The Hammond B-3 - Tom Brooks Music

Transcription

The Hammond B-3 - Tom Brooks Music
The
HAMMOND B-3
Fall Semester Class VIII
Tom Brooks - Instructor / Clinician
The
Original
Rock
&
Roll
BEAST
The
HAMMOND B-3
Take it apart:
Start up switches
Swell and Great Manuals + Pedals
Drawbars
Preset Switches
Percussion
Chorus-Vibrato
Volume Pedal
The Leslie Speaker
Great Moments
in B-3 History
Keith Emerson
“Hoedown”
From Aaron Copland
Take it apart:
S
Spencer Davis
Group
Green Eyed Lady
Siberian Khatru
Yes
Deep Purple
“Hush”
“Magic Carpet Ride”
The
HAMMOND
B-3
‣
The DRAWBARS
✴ :60 second Crash Course
on Pipe Organ Theory
✴:60 second Crash Course on
The Harmonic Series
✴Now make it RAAWK!
The
HAMMOND B-3
The
HAMMOND B-3
The
HAMMOND
B-3
‣
Rock & Roll
Drawbars
✴ A great place to start
Here’s what I do...
“EVERYBODY
PRAISE THE LORD”
Lincoln Brewster
Hammond B-3 organ
The
HAMMOND
B-3
‣
The DRAWBARS
✴ :60 second Crash Course
on Pipe Organ Theory
✴:60 second Crash Course on
The Harmonic Series
✴Now make it RAAWK!
The
HAMMOND B-3
Pipe Organ Theory
An 8’ foot pipe is the basic ‘Fundamental’ pitch
A 4’ foot pipe sounds an octave higher
A 16’ foot pipe sounds an octave lower
The WHITE Drawbars are the Fundamental and the
octaves above it
The BROWN Drawbars are below the Fundamental
The BLACK Drawbars are odd harmonics
(octave + 5th / 2 octaves + 5th / 2 octaves + 3rd)
Two 61-note Manuals
+ Pedals
SWELL--->
GREAT--->
PEDAL--->
*The SWELL Manual is on top
*The GREAT Manual is below
*The PEDALS are on the floor (removable)
Four Sets of Drawbars
*SWELL - B flat = far left Drawbars
*SWELL - B natural = mid-left Drawbars
(top)
SWELL--->
GREAT--->
2 Pedal
Drawbars
in the center
(bottom)
*GREAT - B flat = mid-right Drawbars
*GREAT - B natural = far right Drawbars
The
HAMMOND B-3
Take it apart:
S
SWELL
B flat =
far left
Drawbars
B natural =
mid-left
Drawbars
(with percussion)
2 Pedal Drawbars
in the center
GREAT
B flat =
mid-right
Drawbars
B natural =
far right
Drawbars
The
HAMMOND
B-3
‣ “So how do you turn
this Beast on?!?!?”
✴ The Start-Run switches
Start ‘er Up ! !
In the upper right corner find 2
switches labeled START and RUN
Push and HOLD the START
switch for 8 seconds (listen)
Keep holding START; push and
HOLD RUN for 4 seconds
Release both switches, count to 10,
HAVE FUN!
The
HAMMOND
B-3
‣ The PRE-SET Keys
✴ The REVERSE color
keys at the far left of
each manual
✴These are actually
SWITCHES (not keys)
The
HAMMOND
B-3
‣
Chorus & Vibrato
✴ The dial offers 3 levels
✴On-Off switch for each
manual
✴Loud-Soft Volume switch
The
HAMMOND
B-3
‣
Percussion
✴ On-Off switch
✴Loud-Soft Volume
✴Fast-Slow Decay
✴2nd or 3rd harmonic
The
HAMMOND
B-3
‣ The Leslie Speaker
✴ Spinning Speaker
✴2 speeds
✴Tube Amp Distortion
✴Braking-Acceleration
The
HAMMOND
B-3
‣
Leslie switches
✴ Choral = slow
✴Tremolo = fast
✴Can be a foot switch
The
HAMMOND
B-3
‣
Volume Pedal
✴ Expression-Power
✴Leslie foot switch
shown
?
Here’s what I do...
“Graffiti Skies”
Israel Houghton
The
HAMMOND
B-3
‣
More about
DRAWBARS
✴The Harmonic Series
✴If 4 instruments walked into
the room and you closed
your eyes and they all played
the same note...
The
HAMMOND B-3
Here’s what I do...
“Sing Sing Sing”
Chris Tomlin
IF YOU ONLY
GET 1 THING
get THIS!
‣You can do 98% of everything
you need to do...
‣ on the Top Keyboard
(the SWELL Manual)
‣using the ‘B natural’ switch
(the mid-left set of Drawbars)
The
HAMMOND B-3
Start Here:
Swell (top) Manual only
Mid-left Drawbars
Preset Switch ‘B’
Percussion Off
Chorus C-1
Leslie Slow
Make it RAAWK!
Here’s what I do...
“All to You”
“Love the Lord”
Lincoln Brewster
"ALL TO YOU"
Rhythm
Arranged by Tom Brooks
WorshipAlliance.com
BPM = 107 *Driving Rock
INTRO
-REINTRO
Rhythm
3
R.S.
Ac. Gtr:
# # # 4*Aggressive
&
4 .. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
1
? # # # 4 ..
4
[lo-fi]
###
A
†!B!A!N!D OUT"
&
AœœE
ƒ
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F #Â D
E
!
F #Â
R.S.
# # # *Add VS Wurli:
&
P
A
E
? ### ’ ’ ’ ’
Band way down / Kick: å notes
11
R.S.
###
&
A
E
P
? ### ’ ’ ’ ’
***
!
[***1st time = Drum Fill on 4***]
[***2nd time = Rest on 4 for GTR SFX***]
†!B!A!N!D IN"==>
œ œ œE œ œ
F #Â
ƒ Aœ œ œ E
œ œ œ
’ ’ ’ ’
F #Â
F #Â
F #Â
œœœ
†!B!A!N!D IN"=DRIVING ROCK GROOVE=
VS 1 7
VS 2
Lincoln Brewster
F #Â
D
œ œ œ
Aœ
D
Band CRANK!
ƒ œœœE
œ œ œ
’ ’ ’ ’
D
A
D
œ
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D
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D
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$$
Hammond B-3 Review
Modern Worship / Rock / Gospel - YOU CAN DO THIS!
The Leslie Speaker - “Chorale-Tremolo” = slow-fast
The Drawbars - Harmonics / Partials
The ‘Reverse Key’ Preset switches at the left
Chorus / Vibrato dial-switches
Percussion settings
Emulations versus ‘The Real Thing’ - less $$ than you think
***Everybody needs to play The Beast before you leave!
?
The
HAMMOND
B-3
‣
The KEYS
✴Slip-Slidin’ Around
✴Gliss up /Leslie accel /
Volume swell up into the
Chorus
✴Slide off for impact
✴STOP / Leslie Brake /
Drawbar diminuendo
Here’s what I do...
“Today is the Day”
Lincoln Brewster
"TODAY IS THE DAY"
Rhythm
BPM = 120
INTRO
Rhythm
=FULL DRIVING ROCK GROOVE=
D
BÂ7
A
? # # ..
’ ’ ’ ’
>Tuck down under Verse...
9
R.S.
&
##
D
BÂ7
? ## ’ ’ ’ ’
13
R.S.
Lincoln Brewster
## 4 .
& 4 .
ƒ
D BÂ7
A
G
D BÂ7
A
G
? # # 4 ..
4 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’
## .
& .
VS 1 5
VS 2
R.S.
***2 Bars of
1 Drum build up>>>
Arranged by Tom Brooks
WorshipAlliance.com
&
##
D
BÂ7
? ## ’ ’ ’ ’
A
G
’ ’ ’ ’
D
G
EÂ7
’ ’ ’ ’
A
G
’ ’ ’ ’
BÂ7
’ ’ ’ ’
A
G
’ ’ ’ ’
D/F # G
’ ’ ’ ’
’ ’ ’ ’
D
A
>Kick it up a bit...
BÂ7
’ ’ ’ ’
G
’ ’ ’ ’
..
..
?
Resource Page:
You can download this presentation from
our website - TomBrooksMusic.com
You can study in more detail using our Workbook ‘THE LANGUAGE OF MUSIC’ (also on DVD today!)
You can download these Music Examples
from our ‘iMix’ on iTunes entitled,
THE LANGUAGE OF MUSIC
You can email me with questions at...
TomBrooks@WorshipAlliance.com
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Practical Music Theory
for the Worshiping Musician
by Tom Brooks
TomBrooksMusic.com
| The Institute of Worship Arts at Yonsei University