The Hammond B-3 - Tom Brooks Music
Transcription
The Hammond B-3 - Tom Brooks Music
The HAMMOND B-3 Fall Semester Class VIII Tom Brooks - Instructor / Clinician The Original Rock & Roll BEAST The HAMMOND B-3 Take it apart: Start up switches Swell and Great Manuals + Pedals Drawbars Preset Switches Percussion Chorus-Vibrato Volume Pedal The Leslie Speaker Great Moments in B-3 History Keith Emerson “Hoedown” From Aaron Copland Take it apart: S Spencer Davis Group Green Eyed Lady Siberian Khatru Yes Deep Purple “Hush” “Magic Carpet Ride” The HAMMOND B-3 ‣ The DRAWBARS ✴ :60 second Crash Course on Pipe Organ Theory ✴:60 second Crash Course on The Harmonic Series ✴Now make it RAAWK! The HAMMOND B-3 The HAMMOND B-3 The HAMMOND B-3 ‣ Rock & Roll Drawbars ✴ A great place to start Here’s what I do... “EVERYBODY PRAISE THE LORD” Lincoln Brewster Hammond B-3 organ The HAMMOND B-3 ‣ The DRAWBARS ✴ :60 second Crash Course on Pipe Organ Theory ✴:60 second Crash Course on The Harmonic Series ✴Now make it RAAWK! The HAMMOND B-3 Pipe Organ Theory An 8’ foot pipe is the basic ‘Fundamental’ pitch A 4’ foot pipe sounds an octave higher A 16’ foot pipe sounds an octave lower The WHITE Drawbars are the Fundamental and the octaves above it The BROWN Drawbars are below the Fundamental The BLACK Drawbars are odd harmonics (octave + 5th / 2 octaves + 5th / 2 octaves + 3rd) Two 61-note Manuals + Pedals SWELL---> GREAT---> PEDAL---> *The SWELL Manual is on top *The GREAT Manual is below *The PEDALS are on the floor (removable) Four Sets of Drawbars *SWELL - B flat = far left Drawbars *SWELL - B natural = mid-left Drawbars (top) SWELL---> GREAT---> 2 Pedal Drawbars in the center (bottom) *GREAT - B flat = mid-right Drawbars *GREAT - B natural = far right Drawbars The HAMMOND B-3 Take it apart: S SWELL B flat = far left Drawbars B natural = mid-left Drawbars (with percussion) 2 Pedal Drawbars in the center GREAT B flat = mid-right Drawbars B natural = far right Drawbars The HAMMOND B-3 ‣ “So how do you turn this Beast on?!?!?” ✴ The Start-Run switches Start ‘er Up ! ! In the upper right corner find 2 switches labeled START and RUN Push and HOLD the START switch for 8 seconds (listen) Keep holding START; push and HOLD RUN for 4 seconds Release both switches, count to 10, HAVE FUN! The HAMMOND B-3 ‣ The PRE-SET Keys ✴ The REVERSE color keys at the far left of each manual ✴These are actually SWITCHES (not keys) The HAMMOND B-3 ‣ Chorus & Vibrato ✴ The dial offers 3 levels ✴On-Off switch for each manual ✴Loud-Soft Volume switch The HAMMOND B-3 ‣ Percussion ✴ On-Off switch ✴Loud-Soft Volume ✴Fast-Slow Decay ✴2nd or 3rd harmonic The HAMMOND B-3 ‣ The Leslie Speaker ✴ Spinning Speaker ✴2 speeds ✴Tube Amp Distortion ✴Braking-Acceleration The HAMMOND B-3 ‣ Leslie switches ✴ Choral = slow ✴Tremolo = fast ✴Can be a foot switch The HAMMOND B-3 ‣ Volume Pedal ✴ Expression-Power ✴Leslie foot switch shown ? Here’s what I do... “Graffiti Skies” Israel Houghton The HAMMOND B-3 ‣ More about DRAWBARS ✴The Harmonic Series ✴If 4 instruments walked into the room and you closed your eyes and they all played the same note... The HAMMOND B-3 Here’s what I do... “Sing Sing Sing” Chris Tomlin IF YOU ONLY GET 1 THING get THIS! ‣You can do 98% of everything you need to do... ‣ on the Top Keyboard (the SWELL Manual) ‣using the ‘B natural’ switch (the mid-left set of Drawbars) The HAMMOND B-3 Start Here: Swell (top) Manual only Mid-left Drawbars Preset Switch ‘B’ Percussion Off Chorus C-1 Leslie Slow Make it RAAWK! Here’s what I do... “All to You” “Love the Lord” Lincoln Brewster "ALL TO YOU" Rhythm Arranged by Tom Brooks WorshipAlliance.com BPM = 107 *Driving Rock INTRO -REINTRO Rhythm 3 R.S. Ac. Gtr: # # # 4*Aggressive & 4 .. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 1 ? # # # 4 .. 4 [lo-fi] ### A †!B!A!N!D OUT" & AœœE ƒ ? ### œ œ œ œ F # D E ! F # R.S. # # # *Add VS Wurli: & P A E ? ### ’ ’ ’ ’ Band way down / Kick: å notes 11 R.S. ### & A E P ? ### ’ ’ ’ ’ *** ! [***1st time = Drum Fill on 4***] [***2nd time = Rest on 4 for GTR SFX***] †!B!A!N!D IN"==> œ œ œE œ œ F # ƒ Aœ œ œ E œ œ œ ’ ’ ’ ’ F # F # F # œœœ †!B!A!N!D IN"=DRIVING ROCK GROOVE= VS 1 7 VS 2 Lincoln Brewster F # D œ œ œ Aœ D Band CRANK! ƒ œœœE œ œ œ ’ ’ ’ ’ D A D œ œœ œ œ œ D œ œœ œ œ œ D œœœœ œ œ C+IEAJ%EAC+"@ !,-./01 !"#$%&'( " # $ $& & & & ! % )*&"+ 2 : 3 " 2 3 " 2 3 ! & & & & ( ; < ! & & & & = " 89 " 2 ! & & & & /> % 3 ! & & & & /6 4 56 27! 89 & & & & 4 56 27! 89 27! & & & & 2 3 2 & 8 974 & & & & 89 3 & & & & 89 3 89 & ' '' ' ' & & & & & & & & & 3 & ' '' ' ' & 3 89 3 27! 2 & & & & & & & & 4 56 3 & & & & & & & & 4 56 C#*D+'*A!"EFG&E" 2 & " 37? * ' + , ) & & & & 3 89 & ' '' ' ' & $$ Hammond B-3 Review Modern Worship / Rock / Gospel - YOU CAN DO THIS! The Leslie Speaker - “Chorale-Tremolo” = slow-fast The Drawbars - Harmonics / Partials The ‘Reverse Key’ Preset switches at the left Chorus / Vibrato dial-switches Percussion settings Emulations versus ‘The Real Thing’ - less $$ than you think ***Everybody needs to play The Beast before you leave! ? The HAMMOND B-3 ‣ The KEYS ✴Slip-Slidin’ Around ✴Gliss up /Leslie accel / Volume swell up into the Chorus ✴Slide off for impact ✴STOP / Leslie Brake / Drawbar diminuendo Here’s what I do... “Today is the Day” Lincoln Brewster "TODAY IS THE DAY" Rhythm BPM = 120 INTRO Rhythm =FULL DRIVING ROCK GROOVE= D BÂ7 A ? # # .. ’ ’ ’ ’ >Tuck down under Verse... 9 R.S. & ## D BÂ7 ? ## ’ ’ ’ ’ 13 R.S. Lincoln Brewster ## 4 . & 4 . ƒ D BÂ7 A G D BÂ7 A G ? # # 4 .. 4 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ## . & . VS 1 5 VS 2 R.S. ***2 Bars of 1 Drum build up>>> Arranged by Tom Brooks WorshipAlliance.com & ## D BÂ7 ? ## ’ ’ ’ ’ A G ’ ’ ’ ’ D G EÂ7 ’ ’ ’ ’ A G ’ ’ ’ ’ BÂ7 ’ ’ ’ ’ A G ’ ’ ’ ’ D/F # G ’ ’ ’ ’ ’ ’ ’ ’ D A >Kick it up a bit... BÂ7 ’ ’ ’ ’ G ’ ’ ’ ’ .. .. ? Resource Page: You can download this presentation from our website - TomBrooksMusic.com You can study in more detail using our Workbook ‘THE LANGUAGE OF MUSIC’ (also on DVD today!) You can download these Music Examples from our ‘iMix’ on iTunes entitled, THE LANGUAGE OF MUSIC You can email me with questions at... TomBrooks@WorshipAlliance.com 5)&-"/(6"(&0'.64 5)& -"/(6"(& of .64*$ Practical Music Theory for the Worshiping Musician by Tom Brooks TomBrooksMusic.com | The Institute of Worship Arts at Yonsei University