (74.0 x 61.0
cm), framed.
Condition: Lined, retouch, old paint losses,
surface grime.
N.B. The work is accompanied by an invoice
for conservation by Rabin & Krueger, Newark,
New Jersey, with brief notes as to treatment
completed in 1966.
$2,000-3,000
304
304
After John Flaxman (British, 1755-1826)
Three Drawings from Dante’s Divine
Comedy: Dante and Virgil entering the Dark
Wood (Canto 1), The Boat of Charon (Canto
3), and Christ Drawing Out Souls from
Limbo, The Harrowing of Hell (Canto 4)
Unsigned.
Ink on laid paper, sheet sizes to 6 1/2 x 9 5/16
in. (16.0 x 23.8 cm), framed.
Condition: Creasing, toning, scattered
staining, losses to edges of the sheets that
do not affect the images, sheets mounted to
secondary paper support, hinged at top edges
of the reverse to the backing mats.
N.B. These drawings were likely made after
the Thomas Piroli engravings of Flaxman’s
drawings of Dante’s Divine Comedy, published
as “Compositions from The Hell, Purgatory,
and Paradise of Dante Alighieri” by Longman,
Hurst, Rees, and Orme, London, in 1807.
Flaxman’s original drawings for Divine Comedy
were made in black chalk and are part of the
collection of the Houghton Library at Harvard
University, Cambridge, Massachusetts.
$6,000-8,000
305
Attributed to Bartholomeus van der Helst
(Dutch, 1613-1670)
305
Portrait of an Admiral
Unsigned, identified on a partial label affixed to
the stretcher.
102.0 cm), framed.
Condition: Punctures, abrasions, lined, old
retouch, craquelure, surface grime.
$2,000-3,000
9
306
306
Cornelis Pietersz de Mooy (Dutch, 16301693)
Vessels in a Quiet Harbor
Signed “C.P. Mooy” l.r., identified on a
handwritten label on the reverse, stencils to
the back of the panel.
Oil en grisaille on panel, 11 x 13 1/2 in. (27.8 x
34.2 cm), framed.
Condition: Broad retouch to sky plus
additional scattered retouch, craquelure.
Provenance: Descended within a
Massachusetts family.
$7,000-9,000
307
Continental School, 19th Century
Ship in Rough Seas with Approaching
Storm
Unsigned.
Oil on paper, 6 x 7 3/4 in. (15.0 x 19.6 cm),
framed.
Condition: Mounted to panel, paint loss to
u.r., minor frame abrasions, mild surface
grime.
307
Provenance: A private New Mexico collection.
$2,000-3,000
10
308
308
School of William Van de Velde II (Dutch,
1633-1707)
Ships in Distress off a Rocky Coast
Unsigned, attributed to William Van de Velde
on a handwritten label affixed to the stretcher.
cm), framed.
Condition: Lined, old retouch, areas of
possible skinning, craquelure, surface grime.
$15,000-25,000
11
309
309
Mary Benwell (British, 1739-1811)
Miss Jane Howard
Unsigned, identified and titled on a
presentation plaque.
Pastel probably on paper, 26 3/4 x 22 3/8 in.
(67.9 x 56.8 cm), framed.
Condition: Minor pigment displacement, not
examined out of frame.
$2,000-3,000
310
Armand Francois Joseph Henrion (Belgian,
1875-1958)
Three Portraits of Clowns
Signed “ARM. HENRION” l.l. or l.r., with labels
from Edouard Hautecoeur, Éditeur d’Art, Paris,
on the reverse.
Oil on panel, each 7 x 5 1/2 in. (17.8 x 14.0
cm), framed.
Condition: One-inch stray red mark on
portrait of clown in a red head wrap, abrasions
along right edge of portrait of clown in a green
head wrap and smoking cigar.
$4,000-6,000
310
12
311
311
Jean Baptiste Greuze (French, 1725-1805)
Bust of a Child
Monogrammed “JBG” l.l., artist identified on
a presentation plaque, with a collection label
from Charlotte-Auguste-Mathilde, Queen of
Württemberg, affixed to the reverse.
Oil on panel, 7 x 5 3/4 in. (17.8 x 14.8 cm), in
an elaborately carved frame.
Condition: Minor scattered losses, craquelure,
surface grime, discolored varnish, bowing to
panel with damage to the corners.
Provenance: Charlotte-Auguste-Mathilde,
Queen of Wurttemberg (1766-1828); through
to and possibly purchased by Henry M.
Shepherd, 1859; by descent to Perry M. and
Eleanor Shepherd, Geneva, New York, 1940s;
by descent to Deborah Shepherd Petri,
Framingham, Massachusetts; by descent to
the current owner.
This work has descended in several
generations of the Shepherd family and may
have been acquired by Judge Henry Martyn
Shepard on a European grand tour in 1859.
The family was located in Geneva, New York.
$8,000-12,000
N.B. The painting has been reviewed by Dr.
Edgar Munhall, Curator Emeritus of the Frick
Collection, who confirmed the attribution to
Greuze. A letter from Dr. Munhall accompanies
the lot.
13
312
312
Thomas Mickell Burnham (American, 18181866)
Belvoir Castle from the Dairy, England
Titled, signed, and dated “...Painted by T.M.
Burnham, August 1865” in pencil on the
reverse.
Oil on panel, 15 3/4 x 26 1/8 in. (40.0 x 66.5
cm), framed.
Condition: Retouch, craquelure, surface
grime.
Provenance: From a private New York
collection.
N.B. Belvoir has been the ancestral home of
the Duke and Duchess of Rutland for 1,000
years.
$3,500-5,500
313
Attributed to Julius Caesar Ibbetson
(British, 1759-1817)
Cows and Farmers Amidst Ruins
Unsigned.
Oil on panel, 8 3/8 x 10 5/8 in. (21.2 x 27.0
cm), framed.
Condition: Minor surface grime, minor
retouch, varnish discoloration.
313
Provenance: Property from the estate of Sir
Alasdair Munro of Lindertis, BT.
$1,000-1,500
14
314
314
Reginald Ernest Arnold (British, 1853-1938)
Animated Winter View with Skaters
Signed “R.E.ARNOLD-” l.l., inscribed
“Hamilton Colepeper/Student/...Isle of
Wight...” on a label affixed to the stretcher.
Oil on canvas, 26 3/4 x 36 1/4 in. (67.8 x 92.0
cm), framed.
Condition: Craquelure, surface grime.
$5,000-7,000
15
316
315
317
315
Italian School, Early 17th Century
Nativity
Unsigned, inscribed “G.B. Paggi/sec xvii, sc
genovese” in pencil in a later hand on the
reverse.
Ink and wash with faint charcoal underdrawing
on paper, 9 x 6 15/16 in. (22.8 x 17.7 cm),
matted, unframed.
Condition: Handling creases, mild toning, old
mounting.
$400-600
316
Attributed to Cristoforo Roncalli (Italian,
1552-1626)
317
Attributed to Simone Cantarini (Italian,
1612-1648)
Study of Two Angels
Unsigned, attributed in a pencil inscription on
the backing mat.
Ink and conté crayon on laid paper, 5 3/4 x 7
7/8 in. (14.6 x 20.0 cm), matted, unframed.
Condition: Creasing, soiling, scattered stains,
hinged to backing mat in two places on the
reverse.
$500-700
God the Father
Unsigned, inscribed “Simone Cantarini/il
Pesarese/.../Simone da Pesaro” in pencil in
different hands on the reverse, identified in
inscriptions on the front and on the reverse of
the mat.
Sanguine on laid paper, 5 x 4 5/8 in. (12.6 x
11.7 cm), matted, unframed.
Condition: Toning, staining, sheet glued along
perimeter of the reverse to a French mat
window.
Provenance: Purchased from Colnaghi,
London, September 1965.
$400-600
16
318
Italian School, 17th Century
Annunciation
Unsigned, numbered “#145” on a patch on
the reverse.
Oil on canvas, 13 x 9 in. (33.0 x 23.0 cm),
unframed.
Condition: Lined, patch reinforcement,
probable old retouch, craquelure, discolored
varnish, surface grime.
$2,000-3,000
319
French School, 17th Century Style
Birth of Venus
Unsigned.
Oil on metal, 27 1/8 x 34 in. (68.6 x 86.7 cm),
mounted to wooden cradling, unframed.
Condition: Retouch, paint losses, craquelure,
scattered abrasions, surface grime.
Provenance: From a home located at 49
Beacon Street, Boston, Massachusetts, to the
current owner.
$1,500-2,000
318
319
17
320
320
Francesco (Luigi) Lojacono (Italian, 18411915)
Path to the Shore
Signed or inscribed “Lojacono” l.r., inscribed
“Alice...” on a label affixed to the stretcher.
cm), framed.
Condition: Surface grime, craquelure,
signature possibly reinforced.
Provenance: The estate of Sir Alasdair Munro
of Lindertis, BT.
$4,000-6,000
321
321
Louis Aston Knight (American, 1873-1948)
Vieux Lavoirs
Signed “Aston Knight/Paris” l.l., identified on a
presentation plaque, titled on a label affixed to
the stretcher.
cm), framed.
Condition: Minor surface grime.
$3,000-5,000
18
322
Louis Aston Knight (American, 1873-1948)
Landscape with Trees
Signed “Aston Knight/Paris” l.l.
81.6 cm), framed.
Condition: Retouch, scattered craquelure,
surface grime.
$5,000-7,000
323
James Burrell Smith (British, 1822-1897)
Pair of Landscapes with Waterfalls: On the
Ti..., Wales and Ailsa Burn, Scotland
Both signed and dated “J.B. Smith/1875” l.l.,
identified on labels from N.R. Omell, London,
affixed to the frames.
framed.
Condition: Lined, scattered retouch,
$1,000-1,500
322
323
19
324
Thomas Pritt (British, fl. 1861-1864)
A Pause by the Stream
Signed and dated “Thos. Pritt/61” l.r.
framed.
Condition: Retouch, craquelure.
$2,500-3,500
324A
Edmond Marie Petitjean (French, 18441925)
Village on the Banks of a River
Signed “E. Petitjean” l.l.
Oil on canvas, 19 x 27 1/4 in. (48.2 x 69.1
cm), framed.
Condition: Scattered losses, craquelure.
$5,000-7,000
324
324A
20
325
Attributed to David Cox the Elder (British,
1783-1859)
Figure Crossing a Footbridge
Unsigned, identified on a presentation plaque.
Oil on panel, 20 1/4 x 16 1/8 in. (51.3 x 41.0
cm), framed.
grime, laid on Masonite.
$1,000-1,500
326
Auguste-Clément-Joseph Herst (French,
b. 1825)
Landscape with Peasant Crossing a Bridge
Signed “A. HERST” l.r.
Oil on panel, 14 x 19 3/8 in. (35.5 x 49.3 cm),
framed.
Condition: Scattered retouch, fine craquelure,
surface grime.
$1,000-1,500
325
326
21
327
327
Alexander Nasmyth (Scottish, 1758-1840)
Mountainscape with River
Unsigned, identified on a partial gummed
label affixed to stretcher, artist information
including reference to 1927 purchase by P. St.
John Langton, London, affixed to stretcher,
inscribed “FABER” on stretcher.
framed.
Condition: Retouch, craquelure, scattered
losses.
Provenance: Purchased by P. St. John
Langton, London, in 1927; through to Richard
B. Faber; purchased from the above at the
Kent Show in Connecticut in 1973; from the
buyer to the current owner.
328
N.B. The sale of this lot will benefit the
Worcester Art Museum, Worcester,
Massachusetts.
$1,500-2,500
328
Vincenzo Stancanpiano (Italian, b. 1835)
Mountain Landscape with Cows Watering
Signed and dated “Stancanpiano 1862” l.l.
inscribed “3245/Luis...” on the stretcher.
124.2 cm), in an ornately carved frame.
Condition: Lined, minor retouch, craquelure,
surface grime.
$1,500-2,500
22
329
330
329
Achille Vertunni (Italian, 1826-1897)
330
Charles Jones (British, 1836-1892)
Campagna Vista with Cattle and Horseman
Signed and inscribed “A. Vertunni/Roma” l.r.
cm), framed.
Condition: Patch reinforcement, tear to l.l.
quadrant, craquelure, surface grime.
$3,000-5,000
Highland Cattle and Sheep in a Landscape
Monogrammed and dated “...65” l.r.
cm), framed.
Condition: Lined, restored tear, retouch,
scattered small abrasions, surface grime.
$1,500-2,500
23
331
331
Hermanus Antonius Daalhoff (Dutch, 18671953)
Morgen
Signed “...daalhoff” l.l., titled and identified on
a label affixed to the reverse.
Oil on board, 8 1/2 x 12 5/8 in. (21.6 x 32.1
cm), framed.
Condition: Minor retouch, frame abrasions.
$1,000-1,500
332
332
Emile Charles Lambinet (French, 18151877)
Washerwomen at a Country Stream
Signed and dated “Emile Lambinet 66” l.r.
Oil on panel, 9 3/8 x 12 3/4 in. (24.0 x 32.5
cm), framed.
Condition: Horizontal surface cracks, retouch,
minor paint loss, fine craquelure, subtle
bowing to the support.
$1,500-2,000
333
Clinton Ogilvie (American, 1838-1900)
The Burro’s Respite
Signed and dated “Clinton Ogilvie 1874” l.l.
cm), framed.
$1,000-1,500
333
24
333A
Attributed to Peter de Wint (British, 17841849)
Harvesting
Signed or inscribed indistinctly l.l., titled and
signed or inscribed “.../P de Wint” on the
reverse.
Oil on paperboard mounted to canvas, 12 1/8
x 18 3/4 in. (30.7 x 47.8 cm), framed.
Condition: Lined, abrasions, broad washes of
retouch to sky, fine craquelure, surface grime.
Provenance: Purchased by the current owner
from Richard B. Faber in 1999.
333A
N.B. The sale of this lot will benefit the
Worcester Art Museum, Worcester,
Massachusetts.
$800-1,200
334
Emile Charles Lambinet (French, 18151877)
Outside the Village Gate
Signed “Emile Lambinet” l.r.
Oil on panel, 12 3/8 x 16 in. (31.5 x 41.0 cm),
framed.
Condition: Scattered retouch, minor surface
grime.
$1,200-1,800
335
Emile Antoine François Herson (French,
1805-1872)
334
Before the Storm
Signed and dated “E. Herson. 67.” l.r.
cm), framed.
Condition: Lined, retouch, small paint loss
u.c., craquelure, surface grime.
$1,000-1,500
335
25
336
336
Jules Gustave Leroy (French, 1856-1921)
Curious Kittens and Wasp
Signed “J. LeRoy” l.r.
cm), framed.
Condition: Lined, craquelure, minor retouch.
$1,500-2,000
337
School of Joseph Wright (of Derby) (British,
1734-1797)
Portrait of a Brother and Sister Standing in
a Landscape
Unsigned.
102.7 cm), framed.
Condition: Lined, retouch, craquelure.
N.B. Information affixed to the reverse
references a possible Wright exhibition in
London in 1911.
$4,000-6,000
337
26
338
Ferdinando Andreini (Italian, 1843-1922)
Margherita
Signed and inscribed “F.O.Andreini Firenze.”
on the reverse of the base, titled on the front
of the base.
White marble, height 38 1/2 in. (97.7 cm).
Condition: Repairs to her right hand and
wrist (pinkie detached), small chip to her right
sleeve, abrasions to base, surface grime.
Provenance: A private Illinois collection.
$15,000-25,000
338
27
340
339
339
Jean Alphonse Roehn (French, 1799-1864)
A Modern Judgment of Paris
Signed and dated “Alp. Roehn/fec 1857” c.l.
cm), framed.
Condition: Lined, scattered retouch, surface
abrasions l.c., craquelure.
$1,200-1,800
340
Oreste Costa (Italian, 1851-1901)
Still Life with Game, Fruit, and Wine
Signed, dated, and inscribed “O Costa 1881/
Firenze” l.r.
Oil on canvas on an oval stretcher, 31 7/8 x 24
3/4 in. (81.0 x 62.5 cm), framed.
$1,000-1,500
341
341
Lleo Coméléran (French, 1830-c. 1885)
The Scribe
Signed “L. Coméléran 1872” l.r., identified on
a presentation plaque.
framed (in a liner).
Condition: Patch reinforcements, retouch,
craquelure.
$400-600
28
342
Paul Seignac (French, 1826-1904)
The First Argument
Signed “Seignac” l.l.
framed.
Condition: Fine, stable craquelure.
$3,000-5,000
343
George Lance (British, 1802-1864)
Still Life with Fruit and Bird’s Nest
Signed and dated “G. Lance/1840” l.r.
framed.
Condition: Lined, scattered retouch, fine
craquelure.
Provenance: Purchased by the current owner
from a gallery in England in the 1970s.
$2,000-3,000
342
343
29
344
344
Emil Brack (German, 1860-1905)
An Intriguing Proposal
Signed “Emil Brack” l.r.
cm), framed.
Condition: Scattered retouch.
$5,000-7,000
30
345
345
Charles Joseph Frederic Soulacroix
(French, 1825-1879 or later)
A Peek Behind the Curtain
Signed “F. Soulacroix” l.l.
cm), framed.
Condition: Minor canvas deformation to three
corners, stable craquelure.
$20,000-30,000
31
346
346
Flemish School, 18th Century
Figures Drinking in a Tavern Yard
Unsigned.
cm), framed.
Condition: Patch reinforcements, scattered
retouch, fine craquelure.
N.B. The work relates to genre scenes from
18th-century Flanders, particularly those of the
Horemans family of Antwerp.
$2,000-3,000
347
Alexandre Josquin (French, active 1842, d.
1870)
A Nibble for the Horse
Signed “Josquin” l.r.
Oil on canvas, sight size 22 x 18 1/4 in. (53.3
x 44.5 cm), framed.
Condition: Minor retouch, craquelure.
Provenance: Skinner Inc., American &
European Paintings & Prints, March 13, 1998,
Sale 1832, Lot 243.
$3,000-5,000
347
32
348
349
349
Theophile Victor Emile Lemmens (French,
1821-1867)
348
Karl Stuhlmuller (German, 1858-1930)
Landscape with Peasant Family and Cattle
Watering
Signed and inscribed “K. Stuhlmuller/
München” l.r., with an indecipherable red wax
seal affixed to the reverse.
Oil on partially cradled panel, 13 1/2 x 22 1/2
in. (34.5 x 57.0 cm), framed.
Condition: Frame abrasions, fine craquelure,
surface grime.
$800-1,200
Feeding the Chickens
Signed “E. LEMMENS” l.l.
Oil on panel, 9 7/8 x 13 3/4 in. (25.0 x 35.0
cm), framed.
Condition: Retouch, fine craquelure.
$1,200-1,800
33
350
351
350
Constantin Guys (French, 1802-1892)
351
Max Gaisser (German, 1857-1922)
Loges et Spectateurs au Théâtre
Unsigned, identified on labels including one
from The Lefevre Gallery, London, affixed to
the frame backing.
Ink and wash on paper, 7 7/8 x 12 5/8 in.
(20.0 x 32.0 cm), framed.
Condition: Sheet laid down on heavy
paperboard support, toning.
$700-900
The Trumpeter
Signed “Max Gaisser” l.r.
Oil on partially cradled panel, 8 1/4 x 10 5/8
in. (20.8 x 27.0 cm), framed.
Condition: Scattered paint losses, craquelure,
surface grime, bowing to support.
$800-1,200
34
352
353
352
Fabio Fabbi (Italian, 1861-1946)
353
Continental School, 19th Century
The Dancer
Signed “F Fabbi” l.l.
framed.
Condition: Lined, retouch, scattered
craquelure.
$4,000-6,000
Woman in Moonlight on a Balcony
Signed or inscribed and numbered “No. 46.
J.B. Weis” on the reverse.
framed.
Condition: Small paint losses, craquelure,
surface grime.
$3,000-5,000
35
356
354
354
Henry Pember Smith (American, 18541907)
A Small Canal, Venice
Signed “HENRY P. SMITH.” l.r.
cm), framed.
grime.
$1,200-1,800
355
Walter Franklin Lansil (American, 18471925)
A Venetian Fisherman
Signed “Walter Lansil” l.l., titled, signed, and
dated “1902” on the reverse.
framed.
$800-1,200
356
Oscar Ricciardi (Italian, 1864-1935)
355
36
Italian Coastal View with Fishing Boats
Signed “Ricciardi” l.r.
Oil on panel, 7 x 9 in. (17.7 x 22.8 cm),
framed.
Condition: Good.
$800-1,200
357
357
Francesco (Luigi) Lojacono (Italian, 18411915)
Fisherman off the Coast of Palermo
Signed “F. Lojacono” l.r.
cm), framed.
Condition: Repaired/retouched puncture l.r.,
craquelure.
Provenance: The estate of Sir Alasdair Munro
of Lindertis, BT.
$30,000-50,000
37
358
358
Daniel Huntington (American, 1816-1906)
Coast, Near Newport, R.I.
Unsigned, identified on a label affixed to the
backing along with a fragment of a museum
collection label.
framed.
Condition: Retouch, craquelure, and minor
abrasions along edges.
Exhibitions: Paintings by Daniel Huntington,
N.A., 1850, American Art-Union, New York,
#118.
N.B. The promontory in the distance is
probably Horsehead, in Jamestown, Rhode
Island.
$10,000-15,000
Provenance: Ex-collection of John T. Levis,
Kentucky, through to a private Rhode Island
collection.
38
359
359
William Bradford (American, 1823-1892)
Fishing Off Labrador
Signed and dated “Wm Bradford/61” l.r.
Oil on canvas stretched over panel, 18 x 30 in.
(46.0 x 76.0 cm), framed.
N.B. William Bradford, one of the preeminent
Marine painters of the 19th century, was
born and raised near the harbor town of New
Bedford, Massachusetts. Against the wishes
of his strict Quaker parents, he pursued a
career in painting. Initially self-taught, Bradford
began to study with Dutch painter Albert Van
Beest in the late 1850s, and the two artists
frequently collaborated.
Starting in 1861, Bradford made a series of
trips to Labrador and the Arctic, where he
was profoundly influenced by the bright light
and vivid colors of the area. By 1868 Bradford
had managed seven trips to the Arctic. His
paintings of that region contain rich detail in
sailing vessels and fishermen while, at the
same time, capture the expressiveness of
the clouds, water, and ice formations. This
rich scenery and atmospheric light remained
a constant source of inspiration for Bradford
throughout his career.
$15,000-25,000
39
360
360
British School, 19th Century
Harbor View with Ships
Signed “R Witherspoon” l.l.
cm), framed.
Condition: Two minor punctures, surface
grime, craquelure.
$800-1,200
361
Charles Henry Gifford (American, 18391904)
Under a Crescent Moon
Signed “C.H. Gifford” l.r.
Oil on canvas, 9 1/8 x 6 in. (23.1 x 15.1 cm),
framed.
Condition: Minor, scattered retouch,
craquelure.
$1,000-1,500
361
40
362
362
Thomas Waterman Wood (American, 18231903)
Evening
Signed “T. W. WOOD” l.l., signed or inscribed
“T. W. Wood” on the stretcher.
cm), unframed.
Condition: Puncture, scattered losses, frame
abrasions, minor surface grime, craquelure.
$800-1,200
363
No lot.
41
364
365
364
Alfred Thompson Bricher (American, 18371908)
365
Marcus A. Waterman (American, 18341914)
Sailing at Sunset
Unsigned.
framed.
Condition: Fine craquelure.
Birches
Signed “M. Waterman” l.r.
framed.
Provenance: William Varieka Fine Arts, Ltd.,
Newport, to a private Rhode Island collection.
$1,800-2,200
N.B. This work is listed in the inventory
of American Paintings #9D870004 at
the National Museum of American Art,
Smithsonian Institution.
$700-900
42
366
367
366
Charles Herbert Woodbury (American,
1864-1940)
Schooner in Shallows
Signed and dated “Charles Herbert Woodbury
...07” l.l.
Oil on board, 9 x 13 in. (22.9 x 33.1 cm),
framed.
Condition: Craquelure.
Provenance: Ex-collection of Philip Knight,
Boston, purchased from The Old Picture
Store, Boston, 1939.
$1,000-1,500
367
George W. Waters (American, 1832-1912)
Rocky Meadow with View to the Sea
Signed “G.W. Waters” l.r., identified on a
label from the Crane Collection, Wellesley,
Massachusetts, affixed to the back of the
frame.
framed.
craquelure.
$4,000-6,000
43
368
368
Attributed to Asher Brown Durand
(American, 1796-1886)
Portrait of a Gentleman
Unsigned, identified on a presentation plaque.
cm), framed.
$3,000-5,000
44
369
369
Antonio Jacobsen (Danish/American, 18501921)
The Ship Dreadnaught Under Full Sail in
Open Water
Signed or inscribed “JACOBSEN.” l.r., vessel
identified on its flag.
cm), framed.
$8,000-12,000
45
370
46
370
John Singleton Copley (American, 17371815)
Portrait of Rebecca Dudley Gerrish, c.
1763-66
Unsigned, identified on loan labels from the
Museum of Fine Arts, Boston, affixed to the
frame backing.
framed.
craquelure.
Provenance: Direct descent from the sitter
to her great-niece, Mrs. Henry Bradlee
(Hephsibah Hall, b. 1821), by 1893; to her
son-in-law Edward N. Fenno; to his daughter
Mrs. Arthur W. Bell by 1950; to her cousin
John Brooks Fenno; through to the current
owner by family descent.
N.B. The portrait is accompanied by an
expert opinion written by Theodore E.
Stebbins, Jr., dated July 24, 2013, confirming
the attribution to John Singleton Copley and
suggesting the date of the mid-1760s, when,
by various commissions, Copley painted a
small group of portraits of mature, handsome
women in Boston. Dr. Stebbins writes that the
Gerrishes were well-known patrons of Copley.
The portrait of Rebecca Dudley Gerrish is
clearly a pendant to one of her husband,
Benjamin Gerrish, painted probably five years
after hers. The Benjamin Gerrish portrait
descended in the Gerrish family and was listed
and reproduced in the work of several Copley
scholars, including the catalogue raisonné of
the artist (Jules Prown, 1966, no 313).
Mrs. Gerrish’s portrait, which descended in the
Dudley line, had not been seen by mid-20th
century scholars, but was listed in Prown’s
catalogue raisonné among the attributed
pictures, based on its mention in a 1913
history of the family of Captain John Gerrish
by Arthur Eaton.
John Singleton Copley is one of the most
beloved American artists. Largely self taught,
Copley was a sought-after portrait painter
among the elite in colonial Boston. He painted
likenesses with objective accuracy and
powerful insight. He could masterfully convey
every detail of his sitter’s costume, making
palpable the sheen of satin, the delicacy of
lace, the richness of damask and pearls, and
could capture reflections in highly polished
wood. More importantly Copley used these
elements to reinforce the sense of the sitter’s
character. The combined effect was such that
John Adams wrote of Copley’s portraits
“...you can scarcely help discoursing with
them, asking questions and receiving
answers.” 1
However, a man of ambition and intellect,
Copley was not content to remain a provincial
portrait painter. Portraiture, while lucrative, in
his view lay closer to craft than high art. Nor
did he feel that colonial Americans had great
appreciation for the fine arts. Copley aspired
to the elevated role of History Painter, and in
Europe he saw the opportunity to learn from
the Old Masters and to broaden his subject
matter for more sophisticated audiences.
Copley left Boston for England in 1774 to
pursue his career (and, some say, to avoid the
instability of the political situation). He found
continued success abroad, and he never
returned to America.
1. Virgil Barker, American Painting, History and Interpretation
(New York: Macmillan, 1950), p. 134.
$150,000-200,000
47
371
371
Attributed to Victor de Grailly (French,
1804-1889)
Afternoon Along the Hudson
Unsigned, with a Troy, New York, canvas
stencil on the reverse.
framed.
Condition: Minor repaired/retouched
punctures near upper and lower edges, plus
additional scattered retouch, surface grime,
scattered craquelure.
$4,000-6,000
372
James Henry Moser (American, 1854-1913)
372
The Flats, Washington, D.C.
Signed and dated “J.H.MOSER/1890”
l.l., inscribed by the artist with a detailed
description of the scene on the reverse.
Oil on academy board, 9 7/8 x 13 7/8 in. (25.0
x 35.0 cm), framed.
Condition: Retouch, areas of fine craquelure,
minor surface grime.
collection.
$2,500-3,000
48
373
373
American School, 19th Century
Squatters’ Cabins, Central Park, New York
Signed and inscribed “M.GREENE/N.Y.” l.l.
cm), framed.
Condition: Patch reinforcement, scattered
retouch, stable craquelure.
collection.
374
Exhibitions: Celebrating Central Park, 18532003, Hirschl & Adler Galleries, New York,
May 1–July 3, 2003.
N.B. A copy of the folder and checklist from
the Hirschl & Adler exhibition accompanies
the lot.
$1,500-2,000
374
William Louis Sonntag (American, 18221900)
Landscape with Waterfall
Signed indistinctly l.r.
cm), framed.
Condition: Patch reinforcements, retouch,
craquelure, mild surface grime.
$3,000-5,000
49
375
Robert Ward Van Boskerck (American,
1855-1932)
River Landscape
Signed “R. W. Van Boskerck” l.l., identified on
a presentation plaque, signed “Van Boskerck”
on the reverse.
cm), framed.
Condition: Mounted to fiberboard, retouch,
craquelure, surface imperfection.
$3,500-5,500
376
Charles Warren Eaton (American, 18571937)
375
Autumn near Montclair
Signed “CHAS WARREN EATON.” l.r., titled
and signed on the backing paper.
Watercolor with pastel on paper, 17 3/4 x 24
in. (45.1 x 60.9 cm), framed.
Condition: Not examined out of frame.
$3,000-5,000
377
Marcus A. Waterman (American, 18341914)
Cattle in Landscape
Signed “M. WATERMAN” l.r.
framed.
Condition: Minor abrasions, faint craquelure.
N.B. This lot is included in the inventory
of American Paintings #9D870003 at
the National Museum of American Art,
Smithsonian Institution.
$800-1,200
376
377
50
378
379
378
Ralph Albert Blakelock (American, 18471919)
379
John Appleton Brown (American, 18441902)
Autumn Landscape
Signed “R.A. Blakelock” l.r.
framed.
Condition: Probable old retouch, crazing,
craquelure, varnish inconsistencies.
Water Meadow in Autumn
Signed “J. Appleton Brown.” l.r.
framed.
Condition: Retouch, subtle surface grime,
craquelure.
$4,000-6,000
N.B. The painting bears a label from
the University of Nebraska Blakelock
Inventory, listing it as No. 682, Category II.
$3,000-5,000
51
380
380
Thomas Bigelow Craig (American, 18491924)
River Landscape with Cattle
Signed “Thos. B. Craig” l.r.
Oil on canvas mounted to board, 9 x 14 7/8
in. (23.0 x 37.8 cm), framed.
Condition: Scattered retouch, surface grime.
$1,000-1,500
381
William Hart (American, 1823-1894)
Cattle Near a River
Signed and dated “WM HART 1887” l.r.,
inscribed “Wm Hart 1887” in a later hand on
the stretcher.
Oil on board, 10 3/8 x 8 3/8 in. (26.3 x 21.2
cm), framed.
Condition: Abraded along left edge, scattered
paint losses near lower edge.
$2,000-3,000
381
52
382
383
382
Frederic Rondel Sr. (American, 1826-1892)
Beyond the Rainbow/A Herder with Cattle
Signed “F Rondel” l.r., New York canvas
stencil on the reverse.
framed.
Condition: Minor paint losses, craquelure,
surface grime.
$3,000-5,000
383
Régis François Gignoux (French, 18161882)
Autumn Landscape with Cows
Signed “R Gignoux” l.l.
framed.
Condition: Scattered minor paint losses, fine
craquelure.
$3,000-5,000
53
384
384
Benjamin (Ben) Foster (American, 18521926)
Woodland Light
Unsigned.
Oil on canvas, 12 x 9 in. (30.5 x 22.7 cm), in a
period frame.
Condition: Minor craquelure.
$1,000-1,500
385
Arthur Parton (American, 1842-1914)
Fall Stream
Monogrammed “AP” l.r.
cm), framed.
Condition: Retouch.
$1,500-2,500
385
54
386
386
William Morris Hunt (American, 1824-1879)
Beyond the Gate
Monogrammed l.r.
cm), framed.
Condition: Minor scattered retouch, abrasion
near left edge, craquelure.
Provenance: A private Rhode Island
collection.
$5,000-7,000
387
Charles Henry Miller (American, 1842-1922)
Old Mill in the Moonlight
Signed “Chas. H. Miller” l.r., titled and identified
on presentation plaque.
framed.
Condition: Retouch, minor paint losses,
craquelure.
$1,000-1,500
387
55
388
François B. de Blois (American, 1829-1913)
Hanging Game Birds
Signed and dated in reverse lettering “F.B. de
Blois./1864.” l.r.
cm), framed.
Condition: Patch reinforcements, minor
retouch, craquelure, surface grime.
$600-800
389
Richard La Barre Goodwin (American,
1840-1910)
Two Paintings of Hanging Woodcocks
One signed “R LaB Goodwin” l.r., the
other signed and dated “R. La Barre
Goodwin/1888” l.r.
Both oil on canvas, sight sizes to 19 5/8 x 14
5/8 in. (50.0 x 37.5 cm), framed.
Condition: Both mounted on wood
composition board, old retouch, surface
grime.
$4,000-6,000
388
389
56
390
390
John Frederick Peto (American, 1854-1907)
Pipe, Newspaper, Mug, and Biscuits
Signed “J.F. Peto” l.r., identified on a label
from the California Palace of the Legion of
Honor, San Francisco, affixed to the back of
the frame.
Oil on panel, 4 1/8 x 6 7/16 in. (10.5 x 16.4
cm), framed.
Condition: Possible scattered small dots of
old retouch, fine craquelure.
Literature: Brooklyn Museum and Alfred Victor
Frankenstein, John F. Peto, Catalogue of the
Exhibition with a Critical Biography by Alfred
Frankenstein (Brooklyn, New York: Brooklyn
Museum, 1950), cat. no. 13, p. 46.
Exhibitions: John F. Peto, Smith College
Museum of Art, March 1–24, 1950, The
Brooklyn Museum, April 11–May 21, 1950,
and California Palace of the Legion of Honor,
June 10–July 9, 1950.
N.B. The label from the California Palace of
the Legion of Honor lists the lender of the
painting as Mrs. George Smiley. Mrs. Smiley
was the former Helen Peto, daughter of the
artist. The catalog for the exhibition dates the
painting to 1887 or later.
$15,000-25,000
57
391
391
Frederic Remington (American, 1861-1909)
Sergeant
Signed “Frederic Remington” in the bronze at
top right of base, stamped “Roman Bronze
Works N.Y.” at the bottom edge of the
back of the base, numbered “N-36” on the
underside of the base, with a gummed label
from Kennedy Galleries, Inc., affixed to the
inside of the base.
Bronze with dark brown patina, height 10 1/4
in. (26.0 cm), artist’s base approximately 2 5/8
x 2 1/2 x 3 1/2 in. (6.4 x 6.5 x 9.0 cm).
Condition: Some minor wear to the patina,
dust and dirt to the interstices.
Provenance: Tiffany & Company, 1914; to
private collection; Sotheby Parke-Bernet, Los
Angeles, 1974; to private collection; through
to Kennedy Galleries, Inc.; through to auction
at C.G. Sloan & Company, Inc., Washington,
D.C., and purchased by John Hamilton,
Houston, Texas, June 3, 1979; Estate of John
Hamilton to the current owner.
58
N.B. According to the Bronze Registry
as recorded in Icons of the West, Frederic
Remington’s Sculpture by Michael D.
Greenbaum, cast number 36 has a ledger
date of 6/1/[19]14 and was originally sold
by Tiffany & Company, New York, to a
private collector. The sculpture was sold
later by Sotheby Parke-Bernet, Los Angeles,
on October 28, 1974, again to a private
collector. Remington created the bust in 1906.
According to Roman Bronze Works ledgers,
twenty castings were made around the same
time and sold within four years. Forty more
castings were made shortly after the artist’s
death, of which this is one.1
1. Michael D. Greenbaum, Icons of the West, Frederick
Remington’s Sculpture (Ogdensbury, New York: Frederick
Remington Art Museum, 1996), pp. 113-14, 203.
$25,000-35,000
392
392
Charles Deas (American, 1818-1867)
Western Landscape with Waterfall and
Figure
Signed and dated “Charles Deas 1847” in ink
within the margin l.l.
Oil on paper or card, mounted to board, 6 x 9
in. (16.0 x 23.0 cm), framed.
Condition: Surface grime.
$3,000-5,000
393
Carl Kauba (Austrian/American, 1865-1922)
Native American with a Rifle
Signed “C. Kauba” in the bronze on the back
edge of the blanket, stamped and numbered
“GESCHÜTZT/5305” on the drapery on the
back l.l., inscribed “694” on the underside.
Bronze with gold/brown patina, height 9 in.
(22.8 cm).
Condition: Loss to the tip of the rifle, wear to
the patina, dust and dirt to interstices.
$1,500-2,500
393
59
394
Ralph Albert Blakelock (American, 18471919)
The Trout Stream
Signed “R. Blakelock” l.l.
framed.
craquelure, minor surface grime.
394
N.B. The work has a label from the University
of Nebraska Blakelock Inventory with the
number 1408 #2 (Category II) affixed to the
stretcher. Also on the stretcher is a copy of a
letter from Norman Geske to Wayne Morrell
of Rockport, Massachusetts, dated January
5, 1990, in which Dr. Geske describes the
painting as having some of the best “handling”
he has seen in some time, possessing “...the
extraordinary kinetic brushwork which is the
true hallmark of the artist.” Dr. Geske goes
on to explain that he assigned the work to
Category II not because he found it lacking
in any aesthetic aspect but because he was
unable to establish a complete provenance
back to the artist. There is also a copy of an
unattributed and undated ledger page affixed
to the frame that suggests the title The Trout
Stream and which lists the owner as Sidney D.
Woolett of 127 Charles Street, Boston.
$3,500-5,500
395
Alfred Thompson Bricher (American, 18371908)
Catskill Swimming Hole
Monogrammed and dated “ATB/65” l.l.,
inscribed “In Catskills” and “Among the
Catskills/By A.T. Bricher” in pencil on the
reverse, and with a handwritten note from
former owner J.B. Sewall in an envelope
affixed to the reverse.
Oil on academy board, 9 x 11 in. (22.8 x 28.0
cm), in a period frame.
Condition: Minor surface imperfections, fine
craquelure.
$2,500-3,500
395
60
396
396
John Joseph Enneking (American, 18411916)
Woodland Pool
Signed “Enneking” l.r., titled in pencil on the
stretcher and on a handwritten paper and a
gummed label, both affixed to the stretcher,
stamped “Estate of John J. Enneking/...” on
the reverse.
Oil on canvas, 20 x 24 in. (51.0 x 61.0 cm), in
a period frame.
Condition: Minor craquelure in areas of
heaviest impasto.
Provenance: Estate of the artist; private
collection, New York; Christie’s New York,
Rockefeller Center, Fine American Paintings,
Drawings, and Sculpture, February 13, 2002,
Lot 70; private New England collection.
N.B. This work will be included in Patricia
Jobe Pierce’s forthcoming catalogue raisonné
of the work of John J. Enneking as number
IV-B2-246.
$10,000-15,000
61
397
397
1864-1940)
A Tropical Paradise
Signed and dated “Charles H. Woodbury ‘24”
l.r.
Watercolor and graphite on paper, sight size
16 1/4 x 22 1/4 in. (41.2 x 56.5 cm), framed.
Condition: Good, not examined out of frame.
$1,500-2,000
398
398
Régis François Gignoux (French, 18161882)
California Coast
Signed “R Gignoux” l.r., indistinctly inscribed
on the reverse.
Oil on board, 13 3/4 x 20 in. (34.9 x 50.8 cm),
framed.
Condition: Lined (onto a clear, solid support),
retouch, craquelure.
$3,000-5,000
62
399
399
David Howard Hitchcock (American, 18611943)
Big Island of Hawaii
Signed and inscribed “D. HOWARD HITCHCOCK
H.I.” l.l.
cm), frame probably of koa wood.
Condition: Lined, scattered retouch.
Provenance: Descended within a Hawaiian
family.
N.B. Native Hawaiian artist David Howard
Hitchcock was born at Hilo in 1861. His earliest
formal training was under Jules Tavernier, who
traveled to Hilo in 1885 with fellow landscape
painter Joseph Strong (1852-1899). Hitchcock
joined the two artists on a sketching expedition
to Kilauea volcano, which instilled in the young
Hitchcock a love of painting as well as a special
attachment to the forms and varied light qualities
of volcanoes.
In fact Hitchcock and Tavernier, along with
Charles Furneaux (1835-1913), became known
locally as the “Volcano School.”
Tavernier became Hitchcock’s life-long mentor
and encouraged him to pursue formal training,
both at the California School of Design and at the
Académie Julian in Paris. Hitchcock was said to
be the first Hawaii-born painter to receive formal
art training in Paris. After his academic training,
Hitchcock returned to Hawaii and continued
to paint the landscape, gaining popularity and
critical acclaim for his ability to capture the effects
of tropical light. He had studios in Hilo and later
Honolulu, and he traveled to and painted all
the islands. He also played a major role in the
development of the artistic community of Hawaii,
helping found the Kilohana Art League and the
Honolulu Art Society.
$15,000-20,000
63
400
400
Louis Agassiz Fuertes (American, 18741927)
Ground Dove. Female
Signed “LAFuertes” l.r., identified on a remnant
of a label affixed to the frame backing paper.
Ink and wash with whiting on watermarked
wove paper, 6 x 7 in. (15.2 x 18.0 cm),
framed.
Condition: Toning, subtle rippling, hinged to
window mat in two places on the top edge of
the reverse, reverse with remnants of former
mounting.
$800-1,200
401
Roger Tory Peterson (American, 1908-1996)
Jaegers
Unsigned, identified on a label and with artist
stamp on the reverse.
Watercolor, gouache, and pencil on artist
board, overlaid with film containing text, 16
1/8 x 10 3/8 in. (40.9 x 26.3 cm), unframed.
Condition: Wear to some text, many of the
birds executed on paper then applied to the
board.
Provenance: From Virginia Marie Peterson,
wife of the artist, by descent to the current
owner.
N.B. This is the illustration for Peterson’s
Eastern Field Guide, 5th edition, 2002, p. 169.
$3,500-5,500
401
64
402
Roger Tory Peterson (American, 1908-1996)
Wrens
Unsigned, identified on an artist label and
artist stamp on the reverse, inscribed “Plate
33 Mexican Guide 1973” on the reverse.
Watercolor, gouache, and pencil on artist
board, overlaid with film containing text, 16 x
10 1/2 in. (40.7 x 26.7 cm), unframed.
Condition: Good.
Provenance: From Virginia Marie Peterson,
wife of the artist, by descent to the current
owner.
$3,500-5,500
403
Frank Weston Benson (American, 18621951)
Seven Pencil Studies of Ducks and Birds:
Widgeons Alighting, Thrush and Yellow
Legs (double sided), Old Squaw Studies,
Bufflehead Studies, Old Squaw, Wide
Marshes, and Ducks Alighting
Widgeons Alighting and Ducks Alighting
initialed “F.W.B.” l.l., Wide Marshes titled,
initialed, and dated “...FWB ‘15” l.l., sizes to
15 x 19 in. (38.1 x 48.4 cm), Ducks Alighting
framed, the rest unmatted and unframed.
Condition: Most with toning, many with
handling creases, some with staining and
soiling, Old Squaw Studies with tears and
creasing to edges of sheet.
Provenance: Descended within the family of
the artist.
$3,500-5,000
402
403
65
404
405
404
Alfred Arthur Brunel de Neuville (French,
1851-1941)
Two Hunting Dogs
Signed “Leon Brun.” l.l.
cm), framed.
Condition: Abraded along left edge, retouch,
craquelure.
405
Olivier de Penne (French, 1831-1897)
Hunting Dogs Flushing a Pheasant
Signed “Ol. de Penne” l.r.
Watercolor with graphite and gouache on
paper, 12 7/8 x 18 3/4 in. (32.7 x 47.6 cm),
framed.
$1,000-1,500
N.B. Leon Brun was a pseudonym used by
Alfred Arthur Brunel de Neuville.
$2,500-3,500
66
406
406
Three Figure Studies: Old Tom, Tired N—,
and Man with a Sack
Old Tom titled, inscribed, and numbered or
dated “Old Tom/Billingsgate/06/14/10” l.r.,
Tired titled and inscribed indistinctly l.l., Sack
unsigned.
Pencil on paper or paperboard, sizes to 14 x 8
in. (35.8 x 20.5 cm), unmatted, unframed.
Condition: Old Tom with rippling to top and
bottom edges, creasing, soiling, and staining;
Tired with irregular edges to right and l.r., loss
to u.r. corner, staining and soiling; Sack cut
from a larger paperboard support.
the artist.
$800-1,200
67
407
Attributed to Benjamin Champney
(American, 1817-1907)
The Little Bouquet
Unsigned.
Oil on canvas mounted to board, 9 x 7 in.
(22.9 x 17.8 cm), framed.
Condition: Lined, minor retouch, craquelure.
$700-900
408
Nicholas Alden Brooks (American, 18401904)
Ten Dollar Bill
Unsigned.
Oil on paperboard, 6 1/2 x 10 1/2 in. (16.3 x
26.7 cm), framed.
Condition: Retouch or varnish inconsistencies
to the margins.
$3,000-5,000
407
408
68
409
Anna Hyatt Huntington (American, 18761973)
Colt Biting His Rump
Monogrammed “A.H.H.” in the bronze on the
side of the base beneath the colt’s right rear
leg, stamped “2” l.r. beside the monogram,
and with an indecipherable mark and the
copyright symbol beneath the monogram,
incised “Roman Bronze Works, Inc.” at the
bottom edge of the back of the base.
Bronze with brown patina, height 12 5/8 in.
(32.0 cm), on a marble plinth.
Condition: Minor dust and dirt.
Provenance: Purchased through the
Catharine Lorillard Wolfe Art Club, Inc., New
York, 1977, then by family descent to the
current owner.
409
N.B. According to documents accompanying
the lot, Colt Biting His Rump was cast from
the artist’s plaster c. 1972 by David Ratner of
Museum Pieces, Inc., the royalties for the sale
of which would benefit the A.H. Huntington
Prize fund of the Catharine Lorillard Wolfe
Art Club, Inc., New York. This bronze was
one of the last, if not the last, sculpture for
the Museum Pieces series and was a very
limited edition. The accompanying documents
include a copy of a letter/contract to the
artist from Sally Swan Carr, president of the
art club, and countersigned by the artist,
requesting permission for David Ratner to pick
up the plaster from the Roman Bronze Works
foundry, where it was stored. In 1976 the
Club mounted an exhibit in the Union Carbide
Headquarters on Park Avenue in New York.
Among the works offered was Colt Biting His
Rump, one of the three casts that the Club
had made.
$3,000-5,000
410
Charles Robert Knight (American, 18741953)
Fripon
Signed and dated “Chas. R. Knight” l.l.
framed (under Plexiglas).
N.B. Fripon, the title and also the name of the
dog portrayed, is French for rascal or knave.
$1,000-1,500
410
69
411
411
Emile Albert Gruppé (American, 1896-1978)
Winter Birches
Signed “Emile A Gruppe” l.r.
Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), in
an Arts & Crafts-style frame.
$5,000-7,000
412
Hal Robinson (American, 1975-1933)
Winter Landscape
Signed “Hal Robinson” l.l., identified on a
presentation plaque.
framed.
Condition: Good.
$800-1,200
412
70
413
413
Walter Koeniger (American, 1881-1943)
Wintery Stream
Signed and dated “W. KOENIGER. 27” l.l.,
identified on a presentation plaque, titled and
inscribed “...Woodstock’s brook N.Y.” in pencil
on the stretcher.
cm), in a signed Carrig-Rohane frame.
Condition: Surface grime, several areas of
retouch to evergreens, craquelure.
$6,000-8,000
71
414
414
Ben Foster (American, 1852-1926)
Trees Along the Banks of a Stream
Signed “Ben Foster” l.l., with two partial period
labels affixed to the stretcher.
Condition: Several small tears/punctures,
minor scattered abrasions and losses, retouch
to sky, surface grime.
$1,000-1,500
72
415
415
John William Bentley (American, 18801951)
Autumn at the Reservoir
Signed “John W. Bentley” l.l.
Oil on canvasboard, 12 x 16 in. (30.5 x 40.7
cm), framed.
$1,000-2,000
73
416
416
Wayne Beam Morrell (American, 19232013)
Mallard Ducks in a Rockport, Mass., Pond
Signed “Wayne Morrell” l.l. and l.r., signed,
titled, and dated “.../Spring 1984” on the
reverse.
Oil on Masonite, 12 x 16 in. (30.5 x 40.5 cm),
framed.
Condition: Good.
$700-900
417
417
Marsh Sunset
Signed “Wayne Morrell” l.r., titled, signed, and
inscribed “...One of my finest Marsh Series” in
marker on the reverse.
Oil on Masonite, 12 x 15 3/4 in. (30.5 x 40.0
cm), framed.
Condition: Good.
$800-1,200
74
418
418
Richard Alan Schmid (American, b. 1934)
White Geese
Signed and dated “© Schmid 1969” l.r.,
inscribed, titled, signed, and dated “#565...”
on the reverse, artist’s copyright stamp on the
reverse.
cm), framed.
Condition: Good.
Provenance: Purchased from Welna Gallery,
Chicago, in 1969.
N.B. A photocopy of the purchase receipt
accompanies the lot.
$12,000-18,000
75
419
419
Henry Ward Ranger (American, 1858-1916)
Hommage à Corot
Signed “HW Ranger” l.r.
Oil on cradled panel, 12 3/4 x 9 1/2 in. (32.5 x
24.0 cm), framed.
Condition: Vertical surface cracks to panel,
retouch, mild surface grime.
$1,000-1,500
76
420
420
Emil Carlsen (Danish/American, 1853-1932)
Early October, alternately titled Wood
Interior
Signed “Emil. Carlsen.” l.l., inscribed, dated,
and signed “Painted at Ogunquit/Early
October 1919./Emil. Carlsen./February 8th
1923” on the reverse, identified on labels from
William Macbeth, New York, on the back of
the frame and The Cooley Gallery, Old Lyme,
Connecticut, on the frame backing.
Condition: Stable craquelure.
N.B. Still life and impressionist landscape
painter Emil Carlsen was born in Copenhagen,
Denmark, and first studied architecture at
the Danish Royal Academy. At the age of
nineteen, he left Denmark for the United
States, working as an architectural draftsman
and assistant to the Danish marine painter
Laurits B. Holst in Chicago. In 1875, he
traveled to Paris to paint and study, immersing
himself in the still life paintings of Jean Baptiste
Siméon Chardin (1699-1779) which would
greatly inspire his own work. Back in the U.S.
he lived in New York and Boston, befriending
fellow painters such as John Francis Murphy
and Childe Hassam, linking him to some of
the best known American Impressionists.
From 1884 to 1886, Carlsen returned to Paris,
where his palette lightened. In 1887 he was
called to direct the School of Design in San
Francisco, where he shared a studio with
Arthur Matthews.
In the end Carlsen was not happy in California,
noting a dearth of opportunities for sales
and exhibitions, and in 1891 he returned
permanently to the East Coast, living in New
York and Connecticut. Dogged by poverty
in his early years, Carlsen later enjoyed
great financial success. He exhibited widely
at the best venues of his day, and he was
awarded many prizes, including gold medals
at the Pennsylvania Academy of the Fine
Arts and the National Academy of Design.
He was made a full member of the National
Academy in 1906. Carlsen painted many
landscapes from his residence in Falls Village,
Connecticut, and along the coast of Ogunquit,
Maine. Emil Carlsen showed at the Macbeth
Gallery in New York from 1911 to 1932,
including several solo shows, as well as group
shows with Childe Hassam, Frederick Carl
Frieseke, Theodore Robinson, Willard LeRoy
Metcalf, and J. Alden Weir.
$15,000-25,000
77
421
421
Twin Mountains, N.H.
Signed “Enneking” l.r., identified and
numbered “IV-B-121” on a John J. Enneking
Pierce catalogue raisonné label affixed to the
reverse.
framed.
Condition: Good.
$2,000-2,500
422
422
Chauncey Foster Ryder (American, 18681949)
Nose in Shadow, Mount Mansfield,
Vermont
Signed “Chauncey F. Ryder” l.r., titled in an
inscription on the reverse.
Oil on panel, 6 1/4 x 8 5/8 in. (15.8 x 21.9
cm), framed.
Condition: Minor surface grime, small loss l.r.
$2,000-3,000
78
423
Thomas R. Curtin (American, 1899-1977)
Two Landscapes: Wooded Landscape and
Draft Horses with Logs
Wooded Landscape signed “Thom. R. Curtin”
l.r.; Draft Horses with Logs
unsigned, inscribed “painted by/Thos R
Curtin/Be happy with this/little memento/Jim
Curtin” on a fragment of an old frame backing
affixed to the new backing.
Watercolor and graphite, sight sizes to 15 5/8
x 11 3/4 in. (39.6 x 29.8 cm), framed.
Condition: Good, not examined out of frames.
$800-1,200
424
Peter Ellenshaw (American, 1913-2007)
Snow Covered Peaks
Signed and dated “Peter Ellenshaw/1947” l.r.,
identified on a presentation plaque.
Oil on panel, 15 5/8 x 19 13/16 in. (39.7 x
50.3 cm), framed.
Condition: Retouch, craquelure, with
evidence of a knothole or similar at u.c. edge,
surface grime.
$1,500-2,000
423
424
79
425
425
Stanley Wingate Woodward (American,
1890-1970)
Cabin in the Hills
Signed “Stanley Woodward” l.l., titled and
signed on the stretcher, identified and titled on
labels on the reverse.
framed.
Condition: Good.
Provenance: Purchased in 1947 from the
Bow Window by Thomas Cox, then by
descent.
$2,000-3,000
426
426
David Davidovich Burliuk (Russian/
American, 1882-1967)
Lake Scene with Boat, Probably a
Connecticut View
Signed “BuRLiuK” l.l., inscribed “948 ...Conn.”
in pencil on the stretcher.
framed.
Condition: Surface grime, minor retouch to l.r.
and l.l. quadrants.
$3,500-5,500
427
Antonio Cirino (American, 1889-1983)
Coastal View with Figures on a Path
Signed “A. Cirino” l.r.
framed.
Condition: Good.
$800-1,200
427
80
428
428
New England Cottage
Signed “Emile A Gruppé” l.r., identified on
a label from the Geraci Galleries, Rockport,
Massachusetts, inscribed “New England
Cottage” on the stretcher.
framed.
Condition: Good.
$4,000-6,000
429
Antonio Cirino (American, 1889-1983)
429
On the Road, Past Seaside Cottages
Signed “A. CIRINO” l.r.
framed.
Condition: Scattered losses, craquelure.
$1,200-1,800
81
430
430
Christian Ferdinand Andreas Molsted
(Danish, 1862-1930)
A Summer Calm on the Kattegat, Torpedo
Boat NR. 8
Signed and dated “Chr Mòlsted. 87.” l.l.,
identified and dated “1887” in an extensive
description affixed to the frame backing.
cm), framed.
Condition: Strip lined, retouch, areas of fine,
stable craquelure.
$2,000-3,000
431
431
Henry Martin Gasser (American, 19091981)
Cape Inlet
Signed “H. Gasser” l.r.; identified and titled on
the backing, with the artist’s copyright stamp.
Watercolor and graphite on paper, sight size 9
3/4 x 14 in. (24.7 x 35.6 cm), framed.
Condition: Minor foxing, not examined out of
frame.
$800-1,200
82
432
432
Harry Russell Ballinger (American, 18921993)
Coast of Mexico
Signed “HR Ballinger” l.r., titled on the
stretcher.
cm), framed.
$700-900
433
Francis Orville Libby (American, 1883-1961)
433
The Home Port
Signed “Libby” l.l., titled and inscribed “...Libby
So. Portland, Maine” in pencil on the stretcher.
framed.
Condition: Good.
$800-1,200
83
434
435
434
John Whorf (American, 1903-1959)
435
Laszlo Neogrady (Hungarian, 1896-1962)
Fisherman on Rocky Shore
Signed “John Whorf.” l.r.
Watercolor with pencil and whiting on paper,
sight size 14 1/2 x 19 5/8 in. (36.8 x 49.9 cm),
framed.
$1,500-2,500
Surf on a Rocky Coast
Signed “L. Neogrady” l.l., numbered “3336/...”
in ink within a round stamp on the reverse.
cm), framed.
Condition: Craquelure, surface grime.
$1,000-1,500
84
436
436
Sigurd Skou (Norwegian/American, 18751929)
Ship Captain
Signed and dated “SIGURD SKOU 1928” l.l.
framed (under glass).
Condition: Minor paint loss, craquelure, not
$6,000-8,000
85
437
437
1864-1940)
Rocks by the Sea
Signed, dated, and inscribed “Class Sketch
1912/Charles H Woodbury” l.l.
framed.
$4,000-6,000
438
438
Three Unframed Sketches of Boats: Dory
Sketches, Man in Dory, and Catboat and
Gulls
Dory Sketches titled and signed
“.../FWBenson” l.l., others unsigned.
Catboat ink on paperboard, others pencil on
paper, sizes to 13 7/8 x 18 1/8 in. (35.3 x 46.0
cm), unmatted, unframed.
Condition: Catboat with surface losses,
staining, and tape remnants, Dory Sketches
with small tear to c.l. edge, all with soiling and
toning.
the artist.
$3,500-5,500
86
439
439
Sigurd Skou (Norwegian/American, 18751929)
Rocky Seascape
Signed “SIGURD SKOU” l.l.
cm), in a period frame (under glass).
Condition: Retouch, craquelure, rippling,
reinforcement patches, not examined out of
frame.
$1,500-2,500
440
Jay Hall Connaway (American, 1893-1970)
440
Southwest Chop-Monhegan Island
Signed and incised “Connaway” l.r., inscribed
and incised “Maine” l.c., signed and titled
“Jay H. Connaway, N.A./Southwest ChopMonhegan Island” on the reverse.
cm), framed.
Provenance: Baridoff Galleries, July 31, 2002,
Lot 54.
$1,500-2,000
87
441
442
441
442
Old Garden Beach, Rockport
Signed “Wayne Morrell” l.r., titled and dated
“...July 10, 1975” l.l., identified and dated on
a certificate of authenticity from The Wayne
Morrell Gallery, Rockport, Massachusetts,
Oil on Masonite, 11 1/4 x 15 1/2 in. (28.7 x
39.4 cm), framed.
Condition: Minor paint loss u.c.
$1,200-1,800
Front Beach, Rockport, Mass.
Signed “Wayne Morrell” l.r., titled and dated
“...1989” on the reverse.
Oil on Masonite, 6 1/8 x 8 in. (15.6 x 20.0 cm),
framed.
Condition: Mild surface grime.
$800-1,200
88
443
443
Mabel May Woodward (American, 18771945)
A Colorful Group
Signed “M. Woodward” l.r., titled on a label
26.0 cm), framed.
Condition: Minor retouch, minor surface
grime.
$10,000-15,000
89
444
George Elmer Browne (American, 18711946)
Boaters
Signed “Geo. Elmer Browne” l.r.
cm), framed.
Condition: Lined, minor scattered retouch,
craquelure to l.l. corner.
$2,500-3,500
445
Louis Frederick Berneker (American, 18761937)
Preparing to Sail
Signed “Louis F. Berneker” l.l.
framed.
Condition: Lined, scattered retouch.
$1,500-2,000
444
445
90
446
446
Motif #1 (Rockport)
Signed “Emile A Gruppé” l.r., inscribed “Motif
#1” on the stretcher.
framed.
Condition: Good.
$5,000-7,000
447
447
Chioggia
Signed “Geo Elmer Browne.” l.l., titled on a
gummed label affixed to the reverse.
34.7 cm), framed.
$1,800-2,200
91
448
448
Afternoon in Venice, alternately titled Canal
in Venice
Signed “Geo Elmer Browne.” l.l., titled
“Afternoon in Venice” in pencil on the reverse,
with an alternate title in German on a label
34.5 cm), framed.
Condition: Minor paint loss, surface grime.
$1,500-2,000
449
449
92
Evening in Venice
Signed “Geo Elmer Browne” l.l., titled in
German on a label affixed to the reverse.
34.5 cm), framed.
Condition: Surface accretions and grime.
$1,800-2,200
450
450
Jane Peterson (American, 1876-1965)
Rainy Day, Venice
Signed “Jane Peterson” l.r., numbered and
titled “23...” in ink on the reverse, identified
on a label (see below) affixed to the frame
backing.
Gouache on gray paper, 18 x 24 in. (45.7 x
60.9 cm), framed.
Condition: Minor tears to edges, tack holes to
corners, subtle rippling, fine craquelure.
N.B. The label on the reverse identifies
the gouache as “...1919 Glimpse of the
Grand Canal,” and states that the work was
awarded an Honorable Mention at a National
Association of Women Painters and Sculptors
exhibition.
$8,000-12,000
93
451
451
452
A Street in the Village
Signed “Enneking” l.r.
framed.
Condition: Minor abrasion along u.l. edge.
$800-1,200
452
End of the Line
Signed “H. Gasser” l.l., inscribed “End of the
Line H. Gasser” with a label from The Hadley
Gallery, Bernardsville, New Jersey, on the
backing paper.
Watercolor on paper, sight size 22 x 30 3/8 in.
(55.9 x 77.1 cm), framed.
$3,000-4,000
94
453
453
Haley Lever (American, 1876-1958)
Downtown Street Scene
Signed “Haley Lever” l.r., titled and dated
“...1930’s” on a label on the reverse.
Oil on board, 7 1/2 x 9 1/2 in. (19.0 x 24.1
cm), framed.
Condition: Good.
$1,200-1,800
454
Stuyvesant Van Veen (American, 19101988)
454
High Bridges
Signed and dated “Stuyvesant Van Veen 3036” l.r.
cm), framed.
$1,000-1,500
95
455
456
455
Leighton R. Cram (American, 1895-1981)
456
Mountain View with a Ravine
Stamped signature “L.R. Cram.” l.r., stamped
“The Estate of/LEIGHTON R. CRAM” and
“ESTATE-STAMPED/L.R.CRAM” on the
reverse.
framed.
$1,000-1,500
Landscape
Signed “L.R. Cram” l.r.
Oil on canvasboard, 15 x 18 in. (38 x 45.5
cm), framed.
Condition: Good.
$800-1,200
96
457
458
457
Leighton Cram (American, 1895-1981)
458
Abstract Landscape with Houses
Signed “L.R. Cram” l.r., identified in an
inscription and on a handwritten gummed
label on the reverse.
Oil on artist board, 16 x 20 in. (40.5 x 50.7
cm), framed.
Condition: Good.
$800-1,200
Hilly Landscape with Distant House
Signed “L.R. CRAM” l.r., stamped “The Estate
of/LEIGHTON R. CRAM” on the reverse.
cm), framed.
$800-1,200
97
459
460
461
459
Anthony Thieme (American, 1888-1954)
460
Bryant Chapin (American, 1859-1927)
461
Kelp Harvesters with Horse Cart
Signed “A. Thieme” l.r.
Oil on board, sight size 11 1/4 x 15 3/16 in.
(28.6 x 38.6 cm), framed.
Condition: Craquelure, surface grime, minute
losses.
$3,000-4,000
House by the Road at Dusk
Signed and dated “BRYANT CHAPIN 1919” l.r.
cm), framed.
Condition: Two minute punctures l.c., several
minor losses, surface grime, craquelure.
$1,000-1,500
Off Marmion Way
Signed “L.R. Cram.” l.r., titled on the reverse,
inscribed “L.R. Cram/Off Marmion Way/
Rockport, Mass.” on the back of the frame.
cm), framed.
Condition: Paint loss l.l., minor surface grime.
$800-1,200
98
462
462
Georges Charpentier (French, Early 20th
Century)
Coming into Port
Signed “G. CHARPENTIER” l.l.
cm), framed.
Condition: Surface grime, craquelure.
$4,000-6,000
463
463
Anthony Thieme (American, 1888-1954)
Caribean [sic]
Signed, titled, and dated “Caribean 1954/A
Thieme” l.r.
Watercolor on paper/board, sight size 12 1/4 x
15 1/2 in. (31.0 x 39.5 cm), framed.
Condition: Scattered foxing, crease below
signature, not examined out of frame.
$800-1,200
464
Emily Burling Waite (American, 1887-1980)
Sailboats on the Shore
Signed or inscribed “Emily B. Waite” twice
in pencil on the reverse, inscribed “Estate of
Emily B. Waite” in pen on the frame backing
paper.
Oil on panel, 10 7/16 x 12 3/4 in. (26.5 x 35.0
cm), framed.
$700-900
464
99
465
465
André Hambourg (French, 1909-1999)
A Sun Drenched Harbor
Signed “a. hambourg” l.r., a label from Wally F
Galleries, New York, on the backing.
cm), framed.
Condition: Good.
$4,000-6,000
466
Mariquita Gill (American, 1861-1915)
Coastal Scene
Signed “Mariquita Gill” l.l., inscribed “M. Gill
#11” on a handwritten gummed label affixed
to the reverse.
Oil on panel, 9 1/2 x 12 3/4 in. (24.0 x 32.5
cm), framed.
Condition: Minor craquelure, minor paint
losses u.l., abraded at edges.
$800-1,200
466
100
466A
466A
Anne Rogers Minor (American, 1864-1947)
Boats Becalmed, Venice
Signed “Anne Rogers Minor” l.r., titled and
identified on an unattributed label on the
reverse.
Oil on canvasboard, 11 3/8 x 15 3/8 in. (28.9
x 39.0 cm), framed (under glass).
Condition: Minor paint loss, not examined out
of frame.
$800-1,200
467
André Hambourg (French, 1909-1999)
Fin de Jour
Signed “a. hambourg” l.l., identified on a
presentation plaque, a label from Wally Findlay
Galleries, Chicago, on the backing.
Oil on canvas, sight size 8 1/4 x 10 1/4 in.
(20.9 x 26.0 cm), framed.
Condition: Good.
$5,000-7,000
467
101
468
468
William Henry Clapp (American, 1879-1954)
Landscape/A Spring Study
Unsigned, identified on a label from Don
Hartman Framing, Carmel, California, on the
reverse.
framed.
Condition: Good.
$2,000-2,500
469
Ang Ah Tee (Singaporean, b. 1943)
Spring Blossoms
Signed and dated “Ah Tee 95” l.l.
framed.
$3,500-5,500
469
102
470
470
Paul-Emile Pissarro (French, 1884-1972)
Flowering Tree
Signed “Paul émile Pissarro” l.r.
Watercolor, charcoal, and gouache on paper,
9 1/2 x 12 1/2 in. (24.1 x 31.8 cm), framed.
$2,000-3,000
103
471
472
473
471
Allen Sapp (Canadian Cree, b. 1929)
Haying Scene
Signed and dated “Allen Sapp ‘68” l.r.
cm), framed.
Condition: Good.
$1,500-2,500
472
473
Henry Robertson Craig (Scottish, 19161984)
Entrance to the Straw Market
Signed and inscribed “Harry Gasser/
Jerusalem” l.l., identified and titled on the
backing, artist’s copyright stamp and a label
from The Hadley Gallery, Bernardsville, New
Jersey, affixed to the backing.
Watercolor on paper, sight size 10 7/8 x 8 1/8
in. (27.6 x 20.6 cm), framed.
The Road to Leenane
Signed “H. Robertson Craig” l.l., titled and
signed “.../H. ROBERTSON CRAIG R.H.A.” on
the reverse.
framed.
$2,000-3,000
Provenance: Purchased from the artist.
$800-1,200
104
474
474
Paul Sample (American, 1896-1974)
Memories of an Old Man
Signed “PAUL SAMPLE” l.r., identified on
a label from The Milch Galleries, New York,
cropped and affixed to the frame.
Acrylic on canvas, 28 x 38 in. (71.1 x 96.6
cm), framed.
Condition: Scattered craquelure, mild surface
grime.
$4,000-6,000
475
Gladys Kelley Fitsch (American, 1896-1971)
Little Village
Signed or inscribed “Gladys Kelly Fitsch” on
the stretcher bar, identified on a label from the
Montclair Art Museum, Montclair, New Jersey,
on the reverse.
framed.
Condition: Good.
Exhibitions: Fifth Annual New Jersey State
Exhibition, The Montclair Art Museum,
Montclair, New Jersey, November 3–
December 22, 1935.
$1,500-2,000
475
105
476
476
William Worcester Churchill (American,
1858-1926)
Swan Boats on Lake, Public Garden
Signed and dated “Churchill/1919” l.l., signed,
inscribed, and titled “W.W. Churchill/Boston/
Swan Boats on Lake/Public Garden” in ink
on the reverse, identified on a label from
Vose Galleries of Boston affixed to the frame
backing.
framed.
Condition: Minor retouch to fill craquelure,
pentimento of a second signature l.r., minor
frame abrasion.
N.B. Churchill was born in Boston’s Jamaica
Plain, and was part of the first class at
Boston’s Museum of Fine Arts School.
Churchill’s subjects—impressionistic plein air
views and quiet interior portraits—place him
squarely into the Boston School along side the
likes of William Paxton, Edmund Tarbell, and
Fank Benson.
$20,000-25,000
Provenance: Purchased by Charles J. Dunn,
Sr. (1901-1983), Boston, Massachusetts, c.
1940; then by descent within the family.
106
477
477
Bela de Tirefort (American, 1894-1993)
Washington Square Arch in Spring
Signed and dated “de Tirefort. 35” l.l.
framed.
Condition: Lined, craquelure.
$800-1,200
478
Helena Sturtevant (American, 1872-1946)
Luxembourg Gardens
Unsigned, inscribed “HELENA STURTEVANT
1872-1946” on the paper backing.
Oil on panel, 8 1/2 x 5 1/2 in. (21.6 x 14.0
cm), framed.
Condition: Good.
$700-900
478
107
479
479
Arthur Clifton Goodwin (American, 18631929)
Park Street Church
Signed “A C Goodwin” l.l., signed, titled, and
dated “...Pk St Church/January 16” on the
reverse.
Pastel and graphite on paper, sight size 18 x
22 in. (45.7 x 55.8 cm), in an Arts & Craftsstyle frame.
$2,500-3,500
480
480
André Gisson (American, 1921-2014)
The Bustle of Paris
Signed “A. Gisson.” l.l.
framed.
$1,000-1,500
108
481
481
Edouard Léon Cortès (French, 1882-1969)
Place de la République
Signed “EDOUARD CORTÈS.” l.l.
cm), framed.
Condition: Varnish inconsistencies, pinhole
(as prepared by the artist) c.l.
Provenance: Purchased from the International
Galleries, Chicago, in 1961 by the current
owner.
N.B. The work will be included in Edouard
Cortès: Catalogue Raisonné de L’Oeuvre Peint
Volume III by Nicole Verdier; we wish to thank
Ms. Verdier for her kind assistance cataloging
the lot. A photocopy of the original recept
accompanies the lot.
$15,000-25,000
109
482
Kamesuke Hiraga (Japanese, 1890-1971)
A Façade at Locronan
Signed, inscribed, and dated “K. HIRAGA/
LOCRONAN/1928” l.r.
Oil on board, 25 1/4 x 20 3/4 in. (64.1 x 52.7
cm), framed.
Condition: Craquelure to sky, minor frame
abrasion and paint loss.
$1,000-1,500
483
Kamesuke Hiraga (Japanese, 1890-1971)
A Street in Douarnenez
Signed, titled, and dated “K. HIRAGA/
DOUARNENEZ. 1929” l.r.
Oil on board, 23 1/2 x 19 1/2 in. (59.7 x 49.5
cm), framed.
Condition: Minor retouch, surface grime, and
craquelure.
$1,000-1,500
482
483
110
484
484
René Portocarrero (Cuban, 1912-1986)
Catedral en Rojo
Signed “PORTOCARRERO” l.l.
Gouache on paper/BOARD, 29 1/2 x 21 1/2
in. (74.9 x 54.6 cm), framed.
$8,000-12,000
111
485
487
486
485
Walter Spitzer (Polish, b. 1927)
486
Nicolas Ghika (Greek, 1906-1994)
487
Anne Rogers Minor (American, 1864-1947)
Bucoliques
Signed “W. Spitzer” l.r., identified on a
presentation plaque, titled on the stretcher,
dated “Mars. 66” on the reverse, gallery stamp
from Galerie Rolly-Michaux, Boston, on the
stretcher.
cm), framed.
Condition: Good.
Lovers in a Landscape
Signed and dated “Ghika/48” c.l.
Gouache and watercolor on paper, 8 3/4 x 11
1/2 in. (22.2 x 29.1 cm), framed.
Condition: Pressed vertical crease, minor
nicks to edges, not examined out of frame.
$5,000-7,000
Figures in a Riverscape
Signed “Anne Rogers Minor” l.r.
Oil on canvasboard, 11 7/8 x 9 in. (30.1 x 22.8
cm), framed.
Condition: Good.
$500-700
Provenance: A Massachusetts estate.
$1,500-2,000
112
488
489
488
Medieval Castle
Signed and dated “BurLiuk/1944” l.l.,
identified on a label from ACA Gallery, New
York, affixed to the reverse.
Oil on canvasboard, 9 x 11 7/8 in. (22.6 x 30.3
cm), framed.
Condition: Scattered paint loss and retouch.
$1,500-2,000
489
Paul-Emile Pissarro (French, 1884-1972)
Wheat Stacks
Signed “Paul émile Pissarro” l.l., label from
Wally F Galleries, New York, on the backing.
framed.
Condition: Retouch.
$4,000-6,000
113
490
114
490
Irving Ramsey Wiles (American, 1861-1948)
Sunlight in the Studio
Signed and dated “Irving R. Wiles 1888” l.r.,
titled on a presentation plaque.
56.3 cm), in a period frame.
Condition: Lined, stable craquelure, mild
surface grime.
Exhibitions: Winter Exhibition, National
Academy of Design, New York, December,
1888; World’s Columbian Exposition, Chicago,
Illinois, May 1–October 30, 1893.
N.B. Sunlight in the Studio was exhibited at
the World’s Columbian Exposition in 1893
and is listed in the Fine Art exhibition checklist
as cat. no. 1122 (Lent by Charles D. Miller,
Jersey City). In a letter regarding this painting,
Wiles scholar Geoffrey Fleming noted that
the work had been described in detail in The
Nation when it was first exhibited at the winter
exhibition at the National Academy of Design
in December, 1888, and was subsequently
listed as having been exhibited at the World’s
Columbian Exposition in several other sources.
Wiles received a bronze medal at the World’s
Columbian Exposition, but research thus far
has not revealed which of his works was so
honored. Wiles showed six oil paintings at the
Exposition, among which was A Girl in Black,
lent by William Merritt Chase, and The Sonata,
lent by W.G. Evans of New York, the latter
being illustrated in the official exposition art
catalog, The Art Gallery Illustrated (p. 235).
The theme of a figure in an interior was
favored by Wiles. In Sunlight in the Studio,
golden light passes through the shaded
window and falls on the reclining figure and
on the accoutrements within the artist’s
studio; the oriental rug and vase, silver
samovar, handsome furnishings, as well as the
overstuffed artist’s portfolio. The model in this
painting was thought to be the artist’s wife,
but Geoffrey Fleming has noted that at the
time of this painting, May Wiles would have
been about to give birth (or just given birth) to
the couple’s only child, Gladys, so this may
not be accurate. However, the true subject of
the painting is revealed in its title.
Although portraiture was considered his forte,
Wiles also painted the hills and shores of Long
Island. In the late 1890s Wiles built a studio
and cottage on the shores at Peconic, and he
summered there regularly with his family. Here
he found painting the out-of-doors a pleasant
change from the bustle of portrait painting in
the city.
Irving Ramsey Wiles was born in Utica, New
York. He was introduced to painting by his
father, artist Lemuel Wiles (1826-1905), but
it was not until he studied at New York’s
Art Students League under James Carroll
Beckwith and William Merritt Chase that he
determined to make his father’s profession
his own. Chase became Wiles’s mentor, and
the two men remained lifelong friends. After
two years at the Art Students League (18791881), Wiles went on to Paris to study at the
Académie Julian, perhaps at the suggestion
of another of the League’s teachers, Thomas
Wilmer Dewing. In Paris in 1882, Wiles also
entered the atelier of Carolus-Duran, an
influential teacher who counted John Singer
Sargent among his pupils.
The lot is also accompanied by period
books about the Exposition, including: Kurtz,
Charles, ed., The Art Gallery Illustrated, Official
Illustrations from the Art Gallery of the World’s
Columbian Exposition (Philadelphia: George
Barrie 1893); White, Trumbull and William
Igleheart, The World’s Columbian Exposition
(Philadelphia: World Publishing Company,
1893); The Official Directory of the World’s
Columbian Exposition, A Reference Book
(Chicago: W.B. Conkey Company, 1893);
Official Guide to the World’s Columbian
Exposition, compiled by John J. Flinn
(Chicago: The Columbian Guide Company,
1893); and copies of other ephemera relating
to the fair.
$100,000-150,000
We wish to thank Geoffrey K. Fleming, Director
of the Southold Historical Society and author
of Irving Ramsay Wiles, N.A., 1861-1948:
Portraits and Pictures, 1899-1948 for his kind
assistance with the cataloging of this lot. A
letter from Mr. Fleming accompanies the lot.
Like many of his late 19th-century
contemporaries, Wiles used the “new” vitality
of the Impressionist brush stroke and palette
to express the beauty of the world around
him. Not unlike Chase, Wiles was known for
his dexterous and energized portraits, which
often idealized his subjects by placing them
in elegant attire and settings. Wiles often
depicted his female subjects in white dresses.
When set outdoors, they were frequently
drenched in warm sunlight and dashed with
blue brushstrokes of shadow, a technique
regularly employed by Chase, as well as John
Singer Sargent and Frank Weston Benson.
115
491
492
491
Jessie Willard (American, 1876-1937)
The Broken Vase
Signed “J. Willard” in vertical format u.l., with
an unknown inscription u.r.
Oil on canvasboard, 12 5/8 x 8 in. (32.2 x 20.2
cm), framed.
Condition: Minor retouch, craquelure, surface
grime.
$1,000-1,500
116
492
Eleanor Cunningham Bannister (American,
1858-1939)
Admiring Her Own Portrait/A Self Portrait
Monogrammed “EB” l.r., identified on a label
from Art History Research, Inc., New York,
affixed to the backing.
Oil on canvasboard, sight size 23 1/4 x 19 1/4
in. (59.1 x 48.9 cm), framed.
Condition: Craquelure, retouch.
$1,500-2,000
493
494
493
Omer Thomas Lassonde (American, 19031980)
Freesia
Signed “Omer T. Lassonde” l.r., inscribed and
dated “Painted at the Manchester Institute by
Omer Lassonde 1924” on the stretcher.
framed.
Condition: Pinhole puncture u.r., overall
buckling, minor craquelure.
$700-900
494
Ellen Day Hale (American, 1855-1940)
The Sisters
Signed “E Day Hale” u.l.
unframed.
Condition: Scattered abrasions, paint losses,
surface grime.
Provenance: Descended indirectly within a
Boston family to the current owner.
$4,000-6,000
117
495
118
495
Figure in White
Signed and dated “F.W.BENSON.1890” l.r.,
identified on a presentation plaque, with
two partial exhibition labels and a cardboard
plaque reading “MEDAL/World’s Columbian
Exposition” affixed to the back of the frame.
76.5 cm), framed.
Condition: Lined, minor old retouch to the
left of the figure’s head, stable craquelure with
areas of shrinking, surface accretions and
grime.
Provenance: Collection of the artist, passing
to his children, then by donation to the Salem
Public Library in 1957.
N.B. Figure in White is a quintessential
example of Boston School painting, showing
a beautiful young woman at ease within a
handsomely appointed interior setting.
Frank Benson exhibited three oil paintings at
the World’s Columbian Exposition in Chicago
in 1893, in the prestigious, juried, fine arts
exhibition that brought together contemporary
works from around the world to hang in
the Palace of Fine Arts. Among Benson’s
works was one titled “Figure in White” which
appeared as item 175 in the catalog. No
dimensions were provided in the checklist,
but, given the label on the back of the frame,
it seems likely that the painting at hand could
indeed be the same “Figure in White.”
The model for this painting is said to be the
artist’s sister, Georgiana. Benson kept the
painting for his collection, and according to
Salem Library records, it hung in the dining
room of his house in Salem, Massachusetts.
Frank Benson had long-standing ties to the
Salem Public Library, where he served as a
Trustee from 1912 to his death in 1951. In
1957 the painting was given to the Trustees
of the Salem Public Library by the artist’s
children.
Frank Benson was born into a prominent
Salem family in 1862. He trained at the
Académie Julian in Paris, where his work was
greatly influenced by the contrasting light and
dark palettes of master artists Vermeer and
Velázquez. Upon returning stateside in 1885,
he and fellow painter Edmund Tarbell became
the leaders of the Boston School. Benson,
Tarbell, and Joseph De Camp all taught at
the Boston Museum School and influenced
generations of artists. They formed the Boston
nucleus of the Ten American Painters, which
was comprised of both New York and Bostonbased Impressionists. Benson exhibited with
The Ten between 1898 and 1919. Benson
enjoyed a very successful career—he worked
in an array of genres including portraiture,
plein air, interiors, and still-life—and is perhaps
best known for his portraits depicting his
wife and three children. He was fascinated
by the interplay of light and shadow and
repeatedly used their effects to achieve both
dramatic and aesthetically beautiful works. He
maintained a consistent style in oil paintings
throughout his career. An avid sportsman,
Benson later focused on sporting subjects for
his watercolors and etchings, but it is for his
figural works that he is best known.
$350,000-550,000
119
497
496
496
Anna S. Fisher (American, 1873-1942)
Orchids
Signed “Anna Fisher” l.l., identified on a label
from Grand Central Art Galleries, New York,
framed (under glass).
Condition: Craquelure, not examined out of
frame.
$2,000-3,000
497
Robert Chailloux (French, 1913-2005)
Still Life with Asian Figurines
Signed “Robert Chailloux” l.l.
framed.
$800-1,200
498
White & Pink Orchids
Signed “Anna Fisher” l.l., titled on the
stretcher, signed or inscribed “A.FISHER” and
“Anna Fisher” on the frame.
framed.
Condition: Prominent craquelure, minor
old retouch likely to cover frame abrasion,
discolored varnish, surface grime.
$1,000-1,200
498
120
499
499
Still Life with Asian Artifacts, Candlesticks,
and Flowers
Signed “Anna Fisher” l.c.
framed.
Condition: Craquelure, surface grime, minor
canvas deformation at bottom edge.
$10,000-15,000
121
500
501
502
500
R.M. Guillaume (French, b. 1876)
501
Frederick M. Fenetti (American, 1854-1915)
Seated Nude with a Kitten
Signed “R.M. Guillaume.” l.l.
unframed.
Condition: Scattered surface abrasions and
minor paint losses, surface grime.
Floral Still Life
Signed “F Fenetti” c.r.
cm), framed.
Condition: Craquelure, retouch.
$1,000-1,500
Provenance: The Shaw Family, Beacon Hill,
Boston.
$800-1,200
502
Arthur Bowen Davies (American, 18621928)
Three Framed Figure Drawings: Crouching
Male, Seated Male Nude, and Seated
Three-quarter Length Female Nude
Male figures estate stamped “Arthur B.
Davies” l.l., Female signed “A.B. Davies” l.l.
Charcoal and chalk on paper, sight sizes to 13
3/8 x 8 5/8 in. (34.0 x 22.0 cm), framed.
Condition: Crouching Male with fading, sheet
laid down on cardboard support; others not
examined out of frames.
$1,200-1,800
122
504
503
505
503
Elizabeth Vila Taylor Watson (American,
1863-1949)
Profile of a Woman with Portrait Hat
Unsigned, artist identified on a handwritten
label on the reverse.
45.1 cm), framed.
Condition: Shallow surface abrasion u.r.
quadrant, minor surface grime.
$1,500-2,000
504
Pierre Jules Mêne (French, 1810-1879)
L’Amazone No. 2 (Equestrienne Riding
Sidesaddle)
Signed and dated “P.J. Mene 1865” in the
bronze base near the horse’s rear hoof.
Bronze with brown patina, height including
base approximately 10 1/4 in. (26.0 cm).
Condition: Gentle wear to patina, minor dust
and dirt to the interstices.
$4,000-6,000
505
William McGregor Paxton (American, 18691941)
Seated Woman Holding Roses
Signed “PAXTON.” l.r.
Pastel on paper mounted to finely woven
fabric, 17 x 14 in. (43.2 x 35.5 cm), framed.
Condition: Small surface imperfection to u.l.
corner, fabric partially detached from stretcher.
N.B. The lot is accompanied by a copy of a
letter from Elizabeth Ives Hunter authenticating
the portrait.
$2,000-3,000
123
507
506
508
506
Jane Peterson (American, 1876-1965)
Anemones
Signed “Jane Peterson” l.l., titled in pencil on
the stretcher, numbered “9” on the reverse.
framed.
Condition: Craquelure, mild surface grime.
$2,500-3,500
507
Marguerite Stuber Pearson (American,
1898-1978)
508
Margaret Fitzhugh Browne (American,
1884-1972)
Roses in a Glass Globe
Signed “MARGUERITE S. PEARSON” l.r.,
identified on the artist’s label and with artist
information affixed to the backing.
framed.
Condition: Good.
$800-1,200
Red, White, and Blue/A Still Life with
Peonies
Signed “MARGARET FITZHUGH BROWNE”
l.r.
framed.
Condition: Good.
Provenance: Skinner Inc., American &
European Works of Art, September 16, 2005,
Sale 2284, Lot 753.
$800-1,200
124
508A
Harriet Whitney Frishmuth (American,
1880-1980)
508A
The Vine
Dated and signed “©/1921/HARRIET W.
FRISHMUTH” at left side of base and stamped
“GORHAM CO FOUNDERS/QBWS” at right
rear of base.
Bronze with green/brown patina, height 11
1/2 in. (29.2 cm), presented on a black marble
plinth.
Condition: Surface imperfections to the
back of the figure’s lower left leg, small
crack to surface of baby toe on left foot,
wear to patina, accumulated dust and dirt to
interstices.
Literature: Janis Conner, Leah Rosenblatt
Lehmbeck, and Thayer Tolles, Captured
Motion, The Sculpture of Harriet Whitney
Frishmuth, A Catalogue of Works (New York:
Hohmann Holdings LLC, 2006), cat. no.
1921:2.
N.B. The Vine was modeled in 1921, and
cast between 1921 and 1966. The Frishmuth
Catalogue of Works (see above) lists 317
casts bearing the Gorham QBWS marking out
of a total edition of 396 castings.
$8,000-12,000
509
Hermann Fricke (German, 1887-1966)
Carnations
Signed “Hermann Fricke” l.r.
cm), framed.
Condition: Good.
$800-1,200
509
125
510
Boston School, 20th Century
The Black Swan
Unsigned.
cm), framed.
Condition: Craquelure, scattered losses, patch
reinforcements on the reverse.
collection.
$2,000-3,000
511
Auguste Rodin (French, 1840-1917) or
Camille Claudel (French, 1864-1943)
Tête de rieur (Laughing Man), c. 1891-92
Signed or inscribed “A. Rodin” in the bronze
on the left side of the neck, inscribed “·Alexis
RUDIER·/Foudeur.Paris.” at the base of the
back of the neck.
Bronze with black patina, height approximately
6 1/2 in. (16.5 cm), depth 5 7/8 in. (15.0 cm),
width 5 1/8 in. (13.0 cm), on a marble plinth.
Condition: Dust and dirt to interstices.
Provenance: Private Philadelphia collection, by
descent to the current owner.
N.B. The authorship of “Laughing Man” is
an interesting puzzle. For close to 100 years,
it has been attributed to Auguste Rodin.
However, the sculpture has been seen in a new
light following the research of Dr. Antoinette
LeNormand-Romain for the catalogue raisonné
of Rodin bronzes at the Musée Rodin in Paris
(2007) and for her book Fateful Encounter that
accompanied a traveling exhibition examining
the relationship of Rodin and Camille Claudel
in 2005.
510
LeNormand-Romain wrote that while at the
time of Rodin’s death plasters in his studio were
systematically ascribed to him, in fact several
examples confirm that some plasters had been
exchanged between the studios of Rodin and
Camille Claudel as part of the normal working
process, leading to misattribution. Some works
probably by Claudel were later signed as
Rodin, particularly when bronzes were being
cast from plasters to fulfill the large order from
Jules Mastbaum for the Rodin Museum in
Philadelphia in 1925-26.1 LeNormand-Romain
ascribed “Laughing Man” to Camille Claudel
in Rodin et le bronze: catalogue des oeuvres
conservées au Musée Rodin.2 It is interesting
to note that in an earlier catalogue raisonné
dedicated to the sculpture of Camille Claudel
(Paris and La Chapelle, 1990), the authors
specifically sited Rodin’s “Laughing Man” for its
great similarity to the signed Claudel sculpture
Tête de Rieuse (Cat. No. 23), establishing a link
between the two works.3
1. Claudel, Camille, and Auguste Rodin, Camille Claudel &
Rodin: Fateful Encounter (Paris: Hazan, 2005), pp. 66-67.
2. Musée Rodin (Paris), and Antoinette Le Normand-Romain,
Rodin et le bronze: catalogue des oeuvres conservées au
Musée Rodin (Paris: Réunion des musées nationaux, 2007),
p. 43.
3. Paris, Reine-Marie, Camille Claudel, and Arnaud de La
Chapelle, L’œuvre de Camille Claudel: catalogue raisonné
(Paris: A. Biro, 1990), p. 119.
511
$6,000-8,000
126
512
512
Mstislav Valerianovich Dobuzhinski
(Russian/Lithuanian, 1875-1957)
Set Design, possibly for La Belle au bois
dormant, Lithuanian National Ballet,
Kaunas
Signed and dated “MDobujinsky/1934” l.l.
Gouache and pencil on paper, image size 11 x
16 1/8 in. (28.0 x 41.0 cm), framed.
Condition: Gently toned, hinged at corners
to mount, mount attached with masking and
cellophane tape to back of overmat.
$2,500-3,500
127
513
513
LeRoy Neiman (American, b. 1926)
Group of Figures
Signed and dated “LeRoy Neiman ‘54” in
pencil l.r.
Black and brown ink on paper, 7 1/2 x 10 in.
(19.1 x 25.4 cm), framed.
$800-1,200
514
Al (Albert) Hirschfeld (American, 1903-2003)
Jack Gilford
Signed “HIRSCHFELD” l.r., inscribed “For
Jack with admiration” in pencil l.l., with a
newspaper clipping fragment “The New York
Times, Friday, December 24, 1976” and a
label from The Margo Feiden Galleries, New
York, both affixed to the frame backing.
Ink on paper, sight size 22 x 13 1/2 in. (56.0 x
34.3 cm), framed.
Condition: Foxing, not examined out of frame.
514
128
N.B. Born Jacob Aaron Gellman, Jack Gilford
(1907-1990) was a noted actor on Broadway
and in film and television.
$800-1,200
515
515
Peggy Bacon (American, 1895-1987)
Leaving Port
Signed “P.B.” l.l., identified on a label affixed to
the backing.
Charcoal on paper, sight size 9 1/2 x 7 1/2 in.
(24.2 x 19.1 cm), framed.
Condition: Faint creasing l.r., not examined
out of frame.
$800-1,200
516
Herbert Phillip Barnett (American, 19101972)
The Silver Cape
Signed “Herbert Barnett” u.r., titled on the
stretcher bar.
cm), framed.
Condition: Good.
$700-900
516
129
517
518
517
Nell Walker Warner (American, 1891-1970)
April
Signed “Nell Walker Warner” l.l., titled on the
artist’s business card affixed to the frame.
cm), framed.
Condition: Tear, minor paint losses,
$1,000-1,500
130
518
Robert Douglas Hunter (American, 19282014)
Still Life Arrangement with a Parrot
Signed and dated “Robert Douglas Hunter
‘97” l.l., identified on a label affixed to the
reverse.
framed.
Condition: Good.
$1,500-2,000
519
519
Fernand Renard (French, b. 1912)
Still Life with Shells and Goblets
Signed “Renard” l.r.
cm), framed.
Condition: Craquelure, abraded along edges.
$3,000-5,000
131
520
521
522
520
Gerrit Hondius (Dutch/American, 18911970)
Woman in Orange
Signed “Hondius” l.l.
Oil on Masonite, 29 1/2 x 23 1/2 in. (75.0 x
59.5 cm), framed.
Condition: Minor paint losses, craquelure.
$800-1,200
521
Waldo Pierce (American, 1884-1970)
522
Michel Kikoine (French, 1892-1968)
Autumn Flowers
Signed “WB” l.l., identified on a label from the
William Rockhill Nelson Gallery of Art, Atkins
Museum of Fine Arts, Kansas City, Missouri,
on the reverse, partial label from Arthur James
Galleries, Inc., Delray Beach, affixed to the
stretcher.
framed.
Condition: Minor abrasions, craquelure.
Portrait of a Woman
Signed “Kikoine” l.l.
cm), unframed.
Condition: Good.
$2,000-3,000
Provenance: Sotheby’s New York, Arcade,
February 1, 1990, Lot 257, Arthur James
Galleries, Inc., Delray Beach, Florida, May 17,
1991, Lot 385.
$2,000-2,500
132
523
523
In the Wings at the Circus
Signed “Hondius” u.l.
cm), framed.
Condition: Rippling, scattered paint losses,
scattered small punctures.
$1,000-1,500
524
Woman in Blue with Flowers
Signed “Hondius” l.l.
framed.
Condition: Craquelure, scattered paint losses
and lifting.
$1,000-1,500
524
133
525
527
526
525
Lucien Augé (French, b. 1933)
526
Ruth Asawa (American, 1926-2013)
527
Michel Henry (French, b. 1928)
Two Works: Still Life with Standing Nude
and Still Life with Reclining Nude
Both signed “Augé” l.l., inscribed “B-141-A”
and “B-141-B” on the back of frames,
Florence Art Gallery stamp on the stretcher
bars.
Oil on canvas, each 10 3/4 x 14 in. (27.3 x
35.6 cm), framed.
Condition: Good.
$1,500-2,500
Petunias
Signed and dated “1984 © ASAWA” and with
dry stamp l.l.
Ink on paper/board, sight size 8 x 8 1/4 in.
(20.2 x 20.6 cm), framed.
Yellow Zinnias
Signed “Michel Henry” l.l., identified on a
presentation plaque, inscribed “23396” with a
label from The Findlay Galleries, Inc., Chicago,
on the backing.
cm), framed.
$800-1,200
134
Provenance: Gift of the artist, then by family
$2,000-3,000
528
528
Le Pho (Vietnamese, 1907-2001)
Fleurs
Signed “Le Pho” in Vietnamese and English
l.r., identified on a presentation plaque,
inscribed “25368” with a label from The
Findlay Galleries, Inc., Chicago, on the
backing.
Oil on canvas, 12 1/4 x 8 in. (31.1 x 23.0 cm),
framed.
Condition: Good.
$7,000-9,000
135
529
529
J. Thurston Marshall (American, 1908-1982)
Beach Abstraction
Signed “J. THURSTON MARSHALL” l.r.
framed.
$1,200-1,800
530
530
Marketplace
Signed “Hondius” l.r., inscribed “Hondius” in
pencil on the reverse.
framed.
Condition: Puncture and paint loss along
upper edge.
$1,000-1,500
531
J. Thurston Marshall (American, 1908-1982)
Green Harbor
Signed “J. THURSTON MARSHALL” l.c.,
identified on a Rockport Art Association label
framed.
Condition: Good.
$800-1,200
531
136
533
532
534
532
Mario Negri (Italian, 1916-1987)
Untitled Figural Study in Bronze, 1958
Monogrammed on the top of the bronze
base, identified as an edition of 8 on the
sales receipt that accompanies the lot, dated,
inscribed, and numbered “1958/...2/3” on a
label affixed to the plinth.
Bronze with black patina, 6 5/8 x 4 3/16 x 1
7/8 in. (18.0 x 10.5 x 4.8 cm), on a marble
plinth.
Condition: Accumulated surface dust and dirt,
minor wear to patina.
Provenance: A private New England
collection.
N.B. A sales receipt dated March 2, 1966,
from Obelisk Gallery, Boston, accompanies
the lot.
$1,500-2,000
533
William Thon (American, 1906-2000)
Seaside Quarry #702
Signed “Thon” l.r., titled and numbered
“... 702” on the reverse, identified and titled on
labels from Midtown Galleries, New York, and
Frost Gully Gallery, Portland, Maine, affixed to
the back of frame.
framed.
Condition: Good.
534
Two Figures
Unsigned.
cm), framed.
Condition: Good.
$1,000-1,500
$1,500-2,500
137
535
536
535
Mario Carreño (Cuban, 1913-1999)
Three Figures
Signed and dated “carreño-47” l.r.
Colored pencil on paper, 12 7/16 x 11 in.
(31.6 x 28.0 cm), framed.
Condition: Foxing and staining, toning, tapehinged to window mat at the upper edge of
the reverse.
$3,000-5,000
536
Mario de Ferrante (American, 1898-1992)
Abstraction
Signed “de Ferrante” l.r.
unframed.
Condition: Good.
$800-1,200
537
Mario de Ferrante (American, 1898-1992)
537
138
Abstraction
Signed “de Ferrante” l.r.
framed.
Condition: Good.
$800-1,200
538
538
Tropical Splendor
Signed and dated “carreño -50” l.l., numbered
and titled “#1163/...” on a partial label affixed
to the stretcher.
framed.
Condition: Small puncture l.l., faint stretcher
bar marks, surface grime, minor abrasions.
N.B. Mario Carreño was born in Havana, to
a family of ten children. A precocious child,
in 1922 as a nine year old, he won a drawing
competition sponsored by the newspaper El
Mundo. He gained entrance to Cuba’s San
Alejandro Academy at the age of twelve. Six
years later, in the face of volatile politics in
Cuba, he left for Madrid, where he met Pablo
Neruda and his intellectual circle. Neruda
would be a life-long friend and lasting influence
on the artist.
At the time of the Spanish Civil War, Carreño
went to Mexico, where he worked with the
great muralists of the period, including Diego
Rivera, David Siqueiros, and José Orozco.
This group provided inspiration and led
Carreño to explore subject matter from his
Latin American roots.
From 1937 to 1939 Carreño was in Paris
studying at the Académie Julian. He rubbed
shoulders with the avant-garde painters of
the period, including Picasso, and gained
recognition for his work. To escape World War
II, Carreño relocated to New York, where he
taught at the New School for Social Research
and showed with Perls Gallery. During this
decade he turned toward more abstract
painting, influenced by Mondrian, Pollock,
and Moholy-Nagy. He experimented with
geometric forms, though he never abandoned
the figurative tradition entirely. Over the years
his style varied between figurative, Cubist
abstraction, and Surrealism, as he combined
the influence of international art movements
with personal and Latin American themes.
He returned frequently to Cuba in the
1950s, but politics again intervened. As a
modern artist, he was considered a counterrevolutionary, his name was expunged from
Cuban art programs, and his works were
removed from public spaces. At the invitation
of Pablo Neruda, Carreño had made a visit
to Chile in 1948. He fell in love with Chile and
chose to live there permanently, becoming
a cultural leader in his adopted land. With
colleagues he founded the Universidad
Catolica’s School of Arts, taught, and created
public art works. He became a citizen of
Chile in 1969. He did return to Cuba in 1993,
when the National Museum organized a
retrospective exhibit of his work, and again in
1994 to sign prints for the Rene Portocarrero
Graphic Workshop in Havana.
$30,000-50,000
139
539
539
Norman Carton (American, 1908-1980)
Flamenco Series XII Tarantas
Signed “Carton” l.r., signed and numbered
“Carton/1351” on the reverse, identified
on two labels affixed to the stretcher, one
stamped with the artist’s name and dated
“1964,” one from the World House Galleries,
New York, inscribed “7880” on the stretcher
and “PA-11G” on the reverse.
Acrylic on canvas, 14 x 17 1/2 in. (35.6 x 44.4
cm), framed.
Condition: Craquelure, especially in areas of
heaviest impasto.
$800-1,200
540
Clarence Morgan (American, b. 1950)
Untitled
Signed and dated “C. Morgan 81” u.r.
Mixed media with collage on paper, 6 11/16 x
4 11/16 in. (17.0 x 11.8 cm), framed.
$800-1,200
540
140
541
541
Clarence Morgan (American, b. 1950)
Untitled
Signed “C. Morgan ‘81” l.r.
Mixed media with collage on paper, 9 5/8 x 4
3/4 in. (24.4 x 12.1 cm), framed.
Condition: Good.
$800-1,200
542
Norman Carton (American, 1908-1980)
Flamenco XII Malaguñas
Signed “Carton” l.r., numbered and signed
“1204/Carton” on the reverse, identified on
two labels, one stamped with the artist’s name
and dated “1963,” affixed to the stretcher,
the other from the World House Galleries,
New York, affixed to the reverse, inscribed
“15/#7879” on the stretcher.
framed.
Condition: Craquelure, especially in areas of
heaviest impasto.
$800-1,200
542
141
543
544
545
543
Dimitri Hadzi (American, 1921-2006)
544
Cheryl Warrick (American, b. 1956)
545
Henri Michaux (French, 1899-1984)
Alexander’s Trophy II, 1978
Signed and numbered “D. HADZI V/XII” near
the base.
Bronze with black patina, approximately 15
1/8 x 13 3/4 x 2 1/8 in. (38.3 x 35.0 x 5.4 cm),
on a granite plinth.
Condition: Minor dust and dirt to the
interstices.
Untitled
Signed and dated “...1988” on the reverse.
Acrylic on canvas, 60 x 56 1/2 in. (152.4 x
143.5 cm), unframed.
Condition: Small paint loss along right side,
losses to u.l. quadrant.
$800-1,200
Untitled
Monogrammed “HM” l.r.
Watercolor on paper, sight size 14 1/2 x 21
1/2 in. (36.8 x 54.6 cm), framed.
Condition: Pinprick holes u.l. and l.r., not
Provenance: Purchased from the artist by the
current owners in the 1970s.
N.B. We would like to thank Danese/Corey
Gallery, which represents the estate of Dimitri
Hadzi, for their assistance cataloging this lot.
$3,500-5,500
142
$2,000-3,000
546
546
Cheryl Warick (American, b. 1956)
Still
Titled, signed, and dated “... 1988” on the
reverse.
Acrylic on canvas, 58 x 50 in. (147.3 x 127
cm), unframed.
Condition: Minor paint loss l.c.
$800-1,200
547
Francesco Somaini (Italian, b. 1926)
Horizontal III
Signed “Somaini” and stamped “5956” in the
bronze at the bottom edge, dated “1958” on
the sales receipt that accompanies this lot.
Bronze with varied patinas, approximately 9
1/2 x 18 x 8 in. (23.5 x 45.7 x 20.3 cm), on a
pivoting metal base.
Condition: Surface imperfections and wear
that are part of the aesthetic, surface dust
and dirt.
Provenance: A private Massachusetts
collection.
N.B. A sales receipt dated March 2, 1966,
from the Obelisk Gallery accompanies this lot.
$2,000-3,000
547
143
548
Francisco Zúñiga (Mexican, 1912-1998)
Maternidad (Motherhood)
Signed and dated “Zuniga 1974” at l.l. edge.
Bronze with green patina, 11 x 9 x 7 in. (27.9 x
22.8 x 17.8 cm), on a wooden plinth.
Condition: Good.
$6,000-8,000
548A
Diego Rivera (Mexican, 1886-1957)
Mother and Child
Signed and dated “Diego Rivera .27” l.r.
Ink on Ingres laid paper by Montgolfier St.
Marcel les Annonay, sheet size 24 1/2 x 18
13/16 in. (62.2 x 47.8 cm), matted, unframed.
Condition: Handling creases, toning, acid
burn, tack holes to corners.
Provenance: Purchased by Mrs. Charlotte
H. Jordan from E. Weyhe Booksellers, New
York, February 24, 1928; private Rhode Island
collection.
$8,000-12,000
548
548A
144
549
549
Alexis Pantoja (Cuban, b. 1969)
La Espera Fija
Signed and dated “A/Pantoja/2013” l.r.
151.0 cm), unframed.
Condition: Parallel lines of possible abrasion
at upper and lower edges.
$8,000-10,000
145
550
William Langdon Kihn (American 18981957)
Profile of a Native American
Signed “W. LANGDON KIHN” u.l., dated
“1921” u.r., monogrammed, dated, and
copyrighted “WLK©1921” and with artist’s
stamp l.r., copyrighted and signed on the
reverse.
Conté crayon, gouache, and graphite on
illustration board, 19 1/2 x 14 5/8 in. (49.5 x
37.1 cm), framed.
$2,500-3,000
551
Tea Party
Signed “BurLiuk” l.l., inscribed or dated
“1958” in ink on the reverse, identified on a
label from ACA Gallery, New York, affixed to
the back of the frame.
framed.
Condition: Minor paint loss at c.l. edge.
$1,200-1,800
550
551
146
552
552
Victor Manuel (Cuban, 1897-1969)
Mujer con pañuelo
Signed “VICTOR MANUEL” u.r.
Mixed media on paper, image/sheet size 17
7/8 x 16 in. (45.3 x 40.6 cm), framed.
Condition: Floated within the mat, not
$1,500-2,000
553
Seated Fisherman with His Catch
Signed and dated “carreño-42” l.r.
Ink on paper, sheet size 14 x 10 1/2 in. (35.6 x
26.6 cm), framed.
Condition: Acid burn to edges of sheet, subtle
handling creases, tape-hinged to window mat
at the upper edge of the reverse.
$1,500-2,000
553
147
554
Marino Marini (Italian, 1901-1980)
Horse
Signed and dated “Marino/1958” l.r.
Ink and gouache on paper, sheet size 15 5/8 x
11 1/2 in. (39.8 x 29.5 cm), framed.
Condition: Toning, small tear to l.l. edge,
minor rippling near mounting, subtle handling
creases, affixed to back mat along the top
edge of the reverse.
collection.
N.B. The lot is accompanied by a copy of the
original purchase receipt from Obelisk Gallery
dated April 28, 1966.
$7,000-9,000
555
John William Mills (British, b. 1933)
Caged Lion
Signed and dated “John Mills/72” on the lion’s
right leg, titled on an unattributed label affixed
to the underside of the plinth.
Bronze with brown patina, approximately 9
1/2 x 4 1/2 x 2 1/2 in. (24.2 x 11.5 x 6.3 cm),
on a wood plinth.
Condition: Minor dust and dirt to interstices.
N.B. The artist writes that the small sculpture
Caged Lion is a unique casting. It bears
no foundry mark because it was cast in his
studio foundry using the direct “lost wax”
process. It is one of many studies the artist
made in preparation for a series of lions
he worked on for many years, which were
exhibited in Michigan, Toronto, and Lyon,
France, as well as in a number of shows in
London. The piece was likely purchased
through Alice Simsar Gallery in Ann Arbor,
Michigan.
$1,200-1,800
554
555
148
556
556
Alexander Calder (American, 1898-1976)
Cheval II, 1930 (cast 1964)
Monogrammed “AC” (overlapping) on the
horse’s right rear hoof, stamped “42” on the
underside of the horse’s right front hoof.
Bronze with black patina, 4 1/2 x 8 x 4 3/4 in.
(11.4 x 20.3 x 12.0 cm).
Condition: Minor wear to patina, dust and dirt
to interstices.
Provenance: Documenta Foundation, Kassel,
Germany (1964); to Obelisk Gallery, Boston,
Massachusetts; to Mr. and Mrs. Leo Marcus,
Brookline, Massachusetts, (1968); by descent
to the current owner, private Massachusetts
collection (2014).
N.B. The Calder Foundation dates the work
as 1930 in their records. This cast is from
an edition of 50 that was produced in 1964,
made for the documenta Foundation, Kassel,
Germany, to raise funds for documenta III,
held that year.
Alongside Venice’s Biennale, documenta
is seen as the most important, regularly
occurring exhibition for modern and
contemporary art in the world.
The lot is accompanied by a copy of the
original invoice from Obelisk Gallery dated
October 31, 1968 and by an appraisal from
Obelisk Gallery dated October 10, 1968.
Calder Foundation Application Number
A00861, edition 42/50.
$40,000-60,000
149
557
557
Edgar Ende (American, 1901-1965)
The Archer
Signed and dated “Edgar Ende 33” in pencil
l.r.
Gouache and graphite on paper, sight size 18
5/8 x 23 7/8 in. (47.2 x 60.6 cm), framed.
Condition: Possible toning, tear l.l. edge,
scattered minor pinpoint fox marks, not
$1,800-2,200
558
Arman (French/American, 1928-2005)
Telemann, 1992
Signed and numbered “Arman 5/30” on the
reverse.
Cast and sliced bronze, 27 3/16 x 7 13/16 x
7 in. (69.1 x 45.2 x 17.8 cm), mounted to a
black granite plinth.
Condition: Minor wear and surface abrasions.
N.B. This work, described as a
“transculpture,” consists of a sliced bronze
cast violin and trumpet, welded together. It
was fabricated in the Arman Studio, New York.
Telemann was created in an edition of 30, plus
6 artist’s proofs (marked AP1-6) and 4 hors
commerce proofs (marked HC1-4).1
1. http://www.arman-studio.com/ (accessed 12/3/2014).
$600-800
558
150
559
559A
560
559
Patrick Hennessy (Irish, 1915-1980)
559A
Enrique Toledo (Cuban, b. 1966)
560
Joseph Piccillo (American, b. 1941)
A Prospect of Clonmacnoise
Signed “Hennessy” l.l., titled and identified
“.../Patrick Hennessy R.H.A.” on a label from
The Ritchie Hendriks Gallery, Dublin, affixed to
the stretcher.
126.5 cm), framed.
Condition: Areas of craquelure, minor surface
grime.
$1,500-2,000
Del otro lado del mar
Signed “E. ToLedo” and with artist’s symbol
l.r., titled, signed, inscribed, and dated
“...2014” on the reverse.
Oil on canvas, image size 51 x 39 1/2 in.
(130.0 x 100.0 cm), unstretched, unframed.
Condition: Rippling, pinholes to outer edges
from a former stretching.
$2,500-3,500
Study-January 1980
Titled, dated, and signed “... joseph piccillo”
in pencil l.r.
Charcoal on paper, 21 x 36 in. (53.3 x 91.4
cm), framed.
Condition: Floated within the frame, not
$2,000-3,000
151
561
560A
562
560A
Cundo Bermúdez (Cuban, 1914-2008)
561
Jose María Mijares (Cuban, 1921-2004)
562
Grace Hartigan (American, 1922-2008)
Figure in Profile with Fish and Vase
Signed and dated “Cundo Bermudez/05” u.r.
Watercolor, ink, and pencil on paperboard, 15
x 11 in. (38.0 x 28.0 cm), matted, unframed.
Condition: Subtle rippling, affixed to window
mat along three sides of the recto and with
tape at corners of the reverse.
$3,000-3,500
Mujer, 1948
Signed “Mijares” l.r.
Charcoal on paper, image/sheet size 15 x 22
in. (38.0 x 55.8 cm), framed.
Condition: Floated within the mat, toning, light
mat burn, pinprick holes in corners, spiralbound edge at left, not examined out of frame.
Coloring Book of Ancient Greece Study
Initialed and dated “H. ‘73” l.l., titled, signed,
and dated on the stretcher.
framed.
Condition: Small paint loss l.c., minor surface
grime.
$5,000-7,000
N.B. The lot is accompanied by a certificate
of authenticity signed by the artist and dated
September 13, 1997.
$1,500-2,000
152
563
564A
564
563
Grace Hartigan (American, 1922-2008)
564
Syed Sadequain (Pakistani, 1872-1946)
564A
Cundo Bermúdez (Cuban, 1914-2008)
Black Velvet Study
Initialed and dated “H. ‘73” l.r., titled, signed,
dated, and inscribed on the stretcher,
identified on a label from Gertrude Kasle
Gallery, Detroit, Michigan, affixed to the
stretcher.
framed.
Condition: Scuffing l.c., minor surface grime.
$5,000-7,000
Head of a Man
Signed “SADEQUAIN” l.r.
Mixed media with ink on canvas, sight size 15
3/8 x 11 3/4 in. (39.1 x 29.8 cm), framed.
$2,000-3,000
Figure in Profile
Signed and dated “Cuindo Bermudez/05” l.r.
Watercolor, ink, and pencil on paperboard, 15
x 11 in. (38.0 x 28.0 cm), matted, unframed.
Condition: Affixed to window mat with tape at
corners and center edges of the reverse.
$3,000-3,500
153
565
565
Hans Hoffman (American, 1880-1966)
566
Otto Dix (German, 1891-1969)
Crescent
Initialed and dated “HH 41” l.r.
Crayon and ink on paper, 14 x 17 in. (35.5 x
43.2 cm), framed.
Coastal Cliffs, possibly La Ciotat, France
Signed and dated “5Dix3” l.r., inscribed “La
Ciotta [sic]” in pencil on the reverse.
Watercolor on paper, 21 3/4 x 15 in. (55.2 x
38.1 cm), matted, unframed.
Condition: Tack holes to the corners, minor
toning, subtle rippling, remnants of brown
paper tape hinges and very minor glue stains
to the reverse.
collection.
N.B. An appraisal from Obelisk Gallery,
Boston, dated March 31, 1969, accompanies
the lot.
$8,000-12,000
154
Provenance: From the artist to the
grandfather of the current owner, then by
family descent.
$15,000-25,000
566
155
567
567
Tom Christopher (American, b. 1952)
Portrait of a Woman in a Chemise
Signed and dated “Tom Christopher 92” in
pencil l.l.
Acrylic, graphite, and cloth on canvas, 48 x 36
in. (122.0 x 91.5 cm), unframed.
Provenance: Purchased directly from the
artist.
$1,500-2,500
568
Zero Mostel (American, 1915-1977)
Abstract Figure
Signed and dated “Mostel 1960” l.r.
Mixed media on paper, 14 7/8 x 10 7/8 in.
(37.7 x 27.7 cm), framed.
Condition: Staining to lower edge, toning,
sheet laid down on Masonite.
$600-800
568
156
569
Zero Mostel (American, 1915-1977)
Figure in Uniform
Signed “Mostel” l.r., dated “1962” in pencil on
the frame liner.
framed.
Condition: Surface accretions, minor
craquelure, discolored varnish, surface grime,
$1,000-1,500
570
Oliver Lee Jackson (American, b. 1935)
Untitled
Signed and dated “Oliver 6-16 84” l.r.
Mixed media on paper, 48 x 42 1/4 in. (121.9
x 107.3 cm), framed.
$1,500-2,000
569
570
157
571
572
573
571
Terri Priest (American, 1928-2014)
572
Norma Talma (Barbadian, 1936-2011)
Untitled
Signed and inscribed “T Priest/MM 12” on the
backing.
Mixed media on paper, sight size 27 1/4 x 38
1/4 in. (69.2 x 97.2 cm), framed.
$800-1,200
Untitled
Signed and dated “Norma Talma ‘86” l.r.
Handmade paper collage, 14 1/4 x 14 1/2 in.
(36.2 x 36.8 cm), framed.
$500-700
158
573
Alvin Demar Loving Jr. (African/American,
1935-2005)
Untitled
Signed and dated “AL Loving 84” l.c.
Ink with watercolor and collage on paper, 31 x
31 in. (78.8 x 78.8 cm), framed.
$1,500-2,000
574
Paul (Chikamasa) Horiuchi (Japanese/
Cliff Segment
Signed and dated “Horiuchi 64” l.r., identified
on a label from the Otto Seligman Gallery,
Seattle, Washington, affixed to the backing.
Mixed media with ink and collage on board,
36 7/8 x 23 1/2 in. (93.7 x 59.7 cm), framed.
Condition: Abrasions, losses.
$2,000-3,000
575
Alvin Demar Loving Jr. (African/American,
1935-2005)
Untitled
Unsigned, identified on a gummed label
affixed to the back of the frame.
Monocollage, 29 1/2 x 32 1/2 in. (75.0 x 82.6
cm), framed.
$1,500-2,000
574
575
159
576
577
578
576
577
Pat Adams (American, b. 1928)
578
Untitled
(36.2 x 36.8 cm), framed.
$500-700
Pass
Initialed, titled, numbered, and dated “PA
...186 1980” on the stretcher, identified on
a label from Graham Gund, Cambridge,
Massachusetts, affixed to the stretcher.
Oil and mixed media on linen, 79 x 82 in.
(200.7 x 208.3 cm), unframed.
Condition: Good.
Untitled
(36.2 x 36.8 cm), framed.
$500-700
Provenance: Property of Ann and Graham
Gund.
$800-1,200
160
579
579
Michael Singer (American, b. 1945)
Ritual Series
Titled, signed, and dated “...Singer... 1 30
77” along the upper edge, identified on labels
from the Obelisk Gallery, Boston, and Graham
Gund Collection, Cambridge, Massachusetts,
Gouache, black crayon, charcoal, and black
ink wash with collage on paper, sheet size 46
x 60 in. (116.8 x 152.3 cm), framed.
Condition: Slight rippling, thumbtack holes
at corners, floated within the frame, not
Provenance: Sotheby’s New York, Arcade,
September 29, 1994, Lot 391; property of
Ann and Graham Gund.
$2,000-3,000
580
Katherine Porter (American, b. 1941)
And...
Unsigned, titled and inscribed on the stretcher
in pencil, identified and dated “1971” on labels
including ones from the Currier Gallery of Art,
Manchester, New Hampshire, and Graham
Gund, Cambridge, Massachusetts, affixed to
the stretcher.
cm), unframed.
Condition: Small tear in canvas at corner l.r.
Gund.
Exhibitions: Currier Gallery of Art,
Masterworks by Artists of New England, April
3 to May 16, 1982.
$800-1,200
580
161
581
581
Ruth Asawa (American, 1926-2013)
Untitled (Tree Form)
Incised signature “Asawa” in the base.
Bronze with green/gray patina mounted to a
polished stone base, height with base 9 1/4
in. (23.5 cm), diameter of tree approximately 8
3/4 in. (22.3 cm).
Condition: Small loss to one of the branches,
wear to patina near the base, surface dust
and dirt.
Provenance: Gift through exchange with the
artist, then by family descent.
$8,000-12,000
162
Exhibitions: Art on Paper, Weatherspoon
Annual Exhibition, 1977, November 13–
December 18, 1977, Weatherspoon Art
Gallery, The University of North Carolina at
Greensboro, cat. no 86 (illus.); The Eye of
Stieglitz, Hirschl & Adler Galleries, New York,
October 7–November 2, 1978, illustrated
p. 64 of the catalog; Georgia O’Keeffe: The
Bermuda Respite, Bermuda National Gallery,
Hamilton, Bermuda, October 29, 1994–
January 25, 1995.
N.B. Georgia O’Keeffe sojourned in Bermuda
in 1933 and 1934, to rest and recuperate from
a serious illness. She had suffered a nervous
breakdown in 1933, and after a sevenweek hospital stay, decided to take a trip,
accompanied by her friend Marjorie Content.
She sought the solitude of a place where she
was not known, and she found comfort in the
warm climate and beauty in the green-blue
waters of Bermuda.
During her two Bermuda trips O’Keeffe
executed a series of charcoal and pencil
drawings of banana blossoms and banyan
trees. This aspect of her work was not well
known. It was considered surprising that
O’Keeffe produced these drawings at a time
when it was supposed she was not working
at all. However, this series of drawings also
seems to fit a pattern in her oeuvre. After
times of personal crisis she would often turn
to drawing rather than painting to regain
her creative energy and focus. In a letter to
Rebecca Strand dated “Bermuda, 26 April
1934,” O’Keeffe mused about the drawings,
“I have been drawing some here—very dull
drawings—I get so interested in them it
quite amuses me.”1 In that same letter she
expresses her early thoughts of finding a
house in New Mexico, calling it the easiest
way for her to get back to work.
582
582
Georgia O’Keeffe (American, 1887-1986)
Banyan Tree with Palms, Bermuda
Unsigned, titled and dated “...1934” on a
detached label with the printed heading
“GEORGIA O’KEEFFE/Abiquiu, New Mexico”
and identified on detached labels from
Hirschl & Adler Galleries, Inc., and Robert
Miller Gallery, Inc., both of New York, and the
Weatherspoon Art Gallery, The University of
North Carolina at Greensboro (see below).
Graphite on paper, sheet size 21 3/4 x 14 3/4
in. (55.3 x 37.6 cm), framed.
Condition: Gentle toning, slight
creases to lower corners.
Provenance: From the artist to Dorothy Bray
until 1975; through to Harold Diamond, New
York, 1977; to Robert Miller Gallery, New York;
to Hirschl & Adler Galleries, Inc., New York;
purchased from Hirschl & Adler in 1981 by
Elizabeth Stanley, Tucson, Arizona, then by
Literature: Barbara Buhler Lynes, Georgia
O’Keeffe (New Haven and London: Yale
University Press, 1999), catalogue raisonné
number 842, vol. I, p. 523; The Eye of Stieglitz
(New York: Hirschl & Adler Galleries, 1978),
p. 64 (illus.); Art on Paper (Greensboro, North
Carolina: Weatherspoon Art Gallery, 1977),
cat. no. 86 (illus.).
O’Keeffe would not visit Bermuda again after
1934, settling in New Mexico with its vast
open space and heat, where she would enter
a period of great creativity. However, Bermuda
appears to have offered the artist a timely
place of respite before the next phase of her
career.
In 1994, to commemorate the sixtieth
anniversary of O’Keeffe’s visit to the island,
The Masterworks Foundation organized
an exhibition of the Bermuda works at The
Bermuda National Gallery. Georgia O’Keeffe:
The Bermuda Respite gathered together many
of the fourteen drawings she created on the
island, including Banyan Trees with Palms.
1. O’Keeffe, Georgia, Jack Cowart, Juan Hamilton, and
Sarah Greenough, Georgia O’Keeffe, Art and Letters
(Washington: National Gallery of Art, 1987), p. 221.
$40,000-60,000
163
583
584
585
583
Leonardo M. Nierman (Mexican, b. 1932)
584
Phillippe Hosiasson (French, 1898-1978)
585
Leonardo M. Nierman (Mexican, b. 1932)
Untitled (Fire)
Signed and dated “Nierman 65” l.l.
Oil on board, 23 1/2 x 31 1/2 in. (59.7 x 80.0
cm), unframed.
Condition: Minor abrasions to corners.
$800-1,200
Le Noeud Vert
Signed and dated “Hosiasson/56” l.r.,
identified, titled, and dated on a label from
Smith College Museum of Art, Northampton,
Massachusetts, on the backing.
cm), framed.
Condition: Good.
Untitled (Crinkled Paper)
Signed “Nierman” l.r.
cm), framed.
$1,000-1,500
Provenance: Collection of the Smith College
Museum of Art, Northampton, Massachusetts.
$5,000-7,000
164
587
586
588
586
Yutaka Ohashi (Japanese/American, 19231989)
587
John Way [Wei Letang] (Chinese/American,
1921-2012)
588
György Kepes (Hungarian/American, 19062001)
Untitled No. 4, 1967
Signed “Ohashi” u.r.
Oil, collage, and aluminum on canvas, sight
size 33 3/4 x 27 3/4 in. (85.7 x 70.5 cm),
framed.
Condition: Small paper tear and minute loss
in l.r. corner.
Untitled
Signed and dated “John Way ‘68” l.r.,
inscribed “60/1672” on an unattributed label
on the reverse.
Oil on paper, sheet size 19 x 24 in. (48.3 x
61.0 cm), unmatted, unframed.
Condition: Good.
$2,000-3,000
Calm Balance
Signed, titled, and dated “G. Kepes Calm
balance 1964” on the reverse.
Oil and sand on canvas, 24 x 20 in. (61.0 x
50.8 cm), framed.
Condition: Minor paint losses and craquelure.
Provenance: From the estate of Hyman
Swetzoff to Mrs. Leo Marcus to the current
owner by family descent.
collection.
$1,500-2,000
N.B. A sales receipt from The Swetzoff
Gallery, Boston, accompanies the lot.
$1,500-2,000
165
589
590
589
Dennis Akervik Coelho (American, b. 1968)
Untitled
Signed “Coelho” l.r., dated “1968” on a plaque
affixed to the frame.
Watercolor on paper, sight size 29 3/8 x 20
1/2 in. (74.5 x 52.0 cm), framed.
$1,000-1,500
590
Lynn Russell Chadwick (British, 1914-2003)
Untitled
Signed and dated “Chadwick 62.” l.c.
Black and blue ink on paper, 24 x 17 3/4 in.
(61.0 x 45.0 cm), framed.
Condition: Minor rippling l.l., not examined out
of frame.
$1,500-2,000
591
Katherine Bradford (American, b. 1942)
Untitled
Signed and dated “K. Bradford/1993” on the
reverse.
framed.
591
Provenance: Purchased from Icon Gallery,
Brunswick, Maine.
$800-1,200
166
592
592
Tadashi Sato (Japanese, b. 1924)
On The Beach
Signed and dated “Tadashi Sato ‘66” l.r.,
identified on labels from the Willard Gallery,
New York, and the Honolulu Academy of Arts,
affixed to the stretcher.
framed.
Condition: Surface grime, craquelure.
Exhibitions: Artists of Hawaii, 17th Annual
Exhibition, 1966, Honolulu Academy of Fine
Arts.
$3,000-5,000
593
Philip Cornelius (American, b. 1934)
Red Hill
Titled, dated, and signed “...1981 COR/NEL/
IUS” on the underside.
Ceramic, 6 1/2 x 6 1/4 x 2 3/4 in. (16.5 x 15.8
x 7.0 cm).
Condition: Good.
Gund.
$800-1,200
593
167
594
Jimmy Lee Sudduth (American, 1910-2007)
Barn and Tractor
Signed “Jim Sudduth” u.c., identified and
dated “...1999” on a label from Berenberg
Gallery, Boston, on the reverse.
Mud with sugar, acrylic, and house paint on
wood, 24 x 24 in. (61.0 x 61.0 cm), framed.
Condition: Good.
N.B. Illustrated on a Berenberg Gallery
exhibition announcement from 2000, with
additional information from reprints of
exhibition catalogs and Smithsonian magazine
that accompany the lot.
$800-1,200
595
Maxwell Mays (American, 1918-2009)
Folk Art Farm
Signed and dated “Maxwell Mays ‘48” l.l.
Gouache on paper, sight size 17 7/8 x 24 7/8
in. (45.8 x 63.1 cm), framed.
$1,000-1,500
594
595
168
596
596
Jean Hugo (French, 1894-1984)
Two Landscapes with Scenes of
Shepherds and Centaurs
Both signed “Jean Hugo” l.r.
Gouache on paper, sight sizes to 3 7/8 x 5 7/8
in. (9.8 x 14.8 cm), framed.
Condition: Not examined out of frames.
$1,200-1,500
597
Warner Friedman (American, b. 1935)
In Old Shanty Town
Signed, titled, and dated “Warner
Friedman...1985” in marker on the stretcher.
cm), unframed.
Condition: Very faint scratch l.c.
$2,000-3,000
597
169
598
599
600
598
Max Arthur Cohn (American, 1903-1998)
599
James Aponovich (American, b. 1948)
600
Allan Rohan Crite (American, 1910-2007)
Piet Mondrian in his Studio
Signed “M A Cohn” l.r., identified on a label
from D. Wigmore Fine Art, New York, affixed
to the backing.
Gouache and graphite on paper, sight size 19
1/8 x 13 3/4 in. (48.6 x 50.2 cm), framed.
$800-1,200
Marty
Signed “Aponovich” l.l., artist cipher l.r.,
identified on an exhibition label from The
Currier Gallery of Art, Manchester, New
Hampshire, on the stretcher.
framed.
Condition: Good.
New York City Street Scene
Signed, monogrammed, and dated “Allan
Rohan Crite/ARC/Aug 1940” l.l. and l.r.
Gouache and graphite on paper/board, sight
size 14 3/8 x 10 3/8 in. (36.5 x 26.3 cm),
framed.
$800-1,200
Provenance: A Massachusetts estate.
$1,000-1,500
170
601
Giacomo Manzù (Italian, 1908-1991)
Two Works: Untitled Bronze Bas-relief and
La Guerra, Variante IV (lithograph)
Bas-relief with signature/foundry mark
“MANZÙ” encircled by the words “Fonderia
MAF Milano” on the u.r. corner of the
reverse, 19 3/4 x 15 3/8 in. (49.5 x 39.0 cm),
suspended within a metal frame set onto a
stone plinth; La Guerra, Variante IV, 1954,
signed “Manzù” in pencil l.l., numbered “2/30”
l.r., image size approximately 12 5/8 x 8 1/4 in.
(32.0 x 21.0 cm), framed.
Condition: Bas-relief with surface
imperfections that appear intentional, minor
surface dust; lithograph with acid burn, subtle
rippling, not examined out of frame.
601
Literature: Manzù, Giacomo, and Alfonso
Ciranna, Giacomo Manzù. Catalogo delle
opere grafiche [incisioni e litografie], 19291968. Con un’appendice relativa ai libri
illustrati con riproduzioni di disegni dell’artista,
(Milan: A. Ciranna, 1968), cat. 166, p. 210.
N.B. Scenes of violent death in which the
protagonist is a man hanging upside down
observed by a cloaked figure is a recurring
motif in the sculpture and prints of Manzù.
Prominent examples include a panel of the left
door of Porta Vaticana (1964) and a bronze
from 1963 in The Manzù Collection at Ardea,
Italy. The repository of the Manzù Collection
brings together about ninety sculptures, metal
stamps, minting dies, and medallions, and an
inventory of 330 graphic works by Manzù. It is
also the burial place of the artist.
$6,000-8,000
601A
John Tarrell Scott (American, 1940-2007)
Scene from A One Act Play & Other Week
End Dramas
Titled, signed, dated, and dedicated “...John
T. Scott 3.1.86 To Buddy & Francis Enjoy Your
New Space” l.c.
Graphite on paper, sheet size 29 7/8 x 22 in.
(75.6 x 55.9 cm), framed.
$1,200-1,800
601A
171
602
Benny Andrews (American, 1930-2006)
Male Figure
Signed and dated “BENNY ANDREWS-1969”
l.r.
Mixed media with collage on paper, 19 5/8 x
13 3/4 in. (49.8 x 34.9 cm), framed.
$3,000-5,000
603
Robert Freeman (American, b. 1946)
Couple in Black Tie
Signed and dated “Robert Freeman 1990” in
pencil l.r.
Gouache and graphite on paper, 19 x 26 in.
(48.3 x 66.1 cm), framed.
Condition: Craquelure, not examined out of
frame.
$700-900
602
603
172
604
605
604
Robert Freeman (American, b. 1946)
605
Sedrick Huckaby (American, b. 1975)
Black Tie
Signed “Freeman” l.l.
framed.
Condition: Good.
$1,000-1,500
Funeral Procession #1
Signed, dated, and titled “.../1999/...” on the
reverse.
framed.
$7,000-9,000
173
607
606
606
Georges Braque
Signed and dated “M A Cohen 1960,”
identified on a label from D. Wigmore Fine Art,
New York, affixed to the backing.
in. (52.7 x 40.0 cm), framed.
Provenance: Doyle New York, Doyle at Home/
Modern, February 28, 2007, Sale 07FD02,
Lot 3090.
$800-1,200
607
Chaim Gross (American, 1904-1991)
Two Sculptures: Girl Pole Vaulter and Little
Dancing Girl
Signed “Chaim Gross” with artist’s monogram
on the reverse; Girl Pole Vaulter numbered
“15/50” l.r. and Little Dancing Girl numbered
“24/50” on the reverse.
Bronzes with green patina, sizes to 6 x 3 1/4 x
1 5/8 in. (15.2 x 8.3 x 4.2 cm).
Condition: Good.
$1,500-2,000
608
174
609
608
609
Henry Moore (British, 1898-1986)
Pablo Picasso, 1955
Signed “M A Cohn” l.r., identified and dated on
a label from D. Wigmore Fine Art, New York,
in. (49.5 x 37.5 cm), framed.
Mother and Child: Paleo, 1979
Signed and numbered “Moore 6/9” in the
cast on the base, with a label from Dominion
Gallery, Montreal, Canada, affixed to the base.
Bronze with deep brown patina, 5 1/8 x 4 x 1
7/8 in. (13.3 x 10.2 x 4.8 cm), mounted to a
wooden plinth.
Provenance: Doyle New York, Doyle at Home/
Modern, February 28, 2007, Sale 07FD02,
Lot 3089.
$800-1,200
Literature: Alan Bowness, Henry Moore,
Complete Sculpture, Vol. 5 (London, 1988),
no. 769, plate 177.
collection.
$15,000-25,000
175
612
610
610
Scissors
Signed and dated “Tom Christopher 90” on
the reverse.
Acrylic and graphite on canvas, 36 x 30 in.
(91.4 x 76.2 cm), unframed.
artist.
$800-1,200
611
Asparagus
Signed and dated “T Christopher ‘92” on the
reverse.
(127.0 x 112.0 cm), unframed.
artist.
$1,000-1,500
612
611
Toothbrush and Toothpaste
Signed and dated “T Christopher ‘91” in pencil
on the reverse.
(127.0 x 173.0 cm), unframed.
Condition: Good.
artist.
$2,500-3,000
176
613
613
Robert Jessup (American, b. 1952)
Kitchen Disaster (The Kitchen Destroyed)/A
Diptych, 1995
Signed “JSSP” l.l., signed, titled, and dated on
the reverse.
Oil on canvas, 84 x 120 in. (213.4 x 304.8
cm), framed.
Condition: Good.
Gund.
$3,000-5,000
177
614
614
Richard Sheehan (American, 1953-2006)
Used Auto Parts
Titled, signed, and dated “...Richard
Sheehan/1980” on the reverse, identified on
a Graham Gund, Cambridge, Massachusetts,
label affixed to the stretcher.
framed.
Condition: Minor craquelure, retouch.
Gund.
$800-1,200
615
Scott Prior (American, b. 1949)
Woman and Rock
Signed and dated “Prior 1975” on the reverse,
identified on a Graham Gund, Cambridge,
Massachusetts, label affixed to the back of
the frame.
Oil on board, 11 x 13 3/8 in. (27.9 x 34.0 cm),
framed.
Condition: Good.
615
Gund.
$800-1,200
178
616
Scott Prior (American, b. 1949)
Yard in Provincetown, 1977
Identified, titled, and dated on a Graham
Gund, Cambridge, Massachusetts, label
affixed to the back of the frame.
framed.
Condition: Good.
Gund.
$800-1,200
617
Flora Natapoff (American, b. 1936)
Yellow, 1982
Signed, titled, and dated on the reverse and
on the stretcher, identified on an unattributed
label and with a Barbara Krakow Gallery label,
both affixed to the stretcher.
Acrylic and rag paper collage on canvas, 72 x
83 1/2 in. (183.0 x 212.0 cm), unframed.
Condition: Good.
$700-900
616
617
179
618
618
Milton Avery (American, 1885-1965)
Pale Profile
Signed and dated [incised] “Milton Avery
1954” l.r., titled, inscribed, and dated on
brown paper tape forming the frame backing,
and with Milton Avery’s typed address label on
the back of the frame.
Oil on artist board, 8 x 6 in. (20.3 x 15.2 cm),
framed.
Condition: Small area of retouch to l.l. corner,
minor surface grime.
180
Provenance: A private Vermont collection.
N.B. The work at hand was reviewed by
Sally M. Avery of the Milton Avery Trust, who
confirmed the attribution. A letter from Ms.
Avery dated January 11, 1989, and a 1990
appraisal from The Gerald Peters Gallery,
Dallas, Texas, accompany the lot.
$12,000-18,000
619
619
Alex Katz (American, b. 1927)
Matthieu, 1993
Signed and dated “Alex Katz 89” u.r.,
identified on labels from Pace Wildenstein
Gallery, New York, and Barbara Krakow
Gallery, Boston, and on an exhibition label (see
below), all affixed to the frame backing.
framed.
Provenance: Collection of the artist; to Pace
Wildenstein Gallery, New York; Barbara
Krakow Gallery, Boston; to a private Vermont
collection.
Literature: Weinberg, Alan, Alex Katz, Small
Paintings (Kansas City, MO: Kemper Museum
of Contemporary Art, 2000), p. 84 (illus.).
Exhibitions: Alex Katz: Small Paintings,
Addison Gallery of American Art, Kemper
Museum of Contemporary Art, and the
Whitney Museum of American Art, April 2001–
June 2002.
$30,000-50,000
181
620
620
Maureen Gallace (American, b. 1960)
Bare Trees Winter
Signed and dated “Maureen Gallace 1997”
on the reverse, identified on a label from the
Nielsen Gallery, Boston, on the reverse.
unframed.
Condition: Scattered craquelure, subtle
accretions.
$4,000-6,000
621
Jimmy Lee Sudduth (American, 1910-2007)
Blue House
Signed “Jim Sudduth” u.r., identified and
dated “1999” on a label from the Berenberg
Gallery, Boston, on the reverse.
Mud with sugar, acrylic, and house paint on
wood, 24 x 24 in. (61.0 x 61.0 cm), framed.
Condition: Good.
$800-1,200
621
182
622
623
622
Michael Mazur (American, 1935-2009)
623
Maureen Gallace (American, b. 1960)
Garden View I
Signed “Mazur” l.r.
Pastel on paper, sheet size 32 1/2 x 69 1/2 in.
(82.5 x 176.5 cm), framed.
Condition: Slight rippling, not examined out
of frame.
Red Barns
Unsigned.
framed.
Condition: Good.
$6,000-8,000
Gund.
$800-1,200
End of Fine Paintings & Sculpture
183
Artist Index
Adams, Pat..............................................577
American School, 19th Century................373
Andreini, Ferdinando................................338
Andrews, Benny.......................................602
Aponovich, James....................................599
Arman......................................................558
Arnold, Reginald Ernest............................314
Asawa, Ruth.....................................526, 581
Augé, Lucien............................................525
Avery, Milton............................................618
Bacon, Peggy...........................................515
Ballinger, Harry Russell.............................432
Bannister, Eleanor Cunningham...............492
Barnett, Herbert Phillip.............................516
Benson, Frank Weston.... 403, 406, 438, 495
Bentley, John William...............................415
Benwell, Mary...........................................309
Bermúdez, Cundo....................... 560A, 564A
Berneker, Louis Frederick.........................445
Blakelock, Ralph Albert....................378, 394
de Blois, François B.................................388
van Boskerck, Robert Ward.....................375
Boston School, 20th Century...................510
Brack, Emil...............................................344
Bradford, Katherine..................................591
Bradford, William......................................359
Bricher, Alfred Thompson.................364, 395
British School, 19th Century.....................360
Brooks, Nicholas Alden............................408
Brown, John Appleton..............................379
Browne, George Elmer............. 444, 447-449
Browne, Margaret Fitzhugh......................508
Burliuk, David Davidovich........ 426, 488, 551
Burnham, Thomas Mickell........................312
Calder, Alexander.....................................556
Cantarini, Simone (Attributed to)...............317
Carlsen, Emil............................................420
Carreño, Mario........................ 535, 538, 553
Carton, Norman...............................539, 542
Chadwick, Lynn Russell...........................590
Chailloux, Robert......................................497
Champney, Benjamin (Attributed to).........407
Chapin, Bryant.........................................460
Charpentier, Georges...............................462
Christopher, Tom.....................567, 610–612
Churchill, William Worcester.....................476
Cirino, Antonio..................................427, 429
Clapp, William Henry................................468
Claudel, Camille........................................511
Coelho, Dennis Akervik.............................589
Cohn, Max Arthur.................... 598, 606, 608
Coméléran, Lleo.......................................341
Connaway, Jay Hall..................................440
Continental School, 19th Century.....307, 353
Copley, John Singleton............................370
Cornelius, Philip........................................593
Cortès, Edouard Léon..............................481
Costa, Oreste...........................................340
Cox the Elder, David (Attributed to)..........325
Craig, Henry Robertson............................473
Craig, Thomas Bigelow............................380
Cram, Leighton R. ...................455–458, 461
Crite, Allan Rohan.....................................600
184
Curtin, Thomas R. ...................................423
Daalhoff, Hermanus Antonius...................331
Davies, Arthur Bowen...............................502
Deas, Charles...........................................392
Dix, Otto...................................................566
Dobuzhinski, Mstislav Valerianovich..........512
Durand, Asher Brown (Attributed to).........368
Eaton, Charles Warren.............................376
Ellenshaw, Peter.......................................424
Ende, Edgar.............................................557
Enneking, John Joseph........... 396, 421, 451
Fabbi, Fabio.............................................352
Fenetti, Frederick M. ...............................501
de Ferrante, Mario............................536, 537
Fisher, Anna S. ....................... 496, 498, 499
Fitsch, Gladys Kelley................................475
Flaxman, John (After)................................304
Flemish School, 17th Century...................303
Flemish School, 18th Century...................346
Foster, Benjamin (Ben).....................384, 414
Freeman, Robert..............................603, 604
French School, 17th Century Style...........319
Fricke, Hermann.......................................509
Friedman, Warner.....................................597
Frishmuth, Harriet Whitney.................... 508A
Fuertes, Louis Agassiz..............................400
Gaisser, Max............................................351
Gallace, Maureen.............................620, 623
Gasser, Henry Martin............... 431, 452, 472
German School, 16th Century Style.........301
Ghika, Nicolas..........................................486
Gifford, Charles Henry..............................361
Gignoux, Régis François...................383, 398
Gill, Mariquita...........................................466
Gisson, André..........................................480
Goodwin, Arthur Clifton............................479
Goodwin, Richard La Barre......................389
de Grailly, Victor (Attributed to).................371
Greuze, Jean Baptiste..............................311
Gross, Chaim...........................................607
Gruppé, Emile Albert............... 411, 428, 446
Guillaume, R.M. .......................................500
Guys, Constantin......................................350
Hadzi, Dimitri............................................543
Hale, Ellen Day.........................................494
Hambourg, André.............................465, 467
Hart, William.............................................381
Hartigan, Grace................................562, 563
van der Helst, Bartholomeus
(Attributed to)...........................................305
Hennessy, Patrick....................................559
Henrion, Armand Francois Joseph...........310
Henry, Michel...........................................527
Herson, Emile Antoine François................335
Herst, Auguste-Clément-Joseph..............326
Hiraga, Kamesuke............................482, 483
Hirschfeld, Al (Albert)................................514
Hitchcock, David Howard.........................399
Hoffman, Hans.........................................565
Hondius, Gerrit........ 520, 523, 524, 530, 534
Horiuchi, Paul (Chikamasa).......................574
Hosiasson, Phillippe.................................584
Huckaby, Sedrick.....................................605
Hugo, Jean..............................................596
Hunt, William Morris.................................386
Hunter, Robert Douglas............................518
Huntington, Anna Hyatt............................409
Huntington, Daniel....................................358
Ibbetson, Julius Caesar (Attributed to)......313
Isenbrant, Adriaen (Attributed to)..............300
Italian School, 17th Century.....................318
Italian School, Early 17th Century.............315
Italian School, Late 16th Century..............302
Jackson, Oliver Lee..................................570
Jacobsen, Antonio...................................369
Jessup, Robert.........................................613
Jones, Charles.........................................330
Josquin, Alexandre...................................347
Katz, Alex.................................................619
Kauba, Carl..............................................393
Kepes, György.........................................588
Kihn, William Langdon..............................550
Kikoine, Michel.........................................522
Knight, Charles Robert.............................410
Knight, Louis Aston..........................321, 322
Koeniger, Walter.......................................413
Lambinet, Emile Charles...................332, 334
Lance, George.........................................343
Lansil, Walter Franklin...............................355
Lassonde, Omer Thomas.........................493
Le Pho.....................................................528
Lemmens, Theophile Victor Emile.............349
Leroy, Jules Gustave................................336
Lever, Haley.............................................453
Libby, Francis Orville................................433
Lojacono, Francesco (Luigi)..............320, 357
Loving, Jr., Alvin Demar....................573, 575
Manuel, Victor..........................................552
Manzù, Giacomo......................................601
Marini, Marino...........................................554
Marshall, J. Thurston........................529, 531
Mays, Maxwell..........................................595
Mazur, Michael.........................................622
Mêne, Pierre Jules....................................504
Michaux, Henri.........................................545
Mijares, Jose María..................................561
Miller, Charles Henry................................387
Mills, John William....................................555
Minor, Anne Rogers...................... 466A, 487
Molsted, Christian Ferdinand Andreas......430
Moore, Henry...........................................609
de Mooy, Cornelis Pietersz.......................306
Morgan, Clarence.............................540, 541
Morrell, Wayne Beam...... 416, 417, 441, 442
Moser, James Henry................................372
Mostel, Zero.....................................568, 569
Nasmyth, Alexander.................................327
Natapoff, Flora..........................................617
Negri, Mario..............................................532
Neiman, LeRoy.........................................513
Neogrady, Laszlo.....................................435
de Neuville, Alfred Arthur Brunel...............404
Nierman, Leonardo M. ....................583, 585
O’Keeffe, Georgia.....................................582
Ogilvie, Clinton.........................................333
Ohashi, Yutaka.........................................586
Pantoja, Alexis..........................................549
Parton, Arthur...........................................385
Paxton, William McGregor........................505
Pearson, Marguerite Stuber......................507
de Penne, Olivier......................................405
Peterson, Jane.................................450, 506
Peterson, Roger Tory.......................401, 402
Petitjean, Edmond Marie....................... 324A
Peto, John Frederick................................390
Piccillo, Joseph........................................560
Pierce, Waldo...........................................521
Pissarro, Paul-Emile.........................470, 489
Porter, Katherine......................................580
Portocarrero, Rene...................................484
Priest, Terri...............................................571
Prior, Scott.......................................615, 616
Pritt, Thomas............................................324
Toledo, Enrique..................................... 559A
van de Velde II, William (School of)...........308
van Veen, Stuyvesant...............................454
Vertunni, Achille........................................329
Waite, Emily Burling..................................464
Warner, Nell Walker..................................517
Warrick, Cheryl.................................544, 546
Waterman, Marcus A........................365, 377
Waters, George W....................................367
Watson, Elizabeth Vila Taylor....................503
Way, John................................................587
Wei Letang...............................................587
Whistler, James Abbott McNeill................363
Whorf, John.............................................434
Wiles, Irving Ramsey................................490
Willard, Jessie..........................................491
de Wint, Peter (Attributed to)................. 333A
Wood, Thomas Waterman.......................362
Woodbury, Charles Herbert..... 366, 397, 437
Woodward, Mabel May............................443
Woodward, Stanley Wingate....................425
Wright (of Derby), Joseph (School of).......337
Zúñiga, Francisco.....................................548
Ranger, Henry Ward.................................419
Remington, Frederic.................................391
Renard, Fernand......................................519
Ricciardi, Oscar........................................356
Rivera, Diego......................................... 548A
Robinson, Hal...........................................412
Rodin, Auguste.........................................511
Roehn, Jean Alphonse.............................339
Roncalli, Cristoforo (Attributed to).............316
Rondel Sr., Frederic.................................382
Ryder, Chauncey Foster...........................422
Sadequain, Syed......................................564
Sample, Paul............................................474
Sapp, Allen...............................................471
Sato, Tadashi...........................................592
Schmid, Richard Alan...............................418
Scott, John Tarrell................................. 601A
Seignac, Paul...........................................342
Sheehan, Richard.....................................614
Singer, Michael.........................................579
Skou, Sigurd....................................436, 439
Smith, Henry Pember...............................354
Smith, James Burrell................................323
Somaini, Francesco..................................547
Sonntag, William Louis.............................374
Soulacroix, Charles Joseph Frederic........345
Spitzer, Walter..........................................485
Stancanpiano, Vincenzo...........................328
Stuhlmuller, Karl.......................................348
Sturtevant, Helena....................................478
Sudduth, Jimmy Lee........................594, 621
Talma, Norma......................... 572, 576, 578
Tee, Ang Ah.............................................469
Thieme, Anthony..............................459, 463
Thon, William............................................533
de Tirefort, Bela........................................477
185
Conditions of Sale
1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below
which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of
Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or
raise not commensurate with the value of such lot.
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property,
and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship,
attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall
be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer
shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have
sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the
accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a
monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.
Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been
removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage
charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent
auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds
to the purchaser.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has
been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.
The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment
methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was
the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any
payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the
purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of
sale.
7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.
8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and
overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered
species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities
is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.
9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers
from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a
Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.
10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus
12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price.
11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in
person, through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any
lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material
produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be
used by the purchaser, nor by anyone else, without our prior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law).
The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions
contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents
to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.
Revised January 8, 2014
186
Absentee Bid Form
Sale Title
Sale Date
First Time Bidder?
YES
NO
Customer #
Name (Please Print)
Business Name
Address
City
Phone #
Alternate #
check if change in address
State
Zip Code
email
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and
will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per
Conditions of Sale as printed in the catalog of this sale.
Signature (Required)
Lot #
Date
Description
Bid confirmation via email?
YES
Bid Price
NO
FOR OFFICE USE
Marlborough
Boston
Phone
63 Park Plaza
Boston, MA
02116
617.350.5400
Fax 617.350.5429
Fax
Mail
Person
274 Cedar Hill Street
Marlborough, MA
01752
508.970.3000
Fax 508.970.3100
Employee:
www.skinnerinc.com
Board of Directors
Departments
Chairman of the Board
20th Century Design
Discovery Auctions
Stephen L. Fletcher
Jane D. Prentiss
Kyle Johnson
20thcentury@skinnerinc.com
Melissa Riebe
508.970.3253
Melanie Trottier-Mitcheson
Richard Albright
discovery@skinnerinc.com
John Deighton
Karen M. Keane
Andrew Payne
Nancy R. Skinner, Chairman Emerita
508.970.3202
American & European Paintings & Prints
Robin S.R. Starr
Elizabeth C. Haff
Michelle Lamunière
paintings@skinnerinc.com
508.970.3206
European Furniture & Decorative Arts
Stuart G. Slavid
Stephanie Opolski
european@skinnerinc.com
508.970.3203
Executive
Management
American Furniture & Decorative Arts
Stephen L. Fletcher
Chris Barber
Christopher D. Fox
President/Chief Executive Officer
Karen M. Keane
Chief Financial Officer
Don Kelly
americana@skinnerinc.com
508.970.3200
Wine, Whisky & Ale
Marie Keep
Joseph Hyman
Michael J. Moser
finewines@skinnerinc.com
508.970.3296
American Indian & Ethnographic Art
Douglas Deihl
indian@skinnerinc.com
508.970.3254
Historic Arms & Militaria
Joel Bohy
militaria@skinnerinc.com
508.970.3215
Executive Vice President
Stephen L. Fletcher
Antique Motor Vehicles
Jane D. Prentiss
antiquemotorvehicles@skinnerinc.com
Managing Director
508.970.3253
Jewelry
Victoria Bratberg
John Colasacco
jewelry@skinnerinc.com
Marie Keep
508.874.4313
Asian Works of Art
Senior Vice Presidents
Marie Keep
Kerry Shrives
Stuart G. Slavid
Vice Presidents
Victoria Bratberg
Eric Jones
Judith Dowling
Helen Eagles
Suhyung Kim
asian@skinnerinc.com
508.970.3263
Books & Manuscripts
Devon Gray
books@skinnerinc.com
Robin S.R. Starr
L. Emerson Tuttle
Kerry Shrives
judaica@skinnerinc.com
508.970.3256
Musical Instruments
Jill Arbetter
music@skinnerinc.com
508.970.3293
508.970.3216
Ceramics
Oriental Rugs & Carpets
Gloria Lieberman
Carol McCaffrey
Judaica
Stuart G. Slavid
Lawrence Kearney
ceramics@skinnerinc.com
Erika Jorjorian
508.970.3203
rugs@skinnerinc.com
508.970.3247
Regional Directors
Western Massachusetts:
Clocks, Watches & Scientific Instruments
Robert C. Cheney
Jonathan Dowling
George Thomas Lewis
Paul Dumanowski
413.727.2721
clocks@skinnerinc.com
glewis@skinnerinc.com
508.970.3201
Florida: April L. Matteini, G.G.
508.970.3138
florida@skinnerinc.com
Maine: Bruce Buxton
188
Photographs
Michelle Lamunière
photographs@skinnerinc.com
508.970.3264
Silver
Stuart G. Slavid
silver@skinnerinc.com
508.970.3203
Auction Services
Consignments
Marketing, Media &
Communications
Appraisal & Auction Services
Exhibitions & Property
Boston:
LaGina Austin
Marketing
Christine E. Finn
Laura V. Sweeney
L. Emerson Tuttle
Rachel Kingsley
Benjamin Evans
Jenna DeLuca
Olga Gerasymiv
Kathryn Gargolinski
Paige Lewellyn
Linsey MacDougall
Jessica R. Lincoln
Subscriptions
Receptionist
Linsey MacDougall
Olga Gerasymiv
508.970.3240
617.350.5400
Ava Pandiani
Elizabeth Zwicker
508.970.3299
Institutional Relations
L. Emerson Tuttle
Consignment Services
Advertising/Production
Patricia Walker King
Pamela Van de Houten
Marlborough:
Kealyn Garner
Jeffrey R. Antkowiak
Warehouse
Carol Zeigler
Stanley P. Bystrowski
508.970.3204
John Cornelius
Kristina Harrison
Customer Relations/Human
Resources
Kathleen Jones
Frederic Trottier
508.970.3209
Samatha Heighton
Cheryl Richards Photography
Carol McCaffrey
Receptionist
508.970.3252
Skinner Online
Kerry Shrives
Katie Fitzgerald
508.970.3000
Daniel Bar
Accounting
Kathleen Hayes
Judie Ochner
Transportation
Melissa Riebe
Eric Jones
online@skinnerinc.com
508.970.3229
508.970.3279
508.970.3268
Absentee & Telephone
Bidding
Denise Johnson
508.970.3269
Boston: 617.874.4318
William Madden
Marlborough: 508.970.3211
508.970.3266
Discovery: 508.970.3208
Auctioneers
Chris Barber, John Colasacco,
Kevin Rota
Stephen L. Fletcher, Karen M. Keane,
508.970.3283
Marie Keep, Jessica R. Lincoln, Kerry Shrives,
Stuart G. Slavid, Robin S.R. Starr,
Laura V. Sweeney
63 Park Plaza
Boston, MA 02116
617.350.5400
Fax 617.350.5429
274 Cedar Hill Street
Marlborough, MA 01752
508.970.3000
Fax 508.970.3100
130 Miracle Mile, Suite 220
Coral Gables, FL 33134
305.503.4423
Fax 305.709.2143
www.skinnerinc. com
189
Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116
617.350.5400
From the West:
Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand
lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles
Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From the South:
Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland
Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From Logan Airport:
Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto
Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right
onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From the North:
Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto
Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63
Park Plaza.
190
Catalog Subscription Form
Prices effective January 17, 2014. Catalog subscription price includes quarterly brochure.
Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.
Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com
Please check the appropriate boxes:
U.S./Canada
Quarterly Brochure (Included with catalog subscription)
No charge
Foreign (payable in U.S. dollars only)
No charge
American Furniture & Decorative Arts $120
$143
European Furniture & Decorative Arts
$120
$143
American & European Paintings & Prints (two books)
$135 $158
American & European Fine Prints & Photogrpahy $60 $73
American & European Fine Paintings & Sculpture $110 $133
Fine Jewelry $120 $143
20th Century Design $60 $73
Asian Works of Art $60 $73
Fine Oriental Rugs & Carpets
$18 $25
American Indian & Ethnographic Art
$60 $73
Fine Books & Manuscripts
$30 $36
Fine Ceramics $60 Fine Musical Instruments $60 $73
Science, Technology & Clocks
$60 $73
Fine Wines $60 $73
All Above Departments $750 $915
$73
Subtotal
MA residents 6.25% sales tax
Total
MasterCard/VISA #
Exp. Date
Signature
Check enclosed
Name
Business Name
Mailing Address
City
email address
State
Zip
Tel: (
)
Please enclose payment with subscription form and mail or fax to:
Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100
Upcoming Auctions
American & European Works of Art
May 29, 2015, Boston, MA
world record prices
competative rates
consignment deadline March 20
For more information, please call 508.970.3206, email prints@skinnerinc.com or paintings@skinnerinc.com

Sale 2779B January 23, 2015 Boston

Transcription

Similar documents

2016 condition report - Jackson Hole Art Auction

RaRe Limited editions

SHADES OF SUMMER 25th July - 1st September

Brochure - DeMontfort Fine Art

2340 Paintings doc

Brochure - DeMontfort Fine Art

GRAND OPENING!

5 Gallery of Character Types

The Art of Helping Student Artists