Ausgewählte Neuerscheinungen 2012 (Nachtrag)

Online-Publikationen der Gesellschaft für Popularmusikforschung /
German Society for Popular Music Studies e.V.
Hg. v. Ralf von Appen, André Doehring u. Thomas Phleps
www.gfpm-samples.de/Samples12/buecher2012N.pdf
Jahrgang 12 (2014) – Version vom 11.2.2014
Ausgewählte Neuerscheinungen 2012 (Nachtrag)
Zusammengestellt von Yvonne Thieré
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of Reggae Singles. A Visual History of Jamaican Reggae 1959-79. London: Soul
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Album Cover Art. A Visual History of Jamaican Music from Mento to Dancehall.
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(2012). Translating HipHop. Freiburg/Br.: Orange Press.
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Story of the Prisonaires. Amherst, MA: University of Massachusetts Press.
Douglas, Kelly Brown (2012). Black Bodies and the Black Church. A Blues Slant.
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Dury, Jamina (Hg.) (2012). Hallo Sausages. The Lyrics of Ian Dury. London: Bloomsbury.
Elferen, Isabella van (2012). Gothic Music. The Sounds of the Uncanny. Cardiff:
University of Wales Press.
Engelmann, Jonas / Frühauf, Hans-Peter / Nell, Werner / Waldmann, Peter (Hg.)
(2012). We are Ugly but We Have the Music. Eine ungewöhnliche Spurensuche in
Sachen jüdische Erfahrung und Subkultur. Mainz: Ventil.
Escrivan Rincón, Julio d' (2012). Cambridge Introductions to Music: Music Technology. Cambridge, New York, NY: Cambridge University Press.
Farren, Mick / Loren, Dennis (2012). Classic Rock Posters. Sixty Years of Posters
and Flyers: 1952-2012. London: Omnibus Press.
Farrugia, Rebekah (2012). Beyond the Dance Floor. Female DJs, Technology and
Electronic Dance Music Culture. Bristol: Intellect.
Feld, Steven (2012). Jazz Cosmopolitanism in Accra. Five Musical Years in Ghana.
Durham, NC: Duke University Press.
Fischer, Michael / Hörner, Fernand (Hg.) (2012). Lied und populäre Kultur. Jahrbuch des Deutschen Volksliedarchivs Freiburg Bd. 57: Deutsch-französische
Musiktransfers. Münster: Waxmann.
Fried, Steven [= Gary Watton] (Hg.) (2013). You are a Tube! A Miscellany of
YouTube Comments About Popular Music 1960-1999. Coleraine: GW Publications.
Fulani, Ifeona (2012). Archipelagos of Sound. Transnational Caribbeanities, Women
and Music. Kingston, Jamaica: University of the West Indies Press.
Gibson, Chris / Connell, John (2012). Music Festivals and Regional Development in
Australia. Farnham: Ashgate.
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Mwandishi Band. Chicago, IL: University of Chicago Press.
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Greene, Doyle (2012). Teens, TV and Tunes. The Manufacturing of American Adolescent Culture. Jefferson, NC: McFarland.
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Güler Saied, Ayla (2012). Rap in Deutschland. Musik als Interaktionsmedium zwischen Partykultur und urbanen Anerkennungskämpfen. Bielefeld: Transcript.
Halbscheffel, Bernward (2012). Progressive Rock. Die ernste Musik der Popmusik.
Leipzig: Halbscheffel.
Haupt, Adam (2012). Static. Race and Representation in Post-Apartheid Music,
Media and Film. Cape Town: HSRC Press.
Hawkins, Stan (Hg.) (2012). Critical Musicological Reflections. Essays in Honour of
Derek B. Scott. Farnham u. Burlington, VT: Ashgate.
Hecken, Thomas (2012). Avant-Pop. Von Susan Sontag über Prada und Sonic Youth
bis Lady Gaga und zurück (= Schriften zur Popkultur 7). Berlin: Posth Verlag.
Hopkinson, Natalie (2012). Go-Go Live. The Musical Life and Death of a Chocolate
City. Durham, NC: Duke University Press.
Howison, Jamie (2012). God's Mind in That Music. Theological Explorations through
the Music of John Coltrane. Eugene, OR: Cascade Books.
Inglis, Ian (2012). The Beatles in Hamburg. London: Reaktion.
Kaminsky, David (2012). Swedish Folk Music in the Twenty-First Century. On the
Nature of Tradition in a Folkless Nation. Lanham, MD: Lexington Books.
Katthage, Gerd (2012). 1972. Stories aus einem Jahr Popmusik (= Schriften zur
Popkultur 8). Berlin: Posth Verlag.
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1984 and 1991. Saarbrücken: Akademikerverlag.
Knauer, Wolfram (Hg.) (2012). Jazz. Schule. Medien (= Darmstädter Beiträge zur
Jazzforschung 12). Hofheim: Wolke.
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Eastern Cultures. Literature, Cinema and Music. New York, NY: Routledge.
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Launchbury, Claire (2012). Music, Poetry, Propaganda. Constructing French Cultural Soundscapes at the BBC during the Second World War (= Modern French
Identities 78). Oxford; New York, NY: Peter Lang.
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Charity Rock. Saarbrücken: Lambert Academic Publishing.
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in Signal Processing and Music Informatics. Hoboken, NJ: Wiley.
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Century of Berlin Music [Aus dem Französischen übersetzt von Sean Kearney].
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[Medienkombination: Buch + 2 DVDs]. Berlin: Lieblingsbuch.
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Marsh, Clive / Roberts, Vaughan A. (2012). Personal Jesus. How Popular Music
Shapes Our Souls. Grand Rapids, MI: Baker Academic.
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Marshall, Howard W. (2012). »Play Me Something Quick and Devilish«. Old-Time
Fiddlers in Missouri. Columbia, MO: University of Missouri Press.
Mazman, Alper (2012). Jazz Talks. Representations and Self-Representations of African American Music and Its Musicians from Bebop to Free Jazz. Saarbrücken:
Lambert Academic Publishing.
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Miller, Kiri (2012). Playing Along. Digital Games, YouTube, and Virtual Performance. Oxford; New York, NY: Oxford University Press.
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Books.
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and Experience. Bradford, ON: Demeter Press.
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Embodiment, and Higher Edutainment. New York, NY: Routledge.
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Roby, Steven (Hg.) (2012). Hendrix on Hendrix. Interviews and Encounters with
Jimi Hendrix. Chicago, IL: Chicago Review Press.
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Röther, Monika (2012). The Sound of Distinction. Phonogeräte in der Bundesrepublik Deutschland (1957-1973). Eine Objektgeschichte. Marburg: Tectum.
Ruile, Anna Magdalene (2012). Kulturunternehmen HipHop. Von der Szene zum Beruf. Marburg: Tectum.
Sapen, Daniel (2012). Freud's Lost Chord. Discovering Jazz in the Resonant Psyche.
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Schröder, Daniel (2012). Der Komponist Frank Zappa. Über die Aktualität der
»Neuen Musik«. Darmstadt: Büchner-Verlag.
Schuck, Raymond I. / Schuck, Ray (Hg.) (2012). Do You Believe in Rock and Roll?
Essays on Don Mclean's »American Pie«. Jefferson, NC: McFarland.
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and Culture«, Salzburg, 2008]. Oxford: Inter-Disciplinary Press.
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St. John, Graham (2012). Global Tribe. Technology, Spirituality and Psytrance.
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Taylor, Timothy D. (2012). The Sounds of Capitalism. Advertising, Music, and the
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