01-25-11 - Arrow Springs

Transcription

01-25-11
Arrow Springs kits offer you the tools you need bundled together, all at a discount price. Included
at no charge with your kit order, is our informative Tips & Tricks booklet with information on setup
and lampworking techniques. Tips & Tricks are also on our web site at www.ArrowSprings.com
Torch Kits
Hot Head Torch Kit
Hot Head Torch $39.95
Graphite Torch Pad $25.00
Hot Head Holder and Workstation $28.00
Triple Flint Spark Lighter $4.75
If you've got the bug for lampworking,
but don't know enough about it to jump in with both feet,
or perhaps you are on a tight budget, the Hot Head
Torch Kit is for you. All you need to add is a MAPP Gas
bottle, obtained from your local hardware store (usually
for under $10.00), a few tools, and some glass rods. We
recommend the Basic Beginning Tool Kit from this page,
or shop the web site and get only the tools you want. In
addition, one of the rod assortments, also available on
this page, makes for an easy way to learn what your
favorite colors will be.
$97.70 Regular Price
$87.93 Kit Price Part # KIT-HOTHEAD
$9.77 Savings
Minor Burner Kit
Minor Burner $188.00
Graphite Torch Pad $25.00
¼ x 12½' BB Grade T Hose Set $35.00
Propane Regulator $105.00 US/$75.00 Import
Oxygen Regulator $105.00 US/$75.00 Import
Triple Flint Spark Lighter $4.75
For the more serious minded,
we also offer high performance oxygen mix torches. The
Minor Burner, the Mini CC and the Lynx are just a few of
these popular torches that run on either propane or
natural gas and oxygen, from either a bottle or
concentrator (generator).
With American Regulators
$416.48 Kit Price Part # KIT-MINR-U2
$46.27 Savings
Using bottled oxygen or a concentrator?
As you can see, we offer the Torch Kits with both a
propane regulator and oxygen regulator, or you can get
the kit without the oxygen regulator if you choose to use
an oxygen concentrator, also known as an oxygen
generator.
Using an Oxygen Concentrator (Generator)
Deduct the Oxygen Regulator
$321.78 Kit Price Part # KIT-MINR-U1
$35.77 Savings
American or Import regulators
With Import Regulators
The high quality American, Smith Equipment regulators
we sell have a 3 year warranty and are the best you can
get. They hold the steadiest pressures of any single
stage regulator and provide years of trouble free service.
Their MSRP is $147.60. Our regular list price is $105.00.
In the kit they are only $94.50. That is a savings of more
of 36%.
$362.48 Kit Price Part # KIT-MINR-C2
$40.27 Savings
Using an Oxygen Concentrator (Generator)
Deduct the Oxygen Regulator
$295.00 Kit Price Part # KIT-MINR-C1
$32.78 Savings
The Import regulators are adequate, but do have a
typical incident rate that import regulators tend to have.
They only have a 90 day warranty. In the kit, their final
price is $67.50.
More Torch Kit Choices
Make your own torch kit
Carlisle Mini CC Kit – Add $36.90
Nortel Mega Minor Kit – Add $45.90
Mid Range Plus Kit – Add $182.70
Red Max Kit – Add $290.70
Bobcat Kit – Add $6.30
Lynx Kit – Add $222.30
Cheetah Kit – Add $330.80
Wildcat Kit – Add $208.80
Little Dragon 7 Kit – Add $15.30
Bullet Burner Kit – Add $512.10
A torch kit can contain any torch we offer, and we offer a
very wide selection. Here is how it works. If you don't
see the torch kit that you want listed, just give us a call
at 1(800) 899-0689 and we will assemble it for you. A
torch kit not shown must contain an oxygen mix torch, at
least one regulator, a Graphite Torch Pad or similar, a
Grade T Hose Set and a Triple Flint Spark Lighter. All of
these items will receive a 10% discount from our list
price, with a maximum discount of $50.00 for the torch.
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Tool Kits
Basic Beginning Tool Kit 1
ACE Light Filtering Eyewear $45.00
1 Dozen 3/32" x 12" Mandrels $8.50
Dip-n-Go Mandrel Release $7.00
1½" x 2½" Graphite Paddle $14.00
7" Angled Soft Point Tweezers $3.50
10" Blunt Tweezers $5.50
Stainless Steel Rake $6.00
Rod Rest $7.00
6" x 6" x ¼” Graphite Pad $25.00
Aluminum Shaping Marver $8.50
Holy Roller $6.50
Ceramic Fiber Blanket $10.00
Diamond Bead Hole Cleaner and Dresser $7.50
Book - Making Glass Beads! $14.95
Arrow Springs Tool Kits are a great way to get going,
and all at a great discount. The Basic Beginning Kit has
everything you need for immediate success. The AddOn Tool Kits expand your tool selection, enabling you to
perform more advanced lampworking techniques. Yes,
we offer lots more tools than are in the Tool Kits, but
what we have put into these kits are our most popular
tools. Quality tools you can count on to assure your
lampworking success. Instead of one big mega Tool Kit,
we have broken it into three build upon kits so you can
get the kit or kits you need now, when you need them,
and still enjoy a great discount when you add to your
tool box later.
About the light filtering eyewear
$146.58 Kit Price Part # KIT-TOOL1
$25.87 Savings
The ACE Light Filtering Eyewear for lampworking is
available in a variety of frame sizes and styles, as well
as filter lens options. The Basic Beginning Tool Kit
comes with the standard ACE Lens in a Small Economy
frame. This frame fits well for most people. If you require
a larger size frame, or want to wear your prescription
eyewear under your ACE eyewear, we recommend
substituting with the Fitover Frames instead. Cost
difference is only $17.00. For other frame and lens
options, including Clip-On Frames, please see the entire
selection on the Eyewear page. We can modify the
Basic Beginning Tool Kit with one of these other frame
and eyewear choices, just call us at 1(800) 899-0689 to
place the order.
Change the ACE Light Filtering Eyewear from
Small to the large Fitover Frames ($65.00)
Adds $17.00
$163.58 Kit Price Part # KIT-TOOL1L
$28.87 Savings
Add-On Tool Kit 2
Shaping Tool $8.00
Disk Nippers $25.00
BBQ Mashers $40.00
3/32" Tungsten Straight Rake/Poke $9.00
8" Tweezers Mashers $10.00
Frit and Powder Trough $15.00
6" Gold Shears $7.00
Micro Mashers $3.50
The standard ACE lens is ideal for working soft glass,
the glass most commonly used in lampworking. Hard
glass, glass that is compatible with borosilicate glasses,
like Pyrex, Glass Alchemy and Northstar, can also be
lampworked using the standard ACE lens, if you are
working clear and colors that do not glow too brightly.
Many hard glass colors, and especially colors that are
worked at high temperatures, produce so much bright
light, that it is recommended that you use a light filtering
lens with greater eye protection, such as Green ACE.
The Hot Head Torch, and other similar torches, are only
just hot enough to be used with soft glasses, such
Effetre (Moretti), ASK and Bullseye.
$19.24 Savings
Add-On Tool Kit 3
Kim Cone and Vessel Shaper $35.00
Osibin Lentil Shaper $35.00
6-in-One Bead and Marble Mold $45.00
Uncle Al Rod Grabber $30.00
Peters Tweezers $7.50
Brass Stump Shaper $35.00
$28.13 Savings
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UNDERSTANDING TORCHES
There are two general types of torches that work with glass; surface mix and premix. The most versatile type is called
surface mix. Surface mix torches keep the fuel gas, usually propane, separate from the oxygen (or air) until both gases
have exited the torch. The two gases then mix just beyond the surface of the torch’s face. The advantage of this is that
the flame is very quiet, the shape and nature of the flame is more adjustable, and most importantly for soft glasses, the
quality of the flame is better than the flame produced by a premix torch. Soft glass is just about any glass that is not
borosilicate glass, which is often referred to as hard glass. An example of hard glass is Pyrex. Many colors of soft
glass, mostly opaque colors, when worked in a premix flame, will reduce and become gray. A surface mix torch
properly adjusted to a neutral flame will keep the soft glass colors true. If you plan on working only soft glass or both
soft and hard glass you should consider a surface mix torch.
A premix torch mixes the fuel gas and oxygen within the torch. Because a premix torch has a lot less internal plumbing
than a surface mix torch, it is less expensive to manufacture and therefore generally costs less. Premix torches work
well with hard glass, but as stated, they don’t do well with soft glass. Premix torches are slightly hotter and noisier.
When deciding which torch to purchase take into consideration your future needs. A larger torch can make a small
flame easier than a small torch can make a large flame. To get a hotter flame by working closer to the torch will make
the flame too intense and you will probably just burn and boil the glass. A larger flame will give you more heat to melt
larger glass without making the flame too intense. Also, because a larger flame covers more area, you won’t lose heat
from one area of the glass while heating up another area. Some torches have a separate center fire that can be used
without the larger outer fire. This gives the torch a wider range of flame sizes. All the torches listed below use oxygen
and propane or natural gas, except the Hot Head torch which uses MAPP gas or equivalent. Never use acetylene.
Torch Terms
Torch: Generally, a flame producing device that is hand held. Often the terms torch and burner are used
interchangeably.
Burner: Generally, a flame producing device that is mounted to a stand or base and is not intended to be hand held.
Often the terms burner and torch are used interchangeably. Also, the head of a burner or torch, that produces the
flame, is called a burner face.
Hose Fittings: The twin lead Grade T hoses that are used for all types of fuel gases and oxygen have a ―B‖ size
screw-on connections where they attach to the regulators. The other end may also have a ―B‖ connection or may just
be cut clean and use hose clamps to secure them to the torch, depending upon how the torch was designed.
Valve: Controls the gas flow through the torch to the burner.
Flame: All of the fire(s) produced by the torch or burner. This term is often interchangeable with Fire.
Fire: The flame produced from one part of the torch or burner, such as the center fire as opposed to the outer fire. This
term is often interchangeable with Flame.
Candle: The short blue flame that is within the overall flame.
Orifice: A hole in the burner face that allows mixed gases to flow through. This term is often interchangeable with Port.
Port: A hole on the burner face that allows only one gas to flow through. This term is often interchangeable with
Orifice.
Premix: A torch or burner that mixes the fuel gas with the oxygen before either exits the burner face.
Surface mix: A torch or burner that keeps the fuel gas and oxygen separated until they exit the burner face.
Neutral Flame: A flame that has a proper balance of fuel gas and oxygen in the working area of the flame. This type of
flame is usually very straight and narrow. It is the flame most used as it is the hottest, cleanest and does not
chemically react with the glass.
Reduction Flame: A flame that has an excessive amount of fuel gas in the working area of the flame. This type of
flame usually has a barrel shape and can be bushy. It is a cooler flame and is used to slowly heat up shocky glass or
used when you want the flame to have a chemical reaction with the glass, such as when using reduction frits.
Oxidation Flame: A flame that has an excessive amount of oxygen in the working area of the flame. This type of
flame is often used when working with dichroic glass to help prevent the coating from burning off as well as many
borosilicate colors. When a surface mix torch or burner is adjusted to have an extremely high amount of oxygen, the
flame will be pinched in, short and can have a needle point. Around the flame is a jacket of unused oxygen. It is a
cooler flame and is used to work in tight areas where you want only the glass touched by the flame to soften. The cool
jacket of oxygen around the flame keeps the glass surrounding the flame contact point cooler.
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TORCH COMPARISONS
Arranged in similar size groups.
Hot Head
Suggested usage’s: For soft glass only. Inexpensive beginning torch. Uses disposable MAPP gas bottles or can be
used with larger bulk containers. Does not require hoses, regulators or oxygen as do all the other torches listed below.
It is slower than the other torches and can affect the color of some glasses, mainly non transparent colors.
Minor Burner, Mega Minor, Bobcat, Lynx, Piranha, Mini CC Bench Burner - High Oxy, Little
Dragon Bead Burner 7
Suggested usage’s: For soft or hard glass. Easily make soft or hard glass beads and sculpture up to 1‖ in diameter.
Will also make soft glass marbles up to 1¼‖ in diameter, but is slow.
Mid Range, Mid-Range Plus, Cheetah, Barracuda, WildCat Bench Burner, Little Dragon Bead
Burner 21, Bullet Burner 7-14
Suggested usage’s: For soft or hard glass. Flames are from two to three times as large as the torches listed above.
Work soft glass up to 1½‖ in diameter or heavy wall hard glass tubing up to 1¼‖ in diameter comfortably. You can work
slightly larger glass at a slower pace. The Mid-Range Plus has two flames, one above the other. The top flame is a
Minor Burner.
Major Burner, Red Max, Phoenix, Phantom, CC Bench Burner, Tiger Shark
Suggested usage’s: For soft or hard glass, except for the CC Bench Burner which is recommended for hard glass
only. These torches produce large flames that can quickly heat up large quantities of glass. For large sculpture, large
hard glass tubing or when you want to get the job done faster. The Major Burner and the Red Max have two
separately controlled flames, one above the other. The other torches have small center fires surrounded by larger
outer fires with separate controls.
Mirage, Rocket
Suggested usage’s: For soft or hard glass and quartz. Even bigger than the torches listed above. Heat more glass
faster. Hot enough to efficiently work quartz. These torches have small center fires surrounded by larger outer fires
with separate controls.
Delta Elite, CC Plus Bench Burner
Suggested usage’s: For soft or hard glass and quartz, except for the CC Plus Bench Burner which is not for soft
glass. The largest and hottest flame. No job too big or too small for this torch. This torch has a small center fire
surrounded by larger outer fire with separate controls.
Ranger Hand Torch, Multimix Junior, 8 X 8 Multimix Hand Torch, 11 X 11 Multimix Hand
Torch, Unitorch
Suggested usage’s: For off hand glass blowing while heating glass away from the glory hole or working at a lathe.
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TORCHES
HOT HEAD ..... $40.00
Uses disposable MAPP or propane gas bottles. Doesn't require oxygen (and is therefore not as hot as oxygen mix
torches). Good beginning torch. See below for the HOT HEAD HOLDER AND WORK SURFACE accessory.
MINOR BURNER by Nortel ..... $188.00
Surface mix. The 7 fuel port Minor Burner has long been the most popular surface mix torch because of its size for
making beads, marbles and small sculptural work as well as its economic price. Uses 3/16” or 1/4” BC Hose Set.
MEGA MINOR by Nortel ..... $239.00
The 7 fuel port Mega Minor has slightly larger ports than the Minor Burner. It is also a little hotter, yet can still focus to
a fine point. Great when you want that extra heat when working hard glass (borosilicate). Uses 3/16” or 1/4” BC Hose
Set.
MID RANGE BURNER by Nortel ..... $269.00
Surface mix. The next step up from the Minor Burner. 22 fuel ports and larger burner face produce a wider flame that
melts glass about three times faster than the Minor Burner, yet can be tuned down to a fairly small flame size. Uses
3/16” or 1/4” BC Hose Set.
MAJOR BURNER by Nortel
Major Burner, Major Burner-P, Major Burner-B or Major Burner-PB ..... $399.00
The Major Burner now comes in four versions. Like all the versions, the original model Major Burner is a double
burner. It has a Minor Burner (see above) that is mounted just above a large 64 fuel port burner. Each is controlled
separately and not at the same time. The Major Burner-P model differs in that instead of using a Minor Burner on
top, there is a pre-mix burner above the large bottom burner. The pre-mix burner comes with two different
interchangeable tips and an adapter which will allow you to use any of the pre-mix National tips listed below. The
Major Burner-B is just like the regular Major Burner, except that the large 64 fuel port bottom burner has 16 of its
ports blocked out in the center section leaving 48 holes. The reason for this is that it allows the flame to have about the
same width as the 64 fuel port version while having a cleaner flame quality, and cleaner and cooler burner face at a
flame length that virtually everyone uses on the regular Major Burner. The Major Burner-PB has a pre-mix top burner
mounted above the blocked 48 fuel port bottom burner. We recommend the Major Burner-B for flameworkers that use
soft or soft and hard glass and the Major Burner-PB for hard glass flameworkers. Uses 5/16” BC Hose Set.
MID RANGE PLUS by Nortel
Mid Range Plus, Mid Range Plus-P ..... $379.00
The Mid Range Plus burners have the same layout as the Major Burners (see above) do, except the bottom burner
is the same as on a regular Mid Range (see above) burner. The Mid Range Plus model has a Minor Burner (see
above) that is mounted just above the large bottom burner. The Mid Range Plus-P model differs in that instead of
using a Minor Burner on top, there is a pre-mix burner with two interchangeable tips. Uses 5/16” BC Hose Set.
RED MAX by Nortel
Red Max, Red Max-P ..... $499.00
The Red Max burners have the same layout as the Major Burners (see above) do, except the bottom burner is
Nortel’s latest design in a large flame burner. The Red Max’s bottom flame is comparable to the Major Burner’s
bottom flame in size, but it is round in shape instead of square and it is a much more forceful flame than the Major
Burner’s fluffier flame. The Red Max also tends to require less cleaning. The Red Max model has a Minor Burner
(see above) that is mounted just above the large bottom burner. The Red Max-P model differs in that instead of using
a Minor Burner on top, there is a pre-mix burner with two interchangeable tips. Uses 5/16” BC Hose Set.
ROCKET by Nortel ..... $929.00
The Rocket has a separately controlled 7 fuel port Mega Minor center fire surrounded by a large 53 fuel port outer ring.
With both power and range, beadmaking to large scale borosilicate work, the Rocket is comparable to torches costing
twice as much. Uses 5/16" BC Hose Set.
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RANGER HAND TORCH by Nortel ..... $198.00
Surface mix. For off hand glass blowing and lathe working. This torch is a Minor Burner in a hand held version.
Approximately 11‖ long, 7 ounces. Uses ¼” BC Hose Set.
MULTIMIX JUNIOR HAND TORCH by Nortel ..... $249.00
Surface mix. For off hand glass blowing and lathe working. This torch is a Mid Range in a hand held version.
Approximately 15‖ long, 9 ounces. Uses 5/16” BC Hose Set.
8 X 8 ROW MULTIMIX HAND TORCH by Nortel ..... $279.00
Surface mix. For offhand glass blowing and lathe working. This hand held torch uses the larger burner head from the
Major Burner with 64 fuel ports. Approximately 19½‖ long, 15 ounces. Uses 5/16” BC Hose Set.
11 X 11 ROW MULTIMIX HAND TORCH by Nortel ..... $379.00
Surface mix. For off hand glass blowing and lathe working. This very large hand held torch uses a larger burner head
that is similar to the Major Burner, but has 121 fuel ports instead of 64 (see above). Approximately 23‖ long, 2.2
pounds. Uses 3/8” BC Hose Set.
UNITORCH HAND TORCH by Nortel ..... $249.00
Premix. This large hand held torch incorporates six premix tips arranged in an arc. Ideal for lathe working large
borosilicate glass. The flame can be adjusted to a bushy flame or an intense narrow band or a fine line of needle
flames. Approx. 18‖ long, 16 ounces. Uses 5/16” BC Hose Set.
Glass Torch Technologies (GTT)
Glass Torch Technologies utilizes a second oxygen valve to inject additional oxygen down the center of the fuel gas
stream on the triple mix torches. This greatly increases the flexibility with which you can adjust the flame. The flame
can be made hotter, longer or shorter and on the torches with a center fire, incredibly small and sharp pointed. Torches
with four studs use two hose sets which allows you, with the addition of a foot pedal(s), to separately control the inside
and out flames, hands free. Video on using GTT torched includes with Phantom, Mirage and Delta Elite. All GTT
torches use ¼” BC Hose Sets. Two sets for the Four Stud models.
BOBCAT by GTT ..... $195.00
Surface mix. 7 fuel ports. Standard two valve gas mixing.
LYNX by GTT ..... $435.00
Surface mix. 7 fuel port triple mix.
CHEETAH by GTT ..... $550.00
PHOENIX by GTT ..... $625.00
PHANTOM by GTT
Four Stud ..... $1200.00
Two Stud ..… $1125.00;
Surface mix. 15 fuel port triple mix outer fire with a separate 7 fuel port triple mix center fire.
MIRAGE by GTT
Four Stud ..... $1725.00
DELTA ELITE by GTT
Four Stud ..... $2325.00
7
MINI CC BENCH BURNER - High Oxy by Carlisle Machinery ..... $229.00
Surface mix. The 7 fuel ports. The Mini CC High Oxy has become as popular as the Minor Burner and is slightly
hotter. Use for making beads, marbles and small sculptural work. Uses 3/16” or 1/4” BC Hose Set.
WILDCAT BENCH BURNER by Carlisle Machinery ..... $420.00
Surface mix. The 19 fuel port WildCat is the next step up from the Mini CC, with a very hot, larger flame that is also
able to adjust down to a fairly small, narrow flame size. The WildCat incorporates a unique, innovative ―Vortex‖ cooling
system that keeps the burner cool at all flame settings. Uses 3/16” or 1/4” BC Hose Set.
HELLCAT BENCH BURNER by Carlisle Machinery ..... $845.00
Surface mix. A 14 fuel port flame surrounds the 7 fuel port flame of the Mini CC Bench Burner and is separately
controlled. As with most two flame torches, the smaller center flame is typically used from 70 to 90% of the time. Add
in the outer flame when you need a bigger and hotter flame. Uses two ¼‖ BC Hose Sets or one ¼‖ BC Hose Set and a
Carlisle HellCat 4 Inlet to 2 Inlet Conversion Kit. Using separate hoses to the inner and outer flames allows you to
connect a hands free, foot operated switch to the outer flame.
CC BENCH BURNER by Carlisle Machinery
Ball and Post mounted, two or four stud ..... $1336.00
Rack and Pinion mounted, two or four stud ..... $1510.00
Premix, single orifice (# 5) center fire with a separately controlled 34 fuel port surface mix outer fire. Torches with four
studs use two hose sets which allows you, with the addition of a foot pedal(s), to separately control the inside and out
flames, hands free. Narrower # 3 center file available by special order. Uses ¼” BB Hose Set(s).
CC PLUS BENCH BURNER by Carlisle Machinery
Ball and Post mounted, two or four stud ..... $2082.00
Rack and Pinion mounted, two or four stud ..... $2302.00
Premix, single orifice (# 5) center fire with a separate 63 fuel port surface mix outer fire. Torches with four studs use
two hose sets which allows you, with the addition of a foot pedal(s), to separately control the inside and out flames,
hands free. Narrower # 3 center file available by special order. Uses ¼” BB Hose Set(s).
THE LITTLE TORCH by Smith Equipment ..... $125.00
This famous little torch has been a favorite of jewelers and is the ideal torch for making micro encasement parts,
assembling those parts and for preheating the glass setup placed into a Stump Sucker just prior to encasing. Kit
includes five tips, sizes 3 through 7. Weighing only 1½ ounces, it has light weight 8’ hoses attached with ―B‖ size
fittings, so you can connect it to your existing lampworking setup. To connect more than one torch to a set of
regulators, see Gas Splitters in the Torch Accessories section.
LITTLE DRAGON BEAD BURNER 7 by N. M. Knight ..... $205.00
Surface mix. The 7 fuel port Little Dragon Bead Burner 7 is one of the latest additions to the lampworking industry. It
is finding great popularity as an excellent torch for making beads, marbles and small sculptural work. Uses 3/16” or
1/4” BC Hose Set.
LITTLE DRAGON BEAD BURNER 21 by N. M. Knight ..... $295.00
Surface mix. With 21 fuel ports and a larger burner face, the Little Dragon Bead Burner 21 produces a wider flame
that melts glass about three times faster than the Little Dragon Bead Burner 7. Uses 3/16” or 1/4” BC Hose Set.
BULLET BURNER 7/21 by N. M. Knight ..... $725.00
Surface mix. A 14 fuel port flame surrounds the 7 fuel port flame of the Little Dragon Bead Burner 7, and is
separately controlled. As with most two flame torches, the smaller center flame is typically used from 70 to 90% of the
time. Add in the outer flame when you need a bigger and hotter flame. Uses ¼” BC Hose Set.
8
TORCH ACCESSORIES
OXYGEN CONCENTRATOR
OX-10 ..... $459.95; OX-15 ..... $695.95
Never use an oxygen tank again! With an oxygen concentrator, oxygen is pulled out of the air. Unlimited Oxygen and
Extreme Oxygen provide models to give you ―Oxygen to Burn‖ with units that fit a wide range of needs. These units are
reconditioned to new condition and enhanced to increase oxygen volume and pressure. The OX-10 produces 5 lpm
(liters per minute) and 10 psi (pounds per square inch) static pressure for small torches, such as the Minor Burner and
the Mini CC. Actual running pressure is less than static pressure. This is enough oxygen if you use natural gas or
enough if you use propane at common flame settings and do not need to take your torch to its maximum capability. If
you are working hard glass (borosilicate) or larger soft glass pieces, you can take advantage of a larger and hotter
flame that the OX-15 can enable on these torches. The OX-15 produces 8 lpm and 15 psi static pressure. An oxygen
regulator is not needed with concentrators. Larger units also available.
OXYGEN CONCENTRATOR/GENERATOR COUPLER
Double ..... $30.00; Triple ….. $42.00
Allows you to connect multiple oxygen concentrators (also known as oxygen generators) to a single oxygen hose for
your torch. This will increase oxygen volume by combining more than one source. The double connects two oxygen
concentrator/generators together. The Triple connects three together.
HOT HEAD TORCH HOSE SET
5' hose length ..... $29.95; 12' hose length ..... $39.95
The Hot Head Hose Set allows you to connect a bulk fuel tank, such as a barbecue fuel tank, to a single HOT HEAD
torch. Fuel gas (propane, MAPP or equivalent) in larger quantities is a substantial savings over the disposable bottles.
No regulator needed with this kind of setup. See below for torch holder.
HOT HEAD HOLDER AND WORK SURFACE ..... $28.00
For use with torches such as The Hot Head. Securely holds a small propane or MAPP gas bottle off the front edge of
your work table and allows you to adjust its height. In front of torch, on the table, is a 9" X 16" metal work surface. With
a simple adjustment to the holding clamps, you will be able to hold a Hot Head torch so that the torch can be
connected to HOT HEAD TORCH HOSE SET which allows you to connect the Hot Head to a bulk fuel tank. Stainless
steel.
HOT HEAD TORCH MANIFOLD AND HOSE SET
2 Torch - Long Hose Set ..... $69.00; Short hose Set ..... $51.00
5 Torch - Long Hose Set ..... $190.00; Short hose Set ..... $140.00
The 2 Torch Manifold lets you connect either one or two Hot Head torches to a single bulk tank. The 5 Torch Manifold
lets you connect from one to five Hot Head torches to a single bulk tank. The 2 Torch Long Hose Set has a Y Splitter
that attaches directly to your bulk tank and then two 12’ torch hoses connect it to Hot Head torches. The 2 Torch Short
Hose Set has two 5’ torch hoses connect it to Hot Head torches. The 5 Torch Long Hose Set manifold has one 12’
lead hose that connects a splitter to the tank and five 12’ torch hoses that connects the splitter to Hot Head torches.
The 5 Torch Short Hose Set manifold has one 12’ lead hose that connects a splitter to the tank and five 5’ torch hoses
that connects the splitter to Hot Head torches. The torch hoses have automatic shut off valves to prevent the fuel gas
from escaping when a torch is not connected. Other configurations available.
SPARK LIGHTER
Single Flint ..... $3.75; Triple Flint ..... $4.75
Single Flint Replacement, 5 Pack ..... $1.50
Triple Flint Replacement, 1 Pack ..... $1.25; Triple Flint Replacement, 4 Pack ..... $3.25
Spark lighters use a flint to create a spark and light your torch. You should never have a butane lighter or even
matches around the torch area. If you should accidentally touch anything hot, such as the hot end of a glass rod, to a
butane lighter it could explode, matches could flare up into a large flame.
9
TORCH MOUNTED GRAPHITE PAD
Minor Burner, Mega Minor, Mid Ranger, Hot Head, Bobcat, Lynx, Cheetah, Mini CC
3" X 2" ..... $25.00
Mid Ranger Plus, Major Burner, Red Max - 3" X 2" ..... $32.00
PM2D, Phoenix, Phantom, Mirage, Delta Elite, Bullet, Carlisle CC or CC Plus - 3" X 3" .... $32.00
"Crowley" Mini CC Marver - 4” X 2½” ..... $78.00
Available for other torches. Specify torch.
Graphite marvering pad fastens to the top of the torch near the flame. A small lip on the back edge holds small items
on top of the graphite surface and another lip located at the bottom and to the front of the graphite is very close to the
flame and works as a pre-heater for such things as millefiori. It also aids in making square or rectangular beads. Frees
your hands to work the glass.
REGULATORS
Oxygen
American Medium Duty ..... $105.00; Import Standard Duty ..... $75.00
American Heavy Duty ..... $165.00; American Two Stage Large ..... $195.00
Fuel Gas (Propane)
American Medium Duty ..... $105.00; Import Standard Duty ..... $75.00
American Heavy Duty ..... $165.00; American Two Stage Large ..... $195.00
Economy Fuel Gas - Adjustable ..... $30.00; Economy Fuel Gas - Preset ..... $20.00
The American regulators are manufactured by Smith Equipment. They are the finest made and now have an incredible
3 year factory warranty. They hold the steadiest pressures of any single stage regulator and provide years of trouble
free service. Adjustable with tank and line pressure gauges. Regulators are sold separately, not in pairs. The robust
American Medium Duty regulators can handle up to twelve smaller torches in a large studio or classroom setup. The
American Heavy Duty regulators are capable of operating the large studio or classroom setup using larger size
torches. The two stage regulators are designed to hold pressures steady over very long periods of time by regulating
the set pressure in two stages. This two stage regulation slightly reduces the gas flow capacity and may not be
necessary in your application, as lampworking flame settings are typically changed frequently.
The Import Standard Duty regulators can handle one to about five torches, depending upon torch sizes and are
proving themselves to be reliable. The Import regulators are adequate, but do have a typical incident rate that import
regulators tend to have. They only have a 90 day warranty. Also available are two economy fuel gas regulators.
Neither one has gages. On one of the regulators, the pressure is adjustable. The other one, it is not. For use with one
or two small torches only.
FLASHBACK ARRESTORS
Made in USA: Complete 2 Piece Set ... $68.00; 1 Piece Oxygen Only or Fuel Gas Only ... $37.00
Made in China: Complete 2 Piece Set... $33.00; 1 Piece Oxygen Only or Fuel Gas Only ... $16.50
Helps prevent reverse gas flow and flashback (flame burning back through the torch, hose, regulator and tank) by
utilizing an internal reverse flow check valve and a flame arrestor that quenches the flashback flame. Connects
between regulator and hose. The pair has one for oxygen and one for the fuel gas. May not work with some low
pressure natural gas systems without the use of a pressure booster.
QUICK-CONNECTS
Complete 4 Piece Set ..... $68.00; 2 Piece Oxygen Set Only or Fuel Gas Set Only ..... $36.00
1 Piece Oxygen Hose End Only or Fuel Gas Hose End Only ..... $22.00
Instantly connect or disconnect any torch without turning off the gas supply. Place Quick-connects between the
regulator or flashback arrestor and the hose. Incorporates an automatic shutoff valve which completely shuts off the
gas flow when gas line is disconnected and also has an internal reverse flow check valve. The complete pair is
composed of four parts. A male and female component for both the oxygen and fuel gas lines. Hose end components
are also available which allow you to easily switch out more than one torch at a single connection. May not work with
some low pressure natural gas systems without the use of a pressure booster.
10
COMBINATION FLASHBACK ARRESTOR AND QUICK-CONNECT
Complete 4 Piece Set ..... $95.00; 2 Piece Oxygen Set Only or Fuel Gas Set Only ..... $49.00
A flashback arrestor, a quick connect / disconnect, an automatic shutoff valve and an internal reverse flow check valve
all in a single item. Shorter and less expensive than if purchased separately.
HOSE SET
3/16” ID hose:
12½' BB ..... $33.00; 25' BB ..... $41.00
1/4” ID hose:
12½' BC ..... $35.00; 25’ BC ..... $43.00; 12½' BB ..... $35.00;
5/16” ID hose for Major Burner and Mid Range Plus:
12½' BC ..... $40.00; 25’ BC ..... $47.00; 12½' BB ..... $40.00;
3/8” ID hose for Gas Splitters:
12½' BC ..... $43.00; 25’ BC ..... $50.00; 12½' BB ..... $43.00;
25' BB ..... $43.00
25' BB ..... $47.00
25' BB ..... $50.00
Twin lead flexible tubing. Grade T Rated for all types of fuel gases and oxygen. The 12½' BC and 25' BC hose comes
with standard "B" fitting on one end to connect to regulators and clean cut at the other end with hose clamps to fit on
the barb connections at torch. The 12½'' BB and 25' BB hoses have "B" fittings at both ends. Propane will eventually
rot standard grade R welding hose. Longer hoses available. To assure you order the proper hose size, please specify
which torch you have.
CARLISLE RMB ROLLER FOOT PEDAL ..... $427.00
The RMB Roller foot pedal is designed to control the flame of a single flame torch, or the center flame or the smaller
flame of a two flame torch. The RMB has two rollers mounted in a sturdy stainless steel enclosure. You use your left
foot to control the oxygen flow by moving the roller forward to increase flow and backward to decrease flow. Moving
the roller all the way backwards completely shuts off the oxygen. The fuel gas is controlled by the right foot similarly to
the oxygen roller, except, moving the roller totally backwards will always allow a small amount of fuel gas to pass to
the torch to maintain a pilot light. The RMB is not recommended for use with triple mix Glass Torch Technology
torches. The RMB connects to the hoses with ―B‖ size fittings. See Hose Set For Foot Switch Or Foot Pedal. For
safety, always monitor the pilot light and turn off the fuel gas and oxygen at the torch and shut down the tanks when
not using lampworking equipment. The standard RMB has its pilot permanently set for propane. Please specify if you
intend to use the RMB on any other kind of fuel gas.
CARLISLE EL-2 FOOT SWITCH ..... $496.00
The EL-2 foot operated gas saver works on any size torch. The EL-2 utilizes two electrically operated solenoid gas
valves actuated by a separate foot switch. The valves are ―Normally Closed‖ when the foot pedal is not depressed or
when there is an electrical outage. Typical application is on the outer flame or larger separate flame of a two flame
torch. On applications where you need both hands to hold the work piece, the EL-2 allows you to use your foot to bring
in the larger flame (that you preset) and then remove it without letting go of the work piece and thereby keeping control
of it. To use the EL-2 on the outer flame or larger separate flame without affecting the inner flame or smaller separate
flame, you must have a torch that has separate hoses for each flame. The EL-2 connects to the hoses with ―B‖ size
fittings. See above, Hose Set For Foot Switch Or Foot Pedal. For safety, always turn off the fuel gas and oxygen at
the torch and shut down the tanks when not using lampworking equipment. Operates on a standard 120 volt outlet.
HOSE SET FOR FOOT SWITCH OR FOOT PEDAL
12½' BC ..... $34.00; 12½' BB ..... $34.00
¼‖ ID by 12½', twin lead, Grade T hoses are designed to connect a foot switch or foot pedal to a torch. Made up of two
lengths. One 7’ long, with ―B‖ size fittings at both ends to connect at one end to the regulator, or splitter, and the other
end to the input side of the switch or pedal. The second hose is 5½’ long. One end has ―B‖ fittings to connect to the
output side of the switch or pedal. The 12½' BB model has ―B‖ fittings on the other end of the hose to connect to
torches that require hoses to have ―B‖ fittings, like the Carlisle CC or the Premier 8M. The 12½' BC model has cut ends
at the end of the 5½’ hose that connects to torches that use hose barbs, like all Nortel and Glass Torch Technologies
torches, and comes with two hose clamps. You will also need to add a splitter and a second regular hose if the switch
or pedal are not controlling both flames of a two flame torch. Included are hose couplers to connect the 7’ and the 5½’
hoses together without the use of a switch or pedal.
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GAS SAVER
WDW-100 ..... $172.60;
WDW-103 ..... $180.40;
WDW-104 ..... $159.70
Used with a hand held torch to shut off the oxygen and fuel gas to the torch without changing the adjustments of the
valves on the torch. The Gas Saver is used by attaching it to the edge of a work bench using screws or clamps. The
hoses supplying the oxygen and fuel gases, as well as the torch, connect to the Gas Saver by ―B‖ size fittings. When
the torch is hung on the Gas Saver’s shut off arm, that extends out past the bench, the gases to the torch are shut off.
Lift the torch from the arm and the gases immediately flow through the torch at the rate that you preset torch’s valves
to. Move the torch head to the built-in pilot light to ignite the flame. The model WDW-100 is for use with MAPP or
propylene and oxygen. The model WDW-103 is for use with low pressure natural gas or propane (less than 2 psi) and
oxygen. The WDW-103 is the only model that has a pilot light not internally supplied. It requires a separate gas
connection for the pilot light of at least 2psi, of either natural gas or propane, through a ¼‖ hose barb fitting. The WDW104 model is for use with high pressure (2 psi or greater) natural gas or propane.
GAS SPLITTERS
Gas splitters allow you to connect more than one torch to a gas supply. The most common splitter is the Y which has
three ports, or connections. Its name comes from its shape. All splitters use one port to let in the oxygen or fuel gas
and the other remaining ports to redistribute the gas. It is recommended that you use a flashback arrestor between the
torch and regulator. If the flashback arrestor is located between the regulator and the splitter then only one flashback
arrestor per regulator will protect the gas cylinder from a flashback reaching it from all connected torches. With the
exception of the Y WITH VALVES, which lets you shut off individual ports, you will need to cap off any outlet port that
does not have a torch connected to it. The Y, T, CROSS and SHOWER HEAD splitters have fittings on them to
connect directly to the regulator or flashback arrestor. The T CROSS, DOUBLE CROSS, T DOUBLE CROSS, T
TRIPLE CROSS, HEX and IN-LINE splitters have fittings that connect them to the regulator or flashback arrestor with
a lead hose between them (sold separately). This allows you to run the gases closer to the work area before splitting
them, thereby eliminating a tangled hose mess. See above for 3/8‖ ID, 12½' BB and 25' BB hoses with B fittings at
both ends. Right hand threads are used for oxygen connections. Left hand threads are used for fuel gas.
Y
Y WITH VALVES
T
CROSS
SHOWER HEAD
T CROSS
DOUBLE CROSS
T DOUBLE CROSS
HEX
T TRIPLE CROSS - EXPANDABLE
T/CROSS ADD-ON SEGMENT
IN-LINE - EXPANDABLE
IN-LINE ADD-ON SEGMENT
connect 2 torches ..... $14.00 each
adds 2 torches .......... $15.00 each
adds 1 torches .......... $13.00 each
CAPS
Oxygen or Fuel Gas ..... $6.00
B size Caps make air tight seals on unused splitters ports when a torch or a Quick-Connect is not is already connected
there.
CLASSROOM AND LARGE STUDIO SETUPS
Arrow Springs is the leading supplier for setting up classrooms and large studios. Having developed most of the
equipment and procedures that make today’s multiple torch system work smoothly, we have the experience,
knowledge, and equally important, the desire, to guide you through every step of the way. From concept, to layout, to
fully equipped and operating procedures. For a better understanding of what a multiple torch setup is, and how we can
help you, please visit ArrowSprings.com. Under the Tips & Tricks section, go to Tanks & Manifolds to see the article
and schematic titled ―Connecting Multiple Tanks to a Torch Manifold System‖.
12
TOOLS
FREE – We repair scratches and chips from all of our graphite tools and re-tip tungsten
tools at no charge for the life of the tool. Send it to us and we will fix it and send it back. All
you pay for is the shipping. It does not matter where you purchased it, as long as it was
manufactured by Arrow Springs.
Pictures at www.ArrowSprings.com
GRAPHITE PADDLES
1½" X 1½" ..... $14.00; 1‖ X 4‖, 1½ " X 2½" ..... $14.00; 2" X 3" ..... $16.00;
2" X 4" .... $18.00; 3" X 3" .... $19.00; 3" X 5" ..... $26.00; 4‖ X 6‖ ..... $36.00
Measurements are width by length. Smooth, high quality graphite with no metal on the face. The durable handle is
heat resistant. Custom sizes available.
SMIRCICH-HENLEY GRAPHITE PADDLE ...... $25.00
This 2‖ X 4‖ graphite paddle incorporates the Smircich Tail Stock Holder (listed separately in this catalog) into its
design. One of the outside corners is clipped off at a 45º angle and has a cup shape. Vince Henley greatly improved
on this by designing a stainless steel insert for the cup shape. Like the Smircich Tail Stock Holder, the paddle’s special
feature is used by placing the tip of the mandrel into the cup to steady it. By holding the paddle/tail stock holder in one
hand and the mandrel in the other, you can control the bead within the flame more easily. It becomes instantly more
stationary as you rotate the mandrel allowing you to place the bead in the flame exactly where you need it and keep
the bead on center.
MINI GRAPHITE SHAPING TOOLS
12 different mini graphite shaping tools come in a variety of shapes to perform all kinds of glass manipulations. Some
tools are simple in their design while others have more complicated surfaces. The handles are 5/16‖ diameter, 4-3/4‖
long aluminum and are light enough to allow you feel the tool working the glass. Below is a description of the graphite
of each tool. The thickness of all shapes is ¼‖ unless otherwise stated. All sizes are approximate.
Square: 1‖ X 1‖ ..... $13.00
Mini Stump Shaper: 1-1/4‖ X 1-1/2‖ (see Stump Shaper in catalog for description) ..... $20.00
Rectangle: 3/8‖ X 2‖ ..... $ 13.00
Rectangle with Chisel End: 3/8‖ X 2‖ ..... $ 14.00
Rectangle with Chisel End: 1/2‖ X 2‖ ..... $14.00
Small Cone: 3/4‖ Diameter Base X 1-1/2‖ Long ..... $15.00
Large Cone: 3/4‖ Diameter Base X 2‖ Long ..... $15.00
Small Arrowhead: 3/4‖ Base X 1‖ Long ..... $15.00
Large Arrowhead: 1‖ Base X 1-1/4‖ Long ..... $15.00
Small Cylinder with Cone End: 1/4‖ Diameter X 2‖ Long ..... $15.00
Large Cylinder with Cone End: 3/8‖ Diameter X 2‖ Long ..... $15.00
Large Cylinder with Bullet End: 3/8‖ Diameter X 2‖ Long ..... $15.00
Large Cylinder with One Flat Side and Chisel End: 3/8‖ Diameter X 2‖ Long ..... $16.00
STUMP SHAPER
2" X 2½" Graphite..... $28.00; 2" X 4" Graphite..... $32.00
1½" X 2" High Quality Brass ..... $50.00
1-1/8" X 2-1/8" Small Brass or 1¾‖ X 2¼‖ Large Brass ..... $35.00
Designed for glass bead sculptural genius Loren Stump to aid him in producing the incredible detail and definition he
has become so famous for. One long side has a radius on its edge. The opposite side has a 1/4" radius that tapers to a
point at the end of the paddle where the corner of the paddle is rounded. The end of the paddle is machined to a chisel
edge. The High Quality Brass Stump Shaper is made in America and has a much sharper chisel edge than the less
expensive imports. You will find that this will be a most valuable tool in creating your own sculptural beads and
murrinis. Actual sizes may vary.
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GUARINO GROOVY TOOL
2" X 2½" ..... $35.00; 2" X 4" ..... $40.00
The new Guarino Groovy Tool is a modified Graphite Stump Shaper. Designed by Andrea Guarino-Slemmons and her
husband Whit Slemmons, the unique grooves make this tool a wonder for applying metal leaf and foil to hot glass
beads, by burnishing it along the curves and right down to and around the mandrel holes. Note: The grooves do make
the tool more delicate. Mishandling will lead to the tip breaking. As with all Arrow Springs made graphite tools, we will
redress damaged tools to new like condition for free, but the overall length of the graphite will be shorter. See details at
beginning of tools section.
MIKIE SHAPER ...... $25.00
Originally designed for making core vessels, the Mikie shaper has come to be an excellent general purpose shaping
tool. Mounted to a durable heat resistant handle, a piece of graphite measuring ¾‖ X ¾‖ has a radius running down the
overall length, which is 2½‖. At the end is a chisel tip.
DINAH MASHER ...... $35.00
Graphite mashing paddle. Used to mash glass against a marvering pad. A 2‖ X 3‖ graphite block, ¾‖ thick, has a
contoured wood handle mounted to center of one of the graphite’s large sides.
KEVIN O’GRADY BRACELET MARVER ...... $45.00
Use to gently marver glass against a marvering pad when making glass bracelets using the Kevin O’Grady method. A
2‖ X 6‖ graphite pad has a 10‖ handle attached at a comfortable angle to the center of one of the broad surfaces.
SPINNING TOP MOLD
1‖ Diameter ...... $35.00;
1½‖ Diameter ..... $40.00
Easily create 1‖ or 1½‖ diameter spinning tops. Each size mold has two profiles, one for the top side and another for
the bottom side. It also creates the spinning point and sets the handle location.
CYLINDER SPEED SHAPER ..... $65.00
The Cylinder Speed Shaper is one of the most innovative lampworking tools to have been developed in years. Now
you can quickly and expertly shape cylinder beads on both the cylinder side and at the end—all in one, smooth motion.
Plus, you’ll get the crispest edges you’ve ever seen! You’ll be able to produce consistent results in far less time.
Without a doubt, the Cylinder Speed Shaper is an innovation as important to making cylindrical beads as was the
mandrel. You’ll see the difference it makes when your beads nestle up to another flat surface as on a pen body or cap
of a BeadPen.
BAROQUE SHAPER .... $30.00
Graphite mold has two sizes of Ogee profiles to make beads with a baroque look.
KIM CYLINDER, CONE AND VESSEL SHAPER .... $35.00
This is one of the most versatile graphite glass shaping tools. It is used for shaping bi-cones, cones and vessel
shapes. It can be used two different ways. One method is to hold the mandrel, with glass on it, perpendicular to the
direction of the tapered V groove and rotate the mandrel to shape a symmetrical bi-cone with straight sides and a 90º
center angle. The over all size of the bi-cone is determined by the amount of glass originally put onto the mandrel, up
to what will fit in the mold. The other method is to hold the mandrel, with glass on it, parallel to the direction of one of
the two V grooves. Two tapered grooves are arranged in reverse to each other to facilitate easy shaping on both the
left and right side of the bead. By holding the mandrel at different angles to the groove, you can make any length or
angle cone, bi-cone or vessel shape with either a straight or curved profile. Typically, one end of a bi-cone is shaped in
one of the V grooves, then the other end is shaped in the other V groove. The over all size of the finished shape is not
limited by the size of the V groove.
14
OSIBIN FORMER
Small ..... $30.00;
Medium ..... $35.00;
Large ..... $40.00;
X-Large ..... $45.00
Graphite shaping tool for superbly making the subtle shapes that make the best goddess, fish and bug bodies as well
as elegant amphora vessel shapes and ovals. Each side of this two sided shaping paddle has one half of an oval
shape cut into it. The oval starts as a narrow and shallow curve, and as it widens out it gets deeper. The radius of the
curve of the oval is different on each side of the shaping paddle, for all four different sizes. These tools are so flexible,
that they can make very small or very large shapes, all faster and better than using a traditional flat paddle. The
former’s curved profile is cut using a ball shaped cutter. The Small size Osibin Former has curves made from 1‖
diameter and a 1¼‖ diameter cutters. The Medium size is made from 1½‖ and 2‖ cutters. The Large 2½‖ and 3‖. The XLarge 3½ and 4‖.
OSIBIN CURVE SHAPER ..... $40.00
The graphite Osibin Curve Shaper has a large curve area, like a half-pipe, for making curvy specialty shapes.
OSIBIN SPHERE, OBLATE AND DISC FORMER ..... $50.00
The Osibin Sphere, Oblate and Disc Former is a graphite shaping tool with six different, round bottomed, grooves,
three on each side. At the edge of the tool, the grooves are about one and one half as deep as they are wide. As the
grooves extend into the graphite, they become shallower, until there is no depth left. Each groove is a different width to
create different bead sizes. Groove widths are 3/8‖, 1/2", 5/8‖, 3/4", 7/8‖ and 1‖. The former will make an oval bead
when working close to the shallow end. A little further in creates a nice sphere or round bead. Towards the deeper
end will form an oblate bead and near the very end will create perfect donut or disc beads.
OSIBIN LENTIL SHAPER ..... $35.00
Graphite shaping tool for making lentil bean shaped beads. Better than pressing the glass between two curved shapes
of a mashing tool because each of the tool’s four diameters has a different curve to them that, when worked over the
glass, can give you near limitless diameters and profiles. Used by heating one side of the bead and working the molten
glass in the mold, then heating the other side and working that side. The final form takes shape surprisingly fast.
GRAPHITE ARROW HEAD FLARING TOOL
Narrow or Wide ..... $35.00
Used to flare open the bowl or foot of a goblet or any other similar operation. The 3/8‖ thick graphite is shaped like an
arrow head, with the two rounded off angled sides being slightly curved outwards. The tool is used by inserting the
pointed tip into the opening to be flared. As the glass piece is rotated, the point of the tool is typically tipped at an angle
and further inserted into the opening. As the opening increases in size, and the tool is further inserted into the opening,
the area where the edge of the graphite contacts the glass become further apart, thereby making for a smoother flaring
operation. The size of the Narrow tool is 1½‖ wide by 4‖ long. The Wide tool is 2½‖ X 2½‖.
GRAPHITE REMNANTS .... $8.50 per pound
Example: about $1.70 for a ½" x 2" x 3" piece. Small random sizes of graphite that you can carve with simple hobby
tools or sand into shape. Make tools such as shapers, pokers, press molds or even optic molds.
GRAPHITE REAMER
2 to 14 mm Taper, 5" Long ..... $25.00
5 to 20 mm Taper, 6" Long ..... $33.00;
10 to 25 mm Taper, 6" Long ..... $40.00
Eight sided, tapered graphite with a handle. Used to expand holes in the side or end of tubing.
CARBON RODS
1/8" ….. $1.75; 5/32" ..... $1.25; 3/16" or 1/4" ..... $2.00; 5/16‖ ..... $2.50;
1/2" ..... $3.50;
5/8" ..... $4.50; 3/4" .....6.50; 1" ..... $8.00
3/8" ..... $2.75;
Very high quality. Stronger, smoother finish and finer grain. Used as reamers, shapers, pokers, holders, marvers, etc.
Can be sharpened like a pencil or carve designs into it and press into hot glass. 12" long.
15
FLOWER & STEM TWEEZERS ..... $8.95
Flower & Stem Tweezers are ideal for making flowers and shaping stems by manipulating the glass on the bead
surface.
SHAPING TOOL ...... $7.50
Handle with a four sided stainless steel tip to shape with. The tip has a 90° point. Two sides are a single thickness, one
side is double thickness and one side is quadruple thickness. Use the various edges to put flutes, spirals, surface
twists and countless others shapes into glass.
KNIFE EDGE SHAPING TOOL ..... $6.50
A very thin flat stainless steel blade with a handle. It is sharpened to a knife edge. The front edge is straight like a
single edge razor. One corner has a radius and the other has a point. Used in sculpting to make thin knife cuts into hot
glass.
FLARING TOOL ..... $5.50
A stainless steel triangular shape wedge mounted in a handle. Used to flare holes, manipulate and shape hot glass.
SINGLE EDGE RAZOR TOOL ..... $5.00
A single edge razor blade mounted in a handle. Used to make thin cut like impressions in hot glass.
SHARON SHAPER - UTILITY BLADE TOOL ..... $5.00
An utility knife blade mounted in a handle. Used to make thin cut like impressions in hot glass.
TILKER SHAPER - UTILITY BLADE TOOL ….. $14.95
A sturdy upgrade from the Sharon Shaper. The Tilker Shaper blade is securely held in with 2 screws. We also added a
convenient frit scoop at the back end. 3/8‖ diameter handle.
PETERS TWEEZERS ..... $9.00
The Peters Tweezers is a dual purpose tool. Originally, the tool was designed to symmetrically locate the eye locations
on fish beads, but it also excels at quick and very easy to make loops and holes for pendants, vessels and buttons.
Standard designed tweezers have their tips run parallel to each other. These specially modified tweezers have their
pointed ends bent around so that the very end of their points point directly at each other. To use to symmetrically
locate the eyes on a fish bead: heat up the area where both eyes will be located, place the points of the tweezers
around the head of the fish and gently squeeze them into the glass. The tweezers will leave small dents which will
indicate where you should place the eyes. This method also works great for locating opposite sides of any bead or
marble up to 1¼‖ across. To make loops and holes: place a small amount of glass shaped like a tall bump at the
desired location. Heat up just the bump to just shy of it melting down. Quickly place the points of the tweezers to the
center of the heated bump and squeeze together. As soon as the tips touch, move the handle back and forth a couple
of times in a motion that makes the points rotate in the center of the hole. This motion breaks apart the fine web that
would otherwise bridge across the middle of the hole. Remove the tweezers and reheat the glass area making up the
hole, being careful not to melt the hole closed. Again place the tweezers in the hole and stretch out the hole to the
desired size and shape. To make a large loop, simply start with a larger bump of glass. You may also need to reheat
more than one time. For a wider loop, start with a bump that is slightly oval shaped at its base.
STAINLESS STEEL MARVERING PAD ..... $7.00
Heavy gauge stainless steel, that sits 3/8" off the table, makes a great alternative to graphite. Since stainless steel has
a relatively low thermal conductivity, you will find that it probably will never get hot enough to stick to glass. 6" X 6"
GRAPHITE MARVERING PADS
1/4” Thick: 5" X 5" or 5½‖ X 5½‖ ….. $22.50; 6" X 6" ..... $25.00; 6‖ X 12‖ ..... $44.00
12‖ X 12‖ ..... $90.00; 12‖ X 24‖ ..... $160.00
3/8” Thick: 6" X 6" ..... $25.00; 6‖ X 12‖ .....$50.00; 12‖ X 12‖ ..... $98.00
12‖ X 24‖ ..... $189.00
16
Special cut sizes priced by the square inch:
1/4‖ ..... $.70; 3/8‖ ..... $.90; 1/2‖ ..... $1.25;
3/4‖ ..... $1.50
Smooth graphite pad for marvering. Works great for flattening the bottom of vessels or holding pieces of silver, gold or
palladium leaf when you roll the hot glass bead over them. Also makes an excellent "no wash" kiln shelf. No matter
how hot it gets, glass will never stick to it. When used as a kiln shelf, it will disintegrate. Special sizes available.
PLATFORM MARVER™ ..... $45.00
The large 6‖ x 6‖ graphite pad sits 5.25‖ high on a stainless steel stand. Place it on your worktable, to the side of your
torch or just below your flame. The graphite’s elevation and location to the flame makes marvering or pickup quick and
easy with plenty of clearance from the worktable for your hand.
ALUMINUM SHAPING MARVER ..... $8.50
One side is flat and can be used as a marver. The other side has ridges running the length and is used for applying
straight or angled groves or flutes to the surface of beads. Very effective design aid and very easy to use. 2" X 4"
HOLY ROLLER ..... $6.50
Perforated stainless steel that sits 3/8" off the table. Roll your hot bead over the 3/16" holes spaced on 1/4" centers to
create a hobnail pattern. 3" X 4"
BEAD MANDRELS WITH BRASS SHEATH ..... $8.50 per dozen
9" Length. 1/16" mandrel with a brass sheath that covers two thirds of it as a handle. The slightly larger diameter is
easier to hold and is more rigid. Our most popular mandrel.
BEAD MANDRELS
9" Length
.035‖ (about 1/29‖) XX-Small ..... $5.00 /12 Pk
.045‖ (about 1/22‖) X-Small ..... $5.00 /12 Pk
1/16" (Small) ..... $5.50 /12 Pk
3/32" (Medium) ..... $7.50 /12 Pk
1/8" (Large) ..... $9.50 /12 Pk
5/32‖ (X-Large) ..... $9.00 /6 Pk
3/16‖ (XX-Large) ..... $10.50 /6 Pk
1/4‖ (XXX-Large) ..... $9.50 /3 Pk
12" Length
.035‖ (about 1/29‖) XX-Small ..... $6.00 /12 Pk
.045‖ (about 1/22‖) X-Small ..... $6.00 /12 Pk
1/16" (Small) .…. $6.50 /12 Pk
3/32" (Medium) ..... $8.50 /12 Pk
1/8" (Large) ..... $10.75 /12 Pk
5/32‖ (X-Large) ..... $10.00 /6 Pk
3/16‖ (XX-Large) ..... $12.00 /6 Pk
1/4‖ (XXX-Large) ..... $11.00 /3 Pk
Variety Pack- 2 each of all diameters except the 1/4‖ size
9‖ Length ..... $9.50; 12‖ length ..... $13.00
Stainless steel rods on which to make beads. 1/8‖ (large size) and smaller are priced per dozen. 5/32‖ and 3/16‖ are
priced per half dozen. The 1/4‖ size is priced per three. The most popular diameter is 3/32‖ followed by 1/16‖ then 1/8‖.
The most popular length is 12‖, especially in the larger diameters, because often a large mandrel is used for larger
glass items with a larger flame. Longer mandrels are also easier to place into an annealer.
PUFFY MANDRELS
3/32" Diameter “Puffy Mandrel”: 1 Piece ..... $8.00; 2 Pack ..... $15.00; 5 Pack ..... $35.00
1/8" Diameter “Puffy Mandrel”: 1 Piece ..... $9.00; 2 Pack ..... $17.00; 5 Pack ..... $40.00
Mixed Pack: 6 Piece - 3 each of the above sizes ..... $45.00
¼" Diameter Hollow Bead Mandrel: 12" length ..... $18.00; 16" length ..... $19.00
Make hollow beads much easier than the old fashioned way, using these stainless steel tube mandrels with a small
blow hole on their side. The Puffy Mandrels are 12" long and have a small hole drilled in their side near one end of the
tube. Dip the end of the Puffy Mandrel, that has the side blow hole, in mandrel release, well past the side hole, as you
would a regular mandrel. Place your finger over the dipped end of the mandrel and gently blow through the other end
to clear out the mandrel release from the side blow hole, leaving the dipped end of the mandrel tube plugged. As with
the traditional way of making hollow beads, start by creating two disks of glass on either side of the side blow hole.
After the symmetrical disks are formed, bring their edges together using a graphite paddle. A Kim Cone and Vessel
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Shaper does this operation much easier. Now is where the Puffy Mandrel shows its stuff. Heat the glass to be pliable
and gently blow thorough the cool end of the mandrel to form the shape. The ¼" Hollow Bead Mandrel is welded
sealed at the end where the hollow bead is formed. Puffy Mandrels are a little delicate. The ¼" Hollow Bead Mandrel is
made from our Heavy Wall Stainless Steel Tubing and is incredibly durable.
THIMBLE MANDRELS
Medium ..... $12.50; Large ..... $12.50
These Thimble Mandrels make real functional glass thimbles of the same sizes usually found in the sewing notions
department. Thimbles are very popular as collector items. The mandrel is sized to allow for mandrel release.
EMIKO’S BIG GLASS HOLE MANDREL
3/16‖, 1/4‖ or 5/16‖ ‖ ..... $10.00; 3/8‖ ..... $10.00; 7/16‖ or 1/2‖ ..... 11.00;
9/16‖ or 5/8‖ ..... 12.00; 11/16‖ or 3/4‖ ..... 13.00; 13/16‖ or 7/8‖ ..... 14.00;
15/16‖ or 1‖ ..... 15.00; 1-1/4‖ ..... 18.00; 1-1/2‖ ..... 20.00, Long 1-1/2‖ ..... 25.00
Used to make large holes in glass beads, rings, sculpture or for core formed vessels. A large diameter stainless rod, 2"
long with a 5/32" diameter (slightly larger than 1/8") mandrel attached as a handle. The total length is 12". The 5/16‖
and smaller sizes have 1/8‖ handles. The Long 1-1/2" size head is 3" long and it has a ¼" handle with an overall length
of 18". The handle is thin enough to make quicker rotations and marvering easier than if the whole tool was the same
diameter as you would have if you were to use tubing, yet thick enough to make it hard to bend. Also, unlike tubing,
you do not need to worry about moisture getting trapped in the handle and burning you. The large diameter stainless
rod is cored out, on all but the 5/16‖ and smaller diameter sizes, 7/8 of its 2" length to make it lighter. The end of the
large diameter rod is solid so that the cored out area does not fill up when it dipped in mandrel release.
OSIBIN CONE AND END CAP MANDREL
3/8‖ ..... 12.00; 1/2‖ ..... $12.00; 5/8‖ ..... 13.00;
3/4‖ ..... 14.00; 7/8‖ ..... 15.00; 1‖ ..... 15.00
Used to for making cone shaped beads, such as bead caps, end caps to collect multiple strings of beads, bugle beads
and vessel shapes. A tapered stainless steel cone is attached to an 1/8‖ mandrel, 12‖ long. The point of the cone
begins about ½‖ from the end of the mandrel. The overall length of the cone is about 1-5/8‖. The wide end of the cone
comes in five diameters, thereby giving you five angles to choose from.
HEAVY WALL STAINLESS STEEL TUBING
1/4" x 12‖ ..... $9.50; 1/4" x 16‖ ..... $10.50;
1/2‖ x 12‖ ..... 10.00; 1/2‖ x 16‖ ..... 11.50
3/8‖ x 12‖ ..... 10.00;
3/8‖ x 16‖ ..... 11.00;
Used for blowing and punties, as well as for making large holes in glass beads. The extra heavy wall thickness offers
enough strength to hold up to a strong grip from pliers when removing stubborn glass. The 16‖ length is ideal for
blowing, because its length puts the work at the same distance from your eyes that most people normally work at.
TRIMLETT TWO HOLE BUTTON MANDREL
1/16‖ or 3/32‖ ..... $5.50
Used to make two hole buttons and beads. This tool is shaped like a tuning fork. The end of the stainless steel
mandrel that the button or bead is made on is a mandrel bent like a hair pin with a length of about 1½". The curve of
the bend is welded to a stainless steel 1/8‖ X 9" mandrel as a handle. The 1/16" size has 1/16" tines spaced about
3/16‖ (5mm) apart and the 3/32" size has 3/32" tines spaced about 1/4‖ (6mm) apart. The distance between the two
tines can be adjusted, using small pliers, to suit your application. Use with mandrel release, as you would with a
regular mandrel. Button mandrels, with their two parallel rods, are a little harder to remove from the glass piece,
because they have to be wiggled free instead of rotated free as you would do with a single rod bead mandrel. Also, the
thinner 1/16‖ size is more susceptible to bending while removing the button, but easily straightened out with small
pliers.
SMIRCICH TAIL STOCK HOLDER ...... $8.50
Designed by Jim Smircich to make those technically perfect beads he is famous for. It is a wooden contoured handle
that holds a brass rod with a cup shape near its end. Place the tip of the mandrel into the cup to steady it. By holding
the tail stock holder in one hand and the mandrel in the other, you can control the bead within the flame more easily. It
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becomes instantly more stationary as you rotate the mandrel allowing you to place the bead in the flame exactly where
you need it and keep the bead on center.
MANDREL PIN VISE ..... $20.00
Holds mandrels or tungsten rods up to 5/32". Uses a miniature three jawed chuck, similar to that on a drill. Use this
vise if you find that holding the regular thin bare mandrels is difficult. Simply remove the mandrel from the handle along
with the bead when the bead is done and insert a new mandrel into the handle. The hollow handle allows you to insert
the mandrel or rod as far as you desire. 3/8" diameter X 6½".
SMALL ECONOMY PIN VISE ...... $4.00
4½" pin vise has reversible collets at each end giving a range of holding from 0" to 1/8". Use to hold mandrels or
tungsten rods.
LARGE PIN VISE ...... $12.95
A three jawed chuck, similar to that on a drill, mounted to a contoured wood handle. Designed to work with tungsten
rods, stainless steel rods, carbon rods or even to hold short glass rod ends up to 5/16" (7mm) diameter. Keeps fingers
from getting burned and gives you better leverage than just holding the rod.
TUNGSTEN PIN VISE ...... $5.00
A small pin vise with a wooden handle. Ideal for use with the TUNGSTEN RODS or REPLACEMENT TUNGSTEN
BENT RAKE listed below. The depth that the pin vise can hold a rod is from 1/2‖ to 2-1/4‖ Specify size to match the
diameter of the tungsten. Sizes: 1/16‖, 3/32‖ or 1/8‖. Bent Rake uses 3/32‖ size.
TUNGSTEN RODS
3¼" length - 1/16" ...... $3.00; 3/32" ...... $4.00; 1/8" ...... $5.00
7" length - 1/16" ...... $5.00; 3/32" ...... $7.00; 1/8" ...... $9.00
Best used with a PIN VISE listed above to make a replaceable TUNGSTEN RAKE/POKE. One end is ground to a long
point and the other end is ground to a short point. See description of uses listed below.
TUNGSTEN BENT RAKE
3/32" ...... $12.50; Replacement Tungsten ..... $7.50
The standard is a short tight bend. Specify if you prefer a longer tight bend or a curved bend. Similar to the
poker listed above. The difference being that the end of the rod is bent like a dental tool. The shaft of the rake is 3/32"
diameter to give it enough strength to endure the lateral forces that raking and shaping cause. The rake is thinner
throughout the length of the bend and ends in a point. Comes with the above listed TUNGSTEN PIN VISE. This is an
excellent tool not only for raking, but for sculpturing. Handle carefully and never force the rake against stiff glass to
prevent it from snapping.
REPLACEABLE TUNGSTEN STRAIGHT RAKE / POKER
1/16" ...... $8.00; 3/32" ...... $9.00; 1/8" ...... $10.00
A TUNGSTEN PIN VISE and a 3-¼‖ TUNGSTEN ROD together. The length that the tungsten extends from the handle
can be adjusted from 1‖ to 2-3/4‖. Used to poke holes in glass, make small bubbles, rake and "drag" glass for
feathering, marbling, etc. To poke holes in glass, warm the glass, but not hot enough to distort or glow red. Then heat
the tungsten rod until it glows bright red and push its point into the glass. Repeat this process until the hole is complete
or maintain the flame on the tungsten near the glass while pressing the tip into the glass. If done properly, tungsten will
not stick to glass like other metals do. Note: Tungsten is very brittle and will snap rather than bend. The 1/16" size is
especially delicate. A hole made with tungsten is smaller than a hole made with the corresponding size of mandrel,
because it has no mandrel release on it to add thickness.
STAINLESS STEEL RAKE ...... $6.00
A pointed 4" stainless steel rod bent at 45° near its end and mounted in a wood handle. Used to rake and "drag" glass
for feathering, marbling, etc.
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BRASS PUNCH SET ...... $13.95
This set contains eight fractional sizes from 1/16" to 5/16". Brass punches are ideal for creating flat-bottomed, round
depressions in hot glass. Especially useful for making eye sockets and flower centers.
ROD REST ...... $7.00
Indispensable. Place your hot glass rods and tools on the rest to prevent them from burning the work table and picking
up debris that would find its way into your work. It also keeps tools and glass rods from rolling around and evenly
spaces them, making them quick and easy to pick up. A definite frustration eliminator. Holds 10 rods and/or tools. 7½"
long.
6" SHARP POINTED TWEEZERS ...... $3.00
Straight tipped. Used for very fine detail work. Caution: The very sharp and thin point can heat up very quickly and melt
or stick to your glass work if not used properly.
7" SOFT POINTED TWEEZERS ...... $3.50
Our most popular pointed tweezers. Specify straight or the more popular angled tip. Unlike the SHARP POINTED
TWEEZERS, the stainless steel that they are made from is thicker, giving you a lot more working time before the
tweezers get too hot and need to be cooled. Ideal for most delicate work. These tweezers do not have serration.
TweezeRake™
6" Blunt Tweezers with Tungsten Rake ..... $20.00
8" Blunt Tweezers with Tungsten Rake ..... $20.00
7" Angled Soft Point Tweezers with Tungsten Rake ..... $20.00
7" Straight Soft Point Tweezers with Tungsten Rake ..... $20.00
Four different tweezers to choose from, each with a 1/8" tungsten rake attached to the handle end. Whether you use
the tweezers first or the tungsten rake, all you have to do is flip it around to quickly use the other tool while the glass is
still hot. The Blunt End Tweezers do not have serration.
BLUNT END TWEEZERS
6"..... $3.75; 8" ..... $4.50; 10" ..... $5.50; 12" ..... $6.00
Heavy Duty Three Piece Set with NO Serration - 6", 10‖ and 12" ..... $10.00
Heavy Duty Four Piece Set with NO Serration - 6", 8", 10‖ and 12" ..... $15.00
Heavy Duty Four Piece Set with Sharp Serration - 6", 8", 10‖ and 12" ..... $15.00
Regular Duty Three Piece Set with Soft Serration - 6", 8" and 12" ..... $10.00
Blunt End Tweezers are used for shaping molten glass, such as fish fins, candy wrappers, flower petals and leaves
and ruffles as well as for pinching off unwanted bubbles, holding glass components for flame annealing and placing
them into the annealer and stripping the surface of large diameter glass rods to expose the cleaner center for
encasing. Unless otherwise specified, we will ship the Heavy Duty Tweezers with NO Serration as standard, as they
are best for shaping and they hold components near as well as tweezers with serration.
4 PIECE SMALL TWEEZERS SET ..... $7.50
Four different small tweezers used for a variety of lampworking glass manipulation and holding as well as for jewelry
work and beading. One tweezers is like the MICRO TWEEZERS MASHERS. It is 4¼‖ long and has small flat thin pads
measuring approximately ¼" X ½". The other three tweezers are 4½" long. One has a fairly sharp point. One has a
sharp point and is self closing. The fourth one is angled and has a tip similar to the 7" SOFT POINT TWEEZERS.
5 PIECE SMALL TWEEZERS SET ..... $8.50
Five different small tweezers used for a variety of lampworking glass manipulation and holding as well as for jewelry
work and beading. All five tweezers are 4½‖ long. One has a sharp point and is self closing. One has a sharp triangle
shaped and angled tip. The other three all have fine sharp pointed tips. One is very thin and needle shaped, one is
narrow and curved and one is tapered.
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6 PIECE TWEEZERS SET ..... $14.50
Six different tweezers ranging in size from 5" to 7". The smallest tweezers is 5" and similar to the 6" SHARP POINTED
TWEEZERS. One is like the 6" STANDARD DUTY BLUNT END TWEEZERS. Two of them are like the 7" SOFT
POINTED TWEEZERS, with one straight and the other angled. One is a 6½" blunt end locking tweezers. The sixth one
is a 6½" blunt end self closing tweezers.
GUNNAR MANIPULATORS
Point/Bullet, 5/32‖ X 8‖ ..... $10.95; Straight Chisel/Rounded Chisel, 5/32‖ X 8‖ ….. $10.95
Point/Bullet, 3/16‖ X 8‖ ..... $12.50; Straight Chisel/Rounded Chisel, 3/16‖ X 8‖ ….. $12.50
Point/Bullet, 1/4‖ X 8‖ ..... $14.95; Straight Chisel/Rounded Chisel, 1/4‖ X 8‖ ..... $14.95
Classic hot glass shaping tools are made of stainless steel for years of service. Two different styles, each come in 3
diameters, 8‖ long. One style has a sharp point at one end and a bullet point at the other. The other style has a straight
chisel end and a rounded chisel end.
4 PIECE SPATULA SET ..... $9.00
These tools have dental style handles, but have differently shaped and larger ends. Three of the spatulas are double
ended. Sizes range from 6" to 7½". Used to manipulate molten glass or to carve wax or clay.
4 PIECE SCULPTING SET ..... $9.00
Similar in design and size to dentists tools, this selection of double ended tools has eight different shapes to
manipulate molten glass or to carve wax or clay. This 4 piece set is also contained within the 12 PIECE SCULPTING
SET.
These tools have dental style handles. Double ended for a total of 20 different shaping ends to manipulate molten
glass or to carve wax or clay. Most of the ends are larger and differently shaped than in either the 4 PIECE or 12
PIECE SCULPTING SETS.
Similar in design and size to dentists tools, this selection of double ended tools has a large variety of shapes used to
manipulate molten glass or to carve wax or clay. Some of the ends in this set have needle like points, similar to a glass
rake. This 12 piece set also contains the 4 tools that are in the 4 PIECE SCULPTING SET.
BEAD CLEANING BRUSH ...... $4.00
Double ended brush for gently cleaning mandrel release any bead holes 3/32" and larger and fiber paper used in
fusing.
BEAD CLEANING WIRES
Regular or Thin Diameter ...... $4.50
Spiral cut wire mounted in a convenient handle. Abrasive cleaning action will gently remove stubborn mandrel release
in bead holes 1/16" and larger. Bead Cleaning Wires are not as aggressive as diamond cleaning tools. They do not
remove glass as they clean and they wear out after a few dozen holes. The Thin Diameter Wire does not last as long
as the Regular Diameter Wire.
BEAD HOLE REAMERS ...... $5.00
Small particles of tungsten carbide are fused onto a wire with a handle. Very aggressive cleaning tool actually will
remove a small amount of glass as it cleans the hole, yet not damage the bead, assuring no trace of mandrel release.
For holes 3/32" and larger.
BEAD HOLE CLEANING SYSTEM ...... $11.50
A three piece kit containing one Bead Cleaning Brush, regular diameter Bead Cleaning Wire and Bead Hole Reamer.
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DIAMOND BEAD HOLE CLEANING AND DRESSING KIT
Wood handled pin vise with 4 diamond tools ..... $7.50
Replacement diamond tools. Large File .....$2.50; Small File ..... $2.00;
Angled Cone ..... $1.50; Set of all 4 ..... $6.00
Blunt Angled or Sharp
The ultimate tools for cleaning out mandrel release from the bead hole and removing the sharp edges. The kit contains
two round, tapering steel rods that are covered in fine diamonds; a large one for average to large beads and a small
one for very small bead holes. Also included are a Blunt Angled and a Sharp Angled diamond coated cone shapes for
removing the sharp edges at the bead hole. The Metal Pin Vise set has a hollow handle and doubles as storage for the
diamond tools. HINT: Use a cordless drill or flex shaft to turn the diamond tools while holding the bead in a bowl of
water. All diamond tools are most effective when used with water. Water greatly helps to flush out the hole and prevent
the diamond tool from overheating as well as prevent dust. Caution: Do not use AC electric tools in this manner – use
only cordless models to avoid electrical shock hazards. Diamond tools will outlast any other bead hole cleaning tool
and is therefore more cost and time effective.
BEAD HOLE DIAMOND DRESSERS
Ball End or Cone End ..... $6.00
See above for usage descriptions. A small ball shape or cone shape covered with diamonds and mounted in a metal
―Hobby Knife‖ style handle. Place the diamond end to the bead hole and rotate under water. It will remove sharp
edges, making even the roughest bead hole beautifully "pooched" and not a "STRING CUTTER".
BEAD HOLE DIAMOND FILES
Small ...... $4.25; Medium ...... $6.00;
Large ...... $11.95
Round diamond needle files work great for cleaning bead holes made on larger size mandrels. A small file can clean a
small or large hole, but a large file can clean out a large hole much faster and easier. Half the length of each file is
handle. The other half is covered with diamonds tapering down to a point. Hold in your hand to use, or slip off the
rubber grip on the handle and use a cordless drill to make the job go faster. The diameter, at the largest area, of the
Small size is 3 mm, about 1/8‖. The diameter of the Medium size is 4 mm, about 3/16‖. The Large is 6 mm, about 1/4".
DIAMOND FILE SETS
Small ...... $6.95; Large ...... $7.95
These five piece diamond file sets have 101 uses. From the classic round needle file for cleaning bead holes to the flat
file for straightening the end of the bead. Also included are a half round, square and triangle needle shapes. Excellent
for PMC.
GRINDING STONE ...... $2.00
Simply wet stone and file the end of the bead to remove sharp edges.
GLASS BLOWING SHEARS
8‖ Cup Shears ..... $45.00; 9‖ Trim Shears ..... $45.00
The cutting blades of these high quality, classic design, glass blowing shears are made from an incredibly tough steel
for years of service. The 8‖ Cup Shears have a 1‖ blade length and are excellent for small close work such as cups
and small vessels. The 9‖ Trim Shears have a 1¾‖ blade length for more general purpose use.
8” DIAMOND SHEARS ..... $40.00
This age old design is now available in a size geared to lampworking. The blades of these shears are each shaped
with a large V in them. When the shears are closed onto hot, pliable glass, up to 1‖ in diameter, they form a square, or
diamond, around the glass, contacting it in four spots. Squeeze the shears closed a little, and the glass uniformly
constricts. Close the shears all the way and the glass is cut clean. These new shears are an enhanced version of our
old 6‖ Diamond Shears; the finger loops are slightly larger, finger rests outside the finger loops have been added, the
distance between your hand and the hot glass is longer, the cutting steel is even better than it was before, and the
blade taper has been increased to aid in cutting. As with most Arrow Springs tools, pictures are available at
ArrowSprings.com.
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SHEARS
Black handles: 4" ..... $4.00; 6 " ..... $5.00; 7½" ..... $6.00
Gold handles: 4½‖ Stubby ..... $6.50; 5‖ Stubby ..... $7.00;
6¾" ..... $7.50; 7½" ..... $8.00
5" ..... $6.25;
6" ..... $7.00
Shears for cutting hot, pliable glass. This Old World design, economy shears, are ideal for trimming the ends of hot
glass rods or making cuts into the glass. The gold colored handle shears are an updated version, with upgraded steel
blades and more comfortable, separately formed handles. Below, the size of each shears is listed with its approximate
overall length and the effective cutting length of the blades. The 6" size is the most popular in both black and gold.
Black: 4"/1", 6"/2", 7½"/2¼"
Gold Stubby: 4½"/¾", 5"/7/8"
Gold: 5"/1½", 6"/1¾", 6½"/2¼", 7½"/2½"
SCORING KNIFE ..... $13.00
Tungsten carbide blade with a handle. It is used to make the score for cutting all types of glass rods and tubing.
NIPPERS
Disk ..... $25.00; Standard ..... $20.00;
Replacement disks ..... $16.00 per pair
Budget ..... $15.00
Used to cut glass rods and very thin slices of millefiori and murrini canes. All are modified so their jaws close enough
to cut even the thinnest stringers. The straight jawed Standard and Economy nippers are the traditional type, while the
more popular Disk nippers (a.k.a. mosaic cutters) are a newer design that use disks to cut the glass.
SMIRCICH BUTTON MASHER ..... $30.00
Developed by Jim Smircich, the Smircich Button Masher is a pliers with a stainless pad on each jaw set parallel to
each other at 1/8‖. One pad extends further than the other. To shape a button you first melt a round ball of glass at the
end of a glass rod. Next, set the end of the molten glass ball onto a graphite pad, with the glass rod pointing skyward,
to flatten the end of the glass ball. Reheat the glass and use the mashers to shape the button face to a gentle dome
shape. The longer pliers pad shapes the face of the button while the shorter pad rests against the glass rod and
shapes the back of the button. The glass rod can later become the button’s loop.
BUTTON AND KNOB MOLDS
Standard or Special ..... $30.00;
All-in-One ..... $40.00
A graphite paddle with round shapes of different diameters and profiles for forming buttons and knobs. The Standard
paddle's shapes are more gentle and simpler than the Special's making it ideal for adding your own decorations to the
surface. The All-in One combines all the shapes from both button molds in a single paddle.
BEAD AND MARBLE MOLDS
6-in-One ..... $45.00; 3/8" with 1/2" or 5/8" with 3/4" ..... $30.00;
7/8" with 1" ..... $35.00
A graphite paddle with shapes machined into it with a high temperature resistant handle. The 6-in-One has six half
spheres to make round beads and marbles. 3/8", 1/2", 5/8", 3/4", 7/8" and 1". Three on one side and three on the
other. A mandrel groove is cut across the surface, through the middle of the spheres, to accommodate a mandrel while
making beads. The groves do not interfere when making marbles. The three other Bead And Marble Molds each
have a combination of two sizes and two different shapes for each size. On one side is a half sphere to make round
beads and marbles. On the other is a half cylinder that is rounded at one end and extends to the edge of the graphite
at the other end to make cylindrical beads. Both sides have the mandrel grooves.
MARBLE MOLDS
6-in-One ..... $40.00; 4-in-One .. $100.00; 1-1/4" .... $28.00; 1-1/2" .... $30.00; 1-3/4‖ ....
$35.00; 2" .... $35.00; 2-1/2‖ .... $75.00; 3‖ … $90.00; 3-1/2‖ … $95.00; 4‖ … $100.00
Similar in design as above, except without the mandrel groves, The 6-in-One has 6 holes, 3/8", 1/2", 5/8", 3/4", 7/8"
and 1". The 4-in-One has 4 holes, 1-1/4", 1-1/2", 1-3/4‖ and 2". The other sizes, 1-1/4", 1-1/2", 1-3/4", 2", 2-1/2‖, 3‖,
3-1/2‖ and 4‖ have only one hole per paddle.
MARBLE TWEEZERS ..... $8.00
6½" tweezers with 5/8" cups at the end to hold spherical objects such as marbles.
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12” HOLDING TWEEZERS ..... $12.00
These tweezers are great for grasping glass components and sculpture while flame annealing and for placing them
into the annealer. Modified 12‖ Blunt End Tweezers, the tips are curved to grab around the glass, instead of just
pinching, as do regular tweezers. This gives you a more secure hold. Non-serrated design helps to not mar the glass.
HOT FINGERS
Small, Medium or Large ..... $48.00;
Extra Large ..... $60.00
A sliding collar closes four spring steel "fingers" around hot buttons, marbles, goblets or irregular shaped objects to
assist in holding while working them in the flame. The Small size is ideal for buttons and marbles between 3/8" and
3/4". The Medium will hold marbles up to 1½" in diameter. The Large is for 2" marbles and small goblets. The Extra
Large size has six ―fingers‖ for almost twice the holding power and can hold objects up to 3‖ in diameter. The three
smaller sizes are approximately 9‖, 10‖ and 11’’, respectively, in length. The Extra Large size is approximately 22‖
long. Available with flared ends for holding from the inside of some objects. If you do not specify with or without flare,
we will ship without flare. While the flare ends can be very helpful, they are rarely needed and usually in the way.
BBQ MASHERS
Quality ..... $40.00
The quality BBQ mashers are our most popular mashing tool. The design is similar to BBQ tongs. 12" long with rubber
handles and flat, thick, 2" square stainless steel mashing surfaces. There is an adjustable set screw to stop the
mashing distance.
OLIVE MASHERS
Small or Large ..... $50.00
Designed just like the BBQ Mashers, except instead of having flat surfaces for mashing the glass, they are curved to
make olive shaped beads. The two curves come together like this, ( ). The curve of the small Olive Mashers is that of a
2½‖ diameter circle, and is 1-3/8‖ long. The curve of the large Olive Mashers is that of a 3½‖ diameter circle, and is 2‖
long. The glass can be shaped on the curve of the pads to make beads that are longer or shorter than the length of the
mashing pads and have blunt or tapered ends.
LUDWIG CONCAVE MASHERS
Small or Large ..... $50.00
Concave mashers are the same tool as the Olive Mashers, except the curved shapes are reversed. The two curves
come together like this, ) (.
SMOOTH SURFACE MASHING PLIERS
Square Flat Smooth ..... $18.00; Round Flat Smooth ..... $18.00
Small Curved, Medium Curved or Large Curved ..... $18.00
The Square Flat Smooth mashers have 1½" square pads that when closed, are parallel at 3/16". The Round Flat
Smooth mashers have 2‖ round pads that when closed, are parallel at 1/16". The Small Curved mashers have pads
that are about 1½" square and are shaped into a curve that has the profile of a 7/8‖ diameter circle. The Medium
Curved mashers have pads that are about 1½" square and are shaped into a curve that has the profile of a 1-1/8‖
diameter circle. The Large Curved mashers have pads that are about 2" square and are shaped into a curve that has
the profile of a 4-1/4‖ diameter circle.
PARALLEL ACTION MASHING PLIERS ..... $40.00
These pliers are like the flat STANDARD MASHING PLIERS except, the mashing surfaces are mounted on parallel
action pliers instead of ordinary pliers. This causes the surfaces to remain truly parallel to each other whether they are
fully closed, fully open or anywhere in between. Maximum opening distance is 11/16".
MINI MASHERS ..... $18.00
The mashing surfaces are ¾" square stainless steel. They are mounted to jewelry pliers which makes them very
strong. They wont flex while mashing glass as it stiffens. A great tool for fine delicate work.
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NEEDLE NOSE MASHING PLIERS ..... $10.00
Needle nose jewelry pliers that have been modified so that their jaws are parallel at 3/16" rather than when fully
closed. Used in narrow tight places. Especially useful when making murrini, such as letters where needle nose
mashers fit down the length of the work to help form the shape of the letter.
NARROW TWEEZERS MASHERS ..... $6.50
Narrow Tweezers Mashers are small, comfortable, all-round mashers for small to medium work. They are 51/2‖ long
and the ends are parallel at approximately 5 mm.
TWEEZERS MASHERS
8‖ ..... $10.00; 8‖ Angled ..... $12.00;
10‖ ..... $12.00; ..... 10‖ Angled ..... $14.00
8" Tweezers Mashers have ¾" square stainless steel mashing surfaces. The 10‖ Tweezers Mashers have 1-1/8"
square pads. The mashing surfaces of the regular Tweezers Mashers close together parallel. The mashing surfaces of
the Angled Tweezers Mashers come together at about a 30º angle for use in shaping glass to shapes such as the
bottom of a heart.
STAR MASHERS ..... $18.00
Used to make star murrini. Much easier than using a bead scale optic mold for the simple reason that when an optic
mold is scaled down, the viscosity of the glass stays the same. This makes it very difficult to get the glass down into
the mold, if not impossible. To use the star masher is very easy. Just form a cylinder of glass about ¾" in diameter and
an inch or two long. Punty it on an end. Heat only where you will pinch. Using the star mashers, pinch along the side of
the cylinder to form a leg of the star. Repeat around the cylinder to complete the star. You can fill in between the points
to round out the murrini or wipe on a thin layer of another color and re-pinch the points. Pull down the murrini as usual.
A smaller cylinder will have fewer points to the star. A larger cylinder will have more.
MICRO MASHING TWEEZERS ..... $3.50
4¾" long tweezers have small flat thin pads measuring ¼" X ½". Excellent for tiny detail work in tight places.
LEAF MASHING PLIERS
Realistic Small Curved Leaf or Large Flat Leaf ..... $18.00
Realistic Large Angled Leaf ..... $20.00
Traditional Flat Leaf ..... $16.00; Traditional Angled Leaf ..... $16.00
The realistic Leaf pliers come in three styles. Small curved shape scaled to bead and jewelry making, large flat or large
angled for larger jewelry and sculptural work. The realistic leaf pattern is on both sides of the mashing surfaces. The
Traditional Leaf Mashers have a pattern on only one side and the pattern is straight and ridged looking. The pattern
becomes more life like when you manipulate the glass. The Traditional Leaf mashers make leaves scaled to bead and
jewelry making.
JEWELRY PLIERS
$5.00 each except flat/round and concave/round nose ..... $8.50
Flat nose, round nose, long (chain) nose, bent long (chain) nose, needle nose, flat/round nose, round/concave nose,
side cutter or end cutter. Use these tools to assemble your finished beads into jewelry or to manipulate hot glass.
MURRINI HEMOSTATS ..... $25.00
Used to pick up hot or cold glass rods or murrini sections and add them to others. Many complex murrinis are
"bundled" from several different murrinis. The best way to bundle murrinis is to first preheat the individual parts in an
annealer. This prevents them from popping apart in the flame. Using the bent end Murrini Hemostats, reach into a hot
oven and grab a murrini, heat it in the flame, then nest it to others. The Murrini Hemostats are bent at 90°,
approximately 1" from the end, and the very tips have rounded grooves to securely hold the murrini components. The
grooves are so close to the end that they usually do not touch the glass that you are applying the murrini to.
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LOOP HEMOSTATS
7‖ ..... $9.00; 9½" ..... $10.00
Hemostats with loops on their grabbing end. Ideal for securely picking up hot round or irregular shaped glass that you
might have preheated in an oven or maybe accidentally dropped off from your punty.
HEMOSTATS
3½" ..... $3.50;
5" or 6" ..... $5.50;
8" .....$7.50;
10" ..... $8.50
Use the longer hemostats for making buttons and small pendants. Many buttons are made with a copper wire loop on
the back. Bend a short length of wire into a U-like a short bobby pin. Then bend out the ends. Clamp a hemostat onto
the curve of the U to become a handle and then either add glass to the wire to create a button or first make a button on
a punty, heat its back and press the wire into it. You will probably find it easier to hold the hemostat shaft while making
glass items; it's easier to rotate. 8" hemostats have about 7" of shaft. Use the 3½" hemostats to clamp on the ends of
your beading string. They allow you to review your work without worry of the beads sliding off. Also, if you need to
remove the first bead strung, it's faster to remove the hemostat then it is to cut off the clasp end or unstring everything.
ITALIAN STYLE ROD HOLDER ..... $35.00
The Italian style glass rod holder is made from stainless steel and has an overall length of approximately 12‖, with a
heavy wall, 3/8‖ diameter hollow handle. The gripping end of the holder is designed like half a clothes pin that pinches
the glass rod as it sits in a V shaped trough. The extremely strong gripping action securely holds glass rods from as
small as about 2 mm up to about 12 mm. The best grip is attained by inserting the glass rod about 1‖ into the holding
area, but rods can be inserted to as much as 1¼‖. The glass rod then extends straight out the end of the holder.
UNCLE AL ROD GRABBER ..... $30.00
The Uncle Al Rod Grabber is very similar to the Italian Style Rod Holder, in the way that it grips glass rods. However,
the overall tool design is very different. It is actually a modified hemostat, approximately 9‖ long. It can hold glass rods
with diameters from as small as about 2 mm up to about 8 mm. The Uncle Al Rod Grabber does have an advantage
over the Italian Style Rod Holder, it can grab a 4 mm to 8 mm glass rod that is laying flat on the work table, without first
picking it up by hand. The best grip is attained by inserting the glass rod about ½‖ into the holding area, but rods can
be inserted to as much as 1½‖.
BOROSILICATE PUNTY HANDLES ..... $6.00 per pair
½‖ diameter, 8" long and tapered at one end down to ¼". Borosilicate glass rods make great punty handles. Use to
punty up marbles, buttons, sculptural work or for pulling down murrini. Borosilicate is a lot more resistant to thermal
shock than soft glass (Effetre/Moretti) which means that your work is less likely to crack off.
REGULAR CERAMIC FIBER INSULATING BLANKET ..... $10.00
Place your hot beads between these two 1" thick ceramic fiber blankets after flame annealing to help minimize thermal
shock (broken beads). This can work well on small beads, but kiln annealing is recommended for larger beads.
Ceramic fiber is a better insulator than vermiculite. The ceramic fiber is made of minerals and care should be taken
when handling, vermiculite contains naturally occurring asbestos. 6" X 12"
SUPER CERAMIC FIBER INSULATING BLANKET ..... $14.00
This ceramic fiber is made from the same material as the Regular Ceramic Fiber Insulating Blanket, however, it is
manufactured with a special process that makes the fibers soluble amorphous. This material is so safe that you can
actually breath and eat it. This blanket has the same insulating value as the regular blanket, but is not quite as durable.
6" X 12"
OVAL BRACELET MANDREL
Mandrel ..... $36.00; Mandrel With Base ..... $65.00
Used to make glass bracelets. The Mandrel with Bracket model comes with a 12‖ X 12‖ base that securely holds the
bracelet mandrel at the proper angle.
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RING MANDREL ..... $22.00
This solid steel Ring Mandrel is ideal for making glass rings since it has no grooves or markings. Used for shaping and
sizing. Working area is 9" long for ring sizes 1 to 15.
GLASS ROD RACK
1-5/8‖ Holes X 12‖ Depth ..... $50.00;
2-1/4‖ Holes X 12‖ Depth ..... $65.00;
1-5/8‖ Holes X 17‖ Deep Depth ..... $55.00
2-1/4‖ Holes X 17‖ Deep Depth ..... $70.00
The glass rod rack holds glass rods, stringers, strips and even tools. The rod rack is made of PVC tubes bound
together with a stainless steel strap and back. The smaller rack’s holes are 1-5/8‖ square and arranged six wide and
four tall, for a total of twenty-four holes. Its outside dimension is 7‖ tall, 10-1/2‖ wide and either 12‖ or 17‖ deep. The
larger rack has 2-1/4" square holes that are arranged five wide and five tall, for a total of twenty-five holes. Its outside
dimension is 12‖ tall, 12‖ wide and either 12‖ or 17‖ deep. Their modular design allows for easy stacking. The 12‖
depth rack is ideal for 1/3 cut Moretti rods or any rods 16‖ or shorter. The 17‖ depth rack is ideal for 1/2 cut Moretti or
full length borosilicate colored rods or any rods 22‖ or shorter. Custom sizes and configurations available.
FRIT AND POWDER TROUGH
Small Combo ..... $15.00; Large ..... $20.00
Used to apply frit and powdered glass to hard and soft glasses, as well as Pixie Dust to soft glass. The trough is
shaped like half of a pipe that has been cut lengthwise and will sit on the work table without rocking. The frit or powder
is placed in the center area. As the hot glass work piece is set onto the frit or powder and rotated, the curved sides of
the trough help to keep the frit or powder surrounding the work piece. The frit or powder falls back on to the work piece
and tends to not spread down the length of the trough. Your work piece gets coated considerably faster and with less
applications than when using a flat marvering plate. Large trough measures 12‖ long by about 4‖ wide. The small
Combo trough measures 6‖ long and is reversible. On one side the width is 1½‖. Turn it over and the other side is 2‖
wide. The Small Combo trough comes with two disks, one for each side, that are used to push the material to the
center.
FRIT AND ANNEALING TRAY ….. $9.95 set of three
For annealing, these stainless steel trays hold marbles from rolling around and keep multiple lampworkers loose items
separate. At about 3‖ x 4½‖, a typical annealer can hold several trays across. As a frit tray, the low profile gives
mandrel clearance on narrow beads while still keeping the frit from spilling.
STUMP SUCKER
¾‖ Sucker ..... $40.00; 1‖, 1¼‖ or 1½‖ Sucker ..... $50.00;
Hose Set With Filter ..... $10.00
2‖ Sucker ..... $75.00
Used to vacuum case small glass sculptures that can be used for beads, buttons, small sculptures, marbles and small
paper weights as well as for making components in large paper weights and large sculptures. To use, place your glass
setup on the perforated graphite disk in the bottom of the tapered graphite hole. Heat up a glob of glass in the torch or
gather glass from a crucible. Heat the setup with a micro torch to prevent fine bubbles from forming on the surface. Be
careful not to over heat and distort the setup. Place the molten glass over the hole. You need to keep the molten glass
rather spherical while it seals the hole and begins to drop into the hole. Immediately suck on the hose. When done
properly, the molten glass will completely fill in around the setup. One hose can be shared with several Stump
Suckers. Requires advanced skill levels.
LATEX TUBING
5/32‖ ..... $.60 per foot; 3/16‖ ..... $.70 per foot; 1/4‖ ..... $.80 per foot
5/32‖ ..... $54.00 per roll; 3/16‖ ..... $63.00 per roll; 1/4‖ ..... $72.00 per roll
Used with a swivel and mouthpiece as in the Blow Hose Assembly. The 1/4‖ inside diameter tubing is used with a
filter and mouthpiece for the Stump Sucker. Hose measurements are ID, inside diameter. Wall thickness on the 5/32‖
size is 3/64‖. Wall thickness on the 3/16‖ and 1/4" sizes is 3/64‖. Rolls are 100 feet long and can be made up from as
many as four pieces.
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BLOWING SWIVEL
3/16‖ - 90º Angle, 1/4‖ - 90º Angle, 3/16‖ Straight or 1/4‖ Straight ..... $10.00
3/8‖ - 90º Angle or 3/8‖ Straight ..... $12.50
Typical use for Swivels is as described above in a Blow Hose Assembly.
BLOW HOSE ASSEMBLY
3/16‖ or 1/4‖ Assembly ..... $19.00
Blow Hose assemblies are used to blow air into a glass tube, by mouth, while rotating the tube either by hand or lathe
and applying heat to it. Generally, one end of the tube is closed off, the other end has a swivel, usually a 90º angle
swivel, attached to it. Attached to the swivel is very flexible latex tubing. At the other end of the latex tubing is a plastic
mouthpiece for you to gently blow air through. The gentle air pressure keeps the glass tube from collapsing when it
gets hot and soft or it can inflate the tube to make vessels and other shapes. The swivel is attached to the glass tube
by either wrapping masking tape around the swiveling end until its diameter is large enough to wedge it into the glass
tube and make an air tight seal or by inserting the swivel end into a rubber stopper that has a hole in its middle and it is
wedged into the end of the glass tube. The 3/16” Blow Hose Assembly comes with a 3/16‖ diameter, 90º angle
swivel, six feet of 5/32‖ inside diameter latex tubing and two mouthpieces. The 1/4” Blow Hose Assembly comes with
a 1/4‖ diameter, 90º angle swivel, six feet of 5/32 inside diameter latex tubing and two mouthpieces.
BAZ BOX LEAF AND FOIL VACUUM TABLE ….. $89.95
No more chasing leaf and foil around the table. The Baz Box, conceived by Amnon Elbaz, is a very effective tool that
securely holds any leaf or foil by a gentle vacuum through very tiny holes in a thick gage stainless steel top plate.
Includes a stainless steel sheet that doubles as a cover for your leaf and foil when the Baz Box is not in use and also
as a partial leaf and foil cover so that when you pick up the leaf or foil with hot glass, the area covered is cleanly cut
and remains behind. Approximately 5‖ X 5‖, 3 speed fan, 9 Volt battery, included.
LAMPWORKING SPECTACLES
LENS OPTIONS
ACE Lenses
Arrow Vision – AV 2000
Whether you know them as AV 2000, Phillips 202, or one of several other trade names, ACE is the name Schott calls
their most popular lampworking filter lens. ACE exceeds light filtering in the UV (ultra violet), near IR (infrared) and
sodium flare spectrums than the old rose didymium lenses. Sodium flare is the bright yellow orange light that hot glass
produces while in the flame, It is also what irritates and fatigues your eyes the most. In addition, ACE color enhances
red, blue and green, making it easier to see a glass’ true color and judge its temperature while you work.
Green ACE Lenses
Green ACE, also known as Boroscopes Version 2, is a lens that gives extra protection in the UV, IR, and of particular
notice, the bright glow that very hot glass gives off, while still eliminating nearly all the sodium flare as regular ACE
does. This is important when working hard glass (borosilicate), and especially hard glass colors, because hard glass is
generally worked at hotter temperatures. These hotter temperatures increase all of these levels, to the point of
becoming potentially harmful, as well as being uncomfortable, if not properly filtered. Green ACE #3 and the even
darker #5 are considerably darker than regular ACE. The #3 shade is generally adequate for most hard glass
lampworking, if the glass is worked at lower to moderate temperatures. The darker #5 shade is suggested for working
conditions where the glass becomes so hot that it has an excessive brightness and/or the work piece is very large.
Regular ACE lenses can work for use with hard glass, if and only if, you work the glass at cooler temperatures and the
glass does not have a very bright glow. Green ACE does tend to flatten out colors.
Split Lenses
ACE and Green ACE lenses are also available within the same frames. See Microlite 8 Split Lens below.
All frames come with case and retainer cord.
Single Vision Prescription available for only $80.00 more. When submitting prescription, please make sure your
prescription includes the pupillary distance (PD) for both near and far.
Liability Disclaimer
Arrow Springs employees are not optometrists and can only make suggestions concerning eye protection. Arrow
Springs does not accept any liability concerning eye damage arising from the use, misuse, or non-use of any eyewear
products we sell. For answers to specific questions regarding your eyes, contact your optometrist.
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FRAME AND VIEWING OPTIONS
Small Economy Frame
ACE ..... $45.00; Green ACE #3 or #5 ..... $90.00
Plastic, smoke gray, safety frames with permanently attached side shields, have been a safety glasses industry
standard for many years.
Large Economy Frame
ACE ..... $54.00; Green ACE #3 or #5 ..... $110.00
Plastic safety frames with molded in plastic side shields. Use by themselves, or for wearing over prescription glasses,
if Clip-Ons is not an option. Fits over most prescription regular eyewear.
Fitover Frame
ACE ..... $65.00;
Green ACE #3 or #5 ..... $130.00
More comfortable and durable frames than the Large Economy Frames. Whether used by themselves or worn over
regular prescription eyewear, these plastic, safety Fitover Frames are a definite upgrade.
Assurance
ACE ..... $155.00;
Green ACE #3 or #5 ..... $175.00
These stylish metal frames have a medium size lens, adjustable nose pads and spring hinges.
Designer Metal Copper
ACE ..... $100.00; Green ACE #3 or #5 ..... $128.00
These executive style metal safety frames have a copper finish and smaller size lenses. This sophisticated look comes
with spring hinges, adjustable nose pads and removable side shields. Very stylish and extremely durable.
Downtown Designer Black
ACE ..... $80.00; Green ACE #3 or #5 ..... $110.00
Black plastic, lightweight, durable frames have a comfortable uniform fit.
Clip-On – Metal Frame
ACE ..... $89.00
Available in more than a dozen sizes, Clip-On frames do just that. They clip onto your existing prescription eyewear.
Microlite 8 Split Lens – Wrap-Around Plastic Frame
ACE with Green ACE #3 or #5 ..... $295.00;
This split lens design has the top portion in a regular ACE lens, while the bottom portion has a Green ACE shade #3 or
#5 lens. Look through the top area while working hot glass that does not produce an excessive sodium flare, or the
glass itself is not glowing excessively. This is typically when working soft glass. View through the bottom when the
amount of flare or glow is overwhelming. Typically used when working Borosilicate glass, especially colors, at high
temperatures. The Microlite 8 frame offers comfort and protection in a unique wrap around style frame. Comes
standard with leather case and special retainer cord.
Visor
ACE ..... $150.00;
Green ACE #3 or #5 ..... $180.00
Just like a jewelers visor, this visor is worn on the head like a hat. The single rectangle lens is held in a pivoting frame
attached to a headband and can be pushed up and out of the way.
Bench Mount Shield
ACE ..... $180.00; Green ACE #3 or #5 ..... $210.00
A framed 4¼" X 5" filter glass is mounted to a long gooseneck swivel, with an attached weighted base. It sits on the
work bench and the filter glass is positioned between you and the flame. Eliminates the need for wearing filter glasses.
Sheet Glass 6.5" X 6.5"
4.5" X 5" ACE ..... $125.00;
6.5" X 6.5" ACE ..... $200
Plate sheet glass. Glass is ground and polished to a 3.5 mm thickness.
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Optx 20/20 Stick-On Magnifiers
Plus powers: 1.25, 1.50, 1.75, 2.00, 2.50, 3.00 ….. $12.00 per pair
Optx 20/20 is a removable, flexible plastic lens that safely sticks to the inside of your lampworking eyewear and adds
magnification where you apply them. The 1.2" (30mm) half circle lens comes in plus powers of 1.25, 1.50, 1.75, 2.00,
2.50 and 3.00. Easily removable and can be moved to other eyewear. Two lenses.
FACETING EQUIPMENT
SwapTop™ All-In-Wonder™ COMPLETE LAPIDARY WORKSHOP
By Inland Lapidary: 6‖ Machine ..... $429.95; 8‖ Machine ..... $579.95
The SwapTop™ All-In-Wonder™ is the most affordable complete combination cutting, faceting and edge grinding
system on the market. Because of its unique low profile design, the SwapTop™ can be taken anywhere, but it will still
pass muster on the workbench at home.
The All-In-Wonder™ can be set up as a 6" Flat Lap (8‖ on the 8‖ machine), a 6½" Trim Saw, and/or a 1" Drum
Grinder/Shaper. Each of the three machines can be set up in just minutes.
Water cooled system means no messy oil to clean up. Faster RPM motor allows you to quickly finish the finest cutting,
faceting and edge grinding possible. This machine provides all the tools you need to get started today. You just plug it
in, add a little water and supply the project.
Key Features:
Quiet and Powerful: The direct drive Permanent Magnet DC motor is stronger than other machines you will find for
two or three times the price. Comes complete with speed controller and water drip kit.
Quick and Easy: No hassle product assembly, operation is easy and straight forward, and changeover takes only
minutes.
As a Flat Lap Machine: Quickly and easily converts to a SwapTop™ Flat Lap Machine with the conversion kit
provided. Includes (4) 6" diamond disks plus a polishing pad.
(1) 170 Grit 6" Flat Lap
As a Trim Saw: Quickly and easily converts to a SwapTop™ Trim Saw with the conversion kit provided. Includes (1)
6½" x .020" diamond blade.
As an Edger/Shaper: Quickly and easily converts to a SwapTop™ Edger/Shaper with the included conversion kit.
Includes (1) 1" 60 grit diamond drum.
SAWS
By Hitech Diamond Products
4‖ to 5‖ Saw Only ..... $239.50
6‖ Saw Only ..... $385.00; 6‖ Saw with Economy Blade and Vise Assembly ..... $439.50
Optional Vise Assembly For 6‖ Saw ..... $97.00
Economy Blade: 4 X .020 ..... $11.00; 6 X .020 ..... $16.00
Pro-Slicer Blade: 4 X .007 or .016 ..... $30.00; 5 X .016 ..... $35.00 6 X .009 or .016 ..... $35.00
MK Sintered Blade: 4 X .014 or .020 …. $46.00; 5 X .020 …. $53.00; 6 X .014 or .032 …. $57.00
Order saw and blade as separate items. Used for cutting thin slices of murrini, cutting fused glass into small pieces
and many more applications. The 4‖ to 5‖ saw has a table size of 9" x 6¼". The 6‖ saw has a table size of 15" x 9".
The blade cover can be raised or removed and the front splash guard can also be removed, if necessary, to
accommodate larger pieces. The distance from the left side of the blade to the motor housing is 3‖ on the 4‖ to 5‖ saw
and 5¼‖ on the 6‖ saw. The right hand side of the blade is totally unobstructed on both saws. The approximate blade
height above the cutting table is 1‖ with a 4‖ blade, 1½‖ with the 5‖ blade and 2‖ with the 6‖ blade. The diamond blade
runs through a water reservoir. No pump is needed. 400 to 3400 RPM variable speed, 1/4 HP motor with 5/8‖
arbor.120 volts.
The blades listed above are listed by their diameter and cutting kerf, in inches. The kerf is the width of cut a saw blade
makes. Extremely thin blades, such as the Pro-Slicer 4‖ X .007 and 6‖ X .009 are very delicate and will bend and
buckle easily, ruining it, even with an experienced hand. We recommend using the thicker blades. The higher quality
30
Pro-Slicer diamond blades cut faster and last longer than the Economy blades. The MK sintered blades are stiffer, cut
quickly and last the longest by far, because their diamonds are impregnated throughout the cutting edge. As the blade
wears down, more diamonds are exposed.
The optional Vise Assembly is an adjustable guide that allows for accurate precision cuts. Wing nuts are tightened to
clamp the work piece securely in place. You advance the carriage slowly to feed material evenly into the blade. The
Vise Assembly is designed to fit the 6" saw only and installs easily.
Note: Always run thin blades at higher speeds and do not jam glass into them to help prevent blade buckling. A little
trick for cutting tubes and rods. Cut partially into the glass, all the way around, before cutting through the center. This
can prevent the glass from breaking out on the back side of the cut before the cut is finished.
FUSING, STAINED GLASS, CASTING & PÂTE DE VERRE
TOYO PISTOL GLASS CUTTER ..... $30.00
For cutting sheet glass. There are many types of glass cutters available, but this one is by far the best. The Toyo
Pistol Cutter has a pistol type grip that gives you better control with a lot less effort. The cutting wheel is the best
available, giving you the ultimate in performance and durability.
COMBINATION BREAKING AND GROZING PLIERS
Standard or Narrow Jaws ..... $8.00
Used to assist in breaking sheet glass once it has been scored with a glass cutter. Also used for grozing (nibbling)
sheet glass to help bring it into final shape. Standard jaw width is 3/8‖ at the tip. The narrow jaw width is 1/8‖ at the tip.
RUNNING PLIERS ..... $9.00
Used to break sheet glass once it has been scored with a glass cutter. The curved shaped jaws align to the scored
glass and exert an upward push directly under the score while, at the same time, exerting force downward on either
side of the score. Works best on straight or slightly curving scores. A very popular compliment to the Combination
Breaking and Grozing Pliers, because they operate without you needing to hold onto the glass and can also be used
on very narrow strips of glass.
POLARIZING STRESS SCOPE ..... $30.00
This simple but clever device will show stresses in glass, including flameworked, fused or blown. Stress can be caused
by using two or more incompatible glasses together or by improper annealing techniques. To show the stress between
two glasses or within a single glass, at least one color must be fairly transparent for the scope to reveal it. To use,
place the glass on top of the polarizing light source and then place the loose polarized filter over the glass and rotate it
until it begins to darken. As the light darkens, a light and dark pattern will appear which is not part of the glass design.
This pattern is caused by the stress in the glass. Stress causes the light to bend (refract) in different directions and the
polarizing filter eliminates the remaining or background light.
REGULAR CERAMIC FIBER BLANKET
$12.00 Per Linear Foot; 24" X 25' Roll ..... $150.00
Used as an insulating material or as a mold material when a liquid rigidizer is applied. 8 lbs. density, strong spun fibers
instead of blown and needled surface to keep fibers together. Ceramic fiber is made of minerals and care should be
taken when handling. Sold by the linear foot. 24" wide.
SUPER CERAMIC FIBER BLANKET
$16.00 Per Linear Foot; 24" X 25' Roll ..... $295.00
This ceramic fiber is made from the same material as the Regular Ceramic Fiber Blanket, however, it is manufactured
with a special process that makes the fibers soluble amorphous. This material is so safe that you can actually breath
and eat it. This blanket has the same insulating value as the regular blanket, but is not quite as durable. Sold by the
linear foot. 24" wide.
31
FIBER PAPER
.008" X 12‖ X 13½‖..... $1.00; .008‖ X 20½‖ X 20½‖ ..... $2.50
.008" X 41‖ X 82’..... $199.00; .008‖ X 41‖ X 164’ ..... $399.00;
1/16" X 12‖ 12‖ ..... $2.00; 1/8" ..... $3.50; 1/4" ..... $5.00
.008‖ X 41‖ X 250’ ..... $499.00
The thinnest fiber paper is used as an alternative to shelf primer. It is extremely thin at only .008" thick. The thicker
fiber papers are used to form glass. They can be cut with scissors or hobby knife into shapes and laid singularly or
stacked under glass to shape it. The 1/8" size works great for making the hanging holes through fused pendants. All
four papers come clean from glass that has been fire to fusing temperatures without the use of shelf primer. The three
thicker sizes release organic binder fumes during fusing that must be vented. The .008" paper measures 12" X 13½".
The three thickest sizes measure 12" X 12".
TUNGSTEN FUSING RAKE ..... $20.00
Tungsten is the ideal material for raking molten glass during the fusing process because it resists sticking. An 1/8"
tungsten rod is ground and polished to a long sharp point. It is attached to the end of an 18" electrical and heat
insulating wood handle at a 90º angle.
ECONOMY AIR BRUSH
Air Brush Kit..... $10.00; Deluxe Air Brush Kit ..... $18.00
Used to apply Spray "A", finely ground enamels and fire on glass paints. Can be used with an air compressor or
canned propellant. The Air Brush Kit contains air brush with material jar, air hose and canned propellant regulator
valve. The Deluxe Air Brush Kit also comes with an additional material jar and a can of propellant. Tip: Because Spray
"A", enamels and paints settle and compact quickly, be sure to clean air brush immediately after use.
SPRAY "A" OVER-GLAZE..... $18.00
Spray "A" is a finely ground low melting glass that is suspended in a sprayable medium. When lightly sprayed onto
glass just before fusing it forms a thin clear layer that prevents devitrification. Devitrification is what sometimes
happens to the surface of fused glass around 1400ºF, causing a dull scummy appearance. An inexpensive air brush is
recommended for a proper coating. See ECONOMY AIR BRUSH.
DONNA'S FUSING GLUE AND SPRAY MEDIUM ..... $4.00
A thin glue for fusing and pâte de verre that is used to lightly hold small pieces of glass in place so that they do not
move while handling. Apply sparingly with the tip of a tooth pick. Completely burns off with no residue if used sparingly.
Also used as a spray medium for Pixie Dust and enamels.
CANNED AIR BRUSH PROPELLANT ..... $7.00
Convenient canister of propellant for use with an air brush when a compressor is not available. Canned air may not
have enough pressure for some applications.
SHELF PRIMER
Standard or High Fire: 1½ lbs. ..... $9.00; 5 lbs. ..... $18.00;
Primo: 1½ lbs. ..... $10.00; 5 lbs. ..... $20.00
Also known as shelf wash or kiln wash. Used on kiln shelves and slumping molds to prevent glass from sticking. These
high quality shelf primers come as a powder. Mix it with three to five parts water and paint two or three thin coats, in
alternating directions. Tip: To coat metal molds, first heat the metal to 200 to 300º F. This dries the primer as you apply
it before it can roll off. Standard Primer releases more consistently from the fused glass than the High Fire Primer.
High Fire Primer can better withstand the higher temperatures that are often used for raking. Primo Primer is like
using liquefied fiber paper and its cleanup after firing is easiest. Although reapplying the shelf primer after each firing
gives best results, only the Standard and High Fire primers can do multiple firings.
HAIK BRUSH
2-3/8" ..... $6.95
Used to apply shelf primer to kiln shelves and molds. The long soft thin hairs apply the shelf primer coat evenly and
leave an extremely smooth surface. Regular paint brushes leave a texture that is usually undesirable.
32
SHELF POSTS
Used to elevate kiln shelves off the bottom of the kiln, to separate multiple shelves or to use as a lid prop. Raising the
shelf helps to assure more even heating Generally, shelves that are 12" X 12" and smaller do not need shelf posts for
even heating. Size is listed in inches.
Length
½
1
1½
Price
.60
.65
.75
Size / Shape
2‖ Triangle
2‖ Triangle
1½‖ Square
Length
2
3
4
Price
.80
.95
1.30
Size / Shape
1½‖ Square
1½‖ Square
1½‖ Square
KILN SHELVES
Used in ovens for fusing. Requires shelf primer or fiber paper to prevent glass from sticking to shelf and damaging it.
Size is listed in inches.
Size
6X6
8X8
8 X 12
12 X 12
10½ x 17½
12½ x 17½
16 x 16
20 x 20
24 x 24
12
Price
$6.00
9.00
9.00
10.00
20.00
25.00
30.00
50.00
75.00
12.00
Shape
Square
Square
Rectangle
Square
Rectangle
Rectangle
Square
Square
Square
Circle
Thickness
3/8
1/2
1/2
1/2
1/2
1/2
1/2
5/8
1
1/2
33
SUPPLIES
SLUDGE™ BRAND MANDREL RELEASE
™ or
4+ fl. oz ..... $7.00; 16+ fl. oz. ..... $21.00;
™
½ gallon ..... $60.00
The ultimate flame drying mandrel release for all sizes of solid and hollow mandrels. A thin coating can be flame dried
completely within seconds. A thicker coating is be placed further out in the flame and dried over a ten to twenty second
period. Strong while working the glass, yet easy to release when cool. Just like our SLUDGE PLUS™ products, the
blue one, Dip-n-Go Blue SLUDGE™, is the same as the black one, Dip-n-Go Sludge™, except without graphite, and
therefore holds even stronger. A favorite for working borosilicate (hard) glass and making hollow beads, where the
demands on a mandrel release are greater. Dip-n-Go SLUDGEs™ have the added benefit of being easy to
reconstitute with water, should you leave the lid off and it dries out.
™ or
™
4+ fl. oz ..... $7.00; 16+ fl. oz. ..... $21.00; ½ gallon ..... $60.00
The famous SLUDGE PLUS™ is a reformulated version of our original mandrel release, SLUDGE™. It has a little
more holding power for making large beads or doing any procedures that put a lot of rotational stress between the
bead and mandrel. It also yields a smoother surface after dipping the mandrel. Completely reliable even on beads that
take two hours to make! When cool, the bead releases easily. SUPER BLUE SLUDGE™ is the same as SLUDGE
PLUS™, except without graphite, and holds a little stronger. A favorite for working borosilicate (hard) glass.
GLASS BEAD ETCHING CREAM
4 FL. OZ. .....$9.00; 16 FL. OZ. .....$25.00
Chemically etch your glass beads to produce a soft velvet or satin finish and look. Ready to use. Has the consistency
of cake batter. Glass item to be etched can be immersed into etching cream or etching cream can be selectively
painted on. Does not work well on borosilicate glass.
GLASS BEAD ETCHING LIQUID
4 FL. OZ. .....$9.00; 16 FL. OZ. .....$25.00
Chemically etch your glass beads to produce a soft velvet or satin finish and look. Comes as a dry crystal. Has the
consistency of water after you mix it with hot water. Glass item to be etched is immersed into etching liquid. When
diluted to 50% strength, it works very well to soften the harshness of sandblasted glass. Does not work well on
borosilicate glass.
EFFETRE (MORETTI) AND BULLSEYE SAMPLE CARDS
Blank card: Effetre (Moretti) or Bullseye ..... $8.00
Framed card with glass samples: Effetre (Moretti) or Bullseye ..... $65.00
Sample cards measures 17" wide by 11" tall. We carefully laid them out in an orderly fashion by category. The card is
of white paper to reflect the true color of the glass. The card is mounted to foam core to make it durable and rigid for
handling and/or framing. Use the blank card to glue on your own glass samples. Both the Effetre (Moretti) and Bullseye
cards, with glass samples, now come with a gold metal picture frame.
EFFETRE (MORETTI) SAMPLE BOOK .....$95.00
1¼" lengths of Moretti rod are held in clear plastic pockets. Twenty to the page. Behind each display sheet is a
separate sheet with each sample's code number, English name and Italian name aligned to it. This allows you to put
both sheets together to see each glass's description or to just hold up the sample sheet to the light. All pages are in a
three ring binder. The colors of Moretti that strike (change color after heating) are struck at one end showing you what
the glass looks like before and after heating.
34
BEADPENS, BEAD FOUNTAIN PENS, BEAD LETTER OPENERS AND BEAD KEY RINGS
The original and the best. Solid metal construction, NOT plastic. With an extremely durable finish, superior mechanics
and quality ink cartridges, BeadPens, Bead Fountain Pens, Bead Letter Openers and Bead Key Rings come in a large
selection of colors to compliment your beads. Just slip your bead(s) over the 3/32" (2.4 mm) diameter steel rod and
screw on the matching cap. It's that easy. See pictures at ArrowSprings.com.
BeadPens:
$9.99 each - 1 BeadPen per pack
$7.99 each - 6 BeadPens of the same color per pack - $47.94
$6.99 each - 10 BeadPens of the same color per pack - $69.90
Black, Blue, Burgundy Red, Copper, Coral Part, Emerald Green Part, Gold, Gunmetal, Lilac, Pea
Green Part, Pearl White, Pink Part, Purple, Rustic Brown, Shinny Silver, Silver, Turquoise Blue
Overall length: 6" (152 mm)
Length of 3/32" (2.4 mm) rod: 2-3/8" (60.3 mm) minimum, 2-9/16" (65 mm) maximum.
BeadPen Refills
Black or Blue - $1.25 each
Bead Fountain Pens:
$14.99 each - 1 Bead Fountain Pen per pack
$12.99 each - 4 Bead Fountain Pens of the same color per pack - $51.96
$10.99 each - 6 Bead Fountain Pens of the same color per pack - $65.94
Black, Blue, Burgundy, Copper, Silver
Two tone Silver and Gold Plated Iridium nib.
Overall length with cap: 6-3/8" (162 mm)
Length of 3/32" (2.4 mm) rod: 1-13/16" (46 mm) minimum, 2" (50.8 mm) maximum.
Bead Letter Openers:
$9.99 each - 1 Letter Opener per pack
$7.99 each - 6 Letter Openers of the same color per pack - $47.94
$6.99 each - 10 Letter Openers of the same color per pack - $69.90
Gold, Silver, Satin Silver, Two Tone Silver
Overall length: 7-3/8" (187 mm)
Length of 3/32" (2.4 mm) rod: 2-15/16" (74.6 mm) minimum, 3-1/8" (79.4 mm) maximum.
The Two Tone Silver has different dimensions.
Overall length: 7" (178 mm)
Length of 3/32" (2.4 mm) rod: 2-3/8" (60.3 mm) minimum, 2-9/16" (65 mm) maximum.
Bead Key Rings:
$7.99 each - 1 Bead Key Ring per pack
$6.99 each - 6 Bead Key Rings of the same color per pack - $41.94
$5.99 each - 10 Bead Key Rings of the same color per pack - $59.90
Black, Burgundy, Copper , Pea Green, Pink, Purple
Overall width: 1-3/8" (35 mm)
Overall height: 2-5/8" (66.7 mm)
Length of 3/32" (2.4 mm) rod: 9/16" (14.2 mm)
Wine Bottle Stoppers
$14.99 each - 1 Wine Bottle Stopper per pack
$12.99 each - 4 Wine Bottle Stoppers of the same style per pack - $51.96
$10.99 each - 6 Wine Bottle Stoppers of the same style per pack - $65.94
35
Overall length of body: Styles A- 3” (76 mm); Styles B 3-1/4” (83 mm); Style C- 2-7/8” (73 mm);
Style D- 2-5/8” (67 mm)
Length of 3/32” (2.4 mm) rod: Styles A and B- 1-34” ( mm); Styles C and D- 7/8” ( mm)
Styles A and B have a cross handle. Styles C and D have a post handle. The rod on Styles A and
B can be slid from side to side and can be all to one side or split anywhere between the two sides.
GOLDSTONE (GOLD AVENTURINE), BLUE AND GREEN AVENTURINE, AND PINK
GOLD Chips or Pieces:
1 oz ..... $4.75; 2 oz ..... $8.00; ¼ lb ..... $15.00; ½ lb ..... $27.60; 1 lb ..... $48.00
GOLD Chunk:
Less than 1lb ..... $52.00 per lb; 1 lb and over ..... $42.00 per lb
BLUE Chips or Pieces:
1 oz ..... $6.00; 2 oz ..... $10.00; ¼ lb ..... $18.75; ½ lb ..... $34.50;
BLUE Chunk:
GREEN Chips or Pieces:
1 oz ..... $4.75; 2 oz ..... $8.00; ¼ lb ..... $15.00;
½ lb ..... $27.60; 1 lb ..... $48.00
GREEN or METEORITE Chunk:
1 lb ..... $60.00
Aventurine is copper or chrome particles suspended in a glass matrix that has a sparkle some what like dichroicic. It
has been used extensively in traditional "Venetian style" beads, but is also excellent for adding sparkle to any kind of
beadwork. Available in small flake Chips, larger pea sized Pieces or very large Chunks weighing anywhere from
about ½ ounce to several pounds each. Goldstone is actually a copper color. Meteorite is lighter and brighter that
Green Aventurine, has much larger sparkles than any of the other aventurines, and only comes in chunk size.
MILLEFIORI
Mixed Opaque AND Transparent in Assorted Sizes (most popular):
2 oz ..... $10.00; ¼ lb ..... $18.00
2-3 mm - Mixed Opaque or Mixed Transparent:
2 oz ..... $18.00; ¼ lb ..... $32.00; 1 lb ..... $108.00
3-4 mm - Mixed Opaque or Mixed Transparent:
2 oz ..... $12.00; ¼ lb ..... $22.00; 1 lb ..... $72.00
5-6 mm, 6-7 mm - Mixed Opaque or Mixed Transparent:
2 oz ..... $10.00; ¼ lb ..... $18.00; 1 lb ..... $60.00
8-10 mm - Mixed Opaque:
2 oz ..... $10.00; ¼ lb ..... $18.00; 1 lb ..... $60.00
8-10 mm - Mixed Transparent:
2 oz ..... $11.00; ¼ lb ..... $20.00; 1 lb ..... $66.00
Millefiori are slices of murrini (a designed color pattern that can be seen through glass) about 3 mm (1/8") to 5 mm
(3/16") thick and are available in diameters ranging from 2 mm to 30 mm. Each size is sold as a range, such as size 56 mm, which is the most popular. Each package has assorted patterns. Specify Opaque, where all colors in the
millefiori pieces are opaque, or Transparent, where typically the pattern, such as a stylized flower, and the perimeter
are opaque, and the background is transparent, or Mixed, a combination of Opaque and Transparent in assorted
sizes, mostly the middle range sizes with little or none of the smallest or largest sizes. Millefiori translated from Italian
means "thousand flowers". The name comes from the way these murrini slices are often used. When placed all over a
glass object, they look like a "thousand flowers". Compatible with Effetre, Vetrofond and Lauscha glass.
36
– RAKU COLORS
Iris Black, Night Blue, Opal Black, Opal Brown, Opal Lilac, Sienna Brown, Tobacco Dark, Tobacco
Light ..... $3.50 per 2 Ounce Jar
Amber Brown Irid, Aqua Blue Silver, Brilliant Gold, Coffee Brown, Copper Ruby, Copper Ruby
Light, Czar Blue, Gold Brown, Iris Amber, Iris Blue, Iris Dark Blue, Iris Gold, Iris Green, Iris Light
Blue, Iris Night Blue, Iris Opal Dark Brown, Iris Opal Yellow, Iris Orange (color #108), Iris Violet, Iris
Yellow, Lilac Red, Opal Plum Blue, Sea Green, Silver Amethyst, Silver Blue, Silver Clear, Silver
Dark Blue, Silver Green, Silver Yellow ..... $5.00 per 2 Ounce Jar
Lilac Rose, Purple Rose ..... $8.00 per 2 Ounce Jar
Samples: $1.00 each, Except Purple Rose and Silver Blue: $1.75 each;
Reduction Frit Sample Assortment - All 39 Colors ..... $34.00
Available in five frit sizes – Powder, Small, Medium, Large and Super Large. Samples are about a teaspoon in quantity
and are generally enough to cover the surface of several beads. The Sample Assortment contains one of all available
color samples, assorted in sizes Powder, Small, Medium and Large. Most of the colors are true reducing glass, and all
colors give a raku like effect. One color, Iris Orange (color# 108), has become known as the “raku” color, and is one of
the most popular. A few of the colors, like Iris Orange, obtain their interesting effects by cooling them on a marver after
first melting it into the base glass. Others have interesting reactions with the glass they are applied to. To use, place frit
or powder on a marvering pad or in a Frit and Powder Trough. Heat glass enough to pick up the frit or powder and melt
it fully into the surface for best compatibility. For reducing colors, keep the glass molten and adjust torch to a strong
reduction flame. When you re-heat the glass, the reduction flame causes the metallic oxides to come to the surface.
Powder (less than .5 mm) covers the glass with a continuous coating. Large (1 – 2.4 mm) frit makes a large broken,
mottled pattern. The Super Large (8-11.5 mm) size are little chunks and is typically used to make stringers. The most
popular size is Medium(.5-2.4 mm). Most of the colors contain lead and therefore have a wider compatible range than
other glasses. Reduction frit and powder does not work with borosilicate (hard) glass, but does work with ASK 104,
Effetre (Moretti) Vetrofond, Lauscha, Bullseye, Uroboros, Spectrum and Thompson Enamel. Additional instructions can
be found at ArrowSprings.com under the Tips & Tricks section.
– RAKU COLORS
Coffee Brown, Copper Ruby, Copper Ruby Light, Iris Amber, Iris Black, Iris Gold, Iris Light Blue,
Iris Night Blue, Lilac Red, Night Blue, Opal Black, Opal Brown, Opal Lilac, Opal Plum Blue, Sea
Green, Sienna Brown, Tobacco Light ..... $25.00
Iris Orange (color #108) ….. $32.00
Brilliant Gold, Czar Blue, Gold Brown, Iris Blue, Iris Dark Blue, Iris Green, Iris Opal Dark Brown, Iris
Opal Yellow, Iris Violet, Iris Yellow, Silver Amethyst, Silver Blue, Silver Dark Blue, Silver Clear,
Silver Green..... $28.00 Purple Rose ….. $45.00
Many of the Reduction Frits listed above are available in rod form. While all of the reduction colors give a raku like
effect, one color, Iris Orange, has become known as the “raku” color, and is one of the most popular. Rod diameters
vary from 2 to 8 mm, and are about 13” long. No minimum quantity. Priced by the pound.
™
Domestic Sparkle colors:
Bronze, Copper, Dark Bronze, Dark Silver, Gold, White ..... $3.75 each
Dark Gold, Fruit Punch, Red, Silver ..... $4.50 each; Light Green, Teal each ..... $6.00
Domestic Hi-light colors:
Blue, Gold, Green, Red, Violet each ..... $4.50
Domestic Samples: $1.00 each
Domestic Pixie Dust Sample Assortment - 17 Colors ..... $15.00
Import Sparkle colors:
Bright Copper, Bronze, Gold, White ..... $3.75
37
Aztec Gold, Bright Gold, Fruit Punch, Greenish Brown, Pearl, Red, Reddish Bronze, Silvery White
Satin ..... $4.50
Import Hi-light colors:
Highlight Blue, Highlight Gold, Highlight Green, Highlight Medium Green, Highlight Red, Highlight
Violet ..... $4.50
Import Glitter colors:
Diamond Pearl ..... $7.00; Champagne, Copper Red ..... $8.00; Bronze, Glitter Diamond
White, Gold ..... $9.50
Import Samples: $1.00 to $2.00 each
Import Pixie Dust Sample Assortment - 24 Colors ..... $26.00
Use Pixie Dust to create a sparkle or pearl luster color inside glass or on its surface. Hi-Light colors are a fine powder
and look like Mother of Pearl. Sparkle colors are a larger particle size and look sparkly. The Glitter colors are the
largest particle size. When Pixie Dust powders are on the outside of glass they will entirely cover it and the color of the
glass they are on influences the final look. A dark glass intensifies the effect. When you cover the powders with a
transparent glass, you can control the density to either a sparse or a very dense matte look. Works on all glass except
borosilicate (hard) glass. Instructions for use can be found online at ArrowSprings.com under Tips & Tricks. Sample
packages are small quantity. The regular package contains 30 grams. Also available by the pound.
DICHROICIC STRIPS, RODS AND SHEETS
Dichroic coated glass is available in a variety of styles: Fused strips and rods for lampworking and cut strips and
sheets for stained glass fusing. The most popular for lampworking are fused strips.
Fused dichroicic coated glass strips provide several important benefits for lampworking over rods or plain cut strips.






Fusing greatly increases the coating strength to better survive the harsh effects of the flame.
Fusing “shifts” the color and surface texture to what the flame will do. This allows you to see the true look of the
dichroic glass before you use it.
The fused strips have an even dichroicic coating across the entire width that extends around the sides. Rods do
not.
Fusing rounds off the four long sharp edges that would otherwise cause scum by forming micro bubbles.
Fusing makes the glass safer and easier to handle.
The textures, when fused flat, create an interesting and desirable pattern in the coating, that is not reproducible
with any other method. This gives you more design options at the torch.
Dichroic coated fused strips, for lampworking, are available in the following widths:
1
/4”, 3/8”, 1/2”, 3/4”, 1” and special order widths. 1/4” is the most popular width and the width that we will give you if you do
not specify otherwise. Because fused strips are cut from round sheets, the lengths will vary. Most lengths are 17”.
Some are shorter. For purposes of ordering, we consider a standard length at 17”.
Dichroic coated rods are coated on one side, down their length with the crest having the most intense color. Rods
are approximately 18" long with a dichroic coating of 15" to 17". Because of the subtle look of dichroic coated rods,
only the darkest color coatings are used.
Dichroic coated cut strips, intended for use in stained glass fusing, have the dichroic coating cover the entire width
and are not fused. Available in 1” or wider widths.
Dichroic sheets are usually 20” in diameter. Some are 19” in diameter. Bullseye sheets are smaller, having their 19”
or 20” circles cut from a sheet that is narrow (16”).
Because of the large pattern size, that is not very suitable for most lampworking, the following patterns are not
available in fused strips: Square 3, Dot 3, Stripes 2” and Stripes 6”
All Standard Colors and Specialty Colors are priced as Regular in the price list.
All Premium Colors, Patterns and Specialty Patterns are priced as Premium in the price list.
Listed below each type of glass is the texture and color of the glass that is dichroic coated.
38
DICHROIC FUSED STRIPS VARIETY PACK ..... $25.00
A random selection of Effetre (Moretti) 104 COE dichroic colors on half length (8½”) or shorter, ¼” wide, fused dichroic
strips. Every strip is labeled. Specify whether dichroic is on clear glass, black glass or a mix of both. You can also
request color ranges.
DICHROIC FUSED STRIPS - Priced by the ounce – ordered by the strip.
The price differences reflect the weight and thickness differences in the various glasses.
DISCOUNTS on fused strips of dichroic glass
10% discount if you order at least 12 full length strips, and the total weight is a least 7
ounces.
ounces.
ounces.
Regular
Premium
9.00
11.00
Smooth – Extra Thin Thickness on
Clear or Black
11.00
13.00
U-104 (104 COE)
Extra Thin Smooth - Clear or Black
Ripple - Clear or Black
Lintecular – Clear
Radium – Clear
11.00
7.00
11.00
11.00
13.00
9.00
13.00
13.00
EFFETRE (MORETTI) (104 COE):
Smooth – Standard Thickness on
Clear, Black and assorted colors
UNFUSED CUT STRIPS - Priced per square inch - ordered by the strip.
DISCOUNTS on unfused, 1” (minimum width) cut strips of dichroic glass
10% discount if you order at least 12 full length cut strips, and the total square inches is a
least 200.
20% discount if you order at least 30 full length cut strips, and the total square inches is a
least 500.
All colors and textures
Regular
Premium
.75
.85
DICHROIC SHEETS
All colors, textures
Regular Colors: Full sheet ..... $145.00;
Premium Colors: Full sheet ..... $170.00;
Half sheet ..... $80.00;
Half sheet ..... $95.00;
Quarter sheet ..... $45.00
Quarter sheet ..... $55.00
The following dichroic colors, listed with their codes, are available. Because of the huge number of possible
combinations of coating colors, glass colors and textures, not all combinations are always available.
Standard Colors
Yellow / Violet - Y/V
Yellow / Purple - Y/P
Yellow / Blue - Y/B
Pink / Teal - P/T
Magenta / Green - M/G
Blue / Gold - B/G
Cyan / Copper - C/C
Cyan / Red - C/R
Cyan / Dark Red - C/DR
Cyan / Dark Dark Red - C/DDR
Rainbow 1 - RB1
Specialty Colors
Pastel PASTEL
Purple PURPLE
39
Patterns in any Color
Splatter
Salmon SALMON
Violet – VIOLET
Emerald – EMERALD
Candy Apple - CA-RED
Mixture - MIXTURE
Black Cherry - BK-CHERRY
Patterns in Rainbow 1
Bricks 1 (1/8” X ½” rec) – Bricks-1
1
Dot 1 ( /16 dia) - DT-1
Dot 2 (1/8 dia) - DT-2
1
Dot 3 ( /2” dia) - DT-3
Honeycomb - Honeycomb
Square .5 (1/16” sq) - SQ-.5
3
Square 1( /32” sq) - SQ-1
Square 2 (1/8” sq) - SQ-2
1
Square 3 ( /4” sq) - SQ-3
Marquis 1 (11/16” x 1/8”) - MQ-1
Marquis 2 (7/8” x 1/4”) - MQ-2
Premium Colors
Green / Magenta G/M
Green / Magenta Blue - G/MB
Green / Pink - G/P
Silver - SILVER
Red / Silver Blue - R/SB
Rainbow 2 - RB2
Patterns on Mixture
Balloons 1 (1” dia) Balloons-1
Balloons 3 (3” dia) Balloons-3
Boxes 1 (¼” sq) Boxes-1
Boxes 2 (1” sq) Boxes-2
Specialty Patterns in C/DDR
Stripes A (3/4”) - RBA
Stripes B (1”) - RBB
Stripes C (2”) - RBC
Stripes D (6”) - RBD
GLOW IN THE DARK POWDER
Colors: Aqua, Bright Blue, Deep Blue, Fire Orange, Purple, White, Yellow/Green
2 gram package ..... $4.00; 5 gram package ..... $7.50; 10 gram package ..... $14.00
50 gram package ..... $46.00; 1 pound package ..... $195.00
Assortment (all 7 colors): 2 gram .....$23.00; 5 gram ..... $44.00; 10 gram ..... $83.00
All colors of Glow In The Dark powder can be used in lampworking, fusing and off hand glassblowing and are
compatible with all glass, including Glass Alchemy and Northstar borosilicate hard glass, Effetre (Moretti), Vetrofond,
Lauscha, Bullseye and Satake soft glass. It is non-toxic, non-radioactive and non-carcinogenic. However, as with all
powders, it is recommended that you exercise all necessary precautions, such as the use of a dust mask and proper
ventilation. There are two methods of use in lampworking. The first is to coat and encase. Do this by heating up the
glass to be coated until its surface is molten. Roll the hot glass over powder or sift powder onto the hot glass. Tap off
excess powder that does not stick. The powder must be encased using a light colored transparent or clear. The
powder can be manipulated before or after encasing. The other method is used to produce a glow in the dark glass rod
for use in a project. This is done by heating up the ends of two light colored or clear glass rods, then coating them, as
described above, then kneading them together in the flame until well mixed and finally pulling out a rod. In fusing
applications, apply to a base glass and cover with another glass piece or with frit. To charge glass, so it glows in the
dark, hold to a bright light source for three to five minutes. Some colors are brighter than others and some glow for a
longer time than others, up to several hours.
FINE SILVER WIRE AND STRIPS
Wire - round: 26 GA ..... $5.75; 24 GA ..... $10.50; 22 GA ..... $12.95
20 GA ..... $17.95;
18 GA ..... $28.95
Strips – 30 GA thickness: 3/32” ..... $8.50; 1/8” ..... $10.50; 3/16” ..... $14.95
All sizes of round wire are 6 feet long. Use fine (.999 pure) silver wire to draw dots, stripes and countless other silver
designs on glass while working it in the torch. Also used in fuming. Only fume with adequate ventilation and proper
instruction.
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LEAF AND FOIL
Used to make classic gold and silver leaf and foil beads as well as other decorations. Palladium is a warm silver in
color that when heated in a gentle flame will begin to change to metallic iridescent peacock blues, purples and greens.
Increase the flame heat and palladium will return to a warm silver color. The colors are further enhanced during
annealing. Moon Gold has a pink or Champagne tone.
GOLD LEAF Light weight: 13 g /1000 sheets – 22 kt
$57.00 / 25 sheets 3-3/8" X 3-3/8"
GOLD LEAF Regular weight: 16 g /1000 sheets – 22 kt
$40.00 / 25 sheets 3-5/16" X 3-5/16"
GOLD LEAF Heavy weight: 19 g /1000 Sheets – 22 kt
$75.00 / 25 sheets 3-3/8" X 3-3/8"
GOLD LEAF Super Heavy weight: 27 g /1000 Sheets – 24 kt
$100.00 / 25 sheets 3-3/8" X 3-3/8"
GOLD FOIL: 65 g /1000 Sheets – 23 kt
$70.00 / 10 sheets 3-3/8" X 3-3/8"
SILVER LEAF: 29 g /1000 Sheets – Pure
$15.00 / 25 sheets 3-3/4" X 3-3/4"
SILVER FOIL: 160 g /1000 Sheets – Pure
$20.00 / 25 sheets 3-3/8" X 3-3/8"
ULTRA THICK SILVER FOIL: – Pure
$4.50 / Linear Foot 1-3/16” WIDE
PALLADIUM LEAF: 16 g /1000 Sheets – Pure
$53.00 / 25 sheets 3-5/16" X 3-5/16"
COPPER LEAF: – Pure
$8.00 / 25 sheets 5-1/2" X 5-1/2"
Note: Precious metal prices are very unstable. The above prices can change dramatically from day to day. Our
website, ArrowSprings.com, will always have the current price listed.
Leaf and Foil are very thin and delicate, therefore, only sold by the book. Foil is substantially thicker than Leaf and a lot
easier to handle. Both require careful handling. If not dealt with properly, gold and silver leaf will burn off in the flame,
whereas foil will tolerate being left in the flame longer. The ULTRA THICK SILVER FOIL is about as thick as kitchen
aluminum foil. It can be cut with scissors, knife or die cut by placing between sheets of paper and using paper
punches. Palladium, even though a leaf, is nearly impossible to burn off when applied properly. Hint: Put transparent
Very Pale Amber (T-008) over silver leaf or foil to give it the appearance of gold. Other transparents will give equally
interesting effects. Also try placing transparent dots over silver leaf and then burn off the surrounding leaf. The dots will
look as though they are mirror backed.
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BOOKS
NOTE: Most lampworking books are directed toward either “Soft” glass or “Hard” glass.
Examples of “Soft” glass are Bullseye and Effetre (Moretti). Examples of “Hard” glass are
Glass Alchemy, Northstar and Pyrex. Lampworking books that pertain exclusively or mostly
to “Soft” glass will have (Soft) following the title. Lampworking books that pertain
exclusively or mostly to “Hard” glass will have (Hard) following the title. Usually, the
techniques demonstrated in all books are applicable to both “Soft” and “Hard” glasses.
Also following the title will be the book’s skill level. (B) for Beginner, (I) for Intermediate or
(A) for Advanced. Some books may have more than one skill level listed.
GLASS BEADS (Soft) (BI)
By Louise Mehaffey ..... $26.95
Starting with a short introduction and history of glass beads, followed by a description of Tools and Materials, Louise
then gives you in-depth instruction on 22 projects. Starting with learning the basic skills needed to begin lampworking
and then into basic shapes followed by numerous techniques and bead patterns. Hundreds of color photographs with
detailed step-by-step descriptions. Hard cover with internal spiral, lay-flat binding, 9‖ X 11¼‖, 132 pages.
YOU CAN MAKE GLASS BEADS! (Soft) (B)
By Cindy Jenkins ..... $11.95
An excellent beadmaking manual. Clearly written instructions start with the basics and walk you through many
advanced techniques you won't find in any other book. 15 color photos and 88 line drawings highlight the key teaching
points. A definite "must have" for any beginner. 8½" X 11", 32 pages.
BEADS OF GLASS – THE ART AND THE ARTISTS (Soft) (IA)
By Cindy Jenkins ..... $29.95
Get ready to enjoy a wondrous journey into the fascinating world of glass beads. The tour begins with a vibrant gallery
of beads and beaded objects from all over the world. Next is an intriguing behind-the-scenes peek at 43 artists, their
work, and their philosophies. The step-by-step action photography in the extensive how-to section allows you to see 60
different techniques. Imagine the fun you will have as you turn page after gorgeous page. Whether you are a collector,
a crafter, or just plain curious, this book satisfies your need to know. If beads are your passion, this is your passport to
paradise. Hard cover, 9" X 11½", 152 pages.
HOT OFF THE PRESS! (BI)
By Lori Greenberg ..... $19.50
Welcome to the wonderful world of glass pressing tools. This book is designed to help the beginner by explaining the
basics of how the press tools work, demonstrating the process step by step and showing an efficient working set-up. It
is also intended for the more advanced user with tips and tricks for using the tools and fixes for common pressing
issues.
BEAD REVIEW 2005
By Brad Pearson ..... $21.00
Bead Review 2005 honors the world‘s glass bead artists and shares the fruits of their labor – their beads.
Coffee table books about art glass beads surface occasionally, as do technical tomes. The Bead Review is a hybrid
that includes outstanding beads, yet also helps you learn what goes into making them superior. Within these pages
you will discover technical information, design commentary and inspiration, as well as abundant beauty, talent and
creativity.
Just as technique improves with practice, so does artistic judgment improve by looking, examining and evaluating our
―eye candy‖. We hope that the diversity of talent represented by the beads presented on these pages will provide an
intriguing foundation for study and admiration.
42
Whether you are an artist, flameworker, jewelry designer, bead collector or beadmaker, Bead Review 2005 will change
your relationship with the humble, but magnificent bead. Full color throughout on 100 lb. glossy stock. 5½‖ X 8½‖, 104
pages.
BEAD REVIEW BOOK 2
Bead Review Book 2 is a snapshot of the artistic talent found in the contemporary art glass beadmaking movement.
Within the pages is a global overview of the finest handmade creations of the year. Thoughtful writing and artistic
insights accompany beautifully photographed art beads, all sure to inform as well as elicit "ooo's and aaah's".
Collectors, designers, artists and anyone who enjoys art will delight in discovering how ordinary glass in the hands of
an extraordinary artist can become a powerful statement of expression. Full color throughout on 100 lb. glossy stock.
5½‖ X 8½‖, 107 pages.
BEAD REVIEW - BOOK 3
Passion, discovery and imagination, captured in glass. Bead Review challenged glass beadmakers around the world
to reach and share their passion. The captivating results of their determination, combined with talent and creativity,
have culminated in Bead Review 3. Artists‘ long hours of study, dedication and practice are evident in this intriguing
collection of exquisite focal beads and sets. Beautiful handcrafted selections are accompanied by artist descriptions
and juror design comments to educate, provide insight and inspire artists, collectors and aficionados alike. The art and
comments are displayed in four sections: Focal Beads - featuring 30 artists; Sets - featuring 20 artists; Newcomers featuring 10 artists; Contributors - featuring the 8 Editors and Jurors. Perfect bound, 5½ X 8½‖, 132 pages.
ROCIO - THE ARE OF BEADS - VOLUME ONE (BI)
By Rocio and Ron Bearer, Jr. ..... $16.00
A complete how-to book covering six projects: Bending Beads into watch bands, bracelets and more! Using a brass
mold to make a Marquis Flower Bead, Dichroicic and Jewels Bead, Reduction frit Bead, Garden Bead, Using bent
bead to assemble a watch.
ROCIO - THE ART OF BEADS - VOLUME TWO: GLASS BEADS AND SILVER (BI)
By Rocio and Ron Bearer, Jr. ..... $16.00
Enhance your glass beads by adding fine silver. With step-by-step instructions, Rocio clearly illustrates several
methods of adding silver clay to glass beads, pendants and cabochons to create beautiful jewelry. Project include:
Syringe Bead, Shining Dots, Silver Snow Ball, Bead in a Cage, Leaf Bead, Setting a Dichroic Heart, Using a Bail for a
Pendant Loop, Silver Pendant, Art Glass Cabochon. Also included is antiquing silver with Liver of Sulfur, Using
Overlay Paste, Bead Distortion (Bending) and a three page picture gallery. Full color, Soft Cover, 8½" X 11", 32 pages.
THE COOKBOOK OF COLOR BOROSILICATE RECIPES - VOLUME ONE, A GUIDE TO USING
NORTHSTAR GLASS
By Lori Robbins, Ron and Rocio Bearer, Jr. ..... $24.95
There is a large and diverse pallet of color borosilicate available these days, many with special effects built into them.
This book offers recipes that layer colors to create new effects, as well as, color combinations that can be used to
enhance and expand artistic vision. Covers exotic colors, cabochons, frit pick-ups, powder pick-ups, rod pick-ups, twist
wraps, double helix, and cane beads. Full color. Soft cover, 5½‖ X 8½‖, 62 pages.
THE EXOTIC ART OF GLASS BRACELET FORMING (BI)
By Ron Bearer Jr & Rocio Bearer ..... $17.95
This book is an essential guide to creating the most amazing fused glass bracelets. Author Ron Bearer Jr. and Rocio
Bearer present fresh, creative ideas, as well as instruction on the basic elements of bracelet forming and design.
Starting with simple projects, such as a Twisted and Frit Formed bracelet, this book progresses to more advanced
variations with Flameworked and Borosilicate techniques. Ron and Rocio demonstrate everything from preparing the
glass, forming a basic blank to kiln bending Borosilicate. Perfect bound, 8½" X 11", color, 45 pages.
43
MORE THAN YOU EVER WANTED TO KNOW ABOUT GLASS BEADMAKING
(Soft) (BIA)
By James Kervin ..... $45.00
Now in its expanded 5th edition, this book is the most popular complete reference on glass beadmaking ever written. It
extensively covers safety, tools, techniques and materials for wound, blown, drawn, pressed, fused and pâte de verre
beads. Perfect bound, 8½" X 11", 314 pages.
THE WILD AND WONDERFUL WORLD OF SHARON PETERS AND HER SILLY SCULPTURAL
SHAPES (Soft) (I)
In the first book of this series, Sharon Peters, will show you considerable new information about making glass beads.
You will enjoy her delightful sense of humor and her amazing, imaginative cartoony creatures. They will keep you
laughing for a long time to come. 8½" X 11", 33 pages.
THE FANCIFUL BEADS OF LEAH FAIRBANKS AND HER GARDENS OF GLASS (Soft) (I)
In the second book of this series, Leah Fairbanks, will demonstrate the step by step method to making the fantastic
floral beads she is so well known for. 8½" X 11", 33 pages.
THE CLASSIC BEAD SHAPES OF JIM SMIRCICH AND HIS AMAZING CONTROL OF HEAT
(Soft) (I)
In the third book of this series, Jim Smircich, will show you some of his secrets to making his classic torpedo shaped
beads. You will be amazed by the way that he can manipulate glass. You will also be exposed to a wealth of new
information on shaping and coloring glass beads. 8½" X 11", 33 pages.
THE ENAMEL AND ELECTROFORM DECORATED BEADS OF KATE FOWLE MELENEY
(Soft) (I)
In the fourth book of this series, Kate Fowle Meleney will share some of her secrets that she uses to create her
intriguing signature beads using Thompson Enamels and copper electroforming. 8½" X 11", 33 pages.
THE BRIGHTLY COLORED BEADS AND VESSELS OF HEATHER TRIMLETT (Soft) (I)
In the fifth book of this series, Heather Trimlett will show you some of her secrets that she uses in making her colorful
signature beads and vessels. See how she demonstrates her light lampworking touch in making her delicate creations.
In addition, her wild color sense and unique style will leave you wanting more. At the same time, you will be exposed to
a wealth of new information on how to make thin disks and hollow beads. If that is not reason enough to buy this
booklet, Heather also demonstrates how to use the same techniques to make hollow vessels like those pictured. 8½" X
11", 33 pages.
THE AQUARIUM AND LANDSCAPE BEADS OF PATI WALTON AND HER INTRICATE
MURRINE (SOFT) (I)
In this, the sixth booklet of this series, you will work with the nationally known artist, Pati Walton, to learn some of the
secrets that she uses in making her intriguing aquarium and landscape signature beads. Come and enjoy these
mysterious creations. Their detail and beauty will leave you begging for more. At the same time, you will be exposed to
a wealth of new information on how to make murrine. If that is not reason enough to buy this booklet, Pati also walks
us through the process of using these murrini to decorate beads. 8½" X 11", 33 pages.
44
THE PAINTED AND FACETED FUSED BEADS OF BRUCE ST. JOHN MAHER (SOFT) (BI)
By Jim Kervin ..... $15.00
This booklet contains step-by-step instructions on how to make some of the very same glass beads that you see
pictured. In this, the seventh booklet of this series, you will work with nationally known artist, Bruce St. john Maher, to
learn some of the secrets that he uses in making his intriguing fused beads. Come and enjoy these mysterious
creations. Their detail and beauty will leave you begging for more. At the same time, you will be exposed to a wealth of
new information on how to make fused beads and decorate them using traditional glass painting techniques. If that is
not reason enough to buy this booklet, Bruce also walks us through the process of coldworking facets into a bead. 8½"
X 11", 33 pages.
THE ENAMELED AND ETCHED BEADS OF DIANA EAST AND THEIR INTRICATE IMAGES
(SOFT) (I)
In this, the eighth booklet of this series, we work with British glass bead artist, Diana East, to learn some of the secrets
that she uses in making her beads with their fantastic sandblasted images. Come and see how these mystical
creations are made. Their detail and beauty will leave you begging for more. At the same time, you will be exposed to
a wealth of new information on fuming and how to decorate beads using enamels. If that is not reason enough to buy
this booklet, Diana also teaches us how to make ancient looking glass beads. 8½" X 11", 33 pages.
BRONWEN HEILMAN - VITREOUS PAINTING TECHNIQUES FOR GLASS BEADMAKING
(SOFT) (I)
In this, the ninth booklet of this series, we work with the nationally known bead artist, Bronwen Heilman, to learn some
of the secrets that she uses in making her intriguing painted beads. Come and enjoy with me these wonderful
creations. The detail that she can paint on them will leave you wanting more. At the same time, you will be exposed to
a wealth of new information on how to use glass paints to decorate beads. Watch her apply these paints both to the
front and back sides of glass. If that is not reason enough to buy this booklet, Bronwen also walks us through the
process of capping the ends of beads. 8½" X 11", 33 pages.
AKIHIRO OHKAMA - INTRODUCTION TO JAPANESE BEADMAKING TECHNIQUES
(SOFT) (I)
In this, the tenth booklet of this series, we work with Japanese bead artist Akihiro Ohkama to learn some of the secrets
that he uses in making his beads. Come and enjoy these wonderful creations. His intricate decorating techniques will
leave you wanting more. At the same time, you will be exposed to a wealth of new information on how to use Satake
glass and Japanese lampworking equipment to make beads. Watch him build complex millefiora and floral cane with
which he will decorate his beads. 8½" X 11", 33 pages.
GAIL CROSSMAN MOORE S BOROSILICATE BEADS OF NATURE (HARD) (I)
In this, the eleventh booklet of this series, we work with nationally known bead artist Gail Crosman Moore to learn
some of the secrets that she uses in making her beads. Many of the shapes and color schemes that she uses in her
work are inspired by nature. In this booklet we also provide an introduction into the use of colored borosilicate glass.
See how its properties differ from the soda-lime glass colors which most beadmakers use. Gain an appreciation for the
rich earth tones that they provide. 8½" X 11", 33 pages.
THE LAMPWORKED FUSED AND CARVED DICHROIC BEADS OF CAROL FONDA AND
MONTY CLARK (SOFT) (BI)
In this, the twelfth booklet of this series, Carol Fonda and Monty Clark will walk us through a number of different
dichroic bead styles, types and techniques. We start with learning how they form their extensively fanned sculptural
lampworked pieces from the more viscous Schott and Bullseye glasses. The greater viscosities of these glasses lend
themselves to the sculptural effects demonstrated here. After you read this booklet you will gain an appreciation for
how versatile a tool tweezers can be. Then they will share with us how deep carve fused dichroic pieces to give them
45
more pizzazz. In addition, Carol and Monty show us a number of ways to etch images into dichroic coating. These can
be used in lampworked or fused beads to make them more interesting. 8½" X 11", 33 pages.
GLASS BEAD WORKSHOP (SOFT) (BI)
By Jeri Warhaftig ..... $24.95
With over 20 projects compiled into this book, both beginning and intermediate lampworkers are given the
opportunities to stretch their skills and learn new techniques with many, many detailed photographs and instructions.
There are separate appendices on both grinding and sandblasting. Each chapter also includes a lovely gallery of
beads made with the same or related techniques by many well-known bead artist. Each chapter of the book focuses
on using current tools, new materials and innovative methodology to produce a single project bead, and then provides
variations on the techniques and materials in alternative projects. In addition to sandblasting and grinding, the projects
include sculptural flower beads, lightweight hollow beads of many shapes, and an innovative twisty pendant which
emphasizes the development of all-important heat control skills. Throughout the book, there are moments of
"workshop wisdom" that help the reader overcome typical stumbling blocks encountered by students. 10¼" X 9", 143
pages.
JUST PLAIN BEADS! (SOFT) (B)
By Deanna Griffin Dove and Marjorie Langston ..... $22.50
Discover your love for the simple, beautiful bead! Create the exact bead shape that exists in your mind's eye. The
information in this book provides a solid foundation for success, yielding proven results. Vibrant pictures, simple
directions, and complete explanations build a sturdy framework for understanding exactly how heat and motion affect a
bead shape. Just Plain Beads! is a treasure-trove of techniques, tactics and tips. You will find instructions and
guidance for a variety of shapes and problems in this easy-to-follow book. 11" X 8½", 68 pages.
DOT, DOT, DOTS! (SOFT) (B)
By Deanna Griffin Dove ..... $25.00
With easy to read explanations, dot techniques are presented in a clear and precise manner. Inspiring beads show
how techniques are refined, implemented and layered. Tips and insights help you develop essential skills and new
ways to problem-solve. Numerous tutorials challenge you to acquire techniques and expand your abilities. 11" X 8½",
72 pages.
ENCASE IT! REFINING SKILLS FOR GLASS BEADMAKERS (Soft) (I)
By Deanna Griffin Dove ..... $25.00
Encasing techniques are essential for creating highly finished art beads. Deanna Griffin Dove explains how to execute
a wide range of these techniques guaranteed to stretch your skills. Written for novice and advanced beadmakers alike,
you will love the rich array of photos, new insights and thorough explanations in this authoritative easy-to- follow book.
11‖ X 8½‖, 72 pages.
TONBO-DAMA JAPANESE GLASS BEADS (SOFT) (BI)
By Kogure Norikazu
Book $39.95
Japanese lampworkers demonstrate step-by-step methods and techniques of making glass beads in the Japanese
style, using Japanese torches, glass and tools. Written in Japanese with some English captions, you will find the
comprehensive photo layout easy to follow and understand. Also see Tonbo-Dama - Japanese Glass Beads, the DVD.
Hard cover. 8½" X 10¼", 111 pages.
FLAMEWORKING WITH BOROSILICATE GLASS (HARD) (I)
By Matsumura Kiyoshi ..... $34.95
Japanese glass master, Matsumura Kiyoshi, shows you step-by-step how to make borosilicate Goblets, Sculpture,
Ornaments, Jewelry, Vessels and more, using hundreds of full color, captioned pictures and diagrams. Also covered
are Tools, Supplies and Glass. Written in Japanese with most of the content also in English. Hard cover. 8½" X 10¼",
111 pages.
46
100 LAMPWORKERS
By Japan Lampwork Festival in Nagara ..... $36.95
In 2006, the fifth festival of the Japan Lampwork Festival in Nagara was held displaying the works of seventy-nine
Japanese lampworkers and twenty lampworkers from the United States and other countries. ―The 100th artist … will
be one of the visitors … who has witnessed this Exhibition.‖ Each artist has two pages displaying their work. Written in
Japanese, all artists names are also in English, as is the artist‘s statements of the English speaking artists and the
introduction. Beautiful photography on quality glossy paper. Perfect Bound. 8‖ X 8‖, 208 pages.
BASIC WIRE WORK FOR BEAD JEWELRY - THE BOOK (B)
By Kate Drew-Wilkinson with Colin Haynes ..... $14.95
Complete, illustrated instructions on how to turn gold and silver wire and your favorite beads into necklaces, earrings
and pins. Learn to choose the right wire and the best tools for cutting, bending, twisting and finishing. Also, how to
make coils, loops, clasps, springs and other essential elements. Also, see the video, Basic Wire Work for Jewelry The Movie! Spiral bound, 8½" X 5½", 91 pages.
GLASSBLOWING- An Introduction to Solid and Blown Glass Sculpting (Hard) (BI)
By Homer L. Hoyt ...... $29.95
Homer L. Hoyt's many years of scientific glassblowing experience is reflected in this complete and extremely well
written manual on borosilicate (Pyrex or hard glass) lampworking. It covers shop setup, safety and just about
everything you'll want to know about borosilicate lampworking including sculpturing, blowing and surface decorating.
Well illustrated with photographs. Hard cover with spiral binding. 9½" X 10", 267 pages.
THE COMPLETE BOOK OF GLASS BEADMAKING (BIA)
By Kimberly Adams ...... $24.95
Illustrated with hundreds of how-to color photographs, The Complete Book of Glass Beadmaking takes you from the
beginning to advanced stages of glass beadmaking. Artist Kimberley Adams introduces all the favorite glass bead
techniques as well as some newer, innovative ones. Each technique builds on the previous one in complexity. Starting
with tools and supplies, you will learn the basic forms then move into decorating with glass, enamel, aventurine, baking
soda, mica powders, gold and silver, millefiori and more. You will also learn about floral and sculptural beads and
murrini canes. Hard cover, 8¾‖ X 10¼‖, 176 pages.
PASSING THE FLAME – A BEADMAKERS GUIDE TO DETAIL & DESIGN (BI)
By Corina Tettinger ..... $75.00
Corina‘s knowledge and mastery of the magical properties of hot glass are astonishing. Using this comprehensive
volume, which features hundreds of colorful photographs and detailed step-by-step instructions, you will feel as if you
have an expert and caring private tutor beside you, guiding your hands and eyes through the design and creation of
beautiful glass beads. Topics include: Getting started; Getting to know your glass; The first steps; The basic round
bead; Cubes, bicones & other shapes; Dots; Stringer Decoration; Cane; All about purple; Encasing; All about pink;
Florals; The fancy stuff; All about ivory; Sculptural frog; And a lot more. Hard cover, 9‖ X 11¼‖, 224 pages.
CONTEMPORARY LAMPWORKING - A Practical Guide to Shaping Glass in the Flame (BIA)
By Bandhu Dunham ..... $60.00
The new expanded and totally revised third edition is now a two volume set. Listings for suppliers, schools and other
contacts have been thoroughly updated. Recent works by many artists have been added throughout the text and in
two full color Gallery Sections—now expanded to showcase nearly a hundred artists. Over 100 pages of new material
includes additional techniques for jewelry, marbles, beads, paperweights, vessels, goblets, neon plasma sculpture,
millefiore canes, lathe working, core-forming and combinations of lampwork with other glass techniques. Health and
safety information has been newly updated to reflect recent NIOSH research. Chapters on the history of lampworking
and the general properties of glass have been greatly expanded, enriching your historical and conceptual appreciation
for this highly addictive craft. Square back, concealed wire ―O― binding lays flat. Each book has a full-color Gallery
Sections of 16 pages, for a total of 32. 8½" X 11" hardcover, 256 pages each, for a total of 512 pages.
47
FORMED OF FIRE (BIA)
By Bandhu Dunham ..... $29.95
Selections in Contemporary Lampworked Glass is a lavishly illustrated showcase edited by Bandhu Dunham. Formed
of Fire begins with a foreword by Tina Oldknow, Curator of Modern Glass at the Corning Museum of Glass. There
follows a brief historical introduction which gives context to the artist pages that fill most of the volume. One or two
pages per artist display recent work with descriptive text and a commentary by either the author or by the artist him- or
herself. Dunham's position as a respected colleague of the featured artists gives him a distinct perspective on the
subject as well as unique access to the artists and their process. Several of the lampworkers allowed themselves to be
photographed while executing a piece, and the sequence of photos illustrating their creative process adds to the
reader's understanding and appreciation of the work shown. An illustrated glossary of lampworking terminology
concludes the text, making this a valuable reference for anyone interested in lampworked glass. Over 75 artists are
represented in full color throughout the book. They include a number of exciting newcomers, but also the most
respected figures working in the field: Alex Arbell, Frederick Birkhill, Shane Fero, Kazuyo Hashimoto, Dina Hulet, Brian
Kerkvliet, Kristina Logan, Robert Mickelsen, William Morris, Roger Parramore, Sally Prasch, Ginny Ruffner, Toru Sato,
Paul Stankard, Loren Stump, Césare Toffolo, Gianni Toso, Milon Townsend, Kurt Wallstab and many others. Hard
cover, 8½" X 11", 126 pages.
TORCHWORKED MARBLES, VOLUME 1 – BEGINNER TO INTERMEDIATE TECHNIQUES
By Drew Fritts ..... $29.95
From equipment and setup to intermediate torchworking skills, this book will give you the information you need to
actually start making art glass marbles. Whether you use soft glass or hard, make beads, sculpture, or already make
marbles, there‘s something in this extremely comprehensive book for you. Collectors will also enjoy seeing the process
of one of today‘s top marble artists. Perfect bound, 6‖ X 9‖, 456 pages, over 320 black and white illustrations.
THE ART AND SOUL OF GLASS BEADS (BI)
By Susan Ray & Richard Pearce ..... $25.00
Embark on a one-on-one journey with 14 glass bead artists as they create 30 projects and share their passion for their
craft along the way. Author Susan Ray takes you beyond the ordinary stringing process and into the inventive realm
using the individual artist‘s beads to create fine jewelry and beaded accessories. Step-by-step instructions, clear
illustrations, and stunning necklaces, earrings, bracelets, eye-glass holders, lariats, and more. The Art & Soul of Glass
Beads is a detailed and panoramic tour of the world of lampworked beads and their creators, breathtakingly and
lovingly photographed by co-author Richard Pearce. Perfect bound, 8½" X 11", 144 pages.
HOW TO BE SUCCESSFUL IN THE BEAD JEWELRY BUSINESS
By Kate Drew-Wilkinson with Colin Haynes ..... $24.00
Provides a comprehensive briefing on how to establish and operate a successful bead business. It covers premises,
design, marketing and sales, selecting staff and other essentials. The practical advice is enlivened by anecdotes from
Kate's eventful bead life. Spiral bound, 8½" X 11", 136 pages.
WARM GLASS: A COMPLETE GUIDE TO KILN-FORMING TECHNIQUES: FUSING,
SLUMPING, CASTING (BI)
By Philippa Beveridge, Ignasi Doménech and Eva Pascal ..... $29.95
An authoritative, extensively illustrated guide to making glass objects in a kiln.
Warm Glass provides detailed information on the history and traditional techniques of using a kiln in glasswork, along
with instruction and examples designed to help you understand all the steps each techniques requires.
In these abundantly illustrated pages you‘ll learn several traditional techniques of making glass objects in a kiln. You‘ll
learn the different kinds of glass available to artists and how this substance behaves during the firing cycle. This
comprehensive guide includes full descriptions of the tools found in a glass workshop, grouped according to use for
easy reference.
This book covers the basics from glass compatibility to the fundamentals of firing. Advice is provided about general
considerations such as cutting glass and making prototypes and molds.
Enter the exciting world of glass objects formed in a kiln: fusing, slumping, pâte de verre and kiln casting. The written
explanations and close-up photos will serve as a guide for your future work. Additionally, you‘ll find troubleshooting
solutions for potential problems.
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You‘ll see how to make four projects – a lighted panel, bowl vase and a decorative centerpiece. Completing this unique
book is an impressive gallery of works made by glass artists from around the world. Hard cover, 9¼‖ x 12‖, 160 color
pages.
KILN FIRING GLASS - GLASS FUSING BOOK ONE (B)
By Boyce Lundstrom ..... $43.50
The first in a series of three in-depth fusing books. Covers history, contemporary work, basic tools and supplies,
compatibility and testing, techniques, annealing, design, equipment and lots more. Perfect bound, 8½" X 11", 143
pages.
ADVANCED FUSING TECHNIQUES - GLASS FUSING BOOK TWO (I)
The second in a series of three in-depth fusing books. Covers bas relief, glory holes, stringers, enamels, lusters,
design technique, slumping, problem solving, equipment, safety, technical information and more. Perfect bound, 8½" X
11", 143 pages.
GLASS CASTING AND MOLDMAKING - GLASS FUSING BOOK THREE (I)
The third in a series of three in-depth fusing books. Covers pâte de verre, lost wax casting, crucible casting, mold
materials and formulas equipment, safety, technical information and more. Perfect bound, 8½" X 11", 143 pages.
PÂTE DE VERRE AND KILN CASTING OF GLASS (Soft) (BI)
By James Kervin and Dan Fenton ..... $40.00
Break out of the flat world of glass fusing. With this book you will learn the secrets of Pâte de Verre and Kiln Casting
that permit you to expand your glass artistry into the three dimensional world. You will learn how easy it is to make:
Sculptural work, Hollow vessels, Beads. Some of the topics discussed in the book: Modeling, Mold construction,
Casting techniques, Kiln procedures, Safety. Perfect bound, 8½" X 11", 192 pages.
MAKING & MARKETING BETTER ARTWORK
By Milon Townsend ..... $18.00
This book is the fruit of Milon‘s years of making his work available to the public in many differing venues and business
configurations. This book is geared toward producing artists interested in upgrading and clarifying the method,
approach and motivation to how they market their work. Perfect bound, 8½" X 11", 100 pages.
THE MARKETING COMPANION WORKBOOK (Hard) (IA)
This 3-ring, 140 page book was specifically designed to complement ‗Making and Marketing Better Artwork‘. It
expands on ideas introduced in ‗Making and Marketing Better Artwork‘, and includes worksheets for the artist to fill in,
for self-evaluation. It also includes slide-by-slide descriptions of how to give a slide talk, as well as a section on
contracts, with 15 examples of actual gallery contracts, discusses the good and bad points of each.
MAKING A LIVING WITHOUT MAKING PIPES (Hard) (IA)
Beginning with an overview of the borosilicate pipe making culture and the legal problems it entails, this book:
illustrates many established categories within which the glass artisan can readily make a living; shows photographic
examples of glass objects made by numerous glass artists; reviews retail and wholesale marketing avenues, with
emphasis on how these affect the artist‘s lifestyle; and includes brief descriptions of the day-to-day working lives of
well-known, successful lampworking glass artists. Don‘t let the title fool you - this book has a great deal to offer. 5½" X
8½", 92 pages.
METAL CLAY BEADS (BI)
By Barbara Becker Simon ..... $24.95
In this unique, comprehensive reference guide, internationally renowned metalworker and jeweler Barbara Becker
Simon shares time-tested, inventive techniques for making exquisite beads from metal clay. She emphasizes the most
49
important advantage of this accessible jewelry-making material: creating hollow forms with sophisticated surface
textures. Simon points out that metal clay techniques are much less labor-intensive than traditional metalworking
methods, and the results are truly spectacular.
An introductory section guides you through all the fundamentals, from forming and joining the clay to firing and
finishing it. Creating texture plates, one of Simon‘s specialties, is covered in depth. This information is followed by 22
outstanding and simple projects. Hard cover, 9‖ x 10‖, 144 color pages.
NEW DIRECTIONS IN METAL CLAY: 25 CREATIVE JEWELRY PROJECTS (BI)
By CeCe Wire ..... $24.95
CeCe Wire, a leader in the field, walks you through the basics, including the types of clay that are available. She also
tells you how to set up a workspace, introduces you to the newest, most innovative techniques used today, and
presents 25 exquisite projects.
Slab construction is a wonderful way to work with metal clay. Adding embossed textures with homemade stamps
carved from art erasers lets you create truly one-of-a-kind designs to be a bolo tie.
Prominently showcase a favored lampwork bead by making a ring that puts it on a pedestal for the world to see.
Instead of simply repeating a pattern, evoke the idea of movement. Lead the eye around a bracelet, link by link, by
slightly changing the position of a key design element. Think of each link as a frame in a jewelry movie. On another
bracelet, you‘ll learn how to carve a motif into dry clay.
From a Kum Boo Fan Brooch to a garnet and silver necklace, these exquisite projects will enable you to create one-ofa-kind designs using a remarkable media.
Beginning and experienced jewelry makers alike have embraced metal clay for its versatility and ease of use. After
molding this cutting edge material into a desired shape, simply fire it to leave a radiant gold or silver piece. A foremost
artist describes the fundamentals while also presenting an assortment of spectacular projects, including Hollow Bead
Earrings, A Day at the Beach Bracelet, and a Forged Link Necklace. The techniques are simple and the results are
absolutely stunning! Hard cover, 8¾‖ x 10¼‖, 144 color pages.
ART CLAY SILVER & GOLD (BI)
By Jackie Truty ..... $21.95
Now artists, crafters and jewelers have an all-in-one resource for working with Art Clay Silver and Gold clay in Art Clay
Silver & Gold. You‘ll be amazed at the incredible jewelry you can handcraft in a day or less! Author Jackie Turty takes
you through all the steps with a voice so clear, it‘s almost like being one-on-one with this metalsmith extraordinaire.
You‘ll learn how to handle Art Clay and manipulate it through minimal stages, ending with a nearly pure silver heirloom.
18 gorgeous silver and gold jewelry pieces you can make in a day or less – Great tips on how to add stones,
cabochons and wire – clear, easy step-by-step directions and abundant photographs. Perfect bound, 8-1/4 x 10-7/8,
over 150 color photos, 128 pages.
PRECIOUS METAL CLAY - IN MIXED MEDIA
By Mary-Ann Devos ..... $19.95
Precious Metal Clay (PMC) combines the playfulness of clay with the value and permanence of pure silver and gold.
The 21 projects in this book were carefully selected to demonstrate the versatility of PMC, releasing the artist‘s
imagination to explore the capabilities of blending other materials into their work. Precious Metal Clay is sure to enrich
the work of jewelers in addition to artists working in polymer, ceramic, porcelain, fabric or art glass. Features the work
of 12 Metal Clay Artists. Over 120 Examples in 10 Idea Galleries. Perfect bound, 8½‖ X 10¼‖, 96 pages.
INTRODUCTION TO PRECIOUS METAL CLAY (PMC) (BIA)
By Mary Ann Devos ..... $19.95
This book presents detailed step-by-step instructions and easy to follow photo illustrations for 18 projects, ranging from
beginning to intermediate and into advanced. Covers all forms of PMC+ and PMC3 - Clay, Paste, Syringe and Sheet.
Covers all methods of firing. Perfect bound, 8½" X 11", 95 pages.
EXCEPTIONAL WORKS IN METAL CLAY & GLASS
By Mary-Ann Devos ..... $19.95
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This book presents the work of 37 Metal Clay Artists featuring 62 unique art pieces and 212 color photographs. The
work is showcased using high quality images taken at various view angles to enable the viewer to make a complete
inspection of the piece - as if they were holding and turning the piece in their own hands. Each art object is
accompanied with a brief commentary about the artist‘s work, a listing of statistics for the piece, plus the artist‘s name,
city, state, country and website information. Perfect bound, 8½‖ X 10¼‖, 63 pages.
MASTERS: GLASS BEADS
Curated by Larry Scott ..... $24.95
Glass beadmaking is an age-old yet timeless craft, dating back at least to the ancient Egyptians, but is has only
recently been elevated to the level of art. The forty master artists featured in this collection challenge and expand the
traditional boundaries of the medium. Stunning color photographs showcase the finest examples of their work, artist
commentaries offer insights into the creative process, and concise introductions describe techniques and inspirations.
Perfect bound. 9¼‖ X 8‖, 335 pages.
CREATING LAMPWORK BEADS FOR JEWELRY
By Karen J. Leonardo ..... $24.99
From tiny glass beads and pendants to rings and necklaces, Creating Lampwork Beads for Jewelry teaches you how
to create them all. Lampwork artist Karen J. Leonardo and her network of fellow artisans share their secrets for
creating stunningly beautiful lampwork beads. In addition, these talented artists give you complete instructions for
incorporating the beads into your own artistic jewelry pieces. Ideal for beginning, intermediate and advanced lampwork
artists, Creating Lampwork Beads for Jewelry features: Guidance and tips for setting up your studio and selecting the
proper tools; Detailed instructions with step-by-step photos for creating 16 different lampwork beads: 14 jewelry
designs to incorporate your beads into necklaces, bracelets, rings, earrings and pins: Secrets for shaping glass, mixing
colors and adding metals. Perfect bound, 8½" X 11", 144 pages.
THE NEON ENGINEERS NOTEBOOK (Soft) (IA)
By Morgan Cook & Jacob Fishman ..... $37.95
This book is a practical guide to optimizing your work place. It presents ideas and methods to ‖tweak‖ your machinery
as well as yourself to produce your best work. The chapters pertaining to glasswork illustrate techniques for success to
improve the bending skills of novices and seasoned professionals alike. Consider this a survival guide for the neon
jungle, a reference book for when things go wrong. The authors prepare the readers for neon shop problems by
providing a broad base of knowledge and understanding. If you have read ―Neon Techniques‖ you are now ready to
read ―The Neon Engineers Notebook‖. Perfect bound, 7" X 9", 192 pages.
ENAMELS ENAMELING ENAMELISTS (BIA)
By Glenice Lesley Matthews ..... $29.95
Enamels – This fascinating history is reviewed to provide a foundation for the in-depth information on enamels: how
they are made; classification, forms and chemical properties; firing characteristics and maturation temperatures; and
how to buy, prepare and use enamels.
Enameling – . The preparation of metals for enameling is accompanied by a thorough appraisal of the advantages and
disadvantages of each: silver, gold, copper, aluminum, gilding metal, iron, stainless steel and brass. Necessary
equipment and supplies are divided into separate lists for the convenience of the enamelist starting out in a studio and
the one beginning in a classroom. Safety procedures and equipment for working with acids and kilns are carefully
detailed.
Six illustrated projects explicate the step-by-step procedures for sgraffito and stencils, wet packing designing with
threads and blobs, Limoges painting, rendering with ceramic pencils and cloisonné.
Enamelists – . More than 100 artists have contributed examples of exceptional enamelwork. The guide to 26
enameling techniques that concludes the book is both a brief how-to manual for enamelists and a basic description for
connoisseurs who want to know more about how enamellists work. Hardcover, 8-1/4‖ X 10-7/8‖, over 250 black and
white photos, plus 30 color photos, 192 pages.
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FLAMEWORKING - CREATING GLASS BEADS, SCULPTURES & FUNCTIONAL OBJECTS
By Elizabeth Mears ..... $29.95
You can easily form beads, candlesticks, figures, and art objects from just a rod of cold glass by using a torch. A top
teacher of the craft explains how to do it all, providing exactly the same information and exercises she gives in her
beginner workshops. Lavish illustrations capture the entire artistic process, from forming hearts and butterflies to
creating jewelry, sculptures, and more. Hard cover, 9‖ x 10¼‖, 175 pages.
MAKING BEAUTIFUL BEADS - GLASS, METAL, POLYMER CLAY, FIBER
By Suzanne Tourtillott ..... $17.95
Make your own stunning, one-of-a-kind beads and you‘ll never have to settle for ―ordinary‖. Five talented designers
show you exciting, creative techniques for crafting glass, metal, polymer clay, and fiber beads in every style, from
sophisticated to playful. Perfect bound, 8½" X 10", 143 pages.
THE COMPLETE BOOK OF JEWELRY MAKING
By Carles Codina ..... $29.95
Work with glittering gold and sparkling silver to make the kind of exquisite, contemporary jewelry you dream of owning.
In this complete sourcebook you‘ll find the key techniques that will open up endless creative possibilities for you. Learn
the secrets of cutting and piercing; forging with different hammers to affect shape, size, and texture; and joining metal
with other decorative materials. Beautifully enhanced surfaces, from embossing designs to producing a spectacular
mirrored finish. Try related jewelry techniques, such as enameling, which lets you color metal in a wide variety of
brilliant hues. Then practice your new skills on seven projects, including an elegant gold pendant with a handsome
chain. Hard cover, 9½‖ X 12‖, 160 Pages.
CREATIVE METAL CLAY JEWELRY - TECHNIQUES, PROJECTS, INSPIRATION
By CeCe Wire ..... $14.95
The fabulous techniques—found here with instructions, lavish photos, and projects—open up endless creative
possibilities. Combine the clay with lampworked and fused dichroicic glass or enamel. Make exquisite jewelry,
sculpture, and carvings. Try a new liquid gold for coating silver objects. Among the glittering, gorgeous projects: an
African Mask Pin, Groovy Flower Earrings and Ring; and Puzzle Piece Bracelet. Hard cover, 9‖ x 10¼‖, 144 pages.
MAKING METAL JEWELRY - PROJECTS, TECHNIQUES, INSPIRATION
By Joanna Gollberg ..... $24.95
―This fine book provides a comprehensive introduction to cold join techniques for the beginning metalsmith... Twentyone projects of sophisticated and contemporary jewelry designs...include brooches, bracelets, necklaces, earrings, and
rings. The instructions are supported by excellent photography, making each easy to follow...This book is definitely
worth getting.‖—Bead & Button. Hard cover, 9‖ x 10¼‖, 112 pages.
GREAT WIRE JEWELRY – PROJECTS & TECHNIQUES
By Irene From Peterson ..... $14.95
Imagine creating beautiful jewelry using only wire, jump rings, and a few basic tools. It‘s true! Both beginners and
experienced jewelry makers will appreciate the ingenious, yet simple, techniques used to braid, twist and knit silver,
copper and brass wire into stunning bracelets, necklaces, earrings and more. These techniques, first used by the
Vikings, allow even novices to make great looking jewelry, without using solder or expensive equipment.
The book features more that 70 projects, each fully illustrated with color photographs and step-by-step diagrams. Each
project is rated by difficulty; some of the designs are easy enough for children to do. In addition, once you have
learned the basic techniques, you can start creating your own designs.
So get ready to be impressed by what you can make, whether you start with a knit ring with silver end beads … twisted
earrings … a copper and silver braded bangle … or a brass double flower chain necklace. There are patterns and
styles certain to appeal to everyone. Fill color. Hard cover, 8½‖ X 8½‖, 60 pages.
BEADING
By Susan Ure ..... $12.95
Work on a great beading project while you‘re on the go! Whether you‘re traveling on the bus, waiting for an
appointment, or taking a lunch break, these lovely, portable beading projects are just what you need to happily pass
52
the time. Looking for a quick gift? Craft an abstract ‖Bookmark‖ for someone who likes to read. Do you have a ―Beaded
Basket‖ in which to store your small odds and ends away neatly? Need to complete an outfit? Make ―Drop Earrings‖
that are the perfect finishing touch. Just because you‘re away from home doesn‘t mean that you can‘t create
something that‘s beautifully beaded for yourself and those you love. Hard cover, 5¾‖ X 6¾‖, 96 pages.
MAKING BEAD & WIRE JEWELRY - SIMPLE TECHNIQUES, STUNNING DESIGNS
By Dawn Cusick ..... $18.95
―This inspiration-filled volume [has] instructions for more than 70 unique jewelry pieces from a diverse group of
designers. Learn the tricks of using a jig, wire wrapping, twisting, coiling and hammering to create incredible effects.
Combine...wirework with beautiful glass or semiprecious stone beads to create wonderful necklaces, chokers,
bracelets, earrings, hair clips, pins and eyeglass chains.‖—Crafts Magazine. Perfect bound, 8½" X 10‖, 128 pages.
MAKING WIRE JEWELRY - 60 EASY PROJECTS IN SILVER, COPPER & BRASS
By Helen Clegg and Mary Larom ..... $18.95
Making handsome wire jewelry is easy to learn and fun to do. All it takes is wire, pliers, and a few short hours. Before
you know it, you‘ll be twisting, bending, and turning copper, brass, and silver wire into graceful necklaces, exquisite
earrings, glittering bracelets, and gleaming rings – more than 60 projects in all. No soldering required! With this clearly
illustrated how-to book and some simple, easy-to-find tools, you can create a wardrobe of fabulous handcrafted metal
jewelry. Perfect bound, 8½‖ X 10‖, 112 pages.
BEADING - FROM NECKLACES TO NAPKIN RINGS, 20 EASY AND CREATIVE PROJECTS
TO MAKE IN A WEEKEND
By Paige Gilchrist ..... $14.95
―It‘s going to be hard to decide which project to make first: the zipper pull, napkin rings, greeting cards, picture frames,
or bookmark! Starting with the basics, this book includes 20 projects and a gallery for inspiration.‖—Quick & Easy
Crafts.
MAKING BEAUTIFUL HEMP & BEAD JEWELRY
By Mickey Baskett ..... $12.95
With beautiful natural hemp you can create fantastic, contemporary necklaces, chokers, bracelets, anklets, earrings,
watches, key rings, and eyeglass holders. All you need to do is knot, weave and braid. Every technique is here – as is
an assortment of styles ranging from classy to funky. 56 projects. Perfect bound, 8½‖ X 10‖, 96 pages.
THE PENLAND BOOK OF GLASS: MASTER CLASSES IN FLAMEWORK TECHNIQUES
Edited by Ray Hemachandra ….. $34.95
This profusely illustrated book is a beautiful monograph, a technical reference, and an insightful look at the creative
process. It features 10 contemporary glass flameworkers who have taught at the school and possess expertise that
makes them leaders in their field.
In these master classes, the artists describe their influences, inspirations, and working methods, providing practical
and philosophical lessons about glass flameworking and art in general. The artists are also shown demonstrating the
techniques for which they are known in dynamic photographic how-to sections.
You will also find delightful gallery photographs of other flameworkers‘ pieces to broaden the concepts presented and
provide additional inspiration. Hard cover, 8¾‖ x 11¼‖, 231 color pages.
500 BEADED OBJECTS - NEW DIMENSIONS IN CONTEMPORARY BEADWORK
By Terry Krautwurst ..... $24.95
Celebrate the amazing evolution of beadwork, from a simple craft, to expressive art. Every stunning sculpture, vessel,
figure, loomed and woven work, free-form installation, and piece of jewelry shown here in glorious color photos is
gallery quality and thoroughly unique. Maestre's intricate, swooping pencil-point bead sculptures explore form, motion,
and space. A. Kimberlin Blackburn has fashioned lush Hawaiian Island sceens out of glass beads and hand-carved
wood. The ever-innovative David K. Chatt has entries ranging from the pointed commentary, White Men in Suits, to
vivid jewelry. For a little humor, try Valeria Harlow's masterful Toe Mangler, a testament to every woman who has
suffered in uncomfortable shoes. This amazing collection is truly state of the art. Perfect bound, 8" X 8", full color, 420
pages.
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1000 GLASS BEADS - INNOVATIONS & IMAGINATION IN CONTEMPORARY GLASS
BEADMAKING
By Valerie Van Arsdale Shrader ..... $24.95
They're the very best in contemporary glass beadmaking, 1000 dazzling and unique examples by an international
array of artists. This color survey has it all: the beads come single or in multiples, in jewelry or sculpted pieces,
flameworked and kiln formed, and their diversity and beauty are amazing. Julia Skop's intriguing Secret Surprise
showcases clear glass beads with millefiori slices at the ends. Bruce St. John crafts his beads out of dichroic glass,
then fuses and coldworks them at the lapidary well after completion. Nebula Black Necklace, from Rene Roberts,
features an organic-looking focal bead adorned with fine metal leaf, glass shards, and a subtle dot decoration. An
artist's comment and detail image accompany many of the photos. Perfect bound, 8" X 8", full color, 408 pages.
1000 RINGS - INSPIRING ADORNMENTS FOR THE HAND
By Marthe Le Van ..... $24.95
Diverse, extensive, and incredibly beautiful, this awe-inspiring collection features the most magnificent rings ever. With
designs that range from the traditional to the very avant-garde, each of the 1,000 examples is an exceptional work of
art, finely crafted by the best contemporary jewelers. Rob Jackson mixes antique industrial elements (a 100-year-old
wrought iron nail) with radiant 20-karat gold and a glowing ruby for a dynamic visual contrast. Tomomi Arat‘s collection,
Treasure from Under the Sea, captures the exoticism of ocean life: he uses pearls, enamel, and sand to create rings
that look as if they were chiseled directly out of a coral reef. Among the prestigious artisans represented: Arline M.
Fisch, Michael Zobel, Katja Prins, Paul Preston, and Bruce Metcalf. Perfect bound, 8‖ X 8‖, 416 pages.
CRAFTING AS A BUSINESS
By Wendy Rosen ..... $24.95
―The most comprehensive craft book ever published!‖ Crafting As a Business covers every aspect of creating a craft
business from the ground up – from pricing to product development. Wendy Rosen writes clearly and authoritatively
from personal and professional experience, relating the information that all would-be professionals need to know.
Wendy Rosen is the leading craft show producer in America and publisher of Niche and AmericanStyle magazines.
Perfect bound, 8½‖ X 10‖, 240 pages.
MAKING SILVER CHAINS - SIMPLE TECHNIQUES, BEAUTIFUL DESIGNS
By Glen F. Waszek ..... $14.95
Making your own silver chains is surprisingly easy, and you‘ll have unique pieces of jewelry that you‘re not likely to see
anywhere else. Most of the chains you‘ll find in this collection can only be crafted by hand. As lovely as they are,
they‘re simple to make – and very satisfying. You don‘t need specialized equipment or tools – everything is available at
jewelry-supply and hardware stores. Slim and simple, or chunky and complex, these beautiful silver chains will dress
up any outfit. Perfect bound, 8½‖ X 10‖, 112 pages.
BEAUTIFUL BEADING
By Sara Withers ..... $14.95
Try your hand at the full creative range of beading, from making your own to using different varieties on great projects.
Work with exciting materials like polymer clay, paper mache, and metal to create fantastic beads in beautiful colors,
textures, and patterns. The techniques range from simple, like threading, to more complex, such as weaving by hand
and on a loom., Craft not only gorgeous jewelry, but also stunning decorative accents for your home. Perfect bound,
8½‖ X 8½‖, 126 pages.
MAKING KUMIHIMO JAPANESE INTERLACED BRAIDS
By Rodrick Owen ..... $27.95
The literal translation of Kumihimo is ―the gathering of threads‖, although the name can be applied to all forms of
Japanese braiding. In this original and fascinating title, Rodrick Owen uses his years of experience to unlock the
secrets of the closely guarded world of Takadai – a form of Kumihimo in which single- and double-layered flat braids
with plain weave and twill structure are made using a high-stand frame. Illustrated with over 150 photographs, 70
charts and 65 illustrations, Making Kumihimo is an ideal gateway for any textile worker, from weavers to embroiders,
whishing to incorporate this ancient and beautiful style of braiding into their work. The author‘s step-by-step
instructions have been developed to make the designs easily accessible, and the contents serve as an excellent and
comprehensive introduction to the art, covering: The history of Kumihimo; Equipment, materials and methods; Single54
braid designs (including color, weave and rep-weave patterns, and braids with decorative edges); Double-braid
designs (including patterned, textured and pick-up patterns). Hard cover, 8¾‖ X 11‖, 192 Pages.
Designing Jewelry with GLASS BEADS
By Stephanie Sersich ..... $22.95
Lampwork artist and jewelry designer Stephanie Sersich takes you on a colorful journey into the world of glass beads!
Learn to incorporate irresistible glass beads of all shapes and sizes in twenty colorful pieces, including earrings
bracelets, and necklaces. Deepen your appreciation of glass beads and beadmaking by discovering their history and
science, complete with photographs of ancient and modern glass beads.
In a detailed section, Sersich shares key elements of great jewelry design accessible to beadmakers at any level.
Techniques ranging from wirework and stringing to sewing and knotting are fully explained and illustrated, allowing
readers to build their skill by progressing through the projects. Tips on design and selecting beads offer opportunities
to create unique variations. Add a magical dimension to your jewelry design with glass beads! Perfect bound. 8½‖ X
11‖, 128 pages.
55
VIDEOS
NOTE: Most lampworking videos are directed toward either “Soft” glass or “Hard” glass.
Examples of “Soft” glass are Bullseye and Moretti. Examples of “Hard” glass are Glass
Alchemy, Northstar and Pyrex. Lampworking videos that pertain exclusively or mostly to
“Soft” glass will have (Soft) following the title. Lampworking videos that pertain exclusively
or mostly to “Hard” glass will have (Hard) following the title. Usually, the techniques
demonstrated in all videos are applicable to both “Soft” and “Hard” glasses. Also following
the title will be the video’s skill level. (B) for Beginner, (I) for Intermediate or (A) for
Advanced. Some videos may have more than one skill level listed.
KATE FOWLE MELENEY'S LAMPWORKED BEADMAKING - AN INTRODUCTION (Soft) (BI)
By Kate Fowle Meleney DVD ..... $40.00
1½ hours of instruction about the tools and methods used to produce Venetian inspired wound glass beads.
Decorative detail including dots, feathered stripes, foil and latticino are carefully demonstrated and meticulously
captured on film with great close-up shots. This video is jam-packed with information and helpful hints. A must for
anyone who is eager to try this satisfying medium or needs a brush up on techniques.
KATE FOWLE MELENEY'S INTERMEDIATE BEADMAKING - THE BELLS AND WHISTLES
(Soft) (I)
By Kate Fowle Meleney DVD ..... $40.00
1¼ hours of demonstrations showing decorative techniques that will help make your beads look more complex and
interesting. Kate shows you how to pull your own aventurine rods and stringers, how to make and apply several fancy
encased twisted canes, and the many ways that you can combine Thompson Enamels with Efffetre (Moretti) glass.
KATE FOWLE MELENEY'S INTERMEDIATE BEADMAKING - PATTERN CANES FROM OPTIC
MOLDS (Soft) (I)
By Kate Fowle Meleney DVD..... $40.00
1¼ hours of demonstrations showing how to use several of the optic molds that are available to the beadmaker. Kate
uses the star, heart and several of the saw tooth molds to produce cane, then shows two different ways to apply them
to your beads. A fantasy bead is made from start to finish, clearly showing how to encase a surface that has canes
protruding from it. And a bead with pattern cane applied directly to the surface, with no casing, is demonstrated as
well.
SMIRCICH MAKES BEADS VOLUME I (Soft) (I)
By James Smircich DVD ..... $45.00
In this video James Smircich tutors as he works. He clearly describes what he is doing while he is doing it. You will
see and hear James explain the principles behind his method. He gives insights into heat and gravity control, design
ideas and much more. He produces fine long beads with a few effortless moves while explaining just how you
can achieve the same results. James covers design effects such as Black Lace, Anise White Effect, the Apple Core
shape, fuming, and clear casing. He presents a bead he calls a pillow bead. This is a hollow bead that is pressed into
a tablet and then reheated to enhance it by using the expanding internal air to 'puff' the flat surfaces into curves. You
will also see James comb a bead with a stringer and hear why this approach is better than using a metal pick. James
is a fine bead maker who is willing to teach! This is Volume One of The Smircich Method. Approx. 112 minutes.
56
SMIRCICH MAKES BEADS VOLUME II (Soft) (IA)
By James Smircich DVD ..... $45.00
Smircich wears three hats in this video. He is beadmaker, teacher and film director. His information is viewed with
great clarity, due to carefully placed camera positions and excellent zoom techniques. The work is presented in real
time with very little editing. The viewer can closely follow the application of heat, and the work that is done with that
heat. The narrative is also in real time. This allows the student both a visual and verbal understanding of the work in
progress. Smircich presents insights into classic bead form, sculpted bead shapes, and pendants that hang from a
loop. He also creates a vessel form on a large mandrel. This video is about process and skill development. Smircich
succeeds in his primary mission, which is to further your understanding of the working principals of hot glass.
Approximately 108 minutes.
SMIRCICH: LET THIS BE A LESSON TO YOU! (Soft) (IA)
By Jim Smircich DVD ..... $45.00
This is Jim‟s third video. His first two videos are two of the most popular lampworking videos of all time, and for good
reason: you will learn an enormous amount of very useful information, in a very clear and precise presentation. With
the information Jim relays to you, you will be able to easily accomplish the projects demonstrated and use the
techniques learned to create work in your own style. In this video, Jim thoroughly covers every aspect of lampworking
on two projects, an off mandrel pendant and a vase form at the end of a large mandrel, while gaining a greater
understanding of heat and gravity. Also contained in this two hour plus video are detailed pictorial tutorials, with
voiceovers.
ALL FIRED UP (Soft, Hard) (BI)
Featuring Lauri Copeland by Marcie Davis
DVD ..... $40.00
Lauri will show you how to create a variety of beads using both on and off mandrel techniques. This DVD includes the
"Kimono" series from soft glass and a wine stopper and "Amoeba" disk from borosilicate glass, among others. Working
in both soft glass and borosilicate, Lauri's beads are best described as organic and gemstone-like in appearance. Her
designs continue to evolve, using a mixture of cold working techniques. Approximately 46 minutes.
BORO BASICS - VOLUME ONE (Hard) (BI)
By Brent Graber DVD ..... $49.95
Brent “Mr. Smiley” Graber‟s long awaited first video is here. Chock full of information on making Borosilicate Pendants.
Covered in the video: Flame settings, 2 ways to make a gather, 2 ways to pull a boro stringer, Cold seals, Using Peters
Tweezers and Handy Andy‟s; How to practice making loops; Drilling a hole with hot tungsten; Making a layered boro
twisty; Adding dots; Setting up and striking silver colors; Making a Maria; Reaming a big hole in boro; Raking boro
using a clear stringer; Adding a drip to the bottom of a pendant. Approximately 61 minutes.
ALL THAT GLITTERS (Soft) (BI)
Featuring Lisa St. Martin by Marcie Davis
DVD ..... $34.95
Lisa is best known for her unique use of dichroic glass, metal inclusion and gold fuming. An internationally acclaimed
teacher with thirty years experience in hot glass, Lisa shares her vast knowledge of “glittery” effects on this DVD. Lisa
demonstrates how reduction yields a metallic surface effect in her “Silver Smoke” bead. See how to create a cranberry
pink by gold fuming a clear lace bead. You‟ll learn how to use silver wire to create a “Fine Silver Spider web Bicone”.
Find out how to use copper mesh within your beads, and how to acid etch for a matte finish. You‟ll also benefit from
watching the way Lisa lays her glass onto a mandrel. It‟s a different approach that saves time and makes shaping your
beads a breeze. Approximately 36 minutes.
TONBO-DAMA - JAPANESE GLASS BEADS (Soft) (BI)
By Norikazu Kogure and Hiroko Hayashi DVD ..... $49.95
Japanese beadmakers make five beautiful glass beads and one core formed vessel in the Japanese style, using
Japanese torches, glass and tools. Each exquisite creation is thoroughly demonstrated with Japanese narration and
English subtitles. Also see Tonbo-Dama Japanese Glass Beads, the book. Approximately 1 hour 28 minutes.
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BEADMAKING 101 WITH PAT FRANTZ PART 1 (Soft) (I)
By Glassworks Video Productions DVD ..... $35.00
Pat Frantz generously shares a wealth of techniques which she has been developing for over 15 years. This video
clearly shows her meticulous methods of glass manipulation, set forth in simple terms to help you develop good work
habits and basic skills. Take dot beads to new dimensions, learn how to feather your glass, make twisties. multicolored
canes, latticino and goldstone stringers. Share in the excitement of beadmaking, a traditional art that is now yours to
enjoy. Approx. 35 minutes.
MAKING DICHROICIC BEADS WITH PAT FRANTZ (Soft) (I)
This video clearly shows the methods Pat Frantz developed to use dichroicic coated glass to make radiant, colorful
lampworked beads. This video will dispel the mystery of using dichroicic glass for beadmaking. It starts with making
simple dichroicic beads and progresses to show very complex and dazzling uses of dichroicic glass in torch-made
beads. This video is an absolute must for everyone who has found dichroicic glass difficult to work with. Approx. 31
minutes.
THE ART OF BEADMAKING PRESENTS BRAD PEARSON - DEMOS: VOLUME 1 SCULPTURAL AND OFF-MANDREL BEADMAKING TECHNIQUES (Soft) (BI)
By Brad Pearson
DVD ..... $30.00
Brad showcases four lessons demonstrating shapes and skills: Fish beads, Two part pendants, Off-Mandrel hearts
and Tribal mask beads. Each of these demonstrations provides step-by-step instruction in the skills needed to go
beyond the basic bead. Challenge and enhance your own skills through more complex shaping and designs.
Instructional techniques include the use of enamels, silver leaf, metal punties, fusing two bead parts together, and a
host of other great ideas for creating art. Approximately 88 minutes.
LESLIE THIEL'S CURVED BEADS (Soft) (BI)
By Leslie Thiel DVD ..... $25.00
Leslie demonstrates two beads, from beginning to end. Using an extra long mandrel and ceramic fiber sleeve, Leslie
shows you how she shapes a long cylindrical bead with silver leaf burned into its surface. Then she shows you how to
curve the bead into shape without bending the mandrel. On the second bead, Leslie adds silver wire tracery before
she shows you how to not only curve the bead, but to also how to shape the bead into an overall twisted shape, like a
corkscrew. Approximately 25 minutes.
MAKING INSIDE-OUT BEADS WITH SHANNON HILL (Hard) (IA)
Making Inside-Out Beads with Shannon Hill is an instructional video aimed at the lampworking artist interested in
learning Inside-Out techniques. The video covers from beginner to advanced methods of hollow lampworking with
borosilicate glass. Shannon Hill demonstrates many different Inside-Out methods. Although the focus is on beads, the
information covered easily bridges to all forms of fine art lampworking.
Topics covered in the video include: pulling and working from points; making and using stringers, color, dichroicic and
latticino; fuming with gold and silver; the inside-out technique; coil potting; inverted spiral; honeycomb.
This video is a must for all lampworking artists interested in learning the Inside-Out technique or anyone just wanting to
know how it is done. Approx. 51 minutes.
THE ENCYCLOPEDIA OF HARD GLASS TECHNIQUES (Hard) (BIA)
With Lewis Wilson DVD ..... $120.00
This four DVD boxed set is intended to show a practical approach to working with hard glass. Hard glass is glass that
is compatible with borosilicate glass, such as Pyrex. Some of the topics covered in this video encyclopedia of
lampworking hard glass are: Beginning Sculpture, Shark Sculpture, Wizard & Dragon, Rabbit & Horse, Elephant
Sculpture, Small Money Makers, Ribbon Cane Marble, Snowflake Ornament, Gold Fumed Rose, Bird & Hanger,
Dragon Sculpture, Flying Unicorn Sculpture, Double Dolphin Sculpture, Mermaid Sculpture, Hammer Head Shark,
Large Bracelet (Kevin O‟Grady). Seal with Ball, Scuba Diver Sculpture, Ram Sculpture, Eagle & Tree, Monster Dragon
Bead and Squiggle Pendants. Four disk set. Approximately 7 hours 30 minutes.
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THE ENCYCLOPEDIA OF SOFT GLASS TECHNIQUES (Soft) (BIA)
With Lewis Wilson DVD ..... $120.00
This four DVD boxed set is intended to show a practical approach to working with soft glass. Soft glass is glass that is
not a borosilicate glass, and includes Effetre (Moretti), Bullseye and Uroboros. Some of the topics covered in this video
encyclopedia of lampworking soft glass are: Beginning Sculpture, Stringers & Dots, Lattachino, Dichroic Beads,
Equipment & Supplies, Making Marbles, Animal Beads, Glass Candies, Lips & Face Murrini, Miniature Turtle & Frog,
Schott Paperweights, Paperweight Tools, Using the Jen-Ken Kiln, Turtle Paperweight Pendant, Paperweight Marble,
Frog & Flower Button, Introduction to Glass Fusing, Fusing Tools & Equipment, Dichroic Cabochons and Fused
Barrettes & Beads. Four disk set. Approximately 7 hours 30 minutes.
GLASS BEAD MAKING (Soft) (B)
From Crystal Myths, By Lewis C. Wilson
DVD ..... $40.00
The first in a continuing series, this video takes you through an easy step-by-step format to the methods involved in
glass beadmaking. Also demonstrated are more advanced techniques such as the use of gold and silver foil, clear
overlays and using dichroic glass. You will see beginning instruction to students and advanced bead making by four
guests. Approx. 2 hours and 15 minutes.
LAMPWORKING - Advanced Beads, Bracelets and Marbles (Soft) (BI)
From Crystal Myths, By Lewis C. Wilson DVD ..... $60.00
The second in a continuing series, this video covers advanced beadmaking techniques such as latticino, pulled
goldstone stringer, Moretti dichroic, Phoenician face beads and amphora bottles. Guest artists demonstrate their
specialties. Kevin O'Grady shows Pyrex bracelet making, Keith Kreitter "draws on glass", Gerry Colman makes
marbles, Scott Cahoon does the S. C. swirl and Lewis C. Wilson performs his double dragon bead made from
Northstar Borocolour. Six different torches are used and new tools and books are discussed. Two tapes, approx. 4
hours.
ANIMAL BEADS AND GLASS CANDIES (Soft) (B)
This video teaches the techniques for making animal shaped beads. The presentation is simple and shows the
construction of 12 beads. This video provides a logical approach to the design and creation of other animal and novelty
beads. Added for fun is a section on making glass candies. Approx. 2 hours.
BORO BEADS (Hard) (I)
From Crystal Myths, By Lewis C. Wilson
DVD ..... $40.00
Lewis C. Wilson has been working borosilicate glass for thirty-one years. Over the past ten years he has produced
many new and unique bead designs using borosilicate glass. The most well known of these designs are his "monster"
beads. This video shows how the monster beads are made. Lewis shows how to do a dragon and a dolphin that are
the side pieces for these beads. He also shows a basic bi-cone design. For fun, he shows two squiggle designs and
also a bead using the Burgard face mold. Lewis also shows how to do a "stem bead" to be used to make goblets or
cordials. Approx. 107 minutes.
THE MAKING OF MURRINI FACES, LETTERS, MOSAICS (Soft) (I)
This video shows how to use a Minor Burner and Moretti glass rods to create many types of murrini. Learn how to
make faces, words, and mosaic designs within a bead with incredible detail. Logos and signature chips can easily be
learned by following the techniques demonstrated. Two tapes, approx. 4 hours.
MAKING PAPERWEIGHTS WITH SCHOTT OPHTHALMIC GLASS (Soft) (IA)
This video shows the technical side of making paperweights with Schott Ophthalmic Glass. A furnace is not used.
Schott Glass gobs or "Hockey Pucks" are heated in an oven and picked up with a steel punty. The gob is "skinned"
and the resulting gather of crystal clear glass is used to encapsulate a setup in a heated vacuum cup. A foot activated
vacuum system is used. Mechanical rollers and torches are used to keep one half of the paperweight hot and centered
on the punty. Another gob is picked up, "skinned", and used to add the bottom of the paperweight. This video shows
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four paperweights being made. There is a large section showing common mistakes. This is an advanced video,
techniques shown are not for beginners. Approx. 80 minutes.
PAPERWEIGHT TECHNIQUES (Soft) (IA)
This advanced techniques video shows you how to setup and use a small electric glass furnace to encase
paperweights, marbles, buttons and pendants. Approx. 80 minutes.
INTRODUCTION TO GLASS FUSING (B)
From Crystal Myths, By Kathy Wilson DVD ..... $35.00
This video is the newest release from Crystal Myths, Inc. and the first that focuses techniques other than torch work. It
covers equipment and supplies needed to get started with glass fusing, safety concerns and time saving tips. Projects
include a test strip to determine compatibility of glass, small cabochons, odd shaped cabochons, beads prepared in
four different ways, four different ornaments, tiles and plates. All projects use fusible, compatible glass. One project
shows how to fuse Moretti millefiori. Approx. 58 minutes.
SCULPTURAL GLASSWORKING (Hard) (B)
From Crystal Myths, By Lewis C. Wilson DVD ..... $36.00 each;
Set of all 5 ..... $165.00
A five tape series on how to logically approach sculptural glass blowing using borosilicate, Pyrex glass. Sold
separately or as a set. Each tape is approx. 2 hours.
TAPE 1: "INTRODUCTION" The basics of working Pyrex brand of sodium borosilicate crystal, including geometric
solids, beginning techniques and many small animals.
TAPE 2: "SMALL, QUICK, MONEYMAKING ITEMS" "Bread and butter" pieces, including pendants, earrings, more
small animals, marbles, buttons, napkin rings and much more.
TAPE 3: "FANTASY" Larger pieces, including dragons, Pegasus, unicorns, wizards and mermaids on this more
advanced tape.
TAPE 4: "AQUATIC LIFE" Larger pieces, including dolphins, whale, shark, turtle, seal with ball, octopus, seahorse
and scuba diver on this advanced tape.
TAPE 5: "WILDLIFE" This advanced tape includes ram, deer, giraffe, eagle, elephant, trees and cactus.
ALBUQUERQUE FLAME-OFF 2002
From Crystal Myths
On the weekend of November 8, 9 and 10, 2002, there were three hundred lampworkers in Albuquerque, New Mexico.
They had gathered for the Albuquerque Flame-Off. Sixty-two men and women competed. They made beads, marbles,
sculpture and goblets. Many brought their own torches. Glassworkers came to compete from twenty-five states and
Canada. The Flame-Off was held in a hall next to the “Seventh Annual Best Bead and Glass Show”. Nine torches were
given as prizes in the Flame-Off. First prize in sculpture was a Delta Elite with foot switch. One hundred eight door
prizes were given out to the competitors and audience members. There were seventeen technical vendors selling
tools, equipment and supplies. Mike Plane did two amazing demos. One was done with a Litton Lathe and the other
with the GTT Python. The event was documented on twenty-four hours of digital videotape. From these tapes, three
events within the contest and a documentary were produced.
Bead Flame-Off: DVD ..... $45.00 A short intro starts the day. Then there are demos and interviews with Andrew
Brown (winner), Pati Walton, Sharon Peters, David Green, Kieth Allen Engelman, Ben Muniz , Harold Conney, Lauri
Copeland, Teri Caspary Schnidt, Ross Thackey, Greg Hoglin, Craig Hamilton, Mike Ginsburg, Angi Graham, Greg
Hoff, and Avery Gross. 16 competitors. 2 hours, 35 minutes.
Marble Flame-Off: DVD ..... $40.00 A different short start to the day then on to demo and interview with Gatson
Recko(winner), Soah Sable, Jessi Taj, Joe Luyben, Brad Quintana, James Lantz, Richard Carter, Bryan Ratcliff, Todd
Taylor, Bob Taylor, Mike Edmondson, Aaron Golbert, Geraldo Goodwin, Tim Lortie, Shell Neisler, Robin Taylor, Teri
Conklin, Tiger Henderson, Jonah Magnoni, Dave Jordon, Bryan Kitson, and Francisco Chavez. 24 competitors. 2
hours, 8 minutes.
Sculpture/Goblet Flame-Off: DVD ..... $60.00 Another short intro and then demos and interviews with Dellene
Peralta(winner-grandprize), Marcel Braun, Eli Aller, Barry Laffler, Zack Love, Doug Remschneider, Todd Taylor, doni
Hatz, Dina Kalahar, Jeramy Daniel, Lames Lynch, Ernie Kober, Lewis Wilson, Roger Paramore, Brian Bentley, Jared
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Delong and Milon Townsand. There is a special interview with Bill Rasmussen, Disneyland‟s first glassblower, at the
end. 17 competitors. Two tapes. 5 hours, 15 minutes.
Documentary: DVD ..... $25.00 This documentary shows you what the event was like. Three hundred
lampworkers and seventeen tool and equipment suppliers were there. Six torches, fourteen hours a day. Mikie Plane
does a large encalmo piece on a Litton Lathe. Willy Horn tells and shows how the GTT Python works. Mike Plane does
a second demo and really shows how the Python works. Comments by most of the sixty-two competitors. The
awarding of the prizes. 1 hour, 53 minutes.
BLOWN BEADS (Hard) (I)
By Douglas Remschneider
DVD ..... $50.00
Solid beads weighing you down? Blow them away with light weight blown beads! Doug Remschneider demonstrates
how to blow beads with step by step instructions. He will show you how to use borosilicate colored frits and powders,
how to pull points, or how to construct a blown bead using the much easier "tube & rod" method. He makes 5
lightweight beads, including how to make a native head, which is one of Doug's signature pieces. As an added feature
to this video, he shows how to turn a blown bead into a miniature perfume bottle with a flared bottom. Approx. 83
minutes.
BORO BEAD MAGIC (Hard) (BI)
By Douglas Remschneider DVD ..... $50.00
Doug Remschneider demonstrates how to create incredible colors with step by step instructions. He will show how to
use tools, techniques and temperature to manipulate the glass and create several styles of beads from simple layered
canes made of borosilicate rods. He makes 12 different beads, including “Dougie Pink”, which is one of his signature
colors. As an added feature to this video, he provides 10 additional recipes for amazing color combinations using
techniques outlined in this video.
FLAMEWORKED PENDANTS WITH DOUG REMSCHNEIDER (Hard) (I)
By Douglas Remschneider DVD ..... $50.00
Ready to go off the mandrel? Learn to combine a simple bead with basic pendant shapes. Doug Remschneider
demonstrates how to create beautiful pendants with step-by-step instructions. He will show you how to use basic
techniques to create brilliant pendants in hard and soft glass. He makes 10 different pendants, including a turtle, which
is Remschneider‟s most popular design. In addition, Remschneider provides recipes for the color combinations shown
in the video. Approximately 1 hour 45 minutes.
FLAMEWORKED ORNAMENTS WITH DOUG REMSCHNEIDER (HARD) (IA)
By Doug Remschneider
DVD..... $50.00
Ready to make elegant shapes? Want to blow into hot glass? Learn the basic skills and turning techniques needed to
create stunning ornaments with a few simple tools and some borosilicate rod and tubing. Doug Remschneider
demonstrates how to create eye catching ornaments with step by step instructions. He will show you the basic skills
needed to make 11 different ornaments beginning with elegant solid shapes and ending with a dramatic blown piece
that is the star of the show. In addition to demonstration how to create dazzling ornaments, Remschneider shares the
key elements needed to begin mastering the art of tubing. His years of experience have been condensed into this
spectacular instructional video. Approximately 1 hour 40 minutes.
BEYOND THE MAGIC – ADVANCED SURFACE DECORATION AND COLOR MANIPULATION
(HARD) (BI)
By Doug Remschneider
DVD..... $50.00
Ready to make glass with a metallic finish? Learn the basic skills needed for surface decoration and color manipulation
that produce iridescent finishes on borosilicate glass using a few simple tools and some borosilicate rod and frit. Doug
Remschneider demonstrates how to create metallic inspired finishes on five families of beads, including the alluring
Artifact series. In addition to demonstrating how to create shimmering beads, Remschneider shares the key steps
needed to begin mastering the art of bringing metal to the surface of borosilicate glass. His years of experience
creating stunning color are reflected in this spectacular instructional video. As an added bonus, Remschneider
demonstrates the use of Retro Glass Tools‟ bead liner and bead crimping tools. Approximately 1 hour 35 minutes.
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FLAMEWORK: AN INTIMATE ART (Hard) (IA)
Featuring Suellen Fowler
Suellen has been lampworking borosilicate glass for more than thirty years and her experience shows in her first video.
She will show you her secrets on how to do what she is so famous for: custom mixing colors, exquisite perfume
bottles, toy spinning tops and a fire breathing dragon.
DICHROICIC ALCHEMY - INTRODUCTION TO NEW AGE FLAMEWORKING - VOLUME 1
LIBERATING CREATIVITY IN GLASS (Hard) (BIA)
By Dichroicic Alchemy DVD ..... $49.95
Have you ever wondered how flameworkers make those incredible pieces with the sparkley stuff in them? This video
shows you how! Develop an appreciation for the fine art of new age glassblowing with in depth descriptions and howto‟s on dichroicic encasement, image marble, montage, tube building, latticino, galaxy marble. Includes bonus footage
on the sheet properties and how to best read specific areas for application purposes.
Guest artists Jason Lee, Darby Holm, Jay Frodo, Dellene Peralta, Carsten Carlisle, Kris Hall, and Steve Cowles
demonstrate their talents. Filmed using specially designed filters and incorporating enhanced graphics and voiceovers
during techniques, makes this an incredibly informative as well as entertaining film. Approx. 92 minutes.
Essential Lampworking For Beginners (Soft, Hard) (B)
Featuring Freeman Crobin and Jenny Newtson
By Blazam DVD ..... $40.00
Take a journey with Freeman Crobin and Jenny Newtson into the world of lampworking. See how the pro‟s put their
studios together, and what equipment and tools you will need to build your own studio. You will take a walk through the
beginning techniques for lampworking, including beads, tubing and pendants. This video is engineered to be the
perfect companion to the lampworker who is just getting started. Includes the best beginner techniques complied from
the entire Essential series. Approximately 115 minutes.
ESSENTIAL LAMPWORKING WITH FREEMAN CORBIN (Hard) (IA)
By Multimethod Media DVD ..... $40.00
A visual encyclopedia of lampworking techniques. Respected artist Freeman Corbin demonstrates dozens of
techniques useful to any glassblower, novice or advanced. You‟ll learn artistic techniques and discover ways to make
blowing glass easier, faster and more fun. See how to make latticinos, ribbons, marbles, opposing spirals, reversals
(reverse balls), sectional welding, tube work, fuming, wraps, jars vases and more. Each technique is explained from
start to finish with no skipped steps utilizing informative diagrams and up close “high Definition” filming so you can
actually see what‟s going on. Approx. 150 minutes.
ESSENTIAL LAMPWORKING 2 (Hard) (BIA)
By Multimethod Media DVD ..... $40.00
The skills of five renowned craftsmen are yours to learn from. You will learn techniques essential to every intermediate
lampworker. See how to do dichroicic, inside out, filigree, frit coloring, reversals, color mixing, sculpture, flaring,
marbles, vases, combining techniques, ribbons and more. This intermediate program explains each technique from
start to finish utilizing 3D animation, narration, step by step demonstration and up close “high Definition” filming so you
can actually see what‟s going on. Approx. 110 minutes.
ESSENTIAL BEADMAKING – Techniques for Soft and Boro Glass (Soft & Hard) (BI)
By Blazam Media DVD ..... $40.00
A visual encyclopedia of designs and techniques used for beadmaking. Perfect for the beginning soft glass
beadmaker, or for the flameworker who wants to experiment with new techniques and borosilicate. This video covers
Shaping, Artwork and Design, Filigrana, Latticino, Ribbons, Furrowing, Soft and Boro Glass, Mandrel Beads, Inside
Out Tubing Beads, Bead Sets, Pinching, Poking, and More! Each technique is explained from start to finish with
beginner level instruction, incorporating informative diagrams and up close “high definition” filming so you can actually
see what‟s going on. There is also an example Bead Gallery. The DVD version has a bonus Glass Gallery. Approx.
100 minutes.
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ESSENTIAL BORO BEADMAKING (Hard) (BI)
A visual encyclopedia of designs and techniques used for boro beadmaking. This video focuses on the exciting realm
of tubing, sculptural work, and pendant making and covers Shaping, Artwork and Design, Filigrana, Latticino, Ribbons,
Inside Out, Frit, Tubing Beads, Pendants, Bead Sets, Dot Boxes, Frogs, Lizards, Dragonflies, Fish, and More! Each
technique is explained from start to finish with beginner level instruction, incorporating informative diagrams and up
close “high definition” filming so you can actually see what‟s going on. The DVD version has a bonus Glass Gallery.
Approx. 100 minutes.
ESSENTIAL MARBLES (HARD) (BI)
An in depth look at basic and advanced boro marble techniques. Ideal for the lampworker who wants to perfect and
explore new marble making techniques. Covered in this video is : Shaping, Mushrooms, Compression, Dots and
Peacocking, Bass Head, Opposing Spiral, Latticino, Filigree, Vortex Marbles and More! This video expertly explains
each technique from start to finish, covering from beginning to intermediate level. With informative diagrams and “high
definition” filming, you can actual see what‟s going on! Approximately 80 minutes.
THE AQUARIUM BEAD (Soft) (IA)
Featuring Pati Walton
In this new video Pati shares a wide variety of special tips and techniques as she creates the depth and detail of her
award-winning aquarium bead. She also demonstrates the use of murrini slices in a lampworked paperweight turtle
button. Approx. 40 minutes.
THE BASICS OF MAKING MARBLES (Soft) (I)
From Killer Beads, By Gerry Colman DVD ..... $40.00
Gerry Colman presents a step by step how-to-make marbles video using a torch, cherry wood molds and
Moretti/Effetre glass. The marbles you'll see made are multi-color swirls, paperweight type, encased goldstone and
dichroicic, and Gerry's trade mark, the tiger. In this 90 minute video, the basic techniques you'll see will give you a
working knowledge of marble making. Your imagination will be your only limitation.
MAKING BEADS WITH STAINED GLASS REMNANTS PART 1 (Soft) (B)
By Kate Drew-Wilkinson DVD ..... $49.95
Kate's one and a half hour video is an entertaining and informative journey through a bowl of stained glass remnants.
You will learn how to cut glass, make stringers and latticcino and create a series of simple beads. Kate's calm and
reassuring style will demystify this alternative way of making beads. Think of all those stained glass offcuts just waiting
to be recycled! Kate uses only spectrum glass in this video.
MAKING BEADS WITH STAINED GLASS REMNANTS PART 2 (Soft) (BI)
Kate's second video in this series continues her entertaining and informative journey into the world of glass bead
making. You will learn how to make a tree bead, space bead, small bottle, how to grind and use frit, and other
techniques. Explore with her again the use of stained glass remnants in bead making. Kate's ability to teach with
reassurance, and to inspire confidence in new bead makers, makes this video an empowering experience.
BASIC WIRE WORK FOR BEAD JEWELRY - THE MOVIE! (B)
This is the workshop video of the book (listed above). Complete by itself, or in conjunction with the book, you will find
this video an indispensable aid in creating earrings, necklaces and bar pins. Also, see the video, Basic Wire Work for
Jewelry - The Book. 60 minutes.
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LAMPWORK BEAD JEWELRY DESIGN MADE SIMPLE (Soft) (B)
Kate‟s fourth video is packed with information for lampworked beadmakers and collectors alike. In her calm and
reassuring way, Kate demonstrates her techniques and provides the answers to simple and classical bead jewelry
design. Kate has been a bead jewelry designer for thirty years and her creations have sold worldwide. She has always
believed that the most saleable jewelry follows certain rules. The work must be simple, strong, supple and wearable. It
is not the first sale that counts, she says, but is the buyer that returns regularly because the work is graceful and
comfortable. In this video she begins by showing how to make the simplest pieces with beads and cord, then illustrates
the secrets of knotted necklaces, how to work with chain, how to make the Egyptian clasp and how to create your own
head pins. Everything in the video is geared for working with lampworked beads. This video will appeal to beadmakers,
both new and experienced, helping them translate their own designs into successful and saleable jewelry. 90 minutes.
WHAT IS MAN? ASPECTS OF SCALE IN FLAMEWORKED SCULPTURE (Hard) (IA)
Featuring Milon Townsend
This forty-five minute video will help flameworkers think on a different scale, to be willing to try a larger piece than they
might have thought possible. You will see demonstrated; bridges to keep extremities from moving; preheated glass
pontils to facilitate the handling of the piece; soaking at a given temperature to allow continuous working of the piece;
and use of a burner as a hand torch to melt and move glass on an object from one plane or shape to another.
FLAMEWORKING WITH TEAMWORK, TECHNOLOGY & SCALE (Hard) (IA)
This forty-five minute video illustrates how artist Milon Townsend collaborates with other glass artists to create one of
his 'Tidal Pool' series of paperweights. The camera then follows one of his 'Body Language' sculptures through from
beginning to completion, bringing together the waterjet, diamond grinder, abrasive blaster and ultraviolet adhesives to
serve the idea represented in the artwork. Finally, the tape gives a brief glimpse into the setup and process involved in
making large solid flameworked pieces.
AN INTRODUCTION TO USING BOROCOLOUR (Hard) (IA)
Milon Townsend Focus on Flamework Series - #1
This is the very first tape in a series of five videotapes in which glass artist Milon Townsend clearly illustrates many of
the techniques and principles that can be applied to creating artwork with borosilicate glass. This tape explains the
natures of the different color families, including the stable colors; striking colors; oxidation/reduction colors;
amber/purple colors; and the cadmium color group. The video combines demonstrations with interviews of Townsend,
showing and telling the important foundational concepts for the artist who wants to have control of the final results.
One of the unique aspects of the series is the inclusion of a full-color, 4¼” X 5½”, 16 page, booklet with each tape,
allowing the artist to follow along while watching. This way you‟ll have a source of information on the work area without
having to set up a VCR/TV! Approx. 37 minutes.
USING NORTHSTAR FRIT & POWDER (Hard) (IA)
This is the second tape in the series of five videotapes featuring glass artist Milon Townsend. Here we find out about
some of the health and safety issues important to the artist using frit and powder; how to make and sort your own frit;
making cane with different frit and powder effects; how to create a solid sphere with different layers of color frit; and
several sculptural applications for frit and powder pickups. Interspersed between interviews with the artist, a new
feature of this tape is images of finished pieces, illustrating some of the ways that the artist can incorporate these
techniques into his or her artwork. As with all of the videos in this series, there is a full-color, 4¼” X 5½”, 16 page,
booklet included with each tape. Approx. 31 minutes.
64
FLAMEWORKING WITH DICHROICIC GLASS (Hard) (IA)
In the third videotape of the „Focus on Flamework‟ series, we will take a look at some of the many ways to incorporate
dichroicic coated glass in flameworked pieces. We will demonstrate how changing the axis of reflection changes the
appearance of the dichroicic color; how to properly embed dichroicic color into hot glass without burning it out; how to
etch patterns in the dichroicic coating, and flamepolish them afterward; how to create a hollow form with an internal
dichroicic coating; how to apply dichroicic coated glass to the outside of a figurative object (a fish); and how to wrap a
large figure with a patterned sheet of dichroicic coated glass. As with all of the videos in this series, there is a full-color,
4¼” X 5½”, 16 page, booklet includes with each tape. Approx. 34 minutes.
CANEWORK, FILIGRANA, MURRINE & EXTERNAL COLOR PATTERNS (Hard) (IA)
This video covers more ground, in more detail, than its 3 predecessors in the series. Most interesting is the
demonstration of ways to actually use the different canes in a piece, as a goblet stem, paperweight figure, or a
freestanding insect. Townsend explains the difference between “filigrana” and “latticino” and how the term „Millis” came
to be used instead of “murrine”. He shows examples of the work of masters in the field, and makes the concept of
canemaking accessible to anyone working in glass, clearly demonstrating technique and method for doing so.You will
learn how to make: cane with simple external pattern; cane with internal twist; alternate colors in a pattern on the
outside; to bundle sections of a cane together and draw that down into a complex cane.As before, the combination of
interview, demonstration, still images, finished pieces, and now captions and digital animation will make this
information both useful and easy to understand. As with all of the videos in this series, there is a full-color, 4¼” X 5½”,
16 page, booklet includes with each tape. Approx. 42 minutes.
IT'S JUST A DEMO (Hard) (IA)
Featuring Robert Mickelsen
By Glassworks Video Productions
DVD ..... $40.00
ELEMENTS (Hard) (IA)
Featuring Robert Mickelsen
By Glassworks Video Productions
DVD ..... $40.00
Mickelsen Studios presents the first of a series of videotaped demonstrations of fine lampworking. Not an instructional
video, not an entertainment video, not a promotional video, this is only a demonstration! 59 minutes of beautifully
photographed hot glass action, great music, and a minimum of chatter for those who just want to watch.
Mickelsen Studios presents the second of a series of videotapes of fine lampworking. "In Elements, I not only
demonstrate the construction of a complex graal vessel, but I also talk about the philosophy of my work, my dreams,
inspirations, and aspirations” says Mickelsen. 51 minutes.
GLASS TORCH TECHNOLOGIES TRIPLE MIX SURFACE TORCHES
By Glass Torch Technologies DVD ..... $20.00
Factory video showing how to effectively use Triple Mix Surface Torches by Glass Torch Technologies. This video is
already included with the Phoenix, Mirage and Delta Elite torches.
65
Ovens - Annealers and Fusers
Designed specifically for and by glassworkers.
To see pictures of all of our annealers, fusers and temperature controllers, please visit www.ArrowSprings.com
Features Include:
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Quality Kanthal A-1 heating elements.
Annealing oven heating elements are encased in quartz tubing, making them electrically safe when inserting
finished work on steel mandrels into oven while it is on.
K-23 insulation bricks insure low heat loss and low cost operation.
Average power consumption to maintain temperatures costs only pennies an hour.
Fast heat up times.
Annealers designed for easy one handed operation whether placing finished beads into the annealer or reaching
for a preheated glass rod. The finished items are placed into the annealer through a special front opening making
for quick and comfortable operation and the elimination thermal shock.
All bricks are mortared to insure a long oven life and prevent "dusting" created by loose bricks.
All annealers and combination annealer & fusers include a two-tiered Bead and Mandrel Rack for the inside of the
annealer to prevent beads from touching each other during annealing.
Fusers and combination annealer & fusers are also ideal for silver clay, enameling, jewelry wax burnout and low
fire ceramics.
All ovens and controllers have a 3 year warranty against defects in materials and workmanship.
All annealers and fusers include an infinite control switch, except the AF1818-C. An infinite control switch is the same
kind of switch found on an electric cooking stove top. As a cost savings alternative to a temperature controller, an
infinite control switch, when used with a pyrometer to read temperature, will allow you can manually control the
temperature inside an annealer or fuser.
Annealers and combination Annealer & Fusers
The annealing and fusing model AF99 heating chamber’s interior measurements are 9" wide by 9" deep by 4½" tall.
120 volts, 14 amps, 1680 watts.
Reaches annealing temperature in about ten minutes and fusing temperature in about forty-five minutes.
Our most popular annealer, the AF99, is a combination ANNEALER AND FUSER. The quartz encased heating
elements are located in the side walls near the top. With the AF99's aspect ratio, there is even heat throughout the
chamber and allows access through the top as well as through the front opening. The heating chamber can be
extended to 9" tall with the addition of the optional extension ring, XR99, but the time it takes to fuse increases to a
little over one hour.
As an ANNEALER, the heating elements are encased in quartz tubing to make them electrically safe. Placing beads,
while still on their mandrel into an oven with exposed heating elements is like putting a knife into a toaster! Besides a
hinged lid, there is a 9" wide by 2" tall front opening that comes with a slip-in brick door for use when fusing, and also a
soft flip door for annealing, which make a complete seal even when the mandrels are long and stick out the opening.
As a FUSER, the firing chamber uses the 8" X 8" FS88 fusing shelf. Because the front door is located down low at
floor level and the heating elements are safely encased in quartz tubing, raking is very easy and safe: no chance of
electrical shock and the door design doesn't allow very much heat to escape to burn your hand.
The annealing and fusing model AF99-T4 is patterned after the AF99, except the chamber’s interior height is 6½”
instead of 4½”. The front opening of the AF99-T4 has a 4” tall front opening. The 4” height lets you put taller items
through the front opening instead of through the top opening. The soft flip front door of the AF99-T4 is hinged 2" above
its bottom and then again at the top of the 4” opening. This lets you open the front door just at the bottom to place
small items, such as beads, into the annealer and use the ARR (see below) or fully open the door to place larger items
into the annealer.
66
Our newest model is the AF138, is as popular as our AF99. It is very similar to the AF-99 model, and its versions. The
difference is that it is 13” wide instead of 9”, the depth, from front to back, is only ½” less, at 8½”, and there are two, 2”
tall by 6½” wide front flip doors instead of one 9” wide flip door. Fuses in about one hour.
Just as the AF99-T4 is a taller version of the AF99, the AF138-T4 is a taller version of the AF138. The two side by
side flip doors are hinged 2" above its bottom and then again at the top of the 4” opening.
The annealing and fusing model AF66 is also patterned after the AF99, except the chamber size is 6½” wide by 6½”
deep instead of 9” X 9”. Uses the 6" X 6", FS66 shelf for fusing.
The annealing only model A1313 heating chamber is 13" wide by 13" deep by 9" tall inside. 120 volts, 14 amps, 1680
watts.
Reaches annealing temperature in about forty minutes. The quartz encased heating elements are located in the side
walls near the top. Because of the AF1313's height to width ratio, there is even heat throughout the chamber and
allows access through the hinged lid as well as through the 13" wide by 6½" tall front opening that has a multiple flip up
door. The soft flip front door is hinged 2" above its bottom and then again at the top of the 6½” opening. The bottom
part of the flip door is split vertically in two, a left side and a right side. This lets you open the front door just at the
bottom to place small items, such as beads, into the annealer and use the ARR (see below) or fully open the entire 13”
X 6½” door area to place larger items into the annealer.
The annealing and fusing model AF1313 is exactly like the A1313, except that it is wired for 240 volts, thereby giving it
enough power to efficiently reach fusing temperatures in about one hour and annealing temperatures in about fifteen
minutes and also comes with a slip in brick door for use when fusing. Uses the 12" X 12", FS1212 shelf for fusing.
The annealing model A1813 heating chamber is 18" wide by 13" deep by 3¾" tall inside. 120 volts, 14 amps, 1680
watts.
Reaches annealing temperature in about thirty minutes. The A1813 can be used for fusing, but is extremely slow. It is
recommended that you use the 240 volt version, the AF1813, for fusing. With the A1813's low height to width ratio, the
four quartz encased heating elements are evenly spaced overhead to give even heat throughout the chamber.
Because of the heating element location, the top is hinged from down low, between the firing chamber and the bottom.
There is an 18" wide by 2" tall front opening that comes with two brick doors for use when fusing and also two soft flip
doors, for annealing, which make a complete seal even when the mandrels are long and stick out the opening.
The annealing and fusing model AF1813 is exactly like the A1813, except that it is wired for 240 volts, thereby giving it
enough power to efficiently reach fusing temperatures in less than one hour and annealing temperatures in under
fifteen minutes and also comes with a slip-in brick door for use when fusing. Uses the 12" X 12", FS1212 shelf for
fusing. The AF1813 uses the 17½" X 13", FS1317 shelf for fusing.
Arrow Springs manufactures three different clamshell models of combination annealer & fusing ovens. Models
AF1313-C, AF1813-C and AF1818-C. All three models have an interior height of 9”. As an annealer, the clamshell
design has the front opening with both slip in brick doors and soft flip doors as described in the ovens above. Besides
their use for annealing, the front opening doors make raking an easy task when fusing. What makes a clamshell
design desirable is the way the top opens for ease of use. Instead of the lid opening as described in the above ovens,
the 9” chamber splits horizontally 2½” from the ceiling, 6½”from the floor. The benefit is that when you open the lid, you
do not have to reach in so far to the oven floor to place items in. This makes loading and arranging easier for fusing
and for annealing of large items. The AF1313-C has a front opening of 13” wide and 4” tall. Both the AF1813-C and
AF1818-C have 18” wide and 4” tall front openings. The soft flip front doors are split vertically in two, a left side and a
right side. Each of these doors is split horizontally and hinged 2" above its bottom and then again at the top of the 4”
opening. This lets you open the front door just at the bottom to place small items, such as beads, into the annealer and
use the ARR (see below) or fully open the door to place larger items into the annealer. All three models have their
heating elements arranged overhead as described for the A1813. The AF1818-C has eight quartz tubes instead of
four. The AF1313 uses the 12" X 12", FS1212 shelf for fusing. The AF1813 uses the 17½" X 13", FS1317 shelf for
fusing. The AF1818 uses the 16" X 16", FS1616 shelf for fusing.
67
Optional Rod Rest
The model ARR Adjustable Rod Rest is specially designed to complement all Arrow Springs annealers and
combination annealer & fusers. The ARR clips onto the front of the annealer at the opening. By placing glass rods onto
the rod rest and inserting their ends into the annealer, the rods are kept clean and their ends are preheated prior to
being introduced into the flame. This virtually eliminates "popping" and greatly reduces the amount of time it takes the
glass to become molten.
Fusers
The model F66's interior heating chamber is 6½" wide by 6½" deep by 4½" tall. 120 volts, 14 amps, 1680 watts.
Fuses in about twenty-five minutes.
A very simple and economical design. Uses a conventional heating element placement, without quartz tubing, and has
a lift off lid. The F66 uses the 6" X 6", FS66 fusing shelf.
The model F99 's interior heating chamber is 9" wide by 9" deep by 4½" tall. 120 volts, 14 amps, 1680 watts.
Fuses in about forty minutes.
This oven is the same as the AF99, except there is no front door and the heating elements are not encased in quartz
tubing. The heating chamber can be extended to 9" tall, by the addition of the optional extension ring, XR99, but the
time it takes to fuse increases to a little over one hour. The F99 uses the 8" X 8" FS88 fusing shelf.
Pyrometers
We offer digital (digital readout) pyrometers. The battery operated digital pyrometers are considerably more accurate
and much easier to read old style analog (needle type meter) pyrometers. The Pyro-DF reads in Fahrenheit. The
Pyro-DC reads in Centigrade and the Pyro-DFC can read in either Fahrenheit or Centigrade. Operating an annealer
or fuser manually with an infinite control switch and an optional pyrometer is an equipment cost savings over operation
using an automated temperature controller, but does require monitoring and adjustments to the infinite control switch
during your working session and for a short time afterward. The digital pyrometers come with a carrying case and a 6
foot thermocouple. Battery is included.
Temperature Controllers
The model ASC/5 digital ramping controller holds 9 programs in permanent memory for annealing, fusing, Precious
Metal Clay, enameling, jewelry wax burnout and ceramics. It is so simple that all you need to do is press a few buttons
and it will perform the program and then turn itself off. For your convenience, several programs have already been
entered, all of which can be easily changed. If you have special firing programs you regularly use, we will gladly
program them into the controller for you. The controller is configurable for either Fahrenheit or Celsius. 15 or 20 Amp,
120 Volt models; and 20, 30 or 50 Amp, 240 volt models available.
The model ASC/4 is a digital set point controller with a single ramp. It allows you to ramp either up or down to a
desired temperature and indefinitely hold that temperature or automatically turn it off. Fahrenheit only. 15 Amp, 120
Volt and 20 Amp, 240 volt models available.
Both controllers are "STAND ALONE", which means that they are not attached to an oven, have their relay’s selfcontained, have an installed thermocouple, and a plug and receptacle. All you need to do is plug the controller into a
wall outlet, plug your oven into the controller, and insert the thermocouple (temperature sensor) into the oven.
Voltage & Amperage Adaptors
Voltage & Amperage Adaptors allow you to operate a 240 volt oven using a 120 volt temperature controller. The
adaptor has a plug and receptacle to match the 240 volt oven you want to control. The adaptor plugs into an
appropriate 240 volt wall receptacle. The oven plugs into the adaptor. The adaptor also has a 120 volt plug that you
plug into your existing 120 volt temperature controller. Instead of your existing 120 volt temperature controller directly
controlling your 240 volt oven, it controls the adaptor with its own built in relay, which in turn controls the 240 volt oven.
Voltage, amperage, wattage and plug type of Arrow Springs ovens.
The following ovens operate on 120 volts and draw 14 amps, 1680 watts.
The plug and required wall receptacle configuration is NEMA 5-15, which uses a typical house receptacle (wall outlet)
that is rated for 120 volts and capable of delivering up to 15 amps.
68
AF66, F66, AF99, F99, AF99-T4, AF138, AF138-T4, A1313 and A1813
The following ovens operate on 240 volts and draw 14 amps, 3360 watts.
The plug and required wall receptacle configuration is NEMA 6-20, rated for 240 volts and capable of delivering up to
20 amps.
AF1313, AF1313-C, AF1813 and AF1813-C
The following oven operates on 240 volts and draw 26 amps and 6240 watts.
The plug and required wall receptacle configuration is NEMA 10-30, 240 volts and capable of delivering up to 30 amps.
AF1818-C
How to interpret the model names of Ovens, Temperature Controllers and Voltage &
Amperage Adaptors.
The A in an oven model name indicates annealing and means that the oven is capable of reaching temperatures
required for annealing, the design includes quartz encased heating elements to protect you from electrical shock and
has a front opening to easily accommodate the placement of hot glass items into the hot oven. The F indicates fusing
and means that the oven is easily capable of reaching fusing and silver clay temperatures. Most fusing models can
reach a maximum limit of 1900º F. If the model name includes both A and F in the name, it has features of both
annealing and fusing ovens. The number in an oven name represents the interior width and depth. For example, 99
means that the ovens floor is 9” wide and 9” deep. 1813 means that the ovens floor is 18” wide and 13” deep. If there
is a T in name, it means that that model is taller than the regular model without the T. If there is a C in name, it means
that that model is a clamshell design.
ASC indicates Arrow Springs Controller. Following the ASC is a / and a number, such as /3, and represents the
specific model. The ending number of a controller represents the NEMA plug and receptacle configuration. 515 is a
NEMA 5-15. The 5 is the actual physical configuration and the voltage capability of 120 volts and the 15 is the
amperage capability. A NEMA 5-15 is a common house plug and receptacle. A NEMA 5-20 is rated at 120 volts and 20
amps. A NEMA 5-20 receptacle can receive either a NEMA 5-20 or NEMA 5-15 plug, but a NEMA 5-20 plug can only
plug into a NEMA 5-20 receptacle.
The /A in the model name of the voltage & amperage adaptors distinguishes it from a temperature controller.
All Temperature Controllers and Voltage and Amperage Adaptors come with standard mechanical relays. Solid State
and Mercury relays are also available on most models.
69
Arrow Springs Ovens
MODEL
ANNEALERS AND COMBINATION ANNEALER & FUSERS
AF66
XR66
AF99
XR99
AF99-T4
AF138
XR138
AF138-T4
A1313
AF1313
AF1313-C
A1813
AF1813
AF1813-C
AF1818-C
120 volts, 6½"w X 6½"d X 4½"h interior, 6½"w X 2"h Flip Door.
4½" Extension Ring.
120 volts, 9"w X 9"d X 4½"h interior, 9"w X 2"h Flip Door.
120 volts, 9"w X 9"d X 6½"h interior, 9"w X 4"h Double Flip Door.
120 volts, 13"w X 8½"d X 4½"h interior, two 6"w X 2"h Flip Doors.
120 volts, 13"w X 8½"d X 6½"h interior, two 6"w X 4"h Double Flip Doors.
120 volts, 13"w X 13"d X 9"h interior, 13"w X 6½"h Triple Flip Door.
240 volts, 13"w X 13"d X 9"h interior, 13"w X 6½"h Triple Flip Door.
240 volts, 13"w X 13"d X 9"h interior, two 6½"w X 4"h Double Flip Doors.
120 volts, 18"w X 13"d X 3¾"h interior, two 9"w X 2"h Flip Doors.
240 volts, 18"w X 13"d X 3¾"h interior, two 9"w X 2"h Flip Doors.
240 volts, 18"w X 13"d X 9"h interior, two 9"w X 4"h Double Flip Doors.
240 volts, 18"w X 18"d X 9"h interior, two 9"w X 4"h Double Flip Doors.
ARR
External add-on rack for pre-heating the ends of glass rods in annealers.
F66
XR66
F99
XR99
120 volts, 6½"w X 6½"d X 4½"h interior.
120 volts, 9"w X 9"d X 4½"h interior.
PYRO-AS
PYRO-DF
PYRO-DC
PYRO-DFC
Analog - Type K pyrometer with thermocouple - Small.
Digital - Type K pyrometer with thermocouple - Fahrenheit.
Digital - Type K pyrometer with thermocouple - Centigrade.
Digital - Type K pyrometer with thermocouple - Fahrenheit & Centigrade.
FS66
FS88
FS812
FS1212
FS1217
FS1616
6" X 6" Fusing shelf for all AF66 and F66 models.
8½" X 8½" Fusing shelf for all AF99 and F99 models.
8" X 12" Fusing shelf for all AF138models.
12" X 12" Fusing shelf for all AF1313 models
12½" X 17½" Fusing shelf for all AF1813 models.
16" X 16" Fusing shelf for all AF1818 models.
ASC/5-515
ASC/5-520
ASC/5-620
ASC/5-1030
ASC/5-1050
ASC/5-650
15 amp, 120 volt, multiple segment digital temperature controller.
350.00
375.00
375.00
400.00
450.00
465.00
ASC/4-515
ASC/4-620
15 amp, 120 volt, single segment digital temperature controller.
20 amp, 240 volt, single segment digital temperature controller.
275.00
275.00
ASC/A-620
ASC/A-1030
ASC/A-1050
ASC/A-650
Allows a 15 or 20 amp, 120 volt controller to operate a 20 amp, 240 volt oven.
495.00
65.00
550.00
75.00
595.00
595.00
90.00
650.00
750.00
795.00
850.00
850.00
850.00
1095.00
1495.00
ADJUSTABLE ROD REST
18.00
FUSERS
PYROMETERS
KILN SHELVES
TEMPERATURE CONTROLLERS
VOLTAGE & AMPERAGE ADAPTORS
70
275.00
65.00
375.00
75.00
50.00
75.00
75.00
99.00
6.00
9.00
9.00
10.00
25.00
30.00
150.00
175.00
225.00
250.00
The real name of Moretti glass is now actually Effetre. It was known for so long as Moretti that many people still refer
to the glass as Moretti.
Effetre Rod Assortments
There are six color palettes that Effetre produces. The assortments listed below each contain 1/3 of a rod
(approximately 13") of every available color in its palette. Occasionally one or more colors may not available from the
factory for months at a time. The assortment that would normally contain the missing color will then have some other
color in duplicate to assure that you get your values worth. Extra rods of the more popular colors are added, if
necessary, to assure that each assortment has its full weight. Any missing color will need to be ordered separately
when it becomes available. All rods are labeled for easy identification, except for any extra rods, as described
above.
Transparent
2.65 lb.
Pastel
2 lb.
Alabaster
.9 lb.
Special
1.0 lb.
Opalino
.45 lb.
Filigrana & Aventurine
1.35 lb.
Assorted Stringers (2 to 3 mm diameter)
53 Colors
40 Colors
18 Colors
20 Colors
9 Colors
27 Colors
57 Colors
$37.95
$43.95
$12.95
$16.95
$5.95
$45.95
$15.95
$149.95 Special - Free blank sample chart and a savings of $29.70 when purchasing all 7 of
the above assortments.
Effetre (Moretti) Starter Assortment ..... $39.95
35 colors, 76 rods, approximately 3½ pounds
For a list of colors, please visit our website at ArrowSprings.com.
Effetre Information
SIZES: Effetre glass rods are priced per pound. Typically, there are about 7 to 8 rods per pound, 5 to 6 mm in
diameter and about one meter long (40" to 43"). Rods are cut into thirds, at no charge, to accommodate shipping and
for ease of use. Often some colors are only available in 4 to 5 mm or 6 to 7 mm diameters. Clear, T-004, is also
available in 2 to 3 mm, 3 to 4 mm, 7 to 8 mm, 8 to 9 mm, 10 to 11 mm and 14 to 15 mm diameters.
STRIKING COLORS: Striking colors are colors that change to their true color after the glass has been melted. They
are: T-069, T-072, T-076, P-258, S-456, O-532 and O-536. Note: O-532 strikes at a very low temperature. If O-532
stays white and does not turn to a soft pink, you are trying to strike it at too high a temperature. Some colors are not
true striking colors, but can change while working them in the flame. P-254, in instance, can wash out and / or become
matted if worked too hot or long. At cooler temperatures it can become mottled. Other colors can separate into lighter
and darker areas. Some colors reduce, that is, develop rusty spots, black lattice or a metallic look. All of these effects
can be desirable and are controllable with proper torch settings and flameworking techniques.
Coefficient of Expansion (COE): 104
Strain Point: 840º F
Working Temperature: 1400º F
Annealing range: 920 - 968º F
Softening point: 1050º F
71
Effetre (Moretti) Glass Rods
Code
ET-004
ET-006
ET-008
ET-012
ET-014
ET-016
ET-018
ET-019
ET-020
ET-022
ET-023
ET-024
ET-025
ET-026
ET-027
ET-028
ET-030
ET-031
ET-034
ET-036
ET-038
ET-039
ET-040
ET-041
ET-042
ET-044
ET-045
ET-046
ET-048
ET-049
ET-050
ET-052
ET-054
ET-056
ET-057
ET-058
ET-059
ET-060
ET-064
ET-065
ET-066
ET-067
ET-068
ET-069
ET-070
ET-071
ET-072
ET-073
ET-076
ET-080
List
Price Per
Pound
Description
Transparent
Clear
New Clear
Very Pale Amber
Light Amber - Light Topaz
Medium Amber - Medium Topaz
Root Beer Brown - Dark Topaz
Light Brown
Sage Green
Light Grass Green
Medium Grass Green
Mosaic Green
Dark Grass Green
Olive Green
Light Teal
Dark Teal
Light Emerald Green
Dark Emerald Green
Pale Emerald Green
Light Aquamarine
Dark Aquamarine
Pale Aquamarine
Dark Violet
Light Amethyst
Light Violet
Medium Amethyst
Dark Amethyst
Purple Blue
Pale Amethyst
Pale Blue Grey
Straw Yellow
Pale Blue
Light Blue
Medium Blue
Dark Blue
Intense Blue
Ink Blue
Blue Mosaic
Cobalt Blue
Black
Metallic Black
Super Dense Black
Rose Quartz
Pale Rose - Light Pink
Yellow - Strikes
Uranium Yellow
Yellow Green
Orange - Strikes
Pale Apple Green
Red - Strikes
Pale Lavender
12.00
14.00
12.00
12.00
12.00
12.00
20.00
20.00
12.00
12.00
44.00
12.00
12.00
12.00
20.00
12.00
12.00
34.00
12.00
12.00
12.00
20.00
12.00
20.00
12.00
12.00
20.00
12.00
12.00
20.00
12.00
12.00
12.00
12.00
12.00
20.00
20.00
12.00
12.00
58.00
70.00
14.00
12.00
13.00
20.00
20.00
13.00
12.00
13.00
12.00
72
¼ lb.
1 lb.
Price/Pack
Price/Pack
15% Discount 20% Discount
From List
From List
2.55
2.98
2.55
2.55
2.55
2.55
4.25
4.25
2.55
2.55
9.35
2.55
2.55
2.55
4.25
2.55
2.55
7.23
2.55
2.55
2.55
4.25
2.55
4.25
2.55
2.55
4.25
2.55
2.55
4.25
2.55
2.55
2.55
2.55
2.55
4.25
4.25
2.55
2.55
12.33
14.88
2.98
2.55
2.76
4.25
4.25
2.76
2.55
2.76
2.55
9.60
11.20
9.60
9.60
9.60
9.60
16.00
16.00
9.60
9.60
35.20
9.60
9.60
9.60
16.00
9.60
9.60
27.20
9.60
9.60
9.60
16.00
9.60
16.00
9.60
9.60
16.00
9.60
9.60
16.00
9.60
9.60
9.60
9.60
9.60
16.00
16.00
9.60
9.60
46.40
56.00
11.20
9.60
10.40
16.00
16.00
10.40
9.60
10.40
9.60
Code
List
Price Per
Pound
Description
¼ lb.
1 lb.
Price/Pack
Price/Pack
From List
From List
ET-081
ET-082
ET-084
ET-088
ET-090
Transparent
Dark Lavender
Lavender Blue Pink - Rose
Light Grey
Dark Grey
Kelp
20.00
12.00
12.00
12.00
14.00
4.25
2.55
2.55
2.55
2.98
16.00
9.60
9.60
9.60
11.20
EP-204
EP-208
EP-210
EP-211
EP-212
EP-213
EP-214
EP-216
EP-217
EP-218
EP-219
EP-220
EP-221
EP-222
EP-224
EP-228
EP-232
EP-236
EP-240
EP-242
EP-246
EP-247
EP-248
EP-252
EP-253
EP-254
EP-255
EP-256
EP-257
EP-258
EP-260
EP-261
EP-262
EP-263
EP-264
EP-265
EP-266
EP-268
EP-271
EP-272
EP-273
EP-274
EP-275
EP-276
Pastel
White
Light White
Avocado Green
Sage Green
Pea Green
Grasshopper
Nile Green
Light Grass Green
Mint Green
Petroleum Green
Copper Green
Periwinkle
Lavender
Dark Periwinkle
Light Sky Blue
Dark Sky Blue
Light Turquoise
Dark Turquoise
Light Cobalt Blue
Medium Cobalt Blue
Dark Cobalt Blue
Light Lavender Blue
Light Grey
Dark Grey
Striped Pink
Purple
Silver Pink
Dark Pink
Sedona
Tongue Pink - Strikes
Light Pink
Angel Pink
Powder Pink
Mou Mocha
Ivory
Uranium Yellow
Opal Yellow
Pearl Grey
Light Silver Plum
Violet
Soft Violet
Bright Violet
Dark Silver Plum
Dark Ivory
13.75
13.75
26.00
26.00
13.75
26.00
13.75
13.75
46.00
13.75
44.00
13.75
44.00
44.00
13.75
13.75
13.75
13.75
15.50
17.50
27.00
44.00
13.75
13.75
67.00
56.00
47.00
60.00
60.00
26.50
20.00
20.00
26.50
55.00
13.75
51.75
56.00
13.75
44.00
13.75
44.00
44.00
44.00
13.75
2.92
2.92
5.53
5.53
2.92
5.53
2.92
2.92
9.78
2.92
9.35
2.92
9.35
9.35
2.92
2.92
2.92
2.92
3.29
3.72
5.74
9.35
2.92
2.92
14.24
11.90
9.99
12.75
12.75
5.63
4.25
4.25
5.63
11.69
2.92
11.00
11.90
2.92
9.35
2.92
9.35
9.35
9.35
2.92
11.00
11.00
20.80
20.80
11.00
20.80
11.00
11.00
36.80
11.00
35.20
11.00
35.20
35.20
11.00
11.00
11.00
11.00
12.40
14.00
21.60
35.20
11.00
11.00
53.60
44.80
37.60
48.00
48.00
21.20
16.00
16.00
21.20
44.00
11.00
41.40
44.80
11.00
35.20
11.00
35.20
35.20
35.20
11.00
73
Code
List
Price Per
Pound
Description
¼ lb.
1 lb.
Price/Pack
Price/Pack
From List
From List
EA-304
EA-308
EA-312
EA-320
EA-324
EA-340
EA-344
EA-348
EA-352
EA-356
EA-360
EA-364
EA-368
EA-372
EA-376
EA-380
EA-384
Alabaster
Pale White
Light White
Special White
Ivory
Yellow
Green
Pine Green
Light Turquoise
Medium Turquoise
Dark Turquoise
Light Periwinkle
Dark Periwinkle
Cobalt Blue
Light Pink
Medium Pink
Dark Pink
Navy Blue
18.00
18.00
20.00
18.00
18.00
18.00
18.00
18.00
18.00
18.00
18.00
18.00
18.00
22.00
22.00
22.00
18.00
3.83
3.83
4.25
3.83
3.83
3.83
3.83
3.83
3.83
3.83
3.83
3.83
3.83
4.68
4.68
4.68
3.83
14.40
14.40
16.00
14.40
14.40
14.40
14.40
14.40
14.40
14.40
14.40
14.40
14.40
17.60
17.60
17.60
14.40
ES-404
ES-408
ES-412
ES-416
ES-418
ES-419
ES-420
ES-422
ES-424
ES-428
ES-432
ES-436
ES-438
ES-440
ES-444
ES-448
ES-452
ES-456
ES-460
Special
Light Lemon Yellow
Medium Lemon Yellow
Dark Yellow
Bright Yellow
Pastel Yellow - Butter
Yellow Apricot
Coral
Orange
Carrot Red
Light Reddish Orange
Medium Red
Dark Red
Dark Purple Red
Red Roof Tile
Light Brown
Dark Brown
Dark Red Brown
Rubino Oro - Cranberry Pink - Strikes
Mustard
16.00
16.00
16.00
16.00
16.00
28.00
16.00
16.00
16.00
16.00
16.00
16.00
16.00
26.50
16.00
16.00
16.00
60.00
16.00
3.40
3.40
3.40
3.40
3.40
5.95
3.40
3.40
3.40
3.40
3.40
3.40
3.40
5.63
3.40
3.40
3.40
12.75
3.40
12.80
12.80
12.80
12.80
12.80
22.40
12.80
12.80
12.80
12.80
12.80
12.80
12.80
21.20
12.80
12.80
12.80
48.00
12.80
EO-504
EO-508
EO-516
EO-520
EO-524
EO-528
EO-532
EO-536
Opalino
White
Yellow
Nile Green
Grass Green
Sky Blue
Periwinkle
Rose - Strikes
Carnelian - Copper - Strikes
14.00
14.00
14.00
14.00
14.00
14.00
21.00
31.00
2.98
2.98
2.98
2.98
2.98
2.98
4.46
6.59
11.20
11.20
11.20
11.20
11.20
11.20
16.80
24.80
74
Code
EF-204
EF-208
EF-209
EF-210
EF-211
EF-212
EF-214
EF-215
EF-216
EF-218
EF-219
EF-220
EF-224
EF-228
EF-229
EF-232
EF-236
EF-240
EF-242
EF-244
EF-248
EF-264
EF-272
EF-420
EF-438
EC-620
EC-630
EC-640
EC-641
EC-642
EC-643
EC-644
EC-650
EC-651
EC-652
EC-653
EC-654
EC-680
EC-681
EC-682
EC-683-L
EC-683-M
EC-683-D
EC-684
EC-685
E-916
E-920
List
Price Per
Pound
Description
¼ lb.
1 lb.
Price/Pack
Price/Pack
From List
From List
Filigrana
Black Inside Clear
White Inside Clear
Sky Blue Inside Clear
Periwinkle Inside Clear
Light Green Inside Clear
Pink Inside Clear
Dark Turquoise Inside Clear
Dark Sky Blue Inside Clear
Goldstone Inside Clear
Teal Green Inside Clear
Nile Green Inside Clear
Blue Sparkles Inside Clear
Red Inside Clear
Green Inside Clear
Dark Grey Inside Clear
Aquamarine Inside Clear
Yellow Inside Clear
Amethyst Inside Clear
Medium Lapis Inside Clear
Orange Inside Clear
Blue Inside Clear
Ivory Inside Clear
Violet Inside Clear
Light Coral Inside Clear
Dark Purple Red Inside Clear
40.00
40.00
41.00
41.00
41.00
41.00
41.00
41.00
55.50
41.00
41.00
61.00
41.00
40.00
41.00
40.00
41.00
40.00
41.00
41.00
41.00
41.00
41.00
41.00
41.00
8.50
8.50
8.71
8.71
8.71
8.71
8.71
8.71
11.79
8.71
8.71
12.96
8.71
8.50
8.71
8.50
8.71
8.50
8.71
8.71
8.71
8.71
8.71
8.71
8.71
32.00
32.00
32.80
32.80
32.80
32.80
32.80
32.80
44.40
32.80
32.80
48.80
32.80
32.00
32.80
32.00
32.80
32.00
32.80
32.80
32.80
32.80
32.80
32.80
32.80
Cool
Kiwi
Laguna Blue
Mimosa Yellow
Deep Mimosa Yellow
Orange African Daisy
American Beauty
Marine Wave
Relish
Yellow Rock
Orange Rock
Red Rock
Brown Rock
Green Tea
Strawberry Shake
Cherry Shake
Fossil Light
Fossil Medium
Fossil Dark
Blueberry Marble
Hawaiian Clay
45.00
45.00
35.00
35.00
35.00
35.00
35.00
45.00
45.00
45.00
45.00
45.00
45.00
45.00
45.00
45.00
45.00
45.00
45.00
45.00
9.56
9.56
7.44
7.44
7.44
7.44
7.44
9.56
9.56
9.56
9.56
9.56
9.56
9.56
9.56
9.56
9.56
9.56
9.56
9.56
36.00
36.00
28.00
28.00
28.00
28.00
28.00
36.00
36.00
36.00
36.00
36.00
36.00
36.00
36.00
36.00
36.00
36.00
36.00
36.00
Aventurine Rod
Goldstone Over Clear
Blue Aventurine Over Clear
60.00
67.00
12.75
14.24
48.00
53.60
75
Effetre (Moretti) Glass Stringers
Code
ET-004-S
ET-008-S
ET-012-S
ET-014-S
ET-020-S
ET-024-S
ET-026-S
ET-028-S
ET-030-S
ET-034-S
ET-036-S
ET-038-S
ET-040-S
ET-042-S
ET-044-S
ET-048-S
ET-056-S
ET-060-S
ET-064-S
ET-066-S
ET-068-S
ET-069-S
ET-072-S
ET-076-S
ET-082-S
ET-084-S
ET-088-S
List
Price Per
Pound
Description
Transparent
Clear
Very Pale Amber
Light Grass Green
Dark Grass Green
Light Teal
Light Emerald Green
Dark Emerald Green
Light Aquamarine
Dark Aquamarine
Pale Aquamarine
Light Amethyst
Medium Amethyst
Dark Amethyst
Pale Blue Grey
Dark Blue
Cobalt Blue
Black
Super Dense Black
Yellow - Strikes
Orange - Strikes
Red - Strikes
Light Grey
Dark Grey
13.00
13.00
13.00
13.00
13.00
13.00
13.00
13.00
13.00
13.00
13.00
13.00
13.00
13.00
13.00
13.00
13.00
13.00
13.00
70.00
13.00
14.25
14.25
14.25
13.00
13.00
13.00
76
¼ lb.
1 lb.
Price/Pack
Price/Pack
From List
From List
2.76
2.76
2.76
2.76
2.76
2.76
2.76
2.76
2.76
2.76
2.76
2.76
2.76
2.76
2.76
2.76
2.76
2.76
2.76
14.88
2.76
3.03
3.03
3.03
2.76
2.76
2.76
10.40
10.40
10.40
10.40
10.40
10.40
10.40
10.40
10.40
10.40
10.40
10.40
10.40
10.40
10.40
10.40
10.40
10.40
10.40
56.00
10.40
11.40
11.40
11.40
10.40
10.40
10.40
Effetre (Moretti) Glass Stringers
Code
List
Price Per
Pound
Description
¼ lb.
1 lb.
Price/Pack
Price/Pack
From List
From List
EP-204-S
EP-212-S
EP-214-S
EP-216-S
EP-218-S
EP-220-S
EP-224-S
EP-228-S
EP-232-S
EP-236-S
EP-240-S
EP-242-S
EP-246-S
EP-248-S
EP-252-S
EP-264-S
EP-268-S
EP-272-S
EP-276-S
Pastel
White
Pea Green
Nile Green
Light Grass Green
Petroleum Green
Periwinkle
Light Sky Blue
Dark Sky Blue
Light Turquoise
Dark Turquoise
Light Cobalt Blue
Medium Cobalt Blue
Dark Cobalt Blue
Light Grey
Dark Grey
Ivory
Pearl Grey
Violet
Dark Ivory
15.00
15.00
15.00
15.00
15.00
15.00
15.00
15.00
15.00
15.00
17.00
20.00
29.00
15.00
15.00
15.00
15.00
15.00
15.00
3.19
3.19
3.19
3.19
3.19
3.19
3.19
3.19
3.19
3.19
3.61
4.25
6.16
3.19
3.19
3.19
3.19
3.19
3.19
12.00
12.00
12.00
12.00
12.00
12.00
12.00
12.00
12.00
12.00
13.60
16.00
23.20
12.00
12.00
12.00
12.00
12.00
12.00
ES-404-S
ES-408-S
ES-420-S
ES-422-S
ES-436-S
ES-444-S
ES-448-S
ES-452-S
ES-460-S
Special
Light Lemon Yellow
Medium Lemon Yellow
Coral
Orange
Dark Red
Light Brown
Dark Brown
Dark Red Brown
Mustard
17.00
17.00
17.00
17.00
17.00
17.00
17.00
17.00
17.00
3.61
3.61
3.61
3.61
3.61
3.61
3.61
3.61
3.61
13.60
13.60
13.60
13.60
13.60
13.60
13.60
13.60
13.60
100.00
110.00
21.25
23.38
80.00
88.00
E-916-S
E-920-S
Aventurine
Goldstone Over Clear
Blue Aventurine Over Clear
77
Double Helix Rods
Code
DH-0311
DH-0411
DH-0511
DH-0611
DH-0711
DH-0811
DH-0911
DH-1011
DH-1111
DH-1211
DH-1311
DH-1411
DH-1611
DH-1711
DH-1811
DH-1911
Description
List
Price Per
Pound
Gaia - Reduces
Kronos 2 - Reduces
Nyx - Reduces
Terra 2 - Reduces and Strikes
Aion 2 - Reduces
Psyche - Reduces
Elektra 2.1 - Reduces
Terranova 2 - Strikes
Luna 2.1 - Strikes
Khaos - Strikes
Triton - Reduces
Pandora 2 - Kiln Striking
Aurae - Reduces
Ekho - Reduces and Strikes
Clio - Reduces and Strikes
Kalypso - Reduces and Strikes
100.00
100.00
100.00
80.00
60.00
60.00
60.00
100.00
80.00
100.00
80.00
100.00
80.00
80.00
100.00
100.00
¼ lb.
Price/Pack
1 lb.
Price/Pack
10% Discount
From List
25.00
25.00
25.00
20.00
15.00
15.00
15.00
25.00
20.00
25.00
20.00
25.00
20.00
20.00
25.00
25.00
90.00
90.00
90.00
72.00
54.00
54.00
54.00
90.00
72.00
90.00
72.00
90.00
72.00
72.00
90.00
90.00
Double Helix Rods, Frits and Powder are well known for their "Over the Top" special
effects with dramatic, multi color Striking and Reducing colors.
Rod Diameter: 5 to 6 mm
Rod Length: 12"
COE: 104
Annealing Range: 920º F to 960ºF (493ºC to 515ºC)
Recommended Annealing Temperature: 940ºF (504º C)
After flame striking the Striking colors, the colors will continue to strike further in the
annealer. Higher annealing temperatures accelerate the kiln striking rate. After flame
reducing the Reducing colors, the colors will oxidize in the annealer and can become
unreduced and loose some of their luster. Higher annealing temperatures accelerate the
oxidation rate.
Long periods of time, especially with higher temperatures may over strike or oxidize your
target look. Garaging (Placing hot glass items into a hot annealer throughout the work
secession prior to final annealing and cool down.) at a lower temperature of between
850ºF and 880ºF (454ºC and 471ºC) will greatly reduce the amount of kiln striking and
oxidation. At the end of the work secession, bringing up the temperature to annealing
temperature brings up every item in the annealer together. This way all items will either
kiln strike or oxidize a similar amount, regardless of their differences in garage time.
Normally, over striking and oxidation are not an issue for most lampworkers and usually
only appears when the actual temperature in the annealer is higher than the pyrometer
or temperature controller indicates. The striking and oxidizing rate varies between colors.
Go to ArrowSprings.com for complete User Guide.
78
Vetrofond Glass Rods
Code
VT-005
VT-008
VT-012
VT-014
VT-020
VT-022
VT-024
VT-026
VT-028
VT-030
VT-034
VT-036
VT-038
VT-040
VT-042
VT-044
VT-048
VT-052
VT-054
VT-058
VT-060
VT-064
VT-064-S
VT-068
VT-069
VT-072
VT-076
VT-080
VT-082
VT-084
VT-086
VT-088
List
Price Per
Pound
Description
Transparent
Clear
Very Pale Amber
Light Grass Green
Medium Grass Green
Dark Grass Green
Light Teal
Light Emerald Green
Dark Emerald Green
Light Aquamarine
Dark Aquamarine
Pale Aquamarine
Light Amethyst
Medium Amethyst
Dark Amethyst
Pale Blue Grey
Light Blue
Medium Blue
Intense Blue
Cobalt Blue
Black
Black 2/3 mm
Electric Yellow
Orange
Red
Pale Lavender
Light Brown
Medium Brown
Dark Brown
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
10.50
11.50
11.50
11.50
10.50
10.50
10.50
10.50
10.50
79
¼ lb.
1 lb.
Price/Pack
Price/Pack
From List
From List
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.23
2.44
2.44
2.44
2.23
2.23
2.23
2.23
2.23
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
8.40
9.20
9.20
9.20
8.40
8.40
8.40
8.40
8.40
Vetrofond Glass Rods
Code
List
Price Per
Pound
Description
¼ lb.
1 lb.
Price/Pack
Price/Pack
From List
From List
VP-204
VP-204-S
VP-212
VP-214
VP-216
VP-218
VP-220
VP-224
VP-228
VP-232
VP-236
VP-240
VP-242
VP-246
VP-248
VP-250
VP-255
VP-262
VP-264
VP-268
VP-272
Pastel
White
White 2/3 mm
Pea Green
Nile Green
Light Grass Green
Dark Grass Green
Periwinkle
Light Sky Blue
Dark Sky Blue
Light Turquoise
Dark Turquoise
Light Lapis
Medium Lapis
Cobalt Lapis
Light Gray
Medium Gray
Flower Pink
Dark Ivory
Ivory
Pearl Gray
Violet
11.75
11.75
11.75
11.75
11.75
11.75
11.75
11.75
11.75
11.75
11.75
13.00
14.00
15.00
11.75
11.75
24.00
11.75
11.75
11.75
11.75
2.50
2.50
2.50
2.50
2.50
2.50
2.50
2.50
2.50
2.50
2.50
2.76
2.98
3.19
2.50
2.50
5.10
2.50
2.50
2.50
2.50
9.40
9.40
9.40
9.40
9.40
9.40
9.40
9.40
9.40
9.40
9.40
10.40
11.20
12.00
9.40
9.40
19.20
9.40
9.40
9.40
9.40
VS-404
VS-408
VS-412
VS-416
VS-420
VS-424
VS-428
VS-444
VS-456
VS-460
VS-910
Special
Light Lemon Yellow
Medium Lemon Yellow
Dark Yellow
Bright Acid Yellow
Coral
Carrot Red
Light Red
Light Brown
Pink Gold
Yellow Ocher
Translucent Yellow
13.00
13.00
13.00
13.00
13.00
13.00
13.00
13.00
50.00
13.00
13.00
2.76
2.76
2.76
2.76
2.76
2.76
2.76
2.76
10.63
2.76
2.76
10.40
10.40
10.40
10.40
10.40
10.40
10.40
10.40
40.00
10.40
10.40
80
Thompson Enamels
ALL
BULLSEYE
LAMPWORKING
RODS
ARE
5 MM
IN DIAMETER
I - 24 RODSGLASS
25
- 99 8
RODS
100 OR and
MORE
Effetre
(Moretti)
Compatible
2 Oz.
Oz.APPROXIMATELY
Bullseye
Spectrum
Opaque Colors
TE-9010
White
TE-9105
Yellow Beige
TE-9110
Brown Beige
TE-9180
Dark Coffee
TE-9250
Goldenrod
TE-9260
Praseodymium Yellow
TE-9320
Gray Green
TE-9330
Apple Green
TE-9350
Moss Green
TE-9520
Gray Blue Green
TE-9530
Blue Green
TE-9550
Aqua Marine
TE-9605
Baby Blue
TE-9620
Medium Blue
TE-9650
Oxford Blue
TE-9660
Brilliant Blue
TE-9710
Light Petal Pink
TE-9720
Dark Petal Pink
TE-9725
Flesh
TE-9730
Pink Flesh
TE-9740
New Purple
TE-9760
Light Orchid
TE-9780
Dark Orchid
TE-9790
Dark Purple
TE-9810
Peach
TE-9830
Melon Orange
TE-9835
Orange Red
TE-9840
Bright Red
TE-9850
Dark Red
TE-9920
Light Oxford
TE-9940
Oxford Gray
TE-9990
Midnight Black
Transparent Colors
TE-9400
Clear
TE-9410
Wax Yellow
TE-9415
Khaki
TE-9425
Spring Green
TE-9434
Gem Green
TE-9436
Glass Green
TE-9443
Beryl Green
TE-9444
Turquoise
TE-9452
Aqua Blue
TE-9453
Water Blue
TE-9463
Bonnet Blue
TE-9466
Nitric Blue
TE-9475
Amethyst
TE-9480
Cherry Pink
Effetre (Moretti) Enamel Assortment
TE-G
½ Ounce Size Assortment
6.55
6.55
6.55
6.55
6.55
6.55
6.55
6.55
6.55
6.55
7.15
7.15
6.55
7.15
7.15
7.15
11.65
11.65
11.65
11.65
11.65
11.65
11.65
11.65
6.55
11.00
11.00
11.00
11.00
6.55
6.55
7.15
15.60
15.60
15.60
15.60
15.60
15.60
15.60
15.60
15.60
15.60
16.75
16.75
15.60
16.75
16.75
16.75
27.15
27.15
27.15
27.15
27.15
27.15
27.15
27.15
15.60
26.25
26.25
26.25
26.25
15.60
15.60
16.75
6.55
6.55
6.55
6.55
6.55
6.55
6.55
6.55
7.15
7.15
7.15
7.15
6.55
11.65
15.60
15.60
15.60
15.60
15.60
15.60
15.60
15.60
16.75
16.75
16.75
16.75
15.60
27.15
Opaque Colors
TE-7010
White
TE-7105
Cream
TE-7110
Light Brown
TE-7120
Coffee Brown
TE-7130
Redwood Brown
TE-7180
Dark Brown
TE-7250
Jonquil
TE-7260
Golden Glow Yellow
TE-7310
Light Green
TE-7320
Willow Green
TE-7330
Pea Green
TE-7340
Jungle Green
TE-7350
Jade Green
TE-7520
Emerald Blue Green
TE-7530
Delft Blue Green
TE-7540
Peacock Blue Green
TE-7550
Aqua Blue Green
TE-7560
Dark Aqua Blue
TE-7610
Pastel Blue
TE-7620
Light Blue
TE-7650
Italian Blue
TE-7655
Royal Blue
TE-7660
Dark Blue
TE-7710
Petal Pink
TE-7720
Clover
TE-7740
Fox Glove Purple
TE-7760
Light Orchid
TE-7780
Orchid
TE-7830
Orange
TE-7860
Flag Red
TE-7865
Briarwood Red
TE-7920
Light Gray
TE-7960
Slate Gray
TE-7990
Black
Transparent Colors
TE-8005
Clear
TE-8220
Chinese Yellow
TE-8221
Orange Yellow
TE-8370
Dark Green
TE-8640
Cobalt Blue
TE-8680
Dark Cobalt Blue
TE-8750
Purple
TE-8756
Lilac
TE-8760
Pink
Bullseye and Spectrum Enamel Assortment
TE-F
½ Ounce Size Assortment
Enamel Marking Pen
EMP-12
Black
EMP-13
White
EMP-15
A-5 Oil
42.00
2 Oz.
8 Oz.
6.55
6.55
6.55
6.55
6.55
6.55
6.55
6.55
6.55
6.55
6.55
6.55
6.55
6.55
6.55
6.55
6.55
6.55
7.15
7.15
7.15
7.15
7.15
11.65
11.65
11.65
11.65
11.65
11.00
11.00
11.00
6.55
6.55
7.15
15.60
15.60
15.60
15.60
15.60
15.60
15.60
15.60
15.60
15.60
15.60
15.60
15.60
15.60
15.60
15.60
15.60
15.60
16.75
16.75
16.75
16.75
16.75
27.15
27.15
27.15
27.15
27.15
26.25
26.25
26.25
15.60
15.60
16.75
6.55
6.55
6.55
6.55
7.15
7.15
7.15
6.55
11.65
15.60
15.60
15.60
15.60
16.75
16.75
16.75
15.60
27.15
36.00
7.00
7.00
7.00
Enamels are densely colored, soft melting glass that can be rolled or sifted onto the surface, encased, or kneaded into glass to color it. You
can also mix colors together to create new colors. Two grain sizes available. The standard and popular 80 mesh, is a very fine frit and
powder-like. The coarser 6 to 20 blend mesh frit is comparable in size to other glass company’s medium to large frit sizes.
Effetre (Moretti) compatible - 104 COE: The 9000 series contains 42 colors, 32 opaque and 10 transparent.
Bullseye and Spectrum Compatible - 90 to 96 COE: The 7000 and 8000 series contains 43 colors, 34 opaque colors (7000 Series) and 9
transparent. colors (8000 Series).
Enamel Marking Pens are a ball point pen with vitreous enamel ink. Write or draw directly on metal, glass or previously fired enamel
surface and fire to make permanent. Available in black, white and A-5 oil. After marking directly on metal, over-sift a coat of flux or light
transparent before firing. After marking directly on a glass or fired enamel surface, dry and fire with or without an over-sifting. After marking
with the A-5 oil, either on metal, glass or a fired enamel surface, sift with any color. Tilt the piece and let excess enamel fall off, leaving a
distinct line of color.
81
Northstar® borosilicate colored glass rods, frits and powders are compatible with all other brands
of borosilicate glass.
Rod diameters range from 5 to 7 mm. Length: 20”
Priced by the pound with no minimum. All brands of borosilicate colored rods can be mixed to
qualify for quantity price breaks. Colors may vary slightly from batch to batch.
COE: 33.2 +/- 2.0
Recommended Annealing Point: 565ºC - 1050ºF.
Maximum Annealing Point: 600ºC -1112ºF
Strain Point: 840º F
Softening Point: 1200º F
Working Temperature: 1700º F
Striking Temperature Range: 1150ºF to 1200ºF
Borosilicate murrini is available in both chips and cane.
Call for available designs. $1.00 to $4.00 per gram.
SAMPLE PACKS
Northstar®
Small Sample Pack - $80.00
Includes a labeled 6" rod of each available color and one frit and one powder sample.
Large Sample Pack - $240.00
Includes a labeled 20" rod of each available color and one frit and one powder sample.
Frit and Powder Sample Pack - $80.00
Contains most of the frit and powder colors in mixed sizes of powder and fine, small and
large frit.
82
Northstar Rods
Code
NS-01
NS-03
NS-04
NS-05
NS-06
NS-07L
NS-07
NS-08
NS-09
NS-11
NS-13
NS-14
NS-15
NS-19
NS-20
NS-23
NS-24
NS-25
NS-26
NS-27
NS-28
NS-29
NS-31
NS-32
NS-33
NS-34
NS-37
NS-38
NS-41
NS-42
NS-43
NS-44
NS-45
NS-47
NS-48
NS-49
NS-52
NS-53
NS-54
NS-55
NS-57
NS-58
NS-59
NS-62
NS-63
NS-64
NS-65
NS-66
NS-69
NS-70
NS-72
NS-73
NS-75
NS-76
List
Price Per
Pound
Description
Cobalt Blue
Multi
Dark Multi
Orange
Dark Orange
Light Ruby
Ruby
Dark Ruby
Yellow
Jade
Amber/Purple
Irrid
Turquesa
Light Cobalt Blue
Dark Cobalt
Pink
Transparent Green
Peach
Double Amber/Purple
Green Exotic
Blue Exotic
Red Exotic
Lavender
Violet
Turbo Cobalt
Extra Light Yellow
Rootbeer
Blue-Green
Butterscotch
Cinnamon
Rust
Caramel
Blue Moon
Aurora
Light Blue Amber/Purple
Dark Blue Amber/Purple
Teal
Forest Green
Star White
Periwinkle
Midnight
Mint
Cranberry
Bubblegum
Canary
Lava
Cherry
Sublime
Green Amber Purple
Ice Blue
Glacier Blue
Millennium Moss
Indigo Aventurine
Onyx
37.00
44.00
47.00
49.00
52.00
54.00
54.00
54.00
49.00
52.00
54.00
52.00
49.00
37.00
35.00
47.00
44.00
72.00
57.00
57.00
57.00
57.00
47.00
47.00
37.00
41.00
52.00
54.00
52.00
42.00
52.00
52.00
52.00
57.00
54.00
54.00
57.00
57.00
52.00
54.00
54.00
49.00
52.00
54.00
52.00
52.00
52.00
57.00
57.00
49.00
47.00
54.00
54.00
54.00
83
¼ lb.
1 lb.
Price/Pack
Price/Pack
From List
From List
8.79
10.45
11.16
11.64
12.35
12.83
12.83
12.83
11.64
12.35
12.83
12.35
11.64
8.79
8.31
11.16
10.45
17.10
13.54
13.54
13.54
13.54
11.16
11.16
8.79
9.74
12.35
12.83
12.35
9.98
12.35
12.35
12.35
13.54
12.83
12.83
13.54
13.54
12.35
12.83
12.83
11.64
12.35
12.83
12.35
12.35
12.35
13.54
13.54
11.64
11.16
12.83
12.83
12.83
31.45
37.40
39.95
41.65
44.20
45.90
45.90
45.90
41.65
44.20
45.90
44.20
41.65
31.45
29.75
39.95
37.40
61.20
48.45
48.45
48.45
48.45
39.95
39.95
31.45
34.85
44.20
45.90
44.20
35.70
44.20
44.20
44.20
48.45
45.90
45.90
48.45
48.45
44.20
45.90
45.90
41.65
44.20
45.90
44.20
44.20
44.20
48.45
48.45
41.65
39.95
45.90
45.90
45.90
Northstar Rods
Code
NS-77
NS-78
NS-79
NS-80
NS-81
NS-82
NS-83
NS-84
NS-85
NS-86
NS-87
NS-88
NS-89
NS-90
NS-91
NS-92
NS-93
NS-94
NS-95
NS-96
NS-97
NS-98
NS-100
NS-101
NS-102
NS-103
NS-104
NS-105
NS-106
NS-107
NS-108
NS-109
NS-110
NS-111
NS-112
NS-113
NS-114
NS-115
NS-116
NS-117
NS-118
NS-119
NS-120
NS-121
NS-122
NS-123
NS-124
NS-125
NS-126
NS-129
NS-131
NS-132
NS-133
List
Price Per
Pound
Description
Deep Sea Blue
Mystery Aventurine
Blue Spruce
Hyacinth
Blue Caramel
Ruby K
Skyline
Goldenrod
Poppy
Garnet
Garnet Dark
Pomegranate
Nile
Rhapsody
Ninja
Amethyst
Plum Krazy
Egyptian White Sand
Oregon Gray
Light Oregon Gray
Evergreen
Loch Ness
Black Lightning
Purple Urple
Silver Bullet
Berry Gumbolt
Unobtainium
Silver Creek
Dark Amethyst
Green Tea
Blue Velvet
Plum Kush
Blue Metal
Alaskan Thunder
Mother of Green Pearl
Turbo Amethyst
Tan Silver Creek
Silver Sea Weed
Silver Pearl
Millennium Falcon
Obtainium
Super Unobtainium
Silver Unobtainium
Blue Nebula
Blue Thunder
Crystal Bliss
Silver Amethyst
Jet Black
Opaque Aqua
Steel Wool
English Ivy
Lokis Lipstick
Silver Aqua
54.00
54.00
57.00
54.00
52.00
52.00
52.00
52.00
52.00
54.00
54.00
51.00
57.00
54.00
54.00
49.00
54.00
58.00
47.00
47.00
57.00
62.00
52.00
52.00
52.00
42.00
62.00
47.00
42.00
52.00
62.00
49.00
57.00
52.00
62.00
47.00
47.00
52.00
57.00
49.00
62.00
62.00
57.00
47.00
49.00
47.00
49.00
47.00
42.00
52.00
52.00
52.00
52.00
84
¼ lb.
1 lb.
Price/Pack
Price/Pack
From List
From List
12.83
12.83
13.54
12.83
12.35
12.35
12.35
12.35
12.35
12.83
12.83
12.11
13.54
12.83
12.83
11.64
12.83
13.78
11.16
11.16
13.54
14.73
12.35
12.35
12.35
9.98
14.73
11.16
9.98
12.35
14.73
11.64
13.54
12.35
14.73
11.16
11.16
12.35
13.54
11.64
14.73
14.73
13.54
11.16
11.64
11.16
11.64
11.16
9.98
12.35
12.35
12.35
12.35
45.90
45.90
48.45
45.90
44.20
44.20
44.20
44.20
44.20
45.90
45.90
43.35
48.45
45.90
45.90
41.65
45.90
49.30
39.95
39.95
48.45
52.70
44.20
44.20
44.20
35.70
52.70
39.95
35.70
44.20
52.70
41.65
48.45
44.20
52.70
39.95
39.95
44.20
48.45
41.65
52.70
52.70
48.45
39.95
41.65
39.95
41.65
39.95
35.70
44.20
44.20
44.20
44.20
Northstar Frit and Powder
Description
LARGE
FRIT
Code
1 OZ.
Large
FRIT
4 OZ.
Large
FRIT
SMALL
FRIT
Code
1 OZ.
Small
FRIT
4 OZ.
Small
FRIT
POWDER 1 OZ.
4 OZ.
POWDER Powder
Code
Mixed
Clear
Cobalt Blue
Dark Multi
Dark Orange
Ruby
Yellow
Jade
Amber/Purple
Irrid
Transparent Green
Double Amber/Purple
Green Exotic
Blue Exotic
Red Exotic
Turbo Cobalt
Blue-Green
Butterscotch
Rust
Blue Moon
Aurora
Teal
Forest Green
Star White
Periwinkle
Midnight
Bubblegum
Canary
Lava
Cherry
Green Amber Purple
Onyx
Deep Sea Blue
Mystery Aventurine
Blue Spruce
Hyacinth
Blue Caramel
Skyline
Goldenrod
Garnet Dark
Plum Krazy
Egyptian White Sand
Oregon Gray
Evergreen
Loch Ness
Black Lightning
NSL-MX
NSL-00
NSL-01
NSL-04
NSL-06
NSL-07
NSL-09
NSL-11
NSL-13
NSL-14
NSL-24
NSL-26
NSL-27
NSL-28
NSL-29
NSL-33
NSL-38
NSL-41
NSL-43
NSL-45
NSL-47
NSL-52
NSL-53
NSL-54
NSL-55
NSL-57
NSL-62
NSL-63
NSL-64
NSL-65
NSL-69
NSL-76
NSL-77
NSL-78
NSL-79
NSL-80
NSL-81
NSL-83
NSL-84
NSL-87
NSL-93
NSL-94
NSL-95
NSL-97
NSL-98
NSL-100
4.25
2.58
3.25
4.08
4.50
4.67
2.33
4.50
4.67
4.50
3.83
4.92
4.92
4.92
4.92
3.25
4.67
4.50
4.50
4.50
4.92
4.92
4.92
4.50
4.67
4.67
4.67
4.50
4.50
4.50
4.92
4.67
4.67
4.67
4.92
4.67
4.50
4.50
4.50
4.67
4.67
5.00
4.50
4.92
5.33
4.50
12.75
7.75
9.75
12.25
13.50
14.00
7.00
13.50
14.00
13.50
11.50
14.75
14.75
14.75
14.75
9.75
14.00
13.50
13.50
13.50
14.75
14.75
14.75
13.50
14.00
14.00
14.00
13.50
13.50
13.50
14.75
14.00
14.00
14.00
14.75
14.00
13.50
13.50
13.50
14.00
14.00
15.00
13.50
14.75
16.00
13.50
NSS-MX
NSS-00
NSS-01
NSS-04
NSS-06
NSS-07
NSS-09
NSS-11
NSS-13
NSS-14
NSS-24
NSS-26
NSS-27
NSS-28
NSS-29
NSS-33
NSS-38
NSS-41
NSS-43
NSS-45
NSS-47
NSS-52
NSS-53
NSS-54
NSS-55
NSS-57
NSS-62
NSS-63
NSS-64
NSS-65
NSS-69
NSS-76
NSS-77
NSS-78
NSS-79
NSS-80
NSS-81
NSS-83
NSS-84
NSS-87
NSS-93
NSS-94
NSS-95
NSS-97
NSS-98
NSS-100
3.83
2.17
2.83
3.67
4.08
4.25
1.92
4.08
4.25
4.08
3.42
4.33
4.50
4.50
4.50
2.83
4.25
4.08
4.08
4.08
4.50
4.50
4.50
4.08
4.25
4.25
4.25
4.08
4.08
4.08
4.50
4.25
4.25
4.25
4.33
4.25
4.08
4.08
4.08
4.25
4.25
4.33
4.08
4.50
4.92
4.08
11.50
6.50
8.50
11.00
12.25
12.75
5.75
12.25
12.75
12.25
10.25
13.00
13.50
13.50
13.50
8.50
12.75
12.25
12.25
12.25
13.50
13.50
13.50
12.25
12.75
12.75
12.75
12.25
12.25
12.25
13.50
12.75
12.75
12.75
13.00
12.75
12.25
12.25
12.25
12.75
12.75
13.00
12.25
13.50
14.75
12.25
NSP-MX
NSP-00
NSP-01
NSP-04
NSP-06
NSP-07
NSP-09
NSP-11
NSP-13
NSP-14
NSP-24
NSP-26
NSP-27
NSP-28
NSP-29
NSP-33
NSP-38
NSP-41
NSP-43
NSP-45
NSP-47
NSP-52
NSP-53
NSP-54
NSP-55
NSP-57
NSP-62
NSP-63
NSP-64
NSP-65
NSP-69
NSP-76
NSP-77
NSP-78
NSP-79
NSP-80
NSP-81
NSP-83
NSP-84
NSP-87
NSP-93
NSP-94
NSP-95
NSP-97
NSP-98
NSP-100
85
N/A
2.00
2.67
3.50
3.92
4.08
2.17
3.92
4.08
3.92
3.25
4.33
4.33
4.33
4.33
2.67
4.08
3.92
3.92
3.92
4.33
4.33
4.33
3.92
4.08
4.08
4.08
3.92
3.92
3.92
4.33
4.08
4.08
4.08
4.33
4.08
3.92
3.92
3.92
4.08
4.17
4.42
3.92
4.33
4.75
3.92
N/A
6.00
8.00
10.50
11.75
12.25
6.50
11.75
12.25
11.75
9.75
13.00
13.00
13.00
13.00
8.00
12.25
11.75
11.75
11.75
13.00
13.00
13.00
11.75
12.25
12.25
12.25
11.75
11.75
11.75
13.00
12.25
12.25
12.25
13.00
12.25
11.75
11.75
11.75
12.25
12.50
13.25
11.75
13.00
14.25
11.75
Northstar Frit and Powder
Description
Purple Urple
Berry Gumbolt
Unobtainium
Silver Creek
Plum Kush
Alaskan Thunder
Turbo Amethyst
Silver Sea Weed
Super Unobtainium
Silver Unobtainium
Crystal Bliss
Jet Black
Opaque Aqua
Exp Green #5
LARGE
FRIT
Code
1 OZ.
Large
FRIT
4 OZ.
Large
FRIT
SMALL
FRIT
Code
1 OZ.
Small
FRIT
4 OZ.
Small
FRIT
POWDER 1 OZ.
4 OZ.
POWDER Powder
Code
NSL-101
NSL-103
NSL-104
NSL-105
NSL-109
NSL-111
NSL-113
NSL-115
NSL-119
NSL-120
NSL-123
NSL-125
NSL-126
NSL-127
4.50
3.67
5.33
4.08
4.25
4.50
4.08
4.50
5.33
4.92
4.08
4.08
3.67
6.58
13.50
11.00
16.00
12.25
12.75
13.50
12.25
13.50
16.00
14.75
12.25
12.25
11.00
19.75
NSS-101
NSS-103
NSS-104
NSS-105
NSS-109
NSS-111
NSS-113
NSS-115
NSS-119
NSS-120
NSS-123
NSS-125
NSS-126
NSS-127
4.08
3.25
4.92
3.67
3.83
4.08
3.67
4.08
4.92
4.50
3.67
3.67
3.25
5.58
12.25
9.75
14.75
11.00
11.50
12.25
11.00
12.25
14.75
13.50
11.00
11.00
9.75
16.75
NSP-101
NSP-103
NSP-104
NSP-105
NSP-109
NSP-111
NSP-113
NSP-115
NSP-119
NSP-120
NSP-123
NSP-125
NSP-126
NSP-127
86
3.92
3.08
4.75
3.50
3.67
3.92
3.50
3.92
4.75
4.33
3.50
3.50
3.08
5.17
11.75
9.25
14.25
10.50
11.00
11.75
10.50
11.75
14.25
13.00
10.50
10.50
9.25
15.50
Borosilicate Clear
PRICE PER POUND - MIXED SIZES
$8.00 for all sizes of tubes and rods, except 3 mm rod.
$11.00 for 3 mm rod.
PRICE PER POUND - 10 POUNDS OR MORE - MIXED SIZES
$7.00 for all sizes of tubes and rods, except 3 mm rod.
$10.00 for 3 mm rod.
PRICE PER CASE - SEE CHART BELOW
Pyrex glass is sold by the pound. Use the chart below to see what
a 48" length's average cost will be at the different price breaks.
Average Average
Ave.
Ave.
Ave.
Mixed
10 lbs.
Wall
lbs. Pieces
Price
Mixed
Thick. Per
Per
Per
Price
mm
Case Case
Piece
Per
Average
Price
1 Case
Per
Price
Piece
Average
3 Case
Price
Price Per Piece
Heavy Wall Tubing - Outside diameter
3/8" - 9.5 mm
1/2" - 12.7 mm
5/8" - 15.9 mm
3/4" - 19.0 mm
7/8" - 22.2 mm
1" - 25.4 mm
1-1/4" - 31.7 mm
1-1/2" - 38.1 mm
1-3/4" - 44.4 mm
2" - 50.8 mm
2.0
2.4
2.4
3.2
3.2
4.0
4.0
4.0
4.0
4.8
27
27
27
27
34
38
38
31
30
17
96
61
45
28
30
24
18
12
10
4
2.25
3.54
4.80
7.71
9.07
12.67
16.89
20.67
24.00
34.00
1.97
3.10
4.20
6.75
7.93
11.08
14.78
18.08
21.00
29.75
136.32
136.32
136.32
136.32
171.67
191.86
191.86
169.35
163.89
97.31
1.42
2.23
3.03
4.87
5.72
7.99
10.66
14.11
16.39
24.33
127.23
127.23
127.23
127.23
160.22
179.07
179.07
158.06
152.96
90.82
1.33
2.09
2.83
4.54
5.34
7.46
9.95
13.17
15.30
22.71
Medium Wall Tubing - Outside diameter
1/4" - 6.3 mm
1.2
32
276
0.93
0.81
177.77
0.64
165.92
0.60
1/2" - 12.7 mm
1.6
32
96
2.67
2.33
177.77
1.85
165.92
1.73
5/8" - 15.9 mm
1.6
32
75
3.41
2.99
177.77
2.37
165.92
2.21
3/4" - 19.0 mm
1" - 25.4 mm
1-1/4" - 31.7 mm
1-1/2" - 38.1 mm
1-3/4" - 44.4 mm
2" - 50.8 mm
1.6
2.4
2.4
2.4
2.4
3.2
32
32
32
30
29
12
61
31
24
18
15
4
4.20
8.26
10.67
13.33
15.47
24.00
3.67
7.23
9.33
11.67
13.53
21.00
177.77
161.57
164.30
175.10
169.26
70.04
2.91
5.21
6.85
9.73
11.28
17.51
165.92
150.80
153.35
163.42
157.97
65.37
2.72
4.86
6.39
9.08
10.53
16.34
25
25
25
25
25
25
25
25
25
25
25
25
24
24
41
625
328
215
145
107
83
65
52
44
33
21
14
8
5
6
0.44
0.61
0.93
1.38
1.87
2.41
3.08
3.85
4.55
6.06
9.52
14.29
24.00
38.40
54.67
0.40
0.53
0.81
1.21
1.64
2.11
2.69
3.37
3.98
5.30
8.33
12.50
21.00
33.60
47.83
207.00
135.34
125.10
125.10
125.10
125.10
125.10
125.10
125.10
125.10
125.10
125.10
131.11
137.67
255.14
0.33
0.41
0.58
0.86
1.17
1.51
1.92
2.41
2.84
3.79
5.96
8.94
16.39
27.53
42.52
193.20
126.32
116.76
116.76
116.76
116.76
116.76
116.76
116.76
116.76
116.76
116.76
122.37
128.49
238.13
0.31
0.39
0.54
0.81
1.09
1.41
1.80
2.25
2.65
3.54
5.56
8.34
15.30
25.70
39.69
Rod
3 mm
4 mm
5 mm
6 mm
7 mm
8 mm
9 mm
10 mm
11 mm
1/2" - 12.7 mm
5/8" - 15.9 mm
3/4" - 19.0 mm
1" - 25.4 mm
1-1/4" - 31.7 mm
1-1/2" - 38.1 mm
87
4301 A Product Drive
Shingle Springs, CA 95682
Phone: 1(800) 899-0689 - 1(530) 677-1400
Fax: 1(530) 677-1600
flameon@ArrowSprings.com
See pictures, most current prices and information and sales at
www.ArrowSprings.com
Some prices for merchandise may be less when purchased through the website shopping cart.
Orders may be placed via website shopping cart, phone, fax, post and e-mail.
Phone Hours - Pacific Time
Monday - Friday: 8 AM - 5 PM
2nd Saturday: 9 AM - 4 PM
Sunday: Closed
Store Hours - Pacific Time
Monday - Friday: 9 AM - 5:00 PM
2nd Saturday: 9 AM - 4:00 PM
Sunday: Closed
Important Information – Please Read
Glass rods that are very long will be shipped cut in 1/3 or 1/2, at no charge, unless otherwise
requested - please specify.
The color of glass and the way the colors react when used will vary from batch to batch. This is
true of most manufactures. Some colors may always look the same while others seem to never
look the same twice.
All glasses and materials that are stated or presumed to be compatible with other glasses and
materials are sold in good faith that they are. If it is important that these items be compatible for
your needs, it is your responsibility to verify this through testing before using these items. Arrow
Springs will not be responsible for any losses you may incur from incompatibility.
We DO NOT CHARGE a packing fee except on full sheets of glass or full length clear borosilicate
tubes and rods. Sheets, loose tubes and loose rods that are cut in half and DO NOT have a
packing fee or cutting charge.
All tools and glass are shipped via US Mail or UPS. All shipments are sent C.O.D. or must be
prepaid by check, credit card or wire transfer and will include shipping charges. California sales tax
will be added unless we have a valid California resale number on file or if shipment is out of state.
Tool and supply specifications are all approximate and are subject to change without notice.
Prices subject to change without notice.
There is a 5% restocking fee on all returned merchandise.
No returns on books, videos, sample cards or used tools and equipment.
Additional important information at http://www.arrowsprings.com/html/contact-policy.html

01-25-11 - Arrow Springs

Transcription

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