Olafur Eliasson

Olafur Eliasson
Bibliography
Artist's Books, Monographs and Catalogues of Solo Exhibitions
2010
Olafur Eliasson: Innen Stadt Außen. Edited by Daniel Birnbaum. Exhibition catalogue. Cologne: Verlag
der Buchhandlung Walther König; Berlin: Martin-Gropius-Bau, Berlin, 2010.
Olafur Eliasson: Your Chance Encounter. Concept by Olafur Eliasson, Andreas Koch, and Caroline
Eggel. Exhibition catalogue. Baden: Lars Müller Publishers; Kanazawa: 21st Century Museum of
Contemporary Art, 2010.
2009
Eliasson, Olafur. Los Modelos son Reales. Edited by Carmen H. Bordas and Moisès Puente. Barcelona:
Editorial Gustavo Gili, S.L., 2009.
Olafur Eliasson: Winter Solstice, Equinox, Summer Solstice. Concept by Olafur Eliasson, Caroline Eggel,
and Bettina Pehrsson. Exhibition catalogue. Stockholm: Jarla Partilager, 2009.
TYT (Take Your Time), Vol. 2: Printed Matter. Concept by Olafur Eliasson, Luca Cerizza, Caroline
Eggel, Michael Heimann, and Hendrik Schwantes. Berlin: Studio Olafur Eliasson; Cologne: Verlag der
Buchhandlung Walther König, Köln, 2009.
2008
La Naturalesa de les Coses / La Naturaleza de las Coses / The Nature of Things. Exhibition and
catalogue concept by Olafur Eliasson, with Martina Millà. Coordination by Victoria Izquierdo Brichs.
Exhibition catalogue. Barcelona: Fundació Joan Miró; Girona: Centre Cultural de Caixa Girona - Fontana
d'Or, 2008.
Olafur Eliasson & Hans Ulrich Obrist: The Conversation Series; Vol. 13. Edited by Matthew Gaskins.
Cologne: Verlag der Buchhandlung Walter König, Köln, 2008.
Olafur Eliasson: Det indre af det ydre. Concept by Olafur Eliasson. Edited by Malene Ratcliffe.
Copenhagen: Politikens Forlag, 2008.
Olafur Eliasson: Life in Space 3; 09.05.2008. Concept by Olafur Eliasson. Edited by Anna EngbergPedersen, Camilla Kragelund / Studio Olafur Eliasson; organised by Astrid Kühn-Ulrich / Zumtobel AG.
Originally published with Zumtobel Group Annual Report, 2007-08. Annual Report edited by Dietmar
Grabher, Christian Hogenmüller, Astrid Kühn-Ulrich / Zumtobel AG; and Peter Dietz / GFDFinanzkommunikation. Dornbirn: Zumtobel AG, 2008.
Olafur Eliasson: Your Mobile Expectations; BMW H2R Project. Concept by Olafur Eliasson. Compiled
by Martina Kupiak, Michael Heimann / Studio Olafur Eliasson. Baden: Lars Müller Publishers, 2008.
Studio Olafur Eliasson: An Encyclopedia. Concept by Olafur Eliasson. Edited by Anna Engberg-Pedersen
/ Studio Olafur Eliasson. Cologne: Taschen, 2008.
2007
Lavaland: Olafur Eliasson & Jóhannes S. Kjarval. Concept by Helle Behrndt / GL Strand. Edited by Maj
Dannemand, Anne Kielgast, and Lotte Juul Petersen. Exhibition catalogue. Copenhagen: GL
Strand, 2007.
Take Your Time: Olafur Eliasson. Edited by Madeleine Grynsztejn. Exhibition catalogue. San Francisco:
San Francisco Museum of Modern Art; London: Thames & Hudson, 2007.
Serpentine Gallery Pavilion 2007: Olafur Eliasson and Kjetil Thorsen. Edited by Caroline Eggel, Anna
Engberg-Pedersen / Studio Olafur Eliasson; Ben Fergusson, Rebecca Morrill / Serpentine Gallery.
London: Serpentine Gallery; Baden: Lars Müller Publishers, 2007.
TYT [Take Your Time], Vol.1: Small Spatial Experiments. Concept by Olafur Eliasson. Edited by Studio
Olafur Eliasson. Berlin: Studio Olafur Eliasson, 2007.
Your Black Horizon Art Pavilion: Olafur Eliasson and David Adjaye. Edited by Eva Ebersberger,
Francesca von Habsburg, and Daniela Zyman. Exhibition catalogue. Cologne: Verlag der Buchhandlung
Walter König, Köln, 2007.
Your Mobile Expectations: BMW H2R Project. Concept by Olafur Eliasson. Berlin: Studio Olafur
Eliasson, 2007.
2006
Adolphs, Volker. Olafur Eliasson: Remagine; Large Version. Exhibition catalogue. Bonn: Kunstmuseum
Bonn, 2006.
Olafur Eliasson: A Laboratory of Mediating Space. Edited by Caroline Eggel and Anna EngbergPedersen / Studio Olafur Eliasson. Exhibition catalogue. Berlin: Aedes am Pfefferberg; Vienna:
Österreichische Friedrich und Lillian Kiesler-Privatstiftung, 2006.
Olafur Eliasson: Caminos de Naturaleza / Paths of Nature. Edited by Antonia Castaño and Paloma
Castellanos. Exhibition catalogue. Madrid: Fundación Telefónica; Madrid: La Fabrica Editorial, 2006.
Olafur Eliasson: Your Colour Memory. Concept by Olafur Eliasson. Edited by Ismail Soyugenc and
Richard Torchia. Exhibition catalogue. Glenside, PA: Arcadia University Art Gallery, 2006.
Olafur Eliasson: Your Engagement has Consequences; On the Relativity of Your Reality. Concept by
Olafur Eliasson. Edited by Caroline Eggel / Studio Olafur Eliasson. Artist’s book / Exhibition catalogue.
Baden: Lars Müller Publishers, 2006.
The Goose Lake Trail (Southern Route): Gæsavatnaleið (Syðri); A Road Conversation between Olafur
Eliasson and Hans Ulrich Obrist. Edited by Studio Olafur Eliasson and Eiðar Art Center. Cologne:
Verlag der Buchhandlung Walther König, Köln, 2006.
The Icelandic National Concert and Conference Centre Reykjavik: 10th International Architecture
Exhibition, Venice Biennale. Concept by Olafur Eliasson. Edited by Studio Olafur Eliasson. Berlin:
Studio Olafur Eliasson; Reykjavik: Eignarhaldsfélagið Portus Ltd., 2006.
Your House. Concept by Olafur Eliasson. Artist’s book. New York: Library Council of the Museum of
Modern Art, 2006.
2005
Lesbók Morgunblaðsins: Jökluserían. Concept by Olafur Eliasson and Frida Björk Ingvarsdóttir /
Morgunblaðið. Special issue. Reykjavik: Morgunblaðið, 12 May 2005.
Olafur Eliasson: Dufttunnel; Ein Projekt für die Autostadt in Wolfsburg / Olafur Eliasson: Scent Tunnel;
A Project for the Autostadt in Wolfsburg. Edited by Caroline Eggel / Studio Olafur Eiasson and Astrid
Jentsch. Exhibition catalogue. Ostfildern-Ruit: Hatje Cantz Verlag, 2005.
The Negotiation Project. A project by Olafur Eliasson and Anri Sala. With video DVD by Anri Sala.
Berlin: Studio Olafur Eliasson, 2005.
2004
At se sig selv sanse: samtaler med Olafur Eliasson. Edited by Anna Engberg-Pedersen and Karsten Wind
Meyhoff. Copenhagen: Informations Forlag, 2004.
Colour Memory and Other Informal Shadows: Olafur Eliasson. Edited by Caroline Eggel / Studio Olafur
Eliasson and Marit Woltmann. Exhibition catalogue. Oslo: Astrup Fearnley Museet for Moderne Kunst,
2004.
Frost Activity: Olafur Eliasson. Exhibition catalogue. Reykjavik: Reykjavik Art Museum - Hafnarhús,
2004.
Olafur Eliasson: Camera Obscura für die Donau. Edited by Kerstin Schmidt / Studio Olafur Eliasson.
Kunst im öffentlichen Raum Niederösterreich, 2004.
Olafur Eliasson: Minding the World. Concept by Olafur Eliasson and Gitte Ørskou. Edited by Caroline
Eggel / Studio Olafur Eliasson and Gitte Ørskou. Exhibition catalogue. Aarhus: ARoS Aarhus
Kunstmuseum, 2004.
Olafur Eliasson: Photographs. Edited by Matthew Drutt and Diana Murphy. Exhibition catalogue.
Houston: Menil Foundation, Inc., 2004.
Olafur Eliasson: Your Lighthouse; Works with Light 1991-2004. Concept by Gijs van Tuyl and Holger
Broeker. Edited by Holger Broeker. Exhibition catalogue. Ostfildern-Ruit: Hatje Cantz Verlag, 2004.
2003
The Body as Brain. Concept by Caroline Eggel, Olafur Eliasson, Tomás Saraceno, and Einar Thorsteinn.
As part of the exhibition The body as brain: Projekt Sammlung (1), Kunsthaus Zug, 2003. Berlin: Studio
Olafur Eliasson; Zug: Kunsthaus Zug, 2003.
Funcionamiento silencioso: Olafur Eliasson. Concept by Olafur Eliasson. Edited by Caroline Eggel /
Studio Olafur Eliasson. Artist’s book / Exhibition catalogue. Madrid: Museo Nacional Centro de Arte
Reina Sofía, 2003.
Lanzarote Series: Olafur Eliasson. Edited by Rina Carvajal, Roberto Díaz, and Alejandro Krawietz.
Exhibition catalogue. The Government of the Canary Islands, 2003.
Olafur Eliasson: The Blind Pavilion; 50th Venice Biennale 2003, Danish Pavilion. Concept by Olafur
Eliasson, cyan, Caroline Eggel, Svend Åge Madsen, Gitte Ørskou. Artist’s book / Exhibition catalogue.
Copenhagen: Kunststyrelsen; Ostfildern-Ruit: Hatje Cantz Verlag, 2003.
Olafur Eliasson: Sonne statt Regen. Concept by Olafur Eliasson and Susanne Gaensheimer. Edited by
Studio Olafur Eliasson. Artist’s book / Exhibition catalogue. Munich: Städtische Galerie im Lenbachhaus
und Kunstbau München; Ostfildern-Ruit: Hatje Cantz Verlag, 2003.
Olafur Eliasson: The Weather Project. Edited by Susan May. Exhibition catalogue. London: Tate
Publishing, 2003.
2002
Chaque matin je me sens différent, chaque soir je me sens le même. Edited by Angeline Scherf. Artist’s
book / Exhibition catalogue. Paris: Musée d’Art Moderne de la Ville de Paris, 2002.
Olafur Eliasson. Edited by Daniel Birnbaum, Madeleine Grynsztejn, and Michael Speaks. London:
Phaidon Press Limited, 2002.
Olafur Eliasson. Movement Meter for Lernacken. Concept by Olafur Eliasson. Edited by Pat Kalt / Studio
Olafur Eliasson. Berlin: Studio Olafur Eliasson, 2002.
Olafur Eliasson: The Structural Evolution Project. Concept by Olafur Eliasson. Ljubljana: Mala Galerija,
2002.
To the Habitants of Space in General and the Spatial Inhabitants in Particular. Concept by Einar
Thorsteinn and Olafur Eliasson. Edited by Christine Kintisch / BAWAG Foundation. Vienna: BAWAG
Foundation Edition, 2002.
2001
My Now Is Your Surroundings: Process as Object. Concept by Olafur Eliasson and Jan Winkelmann.
Artist’s book / Exhibition catalogue. Cologne: Verlag der Buchhandlung Walther König, Köln, 2001.
Olafur Eliasson: Surroundings Surrounded; Essays on Space and Science. Edited by Peter Weibel.
Exhibition catalogue. Neue Galerie am Landesmuseum Joanneum Graz; ZKM Center for Art and Media
Karlsruhe; Cambridge, MA and London: The MIT Press, 2001.
Olafur Eliasson: Your Only Real Thing is Time. Edited by Jessica Morgan. Exhibition catalogue. Boston:
Institute of Contemporary Art; Ostfildern-Ruit: Hatje Cantz Verlag, 2001.
The Mediated Motion: Olafur Eliasson in Cooperation with Günther Vogt. Concept by Olafur Eliasson,
Rudolf Sagmeister, Clemens Schedler, and Eckhard Schneider. Edited by Herbert Abrell and Eckhard
Schneider. Kunsthaus Bregenz; Cologne: Verlag der Buchhandlung Walther König, Köln, 2001.
What is This? Concept by Elias Hjörleifsson and Olafur Eliasson. Berlin: Studio Olafur Eliasson, 2001.
Your Difference & Repetition: Olafur Eliasson. Concept by Olafur Eliasson. Edited by Akiko Miyake and
Nobuo Nakamura. Kitakyushu: CCA Center for Contemporary Art, 2001.
1999
Olafur Eliasson: Your Position Surrounded and Your Surroundings Positioned. Edited by Katrina Brown
and Olafur Eliasson. Exhibition catalogue. Dundee: Dundee Contemporary Arts, 1999.
Sospensione. Concept by Olafur Eliasson. Berlin: Studio Olafur Eliasson; Milan: Emi Fontana, 1999.
1998
Hellisgerði. Concept by Olafur Eliasson. Reykjavik: Reykjavik Art Museum - Kjarvalsstaðir, 1998.
Landscapes with Yellow Background. Concept by Olafur Eliasson. Edited by Olafur Eliasson. Umeå:
BildMuseet, 1998.
Users. Concept by Olafur Eliasson. Edited by Tina Petras / Studio Olafur Eliasson. Berlin: Studio Olafur
Eliasson, 1998.
1997
Erosion: A Project for the 2nd Johannesburg Biennale 1997. Concept by Olafur Eliasson. Berlin: Olafur
Eliasson, 1997.
Olafur Eliasson. Edited by Kunsthalle Basel. Exhibition catalogue. Basel: Kunsthalle Basel; Basel and
Muttenz: Schwabe & Co AG, 1997.
Interviews
2010
Boese, Daniel and Claudia Wahjudi. “Kunst des Klimawandels.” Interview. Zitty Berlin, No. 9/2010, 22
April 2010: 28-30.
Fitzgerald, Michael. “Nature as culture.” Interview. Art & Australia, Vol. 47, No. 3, Autumn 2010: 404405.
Jasper, Adam. “Take your time: Olafur Eliasson.” Interview. Sydney Ideas Quarterly, January 2010.
Nakayama, Hideyuki. “Artist Interview: Olafur Eliasson.” Interview. Bijutsu Techo, Vol. 62, No. 934,
March 2010: 145-159.
von Rutenberg, Jürgen. “Betr.: Spiegel-titel.” Interview. Zeit Magazin, No. 17, 22 April 2010: 42-43.
Qpferdach and Dorre, Stefanie. “Ich verlage von den Leuten eine Reibung an der Zeit.” TIP Berlin, No.
9/2010, 15 - 28 April 2010: cover, 3, 4, 26-29.
Weigelt, Nada (dpa). Olafur Eliasson und die Wirklichkeitsmaschine.” Interview. Münsterländische
Volkszeitung, 25 April 2010, http://www.mvonline.de/aktuelles/kultur/nachrichten/1309373_Olafur_Eliasson_und_die_Wirklichkeitsmaschine.html
(last accessed 26 April 2010).
Yeoh, Peter and Ricardo Gomes. “The Architecture of Light.” Interview. Glass Magazine, March 2010,
http://theglassmagazine.com/forum/article.asp?tid=864#title (last accessed 6 April 2010).
2009
Ackermann, Tim. “Das Sehen ist eine Konstruktion.” Interview with Olafur Eliasson and Ernst Pöppel.
Welt am Sonntag, 12 April 2009, http://www.welt.de/wams_print/article3543517/Das-Sehen-ist-eineKonstruktion.html (accessed 21 April 2009).
Andersen, Marianne Krogh. “Det er sjovt at undersøge kapitalismen.” Interview. Weekendavisen, Kultur
section, No. 53, 31 December 2009: 7.
Beccaria, Marcella. “Reality is negotiable.” Interview in Gianni Colombo. Exhibition catalogue. Edited
by Marcella Beccaria, 92-95. Milan: Skira S.p.A., 2009.
Benner, Torben. “Kunstnere til kamp for krakket kunstfest.” Interview. Politiken, 12 February 2009,
http://politiken.dk/kultur/article647730.ece (accessed 13 February 2009).
Boeri, Stefano and Anniina Koivu. “Olafur Eliasson: Starbrick.” Interview. Abitare, No. 491, April 2009:
Cover image, 11-14. Reprinted in Surface Magazine, 15th Anniversary Issue, no. 78, 2009: 67-70.
Bonde, Lisbeth. “Kunst står samfundet nært.” Interview. Weekendavisen, Kultur section, 3-7 April 2009:
1.
la Cour, Astrid. “Maerk verden.” Berlingske Tidende, 21 September 2009: 2.
Eliasson, Olafur and Hani Rashid (Asymptote). “On Art, Architecture, Ambience / Über Kunst,
Architektur, Ambiente.” Interview moderated by Elke Krasny in Modelling Space: 10th Anniversary of
Kiesler Foundation Vienna / 10 Jahre Kiesler Stiftung Wien. Edited by Monika Pessler, 68-99. Vienna:
Austrian Frederick and Lillian Kiesler Private Foundation; Vienna: Schlegrügge.Editor, 2009.
Fritjers, Eric and Olv Klijn. “Not How, but Why!” Interview in Concrete Design Book on Implicit
Performance. Edited by Siebe Bakker, 101-108. Brussels: Federation of the Belgian Cement Industry
(FEBELCEM), 2009.
Hein, Jeppe. “A Conversation: Olafur Eliasson and Jeppe Hein; 14 July 2009 on a Plane from
Copenhagen to Berlin.” Interview in Jeppe Hein: Sense City. Exhibition catalogue. Edited by Marie
Nipper, 89-93. Aarhus: ARoS Aarhus Kunstmuseum, 2009.
Holm, Michael Juul. “Interview with Olafur Eliasson.” Interview in The World is Yours: International
Samtidskunst på Louisiana / Contemporary Art. Edited by Michael Juul Holm, Anders Kold and Tine
Colstrup. Exhibition catalogue. Danish and English editions. Humlebæk: Louisiana Museum of Modern
Art, 2009: 32-35.
Hoock, Maja. “Aktion vor Intention.” Interview. Art - Das Kunstmagazin, 28 September 2009,
http://www.art-magazin.de/szene/22724/olafur_eliasson_hamburg (accessed 29 September 2009).
Hybel, Kjeld. “Kunsten at Mase et Kunstvaerk.” Interview. Politiken, Kultur Section, 6 December 2009:
6.
Ifversen, Karsten R. S. “Olafur Eliasson tegner bro til København.” Interview. Politiken, Kultur Section,
15 August 2009: 3.
Maerkle, Andrew. “Love and Light at Hara Museum.” Interview. The Japan Times, October 16, 2009: 17.
Meijer, Eric. “Crystalline conundrum.” The Canberra Times, 12 December 2009: 22.
Payne, Andrew. “Sustainability and Pleasure: An Untimely Meditation.” Harvard Design Magazine, No.
30, Spring/Summer 2009: 79.
Peter, Maja. “Licht hat eine soziale Funktion.” Interview. Du: Das Kulturmagazin, No. 796, May 2009:
cover, 32-43.
Ruthe, Ingeborg. “Künstler mit Ingenieursseele.” Interview. Berliner Zeitung, No. 147, 27-28 June 2009:
3.
Smith, Elizabeth. “Q&A: Olafur Eliasson.” Interview. The Architect’s Newspaper, 19 June 2009,
http://www.archpaper.com/e-board_rev.asp?News_ID=3603 (accessed 6 July 2009).
Spurkland, Marte. “Populaeremesteren.” Interview. D2 (DagensNaeringsli), 13 November 2009: 22-30.
Totaro, Paola. “’Nature has a stunning ability to say things.’” Interview. Sydney Morning Herald, 5
December 2009.
Wesely, Kathrin. “Von der Rückeroberung des Raums.” Interview. Stuttgarter Zeitung, No. 163, 18 July
2009: 25.
2008
Almbjerg, Sarah-Iben. "Kunst til lands og til vands." Interview. Berlingske Magasin, 5 May 2008, Section
2: 4.
Bankale, Sheyi Antony. “BMW H2R Project.” Interview. Next Level, Edition 15, 2008: 70-75.
Czaja, Wojciech. "Der nasse Beweis für die Zeit." Interview. Der Standard, Austria, 12 July 2008: Album
A4.
Gebhart, Patricia. "Ein Fetisch Namens Auto." Interview. Ramp, Issue 4, Autumn 2008: 232-235.
Hansen, Julie Hjerl. “Da Olafur Eliasson blev en superstar.” Interview. Dagbladet Information, Denmark,
Kultur section, 18-19 October 2008: 16-17.
Hofleitner, Johanna. “Treffen im Nebel.” Interview. Die Presse: Schaufenster, No. 40, 3 October 2008:
54-57.
Huber, Michael. “Nebelige Fragen zum Dasein.” Interview. Kurier, 9 October 2008: 32.
Joseph, Branden W. “Im Lichte des Spektakels: Über Olafur Eliasson im Museum of Modern Art und
P.S.1, New York.” Interview. Texte zur Kunst, September 2008: 230-235.
Laster, Paul. "Olafur Eliasson." Interview. Artkrush, 25 June 2008, www.artkrush.com/168049 (accessed
30 June 2008).
Merrick, Jay. “Art, Architecture, and Archetypes.” Interview in Outline: Architecture by Schmidt
Hammer Lassen. Edited by Bjarne Hammer, Charlotte Schmidt, Runa Sabroe, Rasmus Kierkegaard, 7677. Basel/Boston/Berlin: Birkhäuser Verlag AG, 2008.
Miessen, Markus. "Conversations." Interview. Icon, Issue 64, October 2008: 179-186.
Obrist, Hans Ulrich. Olafur Eliasson & Hans Ulrich Obrist: The Conversation Series; Vol. 13.
Conversation book. Edited by Matthew Gaskins. Cologne: Verlag der Buchhandlung Walter König, Köln,
2008.
“Olafur Eliasson.” Interview. DPI magazine (Taiwan Edition), Vol. 114, October 2008: 114-117.
"Portikus." Design + Licht: Siteco. Article and Interview. January 2008: Cover, 12-17.
Pulfer, Rachel. “Falling Water.“ Interview. Azure Magazine, June 2008.
Schedlmayer, Nina. “Der Nebelwerfer.” Interview. Profil, No. 41, 6 October 2008: 130-133.
Schlüter, Ralf and Till Briegleb."Meine Kunst ist nicht utopisch." Interview. In Art: Das Kunstmagazin,
No. 5, May 2008: 16-27.
Ursprung, Philip, Olafur Eliasson and Anna Engberg-Pedersen. Interviews in Studio Olafur Eliasson: An
Encyclopedia. Cologne: Taschen, 2008.
Vik, Synnøve. “Eliassons institusjoner.” Interview. Billedkunst, June 2008: 1-2.
Zeyn, Martin. “Olafur Eliasson.” Interview. Kulturjournal - Bayrischer Rundfunk 2 (Germany), 1 June
2008.
2007
Conner, Justin. “Eye See You.” Interview, December-January 2007: 60, 62.
Irwin, Robert, and Olafur Eliasson. “Take your Time: A Conversation.” In Take your time: Olafur
Eliasson. Edited by Madeleine Grynsztejn. Exhibition catalogue. San Francisco: San Francisco Museum
of Modern Art; London: Thames & Hudson, 2007.
Kielgast, Anne and Lotte Juul Petersen. “A conversation with Olafur Eliasson about Lavaland.” In
Lavaland: Olafur Eliasson & Jóhannes S. Kjarval. Edited by Helle Behrndt, Maj Dannemand, Anne
Kielgast, and Lotte Juul Petersen. Copenhagen: Kunstforeningen GL Strand, 2007.
Liebs, Holger. “Museen sind Schlaftabletten.” Süddeutsche Zeitung, No. 189, 18-19 August 2007: 13.
May, Susan. "La Obra Desnuda / Stripped to Essentials." Extracts from an interview between Susan May
and Olafur Eliasson on March 6, 2004. Matador: Culture, Ideas and Trends Magazine; 1995-2022,
Volume K, 2007: 196-207, 242.
Mussbach, Peter. "Phaedra." MMM / Monnaie Munt Magazine, September-October 2007: 18-26.
“Olafur Eliasson and Kjetil Thorsen in Conversation with Julia Peyton-Jones and Hans Ulrich Obrist.” In
Serpentine Gallery Pavilion 2007: Olafur Eliasson and Kjetil Thorsen. Edited by Studio Olafur Eliasson
and Serpentine Gallery. London: Serpentine Gallery; Baden: Lars Müller Publishers, 2007. Subsequently
printed in: Riba Journal, No. 114/9, September 2007: 34-44.
Schor, Gabriele. "Yellow Fog." Interview, edited by Caroline Eggel, 214-223. In Held Together With
Water: Art from the Sammlung Verbund, edited by Gabriele Schor. English and German editions.
Exhibition catalogue, MAK, Vienna. Ostfildern: Hatje Cantz, 2007.
2006
Aitken, Doug. “Olafur Eliasson.” Interview. In Broken Screen: 26 Conversations with Doug Aitken;
Expanding the Image; Breaking the Narative. Edited by Noel Daniel, 110-120. New York:
D.A.P./Distributed Art Publishers, 2006.
Andersen, Kitt. “Olafur Eliasson. Hvorfor er biler så kedelige?” M/S Berlingske Tidende 4, 12 November
2006: 24-28.
Blake, Robin. “The Model of a Modern Artist.” Financial Times, 6 November 2006: 10.
Ichihara, Kentaro. “Interview with Olafur Eliasson.” Bijutsu-Tecyo, February 2006: 123-130.
Harms, Ingeborg. “Die Wirklichkeit ist nicht wirklich.” Frankfurter Allgemeine Sonntagszeitung Feuilleton, 8 October 2006: 33.
Hontoria, Javier. “Arte Protagonistas. Oafur Eliasson.” El Cultural, 1 June 2006: 4-6.
Marziani, Gianluca. “Eliasson: porto il sole dentro Vuitton.” Panorama, 19 October 2006: 260-261.
Miessen, Markus. “Nothing is Real. In conversation with Olafur Eliasson.” build - Das ArchitektenMagazin, May 2006: 36-38.
Olafur Eliasson: Your Engagement has Consequences; On the Relativity of Your Reality. Edited by
Olafur Eliasson and Studio Olafur Eliasson. Baden: Lars Müller Publishers, 2006.
The Goose Lake Trail (Southern Route): Gæsavatnaleið (Syðri); A Road Conversation between Olafur
Eliasson and Hans Ulrich Obrist. Edited by Studio Olafur Eliasson and Eidar Art Center. Cologne:
Verlag der Buchhandlung Walther König, Köln, 2006.
Zhen Li. “Olafur Eliasson: Seeing Yourself See.” Interview. Vision Magazine, December 2006: 199-207.
2005
Birnbaum, Daniel: "In Conversation." In Press Play. Contemporary Artists in Conversation. By the
editors of Phaidon Press, 175-190. London: Phaidon Press Limited, 2005. Previously printed In Olafur
Eliasson. Edited by Madeleine Grynsztejn, Daniel Birnbaum, and Michael Speaks. London: Phaidon
Press Limited, 2002.
Buren, Daniel. “In Conversation: Daniel Buren & Olafur Eliasson.” Artforum, May 2005: 208-214.
David, Thomas. “Die meisten Dinge sind sehr viel relativer, als wir denken”. du 761 / 10, November
2005: 81-83.
Hofstätter, Amrei. “Olafur Eliasson: The Things That You See but You don’t See.” Belio 017: Nature
Issue: 107-108.
2004
At se sig selv sanse. Samtaler med Olafur Eliasson. Edited by Anna Engberg-Pedersen and Karsten Wind
Meyerhoff. Copenhagen, 2004.
Bessing, Joachim. “Experiencing Space: Olafur Eliasson.” 032c, Issue 8, 2004-2005.
Gilbert, Chris, “Olafur Eliasson.” Interview. In Bomb, No. 88, Summer 2004: 22-29.
Koerner von Gustorf, Oliver. “Es ist wichtig, die Maschine zu zeigen.” db art, http://www.deutsche-bankkunst.com/art/06/d/magazin-eliassonartikel.php (accessed 14 May 2008).
“Manden der syntes han var hvem som helst.” Euroman, October 2004.
Meehan, Carole Ann. “Olafur Eliasson: The Young Land.” In Vita Brevis. History, Landscape, and Art
1998-2003. Edited by Jill Medvedow and Carole Anne Meehan. Boston: The Institute of Contemporary
Art, 2004.
Morais, Maria, and Oliver Koerner von Gustorf. “Kulturgeschichte statt Naturgeschichte.” db art,
http://www.deutsche-bank-kunst.com/art/06/d/magazin-eliassoninterview.php (accessed 14 May 2008).
Stehle, Gregor. “Telephone Interview with Olafur Eliasson, 25 August 2004, Berlin / Karlsruhe.”
Interviewstream, ZKM Center for Art and Media Karlsruhe, http://interviewstream.zkm.de/?p=8
(accessed 6 April 2009).
Stilling, Oliver. “I virkeligheden hvem som helst.” Euroman 128, October 2004: 92-96.
2003
Buchhart, Dieter. “Wie in der Pop Art klaue ich direkt Naturphänomene und wissenschaftliche
Darstellungen: Ein Gespräch mit Dieter Buchhart.” Interview. Kunstforum International 167, NovemberDecember 2003: 190-207.
Obrist, Hans Ulrich. “Olafur Eliasson.” In Interviews: Volume I. Original version. Edited by Thomas
Boutoux, 193-209. Milan, 2003.
Rosenberg, Angela. “Olafur Eliasson: Beyond Nordic Romanticism.” Interview. Flash Art International
36/230, May-June 2003: 110-113.
2002
Birnbaum, Daniel. “Interview: Daniel Birnbaum in Conversation with Olafur Eliasson.” In Olafur
Eliasson. Edited by Madeleine Grynsztejn, Daniel Birnbaum, and Michael Speaks, 8-33. London:
Phaidon Press Limited, 2002.
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2006
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Casciani, Stefano. “Written on Water.” Domus 897 - On Water, special issue, November 2006: 12-21.
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Eliasson, Olafur. “Some Ideas About Colour.” In Public 33. Errata. Edited by An Te Liu & Andrew
Payne, 50-57. Toronto, 2006.
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Frenzel, Sebastian. “Das Kollektiv fährt mit.” TAZ Berlin, 16 January 2006: 23.
Friebe, Inge. “Light Art. Olafur Eliasson.” Professional Lighting Design 50, July-August 2006: 56-59.
Grosz, David. “Gallery-Going. Rejecting Modernism’s Pieties.” The New York Sun, 11 May 2006: 18.
Hofmeister, Sandra. “The Yellow Sun, the Mist and the Perceiving Subject”, Light 54, 2006: 62-66.
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Kimmelman, Michael. “Olafur Eliasson. Your Engagement Sequence.” The New York Times, 12 May
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Maak, Niklas. “The Exhibition Miracle of Berlin.” Europe Endless 11, Summer 2006: 98-99.
McLeod, Scott. “Life in Venice. Physical Sensations at the 51th Venice Biennale.” Prefix Photo 12, April
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Poschardt, Ulf. “The Big White Out”. 032c, Issue 12, Winter 2006-2007: 92-93.
Quinz, Emanuele. “Les strates de l’interface.” Bilbok. Magazine des errances contemporaines 27, January
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Rauterberg, Hanno. “Heiß auf Matisse.” Die Zeit 17, 20 April 2006: 17.
Richter, Peter. "Es werde Licht." BMW Magazin, February 2006: 56-64.
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2006.
Schouwenberg, Louise. “A Change of Climate.” Frame 49, March-April 2006: 68-77.
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Sloterdijk, Peter. “Immersion.” Archplus 178, June 2006: 74-75.
Sloterdijk, Peter. “The Mediated Motion. Olafur Eliasson.” Archplus 178, June 2006: 60-63.
Sørensen, Anette. “Det islandske lys.” Danske Ark Byg 44, July 2006: 6-8.
Spiegler, Almuth. “Ich bin ein Mainstream-Künstler.” Die Presse, 7 June 2006.
Vienne, Véronique. “Optical Magic.” Metropolis, May 2006: 128-135.
White, Lisa: “The Fifth Dimension.” Provider 2, May 2006: 8-16.
Wittneven, Katrin. “Im reißenden Fluss.” Der Tagesspiegel, 25 March 2006: 24.
Zarin, Cynthia. “Seeing Things. The Art of Olafur Eliasson.” The New Yorker, 13 November 2006: 76-83.
2005
Birnbaum, Daniel. "Dawn 'til Dusk." Artforum International, September 2005: 264.
Criqui, Jean-Pierre. “Olafur Eliasson: Time Vibes Studies.” Les Cahiers du Musée national d’art
moderne 90: 3-19.
Eliasson, Olafur. “The Jökla Series,” Lesbók Morgunbla∂sins, Special Issue, 12 May 2005: 2-99.
Goa, Torbjørn. “Lysbærerne. Modernismens Rolle.” Design Interiør 5, November 2005: 60-65.
“Index:2005.” Post Danmark, Frimaerker, Journal 4, 2005: 1.
Krogh Jensen, Marianne and Olafur Eliasson. “Olafur Eliasson - Dekolonisering af Utopia.”
Samtidsarkitekten, The Compatible X. Copenhagen, 2005: 68-71.
Liebs, Holger. “Elfen im Stroboskop.” Süddeutsche Zeitung, 5 December 2005: 17.
Mascheroni, Loredana. “Olafuriade. Eliasson, from Pasadena to Venice.” Domus 884, September 2005:
84-93.
Massey, Doreen. “Travelling imaginations.” Lesbók Morgunbla∂sins, Special Issue, 12 May 2005: 102103.
May, Susan. “Olafur Eliasson.” A+U (Architecture and Urbanism), No. 422, 05:11, 8-9.
Poirier, Matthieu. “Dynamogénie: Olafur Eliasson; Systèmes Polysensoriels.” Techniques & Architecture,
No. 481, December 2005 - January 2006: 112-116.
Schoof, Jakob. “Seeing Yourself Seeing. Olafur Eliasson.” Daylight & Architecture 1, Autumn 2005: 2-6.
Schor, Gabriele. “Diesseits des Regenbogens.” Neue Zürcher Zeitung, 25 November 2005: 25.
Spinelli, Claudia. “Alles frisch.” Weltwoche 49, December 2005: 81.
Verhagen, Marcus. “Welcome to the Olafur Eliasson Show: On Art and Illusion.” Modern Painters,
January 2005: 100-103.
von Taube, Annika. “Light Perceptions.” Translated by Christina Knight. Sleek, Autumn 2005: 70-75.
2004
Bessing, Joachim. “Experiencing Space: Olafur Eliasson.” 032c 8, 2004-2005.
Colin, Anne. “Olafur Eliasson: the Nature of Nature as Artifice.” Artpress Magazine, September 2004:
34-39.
Diehl, Carol. “Northern Lights.” Art in America, No. 9, October 2004: 108-115.
Eliasson, Olafur. “Innesto d’arte / Art Graft.” Image essay. Domus, no. 868, March 2004:110-116.
Kimmelman, Michael. “The Sun Sets at the Tate Modern.” The New York Times, 21 March 2004, Section
2: 30.
Kimmelman, Michael. “Illusion and Reality Cozy Up at Tate Modern.” The New York Times, 19 March
2004.
Kimmelman, Michael. “Putting the Spectator at the Center,” International Herald Tribune Online, 16
March 2004.
Lesbók Morgunblaðsins, Iceland, contemporary art issue, 27 March 2004.
Leydier, Richard. “Un autre monde découverte de l’art contemporain islandais / Art in Iceland: Another
World.” Art Press, No. 304: 28-33.
Meyer, James. “No More Scale: The Experience of Size in Contemporary Sculpture.” Artforum, Summer
2004: 220-228.
“Power 100: #29, Olafur Eliasson.” Art Review Magazine, November 2004: 73.
Rapkin, Maickey. “Art.” Details Magazine, August 2004: 44.
Wifel, Henrik. “Måder at se på.” Nordisk Tidskrift 80/4, 2004: 299-308.
Wilson, Michael. “Olafur Eliasson, Menil Collection (Preview).” Artforum, May 2004: 85.
2003
“Actualidad.” Lapiz: Revista mensual de arte 21, 2003: 160-163.
Allen, Timothy. The Independent, 16 October 2003: front cover.
Artist 338, July 2003: 121.
Birnbaum, Daniel. “Olafur Eliasson: The Weather Project. (Best of 2003: 10 Top Tens).” Artforum
International, December 2003: 114-115, 124.
Bode, Peter M. “Schönheit durch Recycling.” Art 2, February 2003: 115.
“Brief encounters.” The Guardian, 17 October 2003: 29.
Burton, Johanna. “Olafur Eliasson: Tanya Bonakdar Gallery.” Artforum International, September 2003:
224.
Cooke, Rachel. “The brightest and the best.” The Observer Review, 19 October 2003: 9.
Coomer, Martin. “Reign predicted.” Time Out London, 3-10 September 2003.
Díaz, Linn. “Olafur Eliasson.” ArtInvestor: Kunst und Markt, January 2003: 66-68.
Diez, Renato. “Olafur Eliasson a Londra: Forme dell'immaginazione.” Arte, October 2003: 134-141.
Eliasson, Olafur. “Tre tekster.” Kritik: Tidsskrift for litteratur, forskning, undervisning 36 /164, 2003: 17.
Engberg, Bente. “I østen stiger solen op.” Weekendavisen, Kultur section, No. 43, 24-30 October 2003: 1.
“Exhibitions.” The Guardian (Guide), 11-17 October 2003.
Feinstein, Roni. “Report from Miami: Expanding Horizons.” Art in America, December 2003: 48-59.
“5 Best Artists.” The Times: Weekend Review, 11 October 2003.
Gibbons, Flachra. “Tate Modern Awakes to Dane's Rising Sun.” Guardian, 16 October 2003.
“Give Me Sunshine.” The Guardian Weekly, 30 October - 5 November 2003: 20.
Glover, Michael. “Free Spirits Cross No New Frontiers.” The Independent Review, 16 June 2003.
“Goings on about Town: Olafur Eliasson.” The New Yorker, 26 May 2003: 20.
Gronlund, Melissa. “New York: Tanya Bonakdar Gallery-Olafur Eliasson.” Contemporary 55: 73.
Hauffen, Michael. “Olafur Eliasson: Sonne statt Regen.” Kunstforum International 165, June-July 2003:
334-335.
Hoffmann, Justin. “Olafur Eliasson im Kunstbau München.” Kunst-Bulletin, 6 June 2003: 69-70.
Hornung, Peter Michael. “Her kommer solen.” Politiken, Section 2, 5 January 2004: 1-2.
Hübl, Michael. "Dänemark: Olafur Eliasson." Kunstforum International, No. 166, August-October 2003:
241-243.
Johnson, Ken. “Art in Review: Olafur Eliasson.” The New York Times, 23 May 2003: E36.
Johnson, Ken. “In full View: Andrea Rosen Gallery.” The New York Times, 1 August 2003.
Kimmelman, Michael. “Cramming It All in at the Biennale.” The New York Times, 26 June 2003: E1.
Krenz, Marcel. “Olafur Eliasson: Tanya Bonakdar.” Flash Art International 36/231, July-September
2003: 65-66.
“Kunstkompass: Die 100 Grössten.” Capital: Das Wirtschaftsmagazin 23, 2003: 149-150.
Leitch, Luke. “A Tate Sunset.” Evening Standard, 15 October 2003.
Levin, Kim. “Voice Choices.” The Village Voice, 7 May 2003: 7.
Levin, Kim. “Power Vacuum.” The Village Voice, 23 June 2003.
Lorch, Catrin. “La Biennale di Venezia.” Kunst-Bulletin 7/8, July/August 2003: 22-27.
Morris, Roderick Conway. “Heat and Promise at the Venice Biennale.” International Herald Tribune, 17
June 2003.
“Microclimate.” Art Monthly, June 2003.
“Northern Stars.” Vogue, October 2003.
“Olafur Eliasson.” Contemporary 50, 2003: 27
“Olafur Eliasson.” Texte zur Kunst 13/52, December 2003: 170-171.
“Olafur Eliasson.” V Magazine, September-October 2003.
Piccoli, Cloe. “Olafur Eliasson.” Arte 1, 2003: 42-52.
Ratnam, Niru. “These Dreams: Artwork by Olafur Eliasson and Doug Aitken.” I-D Magazine 237,
November 2003: 134-141.
Reynolds, Nigel. “A Giant Neon Sun Fills Tate Space.” The Daily Telegraph, 16 October 2003: 15.
Román, Juan Carlos. “El artista que espera a que la naturaleza realice la obra de arte.” Arte y Parte, No.
43, February-March 2003: 58-65.
Rosenberg, Angela. “Olafur Eliasson: Beyond Nordic Romanticism.” Flash Art International 36/230,
May-June 2003: 110-113.
Rosenberg, Karen. “Room with a View.” The Village Voice, 14 May 2003: 49.
Saltz, Jerry. “After Shock.” Village Voice: Voice Choices, 5-11 November 2003: 86.
Searle, Adrian. “Reflecting on Sublime Smoke and Mirrors.” The Guardian, 16 October 2003: 12.
Simons, Paul. “Art Show Puts Weather Anoraks in Their Element.” The Times, 16 October 2003.
S. M. “Dänemark (General meeting of art).” Art 6, June 2003: 19.
Smee, Sebastian. “The Artist who Paints with the Weather.” The Daily Telegraph, 30 September 2003.
Sommer, Tim and Dirk Reinartz. “Der grosse Jahrmarkt.” Art 8, August 2003: 10-29.
Sundell, Margaret. “Birth Canal.” Time Out New York, Issue 406, 10-17 July 2003.
Sundell, Margaret. “Second Nature: Olafur Eliasson and Phillipe Parreno Put a Cinematic Spin on the
Nature-Versus-Culture Debate.” Time Out New York 399, 22-29 March 2003.
“The Five Best Exhibitions.” The Independent Review, 15 October 2003.
“The Five Best Shows in London.” The Independent, 11-17 October 2003.
“The Unilever Series: Olafur Eliasson.” Cort Newspaper, October 2003.
Tøjner, Poul Erik. “Faenomenerne findes.” Louisiana Magasin, No. 9, May 2003: Inner covers, 16-20.
Vetrocq, Marcia E. “Venice Biennale: 'Every Idea But One.'” Art In America, September 2003.
Vogel, Carol. “Heat Upstages Art at the Venice Biennial.” The New York Times, 16 June 2003.
Ward, Ossian. “The Weather Man.” ArtReview 5, June 2003: 54-59.
Waxman, Lori. “New York Critics Picks: Olafur Eliasson.” Artforum.com, 6 June 2003.
Wulffen, Thomas. "Utopia Station." Kunstforum International, No. 166, August-October 2003: 194-209.
2002
Alberge, Dalya. “Tate Hires Artist with a Big Natural Talent.” The Times, 11 November 2002.
Birnbaum, Daniel. “Where is Painting Now?” Tate: International Arts and Culture 1, September-October
2002: 60-63.
Blind Spot 21, Summer 2002.
Blom, Ina. “Jenseits des Atmosphärischen.” Parkett 64, May 2002: 24-31.
Bodker, Kirsten. “Tate Modern Hires Danish Artist.” Efterborsen, 27 November 2002.
Boyce, Roger. “Neither Here Nor There: Mirror Mirror at Mass MoCA.” Art New England, FebruaryMarch 2003: 16-17, 74.
Boyer, Charles-Arthur. “Olafur Eliasson.” Art press 280, June 2002: 80-81.
Bretault, Geraldine. “Beaux Arts: What is Art Today?” 2002 Edition: 116-119.
Brooks, Adam. “Light Opera; Robert Greene.” Art Forum International, April 2002: 114-115.
Camhi, Leslie. “Cleaning the Mirror.” The Village Voice, 4 September 2002.
Colard, Jean-Max. “Avis de tempête.” Les Inrockuptibles, 3 April 2002: 84-85.
Corrigan, Susan.“The Beauty of Nature is Always beyond Our Control.” i-D 218, March 2002: 226-235.
Damianovic, Maia. “Olafur Eliasson: Musée d’Art Moderne de la Ville de Paris: Parigi.” Tema celeste,
Issue 91, May-June 2002: 86, 94.
Ebony, David. “Art Fairs Energize New York Scene.” Art in America, April 2002: 35-37.
Eliasson, Olafur. “La stanza dei colori/The Room of Colours.” Ottagon 155, November 2002: 62-63.
Fricke-Waldthausen, Johannes. “Natur und Pop.” Quest 5, Summer 2002: 162-165.
Giuliano, Mike. “Photographers Enlarge on Bechers’ Earlier Works.” The Baltimore Sun, 11 January
2003.
Hall, David. “Head Games.” The Memphis Flyer 682, 14-20 March 2002.
“Icelandic artist.” Romeike Ltd, 27 November 2002.
Johnson, Ken. “'Thin Skin'; 'The Fickle Nature of Bubbles, Spheres and Inflatable Structures'.” The New
York Times, 29 March 2002: E37.
Kinsella, Eileen. “Wise Buys: Experts Suggest Great Values in Today's Art Market.” Artnews, Summer
2002: 146-153.
Laubard, Charlotte. “L’Œil de Olafur Eliasson.” L’Œil, May 2002: 22-23.
Levin, Kim. “Voice Choices: Air.” The Village Voice, 22 January 2002: 68.
Mc Breen, Ellen. “Olafur Eliasson.” Art Monthly 257, June 2002: 35-37.
Mohal, Anna. “Olafur Eliasson im Musée d’Art Moderne.” Kunst-Bulletin, 5 May 2002: 55.
Morgan, Jessica. “Gartensozialismus.” Parkett 64, May 2002: 18-48.
“Olafur Eliasson: Iceland Series.” Blind Spot, Issue 21.
Østerby, Annette. “Etnographic Mapping: Olafur Eliasson.” Arken Bulletin, 2 January 2002: 22-25.
“Pass notes no. 2, 094: Olafur Eliasson.” Guardian, 21 November 2002.
Richard, Frances. "Olafur Eliasson: Bonakdar Jancou Gallery." Artforum, January 2001: 136.
Rondeau, James. “The Mobility of the Real: Olafur Eliasson is Now.” The Hugo Boss Prize 2002: 37-49.
Saltz, Jerry. “Another Opening, Another 85 Shows: Rays of Light.” The Village Voice, 22 January 2003.
Schäfer, Robert. “Grüne Architektur.” Architektur & Wohnen, October/November 2002: 132-140.
Sorbello, Marina. “Olafur Eliasson: neugerriemschneider: Berlino.” Tema celeste 88/89, JanuaryFebruary 2002: 95.
Steels, Luc, and Israel Rosenfield. “Human and Artificial Consciousness on the Move.” Janus 12, 2002:
4-10.
Troncy, Éric. “Olafur Eliasson: Fait la pluie et le beau temps.” Beaux-Arts 215, April 2002: 58-63.
“Your natural denudation inverted.” Harper's Magazine, June 2002: 30.
Wivel, Henrik. “Lysfald.” Weekendavisen, Kultur section, 18-24 October 2002: 3.
Zdanovics, Olga. “Reviews Midwest: Ann Arbor.” Art Papers Magazine 26/2, March-April 2002: 46-47.
2001
Allen, Jane Ingram. “Putting the Viewer First: Olafur Eliasson.” Sculpture (USA) 20, 8 October 2001: 2833.
Bers, Miriam. “Berlino: dal neopop alla crossculture.” Tema Celeste, Issue 83, January-February 2001:
70-75.
Birnbaum, Daniel. “Olafur Eliasson. (Best of 2001: 10 Top Tens).” Artforum International, December
2001: 98-99.
Camhi, Leslie. “And the Artist Recreated Nature (or an Illusion of It).” The New York Times, 21 January
2001, Art/Architecture Section: 43.
Century, Testino, Mario. “Mario Testino’s Art Index.” V Magazine, May-June 2001.
Chen, Aric. “Spatial Transcendence.” Dutch, March-April 2001: 48.
Eakin, Hugh. “Magic Kingdom.” Art News 100, 11 December 2001: 116-117.
Eliasson, Olafur. “Think with me about your Extension of Now.” Cabinet: A Quarterly Magazine of Art
and Culture 3, Summer 2001: 64–65.
Engler, Martin. “Olafur Eliasson im ZKM.” Kunst-Bulletin 7/8, July-August 2001: 44-45.
Heartney, Eleanor. “Olafur Eliasson at Bonakdar Jancou.” Art in America, February 2001: 135.
Hughes, Jeffrey. “St. Louis: Contemporary Art at SLAM.” New Art Examiner, May-June 2001: 32-33.
Hunt, David. “Olafur Eliasson.” Flash Art International 34/216, January-February 2001: 111-112.
“The iceman cometh,” i-D, April 2001: 7.
Jones, Kristin M. “Olafur Eliasson.” Frieze 59, May 2001: 96-97.
Loschwitz, Gesa. “Landschaften im Kunsthaus Bregenz: Ausstellung ‘The Mediated Motion’ von Olafur
Eliasson.” Garten + Landschaft 111/5, 2001: 7.
Luna Córnea 21/22, 2001: 6.
“Olafur Eliasson.” Apparat: The Magazine of Reykjavik Collection 4, Fall-Winter 2001: 216-231.
“Olafur Eliasson im Kunsthaus.” Kunst-Bulletin, 5 May 2001: 47-48.
Richard, Frances. “Olafur Eliasson.” Artforum International, January 2001: 136.
Sherman, Mary. “Olafur Eliasson.” Art News 100, 4 April 2001: 147.
Sherman, Mary. “Special Effects; Olafur Eliasson Brings his Versions of Natural Phenomena to the ICA.”
Boston Herald, 6 February 2001.
Silver, Joanne. “Unnatural Wonders.” Boston Herald, 26 January 2001.
Temin, Christine. “Icelandic Circles Ring the ICA.” The Boston Globe, 27 January 2001: F1, F5.
Unnützer, Petra. “Olafur Eliasson: Surroundings Surrounded: ZKM Karlsruhe.” Kunstforum International
156, August-October 2001: 422-423.
“What's Next.” 032c, Winter 2001-2002: 44-45.
2000
Archer, Michael. “Over the Edges.” Art Monthly 236, May 2000: 33-35.
Artner, Alan. “Playing with Perception.” Chicago Tribune, 11 June 2000.
Berg, Ronald. “Wer wird Millionär?” Zitty, Number 20, 2000: 56.
Camper, Fred. “Nature Containers.” Chicago Reader, 4 August 2000: 36-37.
Carrier, David. “Pittsburgh Carnegie International.” The Burlington Magazine 142/1163, February 2000:
128-129.
“100 artists of the Year 2000.” Very New Art, 2000: 13-16.
Decter, Joshua. “Panorama 2000.” Flash Art International 33/210, January-February 2000: 43, 112.
Eliasson, Olafur. “Spiralpavillon: 2000.” Louisiana Revy 41, 1 September 2000: 70-71.
“The German Open: Wolfsburg.” Flash Art International 33/210, January-February 2000: 43.
Gohlke, Gerrit. “Panorama und Revierkampf.” BE Künstlerhaus Bethanien Berlin, 6 September 2000: 2126.
Grasskamp, Walter. “Kunst in der Stadt.” Frame 2, March-April 2000: 60-67.
“Grönt för utsläpp I Strömmen.” Dagens Nyheter, 2 September 2000: A1.
Groertz, Thomas. “100000 Mark für junge Kunst.” Art 10, October 2000: 94-95.
Hawkins, Margaret. “Olafur Eliasson.” Chicago Sun-Tribune, 10 June 2000.
Hess, Barbara. “Nase im Wind: Olafur Eliasson: ‘Surroundings Surrounded:’ Neue Galerie am
Landesmuseum Joanneum, Graz.” Texte zur Kunst, Issue 10/39, September 2000: 143-147.
Jothady, Manisha. “Olafur Eliasson: Surroundings Surrounded: Neue Galerie Graz.” Frame 3, JulyAugust 2000: 137.
Jowitt, Deborah. “Merce’s Major Events.” Village Voice 21, November 2000: 83.
Koplos, Janet. “Job Koelewijn and Olafur Eliasson at De Appel.” Art in America, February 2000: 151.
Kunz, Sabine. “Olafur Eliasson: Installationen aus Luft und Licht.” Art 3, March 2000: 62-67.
Leffingwell, Edward. “Carnegie Ramble.” Art in America, March 2000: 86-93, 142.
Levin, Kim. “Turning the Gallery Inside Out: Natural Wonder.” Village Voice, 14 November 2000: 77.
Lübbke, Maren. “Olafur Eliasson: Surroundings Surrounded.” Camera Austria 71, 2000: 61.
“Olafur Eliasson: Your Now Is My Surroundings.” Time Out New York 269, 16–23 November 2000.
“Olafur Eliasson.” The New Yorker, 20 November 2000: 21.
“Olafur Eliasson.” Bijutsu Techo, Vol. 52, No. 782, January 2000: 13-16.
Prandi, Lucia. “Over the Edges: the Street Corners of Gent.” Tema Celeste: 111.
Rondeau, James and Thomas Hirshorn. The Art Institute of Chicago. 2000.
Sandquist, Gertrud. “Olafur Eliasson.” Afterall, no. 2, 2000: 107-110.
Schulze, Karin. “Erfolg ist ein großer fremder Vogel.” Financial Times Deutschland, 31 March 2000.
Siegel, Katy. “1999 Carnegie International.” Artforum, January 2000: 105-106.
Smith, Roberta. “Olafur Eliasson.” New York Times, 17 November 2000: E41.
Spiegl, Andreas. “Olafur Eliasson: Non-Trueness as the Nature of Theatre.” Afterall, Issue 2, 2000: 97106.
Thorsteinn, Einar. “Nokkur n´yleg verk eftir Ólaf Elíasson.” Avs arkitektúr verktækni og skipulag 2/3,
2000: 90/91.
Wailand, Markus. “Olafur Eliasson: Neue Galerie: Graz.” Frieze 54, September-October 2000: 127-128.
Wiensowski, Ingeborg. “Olafur Eliasson.” KulturSPIEGEL, 4 April 2000: 26.
Wiensowski, Ingeborg. “Plopp: plopp.” SPIEGELreporter, 4 April 2000: 138.
1999
Árnason, Gunnar. “Olafur Eliasson’s Work Is Both Visually Arresting and Intellectually Intriguing.” Nu:
The Nordic Art Review, 1 January 1999: 84-85.
Arning, Bill. “Carnegie Dilly.” Time Out New York 218, 25 November - 2 December 1999.
Ásgeirsson, Bragi. “Þrívíð Rúmfraedi.” Morgunblaðið, 16 September 1998.
Brenson, Michael, and Madeleine Grynsztejn. “Fact and Fiction.” Artforum International, September
1999: 67-70.
Bretault, Géraldine. “Nature as Experience.” Beaux Arts, December 1999: 114-117.
“Carnegie International 1999/2000.” Essay by Madeleine Grynsztejn: 32-33, 102, 170.
Cotter, Holland. “Update on Berlin since the Wall.” The New York Times, 12 November 1999: B37.
Dannatt, Adrian. “The Old Masters of Tomorrow.” The Art Newspaper, December 1999.
Eliasson, Olafur and Mika Hannula. “Berliner Romanze.” Neue Bildende Kunst, 9 July 1999: 46-51.
Fortes, Márcia. “XXIV São Paul Biennial.” Frieze 44, January-February 1999: 87-88.
Gedin, Andreas. “Grönt vatten och en bombad kurdisk by.” Moderna Museets Vänners tidskrift 2, 1999:
6-12.
Hannula, Mika. “To Focus a Show in the Far North on Eccentricity Takes Guts.” Nu: The Nordic Art
Review, 1 February 1999: 82.
Hohmann, Silke. “Transparenz als Prinzip.” Journal Frankfurt 13, 1999: 38.
Huther, Christian. “To the People of the City of Euro: Kunstverein Frankfurt/Main.” Kunstforum
International 147, September-November 1999: 417-418.
Johnson, Ken. “Turning the Museum into a Vast Menora.” The New York Times, 1 January 1999.
Leffingwell, Edward. “Report from São Paulo: Cannibals All.” Art in America, May 1999: 46-55.
Lind, Maria. “Raumnachbildung und Erfahrungsräume: einige Überlegungen zur Ortsbezogenheit in der
Gegenwartskunst.” Parkett 54, December 1998-January 1999: 186-190.
Meyer, Christian and Mathias Poledna. Sharawadgi Felsenvilla, 1999.
Miles, Christopher. “Olafur Eliasson: Marc Foxx.” Artforum International, March 1999: 119.
Olafur Eliasson: Sospensione. Copybook on occasion of the Venice Biennale, containing photos and
sketches of the newly installed fire extinguisher built after the fire in the opera. Venice: Biennale Venice,
1999.
Phillips, Christopher. “Art for an Unfinished City.” Art in America, January 1999: 62-69.
Potter, Chris. “Carnegie International.” Pittsburgh City Paper, 3 November 1999.
Shearing, Graham. “Reviewing the Carnegie International.” Tribune Review, 28 November 1999.
Turner, Elisa. “Photos Capture People Estranged from their Surroundings.” The Miami Herald, 10
January 1999: 8I.
Verwoert, Jan. “Berlin Biennale.” Frieze 44, January-February 1999: 91-92.
Weh, Vitus H. “Sharawadgi, Felsenvilla, Baden.” Kunstforum International 143, January-February 1999:
410-411.
Williams, Eliza. Zoo, 1999: 158-159.
Winkelmann, Jan. “Olafur Eliasson: Op het ijs bij 37°C.” Metropolis M. 1, February/March 1999: 42-45.
Wulffen, Thomas, et al. “Berlin Biennale.” Kunstforum International 143, January-February 1999: 290310.
1998
Arning, Bill. “Camera Shy.” Time Out New York, Issue 165, 19-26 November 1998.
Ásgeirsson, Bragi. “Fyrirbrigði.” Morgunblaðið, 16 September 1998.
Babias, Marius. “Love Parade der Künste.” Zitty, Issue 20, 1998: 54-60.
Berrebi, Sophie. “Nuit Blanche: Musée d’Art Moderne de la Ville de Paris.” Frieze, Issue 40, May 1998:
88-89.
Birnbaum, Daniel. “Openings: Olafur Eliasson.” Artforum International, April 1998: 106-107.
Cameron, Dan. “The New Melting Pot.” Flash Art International, Issue 31/202, October 1998: 90-92.
Eliasson, Olafur, and Barbara Steiner. “Gegen die Zeit gehen.” Kunst-Bulletin, January/February 1998:
10-17.
Freitag, Michael. “Berlin Biennale.” Neue Bildende Kunst 6, December/January 1998: 18-25.
Grant, Simon. “Olafur Eliasson: Poetry in Motion.” Tate: The Art Magazine, Issue 19, Winter 1998: 12.
Haye, Christian. “The Iceman Cometh.” Frieze, Issue 40, May 1998: 62-65.
Haye, Christian. “Om Olafur Eliasson.” Paletten 59/233, April 1998: 24-25.
Levin, Kim. “Voice Choices: Short List.” The Village Voice, 2 June 1998: 86.
“Ólafur Elíasson Synir Í MoMA”. Morgunblaðið, 5 November 1998.
Reindl, Uta M. “Interferencias: Sala de Exposiciones del Canal de Isabel II. Madrid.” Kunstforum
International, Issue 141, July-September 1998: 434-435.
Stange, Raimar. “Olafur Eliasson.” Artist Kunstmagazin 35, April 1998: 30-33.
Volk, Gregory. “Olafur Eliasson: Fire and Iceland.” Art News 97, April 1998: 200.
Winkelmann, Jan. “Olafur Eliasson.” Art/Text 60, 1998: 44-49.
Wulffen, Thomas. “The Berlin Show” Kunstforum International 142, October-November 1998: 364-367.
1997
Christofori, Ralf. “Die natürliche Ordnung der Dinge: Olafur Eliasson in der Kunsthalle Basel.” Neue
Bildende Kunst, Issue 7, February 1997: 99-100.
Mitchell, Charles Dee. “Report from Santa Fe: New Narratives.” Art in America, November 1997: 42-47.
Reust, Hans Rudolf. “Olafur Eliasson: Basel Kunsthalle.” Artforum International, Summer 1997: 146.
1996
Bonami, Francesco. “Olafur Eliasson.” Flash Art International, Issue 29/188, May-June 1996: 105.
Herbstreuth, Peter. “Schauder des Glücks.” Der Tagesspiegel, 25 June 1996: 18.
Levin, Kim. “Galleries.” The Village Voice, May 1996.
Rapko, John. “Glow at New Langton Arts.” Art Week, July 1996: 20.
Schneider, Christiane. “Olafur Eliasson: neugerriemschneider: Berlin.” Frieze 26, January-February
1996: 77-78.
Smith: C. “Olafur Eliasson at Tanya Bonakdar.” Art in America, December 1996: 92-93.
Smith, Roberta. “Enter Youth, Quieter and Subtler.” The New York Times, 17 May 1996.
1995
Karcher, Eva. "Natur wird wieder Erlebnis." Art - das Kunstmagazin, May 1995: 62.
Metzel, Tabea. “Olafur Eliasson.” Zitty 25, 1995: 132.
1994
Nielsen, Tone O. "Islandsk arv." Politiken, 12 December 1994.
Anthologies and Catalogues of Group Exhibitions
2010
Chroma: Design, Architecture & Art in Color. Edited by Barbara Glasner and Petra Schmidt. Basel /
Boston / Berlin: Birkhäuser Verlag AG, 2010: 37, 186, 219, 268, 310.
Contemporary Painting in Context. Edited by Anne Ring Petersen, Mikkel Bogh, Hans Dam Christensen
and Peter Nørgaard Larsen. Copenhagen: Museum Tusculanum Press, 2010: 185, 187-189.
De lo Mecánico a lo Termodinámico: por una Definición Energética de la Arquitectura y del Territorio.
Edited by Javier García-Germán. Part of the series Compendios de Arquitectura Contemporánea.
Barcelona: Editorial Gustavo Gili, SL, 2010: 92.
Flach, Sabine. “Spiegelverhältnisse: Hans Werner Henze; Phaedra.” In Also singen Wir: 60 Beiträge zur
Kulturgeschichte der Musik. Edited by Dirk Naguschewski and Stefan Willer. Berlin: Zeitschrift des
Zentrums für Literatur- und Kulturforschung Berlin.
2009
200 Artworks - 25 Years: Artists’ Editions for Parkett. Edited by Mark Welzel. Exhibition catalogue.
Kanazawa: 21st Century Museum of Contemporary Art; Zürich / New York: Parkett Publishers, 2009:
138-139.
A. P. Møller Skolen. Edited by Mads Møller. Schleswig: A. P. Møller und Ehefrau Chastine Mc-Kinney
Møllers Stiftung für allgemeine Zwecke und Arkitektfirmaet C. F. Møller, 2009.
Beyond Architecture: Imaginative Buildings and Fictional Cities. Edited by Robert Klanten and Lukas
Feireiss. Berlin: Gestalten, 2009: 49.
At Fortælle Svend Åge Madsen: Toogtyve Genspejlinger. Edited by Lars Green Dall. Århus: Forlaget
Klim, 2009: cover.
Boros Collection / Bunker Berlin. Edited by Boros Foundation. Ostfildern-Ruit: Hatje Cantz, 2009: 46-47,
56-57, 72-73, 92-95, 116-117, 152-153, 156-157, 170-171, 176-177, 194-199.
Collection Musée d'Art Contemporain de Lyon. Edited by Thierry Raspail and Hervé Percebois. Lyon:
Musée d'Art Contemporain de Lyon; Milan: 5 Continents Editions, 2009: 170-171, 618.
Die Grosse Bertelsmann Lexiothek: Chronik des Jahrhunderts; 2008. Text and editing by Beatrix
Gehlhoff, Petra Schuldt, Ernst Christian Schütt, and Redaktionsbüro AWG, Hamburg. Gütersloh:
Bertelsmann Lexikon Institut / Wissenmedia GmbH, 2009: 386-387.
Bessler, Gabriele. Wunderkammern. Berlin: Dietrich Reimer Verlag GmbH, 2009: 139, 154.
Bonham-Carter, Charlotte, and David Hodge. The Contemporary Art Book. Edited by Johanne Wort.
London: Carlton Books Ltd, 2009: 72.
Eliasson, Olafur. “457 Words on Colour.” In Better than Grey: a Serious Consideration of Colour.
Exhibition catalogue. Suffolk: Bury St. Edmunds Art Gallery, 2009.
Eliasson, Olafur. “Queridos Todos; Querido Visitante.” Translated by María Jesús Rivas. Previously
published in The Mediated Motion, Kunsthaus Bregenz, 2001. In Naturaleza y Artificio: El Ideal
Pintoresco en la Arquitectura y el Paisajismo Contemporáneos. Edited by Iñaki Ábalos, 221-225.
Barcelona: Editorial Gustavo Gili, SL, 2009.
Eliasson, Olafur. “Los Modelos son Reales.” Translation by Moisés Puente. Luvina, Universidad de
Guadalajara, no. 56, Autumn 2009: I-XVI. Originally published in Los Modelos son Reales (Barcelona:
Editorial Gustavo Gili, S.L., 2009).
Eliasson, Olafur. “Verdner af Idag / Worlds of Today.” In Ib Geertsen: Mobiler. Edited by Pernille
Taagaard Dinesen and Jens Eik Sørensen, 48-49. Exhibition catalogue. Aarhus: ARoS Aarhus
Kunstmuseum, 2009.
EM2N: Sowohl als auch. Edited by Ilka & Andreas Ruby. Exhibition catalogue. Zürich: gta Verlag, ETH
Zürich, 2009: 30.
Erlkönig / Prototypes. Edited by Autostadt GmbH. Cologne: DuMont Buchverlag GmbH & Co.: 2009.
Experiment Marathon: Hans Ulrich Obrist & Olafur Eliasson. Edited by Emma Ridgway. Reykjavik:
Reykjavik Art Museum / Listasafn Reykjavíkur; London: Koenig Books; London: Serpentine Gallery,
2009.
For Øjeblikket 1: Samtidskunst til Billedkunst C. Copenhagen: L&R Uddanelse.
Forty Are Better Than One: Edition Schellmann 1969-2009. Edited by Jörg Schellmann. Munich / New
York: Schellmann Art Production, 2009: 96-97.
Future Images. Edited by Mario Cresci. Milan: 24 ORE Motta Cultura srl, 2009: 86-89.
Hara, Kenya. White / Weiss. Two editions in English and German. Baden: Lars Müller Publishers, 2009.
Herzogenrath, Wulf. “Die Erstreckung des Raumes.” In Im Norden. Inner booklet, “Olafur Eliasson.”
Oldenburg: Landessparkasse zu Oldenburg, 2009.
Gütersloher Grün: Ein Streifzug durch Parks und Grünanlagen zum 100. Stadtpark-Jubiläum. Gütersloh:
Stadt Gütersloh, 2009: 66-67.
Icelandic Art Today. Edited by Christian Schoen and Halldór Björn Runólfsson. Ostfildern: Hatje Cantz
Verlag, 2009: 26-27.
Jodidio, Philip. “Olafur Eliasson.” In Architecture Now! 6. Cologne: Taschen, 2009: 9, 134-143,491.
Katzberg, Michael. Cultures of Light: Contemporary Trends in Museum Exhibition. Amsterdam:
Amsterdam School for Cultural Analysis, Universiteit van Amsterdam, 2009: 44-48.
La Invención de lo Cotidiano. Exhibition catalogue. Centro Historicó: Museo Nacional de Arte; San
Antonio: Instituto Nacional de Bellas Artes y Literatura; Ecatepec de Morelos: Fundaciión/Collección
Jumex, 2009: 174.
Metropole: Ressourcen / Metropolis: Resources, Volume 2. Hamburg: International Building Exhibition
IBA Hamburg; Berlin: Jovis Verlag GmbH: 98.
Nordic Talking: 4 ½ Years in Studio with Kjetil Thorsen. Edited by Kjetil Thorsen, Ursula Ender, and
Petra Cemusca. Innsbruck: Institut für Experimentelle Architektur.Hochbau; Vienna: Springer Verlag,
2009: 39.
Occasions: Josep Lluís Mateo. Edited by Josep Lluís Mateo and Marta Poch. Barcelona: Actar, 2009:
113.
Private View. Edited by Wendelin Renn. Exhibition catalogue. Villingen-Schwenningen: Städtische
Galerie Villingen-Schwenningen, 2009.
Rotating Views #1: Astrup Fearnley Collection / Rotasjoner #1: Astrup Fearnley Samlinen. Edited by
Gunnar B. Kvaran, Hanne Beate Ueland, Grete Aabu. Exhibition catalogue. Oslo: Astrup Fearnley
Museet for Moderne Kunst, 2009: 36-37.
Sara Hildénin Taidemuseo: Flash! - Valoa Ja Liikettä. Exhibition catalogue. Tampere: Sara Hildénin
Taidemuseo, 2009: 26-33.
Schaub, Mirjam and Jochen Volz. “Olafur Eliasson.” In Thyssen-Bornemisza Art Contemporary: The
Collection Book. Edited by Eva Ebersberger and Daniela Zyman, 138-151. Vienna: Thyssen-Bornemisza
Art Contemporary; Cologne: Verlag der Buchhandlung Walther König, 2009.
Schmidt, Petra, and Nicola Stattmann. Un/Folded: Paper in Design, Art, Architecture and Industry. Basel
/ Boston / Berlin: Birkhäuser Verlag, 2009: 60-61.
Schröter, Jens. 3D: Zur Geschichte, Theorie und Medienästhetik des Technisch-transplanen Bildes.
Munich: Wilhelm Fink Verlag, 2009: 222-229.
Slash: Paper Under the Knife. Edited by Martina d’Alton. Exhibition catalogue. New York: Museum of
Arts and Design; New York: Harry N. Abrams, Inc., 2009: 100-103.
Snøhetta Works. Edited by Snøhetta. Baden: Lars Müller Publishers, 2009: 22-23, 208.
Spacecraft 2: More Fleeting Architecture and Hideouts. Edited by Robert Klanten and Lukas Feireiss.
Berlin: Gestalten, 2009: 236-237.
Textile Architecture / Textile Architektur. Edited by Sylvie Krüger. Berlin: Jovis Verlag GmbH: 42.
The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné. Edited by
Libby Hruska. Exhibition catalogue. New York: The Museum of Modern Art, 2009: 122.
The Kaleidoscopic Eye: Thyssen-Bornemisza Art Contemporary Collection. Edited by Araki Natsumi,
Tagomori Miho, Sasaki Hitomi, and Oyamada Yoko. Exhibition catalogue. Tokyo: Mori Art Museum,
2009: 46-47.
The World is Yours: International Samtidskunst på Louisiana / Contemporary Art. Edited by Michael
Juul Holm, Anders Kold and Tine Colstrup. Exhibition catalogue. Danish and English editions.
Humlebæk: Louisiana Museum of Modern Art, 2009: 32-35.
Tøjner, Poul Erik. “Olafur Eliasson.” In Nyerhvervelser / New Acquisitions 2007-2008. Exhibition
catalogue. Humblebaek: Louisiana Museum of Modern Art, 2009.
Transitory Objects. Edited by Johannes Porsch and Daniela Zyman / Thyssen-Bornemisza Art
Contemporary. Exhibition catalogue. Cologne: Verlag der Buchhandlung Walther König: 7-8.
Updating Germany: 100 Projekte für Eine Bessere Zukunft. Edited by Friedrich von Borries + Matthias
Böttger, Raumtaktik. Exhibition catalogue, 11th Architecture exhibition, Venice Biennale, 2008.
Ostfildern: Hatje Cantz, 2008: 272-275.
Ursprung, Philip. “Narcissistic Studio.” In The Fall of the Studio: Artists at Work. Edited by Wouter
Davidts and Kim Paice, 163-183. Antennae Series No. 1. Amsterdam: Valiz, 2009.
Was ist gute Kunst? Edited by Wolfram Völcker. Ostfildern: Hatje Cantz Verlag, 2009: 69, 71.
Weschler, Lawrence. Seeing is forgetting the name of the thing one sees: Over Thirty Years of
Conversations with Robert Irwin. Expanded edition. Berkeley: University of California Press, 2009.
Youniverse: Bienal de Arte Contemporáneo de Sevilla. Edited by Fundación BIACS. Exhibition
catalogue. Sevilla: Fundación BIACS, 2009: 312-313.
2008
2Move: Video Art Migration. Edited by Mieke Bal and Miguel Á. Hernández-Navarro, 176-177.
Exhibition catalogue, Traveling Exhibition. Murcia: CENDAC, 2008.
50 Moons of Saturn: T2 Torino Triennale. Exhibition catalogue. Rivoli-Torino: Castello di Rivoli Museo
d’Arte Contemporanea; Torino: Fondazione Sandretto Re Rebaudengo; Torino: Fondazione Torino
Musei; Milan: Skira Editore S.p.A, 2009: 145-176.
Arte Contemporanea: Scenari e Materiali. Special edition by il Gruppo Editoriale L'Espresso S.p.A., 94.
Milan: La Biblioteca di Repubblica-L'Espresso, 2008.
Basting, Barbara. Kunst für Bauten, Kunst für Bürgerinnen und Bürger. Edited by Stadt Zurich, Amt für
Hochbauten. Zürich: Stadt Zurich, Amt für Hochbauten, 2008: 172.
Beccaria, Marcella. "Olafur Eliasson." In The Castle: The Collection. Edited by Michele Abate, 228-231.
Exhibition catalogue, Castello di Rivoli Museum of Contemporary Art, Torino. Milan: Skira Editore
S.p.A., 2008.
Best of Austria: Eine Kunstsammlung. Exhibition catalogue. Linz: Lentos Kunstmuseum Linz; Weitra:
publication PNº1, Verlag für Literatur, Kunst und Musikalen, 2008: 104, 107.
Birnbaum, Daniel. The Hospitality of Presence: Problems of Otherness in Husserl's Phenomenology.
Second edition. Berlin: Sternberg Press, 2008.
Blickmaschinen oder wie Bilder entstehen: Die zeitgenössische Kunst schaut auf die Sammlung Nekes.
Edited by Nike Bätzner, Werner Nekes and Eva Schmidt. Exhibition catalogue. Siegen: Museum für
Gegenwartskunst Siegen; Budapest: Mücsarnok / Kunsthalle Budapest; Sevilla: Centro Andaluz de Arte
Contemporáneo, 2009: 163-164, 170-171, 279.
CCA project 05.1997 - 03.2007. Edited by Akiko Miyake. Kitakyushu: Center for Contemporary Art,
CCA Kitakyushu, 2007: 104-105.
Crary, Jonathan. "Olafur Eliasson: Visionary Events." In Danskjävlar - a Swedish Declaration of Love.
Exhibition catalogue. Copenhagen: Kunsthal Charlottenborg, 2008.
Das Sehen sehen. Neoimpressionismus und Moderne. Signac bis Eliasson. Edited by Matthias
Haldemann, cover image, 126, 127, 129, 172-175. Exhibition catalogue. Zug: Kunsthaus Zug; Ostfildern:
Hatje Cantz Verlag, 2008.
Engelhard, Günter. "Olafur Eliasson." In DZ Bank Sammlung im Städel Museum / DZ Bank Collection in
the Städel Museum, 79-81. Edited by Luminita Sabau. Texts by Hubert Beck, Günter Engelhard, et al.
Ostfildern: Hatje Cantz Verlag, 2008.
L'Effet Papillon, 1989-2007. Geneva: Centre d'Édition Contemporaine, 2008.
Formulas for Now. Formulated by Hans Ulrich Obrist. London: Thames & Hudson, 2008: 47.
Full House: Kouri-Kokoelma Ja Minimalistisia Seikkailuja Amerikasta / The Kouri Collection and
American Minimalist Adventures. Edited by Satu Metsola and Arja Miller. Exhibition catalogue.
Kiasma, Finland: Museum of Contemporary Art Kiasma, 2008: 56-63.
Gärtner, Barbara. "The weather project." In Stations: 100 Meisterwerke Zeitgenössischer Kunst. Edited
by Amélie von Heydebreck, 152-153. With video CD. Cologne: DuMont Buchverlag, 2008.
Gletscher Dämmerung: Klimawandel und die Folgen. Edited by Sabine Adler and Robert Schmitt, 20-23.
Eres Stiftung, Munich. Immenstadt: Graphische Betriebe Eberl Gmbh, 2008.
Heavy Metal: Die unerklärbare Leichtigkeit eines Materials / On the Inexplicable Lightness of a
Material. Edited by Dirck Luckow. Exhibition catalogue, Kiel: Kunsthalle zu Kiel, 2008: 53, 220.
Jensen, Mette Jerl. Mur Sten: Forudsaetninger, Problemer, Muligheder. Copenhagen: Cinark; Det
Kongelige Danske Kunstakademi, Kunstakademiets Architektskole: 68-71.
Katalog 2008 / Catalog 2008. Edited by Beate Styri, Anneli Torgersen, and Mari Aarre. Oslo: KORO Kunst i Offentlege Rom / Public Art Norway, 2008: 28.
Kania, Elka. “Olafur Eliasson.” In Number One: Destroy, She Said; Julia Stoschek Collection. Edited by
the Julia Stoschek Foundation e.V., Dusseldorf, 163-167. Exhibition catalogue, Julia Stoschek Collection,
Düsseldorf. Ostfildern: Hatje Cantz Verlag, 2008.
Katalog 2007 / Catalog 2007. Edited by Anneli Torgersen, Dag Wiersholm, and Hilde Herming. Oslo:
KORO - Kunst i Offentlege Rom / Public Art Norway, 2007: 78-79.
Kunst und Klima / Art and Climate: Moralische Fantasien / Moral Imagination. Edited by Dorothee
Messmer and Markus Landert, 80-83. Exhibition catalogue, Warth: Kunstmuseum des Kantons Thurgau.
Nürnberg: Verlag für Moderne Kunst, 2008.
Lost Paradise – The Angel's Gaze. Edited by Juri Steiner and Armin Kerber. Exhibition catalogue,
Zentrum Paul Klee, Bern. Ostfildern: Dr. Cantz'sche Druckerei, 2008.
M/M (Paris). Live Recorded Delay: An Archive of Il Tempo del Postino. Edited by Charles Arsène-Henry.
Exhibition catalogue, Manchester Opera House, 2007. Berlin: Sternberg Press, 2008.
Mark, Lisa Gabrielle. "Olafur Eliasson." In This is Not to Be Looked at: Highlights from the Permanent
Collection of the Museum of Contemporary Art, Los Angeles. Senior Editing by Jane Hyun. Los Angeles:
Museum of Contemporary Art, 2008.
Nordiske Stemninger - vor tids landskabsfotografi / Nordic Moods - landscape photography of our time.
Edited by Christian Gether and Marie Louise Helveg. Exhibition catalogue. Ishøj: ARKEN Museum for
Moderne Kunst, 2008: 36-39.
Ny Dansk Kunst / New Danish Art. Edited by Torben Zenth. Copenhagen: Kopenhagen Publishing, 2008:
336, 422-431.
Outline: Architecture by Schmidt Hammer Lassen. Edited by Bjarne Hammer, Charlotte Schmidt, Runa
Sabroe, Rasmus Kierkegaard. Basel/Boston/Berlin: Birkhäuser Verlag AG, 2008: 76-77, 80-83.
Paixóns Privadas, Visións Públicas: Coleccións D.O. Galicia. Exhibition catalogue. Vigo: Museo de
Artre Contemporánea de Vigo: 154.
Plessi in Erlangen: Die Erlangen Arcaden und der Digital River. Mainz: Chorus Verlag für Kunst und
Wissenschaft; Essen: mfi Management für Immobilion AG, 2008: 60, 62.
Precisions. Edited by Ákos Moravánszky and Ole W Fischer. Berlin: Jovis Verlag, 2008: 36-41.
Revolutions - Forms That Turn. Edited by Carolyn Christov-Bakargiv. Exhibition catalogue, 2008
Biennale of Sydney. Victoria: Thames & Hudson Australia, 2008: 145.
Smith, Elizabeth A.T. "The Comprehensivist: Buckminster Fuller and Contemporary Artists." In
Buckminster Fuller: Starting with the Universe. Edited by K. Michael Hays and Dana Miller, 60-75. New
York: Whitney Museum of American Art, in association with Yale University Press, New Haven and
London, 2008.
Stafford, Barbara Maria. Echo Objects: The Cognitive Work of Images. Chicago / London: The University
of Chicago Press, 2007: cover,132-134.
True North. Exhibition catalogue, 36-39. Berlin: Deutsche Guggenheim; Ostfildern: Hatje Cantz Verlag,
2008.
U-TURN: Kvadriennale for Samtidskunst / Quadriennial for Contemporary Art. Exhibition catalogue.
Initiated by Kunstradet / Danish Arts Council. Copenhagen: U-TURN, 2008: 133, 170.
Ulrich Obrist, Hans. "Olafur Eliasson." Interview. In In Conversations, 217-226. Paris: Manuella
Éditions, 2008.
Wahrheit ist, was uns verbindet. Edited by Matthias Bormuth and Monica Meyer-Bohlen. Image essay by
Olafur Eliasson. Exhibition catalogue, Carl von Ossietzky Universität Oldenburg. German and English
editions. Bremen: H.M. Hauschild GmbH, 2008.
We Europeans?: Media, Representations, Identities. Edited by William Uricchio. Changing Media,
Changing Europe Series, Vol. 6. Bristol: Intellect Books; Chicago: Intellect Books, 2008: cover.
Zeitblick. Ankäufe der Sammlung Zeitgenössischer Kunst der Bundesrepublik Deutschland 1998-2008.
Edited by Der Beauftragte der Bundesregierung für Kultur und Medien. Exhibition catalogue, MartinGropius-Bau, Berlin, 2008-09. Köln: DuMont Buchverlag, 2008: 147, 150-151.
Zoom in Zoom out: Z33 Contemporary Art & Design Projects collected; 29/10/2006-28/09/2008. Hasselt:
Z33, Zuivelmarkt 33; Gent: MER. Paper Kunsthalle, 2009: 41.
2007
1940s to Now: Guggenheim Collection. Edited by The Solomon R. Guggenheim Foundation, 228-229.
Exhibition catalogue. Melbourne: National Gallery of Victoria, 2007.
2move: Video Art Migration. Edited by Mieke Bal and Miguel Á. Hernández-Navarro. Murcia: Cendeac,
2008: 176-177.
Art in action: Nature, Creativity and Our Collective Future. Edited by Raoul Goff et al. , 16-17. San
Rafael: Earth Aware Editions, 2007.
Blom, Ina. On the Style Site: Art, Sociality, and Media Culture. Berlin: Sternberg Press, 2007: 116-123,
217, 236-237.
"Das Sehen des Selbst." Art for Innovation: Stuttgart 2007. Edited by Zentralabteilung Anlagen und
Bauten der Robert Bosch GmbH, 42-45. Stuttgart: Robert Bosch GmbH, 2007.
Eckmann, Sabine and Lutz Koepnick. Window Interface. With contribution by Anne Fritz. Exhibition
catalogue, 60, 68-69. St. Louis: Mildred Lane Kemper Art Museum, Washington University, 2007.
Eliasson, Olafur. “Having Hreinn in Mind.” In Hreinn Fridfinnsson. Exhibition catalogue, 24-25.
London: Serpentine Gallery; Reykjavik: Reykjavik Art Museum; Cologne: Verlag der Buchhandlung
Walther König, 2007.
Fast Forward: Contemporary Collections for the Dallas Museum of Art. Edited by María de Corral and
John R. Lane. Exhibition catalogue, Dallas Museum of Art, 2007. Dallas: Dallas Museum of Art; New
Haven / London: Yale University Press, 2007: 300-301.
Findings on Ice. Edited by Hester Aardse & Astrid van Baalen, 44-49. Amsterdam: Pars Foundation;
Baden: Lars Müller Publishers, 2007.
Fortunate Objects: Selections from the Ella Fontanals-Cisneros Collection / Objetos Afortunados:
Selección de la Colección Ella Fontanals-Cisneros. Exhibition catalogue. Milan / New York: Charta
Books Ltd.; Miami: Cisneros Fontanals Art Foundation (CIFO), 2007: 60-63.
FOTO.KUNST. Edited by Lucie Binder-Sabha and Silvia Köpf, 99-101. Klosterneuburg/Wien: Edition
Sammlung Essl, 2007.
futuresystems: rare momente. Exhibition catalogue, 14-15, 23, 34-37. Linz: Lentos Kunstmuseum;
Vienna: Schlebrügge.Editor, 2007.
Gehen. Bleiben; Bewegung, Körper, Ort in der Kunst der Gegenwart. Edited by Volker Adolphs and
Philip Norten, 178-181. Ostfildern: Hatje Canz Verlag; Bonn: Kunstmuseum Bonn, 2007.
Gianni Colombo: Il Dispositivo Dello Spazio. Edited by Giorgio Bigatti. Exhibition catalogue. Milan:
Rotonda di via Besana; Skira Editore, 2006: 13.
Hollen steiner, Walter. "Portikus." In Kunst lehren / Teaching art. Edited by Heike Belzer and Daniel
Birnbaum, 207-213. Frankfurt am Main: Staatliche Hochschule für Bildende Künste, Städelschule; Köln:
Verlag der Buchhandlung Walther König, 2007.
"I can only see things when I move". Positionen zeitgenössischer Kunst auf Paper. Edited by Katharina
Hoins et al., 8. Dresden: Kupferstitch-Kabinett, Staatliche Kunstsammlungen Dresden; Munich / Berlin:
Deutscher Kunstverlag, 2007.
Inhotim Centro de Arte Contemporânea. Collection catalogue. Belo Horizonte, 2007.
Kunstmaschinen Maschinenkunst / Art Machines Machine Art. Edited by Katharina Dohm et al., 56-63.
Heidelberg: Kehrer Verlag Heidelberg; Frankfurt: Shirn Kunsthalle Frankfurt; Basel: Museum Tinguely,
2007.
Loreck, Hanne. "Mode als Zeichnung im Raum - Streiflichter." In Räume der Zeichnung. Edited by
Angela Lammert et al., 223-243. Berlin: Akademie der Kunste; Nürnberg: Verlag für moderne Kunst,
2007.
Models, 306090 Books Volume 11. Edited by Emily Abruzzo, Eric Ellingsen and Jonathan D. Solomon.
Preface by Olafur Eliasson, 18-25. New York: 306090, Inc., 2007.
Obrist, Hans Ulrich. "Olafur Eliasson: From Exhibition Space to Architectural Space." In DLD 2007:
Book for Friends. Edited by Robert Jacobi, 206-209. Munich: DLD (Digital, Life, Design), 2007.
Previously in: Colour Memory and Other Informal Shadows: Olafur Eliasson. Edited by Studio Olafur
Eliasson and Marit Woltmann. Oslo: Astrup Fearnley Museet for Moderne Kunst, 2004.
Obrist, Hans Ulrich. “What Eliasson and Fridfinnsson teach us.” In Distance. Edited by Koji Mizutani,
126-133. Tokyo: Infas Publications, 2007.
Maurer, Simon. "Olafur Eliasson." Welt-Bilder 2 / World Images 2. Edited by Helmhaus Zürich.
Exhibition catalogue, Helmhaus Zürich. Nürnberg: Verlag für moderne Kunst Nürnberg, 2007.
Meister, Carolin. "Konvulsivische Natur: Olafur Eliassons Phänomenotechnik." In Vermessen:
Landschaft und Ungegenständlichkeit. Edited by Werner Busch and Oliver Jehle, 13-31. Zürich/Berlin:
Diaphanes, 2007.
Nature Design. Edited by Angeli Sachs and Museum Für Gestaltung Zürich, 132-135. Exhibition
catalogue. Baden: Lars Müller Publishers, 2007.
Natural metaphor. An Anthology of Essays on Architecture and Nature. Edited by Joseph Lluis Mateo,
112-123. Barcelona/New York: Actar, 2007.
Oris 48. Edited by Vera Grimmer, 18-27. Zagreb: Arhitekst, 2007.
Space for Your Future. Exhibition catalogue, Museum of Contemporary Art, Tokyo. Tokoname: INAX,
2007.
2006
Anstoss Berlin, 74-75. BerlIn Haus am Waldsee, 2006.
Arte All’Arte: Art Quality Sustainability. San Gimignano: Associazione Arte Continua, 2006.
Bjerge I Dansk Kunst - fra Willumsen til Parfyme. Exhibition catalogue, 58-59. Herning: Herning
Kunstmuseum, 2006.
Bühne des Lebens - Rhetorik des Gefühls. Stage of Life - Rhetorics of Emotion. Exhibition catalogue, 134.
Munich: Städtische Galerie im Lenbachhaus München, 2006.
Constructing New Berlin. Exhibition catalogue, 86-89, 134. Phoenix: Phoenix Art Museum, 2006.
Der erste Blick. Die Sammlung GAG. Exhibition catalogue, 50-51. Weimar: Klassik Stiftung Weimar,
2006.
Eliasson, Olafur. “The Madagascar Hall series.” Image essay in Miniatur und Panorama: Vogt
Landschaftsarchitekten; Arbeiten 2000-2006. By Günther Vogt. Baden: Lars Müller Publishers, 2006:
496-525.
Ellipse Foundation Contemporary Art Collection. Exhibition catalogue. Cascais: Ellipse Foundation
Contemporary Art Collection, 2006.
Fantastic Politics. Art in Times of Crisis / Fantastisk politikk. Kunst i turbulente tider. Exhibition
catalogue, 116-119. Oslo: Nasjónalmuseet for Kunst, Arkitektur og Design, 2006.
FASTER! BIGGER! BETTER! Signierte Werke der Sammlungen im ZKM / Museum für Neue Kunst.
Edited by Gregor Jansen and Peter Weibel, 100-101. Cologne, 2006.
Eye on Europe. Prints, Books & Multiples / 1960 to Now. Edited by Deborah Wye and Wendy Weitman.
New York: The Museum of Modern Art, 2006.
Vitamin Ph. New Perspectives in Photography. London, 2006: 84-87.
Hans Ulrich Obrist, ...dontstopdontstopdontstopdontstop. New York/Berlin, 2006: 99-103.
Intensive Science. Exhibition catalogue, 10-12. Paris: La Maison Rouge, 2006.
L’art moderne et contemporain. Edited by Serge Lemoine, 304-305. Paris, 2006.
One Year Celebration. A Poster Project. Edited by Peter Huyghe. Gent, 2006.
Schifferle, Judith: “Olafur Eliasson.” In The UBS Art Collection: Fotographie. Edited by The UBS Art
Collection in collaboration with Katja Vobiller. Zürich: UBS AG, 2006: 68-75.
Skaalanihe. Shiftscale. Sculpture at the Extended Field. Exhibition catalogue. Tallinn: Kumu Art
Museum, 2006.
Testigos / Witnesses. Exhibition catalogue. NMAC Foundation. Milan 2006: 86-89.
The air is blue. Insights on art & architecture: Luis Barragán Revisited. Edited by Hans Ulrich Obrist
and Pedro Reyes, 50-53. Mexico: LAR / Fernando Romero, 2006.
The Expanded Eye. Sehen - entgrenzt und verflüssigt. Exhibition catalogue, 206. Zurich: Kunsthaus
Zürich, 2006.
Visuell – Blind Date. Neuerwerbungen der Sammlung Deutsche Bank. Exhibition catalogue, 31, 208.
Galerie Kunstforum Seligenstadt, 2006.
2005
Lichtkunst aus Kunstlicht. Licht als Medium der Kunst im 20. und 21. Jahrhundert. Light art from
artificial light. Light as a Medium in 20th and 21st Century Art. Edited by Peter Weibel and Gregot
Jansen. Exhibition catalogue. Karlsruhe, 2005-2006.
Always a Little Further. Exhibition catalogue, 94-99. La Biennale di Venezia, 51. International Art
Exhibition. Venice 2005.
Arte All’Arte 10. Arte Architettura Paesaggio. Exhibition catalogue. San Gimignano: Arte Continua,
2005: 42-47.
Bienalja e Tiranës 3: Tabu Molisëse; 5 Episode / Tirana Biennale 3: Sweet Taboos; 5 Episodes. Tirana:
Tirana Biennale, 2005: cover, 60-63, 371.
BTG? 4: Bridge the Gap? 4. Exhibition catalogue. Edited by Akiko Miyake and Hans Ulrich Obrist.
Kitakyushu: Center for Contemporary Art CCA Kitakyushu, 2006: 26, 60-61.
Castello di Rivoli, 20 Anni d’Arte Contemporanea. Milan 2005: 314-315.
Expérience de la durée. Exhibition catalogue. Lyon: Biennale de Lyon, 2005: 126-129.
Hannula, Mika - Suoranta, Juha -Vadén, Tere. Artistic Research - Theories, Methods and Practices,
published by Academy of Fine Arts, Helsinki, Finland and University of Gothenburg / ArtMonitor,
Gothenburg. Sweden 2005: 130-136.
Here Comes the Sun. Exhibition catalogue. Stockholm: Magasin 3 Stockholm Konsthall, 2005.
Making Things Public: Atmospheres of Democracy. Edited by Bruno Latour and Peter Weibel.
Kartlsruhe: ZKM | Center for Art and Media Karlsruhe; Cambridge, Massachusetts and London, England:
The MIT Press, 2005: 258-259.
Material Time, Work Time, Life Time. Exhibition catalogue, 26-33. Reykjavik: Reykjavik Arts Festival,
2005.
No. 1: First Works by 362 Artists. Edited by Francesca Richter and Matthew Rosenzweig. New York:
D.A.P./Distributed Art Publishers, Inc., 2005: 125.
Ny Dansk Kunst. Copenhagen: Kopenhagen Publishing / Shooting Gallery Press, 2006: 88-91.
Schultz-Möller, Regina. “Olafur Eliasson: Your space embracer; Einsteinturm.” In Einstein Spaces: Neun
Kunstprojekte in Berlin, Potsdam und Caputh. Berlin: Einstein Forum, 2005: 73-78.
Ursprung, Philip. “Im Smog der Globalisierung: Olafur Eliassons ‘The weather project.’” In Werke im
Wandel?: Zeitgenössische Kunst zwischen Werk und Wirkung. Edited by Lars Blunck, 107-122. Munich:
Verlag Silke Schreiber, 2005.
Wolkenbilder. Die Erfindung des Himmels. Exhibition catalogue. Aarau: Aargauer Kunsthaus, 2005.
2004
Að flytja fjöll. Production by Inga Jónsdóttir. Exhibition catalogue. Árnesinga: Listasafns Árnesinga,
2007: 30-31.
Architecture Now III. Edited by Philip Jodidio, 178-182. Cologne: Taschen, 2004.
Bewegliche Teile. Formen des Kinetishcen. Basel: Kunsthaus Graz am Tinguely, 2004-2005: 204-205.
Caci. Collection catalogue. Inhotim: Centro de Arte Contemporanea, 2004.
ein-leuchten. Edited by Daniela Zyman, 57-63. Exhibition catalogue. Vienna: Museum der Moderne
Salzburg, 2004.
Sánchez, Alberto. “Olafur Eliasson. In Colección de Fotografía Contemporánea de Telefónica.
Exhibition catalogue. Edited by Olivares y Asociados, S.L., 115-121. Madrid: Fundación Telefónica,
2004:
Eliasson, Olafur. Transcript of presentation. Art Basel Conversations. Basel: Art 35 Basel, 2004: 76.
Invisible. Exhibition catalogue, 128-133. Siena: Palazzo delle Papesse Centro Arte Contemporanea, 2004.
Landscape and Memory, Exhibition catalogue. Centro Atlántico de Arte Moderno. 2004.
Limelette, Contemporary Photographs. Edited by Von Group Lhoist Collection, Limelette, 2004: 144147.
Los usos de la imagen. Exhibition catalogue, 186-188. Buenos Aires: La Colleción Jumex, 2004.
Medvedow, Jill and Carole Anne Meehan. “Vita: History, Landscape, and Art 1998-2003.” Boston:
Institute of Contemporary Art; Steidl, 2004.
Parkett - 20 Years of Artists’ Collaborations. Exhibition and catalogue edited by Mirjam Varadinis, with
Eveline Schmid. Exhibition catalogue, Kunsthaus Zürich, 2004-05. Zürich / New York: Parkett
Publishers, 2004: 23, 109, 192-193, 199.
Recherche - entdeckt! Bildarchive der Unsichtbarkeiten. Edited by Andreas Bauer with Ludwig Seyfarth,
202-215. Exhibition catalogue. Esslingen: 6 Internationale Foto-Triennale, 2004.
Sensi contemporanei in Campania dalla 50tesima Esposizione Internazionale d’Arte della Biennale di
Venezia, Exhibition catalogue. Edited by Francesco Bonami with Molly Nesbit, Hans Ulrich Obrist,
Rirkrit Tiravanija, 31. Bari, 2004.
The Encounters in the 21st Century: Polyphony - Emerging Resonances, Exhibition catalogue, 32-33.
Kanazawa: 21st Century Museum of Contemporary Art, 2004-05.
Werke aus der Sammlung Boros. Edited by Götz Adriani, 72-93. Exhibition catalogue. Stuttgart: Museum
für Neue Kunst | ZKM Karlsruhe, 2004.
2003
After the Observatory. Exhibition catalogue. New York: Paula Cooper Gallery, 2003.
Coysh, Louise. “Olafur Eliasson.” In The Straight or Crooked Way: Curating Experience. Exhibition
catalogue, 63-68. London: Royal College of Art, 2003.
Dreams and Conflicts: The Dictatorship of the Viewer; 50th International Art Exhibition; La Biennale di
Venezia. Edited by Francesco Bonami and Maria Luisa Frisa. Exhibition catalogue. Venice: La Biennale
di Venezia, 2003: 340, 348-349, 520-521, 627.
Eggel, Caroline. “Ohne einen Glaspalast ist das Leben eine Last.” In No Art = No City! Stadtutopien in
der zeitgenössischen Kunst/Urban Utopias in Contemporary Art. Edited by Florian Matzner et al., 43-45.
Exhibition catalogue. Bremen: Städtische Galerie im Buntentor; Ostfildern-Ruit, 2003.
Einbildung: Das Wahrnehmen in der Kunst/Imagination: Perception of Art. Edited by Peter Pakesch, 7879. Exhibition catalogue. Graz: Kunsthaus Graz; Cologne, 2003.
Eliasson, Olafur. “Museums are Radical.” In Jahresring 50. Jahrbuch für moderne Kunst. Edited by
Marjorie Jongbloed et al., 180-185. Cologne, 2003.
Eliasson, Olafur. “Quasi Brick Wall: Pared de ladrillos quasi.” In Fundación NMAC 2002/2003.
Exhibition catalogue, 22-27. Fundación NMAC, Montenmedio Arte Contemporáneo; Vejer de la
Frontera, 2003.
History of Modern Art, 5th Edition, 763. London: Laurence King Publishing Ltd., 2003.
Imperfect Innocence: The Debra and Dennis Scholl Collection. Edited by Diana Murphy, 70-71.
Exhibition catalogue. Baltimore: Contemporary Museum, Baltimore; Lake Worth: Palm Beach Institute
of Contemporary Art, 2003.
Jakobsen, Lise, and Gitte Ørskou. “Olafur Eliasson.” In Dreams and Conflicts: The Dictatorship of the
Viewer: La Biennale di Venezia: 50th International Art Exhibition. Exhibition catalogue, 520-521.
Venice: 50 Biennale Venice, 2003.
Kopplin, Bärbel. “Olafur Eliasson.” In Münchens neue Altstadt: Schäfflerhof-Fünf Höfe. Munich 2003:
32-33.
Kretzschmar, Iris. ”Spiel mit dem einfallenden Sonnenlicht.” In Hybride Zonen: Kunst und Architektur in
Basel und Zürich/Hybrid Zones: Art and Architecture in Basel and Zurich. Eds. Sybille Omlin and Karin
Frei Bernasconi. Basel 2003: 138-139.
Obrist, Hans Ulrich. “Olafur Eliasson.” In Interviews: Volume I. Edited by Thomas Boutoux, 193-209.
Milan, 2003.
Rent-a-Bench. Exhibition catalogue, 19, 75. Kolding: Trapholt Museum, 2003.
See History 2003: Eine Sammlung wird ausgestellt. Edited by Dirk Luckow, 17. Exhibition catalogue.
Kiel: Kunsthalle zu Kiel der Christian-Albrechts-Universität, Schleswig-Holsteinischer Kunstverein Kiel,
2003.
Subjective Realities, Refco Collection of Contemporary Photography, 2003.
Svjetlina: Djela iz Thyssen-Bornemisza Zaklade za suvremenu umjetnost/Brightness: Works from the
Thyssen-Bornemisza Contemporary Art Foundation. Exhibition catalogue, 30-33. Museum of Modern
Art; Dubrovnik, 2003.
The Fifth System: Public Art in the Age of “Post-Planning.” Exhibition catalogue, 55-65. The 5th
Shenzhen International Public Art Exhibition.
Tirana Biennale 2. Exhibition catalogue. Tirana: Biennale Tirana, 2003.
2002
Archer, Michael. Art Since 1960. New edition, 240. New York, 2002.
Ars Photographica: Fotografie und Künstlerbücher. Edited by Anne Thurmann-Jajes, 166. Exhibition
catalogue. Neues Museum Weserburg; Bremen, 2002.
Art Now: 137 Artists at the Rise of the New Millenium/137 Künstler zu Beginn des 21. Jahrhunderts/137
artistes au commencement du 21ème siècle. Edited by Uta Grosenick and Burkhard Riemschneider, 132135. Cologne, 2002.
Art Now: 137 Artists at the Rise of the New Millennium. Edited by Uta Grosenick and Burkhard
Riemschneider, 132-135. Cologne, 2002.
Clausen, Barbara. “Olafur Eliasson.” In Thin Skin. The Fickle Nature of Bubbles: Spheres: and Inflatable
Structures. Edited by Independent Curators International. Exhibition catalogue, 32-33. New York: AXA
Gallery; Scottsdale: Scottsdale Museum of Contemporary Art; Gemeentemuseum Helmond; Chicago:
McAllen International Museum, Chicago Cultural Center; Edward A. Ulrich Museum of Art, Wichita
State University. Wchita: Boise Art Museum, 2002.
Dialoghi Europei d’arte: Città di Napoli. Edited by Anna Casotti, 75-92. Exhibition catalogue. Naples:
Castel dell’Ovo and Castel Nuovo; Milan, 2002.
Diamanti: Arte. storia. Scienza. Exhibition catalogue, 44-45. Scuderie del Quirinale; Rome, 2002.
Eliasson, Olafur. “Lo único que tenemos en común é que somos diferentes.” In XXVII Bienal de Arte de
Pontevedra: Narrando: espacios: tiempos: historias. Exhibition catalogue, 54-57, 206-207. Pontevedra:
Pazo da Cultura de Pontevedra, 2002.
EVN Sammlung: Ankäufe 2000-2002. Edited by EVN AG, 16. Maria Enzersdorf, 2002.
Formanek, Verena. “‘Your Spiral View’ von Olafur Eliasson.” In Claude Monet … bis zum digitalen
Impressionismus. Exhibition catalogue, 226-235. Riehen: Fondation Beyeler; Munich, 2002.
Golart Stiftung München 1997-2001. Munich, 2002.
Katalog 32. Statens konstråd 2002. Edited by Susanne Eriksson, 12-15, 64-67. Stockholm, 2003.
No Return. Exhibition catalogue, 128-129. Städtisches Museum Abteiberg; Mönchengladbach, 2002.
Oluf Høst i dialog med nutiden. Edited by Anna Krogh and Jens Erik Sørensen. Exhibition catalogue, 25.
Aarhus: Kunstmuseum Aarhus, 2002.
“Qu’est-ce que l’art?/What Is Art Today?” Beaux-Arts Magazine, special issue. Paris 2002: 116-119.
Radar: Electronic Integration. Exhibition catalogue, 14-15. Copenhagen; Malmö, 2002.
Rondeau, James. “The Mobility of the Real: Olafur Eliasson Is Now.” In The Hugo Boss Prize 2002:
Francis Alÿs, Olafur Eliasson, Hachiya Kazuhiko, Pierre Huyghe, Koo Jeong-a, Anri Sala. Exhibition
catalogue, 37-49. New York: Solomon R. Guggenheim Museum, 2002.
Schoen, Anne. ”Olafur Eliasson.” In Künstler: Kritisches Lexikon der Gegenwartskunst, 58, no 11, 2nd
quarter. Munich, 2002.
Skucpanjol, Igor. ”Rhythmical Images.” In Galerija Skuc 1999/2000. Edited by Gregor Podnar.
Exhibition catalogue, 94-95. Galerija kuc; Ljubljana, 2002.
The Object Sculpture. Exhibition catalogue, 146-149. Leeds: Henry Moore Institute, 2002.
2001
6th Carribean Biennial. Exhibition catalogue. The Golden Lemon, St. Kitts. Dijon 2001, no page
numbers.
Arts in Transit: 2000-2001 Catalog. Edited by Arts in Transit, Bi-State Development Agency. St. Louis,
2001: 6-9.
Aubette: Het verlangen naar een (andere) plaats. Exhibition catalogue, 30-33. Museum DhondtDhaenens; Deurle, 2001.
Cavallucci, Fabio and Pier Luigi Tazzi. ”Refreshing.” In La Biennale di Venezia: 49. Esposizione
Internazionale d’Arte: Platea dell’umanita. Exhibition catalogue, 306-307. Venice: Biennale Venice,
2001, vol. 1.
Eliasson, Olafur. “457 Words on Color.” In Bridge the Gap? Programme Book. Edited by Miyake Akiko
et al., 76-77. Kitakyushu: CCA Center for Contemporary Art, 2001.
Eliasson, Olafur. “Die einzige Sache, die wir gemeinsam haben, ist, dass wir verschieden sind.” In Public
Art: Kunst im öffentlichen Raum. Edited by Florian Matzner, 443-445. Ostfildern-Ruit, 2001.
En pleine terre: Eine Wanderung zwischen Landschaft und Kunst: Spiral Jetty und Potsdamer
Schrebergärten. Exhibition catalogue. Museum für Gegenwartskunst Basel der öffentlichen
Kunstsammlungen Basel und der Emanuel Hoffmann-Stiftung. Basel, 2001.
Everything Can Be Different. Exhibition catalogue. Ann Arbor: Jean Paul Slusser Gallery, University of
Michigan School of Art and Design; Memphis: Art Museum, University of Memphis; Baltimore:
Maryland Institute College of Art; New York, 2001.
Form Follows Fiction/Forma e finzione nell’arte di oggi. Edited by Jeffrey Deitch. Exhibition catalogue.
Turin: Castello di Rivoli, Museo d’Arte Contemporanea; Milan 2001.
Freestyle: Werke aus der Sammlung Boros. Exhibition catalogue, 82-98, 154. Leverkusen: Museum
Morsbroich; Cologne, 2001.
International Triennale of Contemporary Art Yokohama 2001. Edited by Makabe Maori and Mikami
Yutaka. Exhibition catalogue, 30-31, 200-201. Yokohama, 2001.
Kunstwegen: Das Reisebuch: Kunst. Natur und Geschichte im deutsch-niederländischen Vechtetal.
Edited by Martin Köttering and Roland Nachtigäller, 244-249. Nordhorn, 2001.
Neue Welt. Edited by Nicolaus Schafhausen, 40-41. Exhibition catalogue. Frankfurt/Main: Frankfurter
Kunstverein, 2001.
Reust, Hans-Rudolf. “Olafur Eliasson.” In Black Box: Der Schwarzraum in der Kunst. Edited by Ralf
Beil, 108-113. Exhibition catalogue. Kunstmuseum Bern; Ostfildern-Ruit, 2001.
Trummer, Thomas. “Olafur Eliasson: Cartographic Series: 2000.” In The Waste Land: Wüste und Eis:
Ödlandschaften in der Fotografie. Edited by Thomas Trummer, 128-135. Exhibition catalogue. Zentrum
für zeitgenössische Kunst der Österreichischen Galerie Belvedere; Atelier Augarten; Vienna, 2001.
2000
de Corral, María. “Olafur Eliasson: Deus ex machina.” In ForwArt: A Choice. Exhibition catalogue, 2833. BBL; Brussels, 2000.
Christofori, Ralf. "The Vitality of Non-Orthogonal Abstraction," In Raumkörper. Basel: Kunsthalle
Basel, 2000.
Crary, Jonathan. “Olafur Eliasson.” In Amnon Barzel, Targetti Artlight Collection 2000. 148-153.
Eliasson, Olafur. “synaesthetics.” In TRANS>arts:cultures: media #8. Santa Monica. 92-107.
The Greenhouse Effect. Edited by Ralph Rugoff and Lisa G. Corrin, 52-53. Exhibition catalogue. London:
Serpentine Gallery, 2000.
Matzner, Florian. “Erwünschte Momente: Kunst und Stadt in den 90er Jahren.” In Unerwünschte
Momente: Moderne Kunst im Stadtraum. Edited by Walter Grasskamp, 3rd edition, 171-192. Munich,
2000.
Organising Freedom: Nordisk 90-talskonst/Nordic Art of the 90’s. Edited by David Elliott, 50-53.
Exhibition catalogue. Stockholm: Moderna Museet, 2000.
Over the Edges. Book of pictures no. 13. Exhibition catalogue, 86-89. SMAK Stedelijk Museum voor
Actuele Kunst; Gent, 2000.
Panorama 2000: Kunst in Utrecht te zien vanaf de Domtoren/Art in Utrecht Seen from the Dom Tower.
Edited by Marja Bosma et al., 52-55. Exhibition catalogue. Centraal Museum; Utrecht, 1999.
Preis der Nationalgalerie für junge Kunst. Edited by Verein der Freunde der Nationalgalerie. Exhibition
catalogue. Berlin: Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart, 2000.
Raumkörper: Netze und andere Gebilde. Edited by Peter Pakesch. Exhibition catalogue. Basel:
Kunsthalle Basel, 2000.
Steffensen, Erik. Caves and Exits. Copenhagen: The Royal Danish Academy of Fine Arts, 2000: 66-67.
Steiner, Rochelle. “Olafur Eliasson: Interview.” In Wonderland. Exhibition catalogue, 55-59. St. Louis:
St. Louis Museum of Art, 2000.
Syndrome. Exhibition catalogue. IASPIS Galleriet; Stockholm, 2000.
Times Are Changing: Auf dem Wege! Aus dem 20. Jahrhundert! Eine Auswahl von Werken der
Kunsthalle Bremen 1950-2000. Edited by Kunstverein Bremen, 47. Exhibition catalogue. Bremen:
Kunsthalle Bremen, 2000.
Vision og virkelighed: Forestillinger om det 20. århundrede/ Vision and Reality: Conceptions of the 20th
Century. Exhibition catalogue, 70-71. Louisiana Museum for Moderne Kunst; Humlebæk, 2000.
Wanås 2000. Exhibition catalogue, 24-25. Knislinge: Stiftelsen Wanås Utställningar, 2000.
Wissenschaft und Kunst auf dem Campus Berlin-Buch. Edited by BBB, 34-35. Berlin: Biomedizinischer
Forschungscampus Berlin-Buch, 2000.
Z2000: Positionen junger Kunst und Kultur. Edited by Akademie der Künste, 70. Berlin, 2000.
1999
A Project for the Castle. Exhibition catalogue, 314-315. Castello di Rivoli; Milan: Museum of
Contemporary Art, 1999.
Art at the Turn of the Millennium/Ausblick auf das neue Jahrtausend. Edited by Uta Grosenick and
Burkhard Riemschneider, 144-145. Cologne, 1999.
Arte all’Arte: IV Edizione 1999. Exhibition catalogue, 70-87. San Gimignano: Arte Continua, 1999.
Birnbaum, Daniel. "Cosmology, Ecstasy & Versions of the Sun: A Journey into Light. " In Like Virginity,
Once Lost: Five views on Nordic Art Now. Edited by Daniel Birnbaum and John Peter Nilsson, 61-62.
Lund: Propexus, 1999.
Can You Hear Me? 2. Ars Baltica Triennale der Photokunst / 2nd Ars Baltica Triennial of Photographic
Art. Edited by Kathrin Becker, 34-35, 120-121. Exhibition catalogue. Kiel: Stadtgalerie im Sophienhof;
Cologne: Kunsthalle Rostock, 1999.
Carnegie International 1999 2000. Exhibition catalogue, 32-33, 102, 170. Pittsburgh: Carnegie Museum
of Art, 1999.
Eliasson, Olafur. “Proposal for the ‘Sculpture Biennial 1999’.” In Skulptur-Biennale 1999 im
Münsterland. Edited by Kreis Coesfeld, 80-85. Exhibition catalogue. Dülmen, 1999.
Giloy-Hirtz, Petra. Schöpfung. Exhibition catalogue, 112-115, 192. Munich: Karmelitenkirche;
Diözesanmuseum Freising; Landshut: Heilig-Geist-Kirche; Ostfildern-Ruit, 1999.
Jensen, Marianne Krogh. “Olafur Eliasson.” In La Biennale di Venezia: 48. Esposizione Internationale
d’Arte: dAPERTutto. Exhibition catalogue. Edited by Harald Szeemann. Venice 1999: 278-281.
Künstler für Kinder 1999. Published on the occasion of the benefit art auction for children, 1999, as part
of the partnership between the city of Berlin and UNICEF. Berlin, 1999.
Kunstprojekte im Haus der Deutschen Wirtschaft: Wegweiser zu den Dauerinstallationen. Zum
Kunstraum und zur Sammlung des Kulturkreises der deutschen Wirtschaft im BDI e. V. in Berlin. Edited
by Kulturkreis der deutschen Wirtschaft im Bundesverband der Deutschen Industrie, 5-7. Berlin, 1999.
Jensen, Marianne Krogh. “Olafur Eliasson.” In Neste Stopp: Kunstfestivalen I Lofoten. Exhibition
catalogue. Kunstfestivalen I Lofoten, 1999: 4-5.
Parreno, Philippe. “My Days Are Shorter than Your T-Shirt.” In German Open: Gegenwartskunst in
Deutschland. Exhibition catalogue. Wolfsburg: Kunstmuseum Wolfsburg; Ostfildern-Ruit, 1999.
Photography from the Martin Z. Margulies Collection. Exhibition catalogue, 28. Miami: The Art
Museum at Florida International University, 1999.
Saman taivaan alla: Taidetta kaupungissa 1999-2000: Under samma himmel/Under the Same Sky. Edited
by Jari-Pekka Vanhala, 46-51. Exhibition catalogue. Volume 4. Kiasma: Museum of Contemporary Art;
Helsinki, 2000.
Sharawadgi. Edited by Christian Meyer and Mathias Poledna, 66-69. Exhibition catalogue. Baden:
Felsenvilla; Cologne, 1999.
Sogni/Dreams. Edited by Francesco Bonami and Hans Ulrich Obrist, 36-37. Turin: Fondazione Sandretto
Re Rebaudengo per l’Arte. Venice: Biennale Venice, 1999.
Sommerens mørke og lyse nætter/The Northern Summernights Dark and Light. Edited by Inge-Lise Ravn,
14-17. Exhibition catalogue. Aarhus: Aarhus Kunstbygning, 1999.
1998
Allerholm, Milou. “Olafur Eliasson: Parallel nutid.” In Statens konstråd årsskrift 1998. Stockholm 1998:
50-53.
Auf der Spur: Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen. Zürich: Kunsthalle Zürich,
1998: 8.
Berlin/Berlin. Edited by Miriam Wiesel, 97-98. Exhibition catalogue. Berlin: Akademie der Künste,
Postfuhramt, Kunst-Werke; Ostfildern-Ruit, 1998.
Cool Places. Exhibition catalogue. Contemporary Art Centre. Vilnius, 1998.
Cream: Contemporary Art in Culture; 10 Curators; 10 Writers; 100 Artists. London: Phaidon, 1998: 104107.
Edstrandska Stiftelsens Konstnärsstipendiater 1998 / The Edstrand Foundation Art Prize 1998. Edited by
Magnus Jensner, 24-27. Exhibition catalogue. Rooseum: Center for Contemporary Art; Malmö, 1998.
Eliasson, Olafur. “Olafur Eliasson.” In Kunst & Windenergie zur Weltausstellung. Exhibition catalogue,
48-51. Hannover: Rathaus der Landeshauptstadt Hannover, 1998.
Grant, Simon. “Olafur Eliasson.” In Every Day: 11th Biennale of Sydney. Edited by Jonathan Watkins,
90-91. Exhibition catalogue. Sydney: Biennale Sydney, 1998.
Hultmann, Kristina. “Olafur Eliasson: Your Compound View.” In Brytningstider: En bok om vår
föränderliga värld. Stockholm. Stockholm, 1998: 104-109.
Jensen, Marianne Krogh. “Olafur Eliasson: Dinamarca.” In XXIV Bienal de São Paulo: Representações
nacionais. Exhibition catalogue, 238-243. São Paulo, 1998.
La Ville. le jardin. la mémoire. Exhibition catalogue. Villa Medici; Rome: Académie de France à Rome,
1998.
Larsen, Lars Bang. “Olafur Eliasson.” In Something Is Rotten in the State of Denmark. Exhibition
catalogue, 28-31. Museum Fridericianum; Kassel, 1998.
Nuit blanche: Scènes nordiques: Les années 90. Exhibition catalogue. Paris: Musée d’Art Moderne de la
Ville de Paris, 1998.
Olsen, Sanne Kofod. “Olafur Eliasson.” In Mai 98: Positionen zeitgenössischer Kunst seit den 60er
Jahren. Edited by Brigitte Oetker and Christiane Schneider, 67-68. Exhibition catalogue. Cologne:
Kunsthalle Köln, 2000.
Pakkhus. Exhibition catalogue, 36-37. Moss: Momentum Nordic Festival of Contemporary Art, 1998.
“Projeto: Olafur Eliasson.” In XXIV Bienal de São Paulo: Roteiros: Roteiros: Roteiros: Roteiros:
Roteiros: Roteiros: Roteiros.” Exhibition catalogue, 20-21. São Paulo, 1998.
Schmidt, Eva. “Olafur Eliasson.” In Do All Oceans Have Walls? Edited by Horst Griese and Eva
Schmidt, 24-29. Exhibition catalogue. Bremen: Städtische Galerie im Buntentor, 1998.
Seamless: Curatorial Training Programme 97/98. Exhibition catalogue. Amsterdam: De Appel, 1998.
Sightings: New Photographic Art. Exhibition catalogue. London: Institute of Contemporary Art, 1998.
Transatlántico: Diseminación. cruce y desterritorialización. Exhibition catalogue, 76-81. Las Palmas:
Centro Atlántico de Arte Moderno, 1998.
Vingt mille lieues/lieux sur l’esker: 3e Symposium en arts visuels de l’Abitibi-Témiscamingue. Centre
d’exposition d’Amos. 1998: 40, 69.
Visions du Nord. Exhibition catalogue. Paris: Musée d’Art Moderne de la Ville de Paris, 1998.
1997
Alikeness. Exhibition catalogue. Fitzroy: Centre for Contemporary Photography, 1997.
Kunstpreis der Böttcherstraße in Bremen 1997. Exhibition catalogue, 20-25. Bonn: Bonner Kunstverein,
1997.
New Art. Edited by Roxana Marcoci et al., 51. New York, 1997.
On Life: Beauty: Translations and Other Difficulties: 5th International Istanbul Biennial. Edited by Emre
Baykal, 86-87. Exhibition catalogue. Istanbul, 1997.
Stalke 1987-1997. Copenhagen: Stalke Galleri, 1997: 19, 39-41.
Studija Islandija: Islandijos iuolaikinis menas. Exhibition catalogue, 16. Vilnius: Contemporary Art
Centre, 1997.
The Louisiana Exhibition: New Art from Denmark and Scania. Exhibition catalogue, 14. Louisiana
Museum of Modern Art; Humlebæk, 1997.
Trade Routes: History and Geography: 2nd Johannesburg Biennale. Exhibition catalogue, 96-97.
Johannesburg: Biennale Johannesburg, 1997.
Truce: Echoes of Art in an Age of Endless Conclusions. Edited by Janine Sieja. Exhibition catalogue.
Santa Fe: SITE Santa Fe, 1997.
1996
Art Focus: Contemporary Art in Israel. Exhibition catalogue. Jerusalem: The Jerusalem Foundation,
1996: 37.
Echoes: Contemporary Art at the Age of Endless Conclusions. Edited by Francesco Bonami, 182-183.
New York, 1996.
Manifesta 1. Rotterdam. the Netherlands. June 9 - August 19, 1996. Exhibition catalogue, 10-11.
Amsterdam, 1996.
Nach Weimar. Edited by Rolf Bothe, 110-112. Exhibition catalogue. Kunstsammlungen zu Weimar;
Ostfildern-Ruit, 1996.
Prospect 96: Photographie in der Gegenwartskunst. Exhibition catalogue, 124-127. Frankfurt:
Frankfurter Kunstverein; Frankfurt: Schirn Kunsthalle Frankfurt; Kilchberg/Zurich, 1996.
The Scream: Borealis 8. Nordic Fine Arts 1995-96. Exhibition catalogue, 64-67. Arken Museum of
Modern Art; Ishøj, 1996.
1995
Campo 95. Exhibition catalogue, 31. Venice: Corderie dell’Arsenale; Turin: Fondazione Sandretto Re
Rebaudengo; Malmö: Kunstmuseet Malmö, 1995.
(Landschaft) mit dem Blick der 90er Jahre. Edited by Kathrin Becker and Klara Wallner, 54. Exhibition
catalogue. Koblenz: Mittelrhein-Museum; Museum Schloss Burgk/Saale; Berlin: Haus am Waldsee;
Cologne, 1995.
1994
Europa ’94: Junge europäische Kunst in München. Edited by Christian Gögger et al. Exhibition
catalogue. Munich, 1994.
1992
Paradise Europe. Exhibition catalogue. Copenhagen: BizArt, 1992: 62-63, 68, photo supplement.